Sands of Time

1

‘No!’

Louisa Shelley’s anguished denial was instantaneous. ‘I don’t want to see them!’

The maid’s message had been so innocuous. She had come in carrying a steaming ewer of water as Louisa was standing staring out of her bedroom window.

‘My lady said I was to tell you that we have a treat this evening, Mrs Shelley. Unexpected guests. She understands they are old friends of yours. Mr and Mrs David Fielding?’ The girl smiled, clearly delighted with her news. ‘They arrived while you were out painting.’

Her eyes widened as she registered Louisa’s horrified reaction. She had been somewhat overawed at first by their guest’s fame. Louisa Shelley was an acclaimed water colourist. Her drawings and paintings of her travels in Egypt in the mid 1860s had been exhibited in London galleries, so she had been told, and besides that, Louisa’s elegance and beauty had stunned her. Her hair was glossy chestnut, the colour emphasised rather than spoiled by the threads of silver appearing at her temples. She wore graceful flowing dresses in bright jewel colours quite unlike those of the lady of the house, Sarah Douglas – in fact unlike any dresses Kirsty had ever seen. Her awe had quickly turned to worship as Louisa’s easy charm won her over. But there were no smiles now. None of the eager excitement she had expected. Louisa’s face had gone white. Her features had lost their vivacity.

‘But -’ Kirsty was shocked into indiscretion. ‘Lady Douglas will be heartbroken. She is so excited. She’s ordered a special meal and cook is over the moon. It’s not often we get the chance to entertain properly.’

Glen Douglas House had once rung to the sounds of music and laughter, but Sir James did not care much for company now that the five children were grown up and gone and in the last few years Sarah had found herself often alone. It was on a visit to her eldest daughter’s home in London that she had met Louisa, a friend of a friend, and the two women had taken an instant liking to each other. Sarah had impulsively asked Louisa to come to Scotland for the summer to paint. So far the visit had been a resounding success.

Louisa turned away from Kirsty, defeated. It would be unforgivably discourteous not to come down to dinner. It was only after the little maid had curtseyed and left the room that she gave vent to her true feelings, throwing herself onto the bed, smothering angry tears in her pillow. The very mention of the Fieldings’ names had brought it all flooding back, the memories she had tried so hard to bury of that visit to Egypt seven years before when she had met – and lost – the only man she had ever truly loved.

It had all started after the death of her husband, David.

Nothing but her grief and despair at the seemingly needless suffering of such a good, kind man, of whom she had been so extremely fond, and her own increasing ill health, would otherwise have persuaded her to leave her two beloved young sons with their grandmother to travel in search of the warm climate and relaxation which would, she hoped, hasten her recovery.

Her subsequent adventures, her meeting with Hassan, her love for whom had completely and overwhelmingly eclipsed that which she had felt for her adored David, the gift Hassan had given her of a small bottle, an artefact from an ancient tomb, and the cataclysmic events which had followed that simple generous act, had combined on her return to London to bring back a reoccurrence of her ill health. Her restless sleep had been more and more frequently dogged by nightmares. Nightmares about the ancient bottle and the two ghostly spirits who guarded it; and nightmares about the safety of her two sons.

Sarah Douglas’s invitation had come at an opportune moment. It was an excuse to send the boys to their grandmother’s house – somewhere they needed no second invitation to go, away from the heat and smells of a London summer – and allow her to leave for a complete change of air, in Scotland.

Outside her bedroom window the hot sun beat down on the terraced lawns, driving the aromatic oils from the pines and cedars scattered around the ornamental lake and turning the heather on the distant hills to purple fire. Wearily drying her tears she climbed to her feet. She glanced down at her sketchbook and paintbox lying on the table by the window. The open page showed a delicate watercolour of the eighteenth-century folly, built by her host’s great-grandfather. This summer her sketchbooks and canvasses were full of the colours of Scotland, the purples and greys of the moors and mountains, the dark greens of the forests and the deep peaty browns of river and loch. Seven years before they had been full of the golds and creams and yellows of sandstone and the pinks and rose of arid rock and the incredible, ever changing, colours of the River Nile.

Hassan had been her dragoman, her guide, her interpreter, her mentor and, at the last, her lover. His handsome face and tall figure had featured in many of the paintings she had exhibited in London. None of the captions told his story or named his name and no one asked. He was, after all, only a native, part of the scenery. On the two separate occasions when gentlemen, who were captivated by Louisa’s charm and beauty during these last few years, had plucked up the courage to ask for her hand, both had retired from the field disappointed. They did not know that they were competing with a dream. Neither imagined for a single second that the heart of the beautiful woman whom they so desired was still captive to the tall dark figure who appeared so enigmatically in her paintings.

The Fieldings had known Hassan’s story. They had known who he was and what he meant to her. Their dahabeeyah had sailed in convoy with the Forresters’ boat on which she travelled with Hassan as her servant and they knew how he had died. They had been kind to her – indeed Katherine had named her eldest son Louis after her, following that desperate night on the Nile when she had assisted at his terrifying premature birth.

When they had all parted at Luxor and Louisa had left the Forresters and the Fieldings to take the steamer north at the start of her journey back to England it had been with many tears and hugs and promises to meet again. Augusta Forrester had written to her often over the past years but not once had she mentioned Egypt. She had been tactful. Her letters were full of reassuring gossip and pleasantries and for that Louisa had been thankful. The Fieldings had never contacted her and she had not expected them to. Too much had happened; the memories were too painful to recall.

And now this. With no time to prepare herself, to seal down the emotions which had been reawakened by their name, to rebury the memories and arm herself against the past, she was about to be catapulted back into a storm of reminiscence and nostalgia and grief. Glancing down at the sketchbook again she bent suddenly to the painting, ripped it from the book and tore it across the middle.

The Fieldings were seated in the great drawing room of Glen Douglas House when Louisa finally forced herself to go downstairs. Katherine saw her first. Rising awkwardly to her feet she smiled. Then she held out her hands. ‘Louisa! Dear, dear Louisa, how are you? I couldn’t believe my ears when Sarah told us you were their guest!’ She kissed Louisa on each cheek, her awkwardness explained on closer inspection by the fact that she was expecting a child.

Louisa returned her smile and turned to greet David Fielding. ‘How are you both? I see the family continues to flourish.’ A gentle acknowledgement of Katherine’s condition.

David nodded. ‘We have three children now. They are upstairs with their nurses. And as you see, we await a fourth.’ He glanced fondly at his wife who nodded a little smugly. ‘You must see Louis, my dear. He is the most beautiful child.’

Louisa nodded. ‘I would expect no less.’ She hoped they were not going to launch into a long explanation of how they knew one another for the benefit of their hostess. But Sarah, it appeared, already knew the story of Louis’s dramatic birth. Either out of great tact or by accident she adroitly changed the subject.

‘The gentlemen are going out on the hill with the guns tomorrow, Louisa. So I thought perhaps we would spend a quiet day in the gardens or maybe take a short carriage drive?’ She raised an eyebrow at their newly arrived guest. ‘Only if Katherine feels like it, of course.’ A well-built, attractive woman with elegantly dressed greying hair, Sarah surveyed her guests calmly, her blue eyes shrewd.

Before Katherine could respond to her suggestion the door opened and another woman walked into the room. David Fielding’s sister, Venetia. Louisa sighed. The younger woman’s figure had thickened slightly in the last seven years in spite of her tightly laced corset, her face had hardened, the corners of her mouth were drawn down, the eyes were a trifle deeper set, but she was still a beautiful woman. In spite of herself, as she stepped forward to greet her, Louisa glanced at her hand. No wedding ring. Obviously not, if she was still trailing around after her brother and his wife.

Venetia’s smile did not quite reach her eyes as she greeted Louisa. Her kiss was perfunctory and did not do more than brush the air beside Louisa’s cheek. ‘How are you now?’ Four innocuous words, but loaded with innuendo and dislike.

‘Well, thank you.’ Louisa smiled and turned to find a seat. A dozen spirited questions and retorts flashed through her mind. All were instantly rejected. Silence was the most dignified route.

Venetia sat down next to Sarah Douglas and smoothed the flounced silk of her skirt over her knees. ‘So, your curiosity got the better of you, Louisa. You couldn’t keep away from Glen Douglas.’ Her smile masked considerable venom. ‘You know, of course, that he’s not here. He’s travelling abroad.’

Louisa frowned. ‘I’m sorry? About whom are we talking?’ She glanced at their host who was engaged in animated conversation with David Fielding by the fireplace. Both men held whisky glasses in their hands. The huge hearth behind them was filled with an arrangement of bog myrtle and heather.

‘Lord Carstairs, of course.’ Venetia’s cheeks coloured slightly.

Louisa stared at her, her own face growing so pale her hostess sat forward anxiously, afraid Louisa was going to faint. ‘Roger Carstairs lives near here?’ Louisa whispered.

Sarah Douglas nodded. ‘So you know him as well? But, of course, you must have met him in Egypt. Our estates march together, my dear. Carstairs Castle is but two miles from here.’

Louisa found her mouth had gone dry. For a moment words failed her totally in the rush of emotions which assailed her. Roger Carstairs: the man who, in Egypt, had asked her to marry him, who had tried to seduce her, who had seen and recognised the little bottle Hassan had given as being something of supreme supernatural importance and who, when he was refused the bottle, had finally been responsible for her beloved Hassan’s death. A man so imbued with evil that his very name sent a shiver of distaste through the households of the British aristocracy amongst whom he used to socialise. A man whom Venetia had liked very much indeed.

Somehow Louisa found her voice, aware that Katherine’s gaze was as full of sympathy and kindness as Venetia’s was of spite.

‘I had no idea this was where he lived.’ She took a deep breath. ‘How extraordinary. But I had heard that he never returned to Britain after -’ She found her voice growing husky. ‘After our visit to Egypt.’

Sarah walked over to the table and poured a glass of ratafia. Handing it to Louisa she smiled. ‘He has a certain reputation, I have to admit. And he doesn’t come home often. But he has two sons who live at Carstairs. They have a tutor who is their guardian, I believe, in their father’s absence. And he does return to see them from time to time. We haven’t met him lately. He does not visit his neighbours.’ She glanced from Venetia to Katherine and then back to Louisa, her face suddenly alight with mischief. ‘I have an idea!’ She plumped down on the ottoman next to Katherine. ‘We could drive over to the castle tomorrow. He has a museum. In the stable block, I believe. A friend of ours went to see it. Lord Carstairs’s servants would show it to us. I understand it is very interesting. He spent a year in India quite recently and after that he was in America. He has a collection of fascinating artefacts from the American Indian tribes. Feathered head-dresses. Peace pipes. All kinds of things.’ Her eyes were sparkling. ‘Would you like to go?’

