Much Ado About Murder

3

There were still people drinking in the tavern as Smythe came back downstairs, carrying his boots and cloak. Bobby Speed was among them, as well as George Bryan and several other members of the company, although they would not have much coin left among them to divide for drinking. Will’s largesse notwithstanding, Smythe knew they would all have to make some money very soon, or else many of them would stand in danger of being thrown out into the street. Most of the players saved money by sharing quarters, as he and Will did, but things were getting tight, and with the shortage of rooms in London these days, if it came down to a choice, then it was better to starve and have a place to sleep than placate a growling stomach and risk losing a roof over one’s head. With the recent setbacks they had suffered, even before the playhouses had been closed, they all needed to have the Theatre reopen very soon or else it might well spell the end of the Queen’s Men.

Sitting on the bottom steps, Smythe pulled on his boots. He did not particularly feel like going back into the tavern. Drinking held little fascination for him. Until he came to London, he had never used to drink spirits at all. For a cool drink, he prefered spring water, and for a hot beverage, he had often enjoyed a healthful herbal infusion that a local cunning woman in his village had taught him to brew. He was still able to get the ingredients from Granny Meg’s apothecary shop, but now he mostly drank it cold, after brewing it in an earthen jar on his window. More and more, however, he found himself drinking small beer or ale, primarily because it was what everybody else drank. Londoners had ale for breakfast, ale for dinner, ale for supper, and ale in between. Those who could afford it drank imported wine, but absolutely no one in the city drank water and the idea of brewing an infusion from “weeds” seemed very peculiar to most people.

Smythe had learned to drink ale in order to be sociable, but he was careful not to drink too much, because he knew he had no head for it. Shakespeare, on the other hand, indulged heavily, sometimes to the point of near insensibility, though that point for him was reached long after most people had become utterly paralyzed with drink. There were few players in the Queen’s Men who could keep up with him and Smythe knew better than to try. He had learned that it was best to nurse his ale and drink sparingly, otherwise his head would pay the price.

It was a lesson a lot of people never seemed to learn. At this hour, Smythe knew those players still remaining in the tavern would be three sheets to the wind, and there was nothing quite as uninteresting as being sober in the midst of drunken revelry. Besides, he was not much in the mood for company. He felt like going for a walk. And in all fairness, Will needed his time alone, as well. Smythe knew that Shakespeare could work best when left completely on his own, without any distractions, which was perhaps the main reason why he seemed to work best during the night.

Will was still trying to work on several ideas for original plays, but much to his frustration, playwriting was not what was bringing in the money for him right now. Shakespeare’s sonnets were becoming rather popular among some of the fashionable young gentlemen at court and if he kept on his present course, there was a good chance that he would soon find a wealthy nobleman to be his patron. In fact, judging by what had happened earlier that day, he may already have found one, though he was being rather circumspect about it. Smythe could understand the reasons for that, but if Will had found himself a patron, then it could easily turn out to be a two-edged sword.

The other players were all happy for his good fortune, and grateful that he chose to share the wealth, but at the same time, Smythe could see that they were somewhat apprehensive. Will had quickly become a valuable commodity to the Queen’s Men. He was industrious and capable of working quickly. He had already rewritten several of the plays in their repertoire, improving them significantly in the process, and the proof was in the pudding. Audiences had responded far more favorably to the rewritten versions than they had to the earlier ones, and Will had a knack of revising as they went along, making alterations from performance to performance by taking into account the reactions of the audiences and the contributions of the players.

Unlike many of the university men, who often seemed to act as if their words had emananted from a burning bush and thus were sacrosanct, Shakespeare understood that plays were a collaborative effort, depending upon the contributions of everybody in the company for their success. As a result, within a fairly short time, he had risen in stature from ostler and hired man to book holder and stage manager for the company. Both Burbages, father and son, were anxious to see what he could do when it came to writing an original play.

However, revising the current plays in their repertoire had taken precedence, for that was where the immediate improvements to their fortunes could be made. Now, with the playhouses closed, even that work was being put off while Shakespeare had to strike where the iron was hot. His writing of sonnets on commission was helping to support them all right now, so the other players could hardly begrudge him his efforts in that regard. Yet, if his “strumpet sonneteering,” as he called it, happened to secure a wealthy patron for him, which was the true heart’s desire of every poet in London, then perforce that patron would be the one who called the tune, and he might well choose to have his house poet spend all of his time creating sonnets for publication, rather than writing plays or acting with a company of players.

