Riptide

thirty-two

Maura lived in a condo on Windward Avenue. It was a security building, and Casey didn’t have a key. A helpful tenant let them in.

The apartment was on the second floor at the end of a hallway lit by green-shaded lamps in brass sconces. Jennifer had walked this hall many times, but her knees had never trembled the way they did now, as she followed Draper, Casey, and the two patrolmen who’d come from the hotel.

Casey rang Maura’s doorbell and rapped on the door. No answer. He tested the knob.

“Unlocked,” he said, then pulled his hand away. His palm was marked with a purplish stain.

Blood.

Jennifer knew then. The world seemed to drop away, and she felt a sudden unreal detachment, as if she were observing someone else’s life.

“Stay outside,” Draper warned. It took her a moment to realize he was talking to her.

Casey pushed open the door and stepped in, followed by Draper and the uniformed cops. Jennifer, standing in the hall, heard a gasp, and a voice saying, “Jesus,” two or three times.

Slowly she approached the doorway. No one tried to stop her. No one was paying her any attention. The four men stood and stared, immobile, at whatever lay in the apartment.

She crossed the threshold and looked for herself.

At first she couldn’t react. Like the cops, she was shocked into passivity. The scene before her wasn’t anything real. It was impossible to take in, impossible to process. A shock cut in a movie. Or a picture in a book. A photograph, grainy, black-and-white…

She thought of that, and she knew what this was. It was the rented flat in Miller’s Court. It was the room in the East River Hotel. It was Mary Kelly. It was Carrie Brown.

What the Ripper had done to those women, her brother had done to Maura Lowell. The same frenzied obliteration, the same horrific disfigurement. He had carved her open and emptied her out, leaving pieces of her strewn around the living room-hunks of bloody tissue.

Maura lay sprawled on the sofa. Her head rested on a pillow which had been white and now was burgundy. There was no expression on her face, because there was no face. Her breasts, which she flaunted for the benefit of the surfer busboy only two nights ago, had been slashed off. The skin had been peeled from one arm, the arm that had flaunted the bracelet. Her clothes had been ribboned by the killer’s knife, their tatters falling among the glistening ropes of her intestines which had unspooled across the carpet in a lake of blood.

“God…” whispered a small shocked voice, her own.

Draper turned. “I told you to stay out.”

She barely heard him. She was looking at one pale hand that lay palm up, the fingers open as if in surrender.

Then Draper’s arm was around her shoulders, and he was guiding her into the hall. “You need to get out of here.”

“I don’t want to leave her alone,” she said stupidly.

“She’s not alone. We’re with her.”

“She doesn’t know you.”

“It’ll be all right, Jen.”

Neither his words nor her own made any sense.

“Richard couldn’t to do this.” She shook her head, insisting on denial. “He couldn’t.”

“You need to sit down.”

She didn’t know why he was saying this, except that her legs felt suddenly weak. She allowed to Draper to ease her to a sitting position against the wall of the corridor.

“Couldn’t,” she said again, though she knew the word was a lie.

Draper knelt beside her. “We need to find him. Right now. Do you have any idea where he might go?”

“No.”

“Think.”

“I have thought about it. It’s all I’ve thought about. He could be anyplace local. Anyplace at all.”

“Okay. We’ll find him.” He started to rise.

“He saved me,” she whispered.

“What?”

“He came and found me, and he got me help. I’m alive only because of him. Because of my brother.”

“I understand.”

He didn’t, of course. Neither did she.

No one could understand.