Prototype

Twenty-Four

Word spread fast: Graham announced that not only did he plan on unveiling a new piece — his largest and most complex yet, he promised — but tonight would be a first. Tonight he would actually confer a name on something.

Adrienne and Sarah both thought it significant. All those paintings and not a one of them named … like illegitimate children he might have been ashamed of and would rather have forgotten. Perhaps he was entering a new phase. Like Picasso and his blue period, maybe Graham was leaving his bastard-offspring period behind. Although they might as well offer Vegas odds on what lay ahead. Nina thought it had something to do with whatever he was keeping locked in that storage room, and was being so secretive about.

Graham said he didn't want to do it until everyone could be there, which included Uncle Twitch, so that meant they would have to wait until he got off work. From there it was a short hop to the suggestion that they all pass the night at The Foundry.

Did she really want to be here? Adrienne had yet to decide, every decision borderline these days, it seemed, not necessarily to be trusted. Ulterior motives might be veined beneath their surfaces.

The Foundry was the same, always the same, claustrophobic and smoky and dank, thudding with enough force to twitter the stomach, and packed with Sarah's tribes of discontent and disillusion. The wall screens dished up one silent, ghastly image after another; at the moment, one was flashing excerpts from what appeared to be an old precautionary film on industrial accidents. The camera zoomed blandly in on the hand of an ashen-faced blue-collar worker being treated at a first-aid station. One finger was flayed to the bone, as if it had been ground down in a pencil sharpener.

"I put in a special request for this tape tonight," Graham was saying. "Twitch told them it was my birthday."

"How many birthdays does that make this year?" Nina asked.

"Five. They never remember."

"They would if they gave free drinks on your birthday," said Erin.

Sarah leaned forward, elbows on the table, too far away for anything less than a shout. "Any significance to this particular tape?"

He slid back in his chair and watched, eyes either reverent or half-drunk, it was difficult to decide. How did he view this? More carnage, a twisted leg broken in at least three places, the bends agonizing to contemplate. The screen was the mirror of the soul? Maybe that was the key to Graham's fascination.

"It makes me think," he said. "I always wonder what the accidents sounded like. You know how bone conducts sound? I always wonder what sound these poor dumb fuckers heard that nobody else around them could hear."

"Well, I'll tell you what they heard the next day," Erin said.

"What's that?"

"Weeping insurance agents."

Most of them laughed, a good mean chuckle at the expense of State Farm and Prudential, which suddenly struck Adrienne as a telling moment. They liked tragedy and misery because of the purely random element inherent in them. Suffering was a great equalizer, respecting no money or status. If they could never aspire to the success they saw flaunted around them, what perverse comfort it must be to see that success was no insulation from life's cruelties.

This they'd understood long before she had.

Adrienne found her eyes returning over and over to Nina, who had undergone another of her metamorphoses. Gone were the red dye and scarves and flamboyant gypsy skirts. Her thick hair hung straighter now, black, and she wore a flowing sari draped about her chunky body. A tiny, jeweled bead glittered at the side of one pierced nostril. She looked like the world's palest Hindu.

"How does she manage to pull this off?" Adrienne asked Sarah, discreetly, once Nina had gone to the bar. "She should look ridiculous but she doesn't."

Sarah beamed. "It's the weirdest thing, isn't it? Don't you think it must be that deep down she adopts something of whatever it is she takes on? She never seems to be playing a role."

"A serial multiple personality."

Sarah frowned, cocking her head. "That's a bit severe —"

"I'm joking."

When Nina returned with drinks, she toasted to celebrate resuming her creative endeavors with mutant children's literature.

"I know what I was doing wrong with the first ones," she said. "I really was writing for kids and trying to be as honest with them as I could be, and that's why it never went anywhere."

"Better the little brats learn the awful truth now, huh?" Graham perked up with a cockeyed laugh. "That'll teach you the value of honesty."

"Right, right!" Nina squeezed his arm, delighted. "See, he gets it! So what I decided I should do is write satirical children's lit for adults who know better now."

"I like this," said Clay, laughing. It was the closest thing to enjoyment she had seen in him for too long. "You've already started one, haven't you. I can tell."

Nina's head bobbed with excitement. "It's a sadomasochistic fantasy on the high seas. The Slave Ship Lollipop."

Even Adrienne laughed at the idea; and Sarah, well, forget it: Sarah was howling.

"You can publish a whole line," Adrienne told her, inspired, or maybe it was the gin, "and call the series Crib Death."

