Justitia est constans et perpetua voluntas ius suum cuique tribunes.
Justice is the constant and perpetual wish to give everyone their due.
Justinian, Institutes
Most people agreed that the Villa Carina, nestling in the Alban Hills above Rome, was a veritable paradise. 'Most handsome' was the worst sneering jealous critics might descend to, although that made little difference to Senator Valerius Carinus, descendant of a former emperor. Valerius Carinus had amassed a fortune as the owner of an extensive range of quarries throughout Italy. If the Severan Walls of the city needed new stone, the Temple of Serapis fresh glazed tiles, or the Portico of Octavian to be refurbished, Valerius Carinus was your man. His motto was Salve Lucrum – 'Hail Profit' – and he stayed true to this. His critics claimed he washed his hands with wine, bathed in milk and would only allow the rarest silk to rest against his skin. Most of the criticisms were untrue. Carinus owned the most fruitful vineyards in Campania and hired the best chefs, yet he was on most occasions frugal in his eating, breaking his fast every morning only on bread and boiled Attic honey as recommended by the great physician Galen. However, when it came to others, he was always generous, especially to his beloved only daughter Antonia, whose coming of age was being celebrated with the most magnificent party in the sumptuous gardens of the villa. The house itself was grand enough. Many of its chambers were self-contained suites with serving quarters, baths and other amenities. Nevertheless, the fragrant late summer evenings had convinced Carinus that the terraces overlooking the garden with its fountains, ornamental pools and shady nooks would be the best place for Antonia's party. He believed that the cool shade offered by the surrounding ivy-clad plane trees, the greenery of the box hedges and shrubs, the sweetness of the fruit orchards and the perfumed water leaping from the marble fountains were far better than anything else.
Senator Carinus was now congratulating himself on this decision. He sat slightly drunk in his white marble bedroom, separated from the garden terrace by elegant folding doors, cradling his precious ivory goblet and staring down at the mosaic on his bedroom floor celebrating the glories of Pomona, Goddess of Autumn. He half listened to the music from the gardens and heartily wished autumn would soon come: when it did, the insidious heat of the day would break and they could all bask in a refreshing coolness. He staggered to his feet, patting the sleeping slave girls on their bottoms, and crossed to the door. He did not trust his stewards, drunken, ungrateful lot! He would visit his aviaries, make sure their doors were closed and that the lights in the elaborately carved pottery masks with their cut-out eyes were still flaring strong. Above all, he must check on his beloved but spoiled daughter. She was pampered, cosseted and very wilful, but there again, since the death of her mother, Carinus had indulged her every whim. The room swayed slightly. Carinus clutched the wall, feeling slightly queasy, and no wonder, since he'd drunk a great deal very quickly.
Carinus sat down on a stool, chewing his lip. If the truth be known, he hadn't really wanted this party, not with those abductions taking place in Rome. Wealthy young men and women snatched from their home or a street in the city, kept bound in the dark and only released for sacks of gold and silver. Who could be responsible for creating such fear? So serious had the crisis become that a delegation of senators had visited the Imperial Palace. They'd bowed low, given tactful speeches, conceded that times were violent but pointed out that this surge in crime involved their precious sons and daughters! Carinus had joined the last delegation. Emperor Constantine, God's Chosen, had sat glaring with bulbous eyes as the representatives of the Great Ones of Rome had demanded that the kidnappings and hostage-takings cease forthwith.
Constantine's wine-purpled face had deepened in colour as he fought to control his seething fury.
However, Carinus and his colleagues were equally wary of Helena, the Emperor's powerful mother, sitting on a high gold-encrusted stool to the right of her beloved son. As usual, Helena had been dressed demurely in a long-sleeved dalmaticus or tunic edged with purple, sandals on her feet, an embroidered stole about her shoulders. The Empress' greying hair was bound up from her face in a thick plait wrapped round her head,in the old-fashioned style and pinned with a diamond. No oil moistened, no paint or powder gilded that long, severe face with its sensuous lips, high cheekbones and expressive eyes which had turned agate-hard as Helena listened to their representations. Her only sign of agitation was the constant fiddling with her ivory-handled fan of brilliantly coloured peacock feathers. Every so often she would snap this open to cool herself, or summon forward Burrus, the burly captain of her German mercenaries, so she could sip from a clay beaker of water he held. Burrus was a fearsome figure with his shaggy hair, beard and moustache, light blue eyes glaring from a ruddy face. Despite the heat, he wore a grey fur cape across his motley armour. He reminded Carinus of a great bear from the northern forests which he'd brought to Rome to fight in the arena. In fact the more often he met Burrus, the more the similarity became apparent, both man and beast being highly dangerous and volatile. During the meeting, Burrus' stubby fingers kept caressing the hilt of his broadsword, as if he couldn't understand why his imperial mistress had to listen to these speeches. One word from
Helena and Burrus would have taken all their heads. Behind the Empress stood an innocuous, bland-faced but equally dangerous man, Anastasius, Helena's deaf-mute secretary. He was dressed in a simple white tunic with no jewellery except for the ring on the middle finger of his left hand, which proclaimed he enjoyed the full support of the August Ones.
