Reynolds didn't use her bubble light but would have if a patrol car had tried to pull her over, as she was exceeding the speed limit by more than twenty miles per hour on the few open stretches of the Beltway before having to slow down in a sea of red brake lights. She checked her watch: seven-thirty. When wasn't there a rush hour in this damn area? People got up earlier and earlier to go to work, or stayed later and later before going home to avoid the traffic. Pretty soon the two groups would smack right into each other and the twenty-four-hour-a-day highway parking lot would officially begin. Luckily Anne Newman's house was only a few exits down from hers.
As she drove, Reynolds thought about her visit to Adams's apartment building. Reynolds had thought she had seen and heard everything by now, but Angie Carter's statement about the FBI had stunned her, and the shock of it had moved her and Connie into hyperspeed. They'd notified their superiors at the Bureau and quickly determined that no FBI operation had been conducted at Adams's address. Then the shit had really hit the fan. The impersonation of FBI agents got the attention of the director himself, and he had personally issued orders on the case. Even though the back door to Adams's apartment had been knocked off its hinges and they could have walked right in, a search warrant was fast-tracked and executed, again with the director's personal blessing. Reynolds was actually relieved about that because she didn't want to have any slip-ups on this one. Any mistakes would come home to roost right on her head.
The apartment was thoroughly searched by one of the Bureau's crack forensics teams, pulled off another high-profile case. In the end they didn't find much. There was no tape in the answering machine. That had really ticked Reynolds off. If the phony FBI people had taken the tape, there must have been something important on it. Her search team had continued to strike out. There were no travel documents, maps consulted, nothing that would hint as to where Adams and Lockhart were going. They had found fingerprints matching Faith Lockhart's, so that was something. They were checking into Adams's background. He had family in the area; maybe they knew something.
They had discovered the roof hatch in the empty apartment next door to Adams's. Clever. Reynolds had also noted the extra locks, video surveillance, steel door and frame and the copper shield over the alarm panel. Lee Adams knew what he was doing.
They had retrieved the bag of hair and hair coloring from one of the trash cans behind the apartment. That, together with the snips they had seen of the airport surveillance tapes, showed that Adams was now a blond, Lockhart a brunette. Not that this helped much. They were checking into whether either of them had other residences listed in their names elsewhere in the country. That was a needle in a haystack, she knew, even if they had used their real names. She doubted they would be that stupid. And even if they had used their aliases, the names Suzanne Blake and Charles Wright were too common to aid Reynolds very much.
The police officers who responded to the call at Adams's apartment were pulled in and questioned. The men posing as FBI agents had fed them a story that Lee Adams was wanted in connection with a kidnapping ring across state lines. The FBI posers' credentials looked real, both police officers were quick to point out. And they carried the firepower and the professional swagger one normally associated with federal law enforcement. They were searching the place expertly and had made no move to run when the cruiser had shown up. The imposters talked the talk and walked the walk in all respects, said the two police officers, who were both veterans on the street. They had been given the name of the supposed special agent in charge. It was run through the FBI personnel database and came up negative. No surprise there. The police officers had given descriptions of the men they had seen, and a Bureau technician was creating computer images of them. Still, all in all, it was a dead end, with frightening implications. Implications that struck very close to home for Reynolds.
She had received another visit from Paul Fisher. He came with orders right from Massey, as he was quick to point out. Reynolds was to proceed with all due speed, but with the utmost caution, to find Faith Lockhart, and she could be assured of all the support she needed.
"Just don't make any more mistakes," he had said.
"I wasn't aware I had made any mistakes, Paul."
"An agent killed. Faith Lockhart falls into your lap and you let her get away. What would you call those?"
"Leaked information caused Ken to die," she had fired back. "I fail to see how that was my fault."
"Brooke," Fisher had said, "if you really believe that, then you might want to request reassignment right now. The buck stops with you. As far as the Bureau is concerned, if there is a leak, every member of your squad, including you, is at the top of the list. And that's how the Bureau's following that up."
As soon as he left her office, Reynolds had thrown her shoe against the closed door. Then she had thrown the other one, just to be sure he was aware of her extreme displeasure. Paul Fisher was officially off her sexual fantasy list.