Definitely the gin, but maybe she had needed that for a while. Two parts gin to one part anxiety, then stir. Things did feel better now, looser, and it didn't even seem so sad to think that Nina's latest scheme was surely doomed to failure, like the rest. How undaunted she seemed, something noble in the way she flung herself headlong into new identities, new projects, without a trace of bitterness over the past. If only she could hang onto that. Seeing Clay more comfortable than he had been since Fort Collins made her wonder if being around Nina was actually therapeutic for him.

He sat on Erin's right, Graham to Erin's left, she between the two of them like a mediator. Clay had told Adrienne there hadn't been anything much between him and Erin since that pathetic Friday night, neither one mentioning it since, skirting the matter like a secret shame. He had confessed maybe it was better that way, maybe she would gravitate toward Graham and they both would be happier for it. And himself?

What's a little more solitude to an emotional hermit? he had said. She'd told him to can the self-pity and take a risk.

She was starting to feel the slightest bit unsteady in her chair when Erin leaned over to touch her arm, a moment Erin looked as if she had been waiting for. She scooted across a seat Adrienne realized was now empty, Clay and Graham having disappeared. Erin waved toward the dance floor, where things had turned très savage.

"Whenever Twitch plays anything by Skrew," she said, "they can't resist." Watching for a moment, the two of them out there, underfed and only partially visible, colliding repeatedly with each other while the stale air was rent with shreds of growling thunder. "It's like those nature films they shoot up in the Rockies, with the bighorn sheep butting heads."

"Over you?" Adrienne asked.

Her smile was a shy flicker. "It'd be flattering to think so. But they probably would anyway." Erin tried to laugh and it came out very wrong. "I wanted to ask you something."

Adrienne nodded, blinking to clear her eyes. This sounds serious and I have no business hearing serious right now —

Erin checked beyond their huddle to make sure it would go no further; Sarah and Nina were in their own little animated world.

"If," she said, "if I can convince him to do it, do you think you might, like … talk to Graham? You know … privately? Like you do with Clay?"

"I suppose I could spend a little time with him," she heard herself saying. "But it would be better if I helped him get with someone who could be more impartial. With that triangle between you and him and Clay, I don't know, Erin." Wait, why was she even asking this now? Adrienne leaned in and hoped her eyes would not betray her fallen sobriety. "Is something going on that might have an impact on Clay, that I should know about?"

Erin's forehead creased as she folded her arms, stick arms over an enviable chest, shaking her head. "No, it's just Graham, I'm really starting to worry, he's getting more like Clay in one respect, he's holding things in more than he ever used to, and I'm afraid for him. Last week…" A steadying breath. "Last week he asked me to marry him and I said no, I wasn't ready to marry anybody. Can you imagine? I can't even get the hang of monogamy."

Adrienne shut her eyes a moment. The pounding from the speakers felt as if it were thickening her brain with scar tissue. "How did Graham react?"

"He spent maybe twenty minutes talking about hanging himself. I don't know how to deal with this. He finally quit and said he was just kidding, but…" She could not finish.

I don't know how to deal with it either, Adrienne almost told her, but said she would have a word with Graham, as long as she could make it appear that she and Erin were not conspiring against him — but really, they should discuss this later.

"And that little room, where he's been sculpting whatever the hell it is," Erin went on, "even I don't know what's going on in there. It's been like an obsession for him the past week or more. He's burning something in there, you wouldn't believe the smell."

Adrienne supposed that this was when what had started out as a promising evening really began its dive. Such a precarious balance this group walked. Ten minutes could make a difference that almost defied belief. Their whole lives were one bipolar mood disorder.

When Clay and Graham came wobbling back from the dance floor, she saw that Clay was bleeding from a cut on his forehead and Graham looked glumly sheepish, kept rubbing his elbow. She thought of Lady Macbeth, rubbing, rubbing, out, damned spot.

Another hour, two, and Sarah tried to get Adrienne to dance when the motion was less frenzied, but by now the last things she trusted were her feet and her balance. Only perception seemed unimpaired. If anything, it had amplified, the grim subterranean world of The Foundry roaring around her, inside her.

Then someone staged a whipping, a special treat for the night — Nina had mentioned this happened occasionally, but Adrienne had yet to see it, had only once noticed two pairs of handcuffs dangling from one of the chain link partitions.

Garter-belted young woman; scarred male plaything stripped to the waist and cuffed in place, barebacked; the crowd made room as the coil of black leather rose and fell, stretched and recoiled; some cheering and others watching, glazed and mesmerized, the crack of the lash just audible over the hushed sensual throb of whatever music Twitch had cued —

And the worst of it was, this was taking place not fifteen feet away, and to her coagulated reasoning it really had begun to seem normal, perfectly normal behavior for a Wednesday night.