During that meeting, the sweat had coursed down Carinus' body, due as much to fear as to the heat, especially when Aurelian Saturninus, undoubtedly spurred on by his viper-tongued wife Urbana, had talked about how the lawlessness could be construed as a sign of weakness in Constantine's government. Helena and her son might have emerged victorious after the recent battle at the Milvian Bridge; Constantine might have ended the civil war and destroyed his rival Maxentius, but, as the former General Aurelian trumpeted, power brought responsibility, not only on the borders of Rome, but along the streets and alleyways of the city. Helena's eyes had narrowed at that and Carinus had coughed loudly, a warning to the old general that he'd gone far enough.
Ah well! Carinus rose, opened the folding doors and stared across the exquisite paradise bathed in the light of the full moon. He walked out on to the terrace and picked up the alabaster cup of chilled white wine his valet had placed on the marbled table. For a moment he forgot his fears. This was what he called the 'natural' part of the garden, where his beehives, made out of hollowed bark and plaited osier twigs, stood next to the wild plants his bees preferred: thyme, saffron, crocus, lime, blossom, hyacinths, their fragrance spreading everywhere. Carinus gazed into the darkness broken by pools of light from the lamps and candles. Faint music still sounded but this was almost drowned by the laughter and chatter of Antonia's guests, replete with hare cooked in thyme sauce, spiced pork, dormice stuffed with honey, quail, duck and the best wines from the Senator's cellars. A girl's laugh, followed by a playful scream, echoed from the trees around the Artemis Fountain. As Carinus sipped his wine, he just hoped Antonia was safe and keeping that Greek actor Theodore at more than arm's length.
In fact, the laughter and screaming Carinus heard was that of his daughter, who had taken Theodore, an up-and-coming actor from the island of Cos, deep into the trees to the artificial glade around the cool, splashing waters of the Artemis Fountain. The circle of grass around the fountain, interspersed with coloured stone, was lit by a myriad of oil lamps in translucent jars. Nevertheless, despite the light and the open space, Antonia had assured Theodore they'd be alone, for this was her special place. Now naked except for a coronet of myrtle, orange blossom and verbena, Antonia sprawled on a cold marble bench as Theodore stripped naked to show her the love letters on his body, his present to her on her birthday. Antonia, drunk on the red and white wines of Campania, giggled as Theodore took a pot of ash and rubbed the grey powder into his skin, explaining how with the juice of tithymals he could draw any letters he wished and they would remain invisible until the ash revealed them.
'See,' Theodore walked over to the bench, 'this is the opening line from Seneca's Oedipus. Read it.'
Antonia, giggling, pushed her face near the muscle-hard stomach of this gorgeous actor and, in the light of the lamps, slowly read the words.
'Now night has fled. The fitful sun is back to rise.'
She glanced up coyly.
'To rise what?'
Theodore pointed down to the letters just above the hair in his crotch.
Antonia, wetting her lips, moved her face even closer and was about to read when she caught a movement behind Theodore.
'Go away!' she screamed.
Theodore whirled round. Dark shapes, like wraiths from Hades, slipped out of the darkness, a half-circle of cloaked figures, faces hidden behind grotesque masks, in their hands short stabbing swords and clubs.
'What!' Theodore sprang forward.
Antonia heard the hard smack of a fist and Theodore collapsed, lips bubbling on spurting blood. She opened her mouth to scream, but the night-wraiths were swifter. She was seized, a gag pushed into her mouth, a piece of sacking thrown over her head, her wrists and ankles bound. Then she was thrown over a muscular shoulder and a gloved hand smacked her plump bottom. Antonia wriggled; another, harder blow jarred her back and a hoarse voice ordered her to be silent or she'd be killed.
The kidnappers moved swiftly, silent as ghosts. Antonia was carried across the garden. She heard the undergrowth snapping and cracking and the distant sounds of the party. Theodore had yet to raise the alarm. The abductors stopped; Antonia was put down, turned around, made to feel dizzy and then dragged on. She was pushed against a hard wall, roughly hauled over it and the flight began again. This time she wasn't carried but pushed and shoved; now and again a dagger would prick her neck as a sign for her to remain quiet. She felt a deep sense of despair. She was out in the countryside. No one was here to save her!
The abductors knew their way well. Antonia's bare legs and feet were scored by brambles and gorse, but still they pushed her forward. When she complained about the pain in her side, they tied a rope around her hands and dragged her as if she was some captive in a triumphant procession. Now and again she heard the occasional sound, the creak of a cart, but otherwise silence, except for the breathing of her captors. She couldn't believe it! She'd heard of the kidnappings in Rome, but now it had happened to her, so swiftly, so quickly. How had they found their way through her father's gardens to her secret place at the Artemis Fountain? She was jerked on, and tried to make sense of where she was going but eventually gave up. She concentrated only on one thing: obeying her captors. She knew she'd be safe if she did that. At one point they stopped and allowed her to rest, and she was given a sip of water and some dried bread; then the horror continued.
Antonia was aware of orders being whispered, of men fanning out either side of her, but she had no sense of where she was going. She began to cry, pleading about the pain in her feet. A rough pair of sandals was given to her, the thongs tied and she was pulled on. Now she was no longer moving through countryside but stumbling over masonry, and she wondered where she was. She sensed the gang were becoming more vigilant now that the ground had changed. Eventually they stopped and Antonia was thrust down some steps. The air smelled mildewed and dry. She was in some sort of man-made tunnel. The air was cold, and she could feel sharp rocks on either side. Where could this be? What underground tunnels existed in Rome? The sewers? She stumbled and screamed as her hand felt a skull. She was in some sort of cemetery, perhaps the great catacombs which ranged under the Appian Way. Yes, that would make sense,- a few miles from her father's villa by a quick, secure route. Would she be imprisoned here? Sobbing and crying, she was pushed into a cavern and left there.
