Sepharad

valdemún

COMING OUT OF THE last curve of the highway, you will suddenly see all the things she never saw again, the last things, perhaps, she remembered and felt a surge of nostalgia for as she lay dying in her hospital bed, caged among machines and tubes in a room where the air was burning with July heat, the thin cloth of her sick-room gown clinging to her sweaty back. She was always thirsty, and she mumbled words, working parched lips that you moistened with a wet cloth, and she imagined or dreamed she was sitting on the bank of a river in the shade of large trees swaying in a breeze as cool as the current, the clean, swift water where she dabbled her bare feet one summer morning in her early youth. Irrigation ditches snaking through heavy shade, gurgling water hidden beneath thickets of blackberries and willows, scales of gold glittering in the sun, clean pebbles on the bottom shining like precious stones, and in the eddies, spongy masses of eggs brushed the feet with the same delicate feel as water or mud, and bubblelike protuberances, imperceptible to the untrained eye, betray the presence of half-submerged frogs. She swallowed saliva and her throat burned, and once again her mouth was dry, her rough tongue licking lips that you didn’t moisten because you fell asleep, overcome by the exhaustion of so many sleepless nights, now in the hospital and earlier at home, when they released her after her first stay and it seemed she would recover, would regain her health even though she was fragile and frightened. But once she was back home, it was obvious that she belonged in the hospital, for in those few days she had become a stranger to the place and things that once had formed the framework of her life. She would walk with a strange air through the kitchen or the living room in her bathrobe, as if she couldn’t find her way, get lost in a corridor or stand before an open closet, looking for something she didn’t know how to find, trying unsuccessfully to resume the domestic patterns of the time when she was well, the simplest tasks: preparing a snack in midafternoon, changing sheets.

Then she was back in the hospital and growing worse, her heart weaker than ever, but her face, colorless against the sanitary white of the pillows, took on an expression of serenity and surrender, and she stopped asking when she could go home. At night she was delirious with thirst or fever, or from the tranquilizers and injections they gave her to calm her unruly heart, and she imagined or dreamed that she was looking down on the swift, transparent river, dipping her cupped hands into the water and lifting it streaming and sparkling in the rays that slipped through the trees. But just as her lips touched the water, it escaped through her fingers, and she was still dying of thirst, and some part of her that remained lucid accepted that she would never again see the stair-stepped houses on the hillside or the valley of orchards with the ever-present sound of water in the irrigation ditches and the breeze in the treetops and waving willows. She twisted and turned in the bed, in the tangle of tubes and straps, moaned, half sleeping, half awake, and then you sat up with a start in your synthetic-leather armchair, with a rush of anguish and remorse for having dozed off when she might need something, might ask and you wouldn’t hear, might die there beside you, gone forever without your knowing.

YOU WILL SEE PERFECTLY, at a precise point in the distance, what you saw as a little girl when you arrived every year for your summer vacation, and what she saw before you were born, when her eyes began to look out on the world, eyes like yours, preserved in your face after her death, the way a part of her genetic code is preserved in every cell of your body. Dead twenty years, she still looks through your eyes at what you will discover with a thrill of happiness and sadness when the car takes the last turn and spread out before you is the landscape that was a paradise not only after it was lost to you but also in the time you enjoyed it with the rare clarity of a child, unaware how sensations from your mother’s childhood were being repeated in you, just as the shape and color of her eyes are repeated in your face, the hint of sweetness and melancholy in her smile. The fertile river valley was covered with green orchards of pomegranates and figs and crisscrossed with paths of loamy soil beneath the concave shade of the trees — poplars, beeches, willows — a water-saturated vegetation nourished by land so gravid that it welcomed with unique delicacy the tread of human feet, yielding slightly to the weight of a body, absorbing it with a welcome as hospitable as that of a river breeze.

