Painted Ladies

50

Kurt studied me for a moment. We were about the same size, but he didn’t seem daunted. I speculated that they were trying to get me to draw my gun so they could shoot me and claim self-defense. It didn’t matter. I wasn’t going to draw my gun. My frustration content was saturating. I needed to hit somebody, and Kurt looked good for it.

Kurt shuffled toward me with his left foot forward and his hands held loosely up on either side of his head. So he had some idea what he was doing. On the other hand, I did, too, and I’d been doing it longer. He swung his right leg up and across in a martial arts-type kick. I stepped inside it, close to him, so not much of the kick got me, and hit him in the throat with the crotch between the thumb and forefinger of my right hand. The guy who taught me the punch called it “the tiger’s claw.” Kurt grunted and spun away from me, and settled back into his stance. Some people fell down when I hit them that way. I slid toward him with a left jab, which landed well, and a right cross, which landed even better. Kurt bobbed and wove a little and hit me on the chin with the heel of his right hand. It backed me up a couple of steps, and he came after me. I blocked a left and then a right, and feinted a straight left to his face. He brought his right arm across to block it, and I looped a big left hook over the block and nailed him on the right cheekbone. He staggered. That was encouraging. But he didn’t go down.

I followed with a right uppercut, which would have ended it, but he leaned away from it and it missed. My right side was exposed, and Kurt hammered a solid left hook into my ribs. I turned with the punch so I was at right angles to him and came around with my right elbow and hit him in the temple. He staggered again, and I heard his breath exhale in a kind of snort. I had him if I was quick. I went with the flow and followed the right elbow with the left forearm, then a left back fist and a right cross. All in rhythm. Everything was loose now and warm and moving as it should. I hit him with a left hook to the body, right hook to the body. He stumbled backward. I stayed on him. Left to the body, right to the body. His hands dropped. Left hook to the head. Right hook to the head. His hands were hanging at his sides now. It was like hitting the heavy bag. I jabbed him again in the face, and then turned my hip and brought the right uppercut that had missed before. He was too far gone to slip it this time, and it caught him square. He took another step backward. His legs gave out. And he sat suddenly on the floor, and his eyes rolled back in his head.

My hands hurt.

I looked at Ariel Herzberg.

“You think they’ll put my statue outside the Museum of Fine Arts?” I said.

“Kurt is good,” Ariel said. “Which means you’re very good.”

“Keep it in mind,” I said.

“It is a temporary triumph,” he said. “Enjoy it while you can.”

I walked to his desk and took hold of his nose and sort of shook his head for him.

“So far, I like my chances better than yours,” I said.

And I left.