The leader of the abductors, drenched in sweat, the mask still firmly on his face, stared around.
'We have done what we had to.' He looked at his companions. There were twelve in all, and he counted them carefully making sure no one had been forgotten. 'Now we must wait,' he ordered. 'Those who are not of us may go.'
Some of the men left; those remaining squatted down, staring up at their leader.
'You must stay there.' He left the cavern and walked down the long, ill-lit gallery stretching into the darkness. He knew his visitor would be waiting for him there. He saw a torch move and paused. He must go no further. A figure stepped out of the darkness, a woman swathed in robes. He could smell her perfume.
'Did it go well?' The voice was soft but carrying. 'Were there any problems? Was anybody hurt?'
'There were no problems.' The leader felt as if his face was steaming hot beneath his mask; he wished he could take it off, but he knew the rules. 'The girl has been taken,' he continued. 'She is safe. We await the ransom.'
'Good.' The voice echoed. 'But I asked you, was anybody hurt?'
'She was with a man,' the leader replied. 'We heard them talking. He tried to resist but we pushed him to the ground.' 'You did not kill him?'
'No,' the leader replied. 'That was your order, no one was to be hurt.'
'Who was it?' the voice asked.
'An actor,' the leader replied. 'He tried to play the hero.' 'Leave the actor to me,' the voice whispered. 'I shall take care of him.'
On the same night as the attack at the Villa Carina, Lucius Pomosius, former veteran of the ala, the wing of cavalry attached to the Second Legion Augusta, left the latrines in the Street of Abundance, which ran off the main thoroughfare stretching down to the Colosseum. He stared drunkenly at the graffiti of crude election slogans painted on the wall of the alleyway, eerily illuminated by spluttering torches. Above these was a picture of Mercury in winged greaves, his helmet similarly winged, in one hand a spear shaped like a penis, in the other a bag of gold. The little god's cloak billowed out whilst his finger pointed to a place further down the street. Lucius tapped the painting, smiled and, one hand trailing the walls, made his way down towards the House of the Golden Cupids with its garish sign of two erect phalluses either side of the doorway.
Lucius paused. He really had drunk too much! He leaned against the wall and glanced back down the alleyway. He was certain he had been followed, and despite the wine had a pricking suspicion that he'd been watched ever since he'd left the upper room of the Lucia Gloriosa tavern where he and the other three surviving members of Vigiles Muri, the Guardians of the Wall, met every month. Tonight they'd gathered specially to discuss the brutal death of old Petilius, found on his bed with his throat slit, his belly cut and his penis slashed off and pushed into his hand. 'Awash in his own blood' was how Decurion Stathylus had described it: 'Floating on a sea of billowing scarlet.' Stathylus always liked to embroider his tales, but then he was a warrior-poet, a bard who liked to sing about his beautiful former mistress and remind them all of their days in Britain. How they'd manned the Wall and stared out over that sea of desolate grassland which stretched and billowed under lowering grey skies. Ah yes, those were the days!
Lucius stared at the graffiti chalked on the far wall: 'He who doesn't invite me to dinner is a barbarian.' He wished he hadn't been invited tonight. He had not wanted to discuss Petilius' gory death. It evoked memories of that night along the Wall when the Picts had been trapped and massacred. The night of their bona fortuna, as Stathylus liked to describe it. There had been a dozen of them then, but war, as well as the passage of the years, had depleted their number. Death was to be expected, but not Petilius', not dying like that! Who'd want to butcher a lecherous but harmless old man? Petilius was ugly and mean, and even the common whores haggled hard when they saw that miserable face, yet he'd been killed and castrated in a manner reminiscent of the Picts. Could there be some dark thread winding its way back into the murky past? Lucius secretly conceded there might be, but he didn't want to reflect on it. He didn't want to remember. He didn't want to invoke the ghosts!
He wiped the sweat from his face and stared up at the narrow strip of sky between the overhanging buildings. He wished he was back on the Wall, away from the Vigiles, his comrades, away from the stink and the memories. He looked down the street at the pool of light before the House of the Golden Cupids. Should he take a cubicle downstairs where he could listen to the moans of the girls busy with their customers, or a private room upstairs?
'Sir?'
He turned quickly. The shadowy woman, hair veiled, wrists clinking with bracelets, moved closer. 'Sir, is it custom you want?'
Lucius shook his head, trying to clear the wine fumes. The woman's perfume was fragrantly sweet. She was dressed in gold-edged linen robes. He glimpsed sparkling eyes ringed with kohl, smiling lips parted in a sweet smile. A soft hand caressed his cheek. He grabbed her, and she seemed to melt into him. Lucius started in agony, his hands falling away.
He stared in shock at the woman, who'd stepped back, leaving the dagger deep in his belly. He staggered forward, falling to his knees, and tried to grasp the dagger, but his head was jerked back and a shearing-sharp blade slit his throat.
'They used to call those the Polluted Fields.'
Claudia, sitting on the top of the grassy knoll, moved a little deeper into the shade of the sycamore trees. She munched on a hunk of mushroom bread, took a sip of watered wine and dabbed her mouth with a napkin, then stared again at the desolate heath below her stretching either side of the Via Nomentena leading up to the Colline Gate. The view was almost hidden by the heat haze which had descended on Rome during that late summer's afternoon. The Via was now empty of carts, travellers, journeymen and merchants; even a cohort of infantry which had come plodding out through the city gate had decided to shelter in the shade of some lime trees.
