Nana

"We've not got a quarter of an hour more to go. You see that church behind the trees down there?"

Then she continued:

"Do you know, it appears the owner of the Chateau de Chamont is an old lady of Napoleon's time? Oh, SHE was a merry one! At least, so Joseph told me, and he heard it from the servants at the bishop's palace. There's no one like it nowadays, and for the matter of that, she's become goody-goody."

"What's her name?" asked Lucy.

"Madame d'Anglars."

"Irma d'Anglars--I knew her!" cried Gaga.

Admiring exclamations burst from the line of carriages and were borne down the wind as the horses quickened their trot. Heads were stretched out in Gaga's direction; Maria Blond and Tatan Nene turned round and knelt on the seat while they leaned over the carriage hood, and the air was full of questions and cutting remarks, tempered by a certain obscure admiration. Gaga had known her! The idea filled them all with respect for that far-off past.

"Dear me, I was young then," continued Gaga. "But never mind, I remember it all. I saw her pass. They said she was disgusting in her own house, but, driving in her carriage, she WAS just smart! And the stunning tales about her! Dirty doings and money flung about like one o'clock! I don't wonder at all that she's got a fine place. Why, she used to clean out a man's pockets as soon as look at him. Irma d'Anglars still in the land of the living! Why, my little pets, she must be near ninety."

At this the ladies became suddenly serious. Ninety years old! The deuce, there wasn't one of them, as Lucy loudly declared, who would live to that age. They were all done for. Besides, Nana said she didn't want to make old bones; it wouldn't be amusing. They were drawing near their destination, and the conversation was interrupted by the cracking of whips as the drivers put their horses to their best paces. Yet amid all the noise Lucy continued talking and, suddenly changing the subject, urged Nana to come to town with them all to-morrow. The exhibition was soon to close, and the ladies must really return to Paris, where the season was surpassing their expectations. But Nana was obstinate. She loathed Paris; she wouldn't set foot there yet!

"Eh, darling, we'll stay?" she said, giving Georges's knees a squeeze, as though Steiner were of no account.

The carriages had pulled up abruptly, and in some surprise the company got out on some waste ground at the bottom of a small hill. With his whip one of the drivers had to point them out the ruins of the old Abbey of Chamont where they lay hidden among trees. It was a great sell! The ladies voted them silly. Why, they were only a heap of old stones with briers growing over them and part of a tumble-down tower. It really wasn't worth coming a couple of leagues to see that! Then the driver pointed out to them the countryseat, the park of which stretched away from the abbey, and he advised them to take a little path and follow the walls surrounding it. They would thus make the tour of the place while the carriages would go and await them in the village square. It was a delightful walk, and the company agreed to the proposition.

"Lord love me, Irma knows how to take care of herself!" said Gaga, halting before a gate at the corner of the park wall abutting on the highroad.

All of them stood silently gazing at the enormous bush which stopped up the gateway. Then following the little path, they skirted the park wall, looking up from time to time to admire the trees, whose lofty branches stretched out over them and formed a dense vault of greenery. After three minutes or so they found themselves in front of a second gate. Through this a wide lawn was visible, over which two venerable oaks cast dark masses of shadow. Three minutes farther on yet another gate afforded them an extensive view of a great avenue, a perfect corridor of shadow, at the end of which a bright spot of sunlight gleamed like a star. They stood in silent, wondering admiration, and then little by little exclamations burst from their lips. They had been trying hard to joke about it all with a touch of envy at heart, but this decidedly and immeasurably impressed them. What a genius that Irma was! A sight like this gave you a rattling notion of the woman! The trees stretched away and away, and there were endlessly recurrent patches of ivy along the wall with glimpses of lofty roofs and screens of poplars interspersed with dense masses of elms and aspens. Was there no end to it then? The ladies would have liked to catch sight of the mansion house, for they were weary of circling on and on, weary of seeing nothing but leafy recesses through every opening they came to. They took the rails of the gate in their hands and pressed their faces against the ironwork. And thus excluded and isolated, a feeling of respect began to overcome them as they thought of the castle lost to view in surrounding immensity. Soon, being quite unused to walking, they grew tired. And the wall did not leave off; at every turn of the small deserted path the same range of gray stones stretched ahead of them. Some of them began to despair of ever getting to the end of it and began talking of returning. But the more their long walk fatigued them, the more respectful they became, for at each successive step they were increasingly impressed by the tranquil, lordly dignity of the domain.

"It's getting silly, this is!" said Caroline Hequet, grinding her teeth.

Nana silenced her with a shrug. For some moments past she had been rather pale and extremely serious and had not spoken a single word. Suddenly the path gave a final turn; the wall ended, and as they came out on the village square the mansion house stood before them on the farther side of its grand outer court. All stopped to admire the proud sweep of the wide steps, the twenty frontage windows, the arrangement of the three wings, which were built of brick framed by courses of stone. Henri IV had erewhile inhabited this historic mansion, and his room, with its great bed hung with Genoa velvet, was still preserved there. Breathless with admiration, Nana gave a little childish sigh.

"Great God!" she whispered very quietly to herself.

But the party were deeply moved when Gaga suddenly announced that Irma herself was standing yonder in front of the church. She recognized her perfectly. She was as upright as of old, the hoary campaigner, and that despite her age, and she still had those eyes which flashed when she moved in that proud way of hers! Vespers were just over, and for a second or two Madame stood in the church porch. She was dressed in a dark brown silk and looked very simple and very tall, her venerable face reminding one of some old marquise who had survived the horrors of the Great Revolution. In her right hand a huge Book of Hours shone in the sunlight, and very slowly she crossed the square, followed some fifteen paces off by a footman in livery. The church was emptying, and all the inhabitants of Chamont bowed before her with extreme respect. An old man even kissed her hand, and a woman wanted to fall on her knees. Truly this was a potent queen, full of years and honors. She mounted her flight of steps and vanished from view.

"That's what one attains to when one has methodical habits!" said Mignon with an air of conviction, looking at his sons and improving the occasion.

Then everybody said his say. Labordette thought her extraordinarily well preserved. Maria Blond let slip a foul expression and vexed Lucy, who declared that one ought to honor gray hairs. All the women, to sum up, agreed that she was a perfect marvel. Then the company got into their conveyances again. From Chamont all the way to La Mignotte Nana remained silent. She had twice turned round to look back at the house, and now, lulled by the sound of the wheels, she forgot that Steiner was at her side and that Georges was in front of her. A vision had come up out of the twilight, and the great lady seemed still to be sweeping by with all the majesty of a potent queen, full of years and of honors.

That evening Georges re-entered Les Fondettes in time for dinner. Nana, who had grown increasingly absent-minded and singular in point of manner, had sent him to ask his mamma's forgiveness. It was his plain duty, she remarked severely, growing suddenly solicitous for the decencies of family life. She even made him swear not to return for the night; she was tired, and in showing proper obedience he was doing no more than his duty. Much bored by this moral discourse, Georges appeared in his mother's presence with heavy heart and downcast head.

Fortunately for him his brother Philippe, a great merry devil of a military man, had arrived during the day, a fact which greatly curtailed the scene he was dreading. Mme Hugon was content to look at him with eyes full of tears while Philippe, who had been put in possession of the facts, threatened to go and drag him home by the scruff of the neck if ever he went back into that woman's society. Somewhat comforted, Georges began slyly planning how to make his escape toward two o'clock next day in order to arrange about future meetings with Nana.

Nevertheless, at dinnertime the house party at Les Fondettes seemed not a little embarrassed. Vandeuvres had given notice of departure, for he was anxious to take Lucy back to Paris with him. He was amused at the idea of carrying off this girl whom he had known for ten years yet never desired. The Marquis de Chouard bent over his plate and meditated on Gaga's young lady. He could well remember dandling Lili on his knee. What a way children had of shooting up! This little thing was becoming extremely plump! But Count Muffat especially was silent and absorbed. His cheeks glowed, and he had given Georges one long look. Dinner over, he went upstairs, intending to shut himself in his bedroom, his pretext being a slight feverish attack. M. Venot had rushed after him, and upstairs in the bedroom a scene ensued. The count threw himself upon the bed and strove to stifle a fit of nervous sobbing in the folds of the pillow while M. Venot, in a soft voice, called him brother and advised him to implore heaven for mercy. But he heard nothing: there was a rattle in his throat. Suddenly he sprang off the bed and stammered:

"I am going there. I can't resist any longer."

"Very well," said the old man, "I go with you."

As they left the house two shadows were vanishing into the dark depths of a garden walk, for every evening now Fauchery and the Countess Sabine left Daguenet to help Estelle make tea. Once on the highroad the count walked so rapidly that his companion had to run in order to follow him. Though utterly out of breath, the latter never ceased showering on him the most conclusive arguments against the temptations of the flesh. But the other never opened his mouth as he hurried away into the night. Arrived in front of La Mignotte, he said simply:

"I can't resist any longer. Go!"

"God's will be done then!" muttered M. Venot. "He uses every method to assure His final triumph. Your sin will become His weapon."

At La Mignotte there was much wrangling during the evening meal. Nana had found a letter from Bordenave awaiting her, in which he advised rest, just as though he were anxious to be rid of her. Little Violaine, he said, was being encored twice nightly. But when Mignon continued urging her to come away with them on the morrow Nana grew exasperated and declared that she did not intend taking advice from anybody. In other ways, too, her behavior at table was ridiculously stuck up. Mme Lerat having made some sharp little speech or other, she loudly announced that, God willing, she wasn't going to let anyone--no, not even her own aunt--make improper remarks in her presence. After which she dreed her guests with honorable sentiments. She seemed to be suffering from a fit of stupid right-mindedness, and she treated them all to projects of religious education for Louiset and to a complete scheme of regeneration for herself. When the company began laughing she gave vent to profound opinions, nodding her head like a grocer's wife who knows what she is saying. Nothing but order could lead to fortune! And so far as she was concerned, she had no wish to die like a beggar! She set the ladies' teeth on edge. They burst out in protest. Could anyone have been converting Nana? No, it was impossible! But she sat quite still and with absent looks once more plunged into dreamland, where the vision of an extremely wealthy and greatly courted Nana rose up before her.

The household were going upstairs to bed when Muffat put in an appearance. It was Labordette who caught sight of him in the garden. He understood it all at once and did him a service, for he got Steiner out of the way and, taking his hand, led him along the dark corridor as far as Nana's bedroom. In affairs of this kind Labordette was wont to display the most perfect tact and cleverness. Indeed, he seemed delighted to be making other people happy. Nana showed no surprise; she was only somewhat annoyed by the excessive heat of Muffat's pursuit. Life was a serious affair, was it not? Love was too silly: it led to nothing. Besides, she had her scruples in view of Zizi's tender age. Indeed, she had scarcely behaved quite fairly toward him. Dear me, yes, she was choosing the proper course again in taking up with an old fellow.

"Zoe," she said to the lady's maid, who was enchanted at the thought of leaving the country, "pack the trunks when you get up tomorrow. We are going back to Paris."

And she went to bed with Muffat but experienced no pleasure.

CHAPTER VII

One December evening three months afterward Count Muffat was strolling in the Passage des Panoramas. The evening was very mild, and owing to a passing shower, the passage had just become crowded with people. There was a perfect mob of them, and they thronged slowly and laboriously along between the shops on either side. Under the windows, white with reflected light, the pavement was violently illuminated. A perfect stream of brilliancy emanated from white globes, red lanterns, blue transparencies, lines of gas jets, gigantic watches and fans, outlined in flame and burning in the open. And the motley displays in the shops, the gold ornaments of the jeweler's, the glass ornaments of the confectioner's, the light- colored silks of the modiste's, seemed to shine again in the crude light of the reflectors behind the clear plate-glass windows, while among the bright-colored, disorderly array of shop signs a huge purple glove loomed in the distance like a bleeding hand which had been severed from an arm and fastened to a yellow cuff.

Count Muffat had slowly returned as far as the boulevard. He glanced out at the roadway and then came sauntering back along the shopwindows. The damp and heated atmosphere filled the narrow passage with a slight luminous mist. Along the flagstones, which had been wet by the drip-drop of umbrellas, the footsteps of the crowd rang continually, but there was no sound of voices. Passers- by elbowed him at every turn and cast inquiring looks at his silent face, which the gaslight rendered pale. And to escape these curious manifestations the count posted himself in front of a stationer's, where with profound attention contemplated an array of paperweights in the form of glass bowls containing floating landscapes and flowers.

He was conscious of nothing: he was thinking of Nana. Why had she lied to him again? That morning she had written and told him not to trouble about her in the evening, her excuse being that Louiset was ill and that she was going to pass the night at her aunt's in order to nurse him. But he had felt suspicious and had called at her house, where he learned from the porter that Madame had just gone off to her theater. He was astonished at this, for she was not playing in the new piece. Why then should she have told him this falsehood, and what could she be doing at the Varietes that evening? Hustled by a passer-by, the count unconsciously left the paperweights and found himself in front of a glass case full of toys, where he grew absorbed over an array of pocketbooks and cigar cases, all of which had the same blue swallow stamped on one corner. Nana was most certainly not the same woman! In the early days after his return from the country she used to drive him wild with delight, as with pussycat caresses she kissed him all round his face and whiskers and vowed that he was her own dear pet and the only little man she adored. He was no longer afraid of Georges, whom his mother kept down at Les Fondettes. There was only fat Steiner to reckon with, and he believed he was really ousting him, but he did not dare provoke an explanation on his score. He knew he was once more in an extraordinary financial scrape and on the verge of being declared bankrupt on 'change, so much so that he was clinging fiercely to the shareholders in the Landes Salt Pits and striving to sweat a final subscription out of them. Whenever he met him at Nana's she would explain reasonably enough that she did not wish to turn him out of doors like a dog after all he had spent on her. Besides, for the last three months he had been living in such a whirl of sensual excitement that, beyond the need of possessing her, he had felt no very distinct impressions. His was a tardy awakening of the fleshly instinct, a childish greed of enjoyment, which left no room for either vanity or jealousy. Only one definite feeling could affect him now, and that was Nana's decreasing kindness. She no longer kissed him on the beard! It made him anxious, and as became a man quite ignorant of womankind, he began asking himself what possible cause of offense he could have given her. Besides, he was under the impression that he was satisfying all her desires. And so he harked back again and again to the letter he had received that morning with its tissue of falsehoods, invented for the extremely simple purpose of passing an evening at her own theater. The crowd had pushed him forward again, and he had crossed the passage and was puzzling his brain in front of the entrance to a restaurant, his eyes fixed on some plucked larks and on a huge salmon laid out inside the window.

At length he seemed to tear himself away from this spectacle. He shook himself, looked up and noticed that it was close on nine o'clock. Nana would soon be coming out, and he would make her tell the truth. And with that he walked on and recalled to memory the evenings he once passed in that region in the days when he used to meet her at the door of the theater.

He knew all the shops, and in the gas-laden air he recognized their different scents, such, for instance, as the strong savor of Russia leather, the perfume of vanilla emanating from a chocolate dealer's basement, the savor of musk blown in whiffs from the open doors of the perfumers. But he did not dare linger under the gaze of the pale shopwomen, who looked placidly at him as though they knew him by sight. For one instant he seemed to be studying the line of little round windows above the shops, as though he had never noticed them before among the medley of signs. Then once again he went up to the boulevard and stood still a minute or two. A fine rain was now falling, and the cold feel of it on his hands calmed him. He thought of his wife who was staying in a country house near Macon, where her friend Mme de Chezelles had been ailing a good deal since the autumn. The carriages in the roadway were rolling through a stream of mud. The country, he thought, must be detestable in such vile weather. But suddenly he became anxious and re-entered the hot, close passage down which he strode among the strolling people. A thought struck him: if Nana were suspicious of his presence there she would be off along the Galerie Montmartre.

After that the count kept a sharp lookout at the very door of the theater, though he did not like this passage end, where he was afraid of being recognized. It was at the corner between the Galerie des Varietes and the Galerie Saint-Marc, an equivocal corner full of obscure little shops. Of these last one was a shoemaker's, where customers never seemed to enter. Then there were two or three upholsterers', deep in dust, and a smoky, sleepy reading room and library, the shaded lamps in which cast a green and slumberous light all the evening through. There was never anyone in this corner save well-dressed, patient gentlemen, who prowled about the wreckage peculiar to a stage door, where drunken sceneshifters and ragged chorus girls congregate. In front of the theater a single gas jet in a ground-glass globe lit up the doorway. For a moment or two Muffat thought of questioning Mme Bron; then he grew afraid lest Nana should get wind of his presence and escape by way of the boulevard. So he went on the march again and determined to wait till he was turned out at the closing of the gates, an event which had happened on two previous occasions. The thought of returning home to his solitary bed simply wrung his heart with anguish. Every time that golden-haired girls and men in dirty linen came out and stared at him he returned to his post in front of the reading room, where, looking in between two advertisements posted on a windowpane, he was always greeted by the same sight. It was a little old man, sitting stiff and solitary at the vast table and holding a green newspaper in his green hands under the green light of one of the lamps. But shortly before ten o'clock another gentleman, a tall, good-looking, fair man with well-fitting gloves, was also walking up and down in front of the stage door. Thereupon at each successive turn the pair treated each other to a suspicious sidelong glance. The count walked to the corner of the two galleries, which was adorned with a high mirror, and when he saw himself therein, looking grave and elegant, he was both ashamed and nervous.

Ten o'clock struck, and suddenly it occurred to Muffat that it would be very easy to find out whether Nana were in her dressing room or not. He went up the three steps, crossed the little yellow-painted lobby and slipped into the court by a door which simply shut with a latch. At that hour of the night the narrow, damp well of a court, with its pestiferous water closets, its fountain, its back view ot the kitchen stove and the collection of plants with which the portress used to litter the place, was drenched in dark mist; but the two walls, rising pierced with windows on either hand, were flaming with light, since the property room and the firemen's office were situated on the ground floor, with the managerial bureau on the left, and on the right and upstairs the dressing rooms of the company. The mouths of furnaces seemed to be opening on the outer darkness from top to bottom of this well. The count had at once marked the light in the windows of the dressing room on the first floor, and as a man who is comforted and happy, he forgot where he was and stood gazing upward amid the foul mud and faint decaying smell peculiar to the premises of this antiquated Parisian building. Big drops were dripping from a broken waterspout, and a ray of gaslight slipped from Mme Bron's window and cast a yellow glare over a patch of moss-clad pavement, over the base of a wall which had been rotted by water from a sink, over a whole cornerful of nameless filth amid which old pails and broken crocks lay in fine confusion round a spindling tree growing mildewed in its pot. A window fastening creaked, and the count fled.

Nana was certainly going to come down. He returned to his post in front of the reading room; among its slumbering shadows, which seemed only broken by the glimmer of a night light, the little old man still sat motionless, his side face sharply outlined against his newspaper. Then Muffat walked again and this time took a more prolonged turn and, crossing the large gallery, followed the Galerie des Varietes as far as that of Feydeau. The last mentioned was cold and deserted and buried in melancholy shadow. He returned from it, passed by the theater, turned the corner of the Galerie Saint-Marc and ventured as far as the Galerie Montmartre, where a sugar- chopping machine in front of a grocer's interested him awhile. But when he was taking his third turn he was seized with such dread lest Nana should escape behind his back that he lost all self-respect. Thereupon he stationed himself beside the fair gentleman in front of the very theater. Both exchanged a glance of fraternal humility with which was mingled a touch of distrust, for it was possible they might yet turn out to be rivals. Some sceneshifters who came out smoking their pipes between the acts brushed rudely against them, but neither one nor the other ventured to complain. Three big wenches with untidy hair and dirty gowns appeared on the doorstep. They were munching apples and spitting out the cores, but the two men bowed their heads and patiently braved their impudent looks and rough speeches, though they were hustled and, as it were, soiled by these trollops, who amused themselves by pushing each other down upon them.

