INTRODUCTION

There’s a view of werewolves (espoused even on the back cover of this volume) as an expression of the animal and the dark in the usually suppressed and mild-mannered civilized person; we like to think of ourselves as beasts, our wild instincts kept in check only by a thin veneer of social necessity. This fantasy is a persistent and appealing one: a jacketed executive by day, but the moment the full moon breaks through the clouds, watch out! There will be claws and fur and blood and howling.

But is this view accurate? I’d like to propose that it is not. In our natural state, humans are large, hairless apes who run well and live in groups. We are not predators—we are prey, something many romantically-minded individuals discover (one assumes, to their chagrin) while trying to survive in the wilderness, communing with nature, and engaging in other solitary pursuits in areas inhabited by large meat-eaters. Wolves and large cats are predators; we are their food.

And this, I think, is really the crux of the matter: werewolves are not the expression of our own wildness, but the longing to be like those who hunt us, the desire to become the predator. In that sense, the entirety of human civilization, our conquest and subjugation of the world, can be seen through such a lens. Being prey is embarrassing and undignified, it exposes our soft chewy insides, and who likes that? So we dominate and posture, and pretend that we are wolves inside of ape suits, rather than just . . . well, apes.

Then again, all of this is conjecture. If you look at the diversity of the stories presented here, the familiar tropes twisted in interesting ways, you’ll see that lycanthropy is much more than a simple urge to be an animal—it can be a metaphor or a joke, a tale of extinction or a new beginning, a disease or a blessing. So why don’t you sit back, crack the book open, and indulge in the fantasies of being a predator?

Ekaterina Sedia

January 2010

New Jersey

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