'They still look polluted to me.'
Claudia turned and nipped the arm of her companion, Murranus, Victor Ludorum, Champion of the Games, wearer of the victorious laurel wreath.
'You're not even looking!' she accused.
The gladiator's smooth-shaven face broke into a smile which made him look even more boyish and mischievous.
Oh, Murranus! Claudia reflected. He looked so handsome in his dark blue tunic, long legs sprawled out as he sat with his back to an ancient holm oak. He stared at her, green eyes full of mischief as he scratched his close-cropped red hair and ran a muscular hand over his face, searching for the beads of sweat coursing down over the high cheekbones. His determined mouth and strong chin were now slack as he relaxed under the influence of the weak wine and the strong sun.
'You've got a square face today,' she teased, using her fingers to demonstrate. 'Your eyes don't look so large and your mouth isn't so fierce, your lips-'
'You enjoyed kissing me.' He stretched forward.
'I always do! Ah no!' Claudia playfully pushed Murranus back against the tree. He stuck his tongue out at her, and she felt her throat constrict and the tears well. For a moment, for the briefest of moments, the playful gesture had reminded her of Felix, her brother, but that was all in the past. Felix was dead and life had gone surging on. The man who had murdered him then raped her, the ghoul who had haunted her dreams with his hard voice, that purple chalice tattooed on his wrist, had paid for his crime. Murranus had seen to that, taking the miscreant's life with his sword in the arena before a roaring crowd. Justice done, vengeance savoured. In the purple-draped imperial box above the arena, Constantinc, Helena and all the court had watched whilst the crowd bayed like a pack of savage dogs over that man, her enemy, dying on the sand below.
Claudia glanced away, turning her head as if to catch the breeze. Murranus studied her closely from under heavy-lidded eyes: her black hair, that sweet face, those sharp eyes. Was her skin olive or light ivory? He could never tell, but that was Claudia, she could change so quickly. She'd been an actress, part of a troupe, a very good one, wandering the roads of Italy. Eventually she'd returned to Rome to live with that scoundrel of an uncle Polybius, his pretty plump wife Poppaoe and all the lords and madams of Rome's underworld who made the She Asses tavern near the Flavian Gate their home, the centre of their lives. In a sense it was Murranus' home too.
He picked up the wine flask-Ind sipped the tasty juice. Claudia had brought him to this desolate spot, far away from the tumult of the tavern, so they could talk before the autumn games began. He just wished she wouldn't show that streak of stubbornness when they argued. Claudia could be so obstinate and yet so secretive! Only recently, during the last two weeks, had she grudgingly told him about her work for the Empress, as well as her dealings with the powerful Christian priest Sylvester. Murranus had pointed out that if he was in danger in the amphitheatre, she was exposed to even greater peril in the marbled gardens and stinking alleyways of Rome. They had argued so fiercely, yet all he wanted now was to stretch across and gather her in his arms. He wanted her to relax, to be passionate, not so precise, so organised. There she sat in her sensible dark green tunic with her sensible walking sandals firmly tied, the thongs fastened and secure. She wore little jewellery; only a ring on her finger and a graceful silver chain round her neck. Her thick hair lay neatly clipped at the nape of her neck, a parasol placed close beside her in case it grew too hot. Even the leather satchel in which she carried their meal was precisely positioned, the straps neatly folded, while the food she and Poppaoe had packed was spread in an orderly manner upon a linen cloth: the mushroom bread, the pot of herb and garlic pate, the sesame biscuits. Oh yes, that was Claudia, so precise! Murranus coughed and, leaning over, tickled the nape of her neck.
'Oh magistral' he teased. 'I'm only a poor Frisian. Why do they call these the Polluted Fields?'
Claudia turned, grinning over her shoulder. She moved further back to sit beside him and pointed down the hill to the round, squat towers jutting up from the earth.
'That's where they were buried alive.'
'Who?'
'The Vestal Virgins, maidens sworn to be chaste and virginal in the service of the Goddess Vesta and the state. Any Vestal charged with unchastity was sentenced to be buried alive. They were, and in fact still can be, brought here and sealed for forty days in one of those underground chambers with a small quantity of food and drink. The Goddess Vesta would decide whether they lived or died; they always died.'
'And?'
'Over two hundred years ago, during the reign of Domitian, the Senior Vestal Virgin was accused of immorality. Three of her sisters were also condemned, their lovers being beaten to death. Anyway,' Claudia brushed at her face, 'the Senior Vestal was paraded through Rome and brought to one of these specially prepared underground chambers. As she was descending the steps, her robes caught on a snag. The executioner offered her his hand, but she drew away in disgust.' Claudia shook her head. 'People are so strange. If everyone in Rome guilty of crimes against chastity was brought here, you wouldn't be able to see a blade of grass for the dense crowds.' 'And?' Murranus asked.
'Even in death,' Claudia laughed, 'people can act the snob. Wealth and privilege are still more important than that final act. It's a strange world we live in.'
'The Empress has sent for you?'
'No she hasn't!' Claudia faced him squarely. 'But I think she will. You've heard about the kidnappings?' Murranus nodded.
