Nightingale`s lament

Nine - Seeing the Light, at Last

And so, one of the messiest and most messed-up cases of my career came to this - showdown at the Divas! sa­loon. The only trouble was, in the Jonah the Cavendishes had by far the biggest gun. His reducing of the Harrowing to so much multi-coloured mush had been truly impressive. Never thought the boy had it in him. Perhaps staring him down and humiliating him in front of his employers hadn't been such a great idea after all. Certainly something had put a rocket up his arse. You could practically see his power crackling on the air around him, writhing and coiling, bad luck wait­ing to be born and cursed on the living.

We stood there in our two groups, at opposite ends of the ballroom, separated by a sea of overturned tables and chairs, and the suppurating remains of the Harrow­ing. Mr. and Mrs. Cavendish in their shabby undertak­ers' outfits, and the Jonah in his smart, smart suit, standing by the entrance doors. And me, Dead Boy, and Rossignol, standing by our abandoned barricade. The good guys and the bad guys, face to face for the in­evitable confrontation.

I was looking unobtrusively around for an exit. I've never been much of a one for this kind of confrontation if there's an exit handy.

"Kill them," said Mr. Cavendish, in his cold, clipped voice.

"Kill them all," said Mrs. Cavendish, in her sharp clear voice.

"No," said the Jonah, and both the Cavendishes looked at him, surprised. He smiled, unmoved. "I want to see them suffer first."

The Cavendishes looked at each other. Both of them started to say something, then stopped. They considered the Jonah thoughtfully. Something had just changed in their relationship with their hired gun, and they weren't sure what.

"Come up onstage, all of you," said Billy Lathem, the Jonah, son of Count Entropy. "I want you to know exactly how badly you've failed, John. I want to ex­plain it all to you, so you can see you never really stood a chance."

"Why should I do anything you say, Billy?" I said, genuinely interested in what his answer would be.

"Because I'll tell you the truth about what we did to poor dear Rossignol," said the Jonah.

Just like that he had me where he wanted me, and we both knew it. So I shrugged casually and headed for the stage, with all my hackles stirring. Something bad was coming, I could feel it, and it was aimed right at me. Dead Boy and Rossignol came with me. The Jonah said a few low words to the Cavendishes, and they followed him up onto the opposite side of the stage. We all stopped a cautious distance apart, then we all looked at the Jonah, to see how he wanted to play this. He was smiling a happy cruel smile, a predator about to play with his prey, for a while.

"We allowed Rossignol to escape from Caliban's Cavern," the Jonah said easily, "in order that we could follow her, to you. We were waiting for someone to make contact with her, and it wasn't really any surprise when the go-between turned out to be the besotted and predictable and stupidly loyal Ian Auger. The Cavendishes wanted me to trail Rossignol, then . . . take care of things, but I persuaded them to come along. I wanted them to see me take you down, John, to watch and appreciate as I destroy you, inch by inch. They don't get out much these days. Well, you can tell that from their awful pallor, can't you? I've seen things crawl out from under rocks sporting better tans. And they really don't like to be out and about in public, but I wanted them to be here, so here they are. Isn't it mar­velous how things can work out, if you just put your mind to it?"

"So the servant becomes the master," I observed to the Cavendishes. "Or the monster turns on his creator, if you prefer. Not for the first time, of course. You do remember Sylvia Sin, don't you?"

"Charming girl," said Mr. Cavendish. "Always said she'd go far, didn't I, Mrs. Cavendish?"

"Indeed you did, Mr. Cavendish." The woman looked at me thoughtfully. "Have you seen the dear girl recently?"

"Yes," I said. "She was a monster. So I put her out of the misery you put her into."

"Oh good," said the woman. "We do so detest loose ends. And as for the Jonah - why, he is our dear friend andally, and we are very proud of him. We predict great things for him, in the future."

"Couldn't have put it better," said the man. "A per­son to be watched, and studied."

"What happened to Ian?" Rossignol said suddenly. "What did you do to him?"

"Ah yes," said the Jonah. "Never cared much for the shifty little runt. Let's just say that the trio . . . has now become a duet." He sniggered loudly at his own wit, while Rossignol turned her head away. The Jonah looked at the Cavendishes. "Tell them. Tell them every­thing. I want them to know it all, to know how badly they've failed, before I do terrible things to them. You can start by telling them who you really are."