Louisa was torn. Part of her shrank from the prospect of going anywhere near the castle. But another part of her was intrigued, both to see where Roger Carstairs lived, and to view the curiosities he had brought back from his travels. Curiosities presumably like the ancient bottle Hassan had given her, which Carstairs had so wanted for his collection that he had been prepared to kill to obtain it; the bottle which lay hidden at this very moment in the secret compartment in the desk of her London home. Oh yes, she would be interested to see it all, just so long as it was certain, beyond all possible doubt, that he was not there himself.

Carstairs Castle was a grey stone edifice, with turrets and battlements surmounting small windows in thick ancient walls. As their coach rumbled up the curving drive through the rhododendrons, brought by his lordship from India and already growing in profusion, the four ladies stared out with eager curiosity. The messenger who had ridden over the previous evening to see if their visit was convenient had returned with an assurance that Mr Dunglass, Lord Carstairs’s factor, would greet them and personally escort them round his lordship’s gardens and museum.

The factor was waiting on the steps at the foot of the main tower. A small, red-haired man wearing the kilt, he stepped forward to greet the visitors.

Louisa climbed out of the coach last and stared round nervously. The place had a prosperous well cared for feel. The paths and driveway were neatly weeded and raked and there were flowers in the beds around the walls. She glanced up and the skin on the back of her neck prickled slightly. Were they being watched? So many narrow deep-set windows, dark and shadowy on this west-facing side of the castle, looked down across the drive and towards the hills. A hundred pairs of eyes could be watching them and they would not know it. She became aware that the others were walking away, following Mr Dunglass around the base of the tower, and she hurried after them, shrugging off her unease. Lord Carstairs was once more in America, so his factor informed them. He was not expected home until next year at the earliest.

A modern stable block and carriage house had been constructed in the early part of the century by Lord Carstairs’s grandfather on the eastern side of the castle. The buildings surrounded a courtyard – a line of loose boxes, all empty as his lordship’s horses were out at grass, on one side, a line of double doors concealing no doubt his lordship’s carriages on the other, while between them, on the south side, rose a small pedimented coach house surmounted by a clock tower. In this building all the windows had been barred. Mr Dunglass headed towards it now, groping in his sporran for a large iron key.

‘This way, Mistress Shelley.’ The man had ushered the others up the steps and through the door as Louisa lagged behind and now he was waiting for her, his eyes boldly on her face. How did he know her name? Standing below him in the cobbled yard she looked up and met his gaze. He did not lower his eyes; his expression was carefully blank but behind the facade there was something else. Insolence? Triumph? The moment passed and he looked away. ‘The others are inside, Mistress Shelley. If you would like to join them I’ll explain some of the items you can see in there.’ His tone was respectful. Even friendly. Surely she had imagined that momentary expression on his face?

The room into which they had been led was large and dark. Standing still they waited while their guide opened the shutters allowing the bright sunlight to flood the room. As they stared round there was a moment’s stunned silence, then at last it was Venetia who spoke first. ‘My goodness.’ She gasped with a nervous laugh. ‘How amazing!’

The items on display nearest to them, the bows and arrows, the huge beautiful feathered head-dress, the beaded jewellery, the bison skins, had been brought back so they were told by Lord Carstairs the previous year. ‘He went right across America,’ their informant told them, clearly awe-struck. ‘He lived with the various tribes he encountered. The Sioux; the Cheyenne. They made him welcome and he smoked the peace pipe with them.’ He indicated the large pipe decorated with coloured bands and feathers. ‘He has been studying their religion and their beliefs. He witnessed the Sun Dance.’ He paused, obviously expecting them to look impressed. ‘Beyond the American exhibits you will see those his lordship brought back from the Indian subcontinent in 1870. Beautiful silks and brocades as you will notice; items from Hindu temples and gifts he received from the maharajahs and British dignitaries with whom he stayed.’

Louisa was not listening. She had wandered past the American items and the Indian, past a huge glass-fronted bookcase and display cabinets of every shape and size, to the back of the room. In the corner, standing upright in the shadows, was the unmistakable painted face and body of an Egyptian mummy case. She closed her eyes, steadying her breathing with an effort.

‘Ah, Mistress Shelley. You have discovered Lord Carstairs’s Egyptian collection.’ The voice beside her was soft and ingratiating.

She gave a nervous smile. ‘He has a great many interesting items.’

‘Indeed.’ The factor glanced over his shoulder. The other three women were gathered around a glass case, staring down at a mass of beautiful shells. ‘Wampum,’ Venetia repeated, baffled, reading from a card inside the case.

Louisa stepped away from him. His presence beside her made her feel uncomfortable. She walked over to a table nearby and stared down at the items displayed on it. One stood out from them all. A small carved statue of a coiled snake. Without thinking she picked it up and examined it. ‘Solid gold, Mistress Shelley.’ The factor was still there at her elbow.

She stared down at the item in her hands, holding her breath. Almost she could hear Roger Carstairs’s voice in her head. ‘So, Mrs Shelley. You came to find me after all…’ The sound was so real she glanced up, shocked. But it was her imagination. Hastily she set the item back in its place and walked away. She glanced again with some distaste at the mummy, then moved on and stopped, staring at the wall. Framed in ebony with a deep terracotta mount she found herself looking at one of her own watercolours. A painting of the temple at Edfu.

She gasped.

The man beside her nodded. ‘You recognise it, of course.’

She spun to face him. ‘Where did he get that?’

‘He bought it, Mistress Shelley. In London.’ He bowed. A minimal movement betrayed a touch of mockery beneath the respect. ‘He has attended all your exhibitions, Mistress Shelley.’

Her stomach tightened with fear as she met his eyes. ‘Indeed, Mr Dunglass. I’m flattered at his interest.’ She managed to hold his gaze unwaveringly.

He looked away first. ‘So, madam, have you seen the next exhibit?’ He smiled again. ‘An example of one of the most poisonous of Egyptian snakes -’ He broke off as her hand flew to her mouth. In the case in front of her on a bed of pale dry sand lay a coiled snake, its head with spread hood rising out of the dry skin, its tiny button eyes fixed balefully on some imagined desert distances.

Louisa turned away with a cry of distress. It was so like the snake that had killed Hassan. The same shape, same length, same colour – its eyes were similar. Unblinking. Beady. Missing nothing.

‘It’s dead, Louisa.’ The hand on her arm was firm. Katherine was beside her. ‘Come away. Don’t look at it.’

‘Katherine – ’

‘I know, my dear. They told me all about it. And the way he conjured a snake onto our dahabeeyah. Magic snakes. Evil magic.’ She glanced round the room. Nearby was a wooden statue of a child holding a snake in its hand. The inscription underneath said, ‘Horus of the Snakes’. She shuddered. ‘Dirty magic. All his efforts to make himself a so-called master of the occult, and what for? A small room in the back of beyond and a few boxes of stolen mementoes.’

‘I beg your pardon?’ Mr Dunglass had overheard her. He was bristling with indignation. ‘Nothing here has been stolen. Everything was bought or given freely.’

‘Really?’ Louisa looked at him bitterly.

‘Really!’ The man glared at her.

Katherine shuddered. ‘Well, I don’t envy him this. I really don’t.’ She reached over and thumped the glass case with her folded parasol. The snake moved infinitesimally.

Louisa swallowed. Clutching her shawl around her shoulders she moved away from the Egyptian corner of the room to stand in front of the American head-dress with its regal glossy feathers, concentrating on the exquisite workmanship, the detail, the tiny beads.

Katherine moved on too, standing beside Sarah and Venetia, staring at some clay pots, laughing softly as Venetia, oblivious to the earlier exchange, pointed out some detail in the swirling decorations.

The hiss was so quiet Louisa barely heard it. For a moment she didn’t react, then she spun round staring back at the case. From where she was standing she could see an almost invisible film of dust on the glass. Nothing moved. She clenched her fists. Stupid. It was her imagination. Her idiotic, feverish, over-active imagination.

Behind her she heard Venetia’s voice. ‘And Lord Carstairs’s darling boys? Are they at home at the moment?’ and Dunglass’s grunt. ‘Aye. They are.’ He did not sound impressed.

‘We would so like to meet them, wouldn’t we, Sarah?’ Venetia clung to her hostess’s arm for a moment.

Louisa saw the factor’s eyebrow rise almost to his hairline. ‘I have no idea where the boys are, Mistress. You’d have to be speaking to Mr Gordon, their tutor, about them.’ His tone implied that their whereabouts was something he for one would rather not look into too closely.

‘We’ll do that.’ Venetia simpered at him. ‘We know dear Lord Carstairs so well, I’m sure he would wish us to enquire after his sons. Are they not at Eton with your elder boy, Louisa?’ She turned and raised an eyebrow.

‘I don’t think so,’ Louisa returned sharply.

Dunglass shook his head. ‘They’ve been expelled from every school in the country! I doubt his lordship could find one to hold them. That’s why they have a tutor.’ His lips tightened. ‘Believe me, ladies, I doubt you’d want to meet them.’ He folded his arms firmly.

Sarah and Venetia looked shocked. It was Venetia who voiced what was going through both ladies’ minds. ‘I don’t think you should speak like that about Lord Carstairs’s sons, Mr Dunglass.’

‘No?’ The man snorted. ‘I’m thinking their father would agree with me!’

‘Really?’ Venetia simpered at him. ‘Oh my goodness! In which case -’ She fluttered her eyelashes at the man in apology and Louisa turned away sharply. Was it possible that Venetia still had hopes of the odious Carstairs? Surely not? But here she was, still unmarried, still travelling with her brother and his long-suffering wife. Still hankering after a rich titled husband. She gave an involuntary shudder. No doubt the handsome Lord Carstairs would fit her imaginary ideal in every particular. She did not, after all, know what the real man was like!

‘Louisa dear? It’s time we made a move for home.’ Sarah’s gentle hand on her arm made her jump. ‘Have you seen enough?’

‘Quite enough.’ Louisa glanced towards the back of the room where the case containing the stuffed cobra was standing in a patch of sunlight from the high window. There was no movement; nothing at all in that corner of the room. So why did the very stillness make her feel uneasy?

2

In her dream she was standing at the mouth of the cave, staring into the darkness, anxious to escape the glare of the sun. Hassan was beside her, his handsome face eager, gentle, so very loving. He turned with that serious smile she loved so much and held out his hand. ‘Come, my Louisa; we will go in out of the heat.’

She reached towards him. She only had to speak to save his life. All she had to say was, No, come back. Don’t go in. But the words would not come. Her throat was constricted, her mouth full of sand. There was a roaring in her ears like the waters of the cataract in flood and then it happened. In slow motion she saw the sinuous movement of the snake; saw it head towards Hassan, saw it rise up, its hood spread, its mouth open -. Her scream this time, as always, came too late; her waking, alone, in her bed, desolate.

