SIX

Sylvester Pier’s fingers clawed in vain at the noose drawn tightly around his neck.

He hung from the ceiling, feet just inches from the floor, eyes bulging hideously. The other end of the rope had been passed through a hook embedded in the ceiling of the tenement room and Jonathan, in controlled rage now pulled down on it, keeping Sylvester Pier in the air. Pier had betrayed him and would pay for it with his miserable life.

Meanwhile, the childlike grave robber suffered in his last seconds on earth. Pain and a lack of air had turned his pleasant face blood red and ugly. He rasped through his open mouth, in a total panic to breathe again and Jonathan, sensing his agony, pulled harder. The two were alone in a shabby room whose only comforts were a pile of straw for a bed and a tin bucket of burning charcoal for light and heat. Sylvester Pier, along with Hamlet Sproul and Tom Lowery, had taken what belonged to Jonathan and for that, all three would die. The three grave robbers would be a sacrifice to Asmodeus, to buy Jonathan time in his frenzied attempt to survive the demon.

Brainless Sylvester Pier. Happy when someone else was thinking for him, leaving him free to stroll Manhattan’s muddy streets in uniforms stolen from drunken military men.

Pier kicked the air and felt the darkness squeeze his brain tighter and tighter. The noose dug into his neck, making his ears ring and giving him pain that was complete, unrelieved and his eyes would not stop watering. Air. For the love of Mary and Joseph, let me breathe. His gray mongrel dog lay on its side, breathing slowly for it suffered as well. Jonathan had kicked it several times with a booted foot, crushing ribs on its right side, driving sharp ends of broken bones into the dog”s entrails and the dog had lay down to die.

“I want you to know why you are dying.” Jonathan pulled harder, jerking the young grave robber higher in the air. “You are scum, the three of you. I set you an important task and you betrayed me. Here is my answer.”

Jonathan eased his grip on the rope, letting Sylvester Pier’s feet barely touch the dusty wooden floor. Let him think he will live. Let him think that I have been weakened by mercy. Let his agony be prolonged.

Sylvester Pier, standing on tiptoe, greedily sucked in air. The rusted sword that was part of his uniform slipped from his belt and clattered to the floor. Air. He felt as though he’d been without it for a long, long time. He’d come to this decaying, abandoned building because of a message received from Edgar Allan Poe. Come alone ten tonight. First house, Worth Street. Third floor, corner room. Important we talk. Trust me, your gain. E. A. Poe.

Your gain. Message and Mr. Poe’s black bordered card had been folded around an eagle coin and slipped to Sylvester Pier at a crowded dog fight. After betting the ten dollars and losing, Pier had left to keep his appointment with the little poet, whom he liked.

In full naval officer’s uniform and with his dog in his arms, Sylvester Pier had stepped into the dark room and been struck on the head. When he regained consciousness, he was dangling from a rope connected to a ceiling hook where a chandelier had once glittered in days when the slum tenement had been a grand Dutch mansion.

Jonathan jerked hard on the rope, again sending Pier into the air. “I want you to know why you are dying. You, Sproul and Lowery were hired to do a job for me. Instead, you satisfied your own greed and turned from me and I cannot allow that to go unpunished. There will be no disobedience, especially by such as you.”

Caught between an unwillingness to believe what was happening to him and an increasing horror at how near he was to death, Pier tried to say the word why.

Jonathan sensed this. He smiled.

“Mr. Lazarus,” he said and pulled down on the rope as hard as he could.

When Sylvester Pier was dead, Jonathan released the rope, letting the body fall to the floor. From down in the narrow, muddy street a Hot Corn girl lifted her voice in song.

“All you that’s got money

Poor me that’s got none

Come buy my lily hot corn

And let me go home.”

Jonathan could not go home yet. The sacrifice to Asmodeus must be made and that meant Sylvester Pier still had a role to play. From under his cloak, Jonathan produced a surgeon’s scalpel. Dropping to his knees beside the body, Jonathan pulled open Pier’s naval officer’s tunic, revealing a red undershirt. With one quick move, the undershirt was slashed, baring the grave robber’s hairless chest.

By the tiny light from the bucket of burning charcoal, Jonathan used the scalpel on Sylvester Pier.

And the Hot Corn girl sang.

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