"Why not?" said the man. "It's not as if they will be around to tell anyone else."

"You tell it, Mr. Cavendish," said the woman. "You have always had a way with words."

"Butyou have always been the better storyteller, Mrs. Cavendish, and I won't have you putting yourself down."

"And I thank you kindly for saying that, my dear, but. . ."

"Get on with it!" said the Jonah.

"We are older than we look," said the man. "We have assumed many names and identities, down the years, but we are perhaps still best known for our original nom de guerre, in the nineteenth century - the Murder Masques."

"Yes," said the woman, smiling for the first time as she took in our expressions. "That was us. Uncontested crime lords of old London, the greatest villains of the Victorian Age. No sin was ever practiced there, but we took our commission. We laughed at police and politicians. We even brought down the great Julien Advent himself."

"Or rather, you did," said the man. "Credit where credit is due, my very dear."

"But I couldn't have done it without you, dearest. Now, where was I? Ah yes. We became involved with corruption in business, along with everyone else, and discovered to our surprise that there was far more money to be made in business than in crime, if business was approached with the right attitude. So we put aside our famous masques, cut off our old contacts, and made new names for ourselves in Trade. We prospered, mostly at the expense of our more timid competitors, and soon enough we became a Corporation. And as corporations are immortal, so we became immortal. Such things happen, in the Nightside. As our business thrives, so do we. As long as it exists, so shall we. Money is power, power is magic. And, of course, when the well-being of Cavendish Properties is threatened, so are we."

"So we take all such threats very seriously," said the man. "And we take all necessary steps to defend ourselves."

"You're just vultures," said Dead Boy. "Profiting from the weaknesses of others, feeding on the carcasses of those you bring down."

"The very best kind of business," said Mrs. Cavendish. "Born of the Age of Capitalism, we now embody it."

"That's why you call yourself Mr. and Mrs. all the time," I said, just to feel I was contributing something. "Because you've had so many identities, you have to keep reminding yourselves who you are these days."

"True," said Mr. Cavendish. "But irrelevant."

"Julien Advent will track you down," I said. "He's never forgotten you."

The Cavendishes shared a warm smile. "And we have never forgotten him," said the woman. "Because there's one part of the story, that oft-told legend, which dear Julien has never got around to telling. The great love of his life, the one who betrayed him to the Mur­der Masques and their waiting Timeslip, was me. I shall never forget the look of shock and horror on his face when I took off my Masque. I thought I'd never be able to stop laughing."

"He cried," said the man. "Indeed he did. Real tears. But then Julien always was a sentimental sort."

"He really had no-one but himself to blame," said the woman. "I was working as a dancer in the chorus line when he met me. Just another pretty face with an average voice and a good pair of legs, but he took a fancy to me. Gentlemen often did, in those days. He in­troduced me to a better life, to all sorts of expensive tastes and appetites. Some of which he proved unwill­ing to provide. He thought he was saving me. He should have asked me whether I wanted to be saved.

"Since he wouldn't give me what I wanted, I went looking for someone who would, and at one of Julien's soirees, I made the acquaintance of the generous gentleman at my side. The Murder Masque himself. He showed me a whole new world of monies and plea­sures, and I took to it as to the manner born. And so I took up a Masque, too, and I found far more thrills as a lord of crime than I ever did in poor Julien's arms. In the end, when I pushed him into the Timeslip to be rid of him, I didn't feel anything at all."

"Tell them," the Jonah said impatiently. "Tell John what we did to Rossignol. I want to see his face, once he realises there's nothing he can do to save her."

"Our Rossignol grew just a little too independent as she became more popular," said Mr. Cavendish. He sounded stiff and even bored, as though he was only saying this to satisfy the Jonah's wishes. "She started taking meetings on her own, without consulting us first. Executives at the record companies professed to be concerned by the terms of our deal, though Rossig­nol had been glad enough to sign it at the time, when no-one else would touch her. Those executives assured Rossignol she could do much better with them. They promised their lawyers would easily break the contract, if she would only transfer her allegiance to them. So she came to us and demanded a better deal, or she would leave."

