Italy

REHEARSAL

SOMEWHERE IN MEDITERRANEAN WAR THEATER, September 29, 1943

American troops trained on the beaches of North Africa for the beaches of Italy. It was hot and dusty on the land, and back from the coast there were many training props for them to work with. There were wooden landing barges standing on the ground in which dusty men crouched, until at a signal the ramp went down and they charged out and took cover. To get ashore quickly, and to get down behind some hummock of earth where the machine guns can’t get at you, is very important stuff in landing.

And so they practiced over and over, and instead of getting wet they only raised clouds of dust, the light, reddish dust of Africa, in colors little like the red soil of Georgia.

And when the men had learned to leap out and charge and take cover and to run forward again, presenting as little of themselves as possible to the observing officers, they went to the set to learn how to conduct themselves on entering an enemy town.

There were sets like those in a Hollywood studio in the old silent days, wooden fronts and tall and short buildings with open windows and little streets between, and there the men learned how to crouch on a corner and how to slink under the cover of walls. They learned with practice grenades how to blast out a machine gun set up in a building. It was strange to see them rehearsing, as though for a play. It went on for weeks.

And when they had become used to the method and when they reacted almost instinctively, they were taken finally to the Mediterranean beaches, the long, white beaches, which are not very unlike the beaches at Salerno. The water is incredibly blue there and the beaches are white. And the water is very salty. You float like a cork on it. On the beaches they practiced with real landing barges. The teams put out to sea and then turned and made runs for the shore and the iron ramps clattered down and the men rushed ashore and crept and wriggled their way up to the line of the shore where the grapevines began, for there are vineyards in Italy, too.

When they had practiced a little while, machine guns with live ammunition fired over their heads, but not very far over their heads, to give them a real interest in keeping low.

Now in larger groups they rushed in from the sea and charged up into the vines and crept up through the vineyards and moved inland. An amazing number of men can disappear into a vineyard so that you can’t see them at all.

The dark Algerian grapes were ripe and as they crawled the men picked the grapes and ate them and the incidence of GI dysentery skyrocketed, but there is no way of keeping a dusty, thirsty man from eating ripe grapes, particularly if they are hanging right over his head, when he lies under the vines.

Over and over again they captured this little sector and climbed up and captured the heights. They had to learn to do it in the daytime because when they would really do it it would be in the dark of the early morning. But when the training for each day was finished, the men went back to the beaches and took off their clothes and played in the water. The water was warm and delightful and the salt stung their eyes. Their bodies grew browner day by day until they were only a little lighter than the Arabs.

At night they were very tired and there is not much to do in Africa after dark anyway. No love is lost for the Arabs. They are the dirtiest people in the world and among the smelliest. The whole countryside smells of urine, four thousand years of urine. That is the characteristic smell of North Africa. The men were not allowed to go into the native cities because there was a great deal of disease and besides there are too many little religious rules and prejudices that an unsuspecting dogface can run afoul of. And there wasn’t much to buy and what there was cost too much. The prices have skyrocketed on the coming of the troops.

The men slept in their pup tents and drew their mosquito nets over them and scratched and cursed all night until, after a time, they were too tired to scratch and curse and they fell asleep the moment they hit the blankets. Their minds and their bodies became machine-like. They did not talk about the war. They talked only of home and of clean beds with white sheets and they talked of ice water and ice cream and places that did not smell of urine. Most of them let their minds dwell on snow banks and the sharp winds of Middle Western winter. But the red dust blew over them and crusted their skins and after a while they could not wash it all off any more. The war had narrowed down to their own small group of men and their own job. It would be a lie to suggest that they like being there. They wish they were somewhere else.


SOMEWHERE IN THE MEDITERRANEAN WAR THEATER, October 1, 1943

Week after week the practice of the invasion continued, gathering impetus as the day grew nearer. Landing operations and penetrations, stealthy approaches and quick charges. The whole thing gradually took on increased speed as the day approached.

The roads back of the coast were crowded with staff cars dashing about. The highways were lined with trucks full of the incredible variety of war material for the invasion of Italy. There are thousands of items necessary to a modern army and, because of the complexity of supply, a modern army is a sluggish thing. Plans, once made, are not easily changed, for every move of combat troops is paralleled by hundreds of moves behind the lines, the moves of food and ammunition, trucks that must get there on time. If the whole big, sluggish animal does not move with perfect cooperation, it is very likely that it will not move at all. Modern warfare is very like an automobile assembly line. If one bolt in the whole machine is out of place or not available, the line must stop and wait for it. Improvisation is not very possible.

And all over in the practice zones in North Africa the practice went on to make sure that every bolt would be in its place. The men went on field rations to get used to them. Canteens must always be full, but full of the evil-tasting, disinfected water which gets your mouth wet but gives you very little other pleasure.

While the men went through their final training on the beaches the implements of war were collecting for their use. In huge harbors, whose names must not be mentioned, transports and landing craft of all kinds were accumulating. They crept up to the piers and opened the doors in their noses and took on their bellyfuls of tanks and loaded tracks and then slipped out and sat at anchor and waited for the “D” day at the “H” hour, which very few in the whole Army knew.

On the freighters cranes slung full-loaded tracks and laden two-and-a-half-ton “ducks,” which are perhaps America’s real secret weapon of this war. The “ducks,” big tracks which lumber down the beaches and enter the water and become boats, or the boats which, coming loaded to the beach, climb out, and drive as tracks along the dusty roads.

In the harbors the accumulations of waiting ships collected, tank-landing craft and troop-landing craft of all kinds. The barges, which ran up on the beaches and disgorge their loads and back off and go for more. And on the piers Arab workers passed the hundreds of thousands of cases of canned rations to the lighters and the lighters moved out and filled the ships with food for the soldiers. The fleets accumulated until they choked the harbor.

Now the enemy knew what was going on. They had to know. The operation was too great for them not to know. They sent their planes over the harbor to try to bomb the gathering fleets and they were driven off and destroyed by the protecting Beaufighters and P-38s. They did not succeed in doing damage, for finally the enemy had lost control of the skies and the fleets could load at least in peace.

But at night they tried to get through and the flak rose up at them, like all the Fourth of Julys in history, the ships and the shore batteries put up a wall of fire against the invading planes so that some of them unloaded their bombs in the open countryside and some of them exploded with their own bombs and some went crashing into the sea. But they had lost control.

Now “D” day was coming close and at headquarters the officers collected and held conference after conference and there was a growing tautness in the whole organization. Staff officers dashed in to their briefs and rushed back to their units to brief those under them. It would have been easy to know how close the time had come by the tempo, and then suddenly it was all done and a curious quiet settled on the whole invasion force.

Somewhere an order passed and in the night the ships began to move out to the places of rendezvous. And in the night the columns of men climbed into trucks and the trucks came down the piers to the ships, and the men, like ants, crawled on the ships and sat down on their equipment. And the troopships slipped out to the rendezvous to wait for the moment to leave.

It was no start with bugles and flags or cheering men. The radios crackled their coded orders. Messages went from radio rooms to the bridges of the ships. The word was passed to the engine rooms and the great convoys put out to sea.

And on the decks of troopships and on the flat iron floors of the landing craft, the men sat on their lumpy mountains of equipment and waited. The truck drivers sat in their trucks on the ship and waited. The tank men stayed close to their iron monsters and waited. The ships moved out into their formations and the destroyers came tearing in and took up their places on the flanks and before and after the ships. Out of sight, in all directions, the fighting ships combed the ocean for submarines and the listening devices strained for the signal which means a steel enemy is creeping near.

Over the convoy the silver balloons hung in the southern sunlight, balloons to keep the dive-bombers off. And then the sun went down. The balloons kept the sun for half an hour after it had gone from the surface of the sea. There was radio silence now and the darkness came down and the great convoy crept on toward Italy. The sea was smooth and only the weakest stomachs were bothered.

There were no lights showing, but a pale moon lighted the dark ships somberly and the slow wakes disturbed the path of the moon on the ocean.

The combat troops sat on the luggage and waited. This was what it was all for. They had left home for this. They had studied and trained, changed their natures and their clothing and their habits all toward this time. And still there were only a very few men who knew “D” day and “H” hour.

INVASION

SOMEWHERE IN THE MEDITERRANEAN THEATER, October 3, 1943

On the iron floors of the LCIs, which stands for Landing Craft Infantry, the men sit about and for a time they talk and laugh and make jokes to cover the great occasion. They try to reduce this great occasion to something normal, something ordinary, something they are used to. They rag one another, accuse one another of being scared, they repeat experiences of recent days, and then gradually silence creeps over them and they sit silently because the hugeness of the experience has taken them over.

These are green troops. They have been trained to a fine point, hardened and instructed, and they lack only one thing to make them soldiers, enemy fire, and they will never be soldiers until they have it. No one, least of all themselves, knows what they will do when the terrible thing happens. No man there knows whether he can take it, knows whether he will run away or stick, or lose his nerve and go to pieces, or will be a good soldier. There is no way of knowing and probably that one thing bothers you more than anything else.

And that is the difference between green troops and soldiers. Tomorrow at this time these men, those who are living, will be different. They will know then what they can’t know tonight. They will know how they face fire. Actually there is little danger. They are going to be good soldiers, for they do not know that this is the night before the assault. There is no way for any man to know it.

In the moonlight on the iron deck they look at each other strangely. Men they have known well and soldiered with are strange and every man is cut off from every other one, and in their minds they search the faces of their friends for the dead. Who will be alive tomorrow night? I will, for one. No one ever gets killed in the war. Couldn’t possibly. There would be no war if anyone got killed. But each man, in this last night in the moonlight, looks strangely at the others and sees death there. This is the most terrible time of all. This night before the assault by the new green troops. They will never be like this again.

Every man builds in his mind what it will be like, but it is never what he thought it would be. When he designs the assault in his mind he is alone and cut off from everyone. He is alone in the moonlight and the crowded men about him are strangers in this time. It will not be like this. The fire and the movement and the exertion will make him a part of these strangers sitting about him, and they will be a part of him, but he does not know that now. This is a bad time, never to be repeated.

Not one of these men is to be killed. That is impossible, and it is no contradiction that every one of them is to be killed. Every one is in a way dead already. And nearly every man has written his letter and left it somewhere to be posted if he is killed. The letters, some misspelled, some illiterate, some polished and full of attitudes, and some meager and tight. All say the same thing. They all say: “I wish I had told you, and I never did, I never could. Some obscure and impish thing kept me from ever telling you, and only now, when it is too late, can I tell you. I’ve thought these things,” the letters say, “but when I started to speak something cut me off. Now I can say it, but don’t let it be a burden on you. I just know that it was always so, only I didn’t say it.” In every letter that is the message. The piled-up reticences go down in the last letters. The letters to wives, and mothers, and sisters, and fathers, and, such is the hunger to have been a part of someone, letters sometimes to comparative strangers.

The great ships move through the night though they are covered now, and the engines make no noise. Orders are given in soft voices and the conversation is quiet. Somewhere up ahead the enemy is waiting and he is silent too. Does he know we are coming, and does he know when and in what number? Is he lying low with his machine guns ready and his mortars set on the beaches, and his artillery in the hills? What is he thinking now? Is he afraid or confident?

The officers know H-hour now. The moon is going down. H-hour is 3:30, just after the moon has set and the shore is black. The convoy is to moonward of the shore. Perhaps with glasses the enemy can see the convoy against the setting moon, but ahead where we are going there is only misty pearl-like grayness. The moon goes down into the ocean and ships that have been beside you and all around you disappear into the blackness and only the tiny shielded position-lights show where they are.

The men sitting on the deck disappear into the blackness and the silence, and one man begins to whistle softly just to be sure he is there.


SOMEWHERE IN THE MEDITERRANEAN THEATER, October 4, 1943

There is a good beach at Salerno, and a very good landing at Red Beach No. 2. The ducks were coming loaded ashore and running up out of the water and joining the lines of trucks, and the pontoon piers were out in the water with large landing cars up against them. Along the beach the bulldozers were at work pushing up sand ramps for the trucks to land on and just back of the beach were the white tapes that mean land mines have not been cleared out.

There are little bushes on the sand dunes at Red Beach, south of the Sele River, and in a hole in the sand buttressed by sandbags a soldier sat with a leather-covered steel telephone beside him. His shirt was off and his back was dark with sunburn. His helmet lay in the bottom of the hole and his rifle was on a little pile of brush to keep sand out of it. He had staked a shelter half on a pole to shade him from the sun, and he had spread bushes on top of that to camouflage it. Beside him was a water can and an empty C-ration can to drink out of.

The soldier said, “Sure you can have a drink. Here, I’ll pour it for you.” He tilted the water can over the tin cup. “I hate to tell you what it tastes like,” he said.

I took a drink. “Well, doesn’t it?” he said.

“It sure does,” I said.

Up in the hills the.88s were popping and the little bursts threw sand about. His face was streaked where the sweat had run down through the dirt, and his hair and his eyebrows were sunburned almost white. But there was a kind of gaiety about him. His telephone buzzed and he answered it and said, “Hasn’t come through yet, sir, no sir I’ll tell him.” He clicked off the phone.