She sat up, sobbing, aware of the moonlight flooding through a crack in the curtains. The room was very quiet. Not a breath of air stirred the wisteria on the wall outside. The night was very hot. Her face still wet with tears, she climbed out of bed and went to push back the curtains. The tall windows opened out onto the balcony which ran the entire length of the first floor of the house overlooking the gardens. Pushing them open she stepped outside and leant on the stone balustrade. The countryside was as bright as day. She could see every detail of the garden with its formal hedges and beds and its vistas across the parkland and the loch to the mountains beyond.

‘So, Louisa. You came to visit my house. You couldn’t resist seeing where I lived. I saw you pick up my golden snake. I felt you call me.’

Lord Carstairs was standing on the balcony half hidden by one of the clipped potted bay trees near her window. Tall, handsome in the moonshadows, his eyes were strangely colourless in the strong contours of his face. He was dressed in a loose white shirt and trousers. Over one shoulder he wore a tartan plaid, fastened in place by a Cairngorm brooch.

Her heart almost stopped beating. ‘I never called you! I thought you were abroad!’ She stepped back towards the window, feeling acutely vulnerable in her nightgown, with her feet bare and her hair loose on her shoulders.

He smiled coldly. ‘And I never thought to see you in Scotland, Mrs Shelley. I am flattered you should come. Very flattered.’ He emerged from the shadows and the moonlight glinted on the yellow stone in the brooch on his shoulder.

She frowned. ‘Don’t take a step nearer. I have only to call out and people will come. What are you doing here?’

He laughed quietly. ‘What if I were to tell you that I am not here, Louisa, I am four thousand miles away, eating peyote buttons with the men of the Cheyenne in a tepee under an arid western sky.’ He took another step forward and reaching out his hand touched her hair with his finger tip.

She shuddered and took a rapid step backward. ‘I don’t understand. Are you trying to tell me that this is a dream?’ She clutched behind her at the heavy curtains of her bedroom window.

‘Just a dream.’ His voice was mocking. ‘Nothing but a peyote dream.’

‘What is peyote?’ If it was a dream she wanted to wake up now. End it. Banish this man back to the depths of whatever hell he lived in.

‘Peyote, Louisa, is a sacred plant; a way of life; an entrance to other worlds where one may travel unencumbered even into the bed chamber of a sleeping woman.’ He moved forward again. She could smell a strange muskiness about him; the scent of woodsmoke and flowers, of bittersweet tobacco and an acrid hint of desert wind.

She took another step back, aware that they were now on the threshold of her bedroom. The moonlight flooded in through the open curtains illuminating the white bedlinen and lace-trimmed pillows. He smiled. He was very close to her now.

‘Aren’t you going to scream?’ His eyes were insolent. Challenging.

‘Oh yes, I’m going to scream!’ She tried to stop the treacherous trembling of her limbs as she raised her hand towards him, ready to fend him off if he came any closer. ‘If you don’t leave now I shall scream the place down and your reputation, my lord, will be destroyed forever.’

‘My reputation, Mrs Shelley,’ he returned the formality like a tennis partner volleying a ball, ‘was gone long since. I did not value it. It was of no consequence to me. While yours, I feel sure, though blighted by your dalliance with a native -’ he raised his hand to silence her protest – ‘Your reputation, as I was about to say, probably survived at least in Britain, thanks to the loyalty of your friends.’ He narrowed his eyes. ‘Scream, Mrs Shelley. See if you can make yourself heard. Remember you are dreaming. All this has been conjured by your mind.’ He reached out and stroked her cheek. His hand was very cold.

‘Don’t touch me!’ She backed away into the room. ‘I will call for help.’

‘Call then.’ He reached out and caught her shoulders, pulling her against him. ‘Beautiful Mrs Shelley.’ His words were whispered into her hair. ‘Oh, how much I have desired you. And how angry you have made me.’ She could feel his heart beating against hers. ‘And now I shall have you, Mrs Shelley. And perhaps I shall punish you for rejecting me. For not giving me what I wanted.’ She did not know whether he meant her body or the tiny bottle he had so much desired, and which as far as he knew was lying at the bottom of the Nile. He smiled again. ‘The interesting part of this experience is that you will remember none of this in the morning, Mrs Shelley. None.’

His lips against hers were fierce and eager. She could feel her breasts against his chest as he dragged her nightgown down to her waist. His eyes, so near hers, were slits of silver. ‘Go on. Call, Mrs Shelley,’ he murmured. ‘Call for help. Why don’t you?’ His hands were all over her body now as her nightgown fell to the floor. To her horror she found herself responding to his touch. Her body refused to struggle; with a groan of pleasure she found herself pressing against him, reaching up for his kisses, caressing his back with fingers that had intended to scratch and maim.

Without further struggle she felt herself falling back onto the bed, felt him groping for his belt buckle, felt his weight on her with eager excitement as she arched her body towards his.

He laughed exultantly. ‘So, at last I have you, Louisa. And I shall make you scream.’ He put his hand for a moment across her mouth. ‘But it shall be with pleasure. It will be to beg for more.’ He removed his hand and she felt it travel down her body as he stopped her mouth once more with his own.

She was powerless. Her limbs refused to obey her. The more she wanted to push him away the more she found herself pulling him closer. With a groan of ecstasy she closed her eyes, allowing herself to feel the touch of his skin, the caress of his lips and then finally the full thrust of his passion as he made her his.

The first light of dawn had dimmed the moonlight when she slept at last, lying naked across the bed amongst the trailing bedclothes.

The scream when it came was from Kirsty and was bitten off as soon as it had formed. ‘Oh, Mrs Shelley, I’m sorry!’ The girl had almost dropped the ewer of hot water she was carrying as she turned away, trying not to stare at the beautiful voluptuous body of the woman lying so wantonly on the bed.

Louisa lay still for a moment, not knowing where she was, still hazy with sleep, all memory of her dream gone, then she grabbed for the sheet and pulled it over her, inexplicably amused at Kirsty’s stunned expression.

‘Kirsty! Come in. Bring the water.’ Sitting up she swept her hair back off her face with her hands. ‘Forgive me. It was so hot last night I threw off the bedclothes.’ And her nightdress. She could see it lying in a crumpled heap near the window.

Kirsty had regained her composure. Her eyes fixed on the floor she set the jug down. ‘Do you want me to help you dress, Mrs Shelley?’

Louisa shook her head. ‘Not yet, thank you. I’ll take a moment to wake up. I’ll ring if I need you.’

Her whole body was alive and tingling. She felt younger than she had felt for years. Young and happy and excited.

She waited, swathed in the sheet, for the girl to leave the room, then she climbed out of bed and walked naked over to the open window. The morning air was cool and she shivered as she bent to pick up her nightgown. It was torn almost in two. She frowned, staring down at it. Had she caught it on something? Had she sleep-walked, restless in the heat of the night, and thrown it off without bothering to unfasten the ribbons which held it closed?

She glanced round the room, suddenly uneasy. She had had a strange dream, and in the dream -

But it had gone.

Walking over to the basin she poured some hot water and reaching for the embroidered wash cloth on the wooden towel rail she began to sponge her face and neck. When she reached her breasts she winced. Looking down at herself she realised suddenly that they were reddened and sore. With an exclamation of surprise she went to stand in front of the cheval mirror in the corner of the room and stared at herself in horror. There were bruises on her arms and breasts, her nipples were engorged and there was a mark on her neck which looked suspiciously like a bite. She stood for several moments unable to move, her whole body numb with shock, then slowly she raised her hands and ran them gently over her cold skin. Her body tingled with anticipation. She stroked her thumb over the bruise on her hip and felt herself respond with a leap of desire so overwhelming that she gasped out loud.

She did not call Kirsty to help her dress. Painfully she pulled on her petticoat, her loose cotton drawers and one of her pretty aesthetic dresses, the kind which had so shocked her hosts in Egypt seven years before, but which were now blessedly a fashion item and approved even in The Queen Magazine as an acceptable alternative to tightly corseted waists and the bustle. Around her neck she fastened a velvet ribbon to hide the red mark.

It was as she was slipping on her shoes that she found the brooch on the floor, half hidden by the trailing bedclothes. She picked it up and stared at it. Deeply engraved silver surrounded a large golden topaz-like stone – a few strands of fine red wool were caught in the pin as though it had been torn from someone’s shoulder.

She sat down, turning it over and over in her hands, then leaping to her feet she ran over and dragged the covers back off the bed, staring down at the sheets. They were spotless.

Lord Carstairs. The man who filled her with loathing and horror; the man of whom she was so desperately afraid; she remembered it all now; he had been there, in her room; he had hurt her. And yet – she hesitated even to address the thought – the touch of his hands, his lips – had given her pleasure.

For a long time she stood without moving, trying to understand what had happened. Her body ached; her clothes were ripped. She had his brooch. And yet this man was, as far as she knew, four thousand miles away in America. It had been a dream. But how could it have been?

She tried to force herself to confront what had happened. He had been there. In her room.

He must have been.

She shuddered. No. It wasn’t possible

3

‘We leave for Edinburgh this morning, Louisa my dear.’ David Fielding smiled at her as she appeared at last in the breakfast room. ‘And Katherine was wondering if you would like to accompany us. If Sarah could spare you for a few days I am sure you would enjoy it.’

Louisa found herself giving a deep exhausted sigh. Until last night this place had been a haven; a retreat from her dreams and nightmares. But now everything had changed. Even the thought of spending time with Venetia might be better than living with a dream like last night’s. She turned from the sideboard with her bowl of porridge to take her place at the table, her mind almost made up to accept, but Sarah was already speaking.

‘Bless you, David, for the thought, but I have already planned to take Louisa to Edinburgh later in the month. I’m afraid I can’t possibly spare her now. We have so much planned. So many things to do.’

‘I was right to say that, wasn’t I?’ she said to Louisa later. ‘I could see you and Venetia do not get on. I’m so sorry. I didn’t realise. I had thought we were all friends. But at least I could spare you the long journey in her company.’ She paused. ‘Are you all right, Louisa? You look a little feverish.’

Louisa and she had watched the Fieldings depart an hour earlier with their nurses and their children and were now seated on the bench in the shade of one of the great cedars on the lawn behind the house. Sarah had brought her embroidery outside with her, Louisa a sketchbook and a box of watercolours and the latest letters from her two sons. All lay untouched on the seat beside her. How could she tell her hostess she would rather have driven on with the others even if that meant tolerating the company of the odious Venetia; that she dreaded another night under this roof because of her dreams. If they were dreams. She pictured again the brooch, now hidden in her own jewel box, and the man who had been wearing it.

