Necromancer

Chapter 6

Shuttling through the many-leveled maze of the Chicago Complex's streets and buildings in a one-man subway car, Paul leaned his head back against the cushions of the seat and closed his eyes.

He was exhausted, and exhaustion, he now suspected, had its roots in something besides the physical efforts he had been put to today. Something almost physical had taken place in him following his recognition of the ridiculousness of the psychiatric approach to his situation. And the business with the shell had also drained him.

But the exhaustion was something that rest could cure. More important were two other things. The first of these was a clear recognition that too many things were happening around him and to him for them all to be accidents. And accidents, once the notion that he was subconsciously bent on self-destruction had been discarded, had been the obvious alternative answer.

The second was the fact that the Necromancer, Warren, had called him arrogant.

Disturbed by this, Paul for the first time faced the fact that such disturbance was unusual with him. Now that he stopped to consider the fact, in spite of all that had happened to him it had never before occurred to him that he might be at the mercy of any other force than that of his own will. Perhaps, he thought, this was arrogance, but the idea did not ring true. Above all else, he trusted his own feelings, and he did not feel arrogant. All that came to him when he reached back into himself for reasons was a calm feeling of certainty. It was that invincible element in him which took all things calmly.

For, thought Paul, leaning back with his eyes closed, above all he must not be arrogant. He was like a man peering through the glass-clearness of still water into the secret life of a tide pool on an ocean beach. Wonderful things were happening just a little before him, and would continue to happen as long as the pool was not disturbed. But a touch of wind or a dabbled finger, a ripple across the water's surface, and the life going on under his nose would no longer be isolated, pure, and complete. Gentleness was the watchword. Gentleness and extreme care. Already he had begun to separate and identify elements: by a hint of movement, a change of color, an emerging shape....

Leaning back with his eyes closed, Paul lost himself in a half-doze and a dream of things half-seen.

Sudden deceleration of his small car pulled him upright in his seat. The car jerked to a stop. He opened his eyes and looked out through the unopaqued bubble of the car's top.

He was at a mid-level intersection of streets. Above and below him were residential and business layers of the great three-dimensional community that was Chicago Complex. On his own level his car had halted part-way out into an intersection the four corners of which were occupied by small shops and offices, beyond which was a large recreation area, parklike with trees. But no people were visible. The shops were empty. The park was empty. The streets were clear and still.

Paul once more leaned forward and pressed for the terminal at the Koh-i-Nor Hotel. The car did not move. He punched for the transportation control center, malfunction division.

The communications tank above the car's dashboard lighted up.

"Sir?" said a woman's canned voice. "Can I help you?"

"I'm in a one-man car that won't move," said Paul. "It's stopped at the intersection of..." he glanced at a street-corner sign-"N Level 2432 and AANB."

"Checking," said the canned voice. There was a moment's wait and the voice spoke again. "Sir? Are you certain of your location. The area you report yourself in has been closed to traffic. Your car could not have entered it in the last half hour."

"It seems to have anyway." Paul broke off suddenly. He seemed to have heard something odd. He got out of the car and stood up alongside it. The sound came thinly but more clearly to his ears. It was the noise of people chanting, and the noise was approaching.

"The area you report yourself in," the tank in the car was saying, "has been cleared to allow for a public demonstration. Would you please check your location again? If it is the location you have already reported, please leave your car at once and ascend one level immediately to find another. Repeat, leave your car immediately."

Paul swung away from the car. Across the street from him was an escalator spiral ramp. He reached it and let himself be borne upward. It swung up and out over the street he had just left. The chanting now came clearly to his ears. It was not words, but sounds without meaning.

"Hey, hey! Hey, hey! Hey, hey!..."

Puzzled, he stepped off the upward-moving surface of the ramp and looked out over the chest-high siding. Down around a curve of the cross street to the one on which his car had stalled he saw people pouring toward him in a sort of orderly mob, twenty abreast, and filling the street solidly from curb to curb.

They came quickly. They were at jog trot. Young men and women for the most part wearing blue slacks, white shirts, and green-colored, odd, cocked hats. They ran with arms interlinked, in step with the rhythm of their chanting.