At that very moment Nana descended the three steps. She grew very pale when she noticed Muffat.

"Oh, it's you!" she stammered.

The sniggering extra ladies were quite frightened when they recognized her, and they formed in line and stood up, looking as stiff and serious as servants whom their mistress has caught behaving badly. The tall fair gentleman had moved away; he was at once reassured and sad at heart.

"Well, give me your arm," Nana continued impatiently.

They walked quietly off. The count had been getting ready to question her and now found nothing to say.

It was she who in rapid tones told a story to the effect that she had been at her aunt's as late as eight o'clock, when, seeing Louiset very much better, she had conceived the idea of going down to the theater for a few minutes.

"On some important business?" he queried.

'Yes, a new piece," she replied after some slight hesitation. "They wanted my advice."

He knew that she was not speaking the truth, but the warm touch of her arm as it leaned firmly on his own, left him powerless. He felt neither anger nor rancor after his long, long wait; his one thought was to keep her where she was now that he had got hold of her. Tomorrow, and not before, he would try and find out what she had come to her dressing room after. But Nana still appeared to hesitate; she was manifestly a prey to the sort of secret anguish that besets people when they are trying to regain lost ground and to initiate a plan of action. Accordingly, as they turned the corner of the Galerie des Varietes, she stopped in front of the show in a fan seller's window.

"I say, that's pretty," she whispered; "I mean that mother-of-pearl mount with the feathers."

Then, indifferently:

"So you're seeing me home?"

"Of course," he said, with some surprise, "since your child's better."

She was sorry she had told him that story. Perhaps Louiset was passing through another crisis! She talked of returning to the Batignolles. But when he offered to accompany her she did not insist on going. For a second or two she was possessed with the kind of white-hot fury which a woman experiences when she feels herself entrapped and must, nevertheless, behave prettily. But in the end she grew resigned and determined to gain time. If only she could get rid of the count toward midnight everything would happen as she wished.

"Yes, it's true; you're a bachelor tonight," she murmured. "Your wife doesn't return till tomorrow, eh?"

"Yes," replied Muffat. It embarrassed him somewhat to hear her talking familiarly about the countess.

But she pressed him further, asking at what time the train was due and wanting to know whether he were going to the station to meet her. She had begun to walk more slowly than ever, as though the shops interested her very much.

"Now do look!" she said, pausing anew before a jeweler's window, "what a funny bracelet!"

She adored the Passage des Panoramas. The tinsel of the ARTICLE DE PARIS, the false jewelry, the gilded zinc, the cardboard made to look like leather, had been the passion of her early youth. It remained, and when she passed the shop-windows she could not tear herself away from them. It was the same with her today as when she was a ragged, slouching child who fell into reveries in front of the chocolate maker's sweet-stuff shows or stood listening to a musical box in a neighboring shop or fell into supreme ecstasies over cheap, vulgarly designed knickknacks, such as nutshell workboxes, ragpickers' baskets for holding toothpicks, Vendome columns and Luxor obelisks on which thermometers were mounted. But that evening she was too much agitated and looked at things without seeing them. When all was said and done, it bored her to think she was not free. An obscure revolt raged within her, and amid it all she felt a wild desire to do something foolish. It was a great thing gained, forsooth, to be mistress of men of position! She had been devouring the prince's substance and Steiner's, too, with her childish caprices, and yet she had no notion where her money went. Even at this time of day her flat in the Boulevard Haussmann was not entirely furnished. The drawing room alone was finished, and with its red satin upholsteries and excess of ornamentation and furnirure it struck a decidedly false note. Her creditors, moreover, would now take to tormenting her more than ever before whenever she had no money on hand, a fact which caused her constant surprise, seeing that she was wont to quote her self as a model of economy. For a month past that thief Steiner had been scarcely able to pay up his thousand francs on the occasions when she threatened to kick him out of doors in case he failed to bring them. As to Muffat, he was an idiot: he had no notion as to what it was usual to give, and she could not, therefore, grow angry with him on the score of miserliness. Oh, how gladly she would have turned all these folks off had she not repeated to herself a score of times daily a whole string of economical maxims!

One ought to be sensible, Zoe kept saying every morning, and Nana herself was constantly haunted by the queenly vision seen at Chamont. It had now become an almost religious memory with her, and through dint of being ceaselessly recalled it grew even more grandiose. And for these reasons, though trembling with repressed indignation, she now hung submissively on the count's arm as they went from window to window among the fast-diminishing crowd. The pavement was drying outside, and a cool wind blew along the gallery, swept the close hot air up beneath the glass that imprisoned it and shook the colored lanterns and the lines of gas jets and the giant fan which was flaring away like a set piece in an illumination. At the door of the restaurant a waiter was putting out the gas, while the motionless attendants in the empty, glaring shops looked as though they had dropped off to sleep with their eyes open.

"Oh, what a duck!" continued Nana, retracing her steps as far as the last of the shops in order to go into ecstasies over a porcelain greyhound standing with raised forepaw in front of a nest hidden among roses.

At length they quitted the passage, but she refused the offer of a cab. It was very pleasant out she said; besides, they were in no hurry, and it would be charming to return home on foot. When they were in front of the Cafe Anglais she had a sudden longing to eat oysters. Indeed, she said that owing to Louiset's illness she had tasted nothing since morning. Muffat dared not oppose her. Yet as he did not in those days wish to be seen about with her he asked for a private supper room and hurried to it along the corridors. She followed him with the air of a woman familiar with the house, and they were on the point of entering a private room, the door of which a waiter held open, when from a neighboring saloon, whence issued a perfect tempest of shouts and laughter, a man rapidiy emerged. It was Daguenet.

"By Jove, it's Nana!" he cried.

The count had briskly disappeared into the private room, leaving the door ajar behind him. But Daguenet winked behind his round shoulders and added in chaffing tones:

"The deuce, but you're doing nicely! You catch 'em in the Tuileries nowadays!"

Nana smiled and laid a finger on her lips to beg him to be silent. She could see he was very much exalted, and yet she was glad to have met him, for she still felt tenderly toward him, and that despite the nasty way he had cut her when in the company of fashionable ladies.

"What are you doing now?" she asked amicably.

"Becoming respectable. Yes indeed, I'm thinking of getting married."

She shrugged her shoulders with a pitying air. But he jokingly continued to the effect that to be only just gaining enough on 'change to buy ladies bouquets could scarcely be called an income, provided you wanted to look respectable too! His three hundred thousand francs had only lasted him eighteen months! He wanted to be practical, and he was going to marry a girl with a huge dowry and end off as a PREFET, like his father before him! Nana still smiled incredulously. She nodded in the direction of the saloon: "Who are you with in there?"

"Oh, a whole gang," he said, forgetting all about his projects under the influence of returning intoxication. "Just think! Lea is telling us about her trip in Egypt. Oh, it's screaming! There's a bathing story--"

And he told the story while Nana lingered complaisantly. They had ended by leaning up against the wall in the corridor, facing one another. Gas jets were flaring under the low ceiling, and a vague smell of cookery hung about the folds of the hangings. Now and again, in order to hear each other's voices when the din in the saloon became louder than ever, they had to lean well forward. Every few seconds, however, a waiter with an armful of dishes found his passage barred and disturbed them. But they did not cease their talk for that; on the contrary, they stood close up to the walls and, amid the uproar of the supper party and the jostlings of the waiters, chatted as quietly as if they were by their own firesides.

"Just look at that," whispered the young man, pointing to the door of the private room through which Muffat had vanished.

Both looked. The door was quivering slightly; a breath of air seemed to be disturbing it, and at last, very, very slowly and without the least sound, it was shut to. They exchanged a silent chuckle. The count must be looking charmingly happy all alone in there!

"By the by," she asked, "have you read Fauchery's article about me?"

"Yes, 'The Golden Fly,'" replied Daguenet; "I didn't mention it to you as I was afraid of paining you."

"Paining me--why? His article's a very long one."

She was flattered to think that the Figaro should concern itself about her person. But failing the explanations of her hairdresser Francis, who had brought her the paper, she would not have understood that it was she who was in question. Daguenet scrutinized her slyly, sneering in his chaffing way. Well, well, since she was pleased, everybody else ought to be.

"By your leave!" shouted a waiter, holding a dish of iced cheese in both hands as he separated them.

Nana had stepped toward the little saloon where Muffat was waiting.

"Well, good-by!" continued Daguenet. "Go and find your cuckold again."

But she halted afresh.

"Why d'you call him cuckold?"

"Because he is a cuckold, by Jove!"

She came and leaned against the wall again; she was profoundly interested.

"Ah!" she said simply.

"What, d'you mean to say you didn't know that? Why, my dear girl, his wife's Fauchery's mistress. It probably began in the country. Some time ago, when I was coming here, Fauchery left me, and I suspect he's got an assignation with her at his place tonight. They've made up a story about a journey, I fancy."

Overcome with surprise, Nana remained voiceless.

"I suspected it," she said at last, slapping her leg. "I guessed it by merely looking at her on the highroad that day. To think of its being possible for an honest woman to deceive her husband, and with that blackguard Fauchery too! He'll teach her some pretty things!"

"Oh, it isn't her trial trip," muttered Daguenet wickedly. "Perhaps she knows as much about it as he does."

At this Nana gave vent to an indignant exclamation.

"Indeed she does! What a nice world! It's too foul!"

"By your leave!" shouted a waiter, laden with bottles, as he separated them.

Daguenet drew her forward again and held her hand for a second or two. He adopted his crystalline tone of voice, the voice with notes as sweet as those of a harmonica, which had gained him his success among the ladies of Nana's type.

"Good-by, darling! You know I love you always."

She disengaged her hand from his, and while a thunder of shouts and bravos, which made the door in the saloon tremble again, almost drowned her words she smilingly remarked:

"It's over between us, stupid! But that doesn't matter. Do come up one of these days, and we'll have a chat."

Then she became serious again and in the outraged tones of a respectable woman:

"So he's a cuckold, is he?" she cried. "Well, that IS a nuisance, dear boy. They've always sickened me, cuckolds have."

When at length she went into the private room she noticed that Muffat was sitting resignedly on a narrow divan with pale face and twitching hands. He did not reproach her at all, and she, greatly moved, was divided between feelings of pity and of contempt. The poor man! To think of his being so unworthily cheated by a vile wife! She had a good mind to throw her arms round his neck and comfort him. But it was only fair all the same! He was a fool with women, and this would teach him a lesson! Nevertheless, pity overcame her. She did not get rid of him as she had determined to do after the oysters had been discussed. They scarcely stayed a quarter of an hour in the Cafe Anglais, and together they went into the house in the Boulevard Haussmann. It was then eleven. Before midnight she would have easily have discovered some means of getting rid of him kindly.

In the anteroom, however, she took the precaution of giving Zoe an order. "You'll look out for him, and you'll tell him not to make a noise if the other man's still with me."

"But where shall I put him, madame?"

"Keep him in the kitchen. It's more safe."

In the room inside Muffat was already taking off his overcoat. A big fire was burning on the hearth. It was the same room as of old, with its rosewood furniture and its hangings and chair coverings of figured damask with the large blue flowers on a gray background. On two occasions Nana had thought of having it redone, the first in black velvet, the second in white satin with bows, but directly Steiner consented she demanded the money that these changes would cost simply with a view to pillaging him. She had, indeed, only indulged in a tiger skin rug for the hearth and a cut-glass hanging lamp.

"I'm not sleepy; I'm not going to bed," she said the moment they were shut in together.

The count obeyed her submissively, as became a man no longer afraid of being seen. His one care now was to avoid vexing her.

"As you will," he murmured.

Nevertheless, he took his boots off, too, before seating himself in front of the fire. One of Nana's pleasures consisted in undressing herself in front of the mirror on her wardrobe door, which reflected her whole height. She would let everything slip off her in turn and then would stand perfectly naked and gaze and gaze in complete oblivion of all around her. Passion for her own body, ecstasy over her satin skin and the supple contours of her shape, would keep her serious, attentive and absorbed in the love of herself. The hairdresser frequently found her standing thus and would enter without her once turning to look at him. Muffat used to grow angry then, but he only succeeded in astonishing her. What was coming over the man? She was doing it to please herself, not other people.

That particular evening she wanted to have a better view of herself, and she lit the six candles attached to the frame of the mirror. But while letting her shift slip down she paused. She had been preoccupied for some moments past, and a question was on her lips.

"You haven't read the Figaro article, have you? The paper's on the table." Daguenet's laugh had recurred to her recollections, and she was harassed by a doubt. If that Fauchery had slandered her she would be revenged.

"They say that it's about me," she continued, affecting indifference. "What's your notion, eh, darling?"

And letting go her shift and waiting till Muffat should have done reading, she stood naked. Muffat was reading slowly Fauchery's article entitled "The Golden Fly," describing the life of a harlot descended from four or five generations of drunkards and tainted in her blood by a cumulative inheritance of misery and drink, which in her case has taken the form of a nervous exaggeration of the sexual instinct. She has shot up to womanhood in the slums and on the pavements of Paris, and tall, handsome and as superbly grown as a dunghill plant, she avenges the beggars and outcasts of whom she is the ultimate product. With her the rottenness that is allowed to ferment among the populace is carried upward and rots the aristocracy. She becomes a blind power of nature, a leaven of destruction, and unwittingly she corrupts and disorganizes all Paris, churning it between her snow-white thighs as milk is monthly churned by housewives. And it was at the end of this article that the comparison with a fly occurred, a fly of sunny hue which has flown up out of the dung, a fly which sucks in death on the carrion tolerated by the roadside and then buzzing, dancing and glittering like a precious stone enters the windows of palaces and poisons the men within by merely settling on them in her flight.

Muffat lifted his head; his eyes stared fixedly; he gazed at the fire.

"Well?" asked Nana.

But he did not answer. It seemed as though he wanted to read the article again. A cold, shivering feeling was creeping from his scalp to his shoulders. This article had been written anyhow. The phrases were wildly extravagant; the unexpected epigrams and quaint collocations of words went beyond all bounds. Yet notwithstanding this, he was struck by what he had read, for it had rudely awakened within him much that for months past he had not cared to think about.

He looked up. Nana had grown absorbed in her ecstatic self- contemplation. She was bending her neck and was looking attentively in the mirror at a little brown mark above her right haunch. She was touching it with the tip of her finger and by dint of bending backward was making it stand out more clearly than ever. Situated where it was, it doubtless struck her as both quaint and pretty. After that she studied other parts of her body with an amused expression and much of the vicious curiosity of a child. The sight of herself always astonished her, and she would look as surprised and ecstatic as a young girl who has discovered her puberty. Slowly, slowly, she spread out her arms in order to give full value to her figure, which suggested the torso of a plump Venus. She bent herself this way and that and examined herself before and behind, stooping to look at the side view of her bosom and at the sweeping contours of her thighs. And she ended with a strange amusement which consisted of swinging to right and left, her knees apart and her body swaying from the waist with the perpetual jogging, twitching movements peculiar to an oriental dancer in the danse du ventre.

Muffat sat looking at her. She frightened him. The newspaper had dropped from his hand. For a moment he saw her as she was, and he despised himself. Yes, it was just that; she had corrupted his life; he already felt himself tainted to his very marrow by impurities hitherto undreamed of. Everything was now destined to rot within him, and in the twinkling of an eye he understood what this evil entailed. He saw the ruin brought about by this kind of "leaven"--himself poisoned, his family destroyed, a bit of the social fabric cracking and crumbling. And unable to take his eyes from the sight, he sat looking fixedly at her, striving to inspire himself with loathing for her nakedness.

Nana no longer moved. With an arm behind her neck, one hand clasped in the other, and her elbows far apart, she was throwing back her head so that he could see a foreshortened reflection of her half- closed eyes, her parted lips, her face clothed with amorous laughter. Her masses of yellow hair were unknotted behind, and they covered her back with the fell of a lioness.

Bending back thus, she displayed her solid Amazonian waist and firm bosom, where strong muscles moved under the satin texture of the skin. A delicate line, to which the shoulder and the thigh added their slight undulations, ran from one of her elbows to her foot, and Muffat's eyes followed this tender profile and marked how the outlines of the fair flesh vanished in golden gleams and how its rounded contours shone like silk in the candlelight. He thought of his old dread of Woman, of the Beast of the Scriptures, at once lewd and wild. Nana was all covered with fine hair; a russet made her body velvety, while the Beast was apparent in the almost equine development of her flanks, in the fleshy exuberances and deep hollows of her body, which lent her sex the mystery and suggestiveness lurking in their shadows. She was, indeed, that Golden Creature, blind as brute force, whose very odor ruined the world. Muffat gazed and gazed as a man possessed, till at last, when he had shut his eyes in order to escape it, the Brute reappeared in the darkness of the brain, larger, more terrible, more suggestive in its attitude. Now, he understood, it would remain before his eyes, in his very flesh, forever.

But Nana was gathering herself together. A little thrill of tenderness seemed to have traversed her members. Her eyes were moist; she tried, as it were, to make herself small, as though she could feel herself better thus. Then she threw her head and bosom back and, melting, as it were, in one great bodily caress, she rubbed her cheeks coaxingly, first against one shoulder, then against the other. Her lustful mouth breathed desire over her limbs. She put out her lips, kissed herself long in the neighborhood of her armpit and laughed at the other Nana who also was kissing herself in the mirror.

Then Muffat gave a long sigh. This solitary pleasure exasperated him. Suddenly all his resolutions were swept away as though by a mighty wind. In a fit of brutal passion he caught Nana to his breast and threw her down on the carpet.

"Leave me alone!" she cried. "You're hurting me!"

He was conscious of his undoing; he recognized in her stupidity, vileness and falsehood, and he longed to possess her, poisoned though she was.

"Oh, you're a fool!" she said savagely when he let her get up.

Nevertheless, she grew calm. He would go now. She slipped on a nightgown trimmed with lace and came and sat down on the floor in front of the fire. It was her favorite position. When she again questioned him about Fauchery's article Muffat replied vaguely, for he wanted to avoid a scene. Besides, she declared that she had found a weak spot in Fauchery. And with that she relapsed into a long silence and reflected on how to dismiss the count. She would have liked to do it in an agreeable way, for she was still a good- natured wench, and it bored her to cause others pain, especially in the present instance where the man was a cuckold. The mere thought of his being that had ended by rousing her sympathies!

"So you expect your wife tomorrow morning?" she said at last.

Muffat had stretched himself in an armchair. He looked drowsy, and his limbs were tired. He gave a sign of assent. Nana sat gazing seriously at him with a dull tumult in her brain. Propped on one leg, among her slightly rumpled laces she was holding one of her bare feet between her hands and was turning it mechanically about and about.

"Have you been married long?" she asked.

"Nineteen years," replied the count

"Ah! And is your wife amiable? Do you get on comfortably together?"

He was silent. Then with some embarrassment:

"You know I've begged you never to talk of those matters."

"Dear me, why's that?" she cried, beginning to grow vexed directly. "I'm sure I won't eat your wife if I DO talk about her. Dear boy, why, every woman's worth--"

But she stopped for fear of saying too much. She contented herself by assuming a superior expression, since she considered herself extremely kind. The poor fellow, he needed delicate handling! Besides, she had been struck by a laughable notion, and she smiled as she looked him carefully over.

"I say," she continued, "I haven't told you the story about you that Fauchery's circulating. There's a viper, if you like! I don't bear him any ill will, because his article may be all right, but he's a regular viper all the same."

And laughing more gaily than ever, she let go her foot and, crawling along the floor, came and propped herself against the count's knees.

"Now just fancy, he swears you were still like a babe when you married your wife. You were still like that, eh? Is it true, eh?"