“When’d you come ashore?” he asked. And then, without waiting for an answer, he went on. “I came in just before dawn yesterday. I wasn’t with the very first, but right in the second.” He seemed to be very glad about it. “It was hell,” he said, “it was bloody hell.” He seemed to be gratified at the hell it was, and that was right. The great question had been solved for him. He had been under fire. He knew now what he would do under fire. He would never have to go through that uncertainty again. “I got pretty near up to there,” he said, and pointed to two beautiful Greek temples about a mile away. “And then I got sent back here for beach communications. When did you say you got ashore?” And again he didn’t wait for an answer.

“It was dark as hell,” he said, “and we were just waiting out here,” He pointed to the sea where the mass of the invasion fleet rested. “If we thought we were going to sneak ashore we were nuts,” he said. “They were waiting for us. They knew just where we were going to land. They had machine guns in the sand dunes and.88s on the hills.

“We were out there all packed in an LCI, and then all hell broke loose. The sky was full of it and the star shells lighted it up and the tracers crisscrossed and the noise — we saw the assault go in, and then one of them hit a surf mine and went up, and in the light you could see them go flying about. I could see the boats land and the guys go wiggling and running, and then maybe there’d be a lot of white lines and some of them would waddle about and collapse and some would hit the beach.

“It didn’t seem like men getting killed, more like a picture, like a moving picture. We were pretty crowded up in there, though, and then all of a sudden it came on me that this wasn’t a moving picture. Those were guys getting the hell shot out of them, and then I got kind of scared, but what I wanted to do mostly was move around. I didn’t like being cooped up there where you couldn’t get away or get down close to the ground.

“Well, the firing would stop and then it would get pitch black even then, and it was just beginning to get light too, but the.88s sort of winked on the hills like messages, and the shells were bursting all around us. They had lots of.88s and they shot at everything. I was just getting real scared when we got the order to move in, and I swear that is the longest trip I ever took, that mile to the beach. I thought we’d never get there. I figured that if I was only on the beach I could dig down and get out of the way. There was too damned many of us there in that LCI. I wanted to spread out. That one that hit the mine was still burning when we went on by it. Then we bumped the beach and the ramps went down and I hit the water up to my waist.

“The minute I was on the beach I felt better. It didn’t seem like everybody was shooting at me and I got up to that line of brush and flopped down and some other guys flopped down beside me and then we got feeling a little foolish. We stood up and moved on. Didn’t say anything to each other, we just moved on. It was coming daylight then and the flashes of the guns weren’t so bright. I felt a little like I was drunk. The ground heaved around under my feet and I was dull. I guess that was because of the firing. My ears aren’t so good yet. I guess we moved up too far because I got sent back here.” He laughed openly. “I might have gone on right into Rome if someone hadn’t sent me back. I guess I might have walked right up that hill there.”

The cruisers began firing on the hill and the.88s fired back. From over near the hill came the heavy thudding of.59-caliber machine guns. The soldier felt pretty good. He knew what he could do now. He said, “When did you say you came ashore?”


MEDITERRANEAN THEATER, October 6, 1943

You can’t see much of a battle. Those paintings reproduced in history books which show long lines of advancing troops are either idealized or else times and battles have changed. The account in the morning papers of the battle of yesterday was not seen by the correspondent, but was put together from reports.

What the correspondent really saw was dust and the nasty burst of shells, low bushes and slit trenches. He lay on his stomach, if he had any sense, and watched ants crawling among the little sticks on the sand dune, and his nose was so close to the ants that their progress was interfered with by it.

Then he saw an advance. Not straight lines of men marching into cannon fire, but little groups scuttling like crabs from bits of cover to other cover, while the high chatter of machine guns sounded, and the deep proom of shellfire.

Perhaps the correspondent scuttled with them and hit the ground again. His report will be of battle plan and tactics, of taken ground or lost terrain, of attack and counter-attack. But these are some of the things he probably really saw:

He might have seen the splash of dirt and dust that is a shell burst, and a small Italian girl in the street with her stomach blown out, and he might have seen an American soldier standing over a twitching body, crying. He probably saw many dead mules, lying on their sides, reduced to pulp. He saw the wreckage of houses, with torn beds hanging like shreds out of the spilled hole in a plaster wall. There were red carts and the stalled vehicles of refugees who did not get away.

The stretcher-bearers come back from the lines, walking in off step, so that the burden will not be jounced too much, and the blood dripping from the canvas, brother and enemy in the stretchers, so long as they are hurt. And the walking wounded coming back with shattered arms and bandaged heads, the walking wounded struggling painfully to the rear.

He would have smelled the sharp cordite in the air and the hot reek of blood if the going has been rough. The burning odor of dust will be in his nose and the stench of men and animals killed yesterday and the day before. Then a whole building is blown up and an earthy, sour smell comes from its walls. He will smell his own sweat and the accumulated sweat of an army. When his throat is dry he will drink the warm water from his canteen, which tastes of disinfectant.

While the correspondent is writing for you of advances and retreats, his skin will be raw from the woolen clothes he has not taken off for three days, and his feet will be hot and dirty and swollen from not having taken off his shoes for days. He will itch from last night’s mosquito bites and from today’s sand-fly bites. Perhaps he will have a little sand-fly fever, so that his head pulses and a red rim comes into his vision. His head may ache from the heat and his eyes burn with the dust. The knee that was sprained when he leaped ashore will grow stiff and painful, but it is no wound and cannot be treated.

“The 5th Army advanced two kilometers,” he will write, while the lines of trucks churn the road to deep dust and truck drivers hunch over their wheels. And off to the right the burial squads are scooping slits in the sandy earth. Their charges lie huddled on the ground and before they are laid in the sand, the second of the two dog tags is detached so that you know that that man with that Army serial number is dead and out of it.

These are the things he sees while he writes of tactics and strategy and names generals and in print decorates heroes. He takes a heavily waxed box from his pocket. That is his dinner. Inside there are two little packets of hard cake which have the flavor of dog biscuits. There is a tin can of cheese and a roll of vitamin-charged candy, an envelope of lemon powder to make the canteen water taste less bad, and a tiny package of our cigarettes.

That is dinner, and it will keep him moving for several more hours and keep his stomach working and his heart pumping. And if the line has advanced beyond him while he eats, dirty, bug-like children will sidle up to him, cringing and sniffling, their noses ringed with flies, and these children will whine for one of the hard biscuits and some of the vitamin candy. They will cry for candy: “Caramela — caramela — caramela—okay, okay, shank you, good-by.” And if he gives the candy to one, the ground will spew up more dirty, bug-like children, and they will scream shrilly, “Caramela — caramela.” The correspondent will get the communiqué and will write your morning dispatch on his creaking, dust-filled portable: “General Clark’s 5th Army advanced two kilometers against heavy artillery fire yesterday.”


SOMEWHERE IN THE MEDITERRANEAN WAR THEATRE, October 8, 1943

The invasion and taking of the beachhead at Salerno had been very rough. The German was waiting for us. His.88s were on the surrounding hills and his machine guns in the sand dunes. His mines were in the surf and he sat there and waited for us. There was no other way. He had to be pushed out. And, for a time, it looked as though we might be pushed out. But gradually, what with the naval ships firing and the determined holding out of recently green troops and the coming of our reserves from the sea, the picture has changed. Now the invasion fleet lies in comparative safety off the shore and the beach is secure.

The sea has been smooth during the whole thing. Any storm would have made it more difficult, but the sea has been kind to us. It is as slick as silk and littered for many miles with little twinkling C-ration cans floating in the sea and glittering under the sun. The water is oily, too, and there are bits of wreckage floating everywhere and all the garbage of this huge fleet, the crates and cans and bottles and debris that men have the ability to scatter about.

Near shore the cruisers and battleships continue to fire, but now their guns are elevated and they fire over the mountains at targets unseen from the sea.

The command ship lies protected in the middle of the invasion fleet. She is a floating radio station. From her all the orders have gone out and to her all the news has come in. And the staffs are brutally tired. This has not been the usual thing. The command ship has been bombed at constantly. Her crew has been alerted every half-hour in the twenty-four. The bugle is blown and then the boatswain’s pipe over the loudspeaker and then the crackling horn that means battle stations. Then tired staff officers have taken off their helmets and their lifebelts and made for the deck for their assigned stations, while the anti-aircraft roared over their heads and the bombs came down and burst the water into the air.

Not many German planes have got through the air cover, but some have and nearly every one was after the command ship. They have straddled her with bombs. There have been near misses that jerked her in the water and it is a wonder her plates aren’t sprung.

And this has been going on for four days. No one has had any sleep. What has made it even worse, the Jerry planes have been talking to each other on their radios and not bothering to code their messages. They have been looking for this particular ship and aiming for her. They know that if they get this ship they may get the controlling brains of the whole operation.

There are very tired colonels and generals on board, waiting for the order to go ashore and establish headquarters. They will feel much better when they are ashore. It is not nice to be aboard the target of the whole fleet. But the command ship has not been hit. Other ships about her have been blasted, but not the command. The feeling aboard has been that the luck is getting pretty thin and that the next one must get her.

Meanwhile, the litter spreads out to sea on little currents. There will be C-ration cans come ashore for a thousand miles. The litter will coat the shores of Italy.

What has made the command ship’s life even more lively is that the Germans have a new bomb. At least, that is the rumor. This bomb is released and then controlled from the plane. It is directed by radio, and if it seems about to miss it can be turned by its master. At least that is what is said. And surely these bombs do not seem to act like other ones. They come down more slowly, and they glow as they come, with something like a phosphorescence that you can even see in the daytime.

When the red signal for an air attack goes out, the destroyers move in circles, belching smoke, and the small smoke carriers dart busily among the big ships, trailing ribbons of white, choking smoke which smells like sulphur. The little boats weave in and out, until they have covered the fleet with their artificial fog. The sound of coughing is deafening. At least it is until the anti-aircraft starts. And then, through the smoke, you hear the deep blow of the bombs. They don’t sound like anything else. And their explosions come through the water and strike the ship. You can feel them in your feet.

The endless lines of landing craft go ashore, carrying the supplies for men who are lying off in the bushes on the forward lines. Cases of food and tons of shells and cartridges. A hell of them lines the shore, waiting to be transported inland.

And the battle line has moved up. The beach is taken now and the invasion moves ahead. The white hospital ships move inshore to take on their cargoes.

PALERMO

SOMEWHERE IN THE MEDITERRANEAN THEATER, October 1, 1943

The sea off Sicily was running in long, smooth waves without whitecaps and the day was bright and the sea that Mediterranean blue that is unlike any other blue in the world. The PT boat ground its way through, making a great churned wake and taking even what little sea there was over the bow. It’s the wettest boat of all, the torpedo boat. The crew, in their rubber clothes, huddled on the deck trying to keep out of the constant spray, and on each side of the bridge the machine-gunners, at their stations, sat in their turrets behind their guns and the water glistened on their faces. The cartridge cases of the.50-caliber shells were green from contact with the sea water.

Off to the right a body was floating in the sea, rising and falling on the long waves. It was pretty swollen, and the brown lifebelt and collar made it float high in the water.

The captain was dressed in a bathing suit and he was barefooted. The First had a rubber coat on but his trousers were rolled up and his feet were bare, too. The two of them looked off across the port torpedo tube at the floating body.

“Should we go over and take a look?” the First said.

“Not in the shape it’s in,” the captain said. “Besides, we have to make our schedule.”

The first said, “I think that’s the loneliest thing in the world. A body floating at sea. I don’t know anything that looks so alone.”

The captain let go his hold on the torpedo tube and turned and held onto the rail behind the port gun turret. “Before you came on I had one that gave me the willies,” he said. He broke abruptly into his story.

“After Palermo fell,” he said, “there was a night and a part of a day before the Seventh Army got to the city. I was on patrol with five PTs and we got the flash and we were in the neighborhood anyway, so we came to take a look. You know what Palermo looks like. That great, big, strong mountain right beside the city and the crazy lights that get on it and then the city spilled down there at the base. It looks like Ulysses has just left there. You can really get the sense of Virgil from that mountain, from the whole northern coast of Sicily, for that matter. It just stinks of the classics.

“Anyway, it was fairly late in the afternoon when we came opposite the city and crept in next to the mole and sneaked through. We were fixed to run if anything shot at us, but nothing did. We went into the harbor and it was really shot to pieces. There were ships sunk all over and twisted cranes and one little Italian destroyer lying over on its side.

“The Air Force really did a job on the waterfront there. Buildings and docks and machinery and boats just blasted into junk. What a junkman’s dream that was! What made me think of it was that the water was oily from the blasted ships and there was a dead woman floating on the oily water, face down and with her hair fanned out and floating behind her. She bobbed up and down when our wake spread out in the harbor.

“At first,” the captain said, “I didn’t know what gave me a queer feeling and then it came to me. There wasn’t anybody moving about on the shore at all. You take a wrecked city, why, there’s usually someone poking around. But not here. I got the idea I’d like to go ashore. So the First I had then and I, we pulled up between two wrecked fishing boats and we got out a tommy gun apiece and we tied up and jumped ashore.

“It’s kind of hard to imagine. Palermo is a pretty big city. Except for the harbor and the waterfront, our bombers hadn’t hurt it very much. Oh, there were some wrecks, but not to amount to anything. I tell you, there wasn’t one living soul in that city. The population moved right out into the hills and the troops hadn’t come yet. There wasn’t a soul.

“You’d walk up a street where there were big houses and the doors would be open and — just not anybody. I did see a cat go streaking across the street, a pure white cat, but that’s the only living thing there was.

“You know those little painted carts the Sicilians have, with scenes painted on them? Well, there were some of those lying on their sides and the donkeys that pulled them were lying there dead, too.