On the other hand, it was also possible that a wealthy patron might enjoy having a poet in his service who wrote plays. Some of the university men, such as Kit Marlowe, had such patrons and were allowed considerable freedom in writing what they chose. Robert Greene, for instance, wrote not only plays and poetry, but also cautionary pamphlets on the art of “cony-catching.” To Smythe, coming from the country, cony-catching had always meant hunting rabbits, but in the underworld of London ’s criminals, it had another meaning altogether.

To the cutpurses, foists, and alleymen of London, a “cony” was a victim, an innocent rabbit to be caught and skinned, whether by outright theft or trickery. And though Greene’s plays had not impressed Smythe particularly, his pamphlets had proved very educational. John Fleming had told him that they should be required reading for anyone coming to London from the country and on his recommendation, Smythe had purchased several and found them well worth the few pennies he had spent.

They described how the criminals of London plied their trade, from the “lifters” who stole goods from shops by concealing them upon their persons, to “curbers” who used hooks on poles to steal things out of windows that had been left open, to the “jackmen” who forged licenses, to “divers” who used small boys to squeeze through windows or other narrow openings and steal for them, to “nips” and “foists” or cutpurses and their accomplices, Green’s pamphlets described all manner of thievery and “cozenage,” which was the art of gaining someone’s confidence so that the “cozener” or “con man” could then cheat or steal from the “gull” or the person being deceived. There was an entire language, called a “cant,” that was spoken by the members of the London underworld and doubtless, Smythe thought, Greene was not endearing himself to London ’s criminals by exposing so many of their tricks and secrets.

As he went outside, the bellman came walking by, carrying his pike and bell and lantern. The city gates were closed at nightfall and now he made his rounds, calling out the hour in his singsong chant:

“Remember the clocks, look well to your locks,

fire and your light, an’ God give ye good night,

for now the bell ringeth, eight of the clock!”

As part of the watch, the bellman ostensibly patrolled the streets in order to protect the citizenry at night, but in truth, he provided little more protection than did the other constables of the watch, which was to say practically none at all. His primary value was in his ability to sound the call in case of fire, which aside from the plague was probably the single greatest danger to the city, especially with so much shoddy construction and the buildings piled up so closely against one another. And in the event of fire, there was usually not much that could be saved, for the only recourse was to fight it with hooks and buckets brigaded from the wells, and the buildings, for the most part, were so cheaply made that they went up like kindling.

As he came out into the street, Smythe nodded to the bellman as he went by, then stood there for a few moments, enjoying the cool night air. The stench of the streets was somewhat tempered on this night by a good, strong breeze coming in off the river, for which Smythe was thankful. He did not know if he would ever become fully accustomed to the city’s smells. The little country village where he grew up was clean and fresh compared to London. Here, everyone simply threw their refuse out into the streets, so that the cobbles were almost perpetually covered with a coating of slime, which was rinsed away only by a hard rain, though not even a good downpour would wash away all of the refuse piled up and stinking in the streets. And the streets that were not cobbled were almost continually churned into a quagmire, so that navigating them became a challenge to man and horse alike. Here, where Smythe stood, the filth drained down into a depression that ran down the center of the street, and that in turn drained into Fleet Ditch, which stank so badly that it made the eyes water and sting.

He hopped over the ditch as he crossed the street, thinking perhaps to wander down by the river for a while, but then he looked back and saw Molly coming out of the tavern, wrapped in her threadbare, brown woolen cloak, her cap upon her head. She did not see him where he stood. It looked as if she were going home for the night, and Smythe thought that perhaps he should offer to escort her, for being abroad alone in London’s streets at night was not safe for a woman. Especially a woman as young and pretty as Molly. However, before he could go across the street and make the offer, Smythe saw her meet a man who had apparently been waiting for her outside.

In the darkness, as the man came up to her, Smythe did not get a very good look at him, but he seemed to be a tall, long-legged fellow, dressed in high boots and dark breeches, a long dark cloak, and a wide-brimmed, rakish hat. From the way the cloak poked out at the bottom, Smythe could tell that the man also wore a sword.