“I want to be buried here, I don’t want to be alone when I’m dead, surrounded by strangers in a cemetery as big as a city,” she used to tell you. I don’t mind dying, but I don’t want to be buried where no one knows me, among strange names, that would be like living again in one of those apartment buildings where I was an outsider, stuck in my house waiting all afternoon for my children to come home, and my husband after nightfall, reserved or talkative, bragging about his job or bad-mouthing the people in his office, superiors or subordinates, names I hear and get used to but then stop hearing and forget, just as I get used to the new cities where his work takes us and where I never have time to get completely settled, never have what I want most: my own things, furniture I’ve picked out, a routine, that’s what I miss the most, being able to settle sweetly into the passing of time, to get established, to occupy a secure place in the world, as I did as a child living in my small town, and although I always had a head for fantasy and imagined journeys and adventures, I enjoyed the safety of my home, my brothers and sisters, the presence of my father, the joy of looking out the window of my room and seeing the valley with its flowering almond and apple trees and, high above them, the bare tops of the mountains, with that color earth that’s the same as the houses on the road to the cemetery where I want to be buried.

It makes me sad to leave life so soon and not see my children grow up or sit again with my sister to count and make a list of supplies in the large kitchen that looks out on the garden and the valley. Really it’s more sadness than fear I feel, but there’s something more, something I didn’t count on, a strong desire to be relieved of tormented nights, medicines, sudden crises, trips in the ambulance, hospital rooms, all the tubes and machines. I used to imagine that it all would end and I would get well, but now I know I won’t; even though they tell me they’ve found a new medication, I know that the time I have left will be exactly like now, or worse, a lot worse, as my heart grows weaker. I long to rest as I did when I was young and behind in my sleep. I would jump into bed and pull the covers over my head and close my eyes tight to get to sleep as quickly as possible. I would cover my mouth to hold back the giggles that burst out like the water in the public fountain when you pressed the copper or bronze handle down too hard. The water roared into the jar, cool and deep as the mouth of a well, all those years ago, before there was indoor plumbing and we women went with our water jugs to the fountain high on the hill, where there were always swarms of wasps. My sister would complain that since she didn’t have hips, the full jug always slid down her side. Oh, that summertime water, how I would love to wet my dry, cracked lips in it now, in the drops sweating through the cool belly of the jug, feel against my cheeks the cool beads of moisture, the pores breathing in the clay. That’s what I want, the only thing I want now, to fall asleep, to sink as I do when they give me a pill, or, better, a shot I can feel spreading through my bloodstream, through my whole body. Things fade: faces bending over me, beloved voices growing fainter, distant, and each time it takes a stronger effort not to let myself go along, as gently as closing your eyelids when you fall asleep.

The voices of my two daughters, and their faces so alike and so different, blend into the same sensation of tenderness and farewell, their hands clasp mine, covertly looking for my pulse when I’m lying so still I seem to have died. I have an idea what my older daughter will think when she’s lived as many years as I have, “How strange, I’m as old as my mother was when she died,” and she will wonder what I would have been like had I gone on living. She will finish the courses she’s wanted to take ever since she entered college: she will be a teacher, marry her boyfriend, follow the path that she picked out when she was little and that she’s never veered from. But what’s to become of the younger one? Only sixteen and still amazed by the world, dazzled by the wealth and confusion of her imaginings. One day she wants to be one thing, and the next the opposite, one minute she’s taking in everything but then suddenly only one thing pleases her, and for her there’s no hurry or urgency, not about growing up or what to study or finding a boyfriend or getting married. She still lives as if she were floating, so weightless that any idea can sweep her away, the way I was when I was her age, full of dreams inspired by the movies, the novels I read behind my father’s back, every day painting a different future for myself, cities and countries I’d travel through, but I wasn’t bitter about being stuck in the village, I loved the house so much, though now I’ll never see it again, the paths in the country, the water in the ditches, the fun my girlfriends and I had on Sunday afternoons, the summer night dances, protected by my father’s kindness and my sister’s affection. At least she will live longer than I do, will look after my daughters, she who never had a husband or even a boyfriend, her hips so slight she couldn’t rest the water jug on them on the way back from the fountain.