“The First and I walked up into the town. Every once in a while I’d get the idea of going into one of the houses and just seeing what they were like, but I couldn’t. It was quiet and there wasn’t a breath of wind and the doors were open and I just couldn’t make myself go into one of those houses.

“We’d walked quite a good distance up into the town, farther than we thought, when it began to get dark. Neither of us had thought to bring a flashlight. Well, when we saw the dark coming, I think we both got panicky without any reason. We started to walk back to the waterfront and we kept going faster and faster and then we finally broke into a run.

“There was something about that town that didn’t want us there after dark. The open doors were black already and the deep shadows were falling. We dog-trotted through the narrow streets and then I got to thinking — there’s nobody here, but now if I see anybody it’s going to scare me. It gets dark awfully quick there. It was pitch black in the narrow streets, but you could see light above the houses.

“It got so we were really running and when we broke out on the dock and climbed over the wrecks, we were panting. The First said to me, ‘A guy might have got lost in there and not got back all night.’ But he knew we had been scared, and I knew it too.”

A hard dash of spray came over the bow of the PT and splashed him in the face.

“That gave me the willies,” the captain said. “I think that scared me more than I’ve been scared for a long time. I got to thinking about it and once or twice I had a dream about it. Come to think of it, the whole thing was like a dream anyway, from that dead woman right on through. But if I ever wanted to say how it was to be alone and panicky, I think I’d think of that right away.”

SOUVENIR

SOMEWHERE IN THE MEDITERRANEAN WAR THEATER, October 12, 1943

It is said, and with some truth, that while the Germans fight for world domination and the English for the defense of England, the Americans fight for souvenirs. This may not be the final end for our dogfaces, but it helps. It is estimated that two divisions of American troops could carry away the Great Pyramid, chip by chip, in twenty-four hours. This writer has seen pup tents piled nearly to the ridge rope with nearly valueless mementos of places the soldiers occupied. Dark back rooms of houses in Algeria and Palermo and Messina, and by now probably Salerno, are roaring with the industry of making bits of colored cloth and celluloid into gadgets to sell the soldiers.

A soldier has been seen struggling down a street in Palermo carrying a fifty-pound statuette of an angel in plaster of Paris. It was painted blue and pink and had written on its base in gold paint, “Balcome too Palermo.” How he ever expected to get it home no one will ever know. If the homes of America ever receive the souvenirs that are being collected by our troops there will be no room for living. The post office at an African station recently stopped a sentimental present a soldier was sending his wife. It was a prized possession and he had bought it from a Goum for 1000 francs. It was a quart jar of fingers pickled in brandy.

It is reported that the pre-Roman Greek temples at Salerno have suffered more from chipping by American soldiers in two weeks than they did during the preceding three thousand years, and whereas they have suffered the destructive rage of invaders for centuries they are not expected to survive the admiring souvenir-hunting of our troops, who only want to send a small chip home to the little woman.

True souvenir-hunting has its rules. It does not apply to the fighter group who transported a grand piano, piece by piece, over a thousand miles. Nor to the bomber swing band who rescued a crushed bull fiddle and mended it with airplane fix-it until it was four inches thick. They wanted to use these things. Souvenir hunting, if properly done, only takes notice of things that can’t possibly be used for anything at all and are too big or too fragile ever to get home.

Probably the greatest souvenir hunter of this whole war is a private first class who must be nameless but is generally called Bugs.

Bugs, when the battle for Gela in Sicily had abated, was poking about among the ruins, when he came upon a mirror — but such a mirror as to amaze him. It had survived bombing and shellfire in some miraculous manner, a matter which created wonder in Bugs. The mirror was six feet two in height and four feet wide, and it was in a frame of carved and painted wood which represented hundreds of small cupids wrestling and writhing about a length of blue ribbon, which accidentally managed to cover every cupid from indecency. The whole thing must have weighed about seventy-five pounds, and it was so beautiful that it broke Bug’s heart. He just couldn’t leave it behind.

Bugs probably fought the toughest war in all Sicily, for he carried the mirror on his back the whole way. When the shellfire was bad, he turned his mirror face down and covered it with dirt. On advances he left it and always came back in the night and got it again, although it entailed marching twice as far as the rest of his outfit.

Finally Bugs arranged a kind of sling, so that while advancing he had the appearance of a charging billboard. He gradually came to devote a good part of his life to the care, transportation, and protection of the biggest souvenir in the whole Seventh Army. When he finally marched into Palermo he did so in triumph, for his mirror was un-chipped and its frame was only a little chewed up from handling.

Now, for the first time, Bugs was billeted in a house, one of those tall houses with iron balconies and narrow stairs. Bugs tried in vain to get the mirror around a corner of the narrow stairway and finally he got a rope and, tying one end of it to the balcony, he went back to the street and tied the other end of it to his mirror. Then he went back and hauled it up to the second floor, where he was billeted. There he surveyed the room and decided where to hang his mirror. He drove a nail in the wall, hung the mirror, and stepped back to admire it. And he had just stepped clear when the nail pulled out and the whole thing crashed and broke into a million pieces.

Bugs regarded the mess sadly, but then the great philosophy of the “blowed in the glass” souvenir-hunter took possession of him. He said, “Oh, well, maybe it wouldn’t have looked good in our flat, anyways.”

WELCOME

SOMEWHERE IN THE MEDITERRANEAN WAR THEATER, October 14, 1943

The Italian people may greet conquering American and British troops with different methods in different parts of the country, but they act always with enthusiasm that amounts to violence. One of their methods makes soldiers a little self-conscious until they get used to it. Great crowds of people stand on the sidewalks as the troops march by and simply applaud by clapping their hands as though they applauded a show. This makes the troops walk very stiffly, smiling self-consciously, half soldiers and half actors.

But this hand-clapping is the most restrained thing that they do. The soldiers get more embarrassed when they are overwhelmed by Italian men who rush up to them, overpower them with embraces, and plant great wet kisses on their cheeks, crying a little as they do it. A soldier hates to push them away, but he is not used to being kissed by men, and all he can do is to blush and try to get away as quick as possible.

A third method of showing enthusiasm at being conquered is to throw any fruit or vegetable which happens to be in season at the occupying troops. In Sicily the grapes were ripe and many a soldier got a swipe across the face with a heavy bunch of grapes tossed with the best will in the world.

The juice ran down inside their shirts, and after a march of a few blocks troops would be pretty well drenched in grape juice, which, incidentally, draws flies badly, and there is nothing to do about it. You can’t drown such enthusiasm by making them not throw grapes.

One of the most ridiculous and most dangerous occupations, however, was the investment and capture of the island of Ischia. There the people, casting about for some vegetable or floral tribute, found that the most prominent and showy flower of the season was the pink amaryllis. This is not a pleasant flower at the best, but in the hands of an enthusiastic Italian crowd it can almost be a lethal weapon.

A reasonable-sized bunch of amaryllis, with big, thick stems, may weigh four pounds. In a short drive through the streets of the city of Ischia, some of the troops were nearly beaten to death with flowers, while one naval officer was knocked clear out of a car by a well-aimed bouquet of these terrible flowers. His friends proposed him for a Purple Heart, and wrote a report on his bravery in action. “Under a deadly hail of amaryllis,” the report said, “Lieutenant Commander So-and-So fought his way through the street, although badly wounded by this new and secret weapon.” A man could easily be killed by an opponent armed with amaryllis.

The pressures on the Italians must have been enormous. They seem to go to pieces emotionally when the war is really and truly over for them. Groups of them simply stand and cry — men, women, and children. They want desperately to do something for the troops and they haven’t much to work with. Bottles of wine, flowers, any kind of little gift. They rush to the churches and pray, and then, being afraid to miss something, they rush back to watch more troops. The Italian soldiers in Italy respond instantly to an order to deliver their arms. They pile their rifles up in the streets so quickly that you have the idea they are greatly relieved to get the damned things out of their hands once for all.

But whatever may have been true about the Fascist government, it is instantly obvious that the Italian little people were never our enemies. Whole towns could not put on such acts if they did not mean it. But in nearly every community you will find a fat and sleek man, sometimes a colonel, sometimes a civil administrator. Now and then he wears the silver dagger with the gold tip on the scabbard, which indicates that he was one who marched on Rome with Mussolini.

In a country which has been hungry this man is well fed and beautifully dressed. He has been living on these people since Fascism came here, and he has not done badly for himself. On the surrender of a community he is usually the first to offer to help in the government. He will do anything to help if only he can just keep his graft and his power.

It is to be hoped that he is never permitted either to help or to stay in his position. Indeed, our commanders are usually visited by committees of townspeople and farmers who ask that the local Fascist be removed and kept under wraps.

They know that if he ever gets power again he will avenge himself on them. They hate him and want to be rid of him. And if you ask if they were Fascists, most Italians will reply, “Sure, you were a Fascist or you didn’t get any work, and if you didn’t work your family starved.” And whether or not this is true, they seem to believe it thoroughly.

As the conquest goes on up the length of Italy, the crops are going to change. Some soldiers are already feeling an apprehension for the cabbage districts and the potato harvest, if they too are used as thrown tokens of love and admiration.

THE LADY PACKS

SOMEWHERE IN THE MEDITERRANEAN WAR THEATER, October 15, 1943

There is a little island very close to the mainland near Naples which has on it a very large torpedo works, one of the largest in Italy. When Italy had surrendered, the Germans took the island, mined it thoroughly, and ran the detonating wires under the water to the mainland, so that they could blow up the torpedo works if it seemed likely to be captured. The Germans left a few guards, heavily armed, and they also left an Italian admiral and his wife as a sort of hostage to the explosives planted all over the little island.

To a small Anglo-American naval force a curious order came. One single torpedo boat was to take on some British commandos, who were to go ashore in secrecy, cut the wires to the mainland, kill the German guards, and evacuate the Italian admiral and his wife.

The boat assigned was a motor torpedo boat and it lay alongside a pier in the afternoon and waited for the commandos to come aboard. The celebrated commandos, the great swashbucklers, took their time in arriving. In fact, they arrived nearly at dusk, five of them, which to their mind is a large military force. And these were very strange men.

They were small, tired-looking men who might have been waiters or porters at a railroad station. Their backs were slightly bent and their knees knobby and they walked with a shuffling gait. Their huge shoes, with thick rubber soles, looked far too large for them. They were dressed in faded shorts and open shirts, and their arms were an old-fashioned revolver and a long, wicked knife for each. Their leader looked like a weary and petulant mouse who wanted more than anything else in the world to get back to a good safe job in an insurance office with the certainty that his pension would not be held up.

These five monsters came shambling aboard and went immediately below decks to get a cup of tea and a slice of that cake which tastes a little like fish. They sat mournfully in the tiny wardroom, mooning over their tea and scratching the mosquito bites on their lumpy knees.

When it was dark the MTB slipped from the dock and crept out to sea toward the island. The moon was very bright and had to be taken into account. But it was thought that in the indefinite light the action would be easier to accomplish. The motors were muffled, and the small, powerful boat pushed quietly through a smooth, moonlit sea.

On the deck the rubber boat which was to take the raiders ashore was inflated and ready. The gun crew sat quietly at their stations. Just before midnight the boat lay to, and the black outline of the island was not far ahead. Then the commandos came stumbling out of the companionway and stood about on the deck. The captain of the torpedo boat said, “You have all the plans now — cut the wires, kill the guards if possible, and bring out the admiral and his lady. How long do you think that will take you?”

The leader of the commandos gave the subject his consideration, tapping his lips with his finger. “We should be back in an hour,” he said at last.

“An hour? Why, it can’t take that long. If you take that long you won’t be able to do it at all.”

“Oh, the guards business and the wires,” the commandos explained, “that won’t take long.”

“What will, then?” the captain demanded.

“Well, the admiral’s wife will need time to pack,” the commando said. “She doesn’t know we’re coming. She won’t have her things ready.” And with that they laid the rubber boat over the side and paddled silently away.

For an hour the MTB lay in the moonlight, waiting. The sailors kept close watch on the dark island and nothing happened. There were no shots, there were no lights on the blacked-out island. The whole thing was dead and quiet in the misty moonlight.

At ten minutes of the hour the captain began to look at his watch every half-minute, and he muttered to himself about E-boat patrols and the necessity for not putting his ship in danger for nonsense. If there had been any activity ashore he would at least know there was fighting of some kind.

At five minutes of the hour a big shape showed on the water, and because everything is potentially dangerous the gunners swung their machine guns on it and waited for it to identify itself. It approached, and it was a rubber boat. It gently nudged the side of the MTB and a little, slender woman was helped over the side, and then a quite stout admiral in a beautiful overcoat, although the night was warm. These figures went immediately below, but the leader of the commandos said, “Bert, you will go back with me.” Three of the men climbed aboard the MTB, and the rubber boat shoved off again and moved back toward the island.

The three remaining commandos stood limply on the deck. The MTB captain was impatient. “Accomplish the mission?” he asked.

“Yes, sir, there were eight guards, not seven.”

“You didn’t take them?”

“No, sir.”

The captain’s eyes went quickly to the long, thin knife at the man’s belt, and the commando nervously, almost apologetically, fingered its steel hilt.

“What have they gone back for?”

“The lady’s trunk, sir. We couldn’t get it in the boat. There wasn’t room with the rest of us. They’ve gone back for her trunk. Quite a large one. Old-fashioned kind with a hump on it, you know.”

