My Cousin, My Gastroenterologist

17. lines composed after inhaling paint thinner

i like the people, i like the climate, i like the food

marsha was telling me all the bands she liked

i glanced out the window of the computer-run monorail at the pink hollyhocks and white queen anne's lace and bright purple wildflowers blooming on the hills and then i looked back at marsha who was wearing a cream satin two-piece dress, gold lamй sandals with chain straps, and pearl-drop earrings she reeked of cheap perfume i like cheap perfume on a blond robot

oh! they're fantastic live! she said i almost got a backstage pass to their concert at madison square garden because i knew this guy who was the hammered dulcimer player for semen-stained panties and the loose unidentified pubic hairs and he knew the drummer for cheap perfume on a blond robot, but this guy had all kinds of physical problems — he was half-human, half-mole, and part cyborg, i guess, because he had a nylon fiber-point penis and long-wearing tungsten carbide testicles and he had to get fetal lamb cell injections and take a muriatic acid sitz bath every day or the mole half would overtake the human half and the treatments made him really moody and capricious — so the day he was supposed to get the backstage pass to the concert he called up and said, y'know that broadway show with the TV commercial that goes "can a proscuitto and provolone sandwich with lettuce and tomatoes and onions and oil and vinegar irrevocably alter the course of a man's life — this is the question posed and pondered with lambent wit and verve in neil simon's delightful new musical, intrauterine memories of mama"? yeah, i said well, i got you a ticket for that instead of a backstage pass for the cheap perfume on a blond robot concert why'd you get me a ticket for intrauterine memories of mama when you knew how much i wanted to go to the concert, i asked and he said, well, i guess the fetal lamb cell injections and muriatic acid sitz baths made me too moody and capricious and i did the wrong thing— i'm really sorry, marsha and i was pissed but i felt really bad for him, i mean here was a guy who when he was three years old played the hammered dulcimer with the astonishing precosity of a mozart and now look at him his band gets its first gig in months playing an assembly at an elementary school and they're supposed to do "home on the range" and he's supposed to sing, "give me a home where the buffalo roam" and he stands up there and in all apparent earnestness sings, "give me a home where the dwarf surf clam and the solitary sea-squirt roam" and it was pathetic — all the kids were giggling and shouting, "it's not 'where the dwarf surf clam and the solitary sea-squirt roam' it's 'where the buffalo roam'!"

i glanced out the window of the computer-run monorail at the crocodile-infested rivers and malarial swamps teeming with electric eels and fifteen-foot anacondas and then i looked back at marsha who was wearing a blush-pink silk blazer over houndstooth check wool bermuda shorts beneath her synthetic skin (a latex-like water emulsion polymer the color of cafй au lait), a network of white plastic arteries circulated compressed air throughout her metal and carbon-fiber chassis she literally had the words hitachi electronics corporation written all over her i estimated her development costs to have been approximately 2 billion yen she reached behind her head as if to smooth her hair and inserted a fresh floppy disk into a disk drive situated inconspicuously at the nape of her neck instinctively i reached across to help her and my fingers brushed against the floppy disk as it receded into the back of her head i looked into her sensitive almost vulnerable pale-blue electron diffraction optical imaging scanners your software is so soft, i said she smiled bashfully, averting her eyes, and continued to talk about the dulcimer player who was half-human, half-mole