Her eyes pressed for an answer, and she raised her hands to his shoulders and began shaking him in order to extract the desired confession.

"Without doubt," he at last made answer gravely.

Thereupon she again sank down at his feet. She was shaking with uproarious laughter, and she stuttered and dealt him little slaps.

"No, it's too funny! There's no one like you; you're a marvel. But, my poor pet, you must just have been stupid! When a man doesn't know--oh, it is so comical! Good heavens, I should have liked to have seen you! And it came off well, did it? Now tell me something about it! Oh, do, do tell me!"

She overwhelmed him with questions, forgetting nothing and requiring the veriest details. And she laughed such sudden merry peals which doubled her up with mirth, and her chemise slipped and got turned down to such an extent, and her skin looked so golden in the light of the big fire, that little by little the count described to her his bridal night. He no longer felt at all awkward. He himself began to be amused at last as he spoke. Only he kept choosing his phrases, for he still had a certain sense of modesty. The young woman, now thoroughly interested, asked him about the countess. According to his account, she had a marvelous figure but was a regular iceberg for all that.

"Oh, get along with you!" he muttered indolently. "You have no cause to be jealous."

Nana had ceased laughing, and she now resumed her former position and, with her back to the fire, brought her knees up under her chin with her clasped hands. Then in a serious tone she declared:

"It doesn't pay, dear boy, to look like a ninny with one's wife the first night."

"Why?" queried the astonished count.

"Because," she replied slowly, assuming a doctorial expression.

And with that she looked as if she were delivering a lecture and shook her head at him. In the end, however, she condescended to explain herself more lucidly.

"Well, look here! I know how it all happens. Yes, dearie, women don't like a man to be foolish. They don't say anything because there's such a thing as modesty, you know, but you may be sure they think about it for a jolly long time to come. And sooner or later, when a man's been an ignoramus, they go and make other arrangements. That's it, my pet."

He did not seem to understand. Whereupon she grew more definite still. She became maternal and taught him his lesson out of sheer goodness of heart, as a friend might do. Since she had discovered him to be a cuckold the information had weighed on her spirits; she was madly anxious to discuss his position with him.

"Good heavens! I'm talking of things that don't concern me. I've said what I have because everybody ought to be happy. We're having a chat, eh? Well then, you're to answer me as straight as you can."

But she stopped to change her position, for she was burning herself. "It's jolly hot, eh? My back's roasted. Wait a second. I'll cook my tummy a bit. That's what's good for the aches!"

And when she had turned round with her breast to the fire and her feet tucked under her:

"Let me see," she said; "you don't sleep with your wife any longer?"

"No, I swear to you I don't," said Muffat, dreading a scene.

"And you believe she's really a stick?"

He bowed his head in the affirmative.

"And that's why you love me? Answer me! I shan't be angry."

He repeated the same movement.

"Very well then," she concluded. "I suspected as much! Oh, the poor pet. Do you know my aunt Lerat? When she comes get her to tell you the story about the fruiterer who lives opposite her. Just fancy that man--Damn it, how hot this fire is! I must turn round. I'm going to roast my left side now." And as she presented her side to the blaze a droll idea struck her, and like a good-tempered thing, she made fun of herself for she was dellghted to see that she was looking so plump and pink in the light of the coal fire.

"I look like a goose, eh? Yes, that's it! I'm a goose on the spit, and I'm turning, turning and cooking in my own juice, eh?"

And she was once more indulging in a merry fit of laughter when a sound of voices and slamming doors became audible. Muffat was surprised, and he questioned her with a look. She grew serious, and an anxious expression came over her face. It must be Zoe's cat, a cursed beast that broke everything. It was half-past twelve o'clock. How long was she going to bother herself in her cuckold's behalf? Now that the other man had come she ought to get him out of the way, and that quickly.

"What were you saying?" asked the count complaisantly, for he was charmed to see her so kind to him.

But in her desire to be rid of him she suddenly changed her mood, became brutal and did not take care what she was saying.

"Oh yes! The fruiterer and his wife. Well, my dear fellow, they never once touched one another! Not the least bit! She was very keen on it, you understand, but he, the ninny, didn't know it. He was so green that he thought her a stick, and so he went elsewhere and took up with streetwalkers, who treated him to all sorts of nastiness, while she, on her part, made up for it beautifully with fellows who were a lot slyer than her greenhorn of a husband. And things always turn out that way through people not understanding one another. I know it, I do!"

Muffat was growing pale. At last he was beginning to understand her allusions, and he wanted to make her keep silence. But she was in full swing.

"No, hold your tongue, will you? If you weren't brutes you would be as nice with your wives as you are with us, and if your wives weren't geese they would take as much pains to keep you as we do to get you. That's the way to behave. Yes, my duck, you can put that in your pipe and smoke it."

"Do not talk of honest women," he said in a hard voice. "You do not know them."

At that Nana rose to her knees.

"I don't know them! Why, they aren't even clean, your honest women aren't! They aren't even clean! I defy you to find me one who would dare show herself as I am doing. Oh, you make me laugh with your honest women. Don't drive me to it; don't oblige me to tell you things I may regret afterward."

The count, by way of answer, mumbled something insulting. Nana became quite pale in her turn. For some seconds she looked at him without speaking. Then in her decisive way:

"What would you do if your wife were deceiving you?"

He made a threatening gesture.

"Well, and if I were to?"

"Oh, you," he muttered with a shrug of his shoulders.

Nana was certainly not spiteful. Since the beginning of the conversation she had been strongly tempted to throw his cuckold's reputation in his teeth, but she had resisted. She would have liked to confess him quietly on the subject, but he had begun to exasperate her at last. The matter ought to stop now.

"Well, then, my dearie," she continued, "I don't know what you're getting at with me. For two hours past you've been worrying my life out. Now do just go and find your wife, for she's at it with Fauchery. Yes, it's quite correct; they're in the Rue Taitbout, at the corner of the Rue de Provence. You see, I'm giving you the address."

Then triumphantly, as she saw Muffat stagger to his feet like an ox under the hammer:

"If honest women must meddle in our affairs and take our sweethearts from us--Oh, you bet they're a nice lot, those honest women!"

But she was unable to proceed. With a terrible push he had cast her full length on the floor and, lifting his heel, he seemed on the point of crushing in her head in order to silence her. For the twinkling of an eye she felt sickening dread. Blinded with rage, he had begun beating about the room like a maniac. Then his choking silence and the struggle with which he was shaken melted her to tears. She felt a mortal regret and, rolling herself up in front of the fire so as to roast her right side, she undertook the task of comforting him.

"I take my oath, darling, I thought you knew it all. Otherwise I shouldn't have spoken; you may be sure. But perhaps it isn't true. I don't say anything for certain. I've been told it, and people are talking about it, but what does that prove? Oh, get along! You're very silly to grow riled about it. If I were a man I shouldn't care a rush for the women! All the women are alike, you see, high or low; they're all rowdy and the rest of it."

In a fit of self-abnegation she was severe on womankind, for she wished thus to lessen the cruelty of her blow. But he did not listen to her or hear what she said. With fumbling movements he had put on his boots and his overcoat. For a moment longer he raved round, and then in a final outburst, finding himself near the door, he rushed from the room. Nana was very much annoyed.

"Well, well! A prosperous trip to you!" she continued aloud, though she was now alone. "He's polite, too, that fellow is, when he's spoken to! And I had to defend myself at that! Well, I was the first to get back my temper and I made plenty of excuses, I'm thinking! Besides, he had been getting on my nerves!"

Nevertheless, she was not happy and sat scratching her legs with both hands. Then she took high ground:

"Tut, tut, it isn't my fault if he is a cuckold!"

And toasted on every side and as hot as a roast bird, she went and buried herself under the bedclothes after ringing for Zoe to usher in the other man, who was waiting in the kitchen.

Once outside, Muffat began walking at a furious pace. A fresh shower had just fallen, and he kept slipping on the greasy pavement. When he looked mechanically up into the sky he saw ragged, soot- colored clouds scudding in front of the moon. At this hour of the night passers-by were becoming few and far between in the Boulevard Haussmann. He skirted the enclosures round the opera house in his search for darkness, and as he went along he kept mumbling inconsequent phrases. That girl had been lying. She had invented her story out of sheer stupidity and cruelty. He ought to have crushed her head when he had it under his heel. After all was said and done, the business was too shameful. Never would he see her; never would he touch her again, or if he did he would be miserably weak. And with that he breathed hard, as though he were free once more. Oh, that naked, cruel monster, roasting away like any goose and slavering over everything that he had respected for forty years back. The moon had come out, and the empty street was bathed in white light. He felt afraid, and he burst into a great fit of sobbing, for he had grown suddenly hopeless and maddened as though he had sunk into a fathomless void.

"My God!" he stuttered out. "It's finished! There's nothing left now!"

Along the boulevards belated people were hurrying. He tried hard to be calm, and as the story told him by that courtesan kept recurring to his burning consciousness, he wanted to reason the matter out. The countess was coming up from Mme de Chezelles's country house tomorrow morning. Yet nothing, in fact, could have prevented her from returning to Paris the night before and passing it with that man. He now began recalling to mind certain details of their stay at Les Fondettes. One evening, for instance, he had surprised Sabine in the shade of some trees, when she was so much agitated as to be unable to answer his questions. The man had been present; why should she not be with him now? The more he thought about it the more possible the whole story became, and he ended by thinking it natural and even inevitable. While he was in his shirt sleeves in the house of a harlot his wife was undressing in her lover's room. Nothing could be simpler or more logical! Reasoning in this way, he forced himself to keep cool. He felt as if there were a great downward movement in the direction of fleshly madness, a movement which, as it grew, was overcoming the whole world round about him. Warm images pursued him in imagination. A naked Nana suddenly evoked a naked Sabine. At this vision, which seemed to bring them together in shameless relationship and under the influence of the same lusts, he literally stumbled, and in the road a cab nearly ran over him. Some women who had come out of a cafe jostled him amid loud laughter. Then a fit of weeping once more overcame him, despite all his efforts to the contrary, and, not wishing to shed tears in the presence of others, he plunged into a dark and empty street. It was the Rue Rossini, and along its silent length he wept like a child.

"It's over with us," he said in hollow tones. "There's nothing left us now, nothing left us now!"

He wept so violently that he had to lean up against a door as he buried his face in his wet hands. A noise of footsteps drove him away. He felt a shame and a fear which made him fly before people's faces with the restless step of a bird of darkness. When passers-by met him on the pavement he did his best to look and walk in a leisurely way, for he fancied they were reading his secret in the very swing of his shoulders. He had followed the Rue de la Grange Bateliere as far as the Rue du Faubourg Montmartre, where the brilliant lamplight surprised him, and he retraced his steps. For nearly an hour he traversed the district thus, choosing always the darkest corners. Doubtless there was some goal whither his steps were patiently, instinctively, leading him through a labyrinth of endless turnings. At length he lifted his eyes up it a street corner. He had reached his destination, the point where the Rue Taitbout and the Rue de la Provence met. He had taken an hour amid his painful mental sufferings to arrive at a place he could have reached in five minutes. One morning a month ago he remembered going up to Fauchery's rooms to thank him for a notice of a ball at the Tuileries, in which the journalist had mentioned him. The flat was between the ground floor and the first story and had a row of small square windows which were half hidden by the colossal signboard belonging to a shop. The last window on the left was bisected by a brilliant band of lamplight coming from between the half-closed curtains. And he remained absorbed and expectant, with his gaze fixed on this shining streak.

The moon had disappeared in an inky sky, whence an icy drizzle was falling. Two o'clock struck at the Trinite. The Rue de Provence and the Rue Taitbout lay in shadow, bestarred at intervals by bright splashes of light from the gas lamps, which in the distance were merged in yellow mist. Muffat did not move from where he was standing. That was the room. He remembered it now: it had hangings of red "andrinople," and a Louis XIII bed stood at one end of it. The lamp must be standing on the chimney piece to the right. Without doubt they had gone to bed, for no shadows passed across the window, and the bright streak gleamed as motionless as the light of a night lamp. With his eyes still uplifted he began forming a plan; he would ring the bell, go upstairs despite the porter's remonstrances, break the doors in with a push of his shoulder and fall upon them in the very bed without giving them time to unlace their arms. For one moment the thought that he had no weapon upon him gave him pause, but directly afterward he decided to throttle them. He returned to the consideration of his project, and he perfected it while waiting for some sign, some indication, which should bring certainty with it.

Had a woman's shadow only shown itself at that moment he would have rung. But the thought that perhaps he was deceiving himself froze him. How could he be certain? Doubts began to return. His wife could not be with that man. It was monstrous and impossible. Nevertheless, he stayed where he was and was gradually overcome by a species of torpor which merged into sheer feebleness while he waited long, and the fixity of his gaze induced hallucinations.

A shower was falling. Two policemen were approaching, and he was forced to leave the doorway where he had taken shelter. When these were lost to view in the Rue de Provence he returned to his post, wet and shivering. The luminous streak still traversed the window, and this time he was going away for good when a shadow crossed it. It moved so quickly that he thought he had deceived himself. But first one and then another black thing followed quickly after it, and there was a regular commotion in the room. Riveted anew to the pavement, he experienced an intolerable burning sensation in his inside as he waited to find out the meaning of it all. Outlines of arms and legs flitted after one another, and an enormous hand traveled about with the silhouette of a water jug. He distinguished nothing clearly, but he thought he recognized a woman's headdress. And he disputed the point with himself; it might well have been Sabine's hair, only the neck did not seem sufficiently slim. At that hour of the night he had lost the power of recognition and of action. In this terrible agony of uncertainty his inside caused him such acute suffering that he pressed against the door in order to calm himself, shivering like a man in rags, as he did so. Then seeing that despite everything he could not turn his eyes away from the window, his anger changed into a fit of moralizing. He fancied himself a deputy; he was haranguing an assembly, loudly denouncing debauchery, prophesying national ruin. And he reconstructed Fauchery's article on the poisoned fly, and he came before the house and declared that morals such as these, which could only be paralleled in the days of the later Roman Empire, rendered society an impossibility; that did him good. But the shadows had meanwhile disappeared. Doubtless they had gone to bed again, and, still watching, he continued waiting where he was.

Three o'clock struck, then four, but he could not take his departure. When showers fell he buried himself in a corner of the doorway, his legs splashed with wet. Nobody passed by now, and occasionally his eyes would close, as though scorched by the streak of light, which he kept watching obstinately, fixedly, with idiotic persistence. On two subsequent occasions the shadows flitted about, repeating the same gestures and agitating the silhouette of the same gigantic jug, and twice quiet was re-established, and the night lamp again glowed discreetly out. These shadows only increased his uncertainty. Then, too, a sudden idea soothed his brain while it postponed the decisive moment. After all, he had only to wait for the woman when she left the house. He could quite easily recognize Sabine. Nothing could be simpler, and there would be no scandal, and he would be sure of things one way or the other. It was only necessary to stay where he was. Among all the confused feelings which had been agitating him he now merely felt a dull need of certain knowledge. But sheer weariness and vacancy began lulling him to sleep under his doorway, and by way of distraction he tried to reckon up how long he would have to wait. Sabine was to be at the station toward nine o'clock; that meant about four hours and a half more. He was very patient; he would even have been content not to move again, and he found a certain charm in fancying that his night vigil would last through eternity.

Suddenly the streak of light was gone. This extremely simple event was to him an unforeseen catastrophe, at once troublesome and disagreeable. Evidently they had just put the lamp out and were going to sleep. lt was reasonable enough at that hour, but he was irritated thereat, for now the darkened window ceased to interest him. He watched it for a quarter of an hour longer and then grew tired and, leaving the doorway, took a turn upon the pavement. Until five o'clock he walked to and fro, looking upward from time to time. The window seemed a dead thing, and now and then he asked himself if he had not dreamed that shadows had been dancing up there behind the panes. An intolerable sense of fatigue weighed him down, a dull, heavy feeling, under the influence of which he forgot what he was waiting for at that particular street corner. He kept stumbling on the pavement and starting into wakefulness with the icy shudder of a man who does not know where he is. Nothing seemed to justify the painful anxiety he was inflicting on himself. Since those people were asleep--well then, let them sleep! What good could it do mixing in their affairs? It was very dark; no one would ever know anything about this night's doings. And with that every sentiment within him, down to curiosity itself, took flight before the longing to have done with it all and to find relief somewhere. The cold was increasing, and the street was becoming insufferable. Twice he walked away and slowly returned, dragging one foot behind the other, only to walk farther away next time. It was all over; nothing was left him now, and so he went down the whole length of the boulevard and did not return.

His was a melancholy progress through the streets. He walked slowly, never changing his pace and simply keeping along the walls of the houses.

His boot heels re-echoed, and he saw nothing but his shadow moving at his side. As he neared each successive gaslight it grew taller and immediately afterward diminished. But this lulled him and occupied him mechanically. He never knew afterward where he had been; it seemed as if he had dragged himself round and round in a circle for hours. One reminiscence only was very distinctly retained by him. Without his being able to explain how it came about he found himself with his face pressed close against the gate at the end of the Passage des Panoramas and his two hands grasping the bars. He did not shake them but, his whole heart swelling with emotion, he simply tried to look into the passage. But he could make nothing out clearly, for shadows flooded the whole length of the deserted gallery, and the wind, blowing hard down the Rue Saint- Marc, puffed in his face with the damp breath of a cellar. For a time he tried doggedly to see into the place, and then, awakening from his dream, he was filled with astonishment and asked himself what he could possibly be seeking for at that hour and in that position, for he had pressed against the railings so fiercely that they had left their mark on his face. Then he went on tramp once more. He was hopeless, and his heart was full of infinite sorrow, for he felt, amid all those shadows, that he was evermore betrayed and alone.

Day broke at last. It was the murky dawn that follows winter nights and looks so melancholy from muddy Paris pavements. Muffat had returned into the wide streets, which were then in course of construction on either side of the new opera house. Soaked by the rain and cut up by cart wheels, the chalky soil had become a lake of liquid mire. But he never looked to see where he was stepping and walked on and on, slipping and regaining his footing as he went. The awakening of Paris, with its gangs of sweepers and early workmen trooping to their destinations, added to his troubles as day brightened. People stared at him in surprise as he went by with scared look and soaked hat and muddy clothes. For a long while he sought refuge against palings and among scaffoldings, his desolate brain haunted by the single remaining thought that he was very miserable.

Then he thought of God. The sudden idea of divine help, of superhuman consolation, surprised him, as though it were something unforeseen and extraordinary. The image of M. Venot was evoked thereby, and he saw his little plump face and ruined teeth. Assuredly M. Venot, whom for months he had been avoiding and thereby rendering miserable, would be delighted were he to go and knock at his door and fall weeping into his arms. In the old days God had been always so merciful toward him. At the least sorrow, the slightest obstacle on the path of life, he had been wont to enter a church, where, kneeling down, he would humble his littleness in the presence of Omnipotence. And he had been used to go forth thence, fortified by prayer, fully prepared to give up the good things of this world, possessed by the single yearning for eternal salvation. But at present he only practiced by fits and starts, when the terror of hell came upon him. All kinds of weak inclinations had overcome him, and the thought of Nana disturbed his devotions. And now the thought of God astonished him. Why had he not thought of God before, in the hour of that terrible agony when his feeble humanity was breaking up in ruin?

