Probable Claws

15

January 13, 2017

Friday

“How do you remember everything?” Harry tagged after Marvella, clipping along.

“Good sense of direction,” the imperious woman replied then smiled just slightly. “And I am here two times a week, if not three, and I studied the building plans before the addition was added.”

“Um. I’m still impressed.” Harry was.

“I should think you would have focused on sporting art when you were an Art History major.”

“Sporting art hid under a cloud, plus I was at Smith. Everyone wanted to discuss modern art. And there was always the Impressionist contingent. I never fit in.”

“Good for you. People who never fit in are more interesting.”

“You fit in. Marvella, you run Richmond.” Harry laughed.

Marvella stopped at the top of the stairway, a stairway baffling to Harry because she didn’t remember it. “Yes. And no. The color of my skin, a factor over which I have no control, same as gender, created a standing outside, for lack of a better word, view. I certainly wasn’t embraced when Tinsdale and I, newly married, moved here. But times change, we change. Being outside, having to think twice, so to speak, made me more resourceful, better able to look into people’s motivations.”

“I never thought of that.”

“You didn’t need to.” She reached for Harry’s hand as they descended the steps, Harry’s other hand on the guardrail. “I often wonder would I be the person I am if I had not endured institutionalized oppression? I doubt I would be. I think I’d miss more. Pierre and I used to talk about this all the time.” She named her recently deceased brother.

“He didn’t leave detailed directives concerning his art collection, did he?” Harry knew how good Pierre’s collection was, and it was a hundred-eighty degrees opposite his sister’s tastes.

Marvella sighed. “I’ve been working on it. There are places one would like to donate a fine painting, but the school or small gallery doesn’t have the means to support it, protect it.”

“Aren’t you tempted to donate his collection to the Virginia Museum of Fine Arts? Especially after all the work you’ve done here.” Harry and Marvella reached the bottom of the stairs, Marvella dropped her hand.

“I am. I will, but I still must sort through it. I’d like some works to go to Howard, our joint alma mater. The Art History department is excellent, but everyone wants to be a lawyer, a politician, or a businessman now. I can’t stand it,” she said with feeling.

Harry tweaked her. “You’re married to one of the most powerful lawyers in the mid-South.”

Marvella twirled her hand. “Don’t I know it. When he talks to me like one of his business partners I let him have it.” She grinned. “I tell him he can go home from his business partners but he’d better pay first attention to me. Talk to me like your wife. He hears that.”

“Bet he does.” They walked toward the dining room on the second floor.

Once again Harry wasn’t sure how they had arrived at this point. She was certain that the sporting collection, one of the finest anywhere in the United States, was on the same floor around the corner. It wasn’t.

“Do you ever have to put Fair in his place?”

“No. It’s usually the other way around. I drift.”

“You know what Tallulah said. ‘I used to be Snow White but I drifted.’ ”

The two women laughed as the maître d’ inclined her head, showed Marvella her table. No waiting. No anything. When Marvella showed up, people jumped.

After ordering a light lunch, Marvella looked out the expansive windows. “I like winter. You see the bones.”

Harry knew exactly what she meant. “Me, too.”

“All right. Back to Smith. You focused on Medieval Art.”

“Not very many of us but the purity of it drew me. Most all of it is religious, or paintings of kings and queens. I love the colors. I love that each work should tell a story or celebrate a king. It’s right there in your face.”

“True. I never thought of that.” A smartly dressed man, perhaps mid-forties, walked up to the table. “Sean.” She extended her hand. “This is Harry Haristeen. She was invaluable in solving my brother’s murder.”

“A sorrowful task. Pierre was a man of many parts.” Then he beamed at Marvella. “As is his sister. I didn’t mean to disturb you but I have been thinking about your idea. Talked it over with Dad. We are very interested. Dad’s not getting around too much these days. Would you come over to the house?”

“I’d love to. I’ve put some of the available works on a thumb drive. Do you have a way to show him the paintings?”

“Do.” He picked up her hand, lightly kissing it. “You could talk a dog off a meat wagon, you know.”