The dark stranger and Molly acted as if they knew each other as they walked off together down the muddy, refuse-strewn street. Out of curiosity, Smythe followed. He liked Molly, as did all the players, with whom she was quite popular for her vivacity, ready smile, and quick, sharp wit. They all felt rather protective of her. On more than one occasion, he had seen patrons of the Toad and Badger try their luck with her, but all to no avail. Molly’s heart was spoken for. He had heard it said that Molly had loved a soldier who had gone away some time ago to fight in foreign lands. Now, after the events of earlier that day, it was evident to him who that soldier must have been. Anyone could clearly see that Molly and Ben Dickens had a strong mutual attraction. Anyone, apparently, except for Molly and Ben themselves. For some reason, they seemed either unable or unwilling to admit it to themselves or to one another. And to a point, Smythe could sympathize.

There were certain things that he and Elizabeth could not say or admit to one another, too. Of course, their situation was not really the same. Master Henry Darcie’s daughter could hardly be courted by a lowly player. Sometimes it seemed as if she might as well be one of the queen’s glories, for all the chance he had with her. Indeed, she often seemed as far above him as one of the queen’s ladies in waiting, though as a successful merchant guildsman’s daughter, Elizabeth was not quite as inaccessible. Pursuing one of the queen’s glories could get a gentleman at court accomodations in the Tower of London, for the queen preferred to keep her young ladies as virginal as herself. Paying court to Elizabeth Darcie was not going to land him in the Tower, but it could certainly bring him a great deal of trouble if her father’s permission were not secured. And the only thing that stood between Smythe and receiving that permission was his standing.

Smythe had no doubt that if he were a gentleman, then he would be welcomed as a suitor in Henry Darcie’s home. And if he had a tide, why then, the match would have been assured… provided that Elizabeth agreed. For though it was certainly not common practice for a father to seek his daughter’s approval before arranging a match for her, Henry Darcie had learned the hard way that disregarding his daughter’s wishes in that regard could only bring disaster. Nothing would have made him happier than to have his daughter married to a nobleman, and he had done his best to put her on display before them, but Elizabeth was a very forthright and willful young woman, for which reason she was still unmarried. However, there was a limit to how much willfulness Henry Darcie would put up with. He owed Smythe a debt of gratitude, and so did not object to him too strenuously, but then neither did he grant him his approval.

What Henry Darcie did not know, he could not object to, and so he was kept ignorant of their occasional meetings at the bookstalls in Paul’s Walk or at the Theatre while the players were rehearsing. Had he troubled to, Henry Darcie could have easily found out about their meetings. For a man of his means, having his daughter followed would have been a simple thing for Henry Darcie to arrange and after he had satisfied himself that she was having assignations with someone who was thoroughly unsuitable, it would have been equally as simple for him to have Smythe beaten senseless, whipped, or even killed. Smythe knew such things were known to happen to those who aspired to rise, so to speak, above their station. However, there was a curious sort of unspoken understanding between him and Henry Darcie.

Darcie understood that he was a well-intentioned and honorable young man who would never do anything to bring dishonor to Elizabeth, just as he had faith that, for all her stubborn willfulness, his daughter would never do anything to bring dishonor to herself or to her family. Thus, he tolerated their relationship, if not openly, then at least by pretending not to know about it. Henry Darcie still had hopes of making a good marriage for Elizabeth, one that would help advance him socially, and he firmly believed that in time, the right aristocratic suitor would come along and Elizabeth would come to her senses and forget all about her girlish infatuation with a lowly player. In the meantime, he chose to look the other way, because he knew that neither of them would go so far as to take their relationship past the point of impropriety. And in that, Smythe found both solace and frustration.

With Ben and Molly, on the other hand, there were no such impediments. There was nothing to prevent them from finding happiness with one another… if that was truly what they wanted. To Smythe, they seemed kindred spirits, an ideal couple, and he found it puzzling that they fenced the way they did. But if this dark stranger had replaced Dickens in Molly’s affections, then perhaps that would explain it.

Without really thinking about why, he followed them for several blocks, at a discreet distance. If Molly had a paramour, then it was certainly none of his concern, but now that he found his curiosity aroused, he felt reluctant to stand off and let them go, as he knew he probably should. Especially since Molly’s companion was carrying a sword and he had not troubled to bring his.