Meanwhile with slow and painful steps he sought for a church. But he had lost his bearings; the early hour had changed the face of the streets. Soon, however, as he turned the corner of the Rue de la Chaussee-d'Antin, he noticed a tower looming vaguely in the fog at the end of the Trinite Church. The white statues overlooking the bare garden seemed like so many chilly Venuses among the yellow foliage of a park. Under the porch he stood and panted a little, for the ascent of the wide steps had tired him. Then he went in. The church was very cold, for its heating apparatus had been fireless since the previous evening, and its lofty, vaulted aisles were full of a fine damp vapor which had come filtering through the windows. The aisles were deep in shadow; not a soul was in the church, and the only sound audible amid the unlovely darkness was that made by the old shoes of some verger or other who was dragging himself about in sulky semiwakefulness. Muffat, however, after knocking forlornly against an untidy collection of chairs, sank on his knees with bursting heart and propped himself against the rails in front of a little chapel close by a font. He clasped his hands and began searching within himself for suitable prayers, while his whole being yearned toward a transport. But only his lips kept stammering empty words; his heart and brain were far away, and with them he returned to the outer world and began his long, unresting march through the streets, as though lashed forward by implacable necessity. And he kept repeating, "O my God, come to my assistance! O my God, abandon not Thy creature, who delivers himself up to Thy justice! O my God, I adore Thee: Thou wilt not leave me to perish under the buffetings of mine enemies!" Nothing answered: the shadows and the cold weighed upon him, and the noise of the old shoes continued in the distance and prevented him praying. Nothing, indeed, save that tiresome noise was audible in the deserted church, where the matutinal sweeping was unknown before the early masses had somewhat warmed the air of the place. After that he rose to his feet with the help of a chair, his knees cracking under him as he did so. God was not yet there. And why should he weep in M. Venot's arms? The man could do nothing.

And then mechanically he returned to Nana's house. Outside he slipped, and he felt the tears welling to his eyes again, but he was not angry with his lot--he was only feeble and ill. Yes, he was too tired; the rain had wet him too much; he was nipped with cold, but the idea of going back to his great dark house in the Rue Miromesnil froze his heart. The house door at Nana's was not open as yet, and he had to wait till the porter made his appearance. He smiled as he went upstairs, for he already felt penetrated by the soft warmth of that cozy retreat, where he would be able to stretch his limbs and go to sleep.

When Zoe opened the door to him she gave a start of most uneasy astonishment. Madame had been taken ill with an atrocious sick headache, and she hadn't closed her eyes all night. Still, she could quite go and see whether Madame had gone to sleep for good. And with that she slipped into the bedroom while he sank back into one of the armchairs in the drawing room. But almost at that very moment Nana appeared. She had jumped out of bed and had scarce had time to slip on a petticoat. Her feet were bare, her hair in wild disorder, her nightgown all crumpled.

"What! You here again?" she cried with a red flush on her cheeks.

Up she rushed, stung by sudden indignation, in order herself to thrust him out of doors. But when she saw him in such sorry plight-- nay, so utterly done for--she felt infinite pity.

"Well, you are a pretty sight, my dear fellow!" she continued more gently. "But what's the matter? You've spotted them, eh? And it's given you the hump?"

He did not answer; he looked like a broken-down animal. Nevertheless, she came to the conclusion that he still lacked proofs, and to hearten him up the said:

"You see now? I was on the wrong tack. Your wife's an honest woman, on my word of honor! And now, my little friend, you must go home to bed. You want it badly."

He did not stir.

"Now then, be off! I can't keep you here. But perhaps you won't presume to stay at such a time as this?"

"Yes, let's go to bed," he stammered.

She repressed a violent gesture, for her patience was deserting her. Was the man going crazy?

"Come, be off!" she repeated.

"No."

But she flared up in exasperation, in utter rebellion.

"It's sickening! Don't you understand I'm jolly tired of your company? Go and find your wife, who's making a cuckold of you. Yes, she's making a cuckold of you. I say so--yes, I do now. There, you've got the sack! Will you leave me or will you not?"

Muffat's eyes filled with tears. He clasped his hands together.

"Oh, let's go to bed!"

At this Nana suddenly lost all control over herself and was choked by nervous sobs. She was being taken advaatage of when all was said and done! What had these stories to do with her? She certainly had used all manner of delicate methods in order to teach him his lesson gently. And now he was for making her pay the damages! No, thank you! She was kindhearted, but not to that extent.

"The devil, but I've had enough of this!" she swore, bringing her fist down on the furniture. "Yes, yes, I wanted to be faithful--it was all I could do to be that! Yet if I spoke the word I could be rich tomorrow, my dear fellow!"

He looked up in surprise. Never once had he thought of the monetary question. If she only expressed a desire he would realize it at once; his whole fortune was at her service.

"No, it's too late now," she replied furiously. "I like men who give without being asked. No, if you were to offer me a million for a single interview I should say no! It's over between us; I've got other fish to fry there! So be off or I shan't answer for the consequences. I shall do something dreadful!"

She advanced threateningly toward him, and while she was raving, as became a good courtesan who, though driven to desperation, was yet firmly convinced of her rights and her superiority over tiresome, honest folks, the door opened suddenly and Steiner presented himself. That proved the finishing touch. She shrieked aloud:

"Well, I never. Here's the other one!"

Bewildered by her piercing outcry, Steiner stopped short. Muffat's unexpected presence annoyed him, for he feared an explanation and had been doing his best to avoid it these three months past. With blinking eyes he stood first on one leg, then on the other, looking embarrassed the while and avoiding the count's gaze. He was out of breath, and as became a man who had rushed across Paris with good news, only to find himself involved in unforeseen trouble, his face was flushed and distorted.

"Que veux-tu, toi?" asked Nana roughly, using the second person singular in open mockery of the count.

"What--what do I--" he stammered. "I've got it for you--you know what."

"Eh?"

He hesitated. The day before yesterday she had given him to understand that if he could not find her a thousand francs to pay a bill with she would not receive him any more. For two days he had been loafing about the town in quest of the money and had at last made the sum up that very morning.

"The thousand francs!" he ended by declaring as he drew an envelope from his pocket.

Nana had not remembered.

"The thousand francs!" she cried. "D'you think I'm begging alms? Now look here, that's what I value your thousand francs at!"

And snatching the envelope, she threw it full in his face. As became a prudent Hebrew, he picked it up slowly and painfully and then looked at the young woman with a dull expression of face. Muffat and he exchanged a despairing glance, while she put her arms akimbo in order to shout more loudly than before.

"Come now, will you soon have done insulting me? I'm glad you've come, too, dear boy, because now you see the clearance'll be quite complete. Now then, gee up! Out you go!"

Then as they did not hurry in the least, for they were paralyzed:

"D'you mean to say I'm acting like a fool, eh? It's likely enough! But you've bored me too much! And, hang it all, I've had enough of swelldom! If I die of what I'm doing--well, it's my fancy!"

They sought to calm her; they begged her to listen to reason.

"Now then, once, twice, thrice! Won't you go? Very well! Look there! I've got company."

And with a brisk movement she flung wide the bedroom door. Whereupon in the middle of the tumbled bed the two men caught sight of Fontan. He had not expected to be shown off in this situation; nevertheless, he took things very easily, for he was used to sudden surprises on the stage. Indeed, after the first shock he even hit upon a grimace calculated to tide him honorably over his difficulty; he "turned rabbit," as he phrased it, and stuck out his lips and wrinkled up his nose, so as completely to transform the lower half of his face. His base, satyrlike head seemed to exude incontinence. It was this man Fontan then whom Nana had been to fetch at the Varieties every day for a week past, for she was smitten with that fierce sort of passion which the grimacing ugliness of a low comedian is wont to inspire in the genus courtesan.

"There!" she said, pointing him out with tragic gesture.

Muffat, who hitherto had pocketed everything, rebelled at this affront.

"Bitch!" he stammered.

But Nana, who was once more in the bedroom, came back in order to have the last word.

"How am I a bitch? What about your wife?"

And she was off and, slamming the door with a bang, she noisily pushed to the bolt. Left alone, the two men gazed at one another in silence. Zoe had just come into the room, but she did not drive them out. Nay, she spoke to them in the most sensible manner. As became a woman with a head on her shoulders, she decided that Madame's conduct was rather too much of a good thing. But she defended her, nonetheless: this union with the play actor couldn't last; the madness must be allowed to pass off! The two men retired without uttering a sound. On the pavement outside they shook hands silently, as though swayed by a mutual sense of fraternity. Then they turned their backs on one another and went crawling off in opposite directions.

When at last Muffat entered his town house in the Rue Miromesnil his wife was just arriving. The two met on the great staircase, whose walls exhaled an icy chill. They lifted up their eyes and beheld one another. The count still wore his muddy clothes, and his pale, bewildered face betrayed the prodigal returning from his debauch. The countess looked as though she were utterly fagged out by a night in the train. She was dropping with sleep, but her hair had been brushed anyhow, and her eyes were deeply sunken.

CHAPTER VIII

We are in a little set of lodgings on the fourth floor in the Rue Veron at Montmartre. Nana and Fontan have invited a few friends to cut their Twelfth-Night cake with them. They are giving their housewarming, though they have been only three days settled.

They had no fixed intention of keeping house together, but the whole thing had come about suddenly in the first glow of the honeymoon. After her grand blowup, when she had turned the count and the banker so vigorously out of doors, Nana felt the world crumbling about her feet. She estimated the situation at a glance; the creditors would swoop down on her anteroom, would mix themselves up with her love affairs and threaten to sell her little all unless she continued to act sensibly. Then, too, there would be no end of disputes and carking anxieties if she attempted to save her furniture from their clutches. And so she preferred giving up everything. Besides, the flat in the Boulevard Haussmann was plaguing her to death. It was so stupid with its great gilded rooms! In her access of tenderness for Fontan she began dreaming of a pretty little bright chamber. Indeed, she returned to the old ideals of the florist days, when her highest ambition was to have a rosewood cupboard with a plate-glass door and a bed hung with blue "reps." In the course of two days she sold what she could smuggle out of the house in the way of knickknacks and jewelry and then disappeared, taking with her ten thousand francs and never even warning the porter's wife. It was a plunge into the dark, a merry spree; never a trace was left behind. In this way she would prevent the men from coming dangling after her. Fontain was very nice. He did not say no to anything but just let her do as she liked. Nay, he even displayed an admirable spirit of comradeship. He had, on his part, nearly seven thousand francs, and despite the fact that people accused him of stinginess, he consented to add them to the young woman's ten thousand. The sum struck them as a solid foundation on which to begin housekeeping. And so they started away, drawing from their common hoard, in order to hire and furnish the two rooms in the Rue Veron, and sharing everything together like old friends. In the early days it was really delicious.

On Twelfth Night Mme Lerat and Louiset were the first to arrive. As Fontan had not yet come home, the old lady ventured to give expression to her fears, for she trembled to see her niece renouncing the chance of wealth.

"Oh, Aunt, I love him so dearly!" cried Nana, pressing her hands to her heart with the prettiest of gestures.

This phrase produced an extraordinary effect on Mme Lerat, and tears came into her eyes.

"That's true," she said with an air of conviction. "Love before all things!"

And with that she went into raptures over the prettiness of the rooms. Nana took her to see the bedroom, the parlor and the very kitchen. Gracious goodness, it wasn't a vast place, but then, they had painted it afresh and put up new wallpapers. Besides, the sun shone merrily into it during the daytime.

Thereupon Mme Lerat detained the young woman in the bedroom, while Louiset installed himself behind the charwoman in the kitchen in order to watch a chicken being roasted. If, said Mme Lerat, she permitted herself to say what was in her mind, it was because Zoe had just been at her house. Zoe had stayed courageously in the breach because she was devoted to her mistress. Madame would pay her later on; she was in no anxiety about that! And amid the breakup of the Boulevard Haussmann establishment it was she who showed the creditors a bold front; it was she who conducted a dignified retreat, saving what she could from the wreck and telling everyone that her mistress was traveling. She never once gave them her address. Nay, through fear of being followed, she even deprived herself of the pleasure of calling on Madame. Nevertheless, that same morning she had run round to Mme Lerat's because matters were taking a new turn. The evening before creditors in the persons of the upholsterer, the charcoal merchant and the laundress had put in an appearance and had offered to give Madame an extension of time. Nay, they had even proposed to advance Madame a very considerable amount if only Madame would return to her flat and conduct herself like a sensible person. The aunt repeated Zoe's words. Without doubt there was a gentleman behind it all.

"I'll never consent!" declared Nana in great disgust. "Ah, they're a pretty lot those tradesmen! Do they think I'm to be sold so that they can get their bills paid? Why, look here, I'd rather die of hunger than deceive Fontan."

"That's what I said," averred Mme Lerat. "'My niece,' I said, 'is too noble-hearted!'"

Nana, however, was much vexed to learn that La Mignotte was being sold and that Labordette was buying it for Caroline Hequet at an absurdly low price. It made her angry with that clique. Oh, they were a regular cheap lot, in spite of their airs and graces! Yes, by Jove, she was worth more than the whole lot of them!

"They can have their little joke out," she concluded, "but money will never give them true happiness! Besides, you know, Aunt, I don't even know now whether all that set are alive or not. I'm much too happy."

At that very moment Mme Maloir entered, wearing one of those hats of which she alone understood the shape. It was delightful meeting again. Mme Maloir explained that magnificence frightened her and that NOW, from time to time, she would come back for her game of bezique. A second visit was paid to the different rooms in the lodgings, and in the kitchen Nana talked of economy in the presence of the charwoman, who was basting the fowl, and said that a servant would have cost too much and that she was herself desirous of looking after things. Louiset was gazing beatifically at the roasting process.

But presently there was a loud outburst of voices. Fontan had come in with Bosc and Prulliere, and the company could now sit down to table. The soup had been already served when Nana for the third time showed off the lodgings.

"Ah, dear children, how comfortable you are here!" Bosc kept repeating, simply for the sake of pleasing the chums who were standing the dinner. At bottom the subject of the "nook," as he called it, nowise touched him.

In the bedroom he harped still more vigorously on the amiable note. Ordinarily he was wont to treat women like cattle, and the idea of a man bothering himself about one of the dirty brutes excited within him the only angry feelings of which, in his comprehensive, drunken disdain of the universe, he was still capable.

"Ah, ah, the villains," he continued with a wink, "they've done this on the sly. Well, you were certainly right. It will be charming, and, by heaven, we'll come and see you!"

But when Louiset arrived on the scene astride upon a broomstick, Prulliere chuckled spitefully and remarked:

"Well, I never! You've got a baby already?"

This struck everybody as very droll, and Mme Lerat and Mme Maloir shook with laughter. Nana, far from being vexed, laughed tenderly and said that unfortunately this was not the case. She would very much have liked it, both for the little one's sake and for her own, but perhaps one would arrive all the same. Fontan, in his role of honest citizen, took Louiset in his arms and began playing with him and lisping.

"Never mind! It loves its daddy! Call me 'Papa,' you little blackguard!"

"Papa, Papa!" stammered the child.

The company overwhelmed him with caresses, but Bosc was bored and talked of sitting down to table. That was the only serious business in life. Nana asked her guests' permission to put Louiset's chair next her own. The dinner was very merry, but Bosc suffered from the near neighborhood of the child, from whom he had to defend his plate. Mme Lerat bored him too. She was in a melting mood and kept whispering to him all sorts of mysterious things about gentlemen of the first fashion who were still running after Nana. Twice he had to push away her knee, for she was positively invading him in her gushing, tearful mood. Prulliere behaved with great incivility toward Mme Maloir and did not once help her to anything. He was entirely taken up with Nana and looked annoyed at seeing her with Fontan. Besides, the turtle doves were kissing so excessively as to be becoming positive bores. Contrary to all known rules, they had elected to sit side by side.

"Devil take it! Why don't you eat? You've got plenty of time ahead of you!" Bosc kept repeating with his mouth full. "Wait till we are gone!"

But Nana could not restrain herself. She was in a perfect ecstasy of love. Her face was as full of blushes as an innocent young girl's, and her looks and her laughter seemed to overflow with tenderness. Gazing on Fontan, she overwhelmed him with pet names-- "my doggie, my old bear, my kitten"--and whenever he passed her the water or the salt she bent forward and kissed him at random on lips, eyes, nose or ear. Then if she met with reproof she would return to the attack with the cleverest maneuvers and with infinite submissiveness and the supple cunning of a beaten cat would catch hold of his hand when no one was looking, in order to kiss it again. It seemed she must be touching something belonging to him. As to Fontan, he gave himself airs and let himself be adored with the utmost condescension. His great nose sniffed with entirely sensual content; his goat face, with its quaint, monstrous ugliness, positively glowed in the sunlight of devoted adoration lavished upon him by that superb woman who was so fair and so plump of limb. Occasionally he gave a kiss in return, as became a man who is having all the enjoyment and is yet willing to behave prettily.

"Well, you're growing maddening!" cried Prulliere. "Get away from her, you fellow there!"

And he dismissed Fontan and changed covers, in order to take his place at Nana's side. The company shouted and applauded at this and gave vent to some stiffish epigrammatic witticisms. Fontan counterfeited despair and assumed the quaint expression of Vulcan crying for Venus. Straightway Prulliere became very gallant, but Nana, whose foot he was groping for under the table, caught him a slap to make him keep quiet. No, no, she was certainly not going to become his mistress. A month ago she had begun to take a fancy to him because of his good looks, but now she detested him. If he pinched her again under pretense of picking up her napkin, she would throw her glass in his face!

Nevertheless, the evening passed off well. The company had naturally begun talking about the Varietes. Wasn't that cad of a Bordenave going to go off the hooks after all? His nasty diseases kept reappearing and causing him such suffering that you couldn't come within six yards of him nowadays. The day before during rehearsal he had been incessantly yelling at Simonne. There was a fellow whom the theatrical people wouldn't shed many tears over. Nana announced that if he were to ask her to take another part she would jolly well send him to the rightabout. Moreover, she began talking of leaving the stage; the theater was not to compare with her home. Fontan, who was not in the present piece or in that which was then being rehearsed, also talked big about the joy of being entirely at liberty and of passing his evenings with his feet on the fender in the society of his little pet. And at this the rest exclaimed delightedly, treating their entertainers as lucky people and pretending to envy their felicity.

The Twelfth-Night cake had been cut and handed round. The bean had fallen to the lot of Mme Lerat, who popped it into Bosc's glass. Whereupon there were shouts of "The king drinks! The king drinks!" Nana took advantage of this outburst of merriment and went and put her arms round Fontan's neck again, kissing him and whispering in his ear. But Prulliere, laughing angrily, as became a pretty man, declared that they were not playing the game. Louiset, meanwhile, slept soundly on two chairs. It was nearing one o'clock when the company separated, shouting au revoir as they went downstairs.

For three weeks the existence of the pair of lovers was really charming. Nana fancied she was returning to those early days when her first silk dress had caused her infinite delight. She went out little and affected a life of solitude and simplicity. One morning early, when she had gone down to buy fish IN PROPRIA PERSONA in La Rouchefoucauld Market, she was vastly surprised to meet her old hair dresser Francis face to face. His getup was as scrupulously careful as ever: he wore the finest linen, and his frock coat was beyond reproach; in fact, Nana felt ashamed that he should see her in the street with a dressing jacket and disordered hair and down-at-heel shoes. But he had the tact, if possible, to intensify his politeness toward her. He did not permit himself a single inquiry and affected to believe that Madame was at present on her travels. Ah, but Madame had rendered many persons unhappy when she decided to travel! All the world had suffered loss. The young woman, however, ended by asking him questions, for a sudden fit of curiosity had made her forget her previous embarrassment. Seeing that the crowd was jostling them, she pushed him into a doorway and, still holding her little basket in one hand, stood chatting in front of him. What were people saying about her high jinks? Good heavens! The ladies to whom he went said this and that and all sorts of things. In fact, she had made a great noise and was enjoying a real boom: And Steiner? M. Steiner was in a very bad way, would make an ugly finish if he couldn't hit on some new commercial operation. And Daguenet? Oh, HE was getting on swimmingly. M. Daguenet was settling down. Nana, under the exciting influence of various recollections, was just opening her mouth with a view to a further examination when she felt it would be awkward to utter Muffat's name. Thereupon Francis smiled and spoke instead of her. As to Monsieur le Comte, it was all a great pity, so sad had been his sufferings since Madame's departure.