Claudia held up her hand. 'Five cases in the last month; that's what made me think of wealth and privilege and the dangers it brings. The sons and daughters of wealthy Roman senators and generals snatched from their gardens, litters and baths.' Claudia shrugged. 'Mercury the Messenger told me this morning that the most recent kidnapping took place last night. Antonia, the sixteen-year-old daughter of Senator Carinus, was abducted from a party in the gardens of her father's villa in the Alban Hills. Ah well,' she continued briskly, 'that's another reason I brought you here.'
'What, to be kidnapped or buried alive?'
Claudia threw a piece of grass at him. 'The arena! Murranus, you're now the Victor, you have to retire, you cannot-'
'I-'
'You cannot!' Claudia's eyes, like her voice, turned flinty hard. 'Murranus, you'd make an excellent bodyguard for some rich family. You could start your own business, form your own cohort.'
Murranus groaned inwardly, yet at the same time he was deeply flattered by this delightful young woman's affection and concern for him.
'I know what you are going to say, Murranus,' Claudia edged closer, 'but it isn't true. You are not just a killer. You have a soul, you are kind, fair and sometimes very, very funny, especially when you drink. Uncle Polybius regards you as a son; Poppaoe adores you, as does everyone else at the tavern. Even Narcissus the Neat.'
Murranus laughed at the mention of the most recent addition to the company at the She Asses tavern. A Syrian, a former slave, Narcissus now wanted to start his own funeral business with the help and support of Uncle Polybius.
'Are you worried about Polybius?' Murranus asked.
'Don't change the subject. Yes, I am always worried about Polybius and his constant schemes to get rich quickly. He's even thinking of becoming a Christian to win the favour of the priests, not to mention that of Presbyter Sylvester. But Murranus…' Claudia began to gather the food together, neatly folding the linen cloth. She glanced up. 'I saw a fresco on sale in the flea market near the She Asses. It depicts a gladiator, a bestiarius, whose enormous penis is a ravening wild animal. The penis, a dog with gaping jaws, is part of the gladiator's own body yet it has turned furiously against him. He is about to slay the beast which is threatening him; in doing so he must castrate himself.'
'And?' Murranus asked.
'It's a parable.' Claudia leaned over and kissed him on the tip of his nose. 'In the arena, Murranus, you entertain, you give pleasure to the mob. But in the end you're not only killing other people, you're killing yourself. If we are to marry,' Claudia breathed in deeply, 'that must stop.'
Murranus got to his feet and placed his hands on her shoulders. 'You mean that?'
'I know that.' She smiled.
'If I don't agree, whom would you marry?'
'Burrus.' Claudia kept her face impassive.
Murranus burst out laughing. He leaned down and kissed her on the brow.
'In which case,' he whispered, 'it's time we talked about this business.'
Claudia looked away across the haunted heathland, the gorse and grass now shifting in the quickening breeze. The heat haze was thinning. She had got what she'd come for.
'It's time,' she murmured, 'it's time we went back.' She held her hand out warningly. 'Remember what I've said and what you have promised.'
Murranus seized her hand and they left; halfway down, Claudia paused and, standing on tiptoe, kissed him swiftly on the cheek. They continued along the dusty trackway on to the paved via which would lead round to the Flavian Gate. At first Claudia hid her pleasure and excitement by chattering to Murranus, but the day's heat was now dying and the traffic on the thoroughfare had increased, making conversation difficult. Time and again they had to stand aside to allow a cohort or maniple go swinging by under their hoarse-voiced officers. Farmers and peasants, their families bundled into the carts they'd left outside the city gates, were now returning to the countryside. Other wagons heaped with provisions were lumbering towards the city to take advantage of the imperial decree which allowed them in once night had fallen. Claudia watched them go and quoted from Juvenal's Satires, the poet's famous diatribe against the noise at night in Rome's busy streets. Murranus nodded in agreement.
Soon Claudia fell silent, doing something she loved: observing and studying what was happening around her. For a while she and Murranus walked with a group of tramping hawkers, each of whom had a tray of cheap jack goods slung around their necks ready to sell. Claudia bought a few hair pins, a comb for Poppaoe, a fine Egyptian knife for Narcissus and a set of bracelets depicting a Thracian facing charging boars for Oceanus, the one-eared former gladiator supposedly in charge of security at the She Asses. The hawkers eventually left the via to shelter under some trees. Claudia then listened to a Numidian muleteer chattering in the lingua franca of the ports as he described the news he'd heard about Licinius, Emperor of the East and Constantine's rival, who was apparently lurking in Nicomedea planning to take Constantine's empire, as Constantine and his mother were plotting in Rome to take his. This flow of news ceased abruptly when the Numidian became involved in an acrimonious dispute with eight Syrian litter-bearers, their hair greased and plaited, all dressed in the same livery, who were carrying a large, plump matron back to her 'dear husband' in Rome. Claudia then decided to follow a cart of actors who were eager to supple-ment their income by telling their fellow travellers stories from Rome's past. A young man with a bell-like voice was declaiming extracts from the historian Suetonius about Caligula, who had lived almost three hundred years earlier.
'Oh yes,' the actor shouted from the tail of the cart. 'He was so depraved,' the man's hand slipped to his crotch and he made an obscene gesture, 'he used to go into the Imperial Gardens and make love to the moon, whom he regarded as his wife.'