Why else would she have gone streaming away from the table with the others for a closer look?

Beside her, Sarah watched without blinking, and soon lifted one hand before her mouth, two fingers at her lips as she idly pushed her tongue tip back and forth through the cleft between them, as distractedly content as a toddler sucking its thumb.

I'll lose her someday, Adrienne thought, I won't be enough, and it didn't even seem as sad as it should; just another given.

"You want to be over there doing it too, don't you?"

"I might have to someday." Sarah nodding, an automaton. "I might have to know. How it feels. From either side. I might."

She broke from her trance, dropped her hand with a grin as if only now realizing what she had been doing. She reached out to bury that hand in Adrienne's hair and kissed her deeply as Adrienne left her eyes open, peripherally aware of the flicker of the lash. Sarah tasted of some exotic liqueur, sweet and spicy-bitter, or maybe it only seemed exotic because it was Sarah. It felt as one of those moments of great revelation, understanding why she sometimes wanted to die so happy, and why, at rare other times, she wanted only to run.

"Who loves me?" Sarah breathed into her mouth, with heavy-lidded eyes.

"Everyone," said Adrienne. "Everyone does."

*

Graham's door at 3:00 A.M., and there were too many of them to stumble through at once. That was the way it felt to her, all of them like parts of the same body, divided by severed nerves. The usual suspects, now that Uncle Twitch was free, plus a couple of others who had tagged along. Young, the both of them: a slim, breastless girl who looked no older than sixteen; her boyfriend, who obviously idolized Graham and clutched to his chest one of the charred-and-spiked baby dolls he had ripped from The Foundry's ceiling, periodically asking to have it autographed. He'd said he had been here late one night last year, with friends, though Graham did not remember.

"I'm, I'm an artist too," the boy confessed at one point. It appeared to have taken great effort.

Graham nodded. "How nice for you." He rolled his head about to loosen his neck, and stroked the girl on her bare shoulder; she seemed to shrink a half step away. "Well if you're an artist, you really have to learn to share things, foster a sense of community. You knew that already, didn't you?"

The boy stood looking younger and younger, newly mute as he watched Graham knead the girl's shoulder. She had not made another move to retreat, but her eyes were sick and confused, back and forth. Her arms folded into a fragile shelter.

Adrienne watched from a chair, slumped in and holding tight. It seemed the most solid ground she could find. First impulse was to say something, knock it off, Graham, but she reconsidered: Why should it be her responsibility? If they lived this way it was by choice.

"Don't," the boy mumbled, finding his voice, pleading to the floor, "don't do that, please don't, don't."

Erin came in from the bathroom and quickly sized things up, stomped over to yank Graham by one arm, what the hell do you think you're doing, and he stumbled away with a groaning laugh that held no mirth, nor even cruelty, only emptiness.

"Just my luck," he said, "my first protégé and he's a Quaker or something. I wonder what he does for talent."

I want to go home, Adrienne thought, this was all to see some painting or sculpture and I bet it never even happens now. Too far gone, she dared not drive, and dared not issue Sarah an ultimatum for fear of the choice she would hear.

After hours, midway between midnight and dawn, this chilly basement apartment felt like a speakeasy. It had ceased to be fun a long time ago but they were still trying. Clay channel surfing at the TV, Nina at the stereo, Twitch raiding the refrigerator and bellowing for beer that wasn't there.

Then Sarah laid one hand on Graham's shoulder, one on Erin's, to quell whatever vicious discussion they were having in a corner. After a moment he grew calm, seemed to take it as a restoration of purpose. Sarah walked away but Adrienne kept watching — nothing like the perspective of distance. She was as omniscient as a voyeur. Graham reached out, as timidly as if he had been beaten, to hold Erin. Over her shoulder his face seemed to sag and flow like a melting candle.

You'll always have my heart, Adrienne thought he said as they broke. That's the problem.

"Well, shit," he then said, loud enough to be heard by all, "let's get this done."

Graham called them together and led them over to the least-used corner of the basement, around a door that was secured by a stout padlock. His eyes grew distant as he fished a key from beneath his shirt, on a chain around his neck.

"Shazam," he murmured, and opened the door.

Twitch's bobbing head was in Adrienne's way, but even if it weren’t, she doubted she could discern what was in there … just some staggeringly solid shape beyond the door. The smell was freed, dense and acrid, an accumulated stink of scorched metal.

Graham was first in, and flipped on the overhead light.