He had been like a soul in pain--you might have met him wherever Madame was likely to be found. At last M. Mignon had come across him and had taken him home to his own place. This piece of news caused Nana to laugh a good deal. But her laughter was not of the easiest kind.

"Ah, he's with Rose now," she said. "Well then, you must know, Francis, I've done with him! Oh, the canting thing! It's learned some pretty habits--can't even go fasting for a week now! And to think that he used to swear he wouldn't have any woman after me!"

She was raging inwardly.

"My leavings, if you please!" she continued. "A pretty Johnnie for Rose to go and treat herself to! Oh, I understand it all now: she wanted to have her revenge because I got that brute of a Steiner away from her. Ain't it sly to get a man to come to her when I've chucked him out of doors?"

"M. Mignon doesn't tell that tale," said the hairdresser. "According to his account, it was Monsieur le Comte who chucked you out. Yes, and in a pretty disgusting way too--with a kick on the bottom!"

Nana became suddenly very pale.

"Eh, what?" she cried. "With a kick on my bottom? He's going too far, he is! Look here, my little friend, it was I who threw him downstairs, the cuckold, for he is a cuckold, I must inform you. His countess is making him one with every man she meets--yes, even with that good-for-nothing of a Fauchery. And that Mignon, who goes loafing about the pavement in behalf of his harridan of a wife, whom nobody wants because she's so lean! What a foul lot! What a foul lot!"

She was choking, and she paused for breath

"Oh, that's what they say, is it? Very well, my little Francis, I'll go and look 'em up, I will. Shall you and I go to them at once? Yes, I'll go, and we'll see whether they will have the cheek to go telling about kicks on the bottom. Kick's! I never took one from anybody! And nobody's ever going to strike me--d'ye see?--for I'd smash the man who laid a finger on me!"

Nevertheless, the storm subsided at last. After all, they might jolly well what they liked! She looked upon them as so much filth underfoot! It would have soiled her to bother about people like that. She had a conscience of her own, she had! And Francis, seeing her thus giving herself away, what with her housewife's costume and all, became familiar and, at parting, made so bold as to give her some good advice. It was wrong of her to be sacrificing everything for the sake of an infatuation; such infatuations ruined existence. She listened to him with bowed head while he spoke to her with a pained expression, as became a connoisseur who could not bear to see so fine a girl making such a hash of things.

"Well, that's my affair," she said at last "Thanks all the same, dear boy." She shook his hand, which despite his perfect dress was always a little greasy, and then went off to buy her fish. During the day that story about the kick on the bottom occupied her thoughts. She even spoke about it to Fontan and again posed as a sturdy woman who was not going to stand the slightest flick from anybody. Fontan, as became a philosophic spirit, declared that all men of fashion were beasts whom it was one's duty to despise. And from that moment forth Nana was full of very real disdain.

That same evening they went to the Bouffes-Parisiens Theatre to see a little woman of Fontan's acquaintance make her debut in a part of some ten lines. It was close on one o'clock when they once more trudged up the heights of Montmartre. They had purchased a cake, a "mocha," in the Rue de la Chaussee-d'Antin, and they ate it in bed, seeing that the night was not warm and it was not worth while lighting a fire. Sitting up side by side, with the bedclothes pulled up in front and the pillows piled up behind, they supped and talked about the little woman. Nana thought her plain and lacking in style. Fontan, lying on his stomach, passed up the pieces of cake which had been put between the candle and the matches on the edge of the night table. But they ended by quarreling.

"Oh, just to think of it!" cried Nana. "She's got eyes like gimlet holes, and her hair's the color of tow."

"Hold your tongue, do!" said Fontan. "She has a superb head of hair and such fire in her looks! It's lovely the way you women always tear each other to pieces!"

He looked annoyed.

"Come now, we've had enough of it!" he said at last in savage tones. "You know I don't like being bored. Let's go to sleep, or things'll take a nasty turn."

And he blew out the candle, but Nana was furious and went on talking. She was not going to be spoken to in that voice; she was accustomed to being treated with respect! As he did not vouchsafe any further answer, she was silenced, but she could not go to sleep and lay tossing to and fro.

"Great God, have you done moving about?" cried he suddenly, giving a brisk jump upward.

"It isn't my fault if there are crumbs in the bed," she said curtly.

In fact, there were crumbs in the bed. She felt them down to her middle; she was everywhere devoured by them. One single crumb was scorching her and making her scratch herself till she bled. Besides, when one eats a cake isn't it usual to shake out the bedclothes afterward? Fontan, white with rage, had relit the candle, and they both got up and, barefooted and in their night dresses, they turned down the clothes and swept up the crumbs on the sheet with their hands. Fontan went to bed again, shivering, and told her to go to the devil when she advised him to wipe the soles of his feet carefully. And in the end she came back to her old position, but scarce had she stretched herself out than she danced again. There were fresh crumbs in the bed!

"By Jove, it was sure to happen!" she cried. "You've brought them back again under your feet. I can't go on like this! No, I tell you, I can't go on like this!"

And with that she was on the point of stepping over him in order to jump out of bed again, when Fontan in his longing for sleep grew desperate and dealt her a ringing box on the ear. The blow was so smart that Nana suddenly found herself lying down again with her head on the pillow.

She lay half stunned.

"Oh!" she ejaculated simply, sighing a child's big sigh.

For a second or two he threatened her with a second slap, asking her at the same time if she meant to move again. Then he put out the light, settled himself squarely on his back and in a trice was snoring. But she buried her face in the pillow and began sobbing quietly to herself. It was cowardly of him to take advantage of his superior strength! She had experienced very real terror all the same, so terrible had that quaint mask of Fontan's become. And her anger began dwindling down as though the blow had calmed her. She began to feel respect toward him and accordingly squeezed herself against the wall in order to leave him as much room as possible. She even ended by going to sleep, her cheek tingling, her eyes full of tears and feeling so deliciously depressed and wearied and submissive that she no longer noticed the crumbs. When she woke up in the morning she was holding Fontain in her naked arms and pressing him tightly against her breast. He would never begin it again, eh? Never again? She loved him too dearly. Why, it was even nice to be beaten if he struck the blow!

After that night a new life began. For a mere trifle--a yes, a no-- Fontan would deal her a blow. She grew accustomed to it and pocketed everything. Sometimes she shed tears and threatened him, but he would pin her up against the wall and talk of strangling her, which had the effect of rendering her extremely obedient. As often as not, she sank down on a chair and sobbed for five minutes on end. But afterward she would forget all about it, grow very merry, fill the little lodgings with the sound of song and laughter and the rapid rustle of skirts. The worst of it was that Fontan was now in the habit of disappearing for the whole day and never returning home before midnight, for he was going to cafes and meeting his old friends again. Nana bore with everything. She was tremulous and caressing, her only fear being that she might never see him again if she reproached him. But on certain days, when she had neither Mme Maloir nor her aunt and Louiset with her, she grew mortally dull. Thus one Sunday, when she was bargaining for some pigeons at La Rochefoucauld Market, she was delighted to meet Satin, who, in her turn, was busy purchasing a bunch of radishes. Since the evening when the prince had drunk Fontan's champagne they had lost sight of one another.

"What? It's you! D'you live in our parts?" said Satin, astounded at seeing her in the street at that hour of the morning and in slippers too. "Oh, my poor, dear girl, you're really ruined then!"

Nana knitted her brows as a sign that she was to hold her tongue, for they were surrounded by other women who wore dressing gowns and were without linen, while their disheveled tresses were white with fluff. In the morning, when the man picked up overnight had been newly dismissed, all the courtesans of the quarter were wont to come marketing here, their eyes heavy with sleep, their feet in old down- at-heel shoes and themselves full of the weariness and ill humor entailed by a night of boredom. From the four converging streets they came down into the market, looking still rather young in some cases and very pale and charming in their utter unconstraint; in others, hideous and old with bloated faces and peeling skin. The latter did not the least mind being seen thus outside working hours, and not one of them deigned to smile when the passers-by on the sidewalk turned round to look at them. Indeed, they were all very full of business and wore a disdainful expression, as became good housewives for whom men had ceased to exist. Just as Satin, for instance, was paying for her bunch of radishes a young man, who might have been a shop-boy going late to his work, threw her a passing greeting:

"Good morning, duckie."

She straightened herself up at once and with the dignified manner becoming an offended queen remarked:

"What's up with that swine there?"

Then she fancied she recognized him. Three days ago toward midnight, as the was coming back alone from the boulevards, she had talked to him at the corner of the Rue Labruyere for nearly half an hour, with a view to persuading him to come home with her. But this recollection only angered her the more.

"Fancy they're brutes enough to shout things to you in broad daylight!" she continued. "When one's out on business one ought to be respecifully treated, eh?"

Nana had ended by buying her pigeons, although she certainly had her doubts of their freshness. After which Satin wanted to show her where she lived in the Rue Rochefoucauld close by. And the moment they were alone Nana told her of her passion for Fontan. Arrived in front of the house, the girl stopped with her bundle of radishes under her arm and listened eagerly to a final detail which the other imparted to her. Nana fibbed away and vowed that it was she who had turned Count Muffat out of doors with a perfect hail of kickastliness of the men. Nana was overpowering on the subject of Fontan. She could not say a dozen words without lapsing into endless repetitions of his sayings and his doings. But Satin, like a good-natured girl, would listen unwearyingly to everlasting accounts of how Nana had watched for him at the window, how they had fallen out over a burnt dish of hash and how they had made it up in bed after hours of silent sulking. In her desire to be always talking about these things Nana had gs on the posterior.

"Oh how smart!" Satin repeated. "How very smart! Kicks, eh? And he never said a word, did he? What a blooming coward! I wish I'd been there to see his ugly mug! My dear girl, you were quite right. A pin for the coin! When I'M on with a mash I starve for it! You'll come and see me, eh? You promise? It's the left-hand door. Knock three knocks, for there's a whole heap of damned squints about."

After that whenever Nana grew too weary of life she went down and saw Satin. She was always sure of finding her, for the girl never went out before six in the evening. Satin occupied a couple of rooms which a chemist had furnished for her in order to save her from the clutches of the police, but in little more than a twelvemonth she had broken the furniture, knocked in the chairs, dirtied the curtains, and that in a manner so furiously filthy and untidy that the lodgings seemed as though inhabited by a pack of mad cats. On the mornings when she grew disgusted with herself and thought about cleaning up a bit, chair rails and strips of curtain would come off in her hands during her struggle with superincumbent dirt. On such days the place was fouler than ever, and it was impossible to enter it, owing to the things which had fallen down across the doorway. At length she ended by leaving her house severely alone. When the lamp was lit the cupboard with plate-glass doors, the clock and what remained of the curtains still served to impose on the men. Besides, for six months past her landlord had been threatening to evict her. Well then, for whom should she be keeping the furniture nice? For him more than anyone else, perhaps! And so whenever she got up in a merry mood she would shout "Gee up!" and give the sides of the cupboard and the chest of drawers such a tremendous kick that they cracked again.

Nana nearly always found her in bed. Even on the days when Satin went out to do her marketing she felt so tired on her return upstairs that she flung herself down on the bed and went to sleep again. During the day she dragged herself about and dozed off on chairs. Indeed, she did not emerge from this languid condition till the evening drew on and the gas was lit outside. Nana felt very comfortable at Satin's, sitting doing nothing on the untidy bed, while basins stood about on the floor at her feet and petticoats which had been bemired last night hung over the backs of armchairs and stained them with mud. They had long gossips together and were endlessly confidential, while Satin lay on her stomach in her nightgown, waving her legs above her head and smoking cigarettes as she listened. Sometimes on such afternoons as they had troubles to retail they treated themselves to absinthe in order, as they termed it, "to forget." Satin did not go downstairs or put on a petticoat but simply went and leaned over the banisters and shouted her order to the portress's little girl, a chit of ten, who when she brought up the absinthe in a glass would look furtively at the lady's bare legs. Every conversation led up to one subject--the beot to tell of every slap that he dealt her. Last week he had given her a swollen eye; nay, the night before he had given her such a box on the ear as to throw her across the night table, and all because he could not find his slippers. And the other woman did not evince any astonishment but blew out cigarette smoke and only paused a moment to remark that, for her part, she always ducked under, which sent the gentleman pretty nearly sprawling. Both of them settled down with a will to these anecdotes about blows; they grew supremely happy and excited over these same idiotic doings about which they told one another a hundred times or more, while they gave themselves up to the soft and pleasing sense of weariness which was sure to follow the drubbings they talked of. It was the delight of rediscussing Fontan's blows and of explaining his works and his ways, down to the very manner in which he took off his boots, which brought Nana back daily to Satin's place. The latter, moreover, used to end by growing sympathetic in her turn and would cite even more violent cases, as, for instance, that of a pastry cook who had left her for dead on the floor. Yet she loved him, in spite of it all! Then came the days on which Nana cried and declared that things could not go on as they were doing. Satin would escort her back to her own door and would linger an hour out in the street to see that he did not murder her. And the next day the two women would rejoice over the reconciliation the whole afternoon through. Yet though they did not say so, they preferred the days when threshings were, so to speak, in the air, for then their comfortable indignation was all the stronger.

They became inseparable. Yet Satin never went to Nana's, Fontan having announced that he would have no trollops in his house. They used to go out together, and thus it was that Satin one day took her friend to see another woman. This woman turned out to be that very Mme Robert who had interested Nana and inspired her with a certain respect ever since she had refused to come to her supper. Mme Robert lived in the Rue Mosnier, a silent, new street in the Quartier de l'Europe, where there were no shops, and the handsome houses with their small, limited flats were peopled by ladies. It was five o'clock, and along the silent pavements in the quiet, aristocratic shelter of the tall white houses were drawn up the broughams of stock-exchange people and merchants, while men walked hastily about, looking up at the windows, where women in dressing jackets seemed to be awaiting them. At first Nana refused to go up, remarking with some constraint that she had not the pleasure of the lady's acquaintance. But Satin would take no refusal. She was only desirous of paying a civil call, for Mme Robert, whom she had met in a restaurant the day before, had made herself extremely agreeable and had got her to promise to come and see her. And at last Nana consented. At the top of the stairs a little drowsy maid informed them that Madame had not come home yet, but she ushered them into the drawing room notwithstanding and left them there.

"The deuce, it's a smart show!" whispered Satin. It was a stiff, middle-class room, hung with dark-colored fabrics, and suggested the conventional taste of a Parisian shopkeeper who has retired on his fortune. Nana was struck and did her best to make merry about it. But Satin showed annoyance and spoke up for Mme Robert's strict adherence to the proprieties. She was always to be met in the society of elderly, grave-looking men, on whose arms she leaned. At present she had a retired chocolate seller in tow, a serious soul. Whenever he came to see her he was so charmed by the solid, handsome way in which the house was arranged that he had himself announced and addressed its mistress as "dear child."

"Look, here she is!" continued Satin, pointing to a photograph which stood in front of the clock. Nana scrutinized the portrait for a second or so. It represented a very dark brunette with a longish face and lips pursed up in a discreet smile. "A thoroughly fashionable lady," one might have said of the likeness, "but one who is rather more reserved than the rest."

"It's strange," murmured Nana at length, "but I've certainly seen that face somewhere. Where, I don't remember. But it can't have been in a pretty place--oh no, I'm sure it wasn't in a pretty place."

And turning toward her friend, she added, "So she's made you promise to come and see her? What does she want with you?"

"What does she want with me? 'Gad! To talk, I expect--to be with me a bit. It's her politeness."

Nana looked steadily at Satin. "Tut, tut," she said softly. After all, it didn't matter to her! Yet seeing that the lady was keeping them waiting, she declared that she would not stay longer, and accordingly they both took their departure.

The next day Fontan informed Nana that he was not coming home to dinner, and she went down early to find Satin with a view to treating her at a restaurant. The choice of the restaurant involved infinite debate. Satin proposed various brewery bars, which Nana thought detestable, and at last persuaded her to dine at Laure's. This was a table d'hote in the Rue des Martyrs, where the dinner cost three francs.

Tired of waiting for the dinner hour and not knowing what to do out in the street, the pair went up to Laure's twenty minutes too early. The three dining rooms there were still empty, and they sat down at a table in the very saloon where Laure Piedefer was enthroned on a high bench behind a bar. This Laure was a lady of some fifty summers, whose swelling contours were tightly laced by belts and corsets. Women kept entering in quick procession, and each, in passing, craned upward so as to overtop the saucers raised on the counter and kissed Laure on the mouth with tender familiarity, while the monstrous creature tried, with tears in her eyes, to divide her attentions among them in such a way as to make no one jealous. On the other hand, the servant who waited on the ladies was a tall, lean woman. She seemed wasted with disease, and her eyes were ringed with dark lines and glowed with somber fire. Very rapidly the three saloons filled up. There were some hundred customers, and they had seated themselves wherever they could find vacant places. The majority were nearing the age of forty: their flesh was puffy and so bloated by vice as almost to hide the outlines of their flaccid mouths. But amid all these gross bosoms and figures some slim, pretty girls were observable. These still wore a modest expression despite their impudent gestures, for they were only beginners in their art, who had started life in the ballrooms of the slums and had been brought to Laure's by some customer or other. Here the tribe of bloated women, excited by the sweet scent of their youth, jostled one another and, while treating them to dainties, formed a perfect court round them, much as old amorous bachelors might have done. As to the men, they were not numerous. There were ten or fifteen of them at the outside, and if we except four tall fellows who had come to see the sight and were cracking jokes and taking things easy, they behaved humbly enough amid this whelming flood of petticoats.

"I say, their stew's very good, ain't it?" said Satin.

Nana nodded with much satisfaction. It was the old substantial dinner you get in a country hotel and consisted of vol-au-vent a la financiere, fowl boiled in rice, beans with a sauce and vanilla creams, iced and flavored with burnt sugar. The ladies made an especial onslaught on the boiled fowl and rice: their stays seemed about to burst; they wiped their lips with slow, luxurious movements. At first Nana had been afraid of meeting old friends who might have asked her silly questions, but she grew calm at last, for she recognized no one she knew among that extremely motley throng, where faded dresses and lamentable hats contrasted strangely with handsome costumes, the wearers of which fraternized in vice with their shabbier neighbors. She was momentarily interested, however, at the sight of a young man with short curly hair and insolent face who kept a whole tableful of vastly fat women breathlessly attentive to his slightest caprice. But when the young man began to laugh his bosom swelled.

"Good lack, it's a woman!"

She let a little cry escape as she spoke, and Satin, who was stuffing herself with boiled fowl, lifted up her head and whispered:

"Oh yes! I know her. A smart lot, eh? They do just fight for her."

Nana pouted disgustingly. She could not understand the thing as yet. Nevertheless, she remarked in her sensible tone that there was no disputing about tastes or colors, for you never could tell what you yourself might one day have a liking for. So she ate her cream with an air of philosophy, though she was perfectly well aware that Satin with her great blue virginal eyes was throwing the neighboring tables into a state of great excitement. There was one woman in particular, a powerful, fair-haired person who sat close to her and made herself extremely agreeable. She seemed all aglow with affection and pushed toward the girl so eagerly that Nana was on the point of interfering.