As though reading her thoughts Sarah went on, ‘We haven’t talked about our visit to Carstairs Castle. What did you think of the place?’

Louisa was staring down across the grass towards the distant hills. ‘Very impressive.’

‘Do I gather Venetia has a fondness for his lordship?’

‘She has always found him attractive, I believe.’ Louisa smiled grimly.

‘Oh, but he is. Devilishly attractive!’ Sarah giggled. ‘If I were a little younger I might have set my cap at him myself.’ She raised an eyebrow. ‘You are still young enough to ensnare him, Louisa. How would you like a title and a fortune? It is such a long time since your husband died. Think what fun you could have. A man with a certain reputation!’ She was setting her stitches with care, not looking at Louisa’s face.

‘He is in America, Sarah.’ Louisa’s voice was so taut that Sarah at last glanced up. Her guest’s face was as white as a sheet. Their eyes met. ‘He is in America.’ Louisa repeated. ‘Isn’t he?’

‘Yes, my dear. Of course he is.’ Sarah put down her sewing. ‘What is it? You look frightened.’

‘I dreamed about him last night.’ Louisa bit her lip. ‘It was so real. I -’ She hesitated, shaking her head. ‘It was so real I found it hard to believe it was a dream.’

The brooch was not a dream. Nor were the bruises on her body.

Sarah was still studying her face, her embroidery lying discarded on her knee. ‘And it was not a pleasant experience, if I read your expression aright.’

Louisa blushed scarlet. ‘No.’

Yes. The treacherous word hung between them, unspoken.

For a moment Sarah continued her silent scrutiny. ‘Were you – that is, did he pursue you when you were all in Egypt, my dear?’ She leaned forward and put a gentle hand over Louisa’s.

Louisa nodded.

‘But you didn’t encourage him.’

‘Of course not.’

‘Ah, I see the source of Venetia’s jealousy.’ Sarah sighed. ‘Was he very persistent?’

Louisa nodded. ‘He would not take no for an answer -’ Her voice broke. The memories were too powerful, too painful to bear.

For a moment both women sat without speaking. It was Louisa who broke the silence. She turned to her friend, her face tense with anxiety. ‘Do you believe in magic? High magic, where people can put others under their spell and force them to do things they don’t want to do. To have them in their power.’

Sarah stared at her. ‘You think Roger Carstairs has put a spell on you?’

Louisa saw the conflict in the other woman’s face. Disbelief. Amusement. And then finally horror. She shrugged. ‘I don’t know. It sounds crazy. Such strange things happened in Egypt. Evil things. Even now I don’t know if they were coincidence or -’ Her voice trailed away. She sat silently for a few more minutes, then she turned back to Sarah. ‘If we could be sure he is in America I would like to go back to that museum of his.’ She gave a tight smile. ‘To lay a ghost.’

Sarah gave a nervous shiver. ‘I am sure we have only to ask Mr Dunglass.’

‘And you would come with me?’

Sarah nodded. ‘Just try and stop me.’

Their excuse was that Louisa would like to sketch the great feathered head-dress which was the centre of Lord Carstairs’s collection and it was arranged that the two ladies ride over early next day escorted by one of the Douglas’s grooms.

Before that Louisa had to live through another night.

Kirsty had removed the torn nightdress without comment and replaced it with a fresh one from Louisa’s trunk. It was lying ready on the bed when at last she came up to her bedroom that night. She had delayed her hosts for hours, begging Sarah to play the piano, asking James to tell stories of his time in India, and again when briefly he was member of parliament for the county. They both looked exhausted when at last they bade their guest goodnight at the top of the main staircase and headed towards their own bedrooms leaving her alone.

The lamp by her bed was turned low, the water in the ewer already cold. She had told Kirsty not to wait up for her; she could undress herself.

The windows were closed; the curtains drawn tightly together. Standing quite still she looked around the room, listening intently. There wasn’t a sound.

The lamplight barely reached the corners of the room. Carefully, holding her breath, she searched every inch; the huge wardrobe, the alcove near the fireplace, the dark shadows behind the cheval glass, under the high bed, behind the curtains. The room was empty. Only then did she turn the key in the door, undress quickly and put on her nightgown then her dressing gown, pulling the sash tightly round her and knotting it securely. Outside, the night was velvet soft beneath the moon. Inside, the room was hot and stuffy and she longed to open the window; to step out onto the balcony. She could feel the perspiration running down between her breasts as she climbed into the bed and sat, her arms around her knees, staring towards the windows she couldn’t see behind their heavy drapes.

After a while she began to doze.

She was awakened by a sharp rapping on the window pane. She was hunched up against the pillows, still wearing her dressing gown, the sheets pulled up over her. Remaining quite still she lay staring round, her heart beating very fast, unsure what had awakened her; she had no idea how long she had been asleep.

There it was again. A sharp knock on the window. Her mouth dry with fear, she sat up and sliding her feet over the edge of the high bed she stood up. Tiptoeing towards the windows she stood immediately behind the curtain, listening intently.

By the bed the oil lamp flickered slightly and she heard a faint popping noise from the glass chimney. Oh please, let it not be running out of oil. Normally she would have turned it off long since. There was a faint murmur of sound from the window and she tensed. Could it be the slither of a snake? Something seemed to be scraping at the glass near her. Then she heard her name being whispered so quietly it could just have been the sibilance of the wind in the creepers.

Suddenly unable to stand the terror anymore she turned and flung back the curtains. The balcony was completely empty as the moonlight flooded past her into the room.

Mr Dunglass was waiting for them once more as they rode into the castle courtyard. He stabled their horses, showed them into the museum and, having confirmed that his master was most certainly still in America, left them with only the minimal of courtesies.

Sarah looked after him as he strode back across the cobbles.

‘He’s not feeling very sociable this morning, it seems.’

‘No.’ Louisa clutched her bag of drawing materials tightly to her chest as she looked round. ‘Just as well. I don’t feel very sociable either.’ She swept off her tall hat with its veil and dropped it with her whip onto the chair by the door.

‘So, what are we going to do?’ Sarah whispered. Neither woman had moved more than a few steps into the room.

‘I don’t know.’ Louisa was staring at the huge headdress. ‘I will have to sketch it. Mr Dunglass will expect to see something, but before I do -’ She was staring towards the back of the room – towards the Egyptian part of the collection.

The eyes of the mummy stared, huge and blank, in a silence broken only by the sound of the skirt of her riding habit dragging on the stone floor, the tap of her high heels. She stopped by the case containing the snake and looked down at it for several seconds before rapping loudly on the glass. It didn’t move.

‘You didn’t think it was real -’ Sarah’s whisper at her side made her jump.

‘No. I didn’t think it was real.’

‘But you’re afraid of it.’

‘He used a snake for his magic, Sarah. In Egypt. It obeyed him. It killed for him.’

Sarah stared at her, horrified. ‘And there was a snake in your dream?’

‘No.’ Louisa felt her face grow hot. ‘But last night, on the terrace, I thought I heard something -’ She paused. ‘I will not be afraid, Sarah. I will not let him bully me. There must be a way of containing him.’

Sarah shuddered. ‘I don’t like it here. Not now. I’d never have thought of this stuff as evil, not really, not before. But now…’ She was looking over Louisa’s shoulder towards the snake.

‘Well, it is evil. Surely you’ve heard his reputation?’

Sarah looked abashed. ‘I’m afraid I thought it rather daring knowing him. I never believed it all to be true. He has always been so utterly charming I thought that the talk of his interest in the occult must be exaggerated.’

Louisa pursed her lips. ‘Charm is something that exudes from every pore of the man. But if you look closer, right into his eyes, then -’ She broke off suddenly, staring round.

Sarah stepped back. ‘What is it? What’s happened?’

‘He’s here. I can feel him watching us.’ Louisa caught the other woman’s arm.

‘Don’t be silly,’ Sarah whispered back. ‘He can’t be.’ She too was staring round the room.

‘He is. I can smell the pomade he uses; and that strange smoky scent I smelled in my dream.’ She gave a shuddering sigh suddenly. ‘Can you hear drums?’

‘No.’ Sarah shook her head adamantly. ‘No, I can’t. Come on. Let’s get out of here.’ She tried to pull Louisa away but Louisa tore her arm free and put her hands to her head. ‘Drums! I can hear drums!’

‘No, you can’t. You’re imagining it.’

Louisa was shaking her head, her eyes closed. ‘He’s trying to get into my head. I can see him. He’s coming closer.’

Sarah was near panic. She pulled at Louisa’s arm again, then she turned and ran towards the door. ‘Mr Dunglass, come quickly!’ She pulled at the door handle, but it wouldn’t open. She pulled harder, rattling it desperately but again it wouldn’t turn. ‘Oh, my God!’ She ran to the window but the windows were high up and barred on the outside. Spinning round she ran back to Louisa. ‘Lou, are you all right? Lou, listen to me! It’s all in your head. He’s not here. He’s not. He can’t reach you. He’s in America. It’s your imagination. It has to be! Fight it, Lou!’

Louisa could see him clearly now. He was sitting in a circle of Indian braves. In the centre of the circle a fire burned, lighting the darkness of the prairie night. The men were passing a pipe one to the other, each taking a long slow draw of the aromatic smoke before passing it on to his neighbour. Like them, Roger Carstairs wore buckskin trousers and a loose shirt stitched with beads; his hair was long, swept back from his forehead and held in place by an embroidered band, hung with feathers and beads. His eyes were closed.

Louisa stepped closer to him, feeling the warm prairie soil under her bare feet, smelling the fragrant smoke, the sharp wind across the grass cold on her naked skin. Slowly he opened his eyes and he was looking straight at her.

‘So, I have brought you to me, Mrs Shelley. How convenient.’ He stood up slowly stepping away from the circle into the warm scented darkness beyond the reach of the firelight.

He held out his hand towards her. She stepped back quickly, aware suddenly that she was after all still wearing her green riding habit, the train now securely looped to her waist, out of the way, and her feet, a moment before bare, were encased in her high-heeled riding boots. ‘Don’t you touch me!’ It was only in his dream that she was naked.

He smiled. ‘I won’t touch you. Not here, Mrs Shelley. Not in front of my brothers and – who is that with you?’ He peered past her. ‘Ah, Lady Douglas. My trusty and oh so incurious neighbour. So, you have drawn her into my web with you. No matter.’ He reached towards Louisa and ran his finger lightly down the buttons of her habit. ‘We will meet later, my dear, when we are both alone. You have to admit you will look forward to that as much as I shall. Our love-making was spectacular, was it not?’

‘Louisa! Wake up!’ She realised suddenly that Sarah was shaking her arm. ‘Lou! Can you hear me?’