Reynolds raced down the exit ramp, hung a left on Braddock Road and fought through some late traffic backup until she turned off and entered the quiet residential neighborhood of the slain FBI agent. She slowed when she reached the Newmans' street. The house was dark, a single car in the driveway. Reynolds parked her government-issue sedan at the curb, got out and hustled up to the door.
Anne Newman must have been watching for her, because the door opened before Reynolds could ring the bell.
Anne Newman didn't attempt to make small talk or ask Reynolds if she wanted anything to drink. She led the FBI agent directly to a small back room that had been set up as an office with a desk, metal file cabinet, computer and fax machine. On the wall were framed baseball cards and other sports memorabilia. On the desk were stacks of silver dollars encased in hard plastic and neatly labeled.
"I was looking through Ken's office. I don't know why. It just seemed ..."
"You don't have to explain, Anne. There are no set rules for what you're going through."
Anne Newman wiped away a tear as Reynolds studied her. Clearly the woman was near the breaking point, on all fronts. She was dressed in an old robe, her hair unwashed, eyes red and puffy. Yesterday afternoon, the most pressing decision she probably had to make was what to have for dinner, Reynolds assumed. God, it could all turn on a dime. Ken Newman wasn't the only one being buried. Anne was right there beside him. The only catch was she still had to go on living.
"I found these photo albums. I didn't even know they were back here. They were in a box with some other things. I know this might look bad, but . . . but if it helps in finding out what happened to Ken ..." She faded out for a moment as more tears plunked down onto the photo album she was holding with its tattered, seventies-style psychedelic cover.
"Calling you was the right thing to do," Anne finally said with a bluntness that was both painful and gratifying for Reynolds to hear.
"I know this is terribly difficult for you." Reynolds eyed the album, not wanting to prolong this any more than absolutely necessary. "Can I see what you found?"
Anne Newman sat down on a small sofa and opened the album and pulled up the clear plastic sheet that kept the photos securely inside. On the page she had opened to was an eight-by-ten photo of a group of men in hunting garb holding rifles. Ken Newman was one of the men. She pulled out the photo, revealing a piece of paper and a small key pressed into the album page. She handed Reynolds both and watched her closely as the FBI agent examined them.
The piece of paper was an account statement for a safe-deposit box at a local bank. The key, presumably, fit that box.
Reynolds looked at her. "You didn't know about this?"
Anne Newman shook her head. "We have a safe-deposit box. But not at that bank. And of course that's not all."
Reynolds looked back at the bank statement and she jerked involuntarily. The name of the boxholder was not Ken Newman. Nor was the billing address for the house she was in. "Who's Frank Andrews?"
Anne Newman looked like she would burst into tears again. "God, I have no idea."
"Did Ken ever mention that name to you?" Anne shook her head.
Reynolds took a deep breath. If Newman had a safe-deposit box under a false name, he would have needed one thing to set up the account.
She sat on the sofa next to Anne and took her hand. "Have you found any identification around here that might match the name Frank Andrews?"
The tears welled in the stricken woman's eyes and Reynolds truly felt for her.
"You mean with Ken's picture on it? Showing that he was this Frank Andrews person?"
"Yes, that's what I mean," Reynolds said softly.
Anne Newman put her hand in her robe and pulled out a Virginia driver's license. The name on it was Frank Andrews. The license number, which in Virginia was the person's Social Security number, was on there. And in the small accompanying photo Ken Newman was staring back at her.
"I thought about going to open the safe-deposit box myself, but then I realized they wouldn't let me. I'm not on the account. And I wouldn't be able to explain that it was my husband, but just under a fake name."
"I know, Anne. I know. You were right to bring me in. Now, where exactly did you find the fake ID?"
"In another one of the photo albums. They weren't family albums, of course. I keep those, been through them a zillion times. These albums were pictures of Ken and his hunting and fishing buddies. They took trips every year. Ken was good about taking pictures. I never knew he kept them in albums. I wasn't all that interested in looking at those pictures, you see." She stared wistfully at the far wall. "Sometimes it seemed Ken was happier with his buddies shooting at ducks or at his coin and card shows than he was at home." She caught a quick breath, put a hand over her mouth and looked down.
Reynolds could sense Anne had never meant to share that personal bit of information with her, a semi-stranger. She said nothing. Experience told her to allow Anne Newman to work her way through this. A minute later the woman started speaking again.
"I never would have found it, I suppose, unless . . . what happened to Ken . . . you know. I guess life is funny sometimes."