But at that very moment a woman who was entering the room gave her a shock of surprise. Indeed, she had recognized Mme Robert. The latter, looking, as was her wont, like a pretty brown mouse, nodded familiarly to the tall, lean serving maid and came and leaned upon Laure's counter. Then both women exchanged a long kiss. Nana thought such an attention on the part of a woman so distinguished looking very amusing, the more so because Mme Robert had quite altered her usual modest expression. On the contrary, her eye roved about the saloon as she kept up a whispered conversation. Laure had resumed her seat and once more settled herself down with all the majesty of an old image of Vice, whose face has been worn and polished by the kisses of the faithful. Above the range of loaded plates she sat enthroned in all the opulence which a hotelkeeper enjoys after forty years of activity, and as she sat there she swayed her bloated following of large women, in comparison with the biggest of whom she seemed monstrous.

But Mme Robert had caught sight of Satin, and leaving Laure, she ran up and behaved charmingly, telling her how much she regretted not having been at home the day before. When Satin, however, who was ravished at this treatment, insisted on finding room for her at the table, she vowed she had already dined. She had simply come up to look about her. As she stood talking behind her new friend's chair she leaned lightly on her shoulders and in a smiling, coaxing manner remarked:

"Now when shall I see you? If you were free--"

Nana unluckily failed to hear more. The conversation vexed her, and she was dying to tell this honest lady a few home truths. But the sight of a troop of new arrivals paralyzed her. It was composed of smart, fashionably dressed women who were wearing their diamonds. Under the influence of perverse impulse they had made up a party to come to Laure's--whom, by the by, they all treated with great familiarity--to eat the three-franc dinner while flashing their jewels of great price in the jealous and astonished eyes of poor, bedraggled prostitutes. The moment they entered, talking and laughing in their shrill, clear tones and seeming to bring sunshine with them from the outside world, Nana turned her head rapidly away. Much to her annoyance she had recognized Lucy Stewart and Maria Blond among them, and for nearly five minutes, during which the ladies chatted with Laure before passing into the saloon beyond, she kept her head down and seemed deeply occupied in rolling bread pills on the cloth in front of her. But when at length she was able to look round, what was her astonishment to observe the chair next to hers vacant! Satin had vanished.

"Gracious, where can she be?" she loudly ejaculated.

The sturdy, fair woman who had been overwhelming Satin with civil attentions laughed ill-temperedly, and when Nana, whom the laugh irritated, looked threatening she remarked in a soft, drawling way:

"It's certainly not me that's done you this turn; it's the other one!"

Thereupon Nana understood that they would most likely make game of her and so said nothing more. She even kept her seat for some moments, as she did not wish to show how angry she felt. She could hear Lucy Stewart laughing at the end of the next saloon, where she was treating a whole table of little women who had come from the public balls at Montmartre and La Chapelle. It was very hot; the servant was carrying away piles of dirty plates with a strong scent of boiled fowl and rice, while the four gentlemen had ended by regaling quite half a dozen couples with capital wine in the hope of making them tipsy and hearing some pretty stiffish things. What at present most exasperated Nana was the thought of paying for Satin's dinner. There was a wench for you, who allowed herself to be amused and then made off with never a thank-you in company with the first petticoat that came by! Without doubt it was only a matter of three francs, but she felt it was hard lines all the same--her way of doing it was too disgusting. Nevertheless, she paid up, throwing the six francs at Laure, whom at the moment she despised more than the mud in the street. In the Rue des Martyrs Nana felt her bitterness increasing. She was certainly not going to run after Satin! It was a nice filthy business for one to be poking one's nose into! But her evening was spoiled, and she walked slowly up again toward Montmartre, raging against Mme Robert in particular. Gracious goodness, that woman had a fine cheek to go playing the lady--yes, the lady in the dustbin! She now felt sure she had met her at the Papillon, a wretched public-house ball in the Rue des Poissonniers, where men conquered her scruples for thirty sous. And to think a thing like that got hold of important functionaries with her modest looks! And to think she refused suppers to which one did her the honor of inviting her because, forsooth, she was playing the virtuous game! Oh yes, she'd get virtued! It was always those conceited prudes who went the most fearful lengths in low corners nobody knew anything about.

Revolving these matters, Nana at length reached her home in the Rue Veron and was taken aback on observing a light in the window. Fontan had come home in a sulk, for he, too, had been deserted by the friend who had been dining with him. He listened coldly to her explanations while she trembled lest he should strike her. It scared her to find him at home, seeing that she had not expected him before one in the morning, and she told him a fib and confessed that she had certainly spent six francs, but in Mme Maloir's society. He was not ruffled, however, and he handed her a letter which, though addressed to her, he had quietly opened. It was a letter from Georges, who was still a prisoner at Les Fondettes and comforted himself weekly with the composition of glowing pages. Nana loved to be written to, especially when the letters were full of grand, loverlike expressions with a sprinkling of vows. She used to read them to everybody. Fontan was familiar with the style employed by Georges and appreciated it. But that evening she was so afraid of a scene that she affected complete indifference, skimming through the letter with a sulky expression and flinging it aside as soon as read. Fontan had begun beating a tattoo on a windowpane; the thought of going to bed so early bored him, and yet he did not know how to employ his evening. He turned briskly round:

"Suppose we answer that young vagabond at once," he said.

It was the custom for him to write the letters in reply. He was wont to vie with the other in point of style. Then, too, he used to be delighted when Nana, grown enthusiastic after the letter had been read over aloud, would kiss him with the announcement that nobody but he could "say things like that." Thus their latent affections would be stirred, and they would end with mutual adoration.

"As you will," she replied. "I'll make tea, and we'll go to bed after."

Thereupon Fontan installed himself at the table on which pen, ink and paper were at the same time grandly displayed. He curved his arm; he drew a long face.

"My heart's own," he began aloud.

And for more than an hour he applied himself to his task, polishing here, weighing a phrase there, while he sat with his head between his hands and laughed inwardly whenever he hit upon a peculiarly tender expression. Nana had already consumed two cups of tea in silence, when at last he read out the letter in the level voice and with the two or three emphatic gestures peculiar to such performances on the stage. It was five pages long, and he spoke therein of "the delicious hours passed at La Mignotte, those hours of which the memory lingered like subtle perfume." He vowed "eternal fidelity to that springtide of love" and ended by declaring that his sole wish was to "recommence that happy time if, indeed, happiness can recommence."

"I say that out of politeness, y'know," he explained. "The moment it becomes laughable--eh, what! I think she's felt it, she has!"

He glowed with triumph. But Nana was unskillful; she still suspected an outbreak and now was mistaken enough not to fling her arms round his neck in a burst of admiration. She thought the letter a respectable performance, nothing more. Thereupon he was much annoyed. If his letter did not please her she might write another! And so instead of bursting out in loverlike speeches and exchanging kisses, as their wont was, they sat coldly facing one another at the table. Nevertheless, she poured him out a cup of tea.

"Here's a filthy mess," he cried after dipping his lips in the mixture. "You've put salt in it, you have!"

Nana was unlucky enough to shrug her shoulders, and at that he grew furious.

"Aha! Things are taking a wrong turn tonight!"

And with that the quarrel began. It was only ten by the clock, and this was a way of killing time. So he lashed himself into a rage and threw in Nana's teeth a whole string of insults and all kinds of accusations which followed one another so closely that she had no time to defend herself. She was dirty; she was stupid; she had knocked about in all sorts of low places! After that he waxed frantic over the money question. Did he spend six francs when he dined out? No, somebody was treating him to a dinner; otherwise he would have eaten his ordinary meal at home. And to think of spending them on that old procuress of a Maloir, a jade he would chuck out of the house tomorrow! Yes, by jingo, they would get into a nice mess if he and she were to go throwing six francs out of the window every day!

"Now to begin with, I want your accounts," he shouted. "Let's see; hand over the money! Now where do we stand?"

All his sordid avaricious instincts came to the surface. Nana was cowed and scared, and she made haste to fetch their remaining cash out of the desk and to bring it him. Up to that time the key had lain on this common treasury, from which they had drawn as freely as they wished.

"How's this?" he said when he had counted up the money. "There are scarcely seven thousand francs remaining out of seventeen thousand, and we've only been together three months. The thing's impossible."

He rushed forward, gave the desk a savage shake and brought the drawer forward in order to ransack it in the light of the lamp. But it actually contained only six thousand eight hundred and odd francs. Thereupon the tempest burst forth.

"Ten thousand francs in three months!" he yelled. "By God! What have you done with it all? Eh? Answer! It all goes to your jade of an aunt, eh? Or you're keeping men; that's plain! Will you answer?"

"Oh well, if you must get in a rage!" said Nana. "Why, the calculation's easily made! You haven't allowed for the furniture; besides, I've had to buy linen. Money goes quickly when one's settling in a new place."

But while requiring explanations he refused to listen to them.

"Yes, it goes a deal too quickly!" he rejoined more calmly. "And look here, little girl, I've had enough of this mutual housekeeping. You know those seven thousand francs are mine. Yes, and as I've got 'em, I shall keep 'em! Hang it, the moment you become wasteful I get anxious not to be ruined. To each man his own."

And he pocketed the money in a lordly way while Nana gazed at him, dumfounded. He continued speaking complaisantly:

"You must understand I'm not such a fool as to keep aunts and likewise children who don't belong to me. You were pleased to spend your own money--well, that's your affair! But my money--no, that's sacred! When in the future you cook a leg of mutton I'll pay for half of it. We'll settle up tonight--there!"

Straightway Nana rebelled. She could not help shouting:

"Come, I say, it's you who've run through my ten thousand francs. It's a dirty trick, I tell you!"

But he did not stop to discuss matters further, for he dealt her a random box on the ear across the table, remarking as he did so:

"Let's have that again!"

She let him have it again despite his blow. Whereupon he fell upon her and kicked and cuffed her heartily. Soon he had reduced her to such a state that she ended, as her wont was, by undressing and going to bed in a flood of tears.

He was out of breath and was going to bed, in his turn, when he noticed the letter he had written to Georges lying on the table. Whereupon he folded it up carefully and, turning toward the bed, remarked in threatening accents:

"It's very well written, and I'm going to post it myself because I don't like women's fancies. Now don't go moaning any more; it puts my teeth on edge."

Nana, who was crying and gasping, thereupon held her breath. When he was in bed she choked with emotion and threw herself upon his breast with a wild burst of sobs. Their scuffles always ended thus, for she trembled at the thought of losing him and, like a coward, wanted always to feel that he belonged entirely to her, despite everything. Twice he pushed her magnificently away, but the warm embrace of this woman who was begging for mercy with great, tearful eyes, as some faithful brute might do, finally aroused desire. And he became royally condescending without, however, lowering his dignity before any of her advances. In fact, he let himself be caressed and taken by force, as became a man whose forgiveness is worth the trouble of winning. Then he was seized with anxiety, fearing that Nana was playing a part with a view to regaining possession of the treasury key. The light had been extinguished when he felt it necessary to reaffirm his will and pleasure.

"You must know, my girl, that this is really very serious and that I keep the money."

Nana, who was falling asleep with her arms round his neck, uttered a sublime sentiment.

"Yes, you need fear nothing! I'll work for both of us!"

But from that evening onward their life in common became more and more difficult. From one week's end to the other the noise of slaps filled the air and resembled the ticking of a clock by which they regulated their existence. Through dint of being much beaten Nana became as pliable as fine linen; her skin grew delicate and pink and white and so soft to the touch and clear to the view that she may be said to have grown more good looking than ever. Prulliere, moreover, began running after her like a madman, coming in when Fontan was away and pushing her into corners in order to snatch an embrace. But she used to struggle out of his grasp, full of indignation and blushing with shame. It disgusted her to think of him wanting to deceive a friend. Prulliere would thereupon begin sneering with a wrathful expression. Why, she was growing jolly stupid nowadays! How could she take up with such an ape? For, indeed, Fontan was a regular ape with that great swingeing nose of his. Oh, he had an ugly mug! Besides, the man knocked her about too!

"It's possible I like him as he is," she one day made answer in the quiet voice peculiar to a woman who confesses to an abominable taste.

Bosc contented himself by dining with them as often as possible. He shrugged his shoulders behind Prulliere's back--a pretty fellow, to be sure, but a frivolous! Bosc had on more than one occasion assisted at domestic scenes, and at dessert, when Fontan slapped Nana, he went on chewing solemnly, for the thing struck him as being quite in the course of nature. In order to give some return for his dinner he used always to go into ecstasies over their happiness. He declared himself a philosopher who had given up everything, glory included. At times Prulliere and Fontan lolled back in their chairs, losing count of time in front of the empty table, while with theatrical gestures and intonation they discussed their former successes till two in the morning. But he would sit by, lost in thought, finishing the brandy bottle in silence and only occasionally emitting a little contemptuous sniff. Where was Talma's tradition? Nowhere. Very well, let them leave him jolly well alone! It was too stupid to go on as they were doing!

One evening he found Nana in tears. She took off her dressing jacket in order to show him her back and her arms, which were black and blue. He looked at her skin without being tempted to abuse the opportunity, as that ass of a Prulliere would have been. Then, sententiously:

"My dear girl, where there are women there are sure to be ructions. It was Napoleon who said that, I think. Wash yourself with salt water. Salt water's the very thing for those little knocks. Tut, tut, you'll get others as bad, but don't complain so long as no bones are broken. I'm inviting myself to dinner, you know; I've spotted a leg of mutton."

But Mme Lerat had less philosophy. Every time Nana showed her a fresh bruise on the white skin she screamed aloud. They were killing her niece; things couldn't go on as they were doing. As a matter of fact, Fontan had turned Mme Lerat out of doors and had declared that he would not have her at his house in the future, and ever since that day, when he returned home and she happened to be there, she had to make off through the kitchen, which was a horrible humiliation to her. Accordingly she never ceased inveighing against that brutal individual. She especially blamed his ill breeding, pursing up her lips, as she did so, like a highly respectable lady whom nobody could possibly remonstrate with on the subject of good manners.

"Oh, you notice it at once," she used to tell Nana; "he hasn't the barest notion of the very smallest proprieties. His mother must have been common! Don't deny it--the thing's obvious! I don't speak on my own account, though a person of my years has a right to respectful treatment, but YOU--how do YOU manage to put up with his bad manners? For though I don't want to flatter myself, I've always taught you how to behave, and among our own people you always enjoyed the best possible advice. We were all very well bred in our family, weren't we now?"

Nana used never to protest but would listen with bowed head.

"Then, too," continued the aunt, "you've only known perfect gentlemen hitherto. We were talking of that very topic with Zoe at my place yesterday evening. She can't understand it any more than I can. 'How is it,' she said, 'that Madame, who used to have that perfect gentleman, Monsieur le Comte, at her beck and call'--for between you and me, it seems you drove him silly--'how is it that Madame lets herself be made into mincemeat by that clown of a fellow?' I remarked at the time that you might put up with the beatings but that I would never have allowed him to be lacking in proper respect. In fact, there isn't a word to be said for him. I wouldn't have his portrait in my room even! And you ruin yourself for such a bird as that; yes, you ruin yourself, my darling; you toil and you moil, when there are so many others and such rich men, too, some of them even connected with the government! Ah well, it's not I who ought to be telling you this, of course! But all the same, when next he tries any of his dirty tricks on I should cut him short with a 'Monsieur, what d'you take me for?' You know how to say it in that grand way of yours! It would downright cripple him."

Thereupon Nana burst into sobs and stammered out:

"Oh, Aunt, I love him!"

The fact of the matter was that Mme Lerat was beginning to feel anxious at the painful way her niece doled out the sparse, occasional francs destined to pay for little Louis's board and lodging. Doubtless she was willing to make sacrifices and to keep the child by her whatever might happen while waiting for more prosperous times, but the thought that Fontan was preventing her and the brat and its mother from swimming in a sea of gold made her so savage that she was ready to deny the very existence of true love. Accordingly she ended up with the following severe remarks:

"Now listen, some fine day when he's taken the skin off your back, you'll come and knock at my door, and I'll open it to you."

Soon money began to engross Nana's whole attention. Fontan had caused the seven thousand francs to vanish away. Without doubt they were quite safe; indeed, she would never have dared ask him questions about them, for she was wont to be blushingly diffident with that bird, as Mme Lerat called him. She trembled lest he should think her capable of quarreling with him about halfpence. He had certainly promised to subscribe toward their common household expenses, and in the early days he had given out three francs every morning. But he was as exacting as a boarder; he wanted everything for his three francs--butter, meat, early fruit and early vegetables--and if she ventured to make an observation, if she hinted that you could not have everything in the market for three francs, he flew into a temper and treated her as a useless, wasteful woman, a confounded donkey whom the tradespeople were robbing. Moreover, he was always ready to threaten that he would take lodgings somewhere else. At the end of a month on certain mornings he had forgotten to deposit the three francs on the chest of drawers, and she had ventured to ask for them in a timid, roundabout way. Whereupon there had been such bitter disputes and he had seized every pretext to render her life so miserable that she had found it best no longer to count upon him. Whenever, however, he had omitted to leave behind the three one-franc pieces and found a dinner awaiting him all the same, he grew as merry as a sandboy, kissed Nana gallantly and waltzed with the chairs. And she was so charmed by this conduct that she at length got to hope that nothing would be found on the chest of drawers, despite the difficulty she experienced in making both ends meet. One day she even returned him his three francs, telling him a tale to the effect that she still had yesterday's money. As he had given her nothing then, he hesitated for some moments, as though he dreaded a lecture. But she gazed at him with her loving eyes and hugged him in such utter self- surrender that he pocketed the money again with that little convulsive twitch or the fingers peculiar to a miser when he regains possession of that which has been well-nigh lost. From that day forth he never troubled himself about money again or inquired whence it came. But when there were potatoes on the table he looked intoxicated with delight and would laugh and smack his lips before her turkeys and legs of mutton, though of course this did not prevent his dealing Nana sundry sharp smacks, as though to keep his hand in amid all his happiness.

Nana had indeed found means to provide for all needs, and the place on certain days overflowed with good things. Twice a week, regularly, Bosc had indigestion. One evening as Mme Lerat was withdrawing from the scene in high dudgeon because she had noticed a copious dinner she was not destined to eat in process of preparation, she could not prevent herself asking brutally who paid for it all. Nana was taken by surprise; she grew foolish and began crying.

"Ah, that's a pretty business," said the aunt, who had divined her meaning.

Nana had resigned herself to it for the sake of enjoying peace in her own home. Then, too, the Tricon was to blame. She had come across her in the Rue de Laval one fine day when Fontan had gone out raging about a dish of cod. She had accordingly consented to the proposals made her by the Tricon, who happened just then to be in difficulty. As Fontan never came in before six o'clock, she made arrangements for her afternoons and used to bring back forty francs, sixty francs, sometimes more. She might have made it a matter of ten and fifteen louis had she been able to maintain her former position, but as matters stood she was very glad thus to earn enough to keep the pot boiling. At night she used to forget all her sorrows when Bosc sat there bursting with dinner and Fontan leaned on his elbows and with an expression of lofty superiority becoming a man who is loved for his own sake allowed her to kiss him on the eyelids.

In due course Nana's very adoration of her darling, her dear old duck, which was all the more passionately blind, seeing that now she paid for everything, plunged her back into the muddiest depths of her calling. She roamed the streets and loitered on the pavement in quest of a five-franc piece, just as when she was a slipshod baggage years ago. One Sunday at La Rochefoucauld Market she had made her peace with Satin after having flown at her with furious reproaches about Mme Robert. But Satin had been content to answer that when one didn't like a thing there was no reason why one should want to disgust others with it. And Nana, who was by way of being wide- minded, had accepted the philosophic view that you never can tell where your tastes will lead you and had forgiven her. Her curiosity was even excited, and she began questioning her about obscure vices and was astounded to be adding to her information at her time of life and with her knowledge. She burst out laughing and gave vent to various expressions of surprise. It struck her as so queer, and yet she was a little shocked by it, for she was really quite the philistine outside the pale of her own habits. So she went back to Laure's and fed there when Fontan was dining out. She derived much amusement from the stories and the amours and the jealousies which inflamed the female customers without hindering their appetites in the slightest degree. Nevertheless, she still was not quite in it, as she herself phrased it. The vast Laure, meltingly maternal as ever, used often to invite her to pass a day or two at her Asnieries Villa, a country house containing seven spare bedrooms. But she used to refuse; she was afraid. Satin, however, swore she was mistaken about it, that gentlemen from Paris swung you in swings and played tonneau with you, and so she promised to come at some future time when it would be possible for her to leave town.