Louisa blinked. He had gone. There was no sign of him or the Indian braves or the camp fire. She was once again in the high-roofed room in the outbuilding at Carstairs Castle with Sarah.

‘Louisa?’ Sarah seemed near to tears. ‘Please, listen to me!’

‘I’m listening.’ Louisa’s mouth was dry, her head spinning.

‘Oh, thank God! I thought you had gone mad. What happened? You were in some sort of a trance.’

‘I was in America.’ Louisa put her hands to her face. She took a deep shaky breath. ‘I was there, where Carstairs is. Near his camp fire with lots of Indian warriors. He was dressed like them -’ She was trembling violently. ‘But I wasn’t there, was I? I couldn’t have been. It was all a dream. A horrible dream!’ She caught Sarah’s hand. ‘How did he do it? He is using some kind of trance-inducing drugs. Opiates. I don’t know what. But I’m not! How did he make me go there, to him?’

The two women were staring round the room as they spoke. One wall was covered in books, safely encased behind glass, and for the first time Louisa became aware of their titles. Most were accounts of travel to distant lands, but some were about magic; drugs, shamanism, occult studies, in several languages. That was how he had done it. To Lord Carstairs oceans were no barrier. There was nowhere he could not go; nothing he could not do if he so wished.

They were suddenly aware of footsteps outside on the cobbles. Feet ran lightly up the steps to the door and it was flung open. ‘Did I hear someone call?’ A boy stood in the doorway – tall, red-haired, handsome, his eyes transparent grey. Louisa gave a gasp of recognition. This must be one of Lord Carstairs’s sons.

‘Indeed someone did call.’ Sarah pushed in front of her and confronted him indignantly. ‘I couldn’t open the door. It was locked.’

‘Locked?’ He looked puzzled. ‘Indeed no. I opened it just now without any bother, Lady Douglas.’ He gave a gentle apologetic smile. ‘Why would it be locked?’

‘I don’t know and I don’t care.’ Sarah stepped towards him. ‘Would you ask Mr Dunglass to fetch our horses. We have seen enough.’

‘But Mrs Shelley doesn’t want to go yet.’ The boy looked straight at her. ‘Surely she hasn’t had enough time to sketch the head-dress which she came to see. My father told me to come over specially and make sure she had everything she needed.’

‘Your father,’ Sarah drew herself up to her full height, ‘is not here. I fail to see how he could have done any such thing.’

‘I assure you he did, Lady Douglas.’ The boy smiled, and suddenly Louisa could see the likeness to his father and understand, perhaps, Dunglass’s obvious antipathy. The outward charm, the handsome good looks, masked an icy watchful control. This boy was dangerous.

It had taken her several seconds to compose herself enough to speak, but now she stepped forward. ‘You are quite right, young man. I haven’t had time to do all I wanted. Perhaps you would allow us a few more minutes and then we will call Mr Dunglass ourselves.’ She took a deep breath. ‘You are very like your father. He must be very proud of you.’

The boy looked startled, and for the first time they saw a hint of doubt in his eyes. ‘I don’t believe so, Mrs Shelley. He constantly complains of my behaviour and that of my brother.’ He shrugged. ‘It is only when we do small services for him, such as passing on this message, that he recognises our existence.’ He looked so crestfallen for a moment that she felt quite sorry for him, but then the self-confidence returned and once again she saw his father’s arrogance looking out from those young eyes. With a small bow, he turned and retraced his steps across the yard. To Sarah’s relief he left the door open.

‘Give me a few minutes. There is something I want to find,’ Louisa whispered, ‘and I must do a few quick notes which I can work into sketches later, then we’ll go.’ Leaving Sarah standing by the door she ran back into the Egyptian section of the room. There must be something there she could take. Something she could use as a lever against him; something he would really care about. She glanced along the shelves at statuettes and pots, carvings and pieces of broken tile. It had to be something valuable but something that would not immediately be missed. Although Dunglass did not look like the kind of man who knew or cared about what was in his master’s collection beyond the few show pieces he had described for them, that shrewd young boy would not be so easy to fool. She glanced at the glass cases around her. In one there was a selection of jewellery. Gold and enamel necklets and bracelets. Rings. She tried the lid of the case. To her surprise it wasn’t locked. It lifted easily. Reaching in she took a heavy gold ring – small and half hidden by a larger item she doubted if it would be missed by anyone except Carstairs himself. With a grim smile she lowered the lid gently back into place, slipped the ring into the pocket of her habit and turned back towards the door.

4

It was late before Louisa made her way at last to her bedroom that night. Two neighbours of the Douglases had come to dine and entertained them at the piano with a succession of Scots songs before riding home at last under the brilliant moon. Tired and content Louisa let herself into her bedroom. The lamp as before had been trimmed and lit and the soft light fell across the bed where earlier Kirsty had turned down the bedclothes.

Curled up on the pillow was a huge snake.

Louisa’s scream brought the Douglases running, closely followed by several maids, a footman and the housekeeper. Sir James strode into the room, a silver-topped cane raised in his hand. ‘What is the matter? What is it?’ He was staring round enquiringly.

Louisa pointed at the bed. Her heart was thudding so hard she could barely breathe.

‘What? Where?’ Sir James marched across and stared down at the bedclothes as his wife put her arm around Louisa’s shoulders.

‘A snake!’ Louisa could hardly speak.

‘Snake?’ Sir James took a step back.

‘There.’ She pointed, but already she knew they would find nothing. Carstairs was far too clever for that.

‘Look, James.’ It was Sarah, gently pushing Louisa aside, who stepped up to the bed ‘There, on the pillows. You can see the indentation where it lay. And there – ’ She pulled the covers back. ‘Sand.’

‘Sand?’ Sir James looked bewildered.

‘Mr Graham.’ Sarah turned to the butler who had appeared somewhat belatedly, his jacket awry as if he had hastily pulled it on. Judging by the slight aroma of whisky on his breath the disturbance had caught him relaxing in the servants’ hall. ‘Take two of the lads and search the room. How big was it?’ She turned to Louisa.

‘Big.’ Louisa’s mouth had dried. She could barely speak.

‘We’ll put you in another room.’ Sarah hugged her again. ‘Kirsty can make you up a bed, can’t you, Kirsty? You can’t possibly stay in here.’ She shuddered. ‘Oh, how horrible.’

‘I don’t understand this at all.’ Sir James was staring round the room thoughtfully. ‘The windows are shut. How on earth could a snake get in here? What kind of snake was it, Louisa? An adder? A grass snake?’

‘It was a cobra,’ Louisa whispered.

‘A cobra?’ Sir James glared at her, clearly disbelieving. ‘What nonsense. Are you sure you didn’t imagine the whole thing? Perhaps you had fallen asleep and were dreaming.’

‘She can hardly dream on her feet, James,’ Sarah put in quietly. Behind them the servants were staring round, Mr Graham clearly of the same opinion as his master, the young women looking frightened. ‘And we had said goodnight only moments before, if you remember.’

Sir James snorted. ‘All right. Go and make up another room for our guest, girls, and the rest of you search in here. Carefully. If it’s a cobra they are poisonous.’ His glance heavenwards was not missed by the others in the room. Clearly Sir James did not believe in the creature’s existence.

It was an hour later when Louisa found herself alone once more. She was in another of the plentiful guest rooms, comforted by two lamps and a cup of hot milk and the knowledge that the room had been searched as had the rest of the house. Nothing had been found in her original room, nor anywhere else, save for those few enigmatic grains of sand.

Before she returned to her room Sarah had caught her hand. ‘Will you be all right?’

Louisa nodded. ‘He took me by surprise. This time I shall be ready for him.’

‘Be careful.’ Sarah eyed her doubtfully.

‘I will.’ Louisa leaned forward and kissed her. ‘Goodnight.’

Once the others had left her, Louisa glanced round nervously. This room too looked out over the back of the house. This room too had tall windows opening onto the long balcony. Taking a deep breath she walked over and throwing back the curtains she pushed open the casement. The moon was shining across the garden and parkland throwing deep shadows under the tall trees. Nothing moved.

‘So, my lord,’ she whispered. ‘Have you used the last of your strength with that performance? Have you nothing else to frighten me with?’

In the distance she heard the eerie cry of an owl. She shivered. The night was uncannily still. She held out her hand, touching the stone balustrade. On her forefinger she was wearing the heavy gold ring she had taken from the case in Carstairs Castle. It gleamed softly in the moonlight.

‘I have one of your treasures here, my lord, do you see? It’s very beautiful. Very valuable no doubt.’

There was no response from the darkness. There was no sign that anyone had heard her challenge.

Taking off the ring she weighed it in the palm of her hand. ‘Do you remember my little scent bottle? The one you wanted so badly for your collection? You thought it contained the tears of Isis and I threw it in the Nile to stop you getting it.’ She paused turning the ring over in her hands. ‘But someone rescued it, and it came back to me. I still have that little bottle. And now I have your ring as well. And tomorrow perhaps I shall return to the castle and take something else. And then something else. And then again.’ She paused and smiled, staring out into the darkness. ‘Checkmate, my lord.’

The stonework was cool under her hands, fragments of lichen catching against her skirt as on a far away plain a white man stepped out of his tepee and bowed to his hosts before sitting down by their fire. The elders of the tribe bowed back and silently resumed their scrutiny of the flames. This was a man with whom they felt at ease. A walker between the worlds like themselves, a medicine man of extreme power. A man comfortable in the presence of the Great Spirit. They did not know where it was their guest travelled under the influence of the peyote god nor did they care. That was his business and his alone.

He wasn’t coming. Leaving the windows open onto the hot night Louisa went back inside the room. She drank her milk, then, turning off the lamps which were surrounded with fluttering moths she began to undress, half of her relieved that all was peaceful, half angry and tense with nervous anticipation. Pulling on her nightgown she unpinned her hair and reaching for her hairbrush she wandered towards the window, attracted by the beauty of the moonlight. She had put the ring on the table by the lamp; it lay there, gleaming gently as she stood drawing the brush through her long hair.

This time when she saw him his chest was bare. He wore the buckskin trousers and there were strings of beads around his neck as he stood staring in through the double windows with those strange colourless eyes. He bowed. ‘Tonight you were expecting me, I think.’

The ring. She had taken off the ring. Squaring her shoulders she looked him in the eyes. ‘Why did you send a snake to my room?’

He smiled. ‘To act as your body guard should you need one. You knew it wouldn’t hurt you.’

‘So, you still serve Isis? For all your wanderings in India and in the Americas, your heart is still in Egypt?’

He was watching her intently, his eyes probing. ‘As is yours, I suspect, or have you at last forgotten your native paramour?’

