Personal

FORTY

When we got close I started to recognize some of what we had seen from the minicab, the second one, the one properly pre-booked on the telephone. I had seen some of the streets before, suburban but compressed, a little busier and narrower and faster than they really wanted to be. I remembered some of the stores, even. Carpets, cell phones, chickens, cheeseburgers, kebabs. And then the sudden green space, and the fine old house, and the crazy wall, still shouldering London aside after all these years.

The same squat tough guy was on duty at the gate, with his Kevlar vest and his sub-machine gun. Bennett nodded to him, and the guy took a step towards the gate, but his gaze fell on me, and he came back and said, ‘You’re the gentleman with the guidebook. Sixpence to see the grounds. Welcome back, sir.’ Then he set off again and opened up. No radio check, no paperwork. No badge. Just a nod and a wink. The guy was in combat gear, basically, but it was blue, and it had Metropolitan Police on it here and there, embroidered on tapes and silk-screened on Kevlar, subdued order, with black thread and black ink, plus monochrome versions of their helmet shields, like corporate branding, so I had no doubt the guy was a cop, but equally I had no doubt Bennett wasn’t, yet Bennett was nodding and winking and the guy was hopping right to it.

It’s all pretty fluid at the moment.

We drove the length of the driveway, and parked on the gravel near the door, where there was another armed policeman on duty. The house jutted in and out in places, where afterthought additions and extensions had been tacked on, but it was basically rectangular, much wider than it was deep. Not that it would be cramped from front to back. Far from it. I was sure it would be plenty spacious. But the proportions were dominated by the long, scattershot facade. No question about that. The place looked like four shoeboxes laid end to end. Maybe oak trunks long enough for front-to-back rafters were hard to find in Queen Elizabeth’s time. Her dad had just built the Royal Navy. Lots of oak ships. Whole forests had been cut down.

We got out of the car, and Bennett nodded to the second cop, who nodded back, and then Bennett hustled us inside, impatiently, like he was embarrassed to be seen with us in public. Or maybe he was worried about rifle sights. Maybe he didn’t want to stand next to me in the open. He had survived Paris, and he didn’t want to get nailed in London.

The door was most of a tree, nearly five hundred years old, banded with iron and studded with nail heads as big as golf balls. Inside I saw dark panelling, almost black with age, waxed and gleaming, a worn flagstone floor, and a huge limestone fireplace. There were oak settles and tapestry chairs, and electric bulbs in iron candelabra. There were oil portraits of solemn-faced men in Tudor costumes. Bennett took a right-hand corridor, and we followed him, ultimately into a room that had been modernized with white paint and an acoustic ceiling. Beyond it was another room, similar, but smaller, with a large door in its end wall.

Bennett said, ‘That’s the side entrance. That’s where your president’s tent will be. We imagine they’ll all use it. From there they can come through here, with secure onward access to anywhere they need to be. Every room has natural light, but they’re all big, and all seating is in the centre, so in no case does anyone need to get close enough to the windows to be visible from outside. The impromptu walks on the lawn and the photograph are the only points of weakness.’

We walked back the way we had come, but we took a right-hand turn well before we got to the hallway, into another corridor, this one with a creaky wide-plank floor, which led to a narrow room laid out left to right in front of us, which had nothing in its far wall except French doors, not at all correct for the period, all glass from top to bottom, with the patio beyond.

Bennett said, ‘They use this like an anteroom. They come in, they line up, they count heads, they make sure they’re not leaving someone locked in the bathroom. Then they step out.’

I stood there for a second, where they would, as if I was one of them, and I looked ahead through the glass. We were right of centre, in terms of the building’s symmetry, and the patio was built in a gentle curve, which meant we would be stepping out somewhat to the side of the deepest part. Which was OK. It would make the collegial cluster look geometrically authentic, rather than politically desperate. And it meant the shallow steps to the lawn were slightly closer, which would give the short guys less distance to hustle the tall guys. Presumably the photographers would be penned to the right, which meant the house would be at an angle in the background, which was better than a head-on brick wall, like a mug shot.

I put my hand on the handle, and I wondered if I had sold them short, by imagining their forced guffaws and their fake bewilderment, at having to change gears so quickly. Maybe it wasn’t fake. In the tent, in the side door, through the secure access, not close to a window, these guys lived with close-order security every minute of their lives, maybe to the point where stepping out to an open-air patio was indeed a bewildering thing to do. Stepping out, shuffling slowly, head high, eyes nowhere except on some other guy equally scared, then standing still, facing front, chest out, smiling, not moving, a high sky above, and who knows what in the distance.