At that time Nana was much tormented by circumstances and not at all festively inclined. She needed money, and when the Tricon did not want her, which too often happened, she had no notion where to bestow her charms. Then began a series of wild descents upon the Parisian pavement, plunges into the baser sort of vice, whose votaries prowl in muddy bystreets under the restless flicker of gas lamps. Nana went back to the public-house balls in the suburbs, where she had kicked up her heels in the early ill-shod days. She revisited the dark corners on the outer boulevards, where when she was fifteen years old men used to hug her while her father was looking for her in order to give her a hiding. Both the women would speed along, visiting all the ballrooms and restaurants in a quarter and climbing innumerable staircases which were wet with spittle and spilled beer, or they would stroll quietly about, going up streets and planting themselves in front of carriage gates. Satin, who had served her apprenticeship in the Quartier Latin, used to take Nana to Bullier's and the public houses in the Boulevard Saint-Michel. But the vacations were drawing on, and the Quarter looked too starved. Eventually they always returned to the principal boulevards, for it was there they ran the best chance of getting what they wanted. From the heights of Montmartre to the observatory plateau they scoured the whole town in the way we have been describing. They were out on rainy evenings, when their boots got worn down, and on hot evenings, when their linen clung to their skins. There were long periods of waiting and endless periods of walking; there were jostlings and disputes and the nameless, brutal caresses of the stray passer-by who was taken by them to some miserable furnished room and came swearing down the greasy stairs afterward.

The summer was drawing to a close, a stormy summer of burning nights. The pair used to start out together after dinner, toward nine o'clock. On the pavements of the Rue Notre Dame de la Lorette two long files of women scudded along with tucked-up skirts and bent heads, keeping close to the shops but never once glancing at the displays in the shopwindows as they hurried busily down toward the boulevards. This was the hungry exodus from the Quartier Breda which took place nightly when the street lamps had just been lit. Nana and Satin used to skirt the church and then march off along the Rue le Peletier. When they were some hundred yards from the Cafe Riche and had fairly reached their scene of operations they would shake out the skirts of their dresses, which up till that moment they had been holding carefully up, and begin sweeping the pavements, regardless of dust. With much swaying of the hips they strolled delicately along, slackening their pace when they crossed the bright light thrown from one of the great cafes. With shoulders thrown back, shrill and noisy laughter and many backward glances at the men who turned to look at them, they marched about and were completely in their element. In the shadow of night their artificially whitened faces, their rouged lips and their darkened eyelids became as charming and suggestive as if the inmates of a make-believe trumpery oriental bazaar had been sent forth into the open street. Till eleven at night they sauntered gaily along among the rudely jostling crowds, contenting themselves with an occasional "dirty ass!" hurled after the clumsy people whose boot heels had torn a flounce or two from their dresses. Little familiar salutations would pass between them and the cafe waiters, and at times they would stop and chat in front of a small table and accept of drinks, which they consumed with much deliberation, as became people not sorry to sit down for a bit while waiting for the theaters to empty. But as night advanced, if they had not made one or two trips in the direction of the Rue la Rochefoucauld, they became abject strumpets, and their hunt for men grew more ferocious than ever. Beneath the trees in the darkening and fast-emptying boulevards fierce bargainings took place, accompanied by oaths and blows. Respectable family parties--fathers, mothers and daughters-- who were used to such scenes, would pass quietly by the while without quickening their pace. Afterward, when they had walked from the opera to the GYMNASE some half-score times and in the deepening night men were rapidly dropping off homeward for good and all, Nana and Satin kept to the sidewalk in the Rue du Faubourg Montmartre. There up till two o'clock in the morning restaurants, bars and ham- and-beef shops were brightly lit up, while a noisy mob of women hung obstinately round the doors of the cafes. This suburb was the only corner of night Paris which was still alight and still alive, the only market still open to nocturnal bargains. These last were openly struck between group and group and from one end of the street to the other, just as in the wide and open corridor of a disorderly house. On such evenings as the pair came home without having had any success they used to wrangle together. The Rue Notre Dame de la Lorette stretched dark and deserted in front of them. Here and there the crawling shadow of a woman was discernible, for the Quarter was going home and going home late, and poor creatures, exasperated at a night of fruitless loitering, were unwilling to give up the chase and would still stand, disputing in hoarse voices with any strayed reveler they could catch at the corner of the Rue Breda or the Rue Fontaine.

Nevertheless, some windfalls came in their way now and then in the shape of louis picked up in the society of elegant gentlemen, who slipped their decorations into their pockets as they went upstairs with them. Satin had an especially keen scent for these. On rainy evenings, when the dripping city exhaled an unpleasant odor suggestive of a great untidy bed, she knew that the soft weather and the fetid reek of the town's holes and corners were sure to send the men mad. And so she watched the best dressed among them, for she knew by their pale eyes what their state was. On such nights it was as though a fit of fleshly madness were passing over Paris. The girl was rather nervous certainly, for the most modish gentlemen were always the most obscene. All the varnish would crack off a man, and the brute beast would show itself, exacting, monstrous in lust, a past master in corruption. But besides being nervous, that trollop of a Satin was lacking in respect. She would blurt out awful things in front of dignified gentlemen in carriages and assure them that their coachmen were better bred than they because they behaved respectfully toward the women and did not half kill them with their diabolical tricks and suggestions. The way in which smart people sprawled head over heels into all the cesspools of vice still caused Nana some surprise, for she had a few prejudices remaining, though Satin was rapidly destroying them.

"Well then," she used to say when talking seriously about the matter, "there's no such thing as virtue left, is there?"

From one end of the social ladder to the other everybody was on the loose! Good gracious! Some nice things ought to be going on in Paris between nine o'clock in the evening and three in the morning! And with that she began making very merry and declaring that if one could only have looked into every room one would have seen some funny sights--the little people going it head over ears and a good lot of swells, too, playing the swine rather harder than the rest. Oh, she was finishing her education!

One evenlng when she came to call for Satin she recognized the Marquis de Chouard. He was coming downstairs with quaking legs; his face was ashen white, and he leaned heavily on the banisters. She pretended to be blowing her nose. Upstairs she found Satin amid indescribable filth. No household work had been done for a week; her bed was disgusting, and ewers and basins were standing about in all directions. Nana expressed surprise at her knowing the marquis. Oh yes, she knew him! He had jolly well bored her confectioner and her when they were together. At present he used to come back now and then, but he nearly bothered her life out, going sniffing into all the dirty corners--yes, even into her slippers!

"Yes, dear girl, my slippers! Oh, he's the dirtiest old beast, always wanting one to do things!"

The sincerity of these low debauches rendered Nana especially uneasy. Seeing the courtesans around her slowly dying of it every day, she recalled to mind the comedy of pleasure she had taken part in when she was in the heyday of success. Moreover, Satin inspired her with an awful fear of the police. She was full of anecdotes about them. Formerly she had been the mistress of a plain-clothes man, had consented to this in order to be left in peace, and on two occasions he had prevented her from being put "on the lists." But at present she was in a great fright, for if she were to be nabbed again there was a clear case against her. You had only to listen to her! For the sake of perquisites the police used to take up as many women as possible. They laid hold of everybody and quieted you with a slap if you shouted, for they were sure of being defended in their actions and rewarded, even when they had taken a virtuous girl among the rest. In the summer they would swoop upon the boulevard in parties of twelve or fifteen, surround a whole long reach of sidewalk and fish up as many as thirty women in an evening. Satin, however, knew the likely places, and the moment she saw a plain- clothes man heaving in sight she took to her heels, while the long lines of women on the pavements scattered in consternation and fled through the surrounding crowd. The dread of the law and of the magistracy was such that certain women would stand as though paralyzed in the doorways of the cafes while the raid was sweeping the avenue without. But Satin was even more afraid of being denounced, for her pastry cook had proved blackguard enough to threaten to sell her when she had left him. Yes, that was a fake by which men lived on their mistresses! Then, too, there were the dirty women who delivered you up out of sheer treachery if you were prettier than they! Nana listened to these recitals and felt her terrors growing upon her. She had always trembled before the law, that unknown power, that form of revenge practiced by men able and willing to crush her in the certain absence of all defenders. Saint-Lazare she pictured as a grave, a dark hole, in which they buried live women after they had cut off their hair. She admitted that it was only necessary to leave Fontan and seek powerful protectors. But as matters stood it was in vain that Satin talked to her of certain lists of women's names, which it was the duty of the plainclothes men to consult, and of certain photographs accompanying the lists, the originals of which were on no account to be touched. The reassurance did not make her tremble the less, and she still saw herself hustled and dragged along and finally subjected to the official medical inspection. The thought of the official armchair filled her with shame and anguish, for had she not bade it defiance a score of times?

Now it so happened that one evening toward the close of September, as she was walking with Satin in the Boulevard Poissonniere, the latter suddenly began tearing along at a terrible pace. And when Nana asked her what she meant thereby:

"It's the plain-clothes men!" whispered Satin. "Off with you! Off with you!" A wild stampede took place amid the surging crowd. Skirts streamed out behind and were torn. There were blows and shrieks. A woman fell down. The crowd of bystanders stood hilariously watching this rough police raid while the plain-clothes men rapidly narrowed their circle. Meanwhile Nana had lost Satin. Her legs were failing her, and she would have been taken up for a certainty had not a man caught her by the arm and led her away in front of the angry police. It was Prulliere, and he had just recognized her. Without saying a word he turned down the Rue Rougemont with her. It was just then quite deserted, and she was able to regain breath there, but at first her faintness and exhaustion were such that he had to support her. She did not even thank him.

"Look here," he said, "you must recover a bit. Come up to my rooms."

He lodged in the Rue Bergere close by. But she straightened herself up at once.

"No, I don't want to."

Thereupon he waxed coarse and rejoined:

"Why don't you want to, eh? Why, everybody visits my rooms."

"Because I don't."

In her opinion that explained everything. She was too fond of Fontan to betray him with one of his friends. The other people ceased to count the moment there was no pleasure in the business, and necessity compelled her to it. In view of her idiotic obstinacy Prulliere, as became a pretty fellow whose vanity had been wounded, did a cowardly thing.

"Very well, do as you like!" he cried. "Only I don't side with you, my dear. You must get out of the scrape by yourself."

And with that he left her. Terrors got hold of her again, and scurrying past shops and turning white whenever a man drew nigh, she fetched an immense compass before reaching Montmartre.

On the morrow, while still suffering from the shock of last night's terrors, Nana went to her aunt's and at the foot of a small empty street in the Batignolles found herself face to face with Labordette. At first they both appeared embarrassed, for with his usual complaisance he was busy on a secret errand. Nevertheless, he was the first to regain his self-possession and to announce himself fortunate in meeting her. Yes, certainly, everybody was still wondering at Nana's total eclipse. People were asking for her, and old friends were pining. And with that he grew quite paternal and ended by sermonizing.

"Frankly speaking, between you and me, my dear, the thing's getting stupid. One can understand a mash, but to go to that extent, to be trampled on like that and to get nothing but knocks! Are you playing up for the 'Virtue Prizes' then?"

She listened to him with an embarrassed expression. But when he told her about Rose, who was triumphantly enjoying her conquest of Count Muffat, a flame came into her eyes.

"Oh, if I wanted to--" she muttered.

As became an obliging friend, he at once offered to act as intercessor. But she refused his help, and he thereupon attacked her in an opposite quarter.

He informed her that Bordenave was busy mounting a play of Fauchery's containing a splendid part for her.

"What, a play with a part!" she cried in amazement. "But he's in it and he's told me nothing about it!"

She did not mention Fontan by name. However, she grew calm again directly and declared that she would never go on the stage again. Labordette doubtless remained unconvinced, for he continued with smiling insistence.

"You know, you need fear nothing with me. I get your Muffat ready for you, and you go on the stage again, and I bring him to you like a little dog!"

"No!" she cried decisively.

And she left him. Her heroic conduct made her tenderly pitiful toward herself. No blackguard of a man would ever have sacrificed himself like that without trumpeting the fact abroad. Nevertheless, she was struck by one thing: Labordette had given her exactly the same advice as Francis had given her. That evening when Fontan came home she questioned him about Fauchery's piece. The former had been back at the Varietes for two months past. Why then had he not told her about the part?

"What part?" he said in his ill-humored tone. "The grand lady's part, maybe? The deuce, you believe you've got talent then! Why, such a part would utterly do for you, my girl! You're meant for comic business--there's no denying it!"

She was dreadfully wounded. All that evening he kept chaffing her, calling her Mlle Mars. But the harder he hit the more bravely she suffered, for she derived a certain bitter satisfaction from this heroic devotion of hers, which rendered her very great and very loving in her own eyes. Ever since she had gone with other men in order to supply his wants her love for him had increased, and the fatigues and disgusts encountered outside only added to the flame. He was fast becoming a sort of pet vice for which she paid, a necessity of existence it was impossible to do without, seeing that blows only stimulated her desires. He, on his part, seeing what a good tame thing she had become, ended by abusing his privileges. She was getting on his nerves, and he began to conceive so fierce a loathing for her that he forgot to keep count of his real interests. When Bosc made his customary remarks to him he cried out in exasperation, for which there was no apparent cause, that he had had enough of her and of her good dinners and that he would shortly chuck her out of doors if only for the sake of making another woman a present of his seven thousand francs. Indeed, that was how their liaison ended.

One evening Nana came in toward eleven o'clock and found the door bolted. She tapped once--there was no answer; twice--still no answer. Meanwhile she saw light under the door, and Fontan inside did not trouble to move. She rapped again unwearyingly; she called him and began to get annoyed. At length Fontan's voice became audible; he spoke slowly and rather unctuously and uttered but this one word.

"MERDE!"

She beat on the door with her fists.

"MERDE!"

She banged hard enough to smash in the woodwork.

"MERDE!"

And for upward of a quarter of an hour the same foul expression buffeted her, answering like a jeering echo to every blow wherewith she shook the door. At length, seeing that she was not growing tired, he opened sharply, planted himself on the threshold, folded his arms and said in the same cold, brutal voice:

"By God, have you done yet? What d'you want? Are you going to let us sleep in peace, eh? You can quite see I've got company tonight."

He was certainly not alone, for Nana perceived the little woman from the Bouffes with the untidy tow hair and the gimlet-hole eyes, standing enjoying herself in her shift among the furniture she had paid for. But Fontan stepped out on the landing. He looked terrible, and he spread out and crooked his great fingers as if they were pincers.

"Hook it or I'll strangle you!"

rhereupon Nana burst into a nervous fit of sobbing. She was frightened and she made off. This time it was she that was being kicked out of doors. And in her fury the thought of Muffat suddenly occurred to her. Ah, to be sure, Fontan, of all men, ought never to have done her such a turn!

When she was out in the street her first thought was to go and sleep with Satin, provided the girl had no one with her. She met her in front of her house, for she, too, had been turned out of doors by her landlord. He had just had a padlock affixed to her door--quite illegally, of course, seeing that she had her own furniture. She swore and talked of having him up before the commissary of police. In the meantime, as midnight was striking, they had to begin thinking of finding a bed. And Satin, deeming it unwise to let the plain-clothes men into her secrets, ended by taking Nana to a woman who kept a little hotel in the Rue de Laval. Here they were assigned a narrow room on the first floor, the window of which opened on the courtyard. Satin remarked:

"I should gladly have gone to Mme Robert's. There's always a corner there for me. But with you it's out of the question. She's getting absurdly jealous; she beat me the other night."

When they had shut themselves in, Nana, who had not yet relieved her feelings, burst into tears and again and again recounted Fontan's dirty behavior. Satin listened complaisantly, comforted her, grew even more angry than she in denunciation of the male sex.

"Oh, the pigs, the pigs! Look here, we'll have nothing more to do with them!"

Then she helped Nana to undress with all the small, busy attentions, becoming a humble little friend. She kept saying coaxingly:

"Let's go to bed as fast as we can, pet. We shall be better off there! Oh, how silly you are to get crusty about things! I tell you, they're dirty brutes. Don't think any more about 'em. I--I love you very much. Don't cry, and oblige your own little darling girl."

And once in bed, she forthwith took Nana in her arms and soothed and comforted her. She refused to hear Fontan's name mentioned again, and each time it recurred to her friend's lips she stopped it with a kiss. Her lips pouted in pretty indignation; her hair lay loose about her, and her face glowed with tenderness and childlike beauty. Little by little her soft embrace compelled Nana to dry her tears. She was touched and replied to Satin's caresses. When two o'clock struck the candle was still burning, and a sound of soft, smothered laughter and lovers' talk was audible in the room.

But suddenly a loud noise came up from the lower floors of the hotel, and Satin, with next to nothing on, got up and listened intently.

"The police!" she said, growing very pale.

"Oh, blast our bad luck! We're bloody well done for!"

Often had she told stories about the raids on hotel made by the plainclothes men. But that particular night neither of them had suspected anything when they took shelter in the Rue de Laval. At the sound of the word "police" Nana lost her head. She jumped out of bed and ran across the room with the scared look of a madwoman about to jump out of the window. Luckily, however, the little courtyard was roofed with glass, which was covered with an iron-wire grating at the level of the girls' bedroom. At sight of this she ceased to hesitate; she stepped over the window prop, and with her chemise flying and her legs bared to the night air she vanished in the gloom.

"Stop! Stop!" said Satin in a great fright. "You'll kill yourself."

Then as they began hammering at the door, she shut the window like a good-natured girl and threw her friend's clothes down into a cupboard. She was already resigned to her fate and comforted herself with the thought that, after all, if she were to be put on the official list she would no longer be so "beastly frightened" as of yore. So she pretended to be heavy with sleep. She yawned; she palavered and ended by opening the door to a tall, burly fellow with an unkempt beard, who said to her:

"Show your hands! You've got no needle pricks on them: you don't work. Now then, dress!"

"But I'm not a dressmaker; I'm a burnisher," Satin brazenly declared.

Nevertheless, she dressed with much docility, knowing that argument was out of the question. Cries were ringing through the hotel; a girl was clinging to doorposts and refusing to budge an inch. Another girl, in bed with a lover, who was answering for her legality, was acting the honest woman who had been grossly insulted and spoke of bringing an action against the prefect of police. For close on an hour there was a noise of heavy shoes on the stairs, of fists hammering on doors, of shrill disputes terminating in sobs, of petticoats rustling along the walls, of all the sounds, in fact, attendant on the sudden awakening and scared departure of a flock of women as they were roughly packed off by three plain-clothes men, headed by a little oily-mannered, fair-haired commissary of police. After they had gone the hotel relapsed into deep silence.

Nobody had betrayed her; Nana was saved. Shivering and half dead with fear, she came groping back into the room. Her bare feet were cut and bleeding, for they had been torn by the grating. For a long while she remained sitting on the edge of the bed, listening and listening. Toward morning, however, she went to sleep again, and at eight o'clock, when she woke up, she escaped from the hotel and ran to her aunt's. When Mme Lerat, who happened just then to be drinking her morning coffee with Zoe, beheld her bedraggled plight and haggard face, she took note of the hour and at once understood the state of the case.

"It's come to it, eh?" she cried. "I certainly told you that he would take the skin off your back one of these days. Well, well, come in; you'll always find a kind welcome here."