The captain put his hands on his hips and studied the little man.

“Sir?” the commando began.

“Yes, I know. And I wish it was beer, but there isn’t any.”

He called softly into the companionway, “Joel, oh, Joel, get some water on. There’ll be five teas wanted in a moment.”

CAPRI

SOMEWHERE IN THE MEDITERRANEAN WAR THEATER, October 18, 1943

The day after the island of Capri was taken and before any of the admirals and generals had found it necessary to inspect the defenses of its rocky cliffs and hazardous wine cellars a group of sailors from a destroyer in the harbor strolled along one of the beautiful tree-lined paths. They were inspecting defenses too, the island’s and their own, and they found their own lacking in initiative. The hill was steep and there were gardens above and below the path.

As they strolled along a shrill little voice came from under a grape arbor below the way. “I say,” said the voice.

The naval men looked over the low wall and saw a tiny old woman — a little bit of a woman — dressed in black, who came scrambling from under the grapevines and climbed up the steps like a puppy. She was breathless.

“I hope you won’t mind,” she panted. “It was very good to hear English spoken. I am English, you know.”

She paused to let this tremendous fact sink in. She was dressed in decent and aging black. She never had made the slightest concession to Italy. Her costume would have done her honor and protected her from scandal in Finchley.

Her eyes danced with pleasure, wise, small, humorous eyes. “They speak Italian here,” she said brightly, and it was obvious that she did not if she could help it. “And the Germans came,” she said, “and I haven’t heard much English. That is why I should like just to hear you talk. I like Americans,” she explained, and you could see that she was willing to take any kind of criticism for this attitude. “I haven’t heard any English. The Germans came, but I said that, didn’t I? Well, anyway, the war came and I couldn’t get out, and that is three years, isn’t it? And do you know it has been a year since I have had a cup of tea, over a year — you will hardly believe that.”

The communications officer said, “We have tea aboard. I could bring you a packet this afternoon.”

The little woman danced from one foot to the other like a child. “N-o-o-o,” she said excitedly. “Why — what fun, what fun.”

Signals said, “Is there anything else you need, because maybe I could bring that to you too?”

For a moment the old bright eyes surveyed him, measuring him. “You couldn’t—” she began, and paused. “You couldn’t bring a little pat of — butter?”

“Sure I could,” said Signals.

“N-o-o-o,” she cried, and she began to hop like a child at hopscotch. She held up a finger. “If you’ll bring me a little pat of butter I will make some scones, real scones, and we’ll have a party. Won’t that be fun? Won’t that be fun?”

She danced with excitement. “Imagine,” she said.

“I’ll bring it this afternoon,” said Signals.

“You see, I was caught here and then the Germans came. They didn’t do me really any harm. They were just here,” she said seriously. “All of my people are in Australia. I have no family in England any more.” Her old eyes became sad without any transition. “I don’t know how they are,” she said. “I have had two letters in three years. It takes nearly a year to get a letter.”

Signals said, “If you will write a letter I’ll pick it up when I bring the butter and tea and will mail it at the first port.”

She looked at him sternly. “And how long will that take to get to Australia?” she demanded.

“Oh, I don’t know. A few weeks.”

“N-o-o-o,” she cried, and she began to dance again, little dainty dancing steps, with her arms held slightly out from her sides and her wrists bent down. Her shrill little bird voice laughed and her pale old eyes were wet. “Why,” she cried. “Why, that will be more fun than tea.”

SEA WARFARE

SOMEWHERE IN THE MEDITERRANEAN WAR THEATER, October 19, 1943—

The plans for Task Force X were nearly complete. The officers had coffee in a restaurant in a North African city. The tall, nervous one, a lieutenant commander and a student of mines — contact, magnetic, and those vibration mines which react to the engine of a ship — leaned over the table.

“I conceive naval warfare to be much like chamber music,” he said. “Thirty-caliber machine guns, those are the violins, the fifties are the violas, six-inch guns are perfect cellos.”

He looked a little sad. “I’ve never had sixteen-inch guns to compose with. I have never had any bass.” He leaned back in his chair. “The composition — the tactics of chamber music — are much the same as a well-conceived and planned naval engagement. Destroyers out, why, that will be the statement of theme, the screening attack, and all preparing for the great statement of the battleships.” He leaned back farther and tipped his chair against the wall and hooked his heels over the lower rung.

A lieutenant (j.g.) laughed. “He always talks like that. If he didn’t know so much about mines we would think he was crazy.”

“You haven’t been in battle, in a good naval engagement, and you don’t know anything about chamber music,” said the lieutenant commander. “I’ll show you something tonight if you’ll go with me.”


The jeep moved through the blackout. The streets of the city were fined with military trucks and heavy equipment, all moving toward the harbor where the ships were loading for Italy. The jeep, running counter to the traffic, climbed the hill and went over the ridge and into the valley on the other side, into a valley which had at one time been a place of vineyards and small country houses. But now it was a vast storage ground for shells and trucks and tanks, lined and stacked and parked, waiting to get aboard the ships for Italy. The moon lighted the masses of material getting ready for war.

“Where are you taking us?” the lieutenant asked.

“You’ll see. Just be patient.”

The jeep pulled up to a very white wall that extended off into the distance and disappeared into the pearly in-definiteness of the moonlight. A high gate of iron bars and spikes opened in the wall. The lieutenant commander went to the gate and pulled a rope that hung there, and a small bell called softly. In a moment a white-robed figure appeared at the gate, a tall man with a long, dark beard.

“Yes?” he asked softly.

“May we come in?” the lieutenant commander asked. “May we come in for evensong?”

“Yes. of course,” the brother said. He pulled at one side of the gate and the hinges cried a little.

Inside the wall was a lovely garden in the moonlight. No war material at all. Everything was cut out except flowers and the little sound of running water and the thick outline of a sturdy church against a luminous sky. The lieutenant (j.g.) said, “You speak very good English.”

“I should,” said the brother. “I was born in Massachusetts.”

“American?”

“We come from all over. We have Germans and French, and even a Chinese. Some Russians, too.”

The party moved slowly up the path and came to the little fountain which made the dripping sound and put a cool emphasis on a hot night. “The song has already started,” the brother said. “Walk quietly.”

The way went among the walls of flowering shrubs and then up two outside steps, and then into a dark hallway, and finally through an entrance into a place that was familiar and strange. Over the rail and below was the body of the church, only you could not see it, for only one candle was burning, and it merely suggested the size and height. It picked out a corner and an arch and a point of gold, and your mind filled in the rest. Lined below, just visible, were the rows of the white brothers. And then their voices came softly and swelling, singing the ancient music, the disembodied and unimpassioned music, of which Mozart said he would rather have written one chant than all his own. The evensong rose higher and higher, and it was rather like the dimness of the arched roof overhead. The great, vague room swelled and pulsed with the sound, and then it died and one single voice took it up and the others joined in and the candle flame darted about on its wick.

The sound of the trucks and the half-tracks and the pound of the tanks came vaguely from the distance and the music rose to a high note and stopped. The lines of white figures filed slowly out and a hand came into the candlelight and pinched out the flame.


The jeep went back into the city, and this time it went very slowly because it was caught between a weapons carrier and a troop truck loaded with sleepy, upright soldiers who swayed when the truck struck a rough stretch of street.

The lieutenant (j.g.) was very quiet. Some paradox worried him. He said, “The change from one thing to another was too quick. There was no time to get used to it. You should have time to get used to things like that.”

“There was actually no change,” the lieutenant commander said. “I’ve always thought that naval warfare was composed like chamber music. There wasn’t any change. You just saw two sides of the same thing. You can’t make islands of experiences. They relate just exactly as the strings relate in a quartet. Maybe you’ll see in a day or two when we get into action. You haven’t been in action, have you?”

THE WORRIED BARTENDER

SOMEWHERE IN THE MEDITERRANEAN WAR THEATER, October 20, 1943

When our small American force had captured the island of Capri with no resistance whatsoever on its part or on ours, it was only natural that sooner or later we should meet Luigi the bartender. Luigi had kept warm during the whole war a love of Americans based, he freely admitted, on a memory of tips in the nicer days when American tourists came to bathe in the Blue Grotto and the pink wine. When sailors and officers from the little force inspected the defenses of Luigi’s bar and found them formidable. Luigi was cordial but sad. He spoke the English we know, the English of the banana pushcarts and the pizzerias, of the spaghetti joints and grind organs. Luigi’s dialect sounded like home.

Luigi was gay but sad. His joy had a habit of falling off in the middle and dissipating. One afternoon, after each one of us had tried to remember a man named Giuseppe Marinari, of Gary, Indiana, who was Luigi’s third cousin, we inquired into his sadness. And only then did his trouble come out with a rush.

It seemed that Luigi had a daughter and, more than that, he had an incipient grandchild. But this daughter and this expectation were across the little stretch of water in Castellammare. And what was worse, the Germans were moving up on Castellammare and we were not there in enough force either to repel or to intercept them. Consequently it seemed that Luigi’s daughter was very likely to have her child in a shell hole, illuminated by star shells and parachute flares and possibly speeded up by bomb bursts. Luigi was worried and upset because, he explained, it was not as though he had other daughters or grandchildren. This was his sole chick, due to some misfortune or deformity, the reason for which was known only to God. And as Luigi poured out his story he also poured out Scotch whisky that had been buried in the earth in back of his bar ever since the war started.

Going back to the ship, the little group could not lose the sadness that Luigi had planted in it. “How would you like it to happen to your family?” Lieutenant Blank said. “Why, you can look across to Castellammare.”

On this basis the group visited the commodore in the wardroom of his flagship. They told their story and the commodore looked gravely over his coffee cup at them. And his very calm blue eyes got bright with amusement. “What do you want me to do,” he asked, “attack Castellammare?”

“No, sir,” said Lieutenant Blank. “But we have six captured Italian MS boats. How would it be if we took one of them and just went over and got her? It would only take an hour or less.”

“And suppose you lost the boat and got yourself killed?”

“We wouldn’t do that, sir. We would just run over and get her. We could do it in practically a few minutes.”

The commodore said, “I can’t permit it. The thing is out of the question. The thing is silly. We’re trying to run a war, not a maternity hospital. And besides, I have work for you to do. You can’t go running about like this.”

“Yes, sir,” said Lieutenant Blank.

“These are your orders,” said the commodore. “You are to take one of the MS boats and patrol the coast of the mainland, particularly in the area about Castellammare. You will report the presence of any German shipping there and if you see any hostile craft you will report it and engage it. It may be necessary for you to go pretty far inshore to carry out these orders. Do you understand?”

“Yes, sir,” said Lieutenant Blank, “but I sure wish we could have got that girl off.”

“This is no time for sentiment,” the commodore said.

The thing was very quick. It required only to pull up to the little dock at the little town and to ask for Luigi’s daughter. In ten minutes she was at the dock carrying a bundle of clothing and, in our estimation, she was a little closer than even Luigi suspected. And then the Isotta-Fraschini engines of the MS boat purred and the white wake spread away from the boat and she cut through the water back to Capri, for MS boats do not ride on top of the water, they knife through it.

The rest was very silly. Luigi was at the waterfront and he cried and his daughter cried and about a thousand Caprianos cried and the sound of kissing was deafening and a lot of sailors looked gruff and a kind of triumphant procession went up the hill on the funicular railway and there was something in the nature of a party at Luigi’s bar. The child, no matter what its sex, is going to have Lieutenant Blank’s first name, and not only Luigi but all Luigi’s relatives are going to remember all of us in their prayers for hundreds of years to come.

So much for the assurances. But the next morning a party of five went up on the hill to get haircuts. We were sitting reading copies of The London Pictorial for 1937 and waiting for the one barber chair to be vacant when in the doorway Luigi appeared. And Luigi carried a little tray and on the tray was a Scotch and soda for each of us. And later in the day we went shopping and wherever we stopped to look and to buy there Luigi appeared with his little tray.

It was a pretty nice day.

THE CAMERA MAKES SOLDIERS

SOMEWHERE IN THE MEDITERRANEAN WAR THEATER, October 21, 1943

I suppose that there is no weapon which so slyly and surely attacks the souls of men as a moving-picture camera does. Men who are disgusted or hurt or just plain ignorant react to a Bell & Howell Eyemo as a frog does to a hot rock. One of our best sports writers suggested one time that the best way to get touchdowns in football was to mount a newsreel camera between the goal posts. It is a secret weapon which dissects people and brings out the curious childish ego that everyone has and lays it spread out thick on the surface.

Recently in Africa and Sicily and Italy we (not editorial we, but a cameraman and I) were working on a technical picture for the Army and there we discovered that the same force that operates at Long Island garden parties and at tennis matches also works on a battle line. It worked everywhere. Weary troops straightened up and marched stiffly and some of them tried to hog the camera and some of them looked fierce and soldierly. All shoulders went back and steps quickened. The thinly covered actor in everyone came out. A line of Army stevedores on a dock in a North African port suddenly, on seeing the camera, began to pass boxes of C-rations with a speed and rhythm which has probably never been duplicated in Army history. Of course the moment the camera was moved they went back to a much more sensible, goldbricking pace, but for the few feet of film we have, the boxes shot by and piled up in a mountain out of camera range.