The word monolithic floated to mind, but she quickly decided it wasn't right. It implied aloofness, the timeless indifference of something that measures centuries the way mortals measure seconds.

This? This thing? It was unnatural and grotesque and malevolent.

It reached nearly to the ceiling, and three-quarters of the distance from wall to wall, a jagged conglomerate of more small machines than could be counted, more than could even be identified at first glance, or second. One abutted another that flowed into the next, like jumbled refuse that had only partially survived a holocaust's meltdown; a slag heap left in the declining wake of progress and ambition.

Graham held the door open and they crowded in, slowly, as if the thing would bite. No one saying a word. No one dared.

With a closer look, she could make out individual components: electric motors; power tools of all kinds, table saws and circular saws and jigsaws, drills and lathes and sanders; chainsaw belts had been secured between motor-driven pulleys. All had been joined into a hulking Frankenstein's monster by welded stitches, the metal having been allowed to melt and flow, then cool like metallic tumors.

Even the room had become a part of the creation, the concrete walls and ceiling having been drenched with soot over time. It was all black and gray in here, a world in monochrome.

Once they had taken it in, Adrienne felt the logical next thought ripple through all of them, everyone glancing left and right into neighbors' eyes, realizing something had been going terribly wrong and no one had guessed its magnitude.

Graham could not have intended this to be a sculpture, not in any reasonable sense … because it could never leave the room.

"I didn't mean for it to get so big," he said, "but it just kept growing."

"Graham?" Erin's voice, tiny, as if she were calling a stranger, or had heard someone say he was maimed.

"Some of it even works, still, that's what took longest to get right," he said, and yes, she really had seen cables and conduit snaking about within, like arteries.

He stepped over to the back wall, stooped. Plugged it in.

The air in the dense room seemed to surge for a surreal moment as motors hummed to tortured life, then began to shriek all at once. The grinding roar was instantly painful, and only Graham did not clap his hands over his ears. Adrienne swore that she saw the structure thrum like a tuning fork, as all those moving parts churned up a breeze that carried a congealed stink of old fires. Saw blades spinning and belts whirring, metal teeth a blur. It made no sense. It was the cold, hard embodiment of illogic. It hung together and functioned when it should have ripped itself into shrapnel.

They fled the room in a spontaneous exodus, and Graham must have let it run another fifteen seconds before pulling the plug. He shuffled out of the blackened room as the cacophony wound down and broke apart into a dozen component voices, high dying whines. When it grew quiet enough, they could hear an upstairs neighbor pounding on the floor, his muffled shout.

"Graham, man…?" said Twitch, gangly limbs in awkward poise, as if flight might be imminent. "This is … this is…"

"In seventeenth-century terminology, it's an infernal machine. And it exists for its own sake." He stood before the doorway and took a little bow, or a sick parody. To Clay: "Now you know what I've been doing with all the scraps you brought me from the dump."

They had scattered around the apartment, each seeming to have chosen his or her turf and rooted there, old friends and young strangers alike. Adrienne knew she was faring no better. Head thumping and ears ringing, she thought, He shocked them. I didn't think it was even possible, but he shocked them.

"What's its name?" Nina asked. "You said it was going to have a name."

Graham nodded. "I didn't even realize it had one until three days ago. But that's when I knew." How frail he looked, how malnourished, his cheekbones sharper, with unruly dark curls hanging to his eyes, those eyes the only thing about him that seemed suddenly, madly, vibrant. "It's called The Dream of Kevorkian."

No one moved, no one spoke.

"I don't get it," said Twitch.

"The suicide doctor," Adrienne said, or thought she made the attempt, and her legs went wobbly.

It couldn't be happening, could not, Graham giving them all a resigned look, saying nothing but the look conveying enough, Well, that's everything, and he retreated into the charred room and the door slammed and it sounded as if another padlock was being fitted into place, this time from the inside.

Jack Kevorkian, the suicide doctor, inventor of the suicide machine — did he dream of contraptions more violent than his own, machines even more brutal than that of Dr. Joseph-Ignace Guillotin?

Nothing was happening in fluid motion anymore, just snapshots of hyperclarity: Nina the first to reach the door, then Sarah, then the rest, fists pounding or twisting at the knob, but all they could do was rattle it in its frame. They called out and Adrienne heard her own voice join the clamor, not even sure what she was saying, only that it was a desperate plea.

When the infernal machine resumed its metallic hurricane roar, Erin screamed. A long, agonized scream —

As harrowing as the moment of anticipation.

As futile as the hope that Graham was only joking.

As piercing as the wet marrow shriek of a bone saw.