Abruptly, Paul identified them. They represented, evidently, one of the so-called marching societies. Such groups gathered together for no other purpose than to run through the streets perhaps once or twice a month. It was a sort of controlled and channeled hysteria, or so Paul remembered reading. Such exercises blew off a lot of emotional steam safely, said the societies' advocates. For unless the group ran directly into some obstacle, they did no harm and were not harmed.

They came on now and Paul could see their eyes, which were all fixed straight ahead. But their gazes were not glassy, as of people drunk or drugged. Rather, they were clear, but fixed, as with people undergoing a moment of exaltation or frenzy. They were almost below Paul, now. Almost to the intersection.

Suddenly, Paul realized that his one-man car, stalled where it was, would be in their way. They were practically upon it now. The cadenced slapping of their river of feet was shaking the ramp on which he stood. It was making, it seemed, the whole structure of the city Complex, level on level, vibrate to a high, almost supersonic singing. A wave of heat struck up to them from their onrushing bodies, and the louder, ever-louder yelping of their chant rocked on his ears like the unnatural amplification of sounds heard in a fever. Whirlpooled about by noise and heat, Paul saw their first ranks run into his empty car and, without halting, like a stampede of mindless cattle, tumble it, rolling, over and over until it bounced at last to a railing overhanging the level below. Paul watched it mount the railing and drop from sight, the ultimate noise of its impact below lost in the encompassing noise of the running crowd.

He looked back along the road, in the direction from which they had come. The river of people was unended, still passing out of sight around the curve. But now, as he watched, the final ranks began to thin and quieten, and over the other sounds he heard the thin wail of ambulance sirens following slowly after.

Paul went on up to the level above, found a two-man car that was empty on a siding, and returned to the hotel.

When he got to his room, the door was open. A small gray man in a business suit rose smoothly from a chair as Paul entered, and offered an opened wallet cardcase for Paul's inspection.

"Hotel security, Mr. Formain," said the small man. "My name's James Butler."

"Yes?" said Paul. He felt his tiredness like a cloak around him.

"A routine matter, Mr. Formain. Maintenance discovered a vase in your room that had been rather bent out of shape."

"Put it on my bill," said Paul. "Now, if you don't mind..."

"The vase isn't important, Mr. Formain. But we understand you have been seeing a psychiatrist?"

"A Dr. Elizabeth Williams. Today. Why?"

"As a routine matter, this hotel asks for and is notified if any of its guests are currently under psychiatric care. The Chicago Complex Public Health Unit permits us to refuse occupancy to guests who might disturb the hotel. Of course, no such refusal is anticipated in your case, Mr. Formain."

"I'm checking out in the morning," said Paul.

"Oh? I'm sorry to hear that," said James Butler evenly. "I assure you there was no intention to offend you. It's just one of the management rules that we inform our guests that we have been notified about them."

"I was leaving anyway," said Paul. He looked at the man's unchanging face and motionless body, and James Butler's personality came clearly through to him. Butler was a dangerous little man. An efficient little machine of suspicion and control. Underneath, though, was something repressed, something guarded by an inner fear. "Right now, I want to turn in. So if you don't mind ..."

Butler inclined his head slightly.

"Unless, of course," he said, "there's something more."

"Nothing."

"Thank you." Butler turned and walked smoothly to the door. "Feel free to call on hotel services at any time," he said, and went out, closing the door behind him.

Paul frowned. But weariness was like a great load on him. He undressed and dropped into the bed. And sleep closed down about him like great, gray wings, enfolding.

He dreamed that he walked a cobbled road, in darkness under the stars, alone. And the cobbles grew as he went until they were great boulders to be climbed. And then that dream vanished and he dreamed that he was paralyzed, drifting upright through the nighttime streets of the Chicago Complex. He drifted along without touching the ground and after a while he came on an arc light on its pole that had been changed into a monstrous candy cane. And just beyond it a store front had been turned from plastic to ice, and was melting.