shortly after the humiliating fiasco at the elementary school, i was awakened in the middle of the night by a telephone call informing me that he had drowned himself in a fermentation vat at a puerto rican rum distillery i was told by a bacardi attorney that he'd flung himself into the vat with a kind of sublime grace that his back was arched, his legs extended, his hands pressed together above his head as if in prayer i was told that had it been a competitive dive with the high and low marks discarded his score would have been quite impressive i was told that as he hit the surface of the fermenting molasses he whispered my name distraught, guilt-ridden, confused — i began to see a travel therapist and after a number of tearful cathartic sessions, she suggested that i go to europe i took an apartment upstairs from the cern atom smasher in switzerland… but it was like living over a bowling alley… all that smashing so i moved back, to a basement apartment next door to the norad strategic warning center in Colorado under cheyenne mountain and here i enjoyed a long overdue respite from the pierced nipple and enema crowd, here amid the murmuring mountain streams and craggy cliffs my soul was succored in days of arcadian serenity and tranquil restoration — often i'd awaken from an afternoon nap to find a caribou or elk performing a delicate pas de bourrйe on pointed hoof from flagstone to flagstone, his hairy beer belly spilling over his leotard as he minced about the carp ponds and pepsi machines that skirted the grounds of the barbara mandrell in vitro fertilization clinic i had a wonderful next-door neighbor — a warmhearted, jovial, gregarious woman with an irrepressible zest for life she had a deep consuming passion for macaroni and cheese and often i'd awaken from an afternoon nap to find men in white overalls running a thick black hose from their gleaming cylindrical tank truck to an inlet valve in the backyard and pumping gallons and gallons of creamy yellow velveeta cheese sauce into her underground storage reservoir one day she said, dear dear relatives are coming down to visit me from their home in putrid beef, wyoming and she ground the wheat and made pastries she went hunting in the forest and shot the animals and ground their flesh into chopped meat for hamburgers and she took a boat into the ocean to catch the fish and baked a cake and threw the fish in for a fish cake and i asked if i could do anything to help and she said, no no no, you just go into the den and watch TV so i watched a documentary about norwegian explorer and writer thor heyerdahl proving that it was possible for a race of primitive people to have migrated from continent to continent on styrofoam kickboards and i watched a news conference at which the president announced that after having reviewed the film the dirty dozen with the trilateral commission he was sending jean harris, claus von bьlow, john delorean, and nine other upper-crust felons to the caribbean in an armored yawl with a 155-millimeter champagne bottle mounted on deck capable of firing a 600-lb. cork from the coastal waters of eastern nicaragua right into the living room of comandante daniel ortega a gaunt pockmarked dissipated handsome sexy mosquito hovered at the screen window transfixed as if spaced out on smack a thousand images of the flickering sony trinitron reflected in his compound eyes his sharp proboscis flashed in the moonlight like a hypodermic needle with a drop of blood at its tip i could tell he was wearing black mesh panties under his skintight slacks he undulated his tight little muscular cylindrical abdomen it twitched it shuddered in almost imperceptible spasms he was saying, "let me in, marsha" and "marsha, do you have any sweet shit in your liquor cabinet like sambuca or kahlъa or peppermint schnapps or amaretto" and "marsha, don't you recognize me — this is jesus, they freeze-dried my brain at san quentin" and "marsha, this is elvis… this is prince" so i ran and got a can of extra-strength raid and sprayed him through the screen window until death was his final reward the phone was ringing in my apartment it rang 50 times 60 times 70 times 80, 90, 100, 110 times finally on the 117th ring i picked it up… breathless… panting… it was my cousin, the gastroenterologist he said, marsha, you'd better catch the next flight to new york city — your father's got kidney stones i flew in and took a taxi right to mount sinai hospital when i arrived my father was in the operating room immersed shoulder-deep in a special high-tech bathtub there was a large marshall amplifier next to the tub the surgeon turned to the nurse and said, "guitar" the nurse handed him a fender stratocaster the surgeon strapped it over his shoulder "guitar pick," he said she complied, placing a guitar pick firmly in his gloved hand as the surgeon began to play jimi hendrix's solo from "purple haze," he held the guitar up against the amplifier, producing howling high-pitched feedback as my cousin, the gastroenterologist, later explained, the guitar feedback produces shock waves in the warm bathwater which travel harmlessly through the body but shatter the brittle kidney stones into fine fragments he said that the guitar-feedback method of smashing kidney stones had been developed at the monterey pop institute of kidney, bladder, and urethra disease and had just been approved by the FDA i trusted my cousin's medical explication as i trusted my cousin — implicitly esteemed by his professional colleagues, affluent, and socially prominent, he was the shining scion of his immigrant family — although his father had achieved considerable notoriety in his own vocation — baseball he'd been the first rigidly orthodox soviet-style marxist-leninist to pitch for a major league team this was thanks to the enlightened and farsighted hiring practices of brooklyn dodgers owner branch rickey who signed my uncle in the early 50s, to the almost unanimous displeasure of organized baseball my uncle caused tremendous controversy when he refused to pitch on may day and later declined the opening start of a world series because it fell on the wedding anniversary of ethel and julius rosenberg notwithstanding one's political affiliations one couldn't deny his baseball prowess, and in fact he had such an incredible spitball that his salivary glands were insured by lloyпs of london we were reminiscing over falafel sandwiches and diet cokes in the mount sinai cafeteria when my cousin's face took on an unexpectedly somber aspect what's wrong, i asked, do you have food allergies? is the wheat gluten in the pita bread causing you to become moody and capricious? is the nutrasweet in the diet coke making you epileptic? no, he said, it's your father… there's more wrong with him than just the kidney stones we discovered a gas pocket of freon in his brain what's freon? i asked freon's a refrigerant used in air-conditioning systems and he looked at me and with the grim urgency of a network anchorman he said, marsha, the freon bubble in your father's brain is the work of terrorists your father was #1 on the trilateral commission's hit parade well, can't you just install a replacement head? i asked every body comes with two or three replacement heads and instructions on removing the worn-out head and installing the spare to remove your head simply take your left hand and hold the back of your head take your right hand and hold your chin firmly in its palm twist your head sharply with a counterclockwise motion until you hear it disengage to install your replacement head place the head assembly on neck housing and insert guide pins through mounting holes hold head firmly in position with both hands and rotate slowly clockwise until assembly locks into place if your replacement head features a built-in dish antenna you can test head function by standing in the middle of your backyard and determining whether you're picking up any satellite signals if your replacement head fails to pick up any satellite signals then you either installed your head improperly or the head is defective if, after installing new head, you are unable to discern the contradictions in capitalist modes of production, you have either installed your head improperly or head is defective