This immediately provoked a shocked denial from a woman in the audience and the declamation was transformed, much to the delight of all, into a fierce slanging match about sexual practices. Claudia half listened as she studied the props piled on the huge cart pulled by serene-looking bullocks. She recognised the grotesque face masks, the imitation jars, the pieces of scenery which could be hastily assembled to fashion a tree, a wall or the door of a house. She recalled her own days with Felix journeying from town to town: such a strange time, always on the move. Since she had settled at the She Asses, her life had been transformed. She was a secret official of the Empress, a confidante of the powerful Presbyter Sylvester and, she concluded wryly, the protector of Uncle Polybius, about whose night-time meetings with shadowy figures in the garden she was growing increasingly suspicious.
Lost in her own thoughts, one hand holding her parasol, the other grasping Murranus', Claudia was startled from her reverie when they reached the Flavian Gate. She glanced up and stared around at the outhouses, barracks and fences, as well as the makeshift market which had grown up there. Guards in half-armour lounged in the shade gambling, whilst their officer, a German clad in tawdry finery, stood surveying the crowd. Claudia wondered idly if the officer was from Burrus' cohort. She knew the real watchers were hidden away. The Ethiopian with his braided hair selling bruised fruit from his wheelbarrow; the scrawny girl offering sulphur matches; the priest of some minor deity clad in dirty saffron robes, chanting over a pot of flame: perhaps they were spies. Or was it the sharp-faced, balding pimp, with three of his ladies, all bewigged, painted and clinking with cheap jewellery, looking for custom, yelling that he had set up an awning in a shady corner just inside the city walls? Any of these could be the 'surveyors' of the Empress Helena, looking for faces, studying those flocking into the city, recalling descriptions and searching for anything untoward.
The entire crowd fell silent as military horns wailed a fanfare. An execution party came marching out, sixteen men under their decurion, divided into squads of four. Each squad guarded a prisoner, a beam across his shoulder, being dragged out to be crucified at the Palace of Bones. Once these had passed, Claudia and Murranus joined the rest of the crowds as they surged through the gateway on to the thoroughfare, which immediately radiated out into narrow runnels, alleyways and side streets.
Claudia heaved a sigh of relief, as she always did whenever she returned to this quarter. It might be stinking, noisy and colourful, but this was her home, a safe place where she could recognise people and knew who they really were, a bustling rabbit warren of narrow lanes cluttered with open-air stalls. The traders set up their makeshift shops in the crumbling loggia and peristyles or at the mouths of alleyways, selling everything from pots to cakes. On the walls around them garishly daubed notices proclaimed the price of certain goods and where these could be bought, as well as the names of candidates for the next election to some municipal office. Claudia and Murranus were well known here and were greeted with good-natured teasing and salutations.
Torquatus the Tonsor, a seller-of-potions-cum-barber-cum-leech, had, as usual, procured the best position under a giant gnarled sycamore tree in the square near the She Asses tavern. Torquatus spent his days shaving people, cutting their hair, listening avidly to their medical ailments and, as he put it, offering his 'best advice', which, he solemnly assured his customers, came from leading imperial physicians. He greeted Claudia and asked if she'd seen the 'Great Miracle' at the She Asses tavern? Claudia stared back in puzzlement. But even before she and Murranus reached the small square fronting the inn, she sensed something was wrong.
The She Asses was one of the most comfortable taverns in the Suburra. It boasted a restaurant, eating hall, small chambers upstairs and a very well-endowed kitchen, as well as Polybius' 'crowning glory', a graceful, spacious garden to the rear. The tavern occupied most of the ground floor and first storey of an insula or apartment block situated between the Flavian Gate and the crumbling Temple of the Crown of Venus. The windows were covered with stiffened papyrus and wooden shutters. It had two main doors, an outer one and, just behind that, a folding door. Above the entrance was a lovely statue of Minerva holding her pet owl. On either side of the doorway, fixed in niches, stood a grinning Hermes or Mercury, whilst the door-knocker was shaped like a huge phallus. The male clientele regarded this as a token of good luck in matters venereal and always asked their girlfriends to stroke it. Petronius the Pimp had boasted how the obscene object was modelled on his own penis, to which Poppaoe had retorted that she personally knew the carver was a very short-sighted man! A large placard to the right of the door advertised the dish of the day, usually sausages and mushrooms grilled in garlic. Little wonder Uncle Polybius was growing increasingly concerned that his menu was beginning to bore his customers! Next to the placard hung another notice listing the prices of drinks and warning wandering warlocks, wizards and pimps to take their business elsewhere, unless they had the 'special permission of the proprietor'.
On this particular afternoon the crowds had gathered and Claudia and Murranus had to climb through one of the tavern's windows, opened specially for them by the barrel-chested, pot-bellied Oceanus. He dragged them through into the long eating hall, also packed to overflowing, and led them around the counter into the kitchen. Claudia immediately conceded that something must be seriously wrong: there were no smells, no odours of piquant sauces, no crackling charcoal in the hearth; the pots remained unwashed whilst the two ovens beside the hearth were stone-cold. She turned on Oceanus.
'What is it?'
The bald-headed ex-gladiator was so agitated he didn't know whether to finger, as he always did when highly nervous, the brass ring in his good ear, or the dried ear hanging on a cord round his neck. In his last great fight this had been bitten off. Oceanus had eventually won the battle and had the severed ear dried and pickled to wear as a trophy.
'Oceanus!' Claudia stood on a stool and seized the man's fat face between her hands. 'Oceanus, tell me the truth or I'll bite your nose!'
'It's a miracle.' Oceanus' eyes widened. 'A Great Miracle. Claudia, you know the cellars beneath the tavern?'