It’s not the same with a sniper out there.

I opened the door, and I stepped out, and I stood still.

The early morning air was cold and a little damp. Underfoot the patio was made of mid-grey stone, which was worn with age and smoothed by rain. I walked to the exact centre of the paved area, and I stood straight and faced front, and then I turned half left and stared in that direction, and then back to the right, and then I walked slowly forward to the lip of the steps to the lawn, like a diver at the edge of the board, and I stood with my hands behind me, chest out, head high, like I was in a photograph, or in front of a firing squad.

Ahead of me was a broad sweep of lawn, and then the back wall, and then a scrubby piece of common land, and then a safety fence, and then the M25 motorway, which could have been eight lanes at that point, rushing right and left in the far distance. And right there and then I abandoned Bennett’s motorway idea. No just-in-time delivery. Not a viable location. Traffic was fast and heavy. Heavy in the sense of flow and per-minute density, and heavy literally. Some of the trucks were huge, and the biggest were in the inside lane, and they were all going fast, immense rushing bludgeons through the air. Trees far beyond the shoulder were thrashing about. A parked truck would be battered by slipstream. A platform built high inside would feel it badly. It would rock and judder, more or less continuously, with peaks and troughs at unpredictable intervals. Range would be about three-quarters of a mile, which meant a rock or a judder worth the thickness of a dime would see them miss the house altogether. Not a smart spot. Dismissed.

But could a parked truck let two guys out, to make their own way forward?

No point. There were no viable firing positions anywhere between the house and the motorway. None at all, short of propping a ladder against the back wall, and aiming over it. Which would be discouraged, no doubt, probably by squat tough guys in Kevlar vests.

All safe dead ahead.

In which respect the pizza-slice shape of the site was a bonus. It meant the safe zone was not just dead ahead. It curved around sideways, and generously, both directions, to my left and my right, in a big, empty sweep, from maybe ten on a clock face all the way around to two.

The pizza-slice shape also meant the streets flanking us were not parallel. They ran away from us, one to the left and one to the right, like the spines in a fan. Which was good, at first glance. It meant the more distant the house, the more extremely oblique its line of sight would get, to the point where maybe we could eliminate some buildings altogether. A sniper could hardly hang out a window and aim more or less parallel to the glass, like riding sidesaddle.

But at second glance it was too good, because the angle exposed us to just as many side windows as front windows. You win some, and you lose some. I checked everything I could see, on the north side first, then the south, from about eight hundred yards out to sixteen hundred, which was thousands and thousands of windows, most of them winking the dawn sun back at me, in a ragged linear sequence, with moving spots of pink, first one street, and then a jump to the next, as if the neighbourhood had been built by ancient astronomers for solar celebrations.

In the end I figured the south side was worse than the north. It was denser, and on balance it had taller buildings. I picked one out at random, about fifteen hundred yards away, most of a mile, a tiny thumbnail, a tall, narrow house, red brick and handsome, with a steeply pitched roof. It looked like it had all kinds of attic rooms. And maybe actual attics. A dislodged roof tile would work as well as an open window. I pictured John Kott, prone on a flattened bedroll, on a board laid across rafters above a top-floor plaster ceiling, with a chink of light ahead of him, where a tile had been slipped sideways, unnoticeable from the outside, too high, and just one of many. We had gales last winter, Bennett had said, in his sing-song voice.

I pictured Kott’s eye, patient and unblinking behind the scope, the inch-wide crack in the roof giving him twenty yards side to side, at the far end of the deal. I pictured his finger on the trigger, relaxed but ready to squeeze, through the slack, pausing, then moving again, like clicking a tiny mechanical switch, the quiet tick of a precision component, causing an immense chemical explosion, the recoil bucking, the bullet launching on its long, long journey. More than three whole seconds in the air, one thousand, two thousand, three thousand, half an inch wide, like a human thumb, flying like a missile, straight and true, subject only to the immutable effects of gravity and elevation and temperature and humidity and wind and the curvature of the earth. I stared at the distant house and counted three long seconds in my head and tried to picture the bullet’s flight. It seemed as if I should be able to see it coming. Straight at me. Like a tiny dot, getting bigger.

Flash one thousand two thousand three thousand game over.

Which is when I knew.

More than three whole seconds in the air.