i glanced out the window of the computer-run monorail at the feed store, the international harvester dealership, the barbershop, the county courthouse, and the domed tabernacle of the aryan nazarene church and then i looked back at marsha at the epicanthic folds of her Japanese-made eyes, at her olive silk pleated tunic and smoke-blue wool crepe pants and in the periphery of my vision i noticed a group of Caucasian hoodlums entering the car i think they were delinquents from one of the bad parts of Canada recalling the fashion of urban black youth of the 1970s who wore combs and afro picks in their hair, these Caucasian thugs took it one step further — they wore all their grooming implements and toilet articles they swaggered down the aisle with q-tips sticking out of their ears, strands of dental floss hanging from their teeth, and big globs of styling mousse on the tops of their heads they were apparently a gang of deaf Caucasian punks because instead of toting boom boxes on their shoulders, they each carried a letter-quality printer which churned out the lyrics of the songs they began to terrorize the women and elderly passengers i rose in my seat and stepped into the aisle you're dead meat, i said, slowly enough so that they could read my lips i'm the last of the great musclemen for 100 years musclemen ruled the u.s.a. a muscleman sat in the oval office, coconut butter slathered across his bursting rippling physique the senate and house of representatives and supreme court were filled with musclemen and musclewomen the mayor of new york city was an immense musclewoman—165 lbs. of steroid-scented beefcake garnished with a red bikini that marked her bulging latitudes like two rubber bands about to snap but then the engineers with their microchips and modems overcame the musclepeople well, i'm the last of the great iron-pumping vigilantes i cornered each one of those q-tip-sporting Caucasian animals and beat him with my huge fists until his face was a pudding of flesh and blood and his lower lip protruded stupidly from his mouth like the heavy petal of a summer flower