Smythe knew that sort of forgetfulness was bound to get him into trouble one of these days, but he still found it difficult to think about buckling on his sword each time he went out somewhere. It was second nature to him to carry his uncle’s dagger with him everywhere, for he had carried it since he was a boy. However, until he came London, there had never been any real need to go about armed with a sword. Most of the men in London wore swords, though often more as fashion accessories than as practical weapons. An elegant rapier was considered an essential item of apparel for a proper gentleman, even if he did not have much idea how to use one. But although Smythe was a competent fencer, he had yet to fall into the habit of wearing a sword on a daily basis and unlike the typical London fop, who had mastered the art of posturing rakishly with one hand on his hip and the other resting lightly on the pommel of his sword, when Smythe did wear one, he found that it was always getting in his way.

A few more blocks and Molly had arrived safely at her door, escorted by the dark-cloaked stranger. Smythe watched from a distance as they lingered, speaking for a few moments in the street, then they embraced and exchanged chaste losses on the cheek before Molly went inside and the stranger went off down the street alone. Well, whoever the fellow was, Smythe thought, he at least appeared to be behaving properly. But it did seem as if Ben Dickens may have lost his charm for Molly Beatrice O’Flannery.

He debated for a moment whether or not to follow the stranger and perhaps find out who he was, but then decided against it. It was truly none of his concern whom Molly chose to see. So long as she was not in any sort of trouble and the man was not a villain or a bounder who was trying to take advantage of her. For all he knew, perhaps the stranger was her brother or an uncle or some other relative. She had reached home safely and that was really all that mattered. He decided that he might as well head back toward the inn. Whatever vague apprehension had been troubling him before seemed to have gone now, which suggested that it must not have been of any true concern.

He had gone about a block or so when two men stepped out in front of him from a dark side street, blocking his way. There was no mistaking their confrontational demeanor. Both men carried clubs. Remembering what he had read in Greene’s pamphlets about how alleymen waylaid their victims, Smythe stopped and backed up slightly, then quickly spun around, drawing his knife as he turned… only to find the tip of a sword point pressed lightly up against his Adam’s apple.

“Quick, laddie, very quick. But not quite quick enough, eh?”

The voice was husky, raspy, and low, and not in the least bit apprehensive. The tone was soft, relaxed, and confident. And the sword point held at his throat bespoke an excellent control. It could easily have pierced him through, but as it was, it exerted just the right amount of pressure to make him lift his chin. In the darkness, he could not quite make out his assailant’s features, but by the clothes, he recognized the stranger who had escorted Molly home. He was also uncomfortably aware of the two men standing very close behind him.

“You’ve been following my friend and me ever since we left the Toad and Badger,” said the stranger. “Now be a good lad, drop the dirk, and tell us why, eh?”

Moving quickly, Smythe used his knife to bat away the sword point from his throat, then in almost the same motion, struck out behind him with his leg, lacking back as hard as he could. He heard one of the men behind him cry out. Without pausing, he lowered his shoulder and slammed into the stranger in front of him, seized him, and then swung him around to use him as a shield, holding the knife to his throat.

“Bloody hell!” the second alleyman swore, standing there and holding his club, uncertain what to do. In an instant, the tables had been turned, and the cony had turned out to be not quite such a helpless rabbit after all.

“Now you drop your blade, my friend,” said Smythe. And as he spoke, he suddenly became aware that the dark-garbed stranger was not a man at all, but unmistakably female. Her hat had fallen off and long, raven tresses tumbled to her shoulders. However, it was soft fullness in his grasp that gave the game away.

“Gently, laddie,” she said, in her husky, raspy voice. “ ‘Tis not a cow’s udder that you’re milking, you know.” Her sword dropped to the cobbles.

“My apologies,” said Smythe, relaxing his grip a bit, but still maintaining it. “I did not expect a woman.” He saw the other man make a move toward the sword lying on the ground. “And you stay right where you are, ruffler,” he said to him. “Unless you want your friend to have her throat cut.”

“You would cut a lady’s throat?” the woman asked him.

“Not a lady’s throat,” said Smythe. “But I would have no compunctions about cutting yours.”

“Aargh, God’s bollock?” the first alleyman swore, still doubled over and clutching at his shin with both hands. “The bastard damn near broke me leg!”

“I wish he had broken it, you simple-minded oaf,” the woman said. “As for you, laddie, I take it back. You were more than quick enough.”

“What do we do now, Moll?” asked the second alleyman, in a confused and frightened tone.

“Whatever he tells you to, you fool,” she replied. “And keep your bloody mouth shut.”