“You flatter me but, Sean, something like this does have political value. Especially in these times. You understand these things.”

Pleased with the compliment, he subtly raised an eyebrow. “Tuesday? I’ll call. Dad is free Tuesday.”

“I’m very excited. I think you will be, too.”

“Pleased to meet you, Miss Haristeen.” He slightly bowed to her, very slightly, very Southern, and left.

Marvella glowed. “I’ll give you a copy. Said I would. Some of the work is quite extraordinary. One thinks of Russia separate from Europe, languishing in the far northern latitudes. But over the last three centuries, even with the interruption and destruction of the arts by the Soviets, the artists were as polished as any European nation. It’s quite extraordinary.” She paused. “A thumb drive is easier than all those catalogs.” She then said, “That was Sean Rankin.”

“I figured that out and I forgot to tell you when we spoke by phone that a fellow who used to work for Rankin Construction was murdered last week. Gary Gardner.”

“I’m afraid I don’t know him, but I’m sorry to hear he was murdered.”

“He was designing a special workshed for me. He said he wanted to build La Petite Trianon but I was too practical.” Harry smiled. “Anyway, he was an architect, obviously, and designed some of the early high-rise buildings here. Left in 1984 to come to Crozet. Said he grew tired of building big boxes.”

“Sean’s father was one of the early proponents of modern architecture, modern materials. Of course, the early stuff was and remains hideous. Just hideous. Not just here but everywhere.”

“The fads turned me away from perhaps appreciating the work as much as I might. When I was in grade school the rash of reflecting buildings began. Shiny windows in bronze or light blue or like mirrors. They are still being constructed,” Harry said.

“Well, who is to say that flying buttresses weren’t a fad? However, they have stood for more than a thousand years.”

“They have.” Harry smiled.

“Given Richmond’s building codes, the new structures will stand. Unfortunately, most are undistinguished.”

“Everywhere, don’t you think?”

Marvella nodded. “One of the ways I know buildings are well constructed here is when the Kushner Building was torn down it proved difficult. It was built by Rankin back in the eighties. They will be building the replacement, the Cloudcroft Building. Forty stories. A Z shape. Very unusual with green space along the spine of the Z. At least it’s imaginative.” She exhaled.

“Was there resistance?” Harry’s curiosity awoke.

“On traffic problems, the time it will take to build the thing. A tax break for Cloudcroft for bringing business to Richmond has some people infuriated. They want tax breaks for themselves. We even have a group that is opposed to changing the Richmond skyline. I was unaware that there was one.” She slyly smiled.

“The Federal Reserve building.” Harry smiled back. “That really is about it. Take comfort in saving the tobacco warehouses.”

“I do, but they are rarely above two stories. I take that back, some were large, down by the river where the tobacco was held before being shipped out. I quite like them.”

“Save the skyline,” Harry mused, returning to the skyline complaint.

“Almost forgot. There is an environmental criticism but I don’t know their exact problem. I would think we’ve done all the environmental damage we can do.” Marvella laughed.

On and on they talked, bouncing between current events, the spiritual meanings of colors in medieval art, Marvella’s urging Harry to travel to other museums, perhaps even to once again take classes.

They became quite entranced by the thought of what perspective in art meant, how it changed painting, the movement of the eye.

After all this, Harry followed Marvella to the gorgeous, understated old home that she and Tinsdale owned right on Monument Avenue, where she picked up the thumb drive.

As Harry stood by the door to go home, Marvella encouraged her. “Now you call me the minute you see them. I must hear what you think.”

“I will. You’ve made me curious about Cloudcroft. A Z structure.”

Marvella waved her hand. “You’ll see for yourself. Next visit. If the weather’s good we’ll walk to the excavation. On the outside wall Rankin has painted the building’s exterior, the landscaping for the green spaces. The wall surrounds the big dig. Each side has a painting. One is the interior, a look at the glamorous lights. Another is the penthouse. The last one is the Richmond skyline with the Z lit up. That word again. Skyline.”