Clenching her fists, she took a deep breath. ‘I shall never forget Hassan, my lord. Nor the fact that you killed him.’

He laughed, the sound quietly chilling. ‘He was killed by a snake, Louisa. Even my worst enemy would find it very hard to believe I could have arranged such a deed, and you surely are not my worst enemy.’

‘No?’ She looked at him through half-closed eyes. He wasn’t real. This man, solid as he appeared, was some kind of phantasmagoria conjured by his mind and perhaps hers in a strange drug-induced union. His body was far away in the Americas, or perhaps in Egypt or India. Wherever it was, his soul had learned to step outside it and travel around the earth. And his soul was nothing but a shadow; a ghost; a dream.

She smiled, reassured by the thought.

He raised an eyebrow. ‘Something amuses you, Mrs Shelley?’

‘It does indeed. I was reminding myself of your insubstantial nature.’ She drew herself up to her full height.

‘Insubstantial, but nevertheless satisfying,’ he said. There was a mocking gleam in his eye and she felt herself blush violently.

‘A dream, my lord. Nothing more.’

‘But what a dream!’ He took a pace forward and reflexively she stepped back away from him. ‘A dream of ecstasy and abandon,’ he went on, ‘one would find very hard to resist.’

‘Don’t take another step!’ She put up her hand to ward him off and her fingers met hard smooth skin.

He looked down into her eyes. ‘An excellently real dream, Mrs Shelley, you must acknowledge.’ He was so close now she could feel the touch of his breath on her cheek and smell the bittersweet smokiness of that distant ceremony. ‘You enjoyed our encounter last time, did you not?’ His hand came up to stroke her hair and suddenly she found herself unable to move. Desperately she tried to step away from him, but she couldn’t. She wanted nothing so much as for him to touch her, to hold her and pull her close once more. Slowly she felt her ability to fight him die. She raised her face to his and closed her eyes as he bent to kiss her. Her whole body responded to the touch of his lips with a thrill of excitement; her knees grew weak; she longed to give herself to him, to throw herself down and pull him with her, to abandon herself totally to the ecstasy of his love-making.

His quiet chuckle as he sensed how close he was to victory brought her to her senses. With a small exclamation of alarm she ducked away from him and ran to the bedside table. Scooping up the ring she turned with a cry of triumph. ‘No, my lord. Winning me over is not that easy. Do you see this? One of your treasures, my lord. Egyptian gold. Something no doubt you value highly.’ Behind him the moonlight had moved from behind the great cedar on the grass outside her window. It streamed in across the floor throwing his shadow before it, a shadow that was as substantial as hers.

‘So?’ He looked amused. ‘My treasures are at your disposal, my dear.’

‘Indeed.’ She was taken aback. ‘Yet you were prepared to kill for my little bottle.’

His eyes held hers for a moment. ‘That was not quite the same, Louisa. The tears of the goddess, prepared by her temple priests, were irreplaceable. You destroyed not only a piece of history but a powerful link to the goddess herself. Something of inestimable value; something of power so great that it would have given its owner the keys to the world! It was an unforgivable act.’

‘But you seem to have forgiven me now?’ She raised an eyebrow.

‘No, I haven’t forgiven you.’ His voice hardened. ‘You amuse me. It is always a pleasure to take a beautiful woman; the more so if it makes her despise herself.’

She closed her eyes for a moment, blanking out the sudden hatred she saw in his face; shocked at how much the knowledge that he had merely been playing with her hurt. ‘What if I told you the tears of Isis still exist?’

He froze, staring at her. ‘What do you mean? I saw you throw the bottle in the Nile.’

So. He was not all-seeing. The confirmation of the fact comforted her. ‘The bottle was wrapped in a piece of cloth which floated. My servant saved it and returned it to me.’

She saw how every muscle in his body tensed. ‘And where is it now?’

It was her turn to smile. Her weakness of a moment before had turned to something like triumph. ‘Nowhere you could find it, my lord. That is my secret.’

His cry of fury was cut off short as he grabbed her wrist and pulled her violently against him. ‘If that little bottle still exists, I will have it. This time, Mrs Shelley, I will have it.’

She found she could look up at him almost unafraid as she spat her defiance at him. ‘No, and that is my revenge, my lord. For Hassan’s death. You say you were not responsible for killing him, but we both know you sent the snake to that cave. It will give me enormous pleasure to know you realise the bottle still exists, but that you will never, never see it again. If I choose to destroy it, I shall. If I choose to keep it, I shall. But you will never set eyes on it.’

She gave a small cry of fright as he pushed her violently backwards onto the bed, and climbing onto it after her, straddled her body with his knees. ‘I think I know how to persuade you.’

‘I don’t think so.’ She was still clutching the ring. ‘I’m not afraid of you any more, my lord.’ To her surprise she realised suddenly that it was true. ‘And I have discovered your weakness. You say your treasures are at my disposal, my lord, but I doubt if you would be happy to see them lost or destroyed. In fact I think that would make you very angry. And very sad. And I suspect, if you are really in America, they are beyond your reach. You see this?’ She thrust her clenched fist up into his face. ‘Your ring. I am going to throw it into the loch. See how easy it was to steal? And you can’t stop me, because as you have said you are not really here. And tomorrow I shall go back to your museum and I shall simper at your Mr Dunglass and flutter my eyelashes at your son and ask to paint more of your collection and they will let me in. And one by one I shall destroy your treasures. Your gold and silver. Your feathered head-dresses, your fragile mummy, and above all, that dry hollow skin which was once a snake! And you will be able to do nothing. Nothing! Because you are four thousand miles away!’

He was staring down at her, his face impassive. Only his eyes seemed alight in the shadowed sockets. He smiled coldly. ‘So, don’t you believe I can communicate with my sons or my factor to warn them? Believe me, I can. Not easily, I grant you with Dunglass – the man is an idiot – but my sons have promise. They are receptive. They will listen to me.’ He was still, looking down at her almost thoughtfully. ‘But on the whole I prefer to deal with you. You are so open, so -’ He paused. ‘Eager.’ Releasing her wrist he put his hand to the ribbon at the neck of her nightgown and gently pulled it open. ‘You are still beautiful, for an ageing woman.’ He said it almost absent-mindedly then his expression changed to a cold sneer. ‘But your charms have suddenly diminished. You have revealed yourself to be a spiteful witch. And witches have to be dealt with.’ His hand dropped away and he sat staring down at her thoughtfully for a moment. ‘I wonder how. There are so many possibilities. So many ways to contain that spite.’ His weight held her immobile. She could feel the muscles of his thighs gripping her legs. He touched her cheek lightly. ‘Did you dream of revenge, Louisa, as Hassan died in the dust? Did you watch the poison from the snake bite spread through his veins and think of me? How gratifying.’

Unable to bear his gloating expression for another instant she tried to wrench herself free, throwing herself sideways, but she couldn’t move. Smiling he reached down and grabbed her chin, forcing her to look at him again. ‘I have an idea. You like my museum. I think we will visit it together. Would you like to travel with me through the secret byways of the medicine man, the dark tunnels of the shaman, the hidden paths of the witch doctor? I know them all.’ He laughed quietly. ‘I know how to enter them and I know how to leave them and I know how to entrap someone’s soul forever in the mists and shadows of their darkness. All I have to do is to suck your soul into mine with the time-honoured seal of possession, the traitor’s kiss.’

Desperately she tried to wriggle away from him, pushing frantically at his chest, but he grabbed her wrists in one hand and with the other again forced her to look at him. Slowly, smiling all the time, he leaned forward and pressed his lips once more against hers.

She held her breath, fighting him, trying frantically to squirm away from him, kicking, wrenching, but it was no good. Her strength was failing; the world was starting to spin and at last, unable to stop herself, she drew in a long gasping breath of the smoky essence of the man above her and immediately she was whirling away into the dark.

When she opened her eyes all was black. Her head was throbbing and she was very cold. She tried to speak but no sound came and all around her the silence was profound. Cautiously she tried to move her limbs. Her body felt stiff and bruised and she was very afraid.

‘So, you came with me.’ The voice in her ear was very close.

‘Where is this? What’s happened?’ She managed to speak at last.

‘I have brought you to see my museum.’ She heard a movement beside her. ‘Wait. I’ll light the lamp.’

She sensed him move away, heard the rattle of matches, saw a flame. Seconds later a gentle light filled the room as he settled the glass chimney over the wick.

‘How did we get here?’ She found she was standing in the middle of the floor near the case of Egyptian artefacts. A glance down told her she was still dressed in her nightgown. The ring was still on her finger.

‘We flew.’ The sardonic look in his eyes did not escape her.

‘I see.’ She pursed her lips. ‘I’m dreaming. I know I’m dreaming. Did you drug me?’

He put his head on one side. ‘All it would have taken was a few drops of laudanum in your milk.’

She groaned. ‘And you’ve been here all along? Skulking somewhere in this great castle playing games? No! I don’t think so!’ She was suddenly furious at her own fear. ‘So, what are you going to do with me now? You’ve made it clear you see me as ancient and ugly so no doubt my virtue is not in danger.’

‘I seem to remember that your virtue is already lost.’ He raised an eyebrow. ‘But I would be more inclined, Louisa, to wonder if there is a threat to your life.’ He folded his arms. ‘No one knows where you are. And I am in America.’ He gave a laconic smile. ‘Should you disappear no one would ever find you. No one would even know where to look.’

She stared at him. His eyes were like clear glass, the pupils pin pricks in the lamplight, the sensuous mouth set in a thin hard line. ‘Are you saying you want to kill me?’ Her brow creased with puzzlement but her fear strangely had eased a little. She felt distanced from him; unreal.

‘Your life or death is a matter of indifference to me, Louisa. As it should be to anyone who understands the nature of the soul and its journeyings. The thought of death merely serves as a lever to lesser mortals who value this transitory life.’ He gave a cold smile. ‘I am prepared to bargain. The tears of Isis for a human life.’ He was watching her carefully. ‘The gods of the underworld may not take my bargain so lightly when they weigh your soul in the balance and find it was you who stole the sacred ampulla.’

‘I have stolen nothing.’ She managed to straighten her shoulders. ‘The tears of Isis as you call them are safe. As is your ring. So far. You on the other hand appear to be planning robbery with violence. Something which I would have thought would weigh heavy when your turn comes.’ She turned away from him and walking towards the case of Egyptian treasures she lifted the lid and stared down at them. ‘And your threat means little to me, my lord. You forget that if you kill me, you send me to join Hassan. I can think of no greater joy.’ She glanced up at him and it was her turn to smile. ‘You care so little for human life. That makes you fundamentally evil, in my book.’ She turned away again. ‘Take care, my lord, for your soul. I can see demons hovering round you ready to drag you screaming down to hell.’