Claudia nodded. The underground rooms and caverns of the insula were also the properly of Polybius and he'd always wanted them developed.
'Well,' Oceanus continued, 'what was found has been put down there.'
'What has?'
'What was discovered in the garden this morning.'
'Oceanus!' Claudia gripped the former gladiator's face, pulled it close and winked quickly at the puzzled Murranus.
'Early this morning,' Oceanus gabbled, 'Venutus the Vinedresser arrived to dig a small oil press in the garden. Well, he didn't listen properly! He and his workmen dug deep but they'd chosen the wrong place and they discovered her-'
'Oceanus, it's time for nose-biting!'
'A corpse,' Oceanus whispered, eyes drifting to the kitchen door, which he now wished he hadn't closed. 'A what?'
'A young woman's corpse, wrapped in linen and placed in a long casket. She had the coins of the Emperor Diocletian on her eyes. You know him?'
'I know who he was.'
'She was a Christian martyr,' Oceanus gabbled. 'There were bruises on her neck and along her shoulders, religious symbols around the coffin.'
Claudia got down from the stool and stared in disbelief through the open window above the hearth. It overlooked the garden, its lawn, fountain, orchard, trees and small vineyard. Caligula the tavern cat was basking on one of the benches, being fanned by Sorry, the kitchen boy.
'I really must remember his name,' Claudia murmured.
'Sorry?' Murranus asked.
'Exactly!' Claudia grinned, pointing at the boy. 'That's all he says, hence his name. Oceanus, are you sure? The corpse was that of a young woman?'
'Come and see.' Oceanus took them out of the kitchen and over to a stone building where the insula's hypocaust had once been housed. Oceanus nodded to Mercury the Messenger, the tavern gossip, who was standing on guard outside; he bowed, eyes bright with excitement, lips moving soundlessly as he rehearsed the news he'd later spread through the entire quarter. This self-proclaimed herald opened the door and ushered them into the mildewed darkness now lit by fluttering torches. The place was full of people peering over each other's heads at the open door and stone steps leading down to the cellars. Claudia recognised the usual rogues: Simon the Stoic, Petronius the Pimp, Januaria the tavern wench and others of their coven. These tried to gossip with them but Murranus and Oceanus pushed their way through.
Claudia gingerly followed the two men down the cellar steps. The brickwork either side was a rough red covered with cobwebs; the torches fixed into rusting sockets and niches spluttered noisily, their resin smoke mixing with the dry mustiness of the cellars. The steps led to a row of square chambers opening on to each other. In the second stood Polybius, Poppaoe, Venutus the fat-faced vinedresser, and Polybius' friends and neighbours, Apuleius the Apothecary and his wife Callista. Both husband and wife were small, grey-haired and anxious-eyed. Claudia had often met and chatted to them, and liked them both. They originally came from the south, and had the dark, leathery look of peasants who'd worked for long hours under a broiling sun. They had moved into the quarter a few years ago, and since then Apuleius had earned a well-deserved reputation for being most skilled in the knowledge of herbs and medicine.
All five people were grouped round a casket resting on a trestle table. Inside the casket, revealed by the light of the surrounding tapers, lay a young woman swathed in fresh linen robes, the folds pulled back to reveal her face. Claudia reckoned she must have been about sixteen or seventeen years of age, with a thin, rather troubled face, the lower lip jutting out, the nose snub, a dimple on her chin. Her eyes were closed and her hands clasped before her. Her black hair was neatly dressed and parted in the middle, falling down to her shoulders.
Claudia nodded at her uncle and aunt, picked up an oil lamp and peered closer. She felt the skin of the face; it was like touching a wax sponge. In the stronger light she noticed the reddish-gold dust on the side of the neck, how the cheeks were sunken, the jaw slightly drooping. She took her hand away. 'What is this?' She felt the powder between her fingers.
'It was on the side of the casket,' Apuleius explained. 'Probably from the wood.'
Claudia nodded and returned to her examination. She leaned down and sniffed the fragrance of wild flowers. She touched the hair; it was slightly dry and brittle. She rearranged the linen folds slightly and noticed the faded dark contusions on the side of the neck and along the shoulders. She went to raise the linen robes but Apuleius tapped her hand.
'I don't think we should,' he whispered. 'I've never seen the like before.' He pointed at the top of the casket and around the rim. Claudia made out the Christian symbols: the chi and rho as well as crudely etched crosses and fishes.
Polybius handed over two denarii, darkened with age. 'These were found on the eyes.'
'None on the mouth?'
'Of course not,' Apuleius remarked. 'I'm a Christian too. We wouldn't use a coin to pay Charon, the Lord of Hell. We don't believe in such things.'
'What exactly happened?' Claudia asked.
'Not here.' Polybius asserted himself. He picked up the lid of the casket and Claudia glimpsed the small crosses etched along the inside. She helped her uncle position the lid back on, noticing the rusting clamps and how the side of the coffin looked shabby and dirt-streaked, slightly rotting, even though the wood was the finest elm. It had definitely been in the ground for some time. She picked up a lamp and studied the twin denarii. They were mildewed with age but she made out the likeness of the curly-haired and bearded Diocletian, whilst the names and titles of the Emperor were inscribed round the rim.
'Diocletian!' she exclaimed. 'But he abdicated about ten years ago to grow his cabbages. He ruled for how long?' She screwed her eyes slightly. 'About twenty years?'
'Long before my time,' Polybius declared. 'I bought this tavern about four years ago.'
'And who owned it before that?'
