I would like to thank Sheila Halladay and Dominick Abel for reading and commenting on early versions of the manuscript, and my editors Dinah Forbes, Carolyn Marino and Carolyn Mays for doing such a wonderful job on the final version. The copyeditors certainly had their work cut out, too, and came through with flying colors.
They say that if you remember the sixties you weren’t there. I was, so I could hardly rely entirely on memory for the sections of this book that take place in 1969. Jill Bullock, Communications Coordinator of the Alumni and Development Team at the University of Leeds, proved to be a mine of useful information. Kenneth Lee and Paul Mercs, who were both also there, shared some interesting stories with me, some of which could be repeated in the book. Among the many books I read and DVDs I watched, I would like to single out Jonathon Green’s account of the period, All Dressed Up, and Murray Lerner’s documentary on the 1970 Isle of Wight Festival, Message to Love.
A special thanks to Andrew Male, Deputy Editor of MOJO, for interesting conversations and information about some of the more obscure elements of late-sixties music, and for letting me be a fly on the wall in the office. Thanks also, as ever, to Philip Gormley and Claire Stevens.
I also have special thank-yous for Dr. Sue, of the Calgary Wordfest volunteers, for the doctors, staff and paramedics of Mineral Springs Hospital, Banff, and for Drs. Michael Connelly and Michael Curtis, along with the nurses and staff of the cardiac unit of Foothills Hospital, Calgary, without whom Piece of My Heart might have taken on a whole new meaning altogether! Also, thanks for Janet, Randy, Matthew, Jonathan and Megan for a home away from home.