SIXTY-ONE

Juliet called Romeo, and he said, ‘I’m afraid it fell apart. We had a piece of bad luck. He needed to grab her near his car, obviously. Right next to it, ideally. He couldn’t drag her down the street screaming, not for any appreciable distance. So he leapfrogged ahead and parked the car, and then he looped around on foot and came out again behind her, and it was all going fine, and he was all set to pass her right alongside the car, and they had about twenty yards left to go, and then some idiot ran a light and got into a fender bender, and suddenly there was a crowd of people, and a cop car, and then another cop car, and obviously Shrago couldn’t do anything in front of a crowd of people or the LAPD, so the girl watched the fun for a minute and then walked on, and Shrago had to let her go, because at first he couldn’t get his car out from the middle of all the mess, and then when he finally got going, he’d lost her and he couldn’t find her again.’

Romeo said, ‘So what next?’

‘He’s starting over. All her known haunts. Her house, the law office, the diner. He’ll pick her up again somewhere.’

‘This has to be finished in California. We can’t afford for them to come home.’

* * *

Reacher slowed, and let the girl cross fifty yards ahead of him, and then he swung the wheel and followed her into the diner’s lot. She went straight in through the door, and he parked the car, and Turner said, ‘Should I come in with you?’

Reacher said, ‘Yes, I want you to.’

So they went in, and they waited just inside the door, where they had waited before. The diner looked exactly the same as the previous evening, with the blonde waitress back on duty in the left side of the coach, and the long-suffering brunette working the right side, and Arthur behind his counter, and the girl on her stool, way at the end. The blonde waitress came by, like before, with the same blank smile, and Reacher pointed to a booth on the right, one away from directly behind the girl, and the blonde gave them up to the brunette with no marked reluctance at all. They walked in and sat down, Reacher with his back to the room again, Turner facing him across the atomic laminate, the girl with her back to them both, about six feet away.

But she was watching them in the mirror.

Reacher waved at her reflection, partly as a greeting, partly as a join us gesture, and the kid lit up like Christmas was coming and slid off her stool, and caught Arthur’s eye and jerked her thumb at the booth behind her, as if to say I’m moving again, and then she stepped across, and Turner scooted over and the kid sat down next to her on the bench, the three of them all together in a tight little triangle.

Reacher said, ‘Samantha Dayton, Susan Turner, Susan Turner, Samantha Dayton.’

The kid twisted around on the vinyl and shook hands with Turner and said, ‘Are you his assistant?’

Turner said, ‘No, I’m his commanding officer.’

‘Way cool. What agency?’

‘Military police.’

‘Awesome. Who are all the others?’

‘There’s only us and the FBI.’

‘Are you leading or are they leading?’

‘We are, of course.’

‘So it’s your guy in the white car?’

‘Yes, he’s ours.’

‘Parachuted in from where?’

‘I could tell you, but then I’d have to kill you.’

The kid laughed, and looked happy as a clam. The inside scoop, and a woman CO, and jokes. She said, ‘So the guy due to show up is a military guy? Like an AWOL soldier saying goodbye to his family before disappearing for ever? But why would his family have a lawyer? Or is it his lawyer? Is he a spy, or something? Like a very senior officer, all old and distinguished, but tragically disillusioned? Is he selling secrets?’

Reacher said, ‘Have you seen anyone today?’

‘The same people as yesterday.’

‘No men on their own?’

‘The man with the cropped ears is on his own today. In the rental. Maybe his partner is out sick.’

‘Where did you see him?’

‘He came down Vineland in his car. I was in the coffee shop for breakfast. Near the lawyer’s office. Although we’ll need to rethink that involvement. This thing is a triangle, isn’t it? And we don’t know which one the lawyer is working for. Could be the neighbour, could be the soldier. Could be both of them, I suppose, although I don’t see how. Or why, actually.’

Reacher asked, ‘What time did you eat breakfast?’

‘It was early. Just after the agents left.’

‘They left?’

‘Just for twenty minutes. That seems to be the pattern. You should coordinate better. Everyone moves at the same time, which leaves a gap.’

‘That’s bad.’

‘It’s OK with me. It means I can get out without them knowing. Then when I come back they’re all surprised, because they thought I was still in there.’

‘Is that what you did this morning?’

‘It’s what I’m going to do every morning.’

‘Did the man with the ears see you leave?’

‘I don’t think so.’

‘Did he see you anyplace else?’

‘I don’t think so. I was trying to blend in. Because of your people, not him. I didn’t see him. But I saw his car again later. It was parked where there was a fender bender.’

Reacher said, ‘You need to stay away from that guy.’

‘I know. You told me that yesterday. But I can’t stay in the house all day.’

Turner paused a beat, and asked, ‘How long have you lived in that house?’

‘Always, I think. I don’t remember any other houses. I’m pretty sure I was born in that house. That’s what people say, isn’t it? Even when they weren’t, exactly. Which I wasn’t, either. I was born in the hospital. But I went home to that house. Which is what the phrase means these days, I suppose, now that the whole parturition business has been institutionalized.’

Turner said, ‘Have you ever lived in a car?’

‘That’s a weird question.’

‘You can tell us. We know people who would love to get that high on the food chain.’

‘Who?’

‘Lots of people. What I mean is, we don’t judge.’

‘Am I in trouble?’

Reacher said, ‘No, you’re not in trouble. We’re just checking a couple of things. What’s your mom’s name?’

‘Is she in trouble?’

‘No one’s in trouble. Not on your street, anyway. This is about the other guy.’

‘Does he know my mom? Oh my God, is it us you’re watching? You’re waiting for him to come see my mom?’

‘One step at a time,’ Reacher said. ‘What’s your mom’s name? And, yes, I know about the Colt Python.’

‘My mom’s name is Candice Dayton.’

‘In that case I would like to meet her.’

‘Why? Is she a suspect?’

‘No, this would be personal.’

‘How could it be?’

‘I’m the guy they’re looking for. They think I know your mother.’

‘You?’

‘Yes, me.’

‘You don’t know my mother.’

‘They think face to face I might recognize her, or she might recognize me.’

‘She wouldn’t. And you wouldn’t.’

‘It’s hard to say for sure, without actually trying it.’

‘Trust me.’

‘I would like to.’

‘Mister, I can tell you quite categorically you don’t know my mom and she doesn’t know you.’

‘Because you never saw me before? We’re talking a number of years here, maybe back before you were born.’

‘How well are you supposed to have known her?’

‘Well enough that we might recognize each other.’

‘Then you didn’t know her.’

‘What do you mean?’

‘Why do you think I always eat in here?’

‘Because you like it?’

‘Because I get it for free. Because my mom works here. She’s right over there. She’s the blonde. You walked past her two times already and you didn’t bat an eye. And neither did she. You two never knew each other.’

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