“Moll?” said Smythe. He recalled the name from one of the pamphlets he had purchased. A woman who went about dressed as a man, who fought with a sword as well as one, ran a school for pickpockets and lifts, dealt in stolen goods, and carried a great deal of influence in the thieves’ guilds of London. “Moll Cut-purse?”

“You know me?”

“I have read about you, it seems.”

“Ah. Greene and his damn fool pamphlets. Sure an’ I should have drowned him in the river like a sack of cats long since. He’ll get me hanged yet. So… now that you have me, what will you do with me? If you kill me, my boys will break your head, you know.”

“Well, I suppose they can try,” said Smythe, trying to mask his uncertainty. “But I could always call out for the watch.”

She laughed. “Call all you like, laddie. They’ll be gathered in some tavern, having cakes and ale. And if you try to take me in to them, you’ll not get far, I promise you. My boys will see to that.”

“What, these two sorry rufflers?” Smythe said. “They were not much help to you just now, were they?”

Moll whistled sharply through her teeth and a moment later, Smythe became aware of dark figures stepping out from the shadows all around him. There were at least a dozen of them or more.

“Oh,” he said. “Damn.”

“So, laddie, what do you intend?” asked Moll.

“Well now, ‘tis an excellent question, Moll,” he replied, uneasily. “To be honest with you, I do not quite know. But if I let you go, ‘tis clear that things would not go very well for me, whereas so long as I have you, I have something to bargain with, it seems.”

“Indeed,” she said. “So then, what do you propose?”

“Right now, methinks I would settle for getting out of this with my skull intact,” said Smythe.

“That sounds entirely reasonable to me,” Moll Cutpurse replied. “You spare me throat, and I shall spare your skull.”

“Ah, but there’s the rub, you see,” said Smythe. “What assurance have I that you shall have your men stand off if I should let you go?”

“You have my word.”

“The word of a thief?”

“I may steal,” she replied, “but I always keep me word. Ask anyone.”

“ ‘Tis true,” one of the alleymen replied.

“Well, with such an impeccable gentleman vouching for your honor, how could I ever doubt your word?” asked Smythe, wryly.

She chuckled. “Laddie, if I wanted you dead, I could have you followed, and then once I knew where you hung your hat, I could have you done in at any time. Anytime at all. Once all is said and done, what matters it to me if I am hanged for theivery or murder?”

“Your point is well taken,” Smythe replied. “Well then, ‘twould seem that someone is going to have to trust someone first, else we shall be standing here like this all night. And that would profit no one.” He took his knife away from Moll Cut-purse’s throat and stood back, cautiously, keeping his blade ready.

Moll stepped away and turned around to face him, her hand instinctively going to her throat to feel for blood. There wasn’t any. Smythe had been careful not to cut her. The other men started to close in, but she held her hand up, holding them off. They stopped at once.

“Would you have done it, then?” she asked, softly. “Would you have cut me throat?”

“To be honest, I truly do not know,” Smythe replied.

“ ‘Tis an honest man who can admit his own uncertainties,” she said. She came up close to him, so she could see him better. She gazed at him thoughtfully. “I have seen you before, methinks,” she said.

“I stay at the Toad and Badger,” Smythe said. “And I am a player with the Queen’s Men. So now you know where you can find me, if you truly wish me dead.”

“If that were so, then you would be dead already,” she said with a smile. “A player, eh? You are a strapping big lad for a player. You have the look of a man who does honest labor for his living.”

“I apprenticed as a smith and farrier,” he said. “Though I am no journeyman, I still do some work for Liam Bailey now and then, what with the playhouses being closed.”

“Liam Bailey’s last apprentice had his head broke in a fight, I heard,” she said. “ ‘Twould be a shame to deprive him of another. He’s not getting any younger.”

“I would not say that to his face,” Smythe said. “His arm is still twice the size of mine, and I do not yet see him entering his dotage. Not without a fight.”

“He’s a cantankerous old kite, sure enough. But though ‘tis pleasant to stand here and pass the time, we still have unfinished business, you and I. What were you doing following me tonight?”

“Well, ‘twas not you I was following so much as Molly,” Smythe replied.

“Molly, is it? Are you her lover, then?”

“What, I? Nay, nothing like,” said Smythe, a bit taken aback. “In truth, I love another. But Molly… well, we all… that is, all the players… we are all quite fond of her, you know. And when I saw a strange man… well, what I thought was a man, anyway… approach her in the street tonight and then go off with her, well… I was curious and merely wanted to be sure that naught would go amiss.”

