Joyce Carol Oates

The high imaginative powers of Joyce Carol Oates are by now seen as a virtual force of nature: like waves, her fiction comes ever on, beating up against our fragile defences and sucking us into the very heart of its intensity. She began her career in 1963 with the novel ‘By the North Gate’; since then she’s published scores of books, none less sharply observed or intricately textured than the next. Under the pseudonym Rosamond Smith, she produces some of the most compelling psychological suspense stories of our time.

It is, of course, always an honour to be able to present a new work from her, particularly when it relates to a theme as suited to her hypnotic talents as revenge.

Trust Ms. Oates to spiral around the issues of guilt and motive, keeping us once again off balance and attempting, futilely, to hold our own against the onslaught of her diabolic inventiveness. ‘Murder-Two’ quite intentionally echoes the headlines we wince to read these days, but the character of its subtle surprises is unique to this author.

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