The impact of the camera is by no means limited to the Americans. Our picture had to do with all kinds of work and all kinds of men. One day we set up on a barge where a number of Arabs were employed to unload cargo and, incidentally, were doing the finest bit of sleepwalking I have ever seen. Each Arab regarded each box as a personality he didn’t like, touched with reluctance, and got rid of with relief. His repugnance, however, did not make him carry it to its destination with any speed that required streamlining. With these people we did not find any speedup when the camera was produced. The moment it began to turn, every Arab stood up grandly and presented his profile and looked sternly toward Mecca. Time and time again we tried to catch them in what is called a natural pose, not of work, because that would be a contradiction in terms, but just relaxed and looking Arab. But either they had seen too many Hollywood films of Valentino as an Arab, or a Valentino had studied Arabs under the impact of the camera. We never caught them any other way except looking sternly offstage, always in profile and always noble. We had wanted to get them relaxed because I suppose Arabs have as few noble moments as anyone in the world. Bushmen may compete with them in this respect but I doubt it. And they could not be fooled. They knew when the camera was turning and when it wasn’t. They were as highly trained in stealing scenes from each other as dress extras in Hollywood. Finally we gave up. They will continue noble as far as we are concerned. We will perpetuate this myth of the noble Arab. The moment we stopped shooting they collapsed into natural Arabs, but we never got it on film.

The camera works everywhere. There is no ferocity like that on the face of a quarterback who is running, not at an opponent but at newsreel coverage on a tripod. And this may all be egotism, but there was one example of something that seemed to be much more than this. One day we set up the camera to photograph the discharge of the cargo of a hospital ship which had been loaded in Sicily. The side doors of the ship were opened and the wooden platform was extended. The lines of ambulances were drawn up on the pier, and then the stretcher-bearers came down in a steady line with the wounded men sitting and lying and huddled and stretched out in positions indicated by the nature of their wounds. Some of them were sick with pain, were gray with pain, and some were only slightly hurt so that their eyes were clear. And not one single man as he passed the camera failed to respond to it. Everyone gave it either a smile or a little nod. Some saluted it gravely. The rigid features changed and the eyes brightened, and if an arm could move it moved in greeting. I think this was not egotism. I think these men, each one of them, had a quick thought. “Someone at home will see this picture. I must appear less badly hurt than I am. Otherwise they might worry.” I think those tired smiles were a great hunk of consideration and courage.

THE STORY OF AN ELF

Monday, November 1, 1943

This story could not be written if there were not witnesses — not vague unknown men, but Quentin Reynolds and H. R. Knickerbocker and Clark Lee and Jack Belden, who was hurt at Salerno, and John Lardner and a number of others who will come clamoring forward if anyone doubts the facts here to be presented.

The thing began when a British consul met Quentin Reynolds in the hall of the Alletti Hotel in Algiers. The consul was a small, innocent, well-mannered man who liked to think of the British and Americans as allies and who was willing to make amicable gestures. In good faith he asked Reynolds where he was staying and in equal good faith Reynolds replied that he had not yet been billeted.

“There’s an extra bed in my room,” the consul said. “You’re welcome to it if you like.”

That was the beginning, and what happened was nobody’s fault. It was just one of those accidents. The consul had a nice room with a balcony that overlooked the harbor and from which you could watch air raids. It wasn’t Reynolds’ fault. He accepted hospitality for himself, not for the nine other war correspondents who moved in with him. Nine is only a working number. Sometimes there were as many as eighteen. They slept on the floor, on the balcony, in the bathroom, and some even slept in the hall outside the door of Room 140, Alletti Hotel, Algiers.

It was generally agreed that the consul should have his own bed, that is, if he kept it. But let him get up to go to the bathroom and he returned to find Knickerbocker or Lee or Belden, or all three, in it. Another thing bothered the consul a little. Correspondents don’t sleep much at night. They talked and argued and sang so that the poor consul didn’t get much rest. There was too much going on in his room. He had to work in the daytime, and he got very little sleep at night. Toward the end of the week he took to creeping back in the middle of the afternoon for a nap. He couldn’t get his bed then. Someone always had it. But at three in the afternoon it was usually quiet enough so that he could curl up on the floor and get a little rest.

The foregoing is not the unbelievable part — quite the contrary. It is what follows that will require witnesses. It was during one of the all-night discussions of things in general that someone, perhaps Clark Lee, perhaps Dour Jack Belden, suggested that we were getting very tired of Algerian wine and wouldn’t it be nice if we had some Scotch. From that point on this is our story and we intend to stick to it.

Someone must have rubbed something, a ring or a lamp or perhaps the utterly exhausted British consul. At any rate, there was a puff of blue smoke and standing in the room was a small man with pointed ears and a very jolly stomach. He wore a suit of green leather and his cap and the toes of his shoes ended in sharp points and they were green too.

“Saints of Galway,” said Reynolds. “Do you see what I see?”

“Yes,” said Clark Lee,

“Well, do you believe it?”

“No,” said Lee, who is after all a realist and was at Corregidor.

Jack Belden has lived in China for many years and he knows about such things. “Who are you?” he asked sternly.

“I’m little Charley Lytle,” the elf said.

“Well, what do you want, popping in on us?” Belden cried.

The British consul groaned and turned over and pulled the covers over his head. Knickerbocker has since admitted that his first impulse was to kill the elf and stuff him to go beside the sailfish in his den. In fact, he was creeping up when Charley Lytle held up his hand.

“When war broke out I tried to enlist,” he said. “But I was rejected on political grounds. It isn’t that I have any politics,” he explained. “But the Army’s position is that if I did have, heaven knows what they would be. There hasn’t been a Republican leprechaun since Coolidge. So I was rejected pending the formation of an Elves-in-Exile Battalion. I decided then that I would just make people happy, soldiers and war correspondents and things like that.”

Reynolds’ eyes narrowed dangerously. He is very loyal. “Are you insinuating that we aren’t happy?” he gritted. “That my friends aren’t happy?”

“I’m not happy,” said the British consul, but no one paid any attention to him.

Little Charley Lytle said, “I heard some mention made of Scotch whisky. Now it just happens that I have—”

“How much?” said Clark Lee, who is a realist.

“Why, all you want.”

“I mean how much money?” Lee demanded.

“You don’t understand,” said little Charley. “There is no money involved. It is my contribution to the war — I believe you call it effort.”

“I’m going to kill him,” cried Knickerbocker. “Nobody can sneer at my war and get away with it.”

Reynolds said, “Could we get a case?”

“Surely,” said little Charley.

“Three cases?”

“Certainly.”

Lee broke in. “Now don’t you strain him. You don’t know what his breaking point is.”

“When can you deliver?” Reynolds asked.

Instead of answering, little Charley Lytle made a dramatic and slightly ribald gesture. There was one puff of smoke and he had disappeared. There followed three small explosions, like a series of tiny depth charges, and on the floor of Room 140 of the Alletti Hotel in Algiers lay three cases of Haig and Haig Pinch Bottle, ringed with the hot and incredulous eyes of a platoon of thirsty correspondents.

Reynolds breathed heavily the way a man does when he has a stroke. “A miracle!” he whispered. “A miracle straight out of the middle ages or Mary Roberts Rinehart.”

Dour Jack Belden has lived a long time in China. On top of a basic pessimism, he has seen everything and is difficult to impress. His eyes now wandered out the arched window to the sweltering streets and the steaming harbor below. “It’s a medium good trick,” he said. “But it’s a cold-weather trick. I’d like to give him a real test.” He ignored the growl of growing rage from his peers. “If this so-called Elf could produce a bottle of say La Batt’s Pale India Ale on a day like this, I’d say he was a commer—” He was interrupted by a slight fall of snow from the hot and fly-specked ceiling. Our eyes followed the lazy white flakes to the floor, where they fell on a box of slim-necked bottles. The snow swirled and spelled out Courtesy of Canada in the air.

I think Jack Belden went too far. He said lazily, “But is it cold?”

Reynolds flung himself forward and touched the neck of a bottle. “Colder than a (two words deleted by censor),” he said.


That night there was an air raid, and even the British consul enjoyed it. And anyone who doesn’t believe this story can ask any of the people involved, even dour Jack Belden.

MAGIC PIECES

November 3, 1943

A great many soldiers carry with them some small article, some touchstone or lucky piece or symbol which, if they are lucky in battle, takes on an ever-increasing importance. And being lucky in battle means simply not being hurt. The most obvious magic amulets, of course, are the rabbits’ feet on sale in nearly all gift stores. St. Christopher medals are carried by Catholics and non-Catholics alike and in many cases are not considered as religious symbols at all, but as simple lucky pieces.

A novelty company in America has brought out a Testament bound in steel covers to be carried in the shirt pocket over the heart, a gruesome little piece of expediency which has faith in neither the metal nor the Testament but hopes that a combination may work. Many of these have been sold to parents of soldiers, but I have never seen one carried. That particular pocket is for cigarettes and those soldiers who carry Testaments, as many do, carry them in their pants pockets, and they are never considered as lucky pieces.

The magic articles are of all kinds. There will be a smooth stone, an odd-shaped piece of metal, small photographs encased in cellophane. Many soldiers consider pictures of their wives or parents to be almost protectors from danger. One soldier had removed the handles from his Colt.45 and had carved new ones out of Plexiglas from a wrecked airplane. Then he had installed photographs of his children under the Plexiglas so that his children looked out of the handles of his pistol.

Sometimes coins are considered lucky and rings and pins, usually articles which take their quality from some intimacy with people at home, a gift or the symbol of some old emotional experience. One man carries a locket his dead wife wore as a child and another a string of amber beads his mother once made him wear to ward off colds. The beads now ward off danger.

It is interesting that, as time in action goes on, these magics not only become more valuable and dear but become more secret also. And many men make up small rituals to cause their amulets to become active. A smooth stone may be rubbed when the tracers are cutting lines about a man’s head. One sergeant holds an Indian-head penny in the palm of his left hand and against the stock of his rifle when he fires. He is just about convinced that he cannot miss if he does this. The employment of this kind of magic is much more widespread than is generally known.

As time goes on, and dangers multiply and perhaps there is a narrow escape or so, the amulet not only takes on an increasing importance but actually achieves a kind of personality. It becomes a thing to talk to and rely on. One such lucky piece is a small wooden pig only about an inch long. Its owner, after having tested it over a period of time and in one or two tight places, believes that this little wooden pig can accomplish remarkable things. Thus, in a bombing, he held the pig in his hand and said, “Pig, this one is not for us.” And in a shelling, he said, “Pig, you know that the one that gets me, gets you.”

But in addition to simply keeping its owner safe from harm, this pig has been known to raise a fog, smooth out a high sea, procure a beefsteak in a restaurant which had not had one for weeks. It is rumored further that this pig in the hands of a previous owner has commuted an execution, cured assorted cases of illness, and been the direct cause of at least one considerable fortune. This pig’s owner would not part with him for anything.

The association between a man and his amulet becomes not only very strong but very private. This is partly a fear of being laughed at, but also a feeling grows that to tell about it is to rob it of some of its powers. Also there is the feeling that the magic must not be called on too often. The virtue of the piece is not inexhaustible. It can run down, therefore it is better to use it sparingly and only to call on it when the need is great.

Novelty companies have taken advantage of this almost universal urge toward magic. They turn out lucky rings by the thousands and coins and little figures, but these have never taken hold the way the associational gadgets do.

Whatever the cause of this reliance on magic amulets, in wartime it is so. And the practice is by no means limited to ignorant or superstitious men. It would seem that in times of great danger and great emotional tumult a man has to reach outside himself for help and comfort, and has to have some supra-personal symbol to hold to. It can be anything at all, an old umbrella handle or a religious symbol, but he has to have it. There are times in war when the sharpest emotion is not fear, but loneliness and littleness. And it is during these times that the smooth stone or the Indian-head penny or the wooden pig are not only desirable but essential. Whatever atavism may call them up, they appear and they seem to fill a need. The dark world is not far from us — from any of us.

SYMPTOMS

November 5, 1943

During the years between the last war and this one, I was always puzzled by the reticence of ex-soldiers about their experiences in battle. If they had been reticent men it would have been different, but some of them were talkers and some were even boasters. They would discuss their experiences right up to the time of battle and then suddenly they wouldn’t talk any more. This was considered heroic in them. It was thought that what they had seen or done was so horrible that they didn’t want to bring it back to haunt them or their listeners. But many of these men had no such consideration in any other field.

Only recently have I found what seems to be a reasonable explanation, and the answer is simple. They did not and do not remember — and the worse the battle was, the less they remember.

In all kinds of combat the whole body is battered by emotion. The ductless glands pour their fluids into the system to make it able to stand up to the great demand on it. Fear and ferocity are products of the same fluid. Fatigue toxins poison the system. Hunger followed by wolfed food distorts the metabolic pattern already distorted by the adrenalin and fatigue. The body and the mind so disturbed are really ill and fevered. But in addition to these ills, which come from the inside of a man and are given him so that he can temporarily withstand pressures beyond his ordinary ability, there is the further stress of explosion.

Under extended bombardment or bombing the nerve ends are literally beaten. The ear drums are tortured by blast and the eyes ache from the constant hammering.

This is how you feel after a few days of constant firing. Your skin feels thick and insensitive. There is a salty taste in your mouth. A hard, painful knot is in your stomach where the food is undigested. Your eyes do not pick up much detail and the sharp outlines of objects are slightly blurred. Everything looks a little unreal. When you walk, your feet hardly seem to touch the ground and there is a floaty feeling all over your body. Even the time sense seems to be changed. Men who are really moving at a normal pace seem to take forever to pass a given point. And when you move it seems to you that you are very much slowed down, although actually you are probably moving more quickly than you normally do.