"The impudence of the girl!" said Mrs. Cavendish. "Of course, we couldn't allow her to do any such thing. Not after all the money we'd already invested in her. And all the money we stood to make. We found her, we made her, we groomed her. We made Rossignol into a viable product. We had a right to protect our invest­ment. Don't think you're fighting the good fight here, Mr. Taylor. This damsel in distress doesn't need rescu­ing. From what, after all? Fame and fortune? We promised we would make her a star, and so we shall. But she is our property, and no-one else's."

"What about freedom of choice?" I said.

"What about it?" said Mr. Cavendish. "This is busi­ness we're talking about. Rossignol signed away all such nonsense when she put her fate in our hands. Rossignol belongs to Cavendish Properties."

"Is that why you murdered her?" said Dead Boy. "Because she wanted to leave and run her own life?"

The Cavendishes didn't seem at all surprised by the accusation. If anything, they preened a little.

"We didn't actually kill her," said the woman.

"Not quite," said the man.

"She isn't entirely dead," said the woman. "The poi­son we gave her took her to the very edge of death, then the Jonah found and imposed the one chance in a mil­lion that held her there, at death's very door, in an ex­tended Near-Death Experience. And when she came back from the edge, and we revived her, the profound shock had reduced her will and vitality to such a mal­leable state that she imprinted on us and accepted us as surrogate parents and authority figures. We had to keep her isolated, of course, to preserve this useful emo­tional connection. But even so, she persisted in dis­playing annoying signs of independence ... perhaps we need to poison her again and repeat the process, to put her back in the right frame of mind."

"You bastards," said Rossignol.

"Oh hush, child," said the man. "Artistes never know what's best for them."

"But the best bit," said the Jonah, beaming happily, "the best bit is that only my will holds her where she is, on the very edge of death. My magic, my power. Her life is irrevocably linked to mine now. If you attack me, John, if you kill me, she goes all the way into the dark. Forever and ever. You don't dare threaten me."

"That's as may be," Dead Boy said mildly. "But what can you threaten me with? I only just met this girl, and her life and death are a small thing to me. You, on the other hand, have dared to meddle in my province, and I won't have that. I think I'll kill you anyway, Billy boy."

"Don't call me that! That's not my name any more! I'm . . ."

"The same irritating little tit you've always been, Billy."

"I'll..."

"You'll what? Kill me dead? Been there, done that, stole the T-shirt. And you're nowhere near powerful enough to break the compact I made."

"Perhaps not," said the Jonah, and suddenly he was smiling again. I stirred uneasily. I really didn't like that smile. The Jonah stepped forward to lock glares with Dead Boy. "You've done a really good job of stitching and stapling yourself together, down the years. All the wounds and damage you took, and never thought twice. Holding your battered and broken body together with superglue and duct tape. But. . . what if none of it had ever held? What if all your repairs just. . . failed?"

He made a short chopping gesture with one hand, and it was as though Dead Boy's body exploded. His back arched as black duct tape suddenly unwrapped and sailed away like streamers. Stitches and staples shot out, pattering softly to the stage, and his clothes were only tatters. No blood flew, or any other liquid, but all at once there were gaping wounds opening everywhere in Dead Boy's death-white flesh. He collapsed as his legs failed him, pale pink organs and guts falling out of him, and he hit the stage hard. One hand fell away entirely, the fingers still twitching. Dead Boy lay still, wounds opening slowly like flowers. I'd never realised how much damage he'd taken. Rossignol gripped my arm so hard it hurt, but didn't make a sound. And I just stood where I was, because I couldn't think of a single damned thing I could do to help my friend.

"Entropy," the Jonah said smugly, "means every­thing falls apart. Look at you now, Dead Boy. Not so big now, are you? Can you still feel pain? I do hope so. You must have made a hell of a deal, to be able to sur­vive so much punishment. . . Not that it's done you any good, in the end. Tell you what, Mr. and Mrs. Cavendish, why don't you come over here and do the honours. Send him on his way. I wouldn't want to be accused of hogging all the fun."

The Cavendishes looked at each other, sighed qui­etly, then moved forward to indulge the Jonah. They stood over Dead Boy and studied his stubbornly exist­ing body with thoughtful frowns.

"We could always feed him into a furnace," said Mr. Cavendish.

"Indeed we could," said Mrs. Cavendish. "I always enjoy it so much more when they're still alive to appreciate what's happening."

"But I think a more immediate end is called for here," said the man. "Major players like Dead Boy have a habit of escaping their fates, if given the slight­est chance."