In the morning he woke feeling as if he had slept fourteen years, rather than fourteen hours, packed, and went down to the main lobby to pay his bill.

He cut through one of the hotel bars on his way down to the basement terminal. At this early hour it was all but deserted except for a plump middle-aged man who sat alone at a table with a small tulip-shaped glass of some purplish liquid before him. For a moment, passing, Paul thought that the man was drunk. And then he caught the scent of cinnamon from the glass and saw the man's eyes had pinpoint pupils. And looking behind this, he caught sight of Butler, seated in the darkness of a corner, watching. Paul went over to the hotel security man.

"Are you notified about drug addicts, too?" Paul asked.

"Our bars stock the non-habit-forming synthetics," said Butler. "It's quite legal."

"You didn't answer my question,'' said Paul.

"The hotel," said Butler, "feels a certain responsibility to certain guests." He glanced up at Paul. "That's legal, too. And any extra charges are quite reasonable. If you hadn't already planned to leave, Mr. Formain, I could have told you what services we had available."

Paul turned and went on. He found a one-man car at the terminal, and, getting in, punched for Warren's apartment. The first demand the Necromancer had made of his probationary apprentice was that Paul should move into the apartment, where Warren could have him under constant observation.

He found Warren waiting for him. The Necromancer turned over one of the bedrooms in the apartment to him, and then to all intents and purposes left Paul to his own devices. For the rest of the week Paul hardly saw the intense young man.

It was five days later that Paul, thoroughly bored with the apartment by this time, happened to be going through the music Warren had listed in his apartment player. Abruptly, he came across a title which caught his attention.

IN APPLE COMFORT ... vocal. Sung by Kantele.

Kantele . Suddenly the mental connection was made. It had been there in the list of local members of the Chantry Guild. Kantele Maki. And he remembered now, there was a girl who sang professionally under the single name Kantele . She was the girl with the book that he had first seen on the news broadcast, and after that at the Directory. He pressed the small black button alongside the initial letter of the song tide.

There was the barest second of a pause, and then the chimed music rose softly ringing from the player, interspersed by the cool, shifting silver of the voice he recognized.

In apple comfort, long I waited thee And long I thee in apple comfort waited. In lonely autumn and uncertain...

A sudden gasp from behind him made Paul shut off the player abruptly and turn about. He found himself facing the girl herself.

She stood a little to one side of a bookcase of old-fashioned volumes. But the bookcase, to Paul's surprise, was swung out from its usual place, revealing not a wall behind it, but an entrance to a small room furnished and equipped like an office. Seeing his gaze go to it, Kantele broke suddenly out of the rigidity that had been holding her, and, putting out a hand, pushed the bookcase back into position, closing the entrance. They stood, looking across the room at each other.

"I didn't know ..." she said. "I forgot you were living here now."

He watched her, curiously. She was noticeably pale.

"Did you think I was someone else?" he asked.

"Yes. I mean" - she said -"I thought you were Jase."

She was one of the kind who lie defiantly. He felt her untruthfulness across all the distance separating them.

"You've got a fine voice," he said. "I was playing that song of yours..."

"Yes. I heard you," she interrupted. "I - I'd rather you wouldn't play it, if you don't mind."

"Would you?" asked Paul.

"It has associations for me. If you don't mind..."

"I won't play it if you don't want me to, of course," said Paul. He walked toward her and then stopped suddenly, seeing her reflexively take the one step back from him that the wall behind her allowed.

"Jase..." she said. "Jase will be here at any minute."

Paul watched her, frowning a bit. He felt puzzled and a little exasperated by her, but also oddly touched, as he might be by anyone or anything defenseless that did not realize he meant it no harm. And that was odd too, because Kantele did not give the impression generally of defenselessness, but of wire-like courage. Paul was reaching to approach this problem in words when the sound of the opening front door of the apartment brought both their heads around in its direction.

Warren and the flat-bodied, crop-haired man Paul had seen in the news broadcast, and again leaving the apartment with Kantele the first time he had come to see Warren, had just come in. They headed straight for Paul and Kantele.