Under the blast your eyeballs are so beaten that the earth and the air seems to shudder. At first your ears hurt, but then they become dull and all your other senses become dull, too. There are exceptions, of course. Some men cannot protect themselves this way and they break, and they are probably the ones we call shell-shocks cases.

In the dullness all kinds of emphases change. Even the instinct for self-preservation is dulled so that a man may do things which are called heroic when actually his whole fabric of reactions is changed. The whole world becomes unreal. You laugh at things which are not ordinarily funny and you become enraged at trifles. During this time a kind man is capable of great cruelties and a timid man of great bravery, and nearly all men have resistance to stresses beyond their ordinary ability.

Then sleep can come without warning and like a drug. Gradually your whole body seems to be packed in cotton. All the main nerve trunks are deadened, and out of the battered cortex curious dreamlike thoughts emerge. It is at this time that many men see visions. The eyes fasten on a cloud and the tired brain makes a face of it, or an angel or a demon. And out of the hammered brain strange memories are jolted loose, scenes and words and people forgotten, but stored in the back of the brain. These may not be important things, but they come back with startling clarity into the awareness that is turning away from reality. And these memories are almost visions.

And then it is over. You can’t hear, but there is a rushing sound in your ears. And you want sleep more than anything, but when you do sleep you are dream-ridden, your mind is uneasy and crowded with figures. The anesthesia your body has given you to protect you is beginning to wear off, and, as with most anesthesia, it is a little painful.

And when you wake up and think back to the things that happened they are already becoming dreamlike. Then it is not unusual that you are frightened and ill. You try to remember what it was like, and you can’t quite manage it. The outlines in your memory are vague. The next day the memory slips farther, until very little is left at all. A woman is said to feel the same way when she tries to remember what childbirth was like. And fever leaves this same kind of vagueness on the mind. Perhaps all experience which is beyond bearing is that way. The system provides the shield and then removes the memory, so that a woman can have another child and a man can go into combat again.

It slips away so fast. Unless you made notes on the spot you could not remember how you felt or the way things looked. Men in prolonged battle are not normal men. And when afterward they seem to be reticent — perhaps they don’t remember very well.

THE PLYWOOD NAVY

November 15, 1943

The orders were simple. The naval task force was to destroy or drive German shipping out of the sea in the whole area north of Rome. German convoys were moving out of various ports, possibly evacuating heavy equipment from Italy to the south of France. The task force was ordered to break up this traffic.

It is not permitted to say what units comprised the force but a part of it at least was a group of torpedo boats, some British MTBs and some American PTs. The British were not quite so fast as the Americans but they were more heavily armed.

The afternoon before the attack was spent in putting the boats ready. The gunners had their guns apart, oiling and scrubbing the salt spray from the working parts. The guns on the little boats must be worked on all the time. Even the cartridge cases turn green from the constant splashing with salt water. The American PTs are wet devils. Any speed of any kind of sea bring green water over the bow. The men dress in rubber clothes and rubber hoods and even then they do not stay dry.

In the afternoon the torpedoes were inspected and the fuel tanks filled to the limit. The sea was very blue and very calm. During the whole first two weeks of the attack against Italy the sea was calm as a lake, and that particular sea can be very bad.

The British officers and men were bearded with fine great brushes which projected forward from constant brushing outward with the hands. This gives a pugnacious look to a man’s face. A few American faces were bearded too, but the tradition is not set with our men.

From the little island harbor, the coast of Italy was visible in the afternoon — the steep hills terraced for vines and lemon trees and the mountains rising to bare rocky ridges behind. Vesuvius was smoking in the background, a high feather of smoke.

On the quay, surrendered Italian carabinieri stood looking at the “Plywood Navy,” which is what the crews call the torpedo boats.

As the sun went down the work was finished and dinner was started in the tiny galleys of the Plywood Navy. The force was to sail at dark. Long before dark the moon was up. It would set after two in the morning and it was planned to be on the ground and ready for attack as soon as the moon had set. This was a deadly swarm that prepared to go. In its combined torpedo tubes it carried the force to sink a navy. The little ships can dodge in close and, when the going is rough, they can scatter and run like quail. And they can turn and twist so fast and travel at such speed that they are impossible to catch and very hard to hit.

Just at dusk the motors burst into roars one at a time and then settled down to their throbbing beat. These motors can be quieted so that they make very little noise, but in ordinary running they sound like airplanes.

The moonlit night came, and the little boats moved out from their berths, and once clear of the breakwater they formed in three lines and settled down to traveling speed. In the moonlight their white wakes shone, and each boat ran over the wake of the boat ahead, and the beat of their motors was deep. On the decks the men had already put on their rubber pants and their rubber coats and the peaked rubber hoods. In the turrets the men sat at their machine guns and waited.

On 412 the master and his First stood on the little bridge. The spray came over the bow in long, swishing spurts as the PT put her nose down into the easy swells and the light wind picked up the splash. Their faces were dripping. Now and then the First stepped the three steps down to the tiny chart room where a hooded light glimmered on the chart. (One line deleted by censor.) The First checked the course and put his head through and climbed back to the bridge. A call came from aft—“Aircraft at nine o’clock!”

The men at the turrets and at the after gun swung their weapons sharp to the left and elevated the muzzles, and the gunners peered uneasily into the milky moonlit sky. Unless they come out of the moon, and they never do, they are very hard to see. But above the engines of the boat could be heard the hum of aircraft engines. “Ours or theirs?” the First asked.

“Ours have orders not to come close. It must be theirs,” the master said. Then off to the port side in the milky sky there was the dark shape of a plane and not flying very high. The gunners stirred and followed the shape with the muzzles. It was too far off to fire. The master picked up his megaphone and called, “He’ll come in from the side if he’s coming. Watch for him.” The drone of the plane disappeared.

“Maybe he didn’t see us,” the First said.

“With our wake? Sure he saw us. Maybe he was one of ours.”

He must have cut his motors. Suddenly he is overhead and his bomb lands and explodes just after he has passed over. The roar of the explosion and the battering of the machine guns come at once. A wall of spray comes over the side from the explosion, and the boat seems to leap out of the sea.

The lines of the tracers reach for the disappearing plane and the lines seem to curve the way the stream from a hose does when you move the hose. Then the guns are silent. The master calls, “Watch out for him. He may be back. Watch for him from the same side.” The gunners obediently swing their guns about.

This time he didn’t cut his motors. Maybe he needed altitude. You could hear him coming. The guns started on him before he was overhead and the curving lines of tracers followed him over and each line was a little bit behind him. And then one line jumped ahead. A little blue light showed on him then. For a moment he seemed to hover and then he fell, end over end, but slowly, and the blue light on him got larger and larger as he came down. The rest of the guns were after him as he came down. He landed about five hundred yards away and the moment he struck the water he broke into a great yellow flame, and then a second later he exploded with a dull boom and the fire was sucked down under the sea and he was gone.

“He must have been crazy,” the captain said, “to come in like that. Who got him?” No one answered. The captain called to the port turret, “Did you get him, Ernest?”

“Yes, sir,” said Ernest. “I think so.”

“Good shooting,” said the captain.


November 19, 1943

Torpedo boat 412 slipped southward. The moon seemed to hang in the sky and to have given up the idea of ever setting. Actually it was time in the mind that was slowed down. The muffles were still on the engines but the boat picked up a little speed, not the great roaring rush of the wide-open PT but a steady drumming that threw out a curving V of wake and boiled the water a little under the fantail. The captain said, “Keep your eyes peeled for the others. We don’t want our own people to smack us.” He went down into the little chart room again and studied his charts. Then he poked his head up and spoke to his First. “A port isn’t far off now,” he said. “Let’s get there. We might catch a convoy.” On top of his words there came a distant drumming of engines.

The First cut his motors still further to listen, and the speed of the 412 dropped. “I guess those are ours,” he said.

The captain cocked his head a little. “Something wrong.” he said. “Doesn’t sound right.” And he cocked his head on the other side, like a listening spaniel. “Ever heard an E-boat?” he asked.

“No, I haven’t. You know damn well I haven’t.”

“Neither have I,” said the captain, “but those don’t sound like PTs or MTBs to me.” He peered over the rail. The signalman had his blinker ready to make a recognition signal. The captain said quickly, “Kill the motor.” Through the milky light the E-boats came. They seemed to grow up out of the night, the misty shapes of them high-powered and unmistakable. The 412 drifted easily in the water.

The captain said hoarsely to the signalman. “Don’t signal, for God’s sake!” He was silent for a moment and there seemed to be E-boats all around. “Listen,” the captain said. ‘We’ve maybe got to make a crash run. I don’t know when.” (Ten lines deleted by censor.)

The E-boats moved slowly past. They must have seen the 412 lying uneasily in the moonlight. Perhaps it didn’t occur to them that a hostile craft would lie so still so near to their guns. The breathing of the crew was almost audible. The E-boats were nearly past when one of them, just on the chance, blinked. (One line deleted by censor.) The gunners brought down their barrels. The engines of the 412 roared and the boat leaped in the water. She stood up on her own crest and tore away. (One line deleted by censor.) Her wake in the last of the moonlight was creamy behind her. She whipped over the water like a gull. But the E-boats did not fire on her. They continued placidly on their way.

Five minutes of the run, and the First throttled down and the 412 settled back into the water and leveled out and the sound of her motors died away. “God Almighty,” the captain said. And he whistled to himself. “That was close.” (Three lines deleted by censor.) “Let’s lie here and get our breath. That was too close.”

The moon lay close to the water at last. In a few minutes it would be dark, deliciously dark, safe and dark. Then men stirred about nervously on the silent boat.

And then across the moon a dark shape moved and then another. “Good God,” the captain said, “there’s a convoy. That’s what the E-boats were for.” A large dark hull moved across the moon. “We’ve got to get to them,” the captain said excitedly.

“They’ll get us sure,” said the first.

“No they won’t.” (Three lines deleted by censor.)

He called his orders softly. The torpedo men moved to their places. The 412 turned silently and slipped toward the passing convoy. There seemed to be ships of all sizes, and the 412 could see them against the sinking moon and they could not see the 412. “That big one,” the captain said. “She must be at least five thousand tons.” He issued his orders and took the wheels himself. Then he swung the boat and called softly, “Fire!” There was a sharp explosive whisk of sound and a splash, and the torpedo was away. He swung again and fired another. And his mouth moved as though he were counting.

Then without warning the sea and the sky tore to pieces in a vomit of light and a moment later the 412 nearly jumped out of the water. “Run,” the captain shouted. “Run!” And the 412 leaped up on its fantail again and pushed its bow into the air.

The explosion was gone almost the moment it had started. There wasn’t much of any fire. It just subsided and the water closed over it.

“Ammunition,” the captain shouted. “Ammunition or high-test gasoline.”

But the rest of the fleet was not silent. The tracers reached out for the sea, and the rockets, even the flak rockets. The crossfire reached to sea and combed the sea and searched the sea. (One line deleted by censor.) Some time later the captain touched his First’s arm and the First pulled down the boat again. In the distance, as the moon went down, the E-boats were probably beating the ocean looking for the 412 or the submarine or whatever had hit their ship. But the 412 had got away. (One line deleted by censor.) The pitch blackness lay on the water after the moon had gone. Ocean and land and boat were blotted out.

“Let’s get the hell out of here,” said the captain. “Let’s get on back.”

A DESTROYER

November 24, 1943

A destroyer is a lovely ship, probably the nicest fighting ship of all. Battleships are a little like steel cities or great factories of destruction. Aircraft carriers are floating flying fields. Even cruisers are big pieces of machinery, but a destroyer is all boat. In the beautiful clean lines of her, in her speed and roughness, in her curious gallantry, she is completely a ship, in the old sense.

For one thing, a destroyer is small enough so that her captain knows his whole crew personally, knows all about each one as a person, his first name and his children and the trouble he has been in and is capable of getting into. There is an ease on a destroyer that is good and a good relationship among the men. Then if she has a good captain you have something really worth serving on.

The battleships are held back for a killing blow, and such a blow sometimes happens only once in a war. The cruisers go in second, but the destroyers work all the time. They are probably the busiest ships of a fleet. In a major engagement, they do the scouting and make the first contact. They convoy, they run to every fight. Wherever there is a mess the destroyers run first. They are not lordly like the battleships, nor episcopal like the cruisers. Most of all they are ships and the men who work them are seamen. In rough weather they are rough, honestly and violently rough.

A destroyerman is never bored in wartime, for a destroyer is a seaman’s ship. She can get under way at the drop of a hat. The water under fantail boils like a Niagara. She will go rippling along at thirty-five knots with the spray sheeting over her and she will turn and fight and run, drop depth charges, bombard, and ram. She is expendable and dangerous. And because she is all these things, a destroyer’s crew is passionately possessive. Every man knows his ship, every inch of it, not just his own station. The Destroyer X is just such a ship. She has done many thousands of miles since the war started. She has been bombed and torpedoes have gone under her bow. She has convoyed and fought. Her captain is a young, dark-haired man and his executive officers looks like a blond undergraduate. The ship is immaculate. The engines are polished and painted and shined.