He threw back his head and laughed. ‘Well done, Mrs Shelley. You are learning fast.’ He stepped towards her and stood for a moment looking down at the artefacts inside the case. Gently he ran his finger over a small statue, a smile on his lips. Then he moved back and carefully closed the lid. ‘Alas, I can’t spend much longer debating this point with you. Where is the ampulla?’

‘In London.’ She returned his smile. ‘In safe keeping.’

‘We’ll go there. Now.’

‘Now?’ She stared at him. ‘I don’t think so. How do you propose to transport us there?’

‘The same way we came here.’ His voice was grim. He reached for her wrist, but she jumped back. ‘No. No more. I’m going nowhere with you.’ She grabbed at the lamp base and lifted it high. ‘Stand away from me, or I will throw this in amongst your precious collection. I mean it. Stand right away.’

His face went white. ‘Be careful! Some of these things are priceless. Please put that down.’

‘I don’t think so.’ The lamp was heavy. She wasn’t going to be able to hold it much longer.

As he lunged towards her with a cry of fury, she half dropped half flung it into the glass topped cabinet. The glass shattered and a stream of burning oil ran between the priceless artefacts in the case. In seconds the more fragile had caught alight and a sheet of flame shot up. She heard Carstairs shout, saw him leap towards the flames, then she turned and ran towards the door.

It was locked. Dragging at the handle she heard herself beginning to sob as the heat engulfed her and slowly, for the second time that night, all went black.

‘Mrs Shelley? Mrs Shelley! I’ve brought your hot water.’

The voice was persistent, dragging her into wakefulness. ‘Mrs Shelley, it’s late. Lady Douglas was worried.’

Opening her eyes Louisa stared into the anxious face of the little Scots maid who, having pulled back the curtains, was leaning over her bed.

‘Kirsty?’ Her head was thumping, her eyes and throat sore. ‘I’m sorry. I had such a nightmare.’ Somehow she managed to lever herself into a sitting position. She stared round the room. Outside the sky was overcast.

‘There is a storm coming.’ Kirsty reached down and picked Louisa’s dressing gown off the floor. ‘Thunder, can you hear it? That’s the nice weather gone for a while.’ She glanced at Louisa’s face. ‘Would you like me to bring you something, Mrs Shelley? You look terrible.’

Louisa managed a painful smile. ‘I feel terrible. I expect it’s the storm. And the bad dream.’

She was remembering more and more. Carstairs. His threat to kill her. The fire. She stared down at her hands clutching the sheet. The huge gold ring was still there on the forefinger of her right hand.

‘Louisa?’ Sarah’s voice in the doorway made both women look up. Sarah bustled in, took one look at her guest and turned to the maid. ‘Would you bring some coffee please, Kirsty.’

Kirsty bobbed a small curtsey and disappeared as Sarah pulled herself up onto the bed. ‘Well? How did you sleep? Not well, judging by the look of you.’ She leaned forward and pushed Louisa’s hair back off her flushed face. ‘Did anything happen?’

‘Oh yes.’ Louisa gave a grim smile. ‘I dreamed about him. He came here and threatened me… and then…’ She hesitated. ‘We were back in the museum. He said he was going to kill me and I overturned the lamp and set fire to his precious collection.’ She put her face in her hands. ‘Oh, Sarah, it was awful. I can’t tell you how awful.’

‘My poor dear.’ Sarah squeezed her hand, then she stood up and walked over to the windows. ‘Look, it’s beginning to rain. I’ll shut the windows for you.’ She paused. ‘How strange. Look at this.’ She was unhooking what looked like a necklace from the wisteria around the door. ‘Is this yours? How pretty. It’s all made of shells and beads.’

Louisa slid from the bed. Padding barefoot across the floor she took it in her hands, staring down at it. ‘It’s his. He was wearing native American dress.’ She glanced up at Sarah. Her face was white. ‘It’s his, Sarah.’

The two women looked at one another.

‘So, he was here?’

Louisa bit her lip. ‘He can’t have been.’

‘Then it was a dream.’

Louisa looked up, her eyes huge and frightened. ‘I don’t understand it. I thought it was a dream, but…’ She paused looking at the necklace. ‘He said he had drugged me with laudanum. He could have bribed Kirsty – ’

‘Rubbish!’

‘In my milk. She could have put it in my milk.’

‘Absolutely not. She wouldn’t. She is completely loyal.’

‘Then it was a dream. All of it. But where did this come from?’

They stared at each other in silence. Louisa was remembering the brooch. ‘When I see him he is always dressed in strange garb,’ she said at last, thoughtfully. ‘In Egypt too he always affected the dress of the natives. And last night he was dressed in skins and beads.’ She shook her head. ‘Why does he do it? Is it to frighten me?’

‘I’ve never seen him wear anything other than formal dress,’ Sarah said. She gave a wry smile. ‘He’s a good-looking man.’

‘I suppose he is.’ Louisa’s reply was reluctant. They both glanced at the door as Kirsty came in with the tray of coffee. She set it down on the table then turned to them, her eyes bright. ‘My lady, have you heard? The news is all over the servants’ hall. There was a fire at Carstairs Castle last night. Lord Carstairs’s museum and all the outbuildings and stables were burned out. There were no horses hurt, but all his wonderful things are gone!’

Louisa gasped. She staggered back to the bed and sat down. Kirsty stared at her. ‘Are you all right, Mrs Shelley? Of course!’ She clapped her hand to her mouth. ‘You were both there only yesterday. Oh, my lady!’ She turned to her mistress, distraught. ‘It’s so terrible. I don’t know what his lordship will do when he finds out.’

‘The servants would know, would they not, if he had returned unexpectedly?’ Sarah asked with a thoughtful glance at Louisa.

Kirsty nodded. ‘Oh yes, we’d know. Catriona has a great fondness for his man, Donald, who went with him to America. They are not expected back until next spring. Mr Graham says they are blaming the factor, Mr Dunglass. He left a lamp burning in there and it was knocked over in the night.’

‘How?’ Louisa asked sharply. ‘How was it knocked over? Was there someone there?’

‘I suppose there must have been. I don’t know, Mrs Shelley.’ Kirsty shrugged.

As the girl closed the door behind her Sarah went and sat next to Louisa on the bed. ‘Your revenge at least was real, it seems.’

Louisa nodded. ‘And I escaped, Sarah. But did he?’

5

For the next few days the countryside could talk of nothing but the fire at Carstairs Castle. As far as could be ascertained no one was hurt in the catastrophe; no one had been found amongst the wreckage, but the collection itself, estimated to be worth countless thousands of pounds, had been totally destroyed. Urgent messages were despatched by telegraph and by letter to Lord Carstairs himself, but no one it appeared knew quite where he was. He had left New York in the late spring, travelling west, and no one had heard from him since. Mr Dunglass was interviewed by the police, as were his lordship’s two sons and their tutor. All denied ever having taken a lamp into the museum, never mind lighting it, and Louisa’s hastily drawn sketches were scanned as evidence of what had been there. She pointed out that she could hardly have bothered to paint such an everyday item as a lamp – but then before the police could question her and Lady Douglas further about their visits, news came that Mr Dunglass had packed his bags and fled. His panic confirmed his guilt in many eyes.

Louisa moved back to her original bedroom and continued to paint the gardens and the moors as the storms passed and the good weather returned. Her dreams remained untroubled. She had no nocturnal visitors. But the fear was still there. She had locked the ring and the string of beads away in her jewel case with the topaz brooch and tried not to think about what had happened. Until one morning she received a letter. It was from George Browning, her sons’ tutor. ‘I don’t want to alarm you, but we seem to have had an intruder in the house. A very thorough, I would say almost professional, search has been made of every room. I cannot ascertain that anything is missing – certainly nothing obvious, but I am worried that a particular search was made of your studio and some sketches and paintings may be lost. Also there appears to be something there of which I have no recollection. I have checked with the boys and they do not recognise it either. A small paperweight of what looks like solid gold carved in the shape of a coiled snake was left on the table in your studio. Beneath it was a paper inscribed with hieroglyphics of some sort. The boys feel it is a message from some person you met on your Egyptian travels and are much excited by it. I should reassure you that they have not been in the least alarmed by these occurrences and are indeed very reluctant to return to their grandmother’s care next week…’

Louisa passed the letter to Sarah. ‘I have to go home. Today. He’s back. He’s left me a message.’

Sarah went with her. On Louisa’s urgent instructions George had removed the boys at once back to their grandmother’s house so it was to a depleted household that they made their way from the station in a hansom cab. Louisa’s cook housekeeper, Mrs Laidlaw, and one maid, Sally Anne, were there to greet them.

Louisa went straight to her studio. There on the table as George Browning had said sat the gold serpent. She had last seen it in the museum at Carstairs Castle.

‘Am I never to be rid of him?’ Louisa turned to Sarah in anguish.

They had taken off their hats and coats and settled into chairs in the pretty drawing room overlooking the small garden of Louisa’s terraced London house.

‘Has he taken anything?’

‘I don’t know.’ Louisa was staring round the room. ‘I haven’t noticed anything. There is only one thing he wants.’

‘And is it there?’

Louisa shrugged. Standing up she led the way back into her studio and stood in front of the davenport where she did her correspondence. The studio was very cold; there was a strange smell in there she couldn’t immediately identify – not paint. Not linseed oil, or charcoal. Something sweet and slightly exotic. She shivered. ‘I put it in there. In the secret drawer.’

‘See if it’s there.’

Louisa put her hand out to the polished wood of the desk lid. Then she shook her head. ‘Supposing he’s watching me.’

‘Watching?’ Sarah glanced over her shoulder uneasily. ‘How could he be watching?’

‘How could he do any of the things he does?’ Louisa replied crossly. She moved away from the desk. ‘He has been in this room. How else could the snake have got here? It is a message. A warning. Oh, Sarah what am I to do? Can’t you feel it? There is something here. Someone.’ She picked up the piece of paper with its strange illegible message and stared at it, then with it still in her hand she turned on her heels and swept out of the room with Sarah behind her.

In the drawing room where Mrs Laidlaw had brought them a tray of tea Louisa threw the piece of paper with its scrawled hieroglyphics down onto the table.

‘What does it say? Can you read it?’

Louisa shook her head. Bending over it she ran her finger lightly over the symbols which had been inscribed there, then drew her hand away sharply.

‘What is it? What’s wrong?’ Sarah’s blue eyes were fixed on the paper.

‘Nothing. It felt hot. My imagination.’

Sarah glanced up sharply. ‘Are you sure?’

Louisa shrugged. ‘I’m sure of nothing. I don’t know why he’s left this. He must realise I can’t read it.’

‘He’s just trying to frighten you. Tear it up.’