after freshening up in the monorail lavatory, i retired to the dining car for a bit of supper what color is your mozzarella? i asked the waitress it's pink — it's the same color as the top of a mennen lady speed stick antiperspirant dispenser, y'know that color? no, ma'am, i said it's the same pink they use for the gillette daisy disposable razors for women… y'know that color? nope y'know the pink they use on the wrappers for carefree panty shields? nuh-uh well, it's the same pink as pepto-bismol, y'know that color? oh yeah, i said, well, do you have spaghetti? well, what's spaghetti? it's elongated thin solid strings of pasta no, we don't have that, but i want to tell you, mister, that no matter what you order tonight you're in for a treat because our new chef was a texas death row chef what's that? i asked well, the state of texas is executing so many convicts that it's been forced to hire special death row chefs to accommodate the spiraling number of last meal requests — a condemned inmate being of course traditionally entitled to the final menu of his choice in the old days, when capital punishment was infrequent enough to be noteworthy and when death sentences were meted out primarily to the itinerant and impecunious, steaks or cheeseburgers with a side of french fries or onion rings, coffee, and pie а la mode tended to be the order of the day but today, murder, mayhem, random violence, heinous brutality, and wanton slaughter of innocent life is just as likely to occur in corporate boardrooms, health spas, tanning salons, and video clubs as it is in slum alleyways and backwoods motels this coupled with your gastronomic education in the public schools and wardens are finding themselves obliged to accommodate last requests for everything from coquilles st. Jacques and roast pheasant with chestnut stuffing to braised veal shanks, milan style, and cold sautйed trout in orange marinade electric chairs, gas chambers, and firing squads are working at such a frenetic pace that death row kitchens are sites of frantic raucous activity, with depleted items being constantly scrawled on the 86 board and waiters rushing in and out and yelling their orders: i got a steak au poivre, a stuffed sole, an order of fried zucchini sticks and cancel the bay scallops — governor's pardon… the kitchen lights intermittently dimming as power surges to the electric chair ads for death row chefs and death row sauciers appear in all the major trade publications and the Cornell school of hotel/motel management and the new jersey culinary institute offer degrees in last meal preparation students are trained in every aspect and nuance of death row cuisine including which wines more felicitously complement meals preceding death by firing squad and which wines more felicitously complement meals preceding death by lethal injection sounds good, i said, let me try that roast pheasant with chestnut stuffing we don't have that how about the cold sautйed trout in orange marinade, that sounded good nope, we don't have that what about those braised veal shanks? nuh-uh then why don't you give me a cheeseburger with a side of french fries, coffee, and pie а la mode thanks for your order, mister i took a long drink of ice water my bruised raw fists ached from the beating i'd administered to those thugs i slumped down into the vinyl-upholstered banquette my body was exhausted my head felt like a buoy, bobbing on the surface of the water i tried to forget my own exhaustion, my own pain, by eavesdropping on the conversation of a man and a woman in the adjoining booth and i concentrated with such focused intensity that during lulls in their conversation i could hear the secretions of their internal glands drip with the audibility of leaking faucets they were both happily married to their respective spouses, but they desperately wanted to have a love affair with each other unwilling to risk jeopardizing their marriages, they'd decided that on a preordained night they would meet in each other's dreams and that way they could consummate their passion for each other without actually, statutorily transgressing their conjugal vows they would make a kind of oneiric tryst they would have a sort of out-of-body affair they'd agreed that the day after this prearranged night they would meet in the dining car of the computer-run monorail to compare the delights of their telepathic liaison i don't think they'd been there long when i started listening where were you last night? the man said angrily what are you talking about? asked the woman well, all i dreamt of last night was sitting on the bank of a stream eating a turkey salad platter garnished with mandarin oranges that was me! exclaimed the woman what? said the man i was the mandarin oranges or i should say i appeared in your dream in the form of mandarin oranges — because they are sweet and tart and small and cool like me — i was symbolized in your dream by mandarin oranges well, this is very annoying, said the man, why couldn't you have simply appeared in my dream as you, like we planned? well… thought the woman, and then after a prolonged pause she said, well, you have some nerve being annoyed — where were you last night? the man squirmed a bit in his seat why, he asked, what did you dream? i dreamt i was lying on a beach blanket on an endless asphalt field in indiana, thoroughly basted with suntan lotion, reading lee iacocca's autobiography and a squadron of french mirage-2000 jet fighters kept flying back and forth above the field in tight wing formation the man averted his eyes sheepishly, that was me, he said, i appeared in your dream in the form of mirage-2000 jets… but i didn't mean to! i intended to come as myself well, said the woman indignantly, i certainly didn't mean to appear in your dream as mandarin oranges — i had every intention of appearing in your dream in the flesh! the man reached across the table and took the woman's hand in his i wish you had, he said softly this is the problem, said the woman, although we intend to appear as ourselves — we are apparently transmogrified en route into each other's dreams into encoded images or symbols of ourselves this is quite unsatisfying, said the man, how will we ever recognize each other? we'll simply have to assume that any elements congruent with those which appeared last night represent each other you're right, said the man, now i know that any time i encounter a garnish in my dreams it's you — every olive, every tomato slice, candied apple, parsley sprig, lemon rind, grated radish, and maraschino cherry — it's you! yes, said the woman, and i know that each time i discover an F-16 or a MIG-25 or a strategic air command bomber or a 747 passenger plane or the space shuttle or even a soviet SAM-7 surface-to-air missile — it's you… you and only you!