Or terribly cruel. "Anne, I need to check this out. I'm going to take these items, and I don't want you to mention it to anyone. Not friends, family ..." She paused, choosing her words as carefully as she could. "Or anyone else at the Bureau. Not until I dig a little bit."
Anne Newman looked up at her with frightened eyes. "What do you think Ken was involved in, Brooke?"
"I don't know yet. Let's not jump to conclusions on this. The safe-deposit box might be empty. Ken might have leased it a long time ago and then forgotten about it."
"And the fake ID?"
Reynolds licked her dry lips. "Ken worked some undercover over the years. This might be a souvenir of those days." Reynolds knew this was a lie, and Anne Newman probably did too, she thought. The license had a recent issue date on it. And those working undercover in the FBI didn't usually take home the props with their secret identities on them once their tasks were completed. The fake license, she was fairly certain, was unrelated to his FBI duties. It was her job to discover what it was connected to.
"Anne, not a word to anyone. It's for your own safety as much as anything."
Anne Newman clutched her arm as Reynolds stood. "Brooke, I've got three kids. If Ken was mixed up in something ..."
"I'll put the house under twenty-four-hour surveillance. Anything remotely suspicious catches your eye, you call me." She handed her a card with her direct-dial numbers on it. "Day or night."
"I didn't know where else to turn. Ken thought a lot of you, he really did."
"He was a damn good agent and he had a terrific career." If she discovered that Ken Newman had been a sell-out, however, the Bureau would crush his memory, his reputation, everything about his professional life. That would, of course, destroy his private side as well, including the woman Reynolds was looking at, and her children. But that was life. Reynolds didn't make the rules, didn't always agree with the rules, but she lived by them. However, she would check out the safe-deposit box by herself. If there was nothing suspicious in there, she would tell no one. She would continue to investigate why Newman was using an alias, but that would be done on her own time. She wasn't going to destroy his memory without a very compelling reason. She owed the man that.
She left Anne Newman sitting on the sofa, the photo album open in her lap. The ironic thing was, if Newman was the leak on the Lockhart case, he had probably helped himself to an early death. Now that Reynolds thought about it, whoever might have hired him had probably hoped to eliminate the mole and the main target in one efficient thrust. Only a slug deflecting off a pistol barrel had saved Faith Lockhart from joining Ken Newman on a slab. And perhaps the assistance of Lee Adams as well?
Whoever had orchestrated it clearly knew what he was doing. Which was bad for Reynolds. Contrary to popular fiction and film, most criminals weren't that accomplished and couldn't so easily outmaneuver the police at every turn. The majority of murderers, rapists, burglars, robbers, drug dealers and other felons were usually uneducated or scared; or drugged-out punks or drunks terrified of their own shadows when off the needle or bottle, yet demons when high. They left many clues behind and were usually caught, or turned themselves in, or were ratted on by their "friends." They were prosecuted and did jail time or, in rare cases, were executed. They were in no sense of the word professionals.
Reynolds knew that this was not the case here. Amateurs didn't find ways to pay off veteran FBI agents. They didn't hire hit men who lurked in the woods waiting for their prey. They didn't impersonate FBI agents with credentials so authentic they had scared off the cops. Sinister theories of conspiracy swirled in her head, sending a shiver of fear down her back. No matter how long you did this, the fear was always there. To be alive was to be afraid. To not be afraid was to be dead.
As she walked out, Reynolds passed under a blinking fire detector that was in the hallway. There were three other such devices in the house, including one in Ken Newman's office. While they were plugged into the home's electrical wiring and did function as designed, they all also housed sophisticated surveillance cameras with pinhole lenses. Two of the wall outlets on each level were similarly "modified." The modifications had taken place two weeks ago when the Newmans had taken a rare three-day vacation. This type of surveillance mode was based upon PLCs, power line carrier technology favored by the FBI. And the Central Intelligence Agency.
Robert Thornhill was on the prowl. And his attention would now turn to Brooke Reynolds.
As she climbed in her car, Reynolds understood very clearly that she was perhaps at the crossroads of her career. She would probably need every bit of ingenuity and inner strength she could muster to survive this. And yet the only thing she really wanted to do right now was drive home and tell her two beautiful children the story of the three pigs, just as slowly, accurately and colorfully as she possibly could.