YOU WILL TRY IN VAIN to remember the sound of her voice, for she stopped visiting you in dreams years ago. Again you are only guessing what she would have thought, the words she wanted to say to you but didn’t have time, the advice that would have served you well, that might have kept you from making so many mistakes. Or maybe she followed you, protected and guided you without your knowing, present and invisible in your life, like the spirits your aunt lighted candles to, flickering lights floating in basins of oil on dressers and night tables and trembling like ghosts in the shadows. Maybe she came to you in dreams you didn’t remember when you woke, told you things that saved you from the greatest dangers in your life, the quagmires in which so many of your generation lost their way, neighbors, friends of your teenage years who ended up as living dead, numbed, with unseeing eyes and a needle in one arm, aged, wiped out in what should have been the best years of their youth. You could have suffered the fate of your cousin, who also visited you in dreams after her death, who shared childhood summers in your small town, the two of you almost like twins when your mother died, standing at her funeral with your arms around each other, but she was always wilder than you, more daring in everything: childhood games, then sexual explorations with the first boyfriends, the excitement of a speeding motorcycle, the vertigo of a joint, and later, daring in matters of greater danger, perils you easily could have fallen into yourself, even though you panicked when you saw the restlessness and trouble that never left her eyes.

You will see the plain, green as an oasis, and above it the hillsides with houses clinging to steep streets, supported by vertical buttresses or rocks where ivy and brambles clamber and figs sprout. You used to climb there with your cousin, always behind her, frightened but spurred by her boldness, and both of you would end up sweaty and panting, your knees as raw as those of the boys. You will hear the gurgling of unseen water in the ditches, and your eyes will search out the cypresses that line the road toward the bare peak of the hill, ending at the walls of the cemetery, which are the same harsh brown as the naked earth that suddenly is like desert, though only a short distance from the water and the green of the valley: desert and oasis, the peaks scored by dry gullies, stained rust red, the highest house already eroded by the dryness, the other houses abandoned many years ago, their shutterless windows empty of glass, their roofs caved in, their walls the color of clay, like adobe ruins in a desert slowly returning to dirt and sand. And at the top, above the last almond trees and ruined houses, at the end of the winding cypress-lined road where an occasional light is visible at night, that is where I want you to bury me, with my family and lifelong neighbors, among names I’ve heard since I was a little girl, in a cemetery so small that we all know one another, with a sweeping view of the hillsides and the valley and the overhanging houses of the village that makes your head swim.

You are on your way, and long before the name you loved so much when you were a girl appears on a sign at the side of the road, you will be excited, hypnotized by the pull of return, by the strong current of time that carries you back at a speed greater even than that of the car on the flat, straight highway, still barely out of Madrid, still near your present life and several hours and hundreds of kilometers from your destination but rushing toward it. Your face changes without your noticing, making you look like the person you were at four or five — the age of your first memories of that trip — and also the person you were when you were sixteen and your mother died. She pressed your hand on the mussed sheet of the hospital bed and said something you couldn’t understand, and with the words barely out of her mouth, her moist hand softly released yours, with a kind of delicacy, and then it wasn’t at all your mother’s hand, the one you’d known and stroked so many times, pressed during those nights of agony and sleeplessness, it was the hand of a dead woman, neutral and inert when you held it to your face. Exhausted and in tears, you called to her for the last time, refusing to accept that she had left with no warning, in a few seconds, like someone slipping away to avoid the pain of a long farewell.

I keep sneaking glances at you, observing you. Driving, I turn toward you and see a new expression in your face, a look developing as we drive, and from that I get some hint of what you were long before I met you, a secret archaeology of your face and soul. I had handed you the telephone, which rang at a strange hour, almost midnight, and as you nodded and listened, your face became different from any face I’d seen in the years I lived with you.