i found the lovers' passionate predicament and their passionately ingenious solution quite poignant not only was i moved by the sophistication of their microcomponents — only fourth-generation robots were capable of dreaming and telepathy — but they made me think back to the springtime of my own youth, when i first fell in love the year was 1958 cary grant and sophia loren starred in a motion picture called houseboat it was a beautifully tender love story of an italian conductor's daughter and a widowed father of three small children to me it was the most romantic film of my lifetime and i thought that sophia loren was the most potent embodiment of erotic love imaginable i suffered the agonies of an enraptured adolescent i can remember vividly the very sweetness of my longing, the hot sudorific intensity of fantasies inevitably doused in the icy realization of my desire's futility… absently doodling her name on my gym shorts "sophia"… "sophia"… the word reverently multiplied on every wall of the weight room, scratched even in the vinyl-covered benches of my nautilus equipment she was the first and last woman i ever loved although cary grant and sophia loren appeared larger than life on screen, they were actually 10-inch scale models — graphite-reinforced shells of polycarbonate polybutylene resin filled with cellular urethane foam — designed and constructed by special-effect artists at toho films, the japanese studio also responsible for godzilla, rodan, mothra, and ghidrah

after finishing my cheeseburger, coffee, and dessert, i paid my check and repaired to the bar car for a brandy i had just settled onto my bar stool when i felt the firm grip of a biometal hand on my shoulder i swiveled around and for a second was so nonplussed that i didn't recognize the sallow and sunken-cheeked figure before me it was a painter i'd known quite some time ago when i lived on reade street featuring a gyroscopic balance sensor, enhanced manual dexterity, advanced irony and image appropriation functions, and a 600K-byte art history memory, he was the first of the automaton painters to exhibit simultaneously at boone, castelli, and radio shack, and to appear in the same month on the covers of art forum and popular mechanics and he was the first automaton painter equipped with a functional gastrointestinal tract enabling him to eat at mr. chow's he appeared to me to be in a state of extreme agitation and although we hadn't seen each other in some twenty years, he forwent any pleasantries and steered me roughly from the bar come with me to my loft car, he said, i want you to see my new painting — i think it's the best work i've ever done every computer-run monorail had five or six loft cars — usually towards the back of the train these loft cars were reserved for artists to enable them to work on their paintings or sculptures without interruption between stations so with me in tow, he proceeded hurriedly to his loft car the painting was propped against the side of the car, draped in a section of tarpaulin let me give you some background before you see it, he said two men get out of prison after 10-year stretches for armed robbery in a shared fit of spontaneous recidivism, they immediately steal a bright red mustang convertible they're driving along and they approach a huge billboard depicting a voluptuous woman in a very scanty, revealing bikini the men, neither of whom has seen or been with a real woman in 10 years, are overcome with desire they slam on the brakes — the red mustang swerves and screeches to a halt in a roadside ditch and the two men get out of the car, rip their clothes off, throw themselves across the hot hood of the mustang, and begin to furiously masturbate and the red mustang is so hot from the engine and the desert sun that when they ejaculate the globs of semen literally fry on the hood and that's the painting, he said, releasing the tarpaulin and so it was — there was the desert road, the lean muscular etiolated bodies of the two ex-cons sprawled exhaustedly across a red mustang convertible, two large albuminous pools of fresh semen sizzling on its hot hood like two fried eggs this is a numinous work of art if i ever painted one, he said, this painting is extremely spooky it's like the portrait of dorian gray or something it frightens the living shit out of me what is it that frightens you about it? i asked the painting is protean… it's unstable… it changes! what do you mean? i asked i mean the painting literally changes depending on where the monorail is — the painting transforms itself — it apparently metamorphoses its pigments to reflect the location of the monorail — it's like some kind of weird window! well, it didn't take me more than a couple of seconds to realize that it was a window and if there had been any doubts, they were dispelled as the monorail began to pull away and, through the window, the red convertible and the two pale and spent convicts receded in the distance and the setting desert sun cast a coral light on the landscape