"And we haven't existed this long by taking unnec­essary chances with our enemies, Mr. Cavendish."

"Quite right, my dear."

They both drew handguns from hidden holsters and shot Dead Boy in the heart and in the forehead. He jerked convulsively, pink-and-grey brains spraying out the back of his head. And then he lay back and was per­fectly still, and his eyes looked at nothing at all. The Cavendishes turned to face me, and I gave them my best sneer.

"Your guns don't have bullets in them any more, you bastards."

The Cavendishes pulled the triggers anyway a few times, but nothing happened. They shrugged pretty much in unison and went back to stand behind their Jonah.

"We've always believed in delegation," said the man.

"You wanted him, dear Billy," said the woman. "He's all yours."

The Jonah stepped forward, smiling his cocky smile like he had all the time in the world and wouldn't have rushed this for anything. "Still got a few tricks left up your sleeve, eh, John? But then, tricks are all you ever really had. Your precious gift for finding things was never a real power, not like mine. There's nothing you can do to stop me killing you and taking Rossignol back where she belongs. How shall I kill you, John? Let me count the ways . . . The cancers that lie in wait, needing only a nudge to swell and prosper. The arthri­tis that lurks in every joint, the bacteria and viruses to boil in your blood. . . Perhaps all of them at once might be amusing. You might even explode like Dead Boy! Or maybe ... I'll find that one-in-a-million chance where you were born horribly deformed and helpless, and leave you like that. So everyone can see what happens to anyone foolish enough to cross the Jonah."

He could do it. He had the power. And all I had was a gift I didn't dare use again. Now my enemies knew exactly where I was, if I opened my mind to use my gift, they'd attack my mind directly. They'd take control of my mind and my soul in a second, then . . . there are worse things than death, in the Nightside. But with­out my gift, I didn't have anything strong enough to stop the Jonah and save Rossignol. All I had . . . was myself. I smiled suddenly, and the Jonah's grin fal­tered.

"Billy, Billy," I said, calm and easy and utterly con­descending, "you never did understand the true nature of magic. It's not based in the power we wield or the gifts we inherit. In the end, it all comes down to will and intent. And the mind and soul behind them."

I locked eyes with the Jonah, and he stood very still. The whole world narrowed down to just the two of us, eye to eye, will to will. All we were, brought out onto the brightly lit mental stage, peeling back the layers to show who and what we were at the core. And for all his power, and despite everything he'd done, Billy Lathem looked away first. He actually staggered back a few steps, breathing hard, his face pale and sweaty.

"Who the hell are you?" he whispered. "What are you? You're not human . . ."

"More human than you, you little prick," said Rossignol. She stepped past me, and when the Jonah looked at her, she sang right into his face. Her voice was strong and true and potent, and she aimed it like a weapon right at him. I fell quickly backwards, clap­ping my hands to my ears. Beyond the Jonah, the Cavendishes were retreating, too, and protecting their ears. Rossignol sang, face to face with the Jonah - a sad, sad song of love lost and lovers gone, and all the secret betrayals of the heart. She sang directly at him, and he couldn't look away, couldn't back away, like a mouse hypnotized by a snake, like a fish on a hook. She held him where he was, with a merciless song of viola­tion and isolation and the corruption of talent. Every­thing that had been done to her, she threw back at him. And the more she sang, the more it was the story of his life, too. Of poor little Billy Lathem, who might have been a Power and a Domination like his father, but had never been anything more than a hired thug.

The Cavendishes huddled together for comfort, as far away as they could get. I had my hands pressed so tightly to my ears I thought my skull would collapse under the pressure, and still the edges of the song ripped and tore at me, till my heart felt it would tear loose in my chest. Tears were running down my face. And Billy Lathem, forced to face the truth at last, whispered, Daddy, I only wanted you to be proud of me. . . and disappeared. Air rushed in to fill the space his body had occupied, as Billy turned his power on himself and selected the one chance where he was never born.

Rossignol stopped singing, though the power of her voice still seemed to reverberate on the air. She swayed suddenly on her feet, then collapsed. I grabbed her be­fore she hit the floor, but caught off-balance, her weight carried both of us down. I sat on the stage, holding her in my arms, and only then realised she was dying. Her breathing was slowing, and 1 could feel her heart counting down to zero. Only the Jonah's will had kept her from death's door, and with him gone her long-delayed destiny was finally catching up with her. Vitality drained out of her, as though someone had opened a tap. I held her to me fiercely, as though I could stop it going through sheer force of will, but that trick never works twice.