“I see.” Moll stared at him thoughtfully for a moment. “Well, that has the ring of truth to it, I suppose. And you did seem surprised when you learned I was woman. What is your name, laddie?”

“I am called Tuck Smythe.”

She held out her hand. “Moll Cutpurse is me canting name,” she said, as he took it. “Someday, if I should get to know you better, I may give you me Christian one. And then again, I may not. But I shall keep an eye on you, Tuck Smythe. For me own sake and for Molly’s… just to make sure that naught will go amiss,” she added, giving him his own words back with a smile.

She reached out her hand and one of her men returned her sword to her. As she put it back into its scabbard, another man picked up her hat and gave it back to her. She put it back on, touched her brim to Smythe, and then one by one, they all melted away into the darkness without a sound.

“Hmpf. Now I know why they call them ‘footpads,’ “ Smythe said to himself. He looked around.

The streets were dark and foggy, and it was difficult to see much more than a few paces ahead. However, despite that, and despite the lateness of the hour, he was nevertheless struck by the fact that on a street crowded with buildings, in a part of the city where rooms were often shared by as many as a dozen people crowded in together and sleeping on the floor, apparently no one had even opened a window and looked out during his encounter with Moll Cutpurse and her men.

He was also struck by how quickly she had been able to summon those men. Surely, she could not have had the time to do so in the brief interval between leaving Molly at her doorstep and accosting him only a few blocks later.

She had known that he had followed her and Molly from the Toad and Badger. She had said as much, though he did not know how she could have noticed him. He had never once seen her look around. But she must have known somehow that he was there, just the same, for she had to have sent word to those men, through some sort of signal… but to whom? And how? Once again, he felt out of his depth, a country bumpkin from the Midlands wandering through London like a perfect gull, ignorant and clueless.

He had never considered himself gullible or foolish, but then, he reminded himself, gullible and foolish people never do, do they? That is one of the things that makes them so. London truly is a different world, he thought. More than one, in fact. The worlds of London society were like layers. Begin to unearth and discover one, and soon another became revealed underneath it… an “underworld,” so to speak.

He needed to obtain more of those pamphlets of Robert Greene’s. He felt as if what he had learned from them had merely scratched the surface of London ’s underworld of thieves. How was it, he wondered, that Greene came by all his knowledge of the world of London ’s criminals? He was a poet, a university man who, one would think, would be much more accustomed to the ways and customs of the Inns of Court rather than the “stews” or brothels and “boozing kens” or alehouses of Cheapside and Southwark. He wondered if it would be possible to meet Greene somehow and ask him questions.

“Were I in your place, I should not bother,” Shakespeare said, when Smythe returned home and put the question to him.

“Why not?”

Still at his writing desk when Smythe returned, Shakespeare had managed to get a number of pages written and felt pleased enough with his progress to retire for the night. They both prepared for bed, stripping down to their white linen shirts.

As Smythe sat down on the mattress and brushed off stray bits of rushes that had adhered to his bare feet, Shakespeare hiked up his shirt and urinated in the chamber pot they kept on the floor in the corner of their room. To help keep down foul odors, they avoided using the chamber pot for anything else, and instead shat in the jakes, a tiny room where Stackpole kept a close stool, which was nothing more than a small, crude, wooden box seat with a hole in the top and a lid, inside of which was kept a large chamber pot partially filled with water. In the interests of keeping his establishment as clean as possible, Stackpole dutifully saw to it that the jakes was emptied out into the street several times a day, and fresh rushes were strewn on the floors in all the rooms each morning, mixed with chips of wormwood to help keep down the fleas. It was, truly, among the cleanest inns that Smythe had seen in the working-class neighborhoods of London, despite its somewhat tumbledown appearance, and any tenant who violated Stackpole’s scrupulous edicts on decorum by voiding, spitting, or vomiting upon the floor without cleaning it up was soundly boxed about the ears and then thrown out into the street. Consequently, most of Stackpole’s tenants tended to follow his rules out of both self-interest and self-preservation.

“From what I hear, Greene has descended into dissipation,” Shakespeare said, as he opened the window and flung the contents of the chamber pot out into the street.

“Oy!” someone yelled out from below.

Shakespeare glanced out briefly. “Sorry, Constable,” he called down.