She is a fairly new ship, the X, commissioned fifteen months ago. She bombarded at Casablanca and Gela and Salerno and she has captured islands. Her officers naturally would like to go to larger ships because there is more rank to be had on them, but no destroyerman would rather sail on anything else.

The destroyer X is a personal ship and a personality. She is worked quietly. No one ever raises his voice. The captain is soft-spoken and so is everyone else. Orders are given in the same low tone as requests for salt in the wardroom. The discipline is exact and punctilious but it seems to be almost mutually enforced, not from above. The captain will say, “So many men have shore leave. The first man who comes back drunk removes shore liberty for everyone.” It is very simple. The crew would discipline anyone who jeopardized the liberty of the whole ship. So they come back in good shape and on time. The X has very few brig cases.

When the AT is in a combat area she never relaxes. The men sleep in their clothes. The irritating blatting sound which means “action stations” is designed to break through sleep. It sounds like the braying of some metallic mule, and the reaction to it is instant. There is a scurrying of feet in the passageways and the clatter of feet on the ladders and in a few seconds the X is bristling with manned and waiting guns, AAs that peer at the sky and the five-inch guns which can fire at the sky too.

The crouched and helmeted men can get to their stations in less than a minute. There is no hurry or fuss. They have done it hundreds of times. And then a soft-spoken word from the bridge into a telephone will turn the X into a fire-breathing dragon. She can throw tons of steel in a very short time.

One of the strangest things is to see her big guns when they go on automatic control. They are aimed and fired from the bridge. The turret and the guns have been heavy dead metal and suddenly they become alive. The turret whips around but it is the guns themselves that seem to live. They balance and quiver almost as though they were sniffing the air. They tremble like the antennae of an insect, listening or smelling the target. Suddenly they set and instantly there is a belch of sound and the shells float away. The tracers seem to float interminably before they hit. And before the shells have struck, the guns are trembling and reaching again. They are like rattlesnakes poising to strike, and they really do seem to be alive. It is a frightening thing to see.

A RAGGED CREW

December 1, 1943

When the plans were being made to capture a German radar station on an Italian island in the Tyrrhenian Sea. forty American paratroopers were assigned to do the job, forty men and three officers. They came to the naval station from somewhere in Africa. They didn’t say where. They came in the night sometime, and in the morning they were bedded down in a Nissen hut, a hard and ragged crew. Their uniforms were not the new and delightful affairs of the posters. The jackets, with all the pockets, and the coarse canvas trousers had been washed so often and dried in the hot sun that they had turned nearly white, and they were ragged at the edges.

The officers, two lieutenants and a captain, were dressed in no way different from their men, and they had been months without their insignia of rank. The captain had two strips of adhesive tape stuck on his shoulders, to show that he was a captain at all, and one of his lieutenants had sewed a piece of yellow cloth on his shoulders for his rank. They had been ten months in the desert, and there was no place to buy the pretty little bars to wear on their shoulders. They had not jumped from a plane since they had finished their training in the United States, but the rigid, hard training of their bodies had gone right on in the desert.

There had been no luxuries for these men, either. Sometimes the cigarettes ran out, and they just didn’t have any. They had often lived on field rations for weeks at a time, and they had long forgotten what it was like to sleep in a bed, even a cot. They had all looked somewhat alike, and perhaps this is the characteristic look of the paratrooper. The eyes were very wide set, and mostly they were either gray or blue. The hair was cropped, almost shaved, giving their heads a curious egg look. Their ears seemed to stick straight out from their heads, perhaps because all their hair was cut off. Their skins were burned almost black by the desert sun, which made their eyes and their teeth seem very light, and their lips were ragged and rough from months of the sun.

The strangest thing about them was their quietness and their almost shy good manners. Their voices were so soft that you could barely hear them, and they were extremely courteous. The officers gave their orders almost under their breaths, and there was none of the stiffness of ordinary military discipline. It was almost as though they all thought alike so that few orders were necessary at all. When something was to be done, the moving or loading of their own supplies, for instance, they worked like parts of a machine, and no one seemed to move quickly, but there was no waste movement and the work was done with incredible speed. They did not waste time saluting. A man saluted his officer only when he spoke to him or was spoken to.

These paratroopers had as little equipment as you can imagine. There were some rifles, some tommy guns, and the officers had the new carbines. In addition, each man had a knife and four hand grenades, painted yellow, but they had had their grenades so long that the yellow paint was just about worn off. The rifles had been polished and cleaned so long and so often that the black coating was worn off in places and the bright metal shone through. The little American flags they wore on their shoulders were pale from sunburn and from the washing of their clothes. There was no excess equipment of any kind. They had what they wore, and they could carry. And for some reason they gave the impression of great efficiency.

In the morning their officers came into the conference to be instructed in the nature of the action. They filed in shyly and took their places at the long, rough table. The naval men distributed maps and the action was described in detail, part of it on a large blackboard that was set up against a wall.

The island was Ventotene, and there was a radar station on it which searched the whole ocean north and south of Naples. The radar was German, but it was thought that there were very few Germans. There were two or three hundred carabinieri there, however, and it was not known whether they would fight or not. Also, there were a number of political prisoners on the island who were to be released, and the island was to be held by these same paratroopers until a body of troops could be put ashore.

The three officers regarded the blackboard with their wide-set eyes, and now and then they glanced quietly at one another. When the discussion was finished the naval captain said, “Do you understand? Are there any questions?”

The captain of paratroopers studied the board with the map of the island, and he asked softly, “Any artillery?”

“Yes, there are some coastal guns, but if they use them we’ll get them with naval guns.”

“Oh! Yes, I see. Well, I hope the Italians don’t do anything bad. I mean I hope they don’t shoot at us.” His voice was very shy.

A naval officer said jokingly, “Don’t your men want to fight?”

“It isn’t that,” the captain said. “We’ve been a long time in the desert. My men are pretty trigger happy. They might be very rough if anybody shoots at them.”

The meeting broke up and the Navy invited the paratroopers to lunch in the Navy mess.

“If you’ll excuse us,” the captain said, “I think we’ll get back to the men. They’ll want to know what we’re going to do. I’ll just take this map along and explain it to them.” He paused apologetically and added, “You see, they’ll want to know.” The three officers got up from the table and went out. Their men were in the Nissen hut. The ragged captain and his lieutenants walked across the street, blinding in the white sunlight, and they went inside the Nissen hut and closed the door. They stayed a long time in there, explaining the action to the forty men.

VENTOTENE

December 3, 1943

The units of the naval task force made their rendezvous at sea and at dusk and made up their formation and set off at a calculated speed to be at the island of Ventotene at moonset. Their mission was to capture the island and to take the German radar which was there. The moon was very large and it was not desirable that the people on the island should know what force was coming against them, consequently the attack was not to be attempted until the darkness came. The force spread out in its traveling formation and moved slowly over the calm sea.

On a destroyer of the force, the paratroopers who were to make the assault sat on the deck and watched the moon. They seemed a little uneasy. After being trained to drop in from the sky their first action was to be a seagoing one. Perhaps their sense of fitness was outraged.

All along the Italian coast the air force was raiding. The naval force could see the flares parachuting down and the burst of explosives and the lines of tracers off to the right. But the coast was kept too busy for anyone to bother with the little naval force heading northward.

The timing was exact. The moon turned very red before it set, and just as it set the high hump of the island showed against its face. And the moment it had set the darkness was thick so that you could not see the man standing at your shoulder. There were no lights on the island at all. This island has been blacked out for three years. When the naval force had taken its positions a small boat equipped with a loudspeaker crept in toward the beach. From five hundred yards off shore it beamed its loudspeaker on the darkened town and a terrible voice called its proclamation.

“Italians,” it said, “you must now surrender. We have come in force. Your German ally has deserted you. You have fifteen minutes to surrender. Display three white lights for surrender. At the end of fifteen minutes we will open fire. This will be repeated once more.” The announcement was made once more—“… three white rights for surrender.” And then the night was silent.

On the bridge of a destroyer the officers peered at the darkness in the direction of the island. At the ship’s rails the men looked off into the darkness. The executive officer kept looking at his wrist watch and the night was so dark that the illuminated dial could be seen six feet away. Gun control had the firing data ready. The guns of the whole force were trained on the island. And the minutes went slowly. No one wanted to fire on the town, to turn the concentrated destruction of high explosive on the dark island. But the minutes dragged interminably on, ten — eleven — twelve. The green, glowing hands moved on the face of the wrist watch. The captain spoke a word into his phone, and there was a rustle and the door of the plotting room opened for a moment and then closed.

And then, as the minute hand crawled over fourteen minutes, three white rockets went up from the island. They flowed upward and curved lazily over and fell back. And then, not content, three more went up. The captain sighed with relief and spoke again into his phone. And the whole ship seemed to relax.

In the wardroom the commodore of the task force sat at the head of the table. He was dressed in khaki, his shirt open at the throat and his sleeves rolled up. He wore a helmet, and a tommy gun lay on the table in front of him. “I’ll go in and take the surrender,” he said, and he called the names of five men to go with him. “The paratroopers are to come in as soon as you can get them in the landing boat,” he said to the executive officer. “Lower the whaleboat.”

The deck was very dark. You had to feel your way along. The boat davits were swung out as they always are in action, and now a crew was lowering the whaleboat. They held it at deck level for the men to get in — a coxswain and an engineer were already in the boat. Five officers, armed with sub-machine guns, clambered over the rail and settled themselves. Each man had a drum of bullets on his gun and each wore a pouch which carried another drum. The boat lowered away, and just as it touched the water the engineer started the engine. The boat cast off and turned toward the shore. It was pretty much of a job of guess work because you could not see the shore. The commodore said, “We’ve got to get in and disarm them before they change their minds. Can’t tell what they’ll do if we give them time.” And he said to his men, “Don’t take any chances. Open fire if anyone shows the slightest sign of resisting.”

The boat slipped toward the dark shore, her motors muffled and quiet.


December 6, 1943

There are times when the element of luck is so sharply involved in an action that sense of dread sets in afterward. And such was the invasion of the island of Ventotene by five men in a whale-boat. They knew that there was a German radar crew on the island, but they did not know that it numbered eighty-seven men, all heavily armed, and moreover heavily armed with machine guns. They did not know that this crew had ammunition and food stored to last six weeks. All the men in the whaleboat did know was that the Italians had put up three white flares in the night as a token of surrender.

The main harbor of Ventotene is a narrow inlet that ends against a cliff like an amphitheater, and on this semicircular cliff the town stands high above the water. To the left of this inlet there is a pier and a little breakwater, unconnected with the land and designed to keep the swells from breaking on the pier, and finally to the left of the pier there is another inlet very like the true harbor, which, however, is no harbor at all.

The whaleboat with the five men in it approached the dark island and when it was close to the shore the commander shone a flashlight quickly and it showed a deep inlet. Naturally, he thought this was a harbor, and the little boat coasted easily into it. Then the light flashed on again and ranged about, only to discover that this was not the true harbor at all but the false inlet.

The whaleboat put about and headed out again and soon it came to what looked like a sand bar stuck out of the water. And again the light flashed out, and it was seen that it was a breakwater. Again the boat proceeded, but approximately ten minutes had been consumed in being slightly lost. The third try was successful and the little boat found the entrance of the true harbor and nosed into it. And just as the whaleboat put its head into the little harbor an explosion came from behind the breakwater, and there was the sound of running feet, and then from the top of the cliff there came another big explosion, and then progressively back on the hill more and more blasts.

There was nothing to do then but to go ahead. The whaleboat plunged into the pier and the five men leaped out. Behind the breakwater lay a German E-boat and beside her stood a German soldier. He had just thrown a potato-masher grenade at the E-boat to destroy and sink her. One of the American officers ran at him, and with one motion the German ripped out his Luger pistol and tossed it in the water and then put both of his hands over his head. The lancing light of a powerful flashlight circled him. The officer who had taken him rushed him to the whaleboat and put him under guard of the boat’s engineer.

Now a crowd of Italians came swarming down from the hill, crying, “Surrender, surrender!” And as they came they dropped their rifles on the ground, in an unholy heap. The commodore pointed to a place on the quay. “Stack them there,” he said. “Get everything you have and stack it right there.”

Now the landing was crisscrossed with lights. The five Americans stood side by side with their guns ready, while the Italian carabinieri brought their guns and put them in a pile. Everyone seemed to be confused and glad and frightened. The people wanted to crowd close to see the Americans and at the same time the ugly pig snouts of the tommy guns warned them back. It is not reassuring to be one of five men who are ostensibly holding a line against two hundred and fifty men, even if those men seem to have surrendered.

Every one of the Italians was talking. No one was listening. And no one wanted to listen. And then breaking through their ranks came a remarkable figure, a tall gray-haired old man dressed in pink pajamas. He stalked through the chattering, shouting ranks of the carabinieri and he said, “I speak English.” Immediately the shouting stopped and the ring of faces showed intensely in the flashlight beams. “I have been a political prisoner here for three years,” the old man said. For some reason he did not seem funny in his pink pajamas. He had a great dignity, even enough to offset his costume.

The commodore asked, “What were those explosions?”

“The Germans,” the old man said. “There are eighty-seven of them. They were set up with machine guns to fire on you when you entered the harbor, but when you landed troops in the false harbor and when you landed more troops on the breakwater they thought they might be surrounded, so they retreated. They are dynamiting as they go.”

“When we landed troops?” the commodore began, and then he shut himself off. “Oh, yes. I see,” he said. “Yes, when we landed troops.” One of the officers shivered and grinned at the commodore.