"I promised I'd save you," I said numbly.

"You promised me the truth," said Rossignol, with pale lips that hardly moved. "I'll have to settle for that. Not even the great and mighty John Taylor can keep all his promises."

And just like that, she was gone. She stopped talk­ing, she stopped breathing, and all the life went out of her. I still held her in my arms, rocking her quietly, still trying to comfort her.

"Oh dear," said Mr. Cavendish. "What a pity. Now we'll have to start all over again, with someone else."

"Never mind, Mr. Cavendish," said the woman. "Third time lucky."

I looked up at them, and there was murder in my eyes. They started pushing bullets into their guns, but their hands were trembling. And then we all looked round, startled, as Dead Boy spoke. It was just a whis­per, with most of his lungs gone, but it was still and quite clear in the quiet.

"It's not over yet," he said, staring blindly up at the ceiling. "Rossignol is dead, but not actually departed. Not yet. There's still time, John. Still time to save her, if you've got the will and the courage."

"How is it you're still with us?" I said, too numb to be properly surprised. "Half of your insides are scattered across the stage. They blew your brains out, for God's sake!"

He chuckled briefly. An eerie, ghostly sound. "My body's been dead for years. It doesn't really need its internal organs any more. They don't serve any purpose. This body is just a shape I inhabit. A habit of living. Like eating and drinking and all the other things I do to help me pretend I'm still alive. You can still rescue Rossignol, John. I can use your life force to power a magic, to send both of us after her. Into the dark lands, the borderlands we pass through between this life and the next. When I died and came back, the door was left open a crack for me. I can go after her, but only a liv­ing soul can bring her back again. I won't lie to you, John. You could die, doing this. We could all go through that final door and never return. But if you're willing to try, if you're willing to give up all your re­maining years in one last gamble, I promise you, we have a chance."

"You can really do this?" I said.

"I told you," said Dead Boy. "I know all there is to know about death."

"Ah, hell," I said. "I never let a client down yet."

"An attitude like that will get you killed," said Dead Boy.

"What if the Cavendishes attack us while we're gone? Destroy our bodies, so there's nothing left to come back to?"

"We'll be back the same moment we left. Or we won't be back at all."

"Do it," I said.

Dead Boy did it, and we both died.

Powered by all the remaining years of my life, Dead Boy and I went into the dark together, and for the first time I discovered there is a darkness even darker than the Nightside. A night that never ends, that never knew stars or a moon. The coldest cell, the longest fall. It was the absence of everything, except for me and Dead Boy. I was just a presence, without form or shape, a scream without a mouth to limit it, but I calmed some­what as I sensed Dead Boy's presence. We spoke with­out voices, heard though there was no sound.

There's nothing here. Nothing ...

Actually there is, John, but you're still too close to life to be able to appreciate it. Think yourself lucky.

Where's Ross?

Think of the darkness as a tunnel, leading us to a light. A way out. This way...

Yes. . . How can there be a direction when there's nothing. . .

Stop asking questions, John. You really wouldn't like the answers. Now follow me.

You've been this way before.

Part of me is always here.

Is that supposed to make me feel better? You're a real spooky person, you know that?

You have no idea, John. This way. . .

And we were falling in a whole new direction. It did help to think of the darkness as a tunnel, leading some­where. We were definitely approaching something, though with no landmarks it was impossible to judge our speed or progress. I should have been scared, terri­fied, but already my emotions were fading away, as though they didn't belong there. Even my thoughts were growing fuzzy round the edges. But then I began to feel there was something ahead of me, something special, calling me. A speck of light appeared, beautiful and brilliant, all the colours of the rainbow in a single sharp moment of light. It grew unhurriedly, a great and glorious incandescence, yet still warm and comforting, like the golden beam from a lighthouse, bringing ships safely home through the long lonely nights. And then there was another presence with us, and it was Rossignol.

Are you angels?

Hardly, Ross. I don't think they're talking to me any more. This is John, with Dead Boy. We've come to take you home.

But I can hear music. Wonderful music. All the songs I ever wanted to sing.

