24

The dwarf grunted when I made my delivery. For an old guy—especially for an old dwarf—Crunch was astonishingly polite.

As I headed for the street, I glanced at the bandbox. And almost tripped over my feet.

A man had joined the musicians. He was one guy I'd hoped I wouldn't ever see again. He stared at me. I stared back.

He had nothing on me in height and only a little in weight, but size didn't make this man. He reeked menace the way Barking Dog Amato reeked uninspired personal hygiene. He scared you just by being around, even when he smiled. His name was Crask. He was one of Chodo Contague's top cats. He hurt people for a living. He enjoyed his work.

I realized I'd stopped to stare. He kept staring too. Each of us was wondering what the hell the other was doing there. When my brain unfroze again I had no trouble figuring him. He was there because of the battered musicians.

Old Licks didn't have a license from the outfit. Him and his buddies would be in deep shit if Crask caught up. Especially deep for picking on musicians in the Tenderloin. The Tenderloin was Chodo's. Even the King doesn't mess around down there.

I almost made it to the door before I got stunned again.

The girl blew in as I reached for the latch. I dodged, gaped. For all she reacted, I was a ghost.

She was the one those villains had dragged out of Morley's place. The one Morley claimed was the kingpin's daughter. I turned, stared, maybe panted some, as she strode toward Crunch.

Crask's face went as cold as death. My heart jumped. But it wasn't me he was watching.

The girl glanced his way, stopped, made a little sound of surprise, whirled, and sprinted for the street. She ricocheted off me as she went. I purred. Whip me, beat me...

Crask came pounding up behind me as I stepped into the rain to watch her fly away. He halted beside me. "What the hell was that?" I asked.

"What you doing here, Garrett?" He sounded suspicious. Nasty suspicious. Like getting-ready-to-break-arms-and-legs suspicious.

"What are you doing here? I thought you were too big-time for legwork."

"She come here to meet you?"

"Huh?" That was a surprise notion. "Uh-uh. No touch. I'll break things." Crask was scary, but I wasn't afraid of him in any head-butting contest. I figured our chances were equal if we got to prancing around pounding on each other. He was scary because he was a killer and a smart one. If he decided to send you over, you might as well start counting your beads.

"You stay away, Garrett. Or they'll find parts of you all over town."

"I didn't know you had a woman. Who is she?" Fact was, I thought he and his sidekick Sadler had a thing.

"Huh?"

"I'm going to tell you this once, Crask. I don't know the girl. I have seen her before. Once. She walked into Morley Dotes's place night before last. Two minutes later a bunch of guys roared in and tried to kidnap her. Me and Morley and Saucerhead showed them what we think of guys who pick up their girls the rough way. She disappeared before we finished. Beginning and end of story. Now it's your go. Who is she? How come you got your balls in an uproar?"

"You don't need to know." The girl was out of sight now. Crask frowned after her, as much puzzled as angry. He'd bought my story, probably because I'd not lied to him much in the past. "What was she doing at Dotes's place?"

"You got me. Never said a word. Just came in looking scared, sat by herself, then three guys blew in and dragged her out."

He grunted. "I didn't know about that. Thanks, Garrett. I'll give you one back. Tell Tharpe it ain't going to be healthy hanging around with those guys trying to mess with the musicians."

"I was going to suggest that anyway after I saw you in there." I started moving, planning to put some distance between us before it occurred to him to bring up old business.

"Garrett."

Damn. "What?"

"You see the girl around again, pass the word. We'd like to know."

"Sure. But why? Who is she?"

"Just do it." He went inside without turning his back.

I hustled away, breathing hard. It had been an encounter I'd dreaded more than necessary. Maybe. Maybe the street in front of Hullar's place didn't strike him as the best stage for my demise.


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