Louisa shook her head. ‘Supposing it’s important. These symbols. They have power.’

‘Exactly.’ Sarah stood up. She reached for the paper. ‘If you won’t destroy it, I will.’ About to throw it into the fireplace she stopped with a gasp.

The figure in front of them was no more substantial than a wisp of mist but both women saw it. Both shrank back. The paper dropped from Sarah’s hand and she fell back into her chair, white-faced.

‘Dear God!’ Louisa’s whisper was barely audible. ‘The djinn. The evil djinn!’

Already the figure had gone. It had been no more than a shadow.

‘What was that?’ Sarah’s voice shook.

‘Hatsek. The priest of Sekhmet. Two priests follow my ampulla and fight over it.’ Louisa’s voice was dreamlike. ‘Hassan called them djinn. The paper that came with the bottle was inscribed with their names. I don’t read hieroglyphs but I suppose this is what is written here.’ She took a deep shaky breath.

She bent and picked up the piece of paper. ‘You were right. It must be destroyed.’ Without giving herself time for second thoughts she walked across to the fireplace and threw the paper down. Then she reached for the box of Vestas on the mantelpiece. In seconds the paper was a pile of ash.

She gave a deep sigh. ‘I hope that is the last we shall see of him!’ She shuddered.

Sarah gave a shrill laugh. ‘You hope! Louisa. Do you realise what happened just now? We saw a -!’ She paused, at a loss as to how to describe it. ‘A ghost? A spirit? An ancient Egyptian! And you hope it won’t come back!’

‘It was a warning.’ Louisa shrugged.

‘So, will the fire stop it coming again?’ Sarah stared down at the small heap of ashes.

Louisa nodded. ‘I think so.’ She gave a grim laugh. ‘Fire would appear to have a cleansing effect on most things.’

And so it seemed. In the days that followed the household settled into calm. Louisa unpacked. She forced herself to check the house minutely. There was no sign of anything missing. The only place she did not look was the davenport. There was no need.

News came from Scotland that Mr Dunglass had been arrested in Glasgow. He had, it appeared, been quietly salting away a fortune in cash and valuables from the castle and the authorities looked no further for a cause of the fire. The case was closed. The two Carstairs boys, they heard, had been sent to a distant relative in the far north of Scotland for the rest of the summer. There was still no news of the absent lord.

In October came a letter from Augusta Forrester. The Fieldings had returned home, it said, with the wonderful tidings that Venetia had met a widower in Edinburgh and agreed to marry him. He had both a title, although not one as exalted as that of Lord Carstairs, and a small fortune as well as a goodly estate and she was content. Reading the letter Louisa smiled. Poor Venetia. If only she knew the fate she had been spared had she won her noble lord.

With many hugs and kisses and promises that they would meet again in Scotland the following year Sarah said her farewells and left and Louisa’s two boys returned from their grandmother. Her eldest son David was beginning his second year at Eton; his brother John returned to the schoolroom with George Browning. The staff was completed by the return of Louisa’s man servant, Norton, from a holiday with his family in Hertfordshire.

The day after Sarah left, Louisa’s nightmares about Egypt returned. But this time she did not dream about Hassan. Instead she was standing on the banks of the River Nile, the scent bottle in her hand, about to throw it into the water, when she realised there was a man standing in front of her. A tall, swarthy man dressed in the skins of a lion. ‘Do not dare to throw it!’ His mouth did not move but she felt the strength of his thoughts as though he had screamed them at her. ‘Do not throw! What you hold is sacred.’

She woke up with a start and sat up, shaking. The priest of Sekhmet had returned in her dream. His face was stern and forbidding, his eyes piercing, as he stood over her. The following night she was not on the banks of the Nile; he was here, in her room, bending over her bed.

Her screams brought Mrs Laidlaw and Sally Anne running from their bedrooms, just above hers in the attic. Luckily John and George Browning had not heard her and were not disturbed.

The next morning she went into the studio and stared at the davenport. Why had he returned? What did he want her to do? The answer to that came very swiftly. Two nights later she was preparing for bed, standing dreamily in her room, brushing her hair by the light of a bedside candle, when she became aware of someone standing near her in the shadows. The brush fell from her hand as she turned.

‘Egypt. Take it back to Egypt.’ The voice rang in her ears. ‘The tears of Isis belong in her own land; the ampulla must return whence it came.’ She could see him in the shadows.

‘How can I? How can I take it back?’ she stammered, but already he had gone.

As the autumn nights drew in Louisa felt her strength waning. She found it hard to eat and coughed incessantly, but she returned to her painting. Day after day she retired to the studio and embarked upon a new series of pictures of Scotland. The magic of loch and mountain could not however drive her demons away and at last she found herself painting the priests of ancient Egypt, Hatsek and his one time colleague and eternal enemy, Anhotep, who haunted her dreams, as though by capturing them on canvas she could exorcise them from her brain.

It didn’t work. Still they returned, sometimes apart, sometimes together, arguing with each other, arguing with her, every time coming closer, appearing more threatening, more inexorable. In her misery she wrote to Sarah, to the Forresters, even to the Fieldings. Then one night as sleep failed yet again to come and she sat up in bed reading, the one person who had not haunted her dreams in London appeared once more. Carstairs came back.

She looked up from her book to see him standing at the end of the bed watching her. He was dressed in an open necked voluminous white shirt and baggy trousers with a broad sash into which was thrust a scimitar.

‘So, clever Mrs Shelley. So devious. So cunning. You have hidden the ampulla from me, set a priest to guard it and you have destroyed my life’s work into the bargain. But don’t think you can continue to outwit me. I shall have that bottle. I know it is here.’

Louisa clutched her wrap around her shoulders, shivering. ‘If you have not found it by now, my lord, I think it unlikely you ever will,’ she said defiantly. She held his gaze. ‘So, where have you been? Where are you now? Still in America? Or have you returned to Scotland? Or are you really here, in the flesh, having walked up the stairs like a mere mortal? Did you ring the bell and ask Norton to show you up? I must confess, I did not hear a knock at my door.’

‘A walker between the worlds does not knock.’ He folded his arms. ‘Anymore than does a priest of the old gods.’ He narrowed his eyes. ‘When I leave here I shall set something to guard the sacred bottle from you and from the priest. Wherever it is my serpent will protect it. I cannot guarantee the safety of your household or your children, Mrs Shelley. Please do not sacrifice another life for the sake of something so trifling. You have no interest in my bottle save to thwart me. Is that not so?’

She shrugged. ‘You are probably right. It is just that I cannot rid myself of the notion that whatever power lies in that bottle should be used for good, if it is used at all. And you, my lord, intend to use it for your own evil purposes.’

‘So, you would risk your sons’ lives?’

‘There will be no risk.’ She continued to hold his gaze defiantly. ‘I can send John back to his grandparents at any time. He will be safe there – ’

He shook his head. ‘Do you still underestimate me so grievously, Louisa?’

‘I don’t underestimate you. Far from it. But I have realised that I can fight you. Remember your priest of Sekhmet, my lord? Remember the lion goddess? The lioness is invincible in the protection of her children. You threaten my children and I will unleash more rage than you can ever contemplate.’

Without realising it she had risen to her knees on the bed. He took a step backwards. ‘If there is a snake in my studio I will banish it. If there is evil in this house I will destroy it and you with it.’ She paused. ‘Where are you, Lord Carstairs? Are you still in America with your Indian braves?’ And now she realised that she recognised the costume he was wearing. ‘No, of course, you are in Egypt.’ She smiled. ‘Is the call so strong?’

‘The priest of Sekhmet wants his ampulla returned. Tell me where it is and I will leave you in peace.’

‘No! Hassan gave me that ampulla. It was his gift. It contains all I have of his love. So, you will never set eyes on it. Never!’ Her voice had risen desperately almost to a shout and seconds later there was an urgent knock at her door. ‘Mrs Shelley? Is something wrong, madam?’ It was Norton’s voice. ‘Shall I call Mrs Laidlaw?’

‘Thank you, Norton. I am all right. I am sorry to have woken you. Please go back to bed,’ she called over her shoulder. When she turned back towards the room. Lord Carstairs had gone.

And so had the golden snake. The next morning when Louisa went downstairs into her studio the statuette had vanished from the shelf where she had put it above the table where she worked. She did not even bother to call the staff to enquire as to its whereabouts. She knew who had taken it.

She searched the studio from top to bottom, not for a golden snake, but for a live one, alert every second to the possibility of the sound of scales slithering on the floor or over the shelves. None came and slowly she settled down to her day’s painting, conscious of the sounds around the house – the servants going about their business, John and George working in the small morning room which had been set aside for their studies, the distant rattle of wheels and hooves upon the roadway outside and the rustle of wind in the golden leaves in the garden.

The figure of Lord Carstairs cast no shadow as he stood between her and the sunlight flooding through the window. ‘Where is it?’ His voice was a hiss of fury.

She did not make the mistake of glancing at the davenport. Slowly she stood up, the paintbrush still clutched in her hand. ‘Nowhere you will ever find it!’

She realised suddenly that they were not alone. Two other figures hovered in the room. Two priests. The guardians of the bottle. He spotted them almost as soon as she did and whirled to face them. ‘So, the moment of confrontation has come! I am sure, my lords of the ancient world, that you are as anxious as I to return the sacred ampulla to the place it rightfully belongs. I can take it there. I can transport it over time and space.’ He stepped closer to Louisa. ‘Only one person stands between us and our hearts’ desire, my lords.’

‘Do not touch her!’ The voice seemed so loud it appeared to fill the spaces of the room, the house, even the sky outside.

Carstairs shrank back. Then he put his hand to his belt and Louisa realised that a wickedly curved broad-bladed sword hung there. As he pulled it free she dropped her paintbrush and fled towards the door. Her shout for help died on her lips. Glancing round as she groped for the doorknob she saw the raised scimitar catch the sunlight in a blinding flash. There was a huge crash. It was not her he had attacked, but the two priests, spirits from another world, and as suddenly as they had come, all three men disappeared.

Shaking with fear she took a step forward. Then another. Nothing in the room appeared to have been touched. The only sign of the interruption was the small splash of bright colour on the thick watercolour paper, where her hand had smudged it, and the paintbrush lying on the floor.

She never saw Lord Carstairs again. Nor the priests, and if a snake appeared in her studio to guard the sacred ampulla she was never aware of it.

That wasn’t the end of the story of course, for the ampulla remained in her desk. She never forgot it, but neither did she think about it. If one day her sons or one of their descendants wanted to take it to Egypt that would be up to them. The portrait of the two priests she pushed into a dark corner. It was not shown in any of her exhibitions. It never occurred to her that someone, some day long after her time, might think the little bottle a pretty trinket suitable to give to a child.