For her it was music, for me it was light. Like the warm glow from a window, the friendly light of home after a long hard journey. Or perhaps the last light of the day, when all work is over, all responsibilities put aside, and we can all rest at last. Day is done. Welcome home, at last.

Oh John, I don't think I want to go back.

I know, Ross. I feel it, too. It's like. . . we've been playing a game, and now the game's over, and it's time to go back where we belong . . .

There was a sense of taking her hand in mine, and we moved towards the light and the music. But Dead Boy had been there before. Kindly, remorselessly, he took us both by the hand and pulled us away, back to life and bodies and all the worries of the world.

I sat up sharply, dragging air deep into my lungs as though I'd been underwater for ages. The lesser light of the world crashed in around me. I'd never felt so clearly, starkly alive. My skin tingled with a hundred sensations, the world was full of sound, and Ross was right there beside me. She threw herself into my arms, and for a long moment we hugged each other like we'd never let go. But eventually we did and got to our feet again. We were back in the real world, with all its own demands and priorities. Dead Boy was standing before us, complete and intact again, resplendent in his un­damaged finery. The only difference was the neat bul­let hole in his forehead.

"Told you I know all there is to know about death," he said smugly. "Oh, I used some of your life energy to repair the damage the Jonah did to my body, John. Knew you wouldn't mind. Trust me, you won't miss it."

I glared at him. "Next time, ask."

Dead Boy raised an eyebrow. "I hope very much there isn't going to be a next time."

"Just how much of my life force did we use up on this stunt anyway?"

"Surprisingly little. It seems there is more to you than meets the eye, John. Mind you, there would have to be."

"You were dead!" said Mr. Cavendish, just a little shrilly. He sounded like he might be going to cry. "You were all dead, and now you're alive again! It just isn't fair!"

"That's the trouble with the Nightside," Mrs. Cavendish said sulkily. "You can't rely on people staying dead. Next time, do remember to bring some ther­mite bombs with us."

"Quite right, Mrs. Cavendish. Still, they all look de­cidedly weakened by whatever unnatural thing it was they just did, so I think it's back to the old reliable bul­let in the head. Lots of them, this time."

"Exactly, Mr. Cavendish. If we can't have Rossignol, no-one can."

They aimed their reloaded guns at her. I moved to put myself between her and the guns, but that was all I could do. My time in the dark had taken everything else out of me, for the moment. I looked at Dead Boy, who shrugged.

"Sorry, I'm running on empty, too. Rossignol, any chance of a song?"

"Darling, right now I couldn't even squeak out a note. There must be something we can do!"

"Oh, shut up and die," said Mrs. Cavendish.

The two of them approached us, guns extended, tak­ing their time, enjoying seeing their enemies helpless before them. They were going to shoot us all, and I had no magics left to stop them. But I've never relied on magic to get me through the many and varied dangers of the Nightside. I've always found using my wits and being downright sneaky much more reliable. So I waited till the Cavendishes were right in front of me, then I dug a good handful of pepper out of my hidden stash and threw it right into their smug, smiling faces They both screamed pitifully as the pepper ground into their eyes, and I slapped the guns out of their flailing hands and gave the two of them a good smack round the back of the head, just on general principles. Dead Boy kicked their feet out from under them, and they ended up sitting on the stage, huddled together and clawing frantically at their streaming eyes.

"Condiments," I said easily. "Never leave home without them. And once the Authorities get here, I'll rub salt into your wounds as well."

At which point, an unconscious combat magician came flying onto the stage from the wings, upside down and bleeding heavily. He'd barely hit the stage with a resounding thud before two more combat magi­cians were backing quickly onto the stage, retreating from an unseen foe. Zen magics spat and shimmered on the air before them, as their rapidly moving hands wove cat's cradles of defensive magics. But Julien Advent, the great Victorian Adventurer himself, was more than a match for them. He bounded onstage with mar­velous energy, dodging the thrown spells with prac­ticed skill, and proceeded to run rings around the bewildered combat magicians with breathtaking acro­batics and vicious fisticuffs. He moved almost too quickly to be seen, impossibly graceful, smiling all the time, smiting down the ungodly with magnificent ease.

Being an editor for thirty years didn't seem to have slowed him down at all.