i walked away, deeply moved by the refusal or inability of this robot to distinguish between the factitious and the natural but a powerful turbulent hungry feeling was welling up within me i longed for the warm textures of flesh and blood — the faint glimmers of sympathy and pleasure in a pair of eyes indicating the presence of a heart and nerves and synapses and not gallium arsenide chips and integrated circuits perhaps i'm the last human being on earth with an abiding system of ethics and a beautiful body although on certain beaches beautiful heavily muscled proletarian boys are cracking open horseshoe crabs with ball-peen hammers and sucking out their 175-million-year-old deoxyribonucleic acid in a gallant effort to rejuvenate the human species but i am nostalgic for more romantic times i slipped into a camisole top of silver and violet mesh, a black velvet skirt, a sapphire and opal necklace, diamond earrings, and a pair of multicolored python pumps and i made my way, car by car, through the computer-run monorail — cruising for sentient beings

about the author

I was born on January 4, 1956, at Margaret Hague Hospital in Jersey City, New Jersey. Little is known about my early life. My father, Joel, and my mother, Muriel, kept me with them in Jersey City. Often they would take me to look at dinosaur bones at the Museum of Natural History, and then, invariably, I would be given ravioli. Summers were spent at the Jersey shore in a town called Deal which is near Long Branch where Ulysses Grant spent his presidential summers. It should also be noted that from the stoop of our little house in Jersey City I could discern the screen at the Newark Drive-In Movie Theatre. When I was six, my sister Debbie was born. (An actress and former shoe model, she has since changed her name to "Chase.") One day we moved to West Orange, where I saw my first squirrel. On my first day at school in West Orange I was asked to do something that I refused to do: skip. When I saw the Beatles on television in 1963, I decided that I'd like to be an "artist." At various times the Leyner family went to Holland, England, Denmark, Sweden, and Portugal. In junior high school, there were only three girls shorter than I was — two were identical twins and one was Shelly Ullman, whom I asked to wear my ID bracelet. Unfortunately her wrist was too pudgy to accommodate the bracelet without her hand becoming gangrenous. Bringing great honor to my people, I was chosen as one of the starting pitchers in the Little League All-Star Game. I began writing poetry. I attended Columbia High School, where I wrote a column called "This Side of Paradise" for the school paper. The column chronicled the parties that my friends and I attended. In high school, I loved to rock ʼn' roll, a hot dog made me lose control. I was in a band that broke up over artistic differences — I wanted us to go "glitter," а la T. Rex, Bowie, the New York Dolls; the other guitarist, Tom Cacherelli, wanted us to be a more workmanlike band like the Allman Brothers. I graduated from high school when I was sixteen and dashed off to the Middle East with my girlfriend Liz Ross, who today is a lawyer in Boston. Eventually, sick of falafel, we dashed off to Greece, Switzerland, and Prance before returning to the U.S.A. to attend our respective universities: Radcliffe for Liz and Brandeis for me. In 1972 my poem about Tina Turner appeared in Rolling Stone—my career was launched! Then I met Sarah "Calamity Jane" Vogelman and offered her a quaalude, and so began our college romance — today Sarah is married to Adam Kariotakis and has two kids; she's a lawyer in New Brunswick. I began writing fiction at Brandeis, and when I graduated in 1977, I was awarded the Dorothy Moyer Memorial Award for writing. I was offered fellowships at the graduate writing programs at Johns Hopkins University and at the University of Colorado in Boulder. I went to Boulder, got my M.A. in 1979, and then moved to Washington, D.C., where "Calamity Jane" Vogelman was living and I had a series of stupid jobs and began work on I Smell Esther Williams. I moved to Hoboken in 1982 and worked as an advertising copywriter for Panasonic for a year. I dated a bass player named Trude Koby, who was also going out with Fab Five Freddy at the time — today she's a lawyer in Miami. In 1983, I Smell Esther Williams was published by the Fiction Collective. That year I met Arleen Portada, and in 1984 I asked her to marry me. She got very embarrassed and ran into the bathroom; eventually she came out and said "yes" and we were married and had a riotous party at — where else? — the Hoboken Elks' Club. Arleen is a brilliant psychotherapist. She was asked to appear on "The Morton Downey Show" and refused. We've traveled to places all over the country including Fayetteville, North Carolina. My work began appearing in various magazines. In 1986, I was awarded a fellowship grant from the New Jersey State Council on the Arts. I've given readings at many distinguished venues, including the New York City Department of Cultural Affairs, the West Side Y's Writer's Voice series, Columbia University, Illinois State University, SUNY Buffalo etc. While working on My Cousin, My Gastroenterologist, I supported myself by doing advertising copywriting. Recently I've written ads for biodegradable incontinence briefs and artificial saliva. No one knows what the future holds in store for me.