“I wish those paratroopers would come in about now,” he said.

“I wouldn’t mind it either,” the commodore replied. And he went on to the old man in the pajamas, “Where will the Germans go?”

“They’ll go to their radar station to destroy it. Then they have some entrenchments on the hill. I think they will try to hold them there.” And at that moment there came a very large explosion and a fire started back on the hill, a fire large enough so that it illuminated the little dock and the entrance to the bay. “That will be the radar station now,” the old man said. “They are very thorough. Too bad the troops you landed didn’t get there first.”

“Yes,” said the commodore, “isn’t it?”

More Italians came down the hill then and deposited their arms. They seemed to be very glad to let them go. Apparently they had never loved their guns very much.

On the dock the five Americans stood uneasily and the safety catches were off their guns, and their eyes moved restlessly among the Italians. The firelight from the burning buildings high on the hill made deep shadows in back of the dock houses.

The commodore said softly, “I wish those paratroopers would get here. If Jerry finds out there are only five of us, I wouldn’t give any odds on us.”

And then there was a sound of a boat’s motor and the commodore smiled with relief. The forty-three paratroopers were coming in to the shore. “Give them a light, coxswain,” the commodore called. “Show them where to come.”


December 8, 1943

The five men from the destroyer moved restlessly about the quay on the island of Ventotene which they had accidentally, and with five kinds of luck, captured. The paratroopers did not arrive. There was no sign from the destroyer standing off shore and minutes got to be hours. The dark town on the cliff became peopled with imaginary snipers and back on the hill where the Germans had retreated an occasional explosion roared as they blasted more installations. They didn’t know how many Americans there were, and there were five, and the Americans did not know how many Germans there were, and there were eighty-seven. This was very largely in favor of the Americans, because if the Germans had known — It is not a nice thing to dwell on.

Your impulse when you are alone and not knowing when you are going to be fired on out of the dark is to keep moving, to pace restlessly about and to be very timid about getting a light of any kind behind you. This pacing about is probably the worst thing you can do. According to Bob Capa, who has been in more wars and closer to them than nearly anyone now living (and why he is living no one knows), the thing to do is not to move at all. If you sit perfectly still in the dark, he argues, no one knows you are there. It is only by moving about that you give away your position. He also holds that under fire the best thing is to sit still until you know where the fire is coming from. This is a hard thing to do but it must be correct, because Bob Capa is still alive. But every instinct is toward shuffling about and leaving the place where you are. But getting a light behind you is the worst. It seems to burn you in the back and in your mind’s eye you can see what a beautiful target you are to someone out in the dark, you and that great black shadow in front of you.

There probably is nothing in the world so elastic as subjective time. There is no way of knowing how long it took for those forty-three paratroopers to get ashore. It may have been half an hour and it may have been three hours. It felt to the five men ashore like three days. Probably it was about forty-five minutes. The dark, hostile island and the dark water gave no comfort. But after an interminable time there was a secret little mutter of engines. Then out in the dark there was a little flutter of light. The boat was asking for directions. One of the officers on the quay got down on his stomach and leaned over the stone parapet and signaled back with his flashlight so that it could not be seen from the island. And at intervals he flashed his torch to guide the boat.

It came out of the dark abruptly: out of the pitch dark it slipped noiselessly and bumped gently against the quay. And it was one of those boats even the name of which the Navy will cut out if I put it in, but the important thing was that there were forty-three paratroopers on board. They seemed to flow over the side; they were very quiet. Their captain went to work instantly. He sent out pickets before he had been one minute ashore, and they slipped away up the hill to guard the approaches to the harbor. Some crept up into the town, armed with their rifles and grenades, and they occupied the tops of buildings, and others went down to the beaches to watch the seaward approaches. Meanwhile a little gangplank was ashore, and the supplies were coming down onto the quay in the darkness.

In the middle of this work there was a growl of a plane overhead. The captain of paratroopers gave a curt order and the men took cover. The plane droned over, and as it got offshore again the destroyer burst into action. She flamed like a flowerpot at an old-fashioned Fourth of July fireworks exhibit. Her tracers spread like a fountain. And then she was dark again and the plane was gone.

The unloading continued until there was a pile of goods on the quay, rations in cases and boxes of ammunition and machine guns and the light sleeping rolls of the paratroopers. They did not bring any luxuries with them. They never do. Food and ammunition are their main interests. They get along with very little else. But on Ventotene they brought water too, in those handled containers which are used for both water and gasoline. For Ventotene has no water. In other times water barges came out from the mainland. The only local water is that caught in cisterns during the rainy months.

When the supplies were landed the three paratrooper officers and the naval officers gathered in a little stone building on the waterfront. And an electric lantern was on the floor and the doors and windows were shut so that no line of light could show out. The faces were lighted from below and they were strained faces, with the jaw muscles pulled tight. The maps were out again.

“I’m not going to throw my men against a bigger force in the dark,” the captain of paratroopers said. “Jerry will be trenched by now. I’m not going to move until morning. We’ve only got half as many men and no artillery.”

An officer said, “Maybe — maybe we could talk them out of it. Let’s have some of the Italians in and see what we can do. The Jerry doesn’t know how many men we have or how many ships. Let’s think about that a little. It’s just barely possible we could talk them out of it.”

“How?” the captain asked.

“Well, would you let me go up with a white flag in the morning?”

“They’d bump you.”

“Would you let me try?”

“Well—”

“Might save a lot of trouble — sir—”

“We can’t afford to lose officers.”

“You won’t lose me. Just give me a nod.” The captain looked at him for a long time and then he smiled thinly and his head dipped, almost imperceptibly.


December 10, 1943

The lieutenant walked slowly up the hill toward the German positions. He carried his white flag over his head, and his white flag was a bath towel. As he walked he thought what a fool he was. He had really stuck his neck out. Last night when he had argued for the privilege of going up and trying to kid the Jerry into surrender he hadn’t known it would be like this. He hadn’t known how lonely and exposed he would be.

Forty paratroopers against eighty-seven Jerrys, but Jerry didn’t know that. The lieutenant also hoped Jerry wouldn’t know his guts were turned to water. His feet sounded loud on the path. It was early in the morning and the sun was not up yet. He hoped they could see his white flag. Maybe it would be invisible in this light. He kept in the open as much as possible as he climbed the hill.

He knew that the forty paratroopers were crawling and squirming behind him, keeping cover, getting into position so that if anything should go wrong they might attack and stand some chance of surprising the Jerry. He knew the fieldglasses of the captain would be on the German position, waiting for something to happen.

“If they shoot at you, flop and lie still,” the captain had said. “We’ll try to cover you and get you out.”

The lieutenant knew that if he were hit and not killed he would hear the shot after he was hit, but if he were hit in the head he wouldn’t hear or feel anything. He hoped, if it happened, it would happen that way. His feet seemed very heavy and clumsy. He looked down and saw the little stones on the path, and he wished he could get down on his knees to see what kind of stones they were. He had a positive hunger to get down out of line. His chest tingled almost as if he were preparing to receive the bullet. And his throat was as tight as it had been once when he tried to make a speech in college.

Step by step he drew nearer, and there was no sign from Jerry. The lieutenant wanted to look back to see whether any of the paratroopers were in sight, but he knew the Germans would have their fieldglasses on him, and they were close enough so that they could even see his expression.

It happened finally, quickly and naturally. He was passing a pile of rocks, when a deep voice shouted an order to him. There were three Germans, young-looking men, and they had their rifles trained on his stomach. He stopped and stared at them as they stared back. He wondered whether his eyes were as wide as theirs. They paused, and then a hoarse voice called from up ahead. The Jerries stood up and they glanced quickly down the hill before they came out to him. And then the four marched on. It seemed a little silly to the lieutenant, like little boys marching up an alley to attack Connor’s woodshed. And his bath towel on a stick seemed silly, too. He thought, Well, anyway, if they bump me our boys will get these three. In his mind’s eye he could see helmeted Americans watching the little procession through their rifle sights.

Ahead was a small white stone building, but Jerry was too smart to be in the building. A trench started behind the building and led down to a hole almost like a shell hole.

Three officers faced him in the hole. They were dressed in dusty blue and they wore the beautiful high caps of the Luftwaffe, with silver eagles and swastikas. They were electronics engineers, a ground service for the German Air Force. They faced him without speaking, and his throat was so tight that for a moment he could not begin. All he could think of was a green table; Jerry had three deuces showing and the lieutenant a pair of treys. He knew they had no more, but they didn’t know what his hole card was. He only hoped they wouldn’t know, because all he had was that pair of treys.

The Oberleutnant regarded him closely and said nothing.

“Do you speak English?” the lieutenant asked.

“Yes.”

The lieutenant took a deep breath and spoke the piece he had memorized. “The colonel’s compliments, sir. I am ordered to demand your surrender. At the end of twenty minutes the cruisers will move up and open fire unless ordered otherwise following your surrender.” He noticed the Oberleutnant’s eyes involuntarily move toward the sea. The lieutenant lapsed out of his formality, as he had planned. “What’s the good?” he said. “We’ll just kill you all. We’ve got six hundred men ashore and the cruisers are aching to take a shot at you. What’s the good of it? You’d kill some of us and we’d kill all of you. Why don’t you just stack your arms and come in?”

The Oberleutnant stared into his eyes. That what’s-in-the-hole look. The look balanced: call or toss in, call or toss in. The pause was centuries long, and then at last, “What treatment will we receive?” the Oberleutnant asked.

“Prisoners of war under Convention of The Hague.” The lieutenant was trying desperately to show nothing in his face. There was another long pause. The German breathed in deeply and his breath whistled in his nose.

“It is no dishonor to surrender to superior forces,” he said.


December 13, 1943

When the lieutenant went up to the Germans with his bath towel for a white flag, the captain of paratroopers, peering through a crack between two buildings, watched him go. The men hidden below saw the lieutenant challenged, and then they saw him behind the white stone building. The watching men hardly breathed then. They were waiting for the crack of a rifle shot that would mean the plan for kidding the Germans into surrender had failed. The time went slowly. Actually, it was only about fifteen minutes. Then the lieutenant appeared again, and this time he was accompanied by three German officers.

The watchers saw him walk down to a clear place in the path and there pause and point to the ground. Then two of the officers retired behind the white building again. But in a moment they reappeared, and behind them came the German soldiers. They straggled down the path and, at the place that had been indicated, they piled their arms, their rifles and machine guns, and even their pistols. The captain, lying behind his stones, watched and counted. He tallied the whole eighty-seven men who were supposed to be there. He said to his lieutenant, “By God, he pulled it off!”

And now a little pageant developed. As the Germans marched down the path, American paratroopers materialized out of the ground beside them, until they were closely surrounded by an honor guard of about thirty men. The whole group swung down the path and into the little white town that stood so high above the harbor of Ventotene.

Since Ventotene had been for hundreds of years an Italian prison island, there was no lack of place to put the prisoners. The top floor of what we would call a city hall was a big roomy jail, with four or five big cells. The column marched up the steps of the city hall and on up to the third floor, and then the Germans were split into three groups and one group was put into each of three cells, while the fourth cell was reserved for the officers. Then guards with tommy guns were posted at the doors of the cells, and the conquest was over.

The lieutenant who had carried the white flag sat down on the steps of the city hall a little shakily. The captain sat down beside him. “Any trouble?” the captain asked.

“No. It was too easy. I don’t believe it yet.” He lighted a cigarette, and his shaking hand nearly put out the match.

“Wonderful job,” the captain said. “But what are we going to do with them?”

“Won’t the ships be back tonight?”

“I hope so, but suppose they don’t get back. We can’t let anybody get any sleep until we get rid of these babies.”

A trooper lounged near. “Those Jerry officers are raising hell,” he said. “They want to see the commanding officer, sir.”

The captain stood up. “Better come with me,” he told the lieutenant. “How many men did you tell them we had?”

“Six hundred,” the lieutenant said, “and I forgot how many cruisers offshore.”

The captain laughed. “One time I heard about an officer who marched fifteen men around a house until they looked like an army. Maybe we better do that with our forty.”

At the door of the officers’ cell the captain took out his pistol and handed it to one of the guards. “Leave the door open and keep your eye on us all the time. If they make a suspicious move, shoot them!”

“Yes, sir,” said the guard, and he unlocked and opened the heavy door.

The German officers were at the barred window, looking down on the deserted streets of the little town. They could see two lonely sentries in front of the building. The German Oberleutnant turned as the captain entered. “I demand to see the colonel,” he said.

The captain swallowed. “Er — the colonel? Well, he is engaged.”

For a long moment the German stared into the captain’s eyes. Finally he said, “You are the commanding officer, aren’t you?”

“Yes, I am,” the captain said.

“How many men have you?”

“We do not answer questions,” the captain said stiffly.

The German’s face was hard and disappointed. He said, “I don’t think you have six hundred men. I think you have only a few more than thirty men.”

The captain nodded solemnly. He said, “We’ve mined the building. If there is any trouble — any trouble at all — we’ll blow the whole mess of you to hell.” He turned to leave the cell. “You’ll be taken aboard ship soon now,” he said over his shoulder.

Going down the stairs, the lieutenant said, “Have you really mined the building?”

The captain grinned at him. “Have we really got six hundred men?” he asked. And then he said, “Lord, I hope the destroyer gets in tonight to take these babies out. None of us is going to get any sleep until then.”


THE END.

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