'One of Maxentius' men,' Polybius remarked. 'Before the civil war ended he fled or was killed.' His sweat-soaked face puckered in concern. 'Don't let's talk here.' He shrugged. 'Let's drink a little wine.'
Polybius led them out of the cellar, leaving Oceanus and Mercury the Messenger to guard the door, which was locked and bolted. He also promised Simon the Stoic and Petronius the Pimp a free evening meal if they helped to protect what was now commonly being called the 'Great Miracle'. Poppaoe fled up into the kitchen to cut bread and cold sausage while her husband led Venutus, Apuleius and his wife as well as Claudia and Murranus out to a table in the shade of the small orchard. Sorry and Caligula, both sensing this was an important meeting, fled, though not before Polybius had told the boy that Poppaoe should bring out a jug of dry white wine, the best from northern Campania.
Once the wine had been served, Claudia learned what had happened. Venutus and his diggers had arrived just before dawn, and began work on the wrong side of the garden. They had cleared a pit of about six feet when their mattocks hit wood. Polybius, busy in the tavern, hadn't noticed where they were or what they were doing until he was summoned out. He immediately told Venutus and his men to break their fast in the eating hall whilst he, Oceanus and Narcissus lifted the coffin out, opened the clasps and found what Claudia had just seen.
'I was confused,' Polybius took a mouthful of wine, 'and so concerned I sent a messenger to the Captain of the Vigiles: that ugly bugger will be here soon. You know the law, Claudia: if murder is suspected or I am myself accused of secretly burying the corpse…' He let his words hang in the air.
Claudia knew the penalty for such crimes: possible confiscation, even crucifixion, or at the very least, slavery in the mines of Syracuse.
'But you're not responsible.'
'Of course he isn't,' Apuleius interrupted. The apothecary sidled on to the bench beside his wife, who sat hunched like a frightened dormouse. 'I'm a healer and physician.' Apuleius smiled. 'Your uncle trusts me, so I immediately hurried here when he sent for me. Callista brought my satchel of instruments and potions.'
'And you examined the corpse?'
'Oh yes, that's why Callista came,' Polybius said. 'The girl was naked.' 'What!'
'True.' Polybius held Claudia's gaze. 'As naked as a newborn baby except for a thin linen drape.'
'It's true,' Callista murmured. 'I asked Poppaoe to fetch some fresh linen; I thought it was decent. I thought-'
'Then I had her moved,' Apuleius intervened, gesturing up at the sky. 'The sun, the heat… the coolest place is the cellar. The rest you know.'
'But this is impossible,' Claudia exclaimed. 'That corpse must have been buried at least, what, nine, ten years ago? Yet, judging from the face at least, no decomposition, no corruption has apparently occurred.'
'I can't explain it,' Apuleius confessed. 'I've examined that corpse, and apart from those bruises there's no other mark of violence.'
'So what can explain it?'
Apuleius opened his mouth to reply, then glanced quickly at his wife.
'I'm reluctant to speak,' Callista confessed, blinking quickly. 'I'm glad Polybius summoned us. My husband is a peritus, an expert, but wc are also Christians. Apuleius recognised those symbols.' She paused and took a deep breath. 'That young woman, according to my husband, probably died a virgin.'
'Excuse me.' Claudia held up her hand and stared round. 'Where's Narcissus the Neat?' she asked. 'He was a professional embalmer; perhaps he could help?'
'Of course he can!' Polybius agreed. 'He too examined the corpse and agreed with Apuleius' conclusion. However, I've sent him out to discover all he can about what happened in this place during Diocletian's reign.'
'Sorry.' Claudia turned back to the apothecary's wife. 'Do continue, you were telling us of a possibility.'
'She may have died a violent death,' Callista declared. 'That bruising to her neck and shoulders…' She paused, then her words came out in a rush. 'During the reign of Dicoletian, Christians, as you know, were savagely persecuted. Young maidens were often interrogated and, in return for sexual favours, promised their freedom. Sometimes the questioning took place in private houses. I believe,' Callista stumbled over her words, 'this was the fate of our young woman. She was a Christian, brought into the city close to the Flavian Gate, interrogated and offered her freedom in return for sexual favours. She refused and was beaten or strangled, or maybe her heart gave out.' 'But why bury her?'
'Perhaps she was of good family.' Apuleius spoke up. 'She had not been brought to trial, so her killer may have become very frightened. He stripped the corpse and bought that casket. Being superstitious, he hastily prepared it, etched on the Christian symbols and buried her here.' He paused. 'If Christians had buried her, they'd have returned to reclaim the corpse. Mind you,' he added sharply, 'there's another possibility – our corpse was secretly buried by Christians who themselves died before the persecution ended and so all memory of her was forgotten.'
'It's possible,' Polybius agreed. 'During the Great Persecution and the consequent civil war, many properties out here were left empty. This garden, when I took over the tavern, was uncultivated.'
'But all this doesn't account for the preservation of the corpse,' Claudia insisted.
'Ah well.' Polybius gestured at Apuleius. 'You explain.'
'That young woman,' the apothecary replied, 'was a martyr, a saint. God preserved her body as a sign of her sanctity.'
'I've never heard-'
'Claudia!'
She turned round and groaned. Oceanus stood in the tavern doorway, next to him an imperial messenger, a white wand of office in his right hand, his left hand beckoning her quickly.
'The Empress!' Claudia rose to her feet. 'The dead are not so bothersome as the living.'