“Seems to me as if you have made that particular descent a time or two yourself,” Smythe replied.

“S’trewth, I have enjoyed, upon more than one occasion, the happy state of drunkenness,” Shakespeare replied, as he got into bed, “but I have never sought to wallow in the desolate depravity of dissipation. Greene, poor soul, has fallen to that saddest of all states wherein his talent, such as ‘twas, has sailed away upon a sea of spirits. ‘Tis not a pretty story, I fear. He is but six years my senior, and yet Dick Burbage tells me that he looks almost twice my age. He has fallen upon hard times, it seems, and taken up with still harder company. When I asked Dick the same question that you just asked me, Burbage cautioned me to give him a wide berth and from what he said, ‘twould seem like very sound advice. I might recommend the same to you.”

“Pity,” Smythe said. “I have much enjoyed his writings. They have the mark of a well-educated man.”

“Aye, they do at that,” Shakespeare agreed. “The writings of well-educated men are oft’ filled with their contempt for the common man, who does not share their education. Which, of course, is why they always fail to understand him. But then enough of Greene and all his ilk. Tell me more about Moll Cutpurse. I find her much more to my interest!”

“I can understand that well enough,” said Smythe. “I could easily see her as a character portrayed upon the stage. She is positively filled with the stuff of drama, from her head down to her toes.”

“Go on! Describe her to me!” Shakespeare said, his eyes alight with curiosity.

“Well, to begin, she is quite tall for a woman,” Smythe replied. “We are nearly the same height. I took her for a man, at first, because of the way that she was dressed. She wore high leather boots, dark breeches, and a long dark cloak together with a rakish, wide-brimmed hat, rather in the French style, with an ostrich plume stuck into the band. She also wore a sword. I did not have much opportunity to take the weapon’s measure and make some determination of its quality, for at the time, I was rather more attentive to making certain that its point did not transfix my throat.”

“What of her features?” Shakespeare asked. “How did she look?”

“ ‘Twas difficult to see well in the darkness, though we stood close enough that I do believe that I would know her if I saw her once again,” said Smythe. “Her hair was dark, or it seemed dark, at any rate. I suppose ‘twas possible that it could have been red or auburn, though I had the impression that ‘twas raven-hued. Her skin seemed fair, and I could not discern a blemish nor any marks of pox or the like.”

“Was she pretty? Or was she rather plain? Or ugly?”

“I would not call her plain,” said Smythe. “Neither would I call her pretty. Nor ugly, for that matter.”

“Well, what then?”

“Striking, I should say. S’trewth, she did not seem hard at all upon the eyes, but her face had rather too much… too much…” He searched for the right words as his hand floated up in front of him, as if grasping at something. “Too much forth-rightness, I should say, to call it pretty.”

“Ah,” said Shakespeare. “A face with strength of character.”

“Just so, precisely.”

“Tell me about her gaze.”

“Her gaze?”

“The eyes, when she looked upon you… Did they sparlde with a pleasant humor? Or did they seem cold and distant? Cruel? Mocking? Lustful, perhaps?”

“Lustful!” Smythe snorted. “Surely, you jest! The woman had a swordpoint at my throat!”

“Well, with some women, that sort of thing might induce an… excitation.”

“Odd’s blood! I shudder to think what sort of women you must have known!”

“I shudder to think what sort I married,” Shakespeare replied, dryly. “But that is quite another matter. What I meant was, did you have any feeling that having you so at a disadvantage gave her a sense of satisfaction or, perhaps, of pleasure?”

“She did seem to enjoy my discomfort, come to think on it,” Smythe said.

“What about after you turned the tables on her?” Shakespeare asked. “When you had your knife to her throat… what then? Was she afraid?”

“Not in the least,” Smythe said. “She was aware of the danger, I should say, and from what she asked me later, I do not think she was truly sure if I would have used my knife or not, but she seemed to take it all in stride. I found that quite extraordinary.”

“Indeed,” said Shakespeare. “The portrait you have painted has a most unusual aspect. And not at all unpleasing, at that. It brings to mind our mutual friend, Black Billy, does it not?”

“Sir William’s other self?” said Smythe. “Aye, there does seem to be a sort of family resemblance.”

Shakespeare’s eyebrows raised. “You don’t suppose…?”

“Certainly not!” Smythe said. “What an astonishing idea!”