He finally stood over three unconscious combat ma­gicians, not even breathing hard, the bastard. Dead Boy and Ross and I applauded him because, you had to, re­ally. Julien Advent actually was all the things they said he was. He shot me a quick grin as he took in the de­feated Cavendishes.

"I see the cavalry probably wasn't needed after all. Good work, John. We were afraid we might be a little overdue."

I'd only just started to process the word we and get the beginnings of a really bad feeling, when Walker strolled on from the wings, and all I could think was Oh shit. I'm really in trouble now.

Walker strode over to consider the weeping, red-eyed Cavendishes, his face as always completely calm and utterly unreadable. Walker, in his neat city suit and bowler hat, representative of the Authorities, and quite possibly the most dangerous man in the Nightside. He had been given power over everyone and everything in the Nightside, and if you were wise, you didn't ask by whom. I would have run like hell, if I'd had any strength left.

The Cavendishes became aware of Julien's pres­ence. They forced themselves up onto their feet and faced him defiantly. He studied their faces for a long moment, his smile gone, his eyes cold.

"I've always known who you were," he said fi­nally. "The infamous Murder Masques, still villains, still unpunished. But I could never prove it, until now." He looked at me. "I knew if anyone could bring them down, it would be you, John. If only because you were too dumb to know it was impossible. So after you came to me, I contacted Walker, and we've been following you ever since. At a discreet distance, of course. We even stood in the wings and listened as the Cavendishes incriminated themselves with their gloating. It was all so very interesting I almost didn't hear the combat magicians until it was too late. I should have known the Cavendishes would bring backup."

"I speak for the Authorities," Walker said to the Cavendishes. "And I say you're history."

"It all began with them," said Julien. "They Timeslipped me because they wanted to seize my transformational potion, as their first big business venture. Typical, really. They couldn't just earn their money. They had to cheat. Little good it did them, because it was only after I was gone, slammed eighty years into the future in a moment, that they discovered there was no formula anywhere among my notes. I'd kept all the details in my head."

He stopped then and looked directly at Mrs. Cavendish. She stood a little straighter, still knuckling tears from one eye. The legendary Victorian Adven­turer and his legendary lost love, the betrayed and the betrayer, face to face for the first time in over a century.

"Irene..."

"Julien."

"You haven't changed at all."

"Oh, don't look at me. I look awful."

"I've always known it was you. Hidden behind your new names and identities."

"Then why did you never come for me?"

"Because even the greatest love will die, if you stick a sharp enough knife through its heart. I knew it was you, but I couldn't prove it. You and your husband were very well protected. And in the end, I just didn't care any more. It was all such a long time ago, and I never did believe in living in the past."

She gaped at him, almost horrified. "All those years we spent waiting for you to come after us. Spinning webs and layers of protections around us, always hid­ing ... all those years of being afraid of you, and you didn't give a damn."

"I had a new life to build, Irene. And there were far worse things than you in the Nightside that needed fighting.".

She looked away. "I thought, sometimes, that you might have held back . . . because of me."

"My love died a long time ago. I don't know you now, Irene."

"You never, did, Julien."

Mr. Cavendish moved in possessively beside his wife. "Enough talk! We all know why you're here! Have your precious revenge and be done with it! Kill us, for everything we did to you!"

"You never did understand me," said Julien. He looked at Walker. "Take them away. Destroy their business, dismantle it, and you destroy their power. Bring them to trial and send them down. Make them into lit­tle people, like all the ones they hurt. What better pun­ishment, for such as these?"

"I'd be delighted," said Walker, tipping his bowler hat to Julien. "My people are already on their way."

Julien gave Walker a hard, thoughtful look. "These two probably know all sorts of top people and secrets. Don't let them wriggle out."

"Not going to happen," Walker said easily. "I've been looking for an excuse to bring the Cavendishes down. Troublemakers, always rocking the boat, never playing well with others. They might even have become a threat to the Authorities, in time. And we can't have that, can we?"

He turned unhurriedly to look at me, and I braced myself. "Well, John," said Walker. "You've led me quite a chase. Who's been a bad boy, then? But... not to worry. Helping me put away two big fish like these goes a long way to making up for all the trouble you've caused the Nightside tonight. Only just, mind . . ."

Julien looked at me sharply, suddenly scenting a story. "John, what is he talking about?"

"Haven't a clue," I lied, cheerfully.