Zoe had risen from her chair and was muttering with respectful familiarity:

"Madame is restored to us at last. I was waiting for Madame."

But Mme Lerat insisted on Nana's going and kissing Louiset at once, because, she said, the child took delight in his mother's nice ways. Louiset, a sickly child with poor blood, was still asleep, and when Nana bent over his white, scrofulous face, the memory of all she had undergone during the last few months brought a choking lump into her throat.

"Oh, my poor little one, my poor little one!" she gasped, bursting into a final fit of sobbing.

CHAPTER IX

The Petite Duchesse was being rehearsed at the Varietes. The first act had just been carefully gone through, and the second was about to begin. Seated in old armchairs in front of the stage, Fauchery and Bordenave were discussing various points while the prompter, Father Cossard, a little humpbacked man perched on a straw-bottomed chair, was turning over the pages of the manuscript, a pencil between his lips.

"Well, what are they waiting for?" cried Bordenave on a sudden, tapping the floor savagely with his heavy cane. "Barillot, why don't they begin?"

"It's Monsieur Bosc that has disappeared," replied Barillot, who was acting as second stage manager.'

Then there arose a tempest, and everybody shouted for Bosc while Bordenave swore.

"Always the same thing, by God! It's all very well ringing for 'em: they're always where they've no business to be. And then they grumble when they're kept till after four o'clock."

But Bosc just then came in with supreme tranquillity.

"Eh? What? What do they want me for? Oh, it's my turn! You ought to have said so. All right! Simonne gives the cue: 'Here are the guests,' and I come in. Which way must I come in?"

"Through the door, of course," cried Fauchery in great exasperation.

"Yes, but where is the door?"

At this Bordenave fell upon Barillot and once more set to work swearing and hammering the boards with his cane.

"By God! I said a chair was to be put there to stand for the door, and every day we have to get it done again. Barillot! Where's Barillot? Another of 'em! Why, they're all going!"

Nevertheless, Barillot came and planted the chair down in person, mutely weathering the storm as he did so. And the rehearsal began again. Simonne, in her hat and furs, began moving about like a maidservant busy arranging furniture. She paused to say:

"I'm not warm, you know, so I keep my hands in my muff."

Then changing her voice, she greeted Bosc with a little cry:

"La, it's Monsieur le Comte. You're the first to come, Monsieur le Comte, and Madame will be delighted."

Bosc had muddy trousers and a huge yellow overcoat, round the collar of which a tremendous comforter was wound. On his head he wore an old hat, and he kept his hands in his pockets. He did not act but dragged himself along, remarking in a hollow voice:

"Don't disturb your mistress, Isabelle; I want to take her by surprise."

The rehearsal took its course. Bordenave knitted his brows. He had slipped down low in his armchair and was listening with an air of fatigue. Fauchery was nervous and kept shifting about in his seat. Every few minutes he itched with the desire to interrupt, but he restrained himself. He heard a whispering in the dark and empty house behind him.

"Is she there?" he asked, leaning over toward Bordenave.

The latter nodded affirmatively. Before accepting the part of Geraldine, which he was offering her, Nana had been anxious to see the piece, for she hesitated to play a courtesan's part a second time. She, in fact, aspired to an honest woman's part. Accordingly she was hiding in the shadows of a corner box in company with Labordette, who was managing matters for her with Bordenave. Fauchery glanced in her direction and then once more set himself to follow the rehearsal.

Only the front of the stage was lit up. A flaring gas burner on a support, which was fed by a pipe from the footlights, burned in front of a reflector and cast its full brightness over the immediate foreground. It looked like a big yellow eye glaring through the surrounding semiobscurity, where it flamed in a doubtful, melancholy way. Cossard was holding up his manuscript against the slender stem of this arrangement. He wanted to see more clearly, and in the flood of light his hump was sharply outlined. As to Bordenave and Fauchery, they were already drowned in shadow. It was only in the heart of this enormous structure, on a few square yards of stage, that a faint glow suggested the light cast by some lantern nailed up in a railway station. It made the actors look like eccentric phantoms and set their shadows dancing after them. The remainder of the stage was full of mist and suggested a house in process of being pulled down, a church nave in utter ruin. It was littered with ladders, with set pieces and with scenery, of which the faded painting suggested heaped-up rubbish. Hanging high in air, the scenes had the appearance of great ragged clouts suspended from the rafters of some vast old-clothes shop, while above these again a ray of bright sunlight fell from a window and clove the shadow round the flies with a bar of gold.

Meanwhile actors were chatting at the back of the stage while awaiting their cues. Little by little they had raised their voices.

"Confound it, will you be silent?" howled Bordenave, raging up and down in his chair. "I can't hear a word. Go outside if you want to talk; WE are at work. Barillot, if there's any more talking I clap on fines all round!"

They were silent for a second or two. They were sitting in a little group on a bench and some rustic chairs in the corner of a scenic garden, which was standing ready to be put in position as it would be used in the opening act the same evening. In the middle of this group Fontan and Prulliere were listening to Rose Mignon, to whom the manager of the Folies-Dramatique Theatre had been making magnificent offers. But a voice was heard shouting:

"The duchess! Saint-Firmin! The duchess and Saint-Firmin are wanted!"

Only when the call was repeated did Prulliere remember that he was Saint-Firmin! Rose, who was playing the Duchess Helene, was already waiting to go on with him while old Bosc slowly returned to his seat, dragging one foot after the other over the sonorous and deserted boards. Clarisse offered him a place on the bench beside her.

"What's he bawling like that for?" she said in allusion to Bordenave. "Things will be getting rosy soon! A piece can't be put on nowadays without its getting on his nerves."

Bosc shrugged his shoulders; he was above such storms. Fontan whispered:

"He's afraid of a fiasco. The piece strikes me as idiotic."

Then he turned to Clarisse and again referred to what Rose had been telling them:

"D'you believe in the offers of the Folies people, eh? Three hundred francs an evening for a hundred nights! Why not a country house into the bargain? If his wife were to be given three hundred francs Mignon would chuck my friend Bordenave and do it jolly sharp too!"

Clarisse was a believer in the three hundred francs. That man Fontan was always picking holes in his friends' successes! Just then Simonne interrupted her. She was shivering with cold. Indeed, they were all buttoned up to the ears and had comforters on, and they looked up at the ray of sunlight which shone brightly above them but did not penetrate the cold gloom of the theater. In the streets outside there was a frost under a November sky.

"And there's no fire in the greenroom!" said Simonne. "It's disgusting; he IS just becoming a skinflint! I want to be off; I don't want to get seedy."

"Silence, I say!" Bordenave once more thundered.

Then for a minute or so a confused murmur alone was audible as the actors went on repeating their parts. There was scarcely any appropriate action, and they spoke in even tones so as not to tire themselves. Nevertheless, when they did emphasize a particular shade of meaning they cast a glance at the house, which lay before them like a yawning gulf. It was suffused with vague, ambient shadow, which resembled the fine dust floating pent in some high, windowless loft. The deserted house, whose sole illumination was the twilight radiance of the stage, seemed to slumber in melancholy and mysterious effacement. Near the ceiling dense night smothered the frescoes, while from the several tiers of stage boxes on either hand huge widths of gray canvas stretched down to protect the neighboring hangings. In fact, there was no end to these coverings; bands of canvas had been thrown over the velvet-covered ledges in front of the various galleries which they shrouded thickly. Their pale hue stained the surrounding shadows, and of the general decorations of the house only the dark recesses of the boxes were distinguishable. These served to outline the framework of the several stories, where the seats were so many stains of red velvet turned black. The chandelier had been let down as far as it would go, and it so filled the region of the stalls with its pendants as to suggest a flitting and to set one thinking that the public had started on a journey from which they would never return.

Just about then Rose, as the little duchess who has been misled into the society of a courtesan, came to the footlights, lifted up her hands and pouted adorably at the dark and empty theater, which was as sad as a house of mourning.

"Good heavens, what queer people!" she said, emphasizing the phrase and confident that it would have its effect.

Far back in the corner box in which she was hiding Nana sat enveloped in a great shawl. She was listening to the play and devouring Rose with her eyes. Turning toward Labordette, she asked him in a low tone:

"You are sure he'll come?"

"Quite sure. Without doubt he'll come with Mignon, so as to have an excuse for coming. As soon as he makes his appearance you'll go up into Mathilde's dressing room, and I'll bring him to you there."

They were talking of Count Muffat. Labordette had arranged this interview with him on neutral ground. He had had a serious talk with Bordenave, whose affairs had been gravely damaged by two successive failures. Accordingly Bordenave had hastened to lend him his theater and to offer Nana a part, for he was anxious to win the count's favor and hoped to be able to borrow from him.

"And this part of Geraldine, what d'you thing of it?" continued Labordette.

But Nana sat motionless and vouchsafed no reply. After the first act, in which the author showed how the Duc de Beaurivage played his wife false with the blonde Geraldine, a comic-opera celebrity, the second act witnessed the Duchess Helene's arrival at the house of the actress on the occasion of a masked ball being given by the latter. The duchess has come to find out by what magical process ladies of that sort conquer and retain their husbands' affections. A cousin, the handsome Oscar de Saint-Firmin, introduces her and hopes to be able to debauch her. And her first lesson causes her great surprise, for she hears Geraldine swearing like a hodman at the duke, who suffers with most ecstatic submissiveness. The episode causes her to cry out, "Dear me, if that's the way one ought to talk to the men!" Geraldine had scarce any other scene in the act save this one. As to the duchess, she is very soon punished for her curiosity, for an old buck, the Baron de Tardiveau, takes her for a courtesan and becomes very gallant, while on her other side Beaurivage sits on a lounging chair and makes his peace with Geraldine by dint of kisses and caresses. As this last lady's part had not yet been assigned to anyone, Father Cossard had got up to read it, and he was now figuring away in Bosc's arms and emphasizing it despite himself. At this point, while the rehearsal was dragging monotonously on, Fauchery suddenly jumped from his chair. He had restrained himself up to that moment, but now his nerves got the better of him.

"That's not it!" he cried.

The actors paused awkwardly enough while Fontan sneered and asked in his most contemptuous voice:

"Eh? What's not it? Who's not doing it right?"

"Nobody is! You're quite wrong, quite wrong!" continued Fauchery, and, gesticulating wildly, he came striding over the stage and began himself to act the scene.

"Now look here, you Fontan, do please comprehend the way Tardiveau gets packed off. You must lean forward like this in order to catch hold of the duchess. And then you, Rose, must change your position like that but not too soon--only when you hear the kiss."

He broke off and in the heat of explanation shouted to Cossard:

"Geraldine, give the kiss! Loudly, so that it may be heard!"

Father Cossard turned toward Bosc and smacked his lips vigorously.

"Good! That's the kiss," said Fauchery triumphantly. "Once more; let's have it once more. Now you see, Rose, I've had time to move, and then I give a little cry--so: 'Oh, she's given him a kiss.' But before I do that, Tardiveau must go up the stage. D'you hear, Fontan? You go up. Come, let's try it again, all together."

The actors continued the scene again, but Fontan played his part with such an ill grace that they made no sort of progress. Twice Fauchery had to repeat his explanation, each time acting it out with more warmth than before. The actors listened to him with melancholy faces, gazed momentarily at one another, as though he had asked them to walk on their heads, and then awkwardly essayed the passage, only to pull up short directly afterward, looking as stiff as puppets whose strings have just been snapped.

"No, it beats me; I can't understand it," said Fontan at length, speaking in the insolent manner peculiar to him.

Bordenave had never once opened his lips. He had slipped quite down in his armchair, so that only the top of his hat was now visible in the doubtful flicker of the gaslight on the stand. His cane had fallen from his grasp and lay slantwise across his waistcoat. Indeed, he seemed to be asleep. But suddenly he sat bolt upright.

"It's idiotic, my boy," he announced quietly to Fauchery.

"What d'you mean, idiotic?" cried the author, growing very pale. "It's you that are the idiot, my dear boy!"

Bordenave began to get angry at once. He repeated the word "idiotic" and, seeking a more forcible expression, hit upon "imbecile" and "damned foolish." The public would hiss, and the act would never be finished! And when Fauchery, without, indeed, being very deeply wounded by these big phrases, which always recurred when a new piece was being put on, grew savage and called the other a brute, Bordenave went beyond all bounds, brandished his cane in the air, snorted like a bull and shouted:

"Good God! Why the hell can't you shut up? We've lost a quarter of an hour over this folly. Yes, folly! There's no sense in it. And it's so simple, after all's said and done! You, Fontan, mustn't move. You, Rose, must make your little movement, just that, no more; d'ye see? And then you come down. Now then, let's get it done this journey. Give the kiss, Cossard."

Then ensued confusion. The scene went no better than before. Bordenave, in his turn, showed them how to act it about as gracefully as an elephant might have done, while Fauchery sneered and shrugged pityingly. After that Fontan put his word in, and even Bosc made so bold as to give advice. Rose, thoroughly tired out, had ended by sitting down on the chair which indicated the door. No one knew where they had got to, and by way of finish to it all Simonne made a premature entry, under the impression that her cue had been given her, and arrived amid the confusion. This so enraged Bordenave that he whirled his stick round in a terrific manner and caught her a sounding thwack to the rearward. At rehearsal he used frequently to drub his former mistress. Simonne ran away, and this furious outcry followed her:

"Take that, and, by God, if I'm annoyed again I shut the whole shop up at once!"

Fauchery pushed his hat down over his forehead and pretended to be going to leave the theater. But he stopped at the top of the stage and came down again when he saw Bordenave perspiringly resuming his seat. Then he, too, took up his old position in the other armchair. For some seconds they sat motionless side by side while oppressive silence reigned in the shadowy house. The actors waited for nearly two minutes. They were all heavy with exhaustion and felt as though they had performed an overwhelming task.

"Well, let's go on," said Bordenave at last. He spoke in his usual voice and was perfectly calm.

"Yes, let's go on," Fauchery repeated. "We'll arrange the scene tomorrow."

And with that they dragged on again and rehearsed their parts with as much listlessness and as fine an indifference as ever. During the dispute between manager and author Fontan and the rest had been taking things very comfortably on the rustic bench and seats at the back of the stage, where they had been chuckling, grumbling and saying fiercely cutting things. But when Simonne came back, still smarting from her blow and choking with sobs, they grew melodramatic and declared that had they been in her place they would have strangled the swine. She began wiping her eyes and nodding approval. It was all over between them, she said. She was leaving him, especially as Steiner had offered to give her a grand start in life only the day before. Clarisse was much astonished at this, for the banker was quite ruined, but Prulliere began laughing and reminded them of the neat manner in which that confounded Israelite had puffed himself alongside of Rose in order to get his Landes saltworks afloat on 'change. Just at that time he was airing a new project, namely, a tunnel under the Bosporus. Simonne listened with the greatest interest to this fresh piece of information.

As to Clarisse, she had been raging for a week past. Just fancy, that beast La Faloise, whom she had succeeded in chucking into Gaga's venerable embrace, was coming into the fortune of a very rich uncle! It was just her luck; she had always been destined to make things cozy for other people. Then, too, that pig Bordenave had once more given her a mere scrap of a part, a paltry fifty lines, just as if she could not have played Geraldine! She was yearning for that role and hoping that Nana would refuse it.

"Well, and what about me?" said Prulliere with much bitterness. "I haven't got more than two hundred lines. I wanted to give the part up. It's too bad to make me play that fellow Saint-Firmin; why, it's a regular failure! And then what a style it's written in, my dears! It'll fall dead flat, you may be sure."

But just then Simonne, who had been chatting with Father Barillot, came back breathless and announced:

"By the by, talking of Nana, she's in the house."

"Where, where?" asked Clarisse briskly, getting up to look for her.

The news spread at once, and everyone craned forward. The rehearsal was, as it were, momentarily interrupted. But Bordenave emerged from his quiescent condition, shouting:

"What's up, eh? Finish the act, I say. And be quiet out there; it's unbearable!"

Nana was still following the piece from the corner box. Twice Labordette showed an inclination to chat, but she grew impatient and nudged him to make him keep silent. The second act was drawing to a close, when two shadows loomed at the back of the theater. They were creeping softly down, avoiding all noise, and Nana recognized Mignon and Count Muffat. They came forward and silently shook hands with Bordenave.

"Ah, there they are," she murmured with a sigh of relief.

Rose Mignon delivered the last sentences of the act. Thereupon Bordenave said that it was necessary to go through the second again before beginning the third. With that he left off attending to the rehearsal and greeted the count with looks of exaggerated politeness, while Fauchery pretended to be entirely engrossed with his actors, who now grouped themselves round him. Mignon stood whistling carelessly, with his hands behind his back and his eyes fixed complacently on his wife, who seemed rather nervous.

"Well, shall we go upstairs?" Labordette asked Nana. "I'll install you in the dressing room and come down again and fetch him."

Nana forthwith left the corner box. She had to grope her way along the passage outside the stalls, but Bordenave guessed where she was as she passed along in the dark and caught her up at the end of the corridor passing behind the scenes, a narrow tunnel where the gas burned day and night. Here, in order to bluff her into a bargain, he plunged into a discussion of the courtesan's part.

"What a part it is, eh? What a wicked little part! It's made for you. Come and rehearse tomorrow."

Nana was frigid. She wanted to know what the third act was like.

"Oh, it's superb, the third act is! The duchess plays the courtesan in her own house and this disgusts Beaurivage and makes him amend his way. Then there's an awfully funny QUID PRO QUO, when Tardiveau arrives and is under the impression that he's at an opera dancer's house."

"And what does Geraldine do in it all?" interrupted Nana.

"Geraldine?" repeated Bordenave in some embarrassment. "She has a scene--not a very long one, but a great success. It's made for you, I assure you! Will you sign?"

She looked steadily at him and at length made answer:

"We'll see about that all in good time."

And she rejoined Labordette, who was waiting for her on the stairs. Everybody in the theater had recognized her, and there was now much whispering, especially between Prulliere, who was scandalized at her return, and Clarisse who was very desirous of the part. As to Fontan, he looked coldly on, pretending unconcern, for he did not think it becoming to round on a woman he had loved. Deep down in his heart, though, his old love had turned to hate, and he nursed the fiercest rancor against her in return for the constant devotion, the personal beauty, the life in common, of which his perverse and monstrous tastes had made him tire.

In the meantime, when Labordette reappeared and went up to the count, Rose Mignon, whose suspicions Nana's presence had excited, understood it all forthwith. Muffat was bothering her to death, but she was beside herself at the thought of being left like this. She broke the silence which she usually maintained on such subjects in her husband's society and said bluntly:

"You see what's going on? My word, if she tries the Steiner trick on again I'll tear her eyes out!"

Tranquilly and haughtily Mignon shrugged his shoulders, as became a man from whom nothing could be hidden.

"Do be quiet," he muttered. "Do me the favor of being quiet, won't you?"

He knew what to rely on now. He had drained his Muffat dry, and he knew that at a sign from Nana he was ready to lie down and be a carpet under her feet. There is no fighting against passions such as that. Accordingly, as he knew what men were, he thought of nothing but how to turn the situation to the best possible account.

It would be necessary to wait on the course of events. And he waited on them.

"Rose, it's your turn!" shouted Bordenave. "The second act's being begun again."

"Off with you then," continued Mignon, "and let me arrange matters."

Then he began bantering, despite all his troubles, and was pleased to congratulate Fauchery on his piece. A very strong piece! Only why was his great lady so chaste? It wasn't natural! With that he sneered and asked who had sat for the portrait of the Duke of Beaurivage, Geraldine's wornout roue. Fauchery smiled; he was far from annoyed. But Bordenave glanced in Muffat's direction and looked vexed, and Mignon was struck at this and became serious again.