“Any more astonishing than a knight of the realm galloping about the countryside as a common highwayman?” countered Shakespeare.

“Aye, perhaps not, when you put it that way,” Smythe replied. “Still, they are much more different than the same. Moll’s speech has a Highland ring to it, which tells me for a certainty that she did not grow up in England, as did Sir William. And their faces are both shaped rather differently. Sir William’s has a sharp and hawkish cast, whilst Moll’s is rounder, with somewhat gentler features.”

“But you said that you could not see her all that clearly.”

“I saw her clear enough to know her face again. I could not tell you for certain what the precise hue of her hair was, whether ‘twas black or chestnut rather than auburn, or if she was more pale than ruddy, but I believe that I would know her features.”

“Then you must be sure to point her out to me if we should chance to pass her in the street,” said Shakespeare. “I wonder what she was doing with our Molly.”

“I was wondering the same,” said Smythe. “Moll and Molly. Two women with the same name, or near enough, and yet they could not be more different. Of course, ‘twas not her real name, Moll Cutpurse, but her canting name, as she admitted to me. I wonder who she really is. Truly, ‘tis a different world these people live in, what with their own made-up names and manners of speech, even their own society, with its own rules.”

“One might say the same of the queen’s own court,” said Shakespeare. “Save that with the thieves guild, we have less pomp and more circumstance. Did you think to ask our Molly what she was doing abroad with such a wolf’s head?”

“How could I? Then she would know that I had followed her.”

“And are you ashamed of that? Were your motives less than honorable in that regard?”

“Surely, Will, you know me better! Besides, you know that my affections are already spoken for.”

“Aye, indeed, I do know that, my friend. But when it comes to women, men oft’ do such addle-pated things as to defy and mystify all those who know and love them. Although, once all is said and done, Molly is a much more suitable object for the affections of a player than your Elizabeth, who stands well beyond your humble reach, as I have told you more than once.”

“Indeed, you have,” said Smythe, “but I assure you nonetheless that any affection that I have for Molly are the affections of a friend and not a lover.”

“Then why are you afraid to tell her that you followed her tonight?”

“Why? Well, because… because she might not understand my motives.”

“Which were concern for her safety and well-being, purely as a friend, of course.”

“Just so, precisely.”

“Just so, my rump and bollocks,” Shakespeare said. “You followed her for no other reason than that you were curious to see who it was that she was meeting and what would transpire between them.”

“Not so,” Smythe replied. “I went out to take a walk, so as not to disturb you at your work, and when I saw Molly come out all alone, why, I was going to offer to escort her home, as the streets are not safe at night-”

“And on how many previous nights had you offered to escort her home, out of concern for her safety and well-being, as you put it?” Shakespeare asked. “Or was tonight merely the first time that the notion of her safety and well-being alit upon your chivalrous young brain? How long has she been working at the Toad and Badger, hmm? She has been in service here ever since we came to London, and yet you never once before evinced an interest in her safety!”

“Well… I… I suppose it simply never before occurred to me…”

“Nay, it did not, Tuck, which is just my point. You followed the girl out of simple curiosity and nothing more. You followed her because you, my friend, are as curious as a marten sniffing round a henhouse. Tis a thing we have in common, so do not attempt to tell me that your motives were any loftier than that. And ‘tis why you are afraid to tell Molly that you followed her, because that is the truth of it, and if you tell her any different, then she will think there is a stronger reason for your interest and you know it!”

Smythe simply lay there for a moment, without speaking. Then he sighed. “Very well, then. I suppose ‘tis true. I followed her more for the sake of curiosity than for any other reason. And if I told her that, then she might be offended, or else she might misconstrue my motives. Either way, you see my dilemma. I cannot tell her that I followed her, and so I cannot ask what she was doing with a brigand like Moll Cutpurse. So… where does that leave us?”

“Us? How did I become involved in this?”

“Because you are now as curious as I. Admit it.”

“Oh, I suppose I am,” Shakespeare conceded, grudgingly. “But I do not intend to lose my sleep over this conundrum. I suspect it shall resolve itself upon the morrow.”

“How so?”

“Because even if you do not tell Molly that you followed her, there is a very good chance that your new friend, Moll Cutpurse, will,” said Shakespeare. “And I must admit that I am curious to know how she shall respond to that. You will be sure to tell me, won’t you?” He smiled and blew out the candle. “Good night.”