Your previous life is a country that you’ve told me many things about but that I will never be able to visit: your past, your previous lives, the places you left behind, never to return, summer-vacation photos. The ring of the telephone broke the silence, the calm of the house, and when you hung up, after listening and nodding and asking questions in a low voice, the long ago erupted into your present, into mine, and enveloped us both — though I didn’t yet know it — in its mist of sweetness and distance, of loss and regret. “You remember my mother’s sister, who took such good care of us after Mother died? Now she has cancer, less than a week to live, a few days, he said, my cousin who’s the physician, the brother of that cousin of mine who died so young.”

You are grateful for your sadness, because it atones a little for the remorse you feel over how long it’s been since you went to see her… really, since you even thought of her. It was enough for you to know that you loved her, that she had been the one warm, strong presence in your life for many years, your slender mother, or shadow of your mother, whom she closely resembled although without half her charm, a less attractive version of her younger sister. You didn’t have to go see her, even call her, because she was with you, planted almost as deeply as the memory of your mother, but it never occurred to you that she was receiving no sign of that love from you. You realized too late that you made no effort to be with her during the last bitter years of her lonely life, in the large house where no one came to spend the summer. In all the hustle and bustle of life there had always been other things to do, more demanding things, like creditors. As if she would always be there, in that house, which changed as little as she, always ready to welcome you no matter how much time had passed. She, the house, the town belonged to a realm unaffected by your forgetfulness and long absences. If you were careless about your job, some misfortune might overtake you; if you failed to see a friend, you might lose him; you left nothing to chance either in love or in looking after yourself, never let things become routine, in all your actions, feelings, desires there was an edge of anxiety. You had been stripped so bare when your mother died, and overnight the daily order of your house was broken, so you could no longer trust in the permanence of things. Even as you enjoyed what you had, you knew how temporary it was, how inevitable loss was; and when you succeeded at something — a job, a friendship, a house — you never believed it was truly yours or that you deserved to celebrate it calmly. Which was why you always did things with vehemence, as if it were the first and last time, why you liked to decorate the places where you lived with carefully chosen objects, so that wherever you were, it seemed you’d lived there forever, given their careful arrangement and intimate relationship to you, except you felt that you had just arrived and might leave at any moment. In you, and in everything that had anything to do with you, one saw the sure hand of carefulness as well as the fragility of all that could be shattered or lost, all that was subject to chance.

Only the distant past was stable, a foreign country that long predated my arrival on the scene, a place you told me many things about but could not be found on any map, but only in the forbidden land of time. The three Moorish syllables of its name did not describe a location, they were merely a sound, a call that was familiar to you but had no resonance in my memory. All it took was the telephone ringing at midnight, and now haste, death, and guilt have invaded our static kingdom, and you realize that every day, every hour, every minute holds a threat, and you glance at the speedometer out of the corner of your eye, at the clock on the dashboard, calculating the kilometers yet to go, the days or hours of life left to your aunt, whom you imagined as safe from old age as she was in that black-and-white photograph taken in her youth, where she wears a summer dress and stands arm in arm with your mother, the two of them so much alike, yet one is striking and attractive and the other isn’t; both laugh, innocent, for in their future no illness or death exists, and you and I are not even possibilities.

The place-names along the highway invoke your childhood, space transmuting into time as the signs mark the kilometers. You gaze out the window, recognizing the landscapes you saw long ago, and your eyes take on a faraway look. It’s the beginning of summer vacation, and your excitement and impatience to get there are much more powerful than the weariness of so many hours in the car. Each roadside name and each number are a promise repeated every year, and yet it never loses its glow of happiness. You can’t remember the sequence of the summers, though you might organize them according to the episodes of your childhood, but the sequence has come to a sudden conclusion in a hospital room on a chokingly hot day in July, as you observe the waxen face of the woman who has just died and is already losing her resemblance to your mother. In your mind all those summers become one broad and serene river, and all the trips are variations on the theme of approaching paradise. Sitting in the front seat, in your mother’s lap, looking at the highway and gradually falling asleep as you gaze at the profile of your father, who was driving and smoking, or back toward your brother and sister, who were fighting in the backseat and surely resentful of you because you were the smallest and in the arms of your mother, who was still young and in good health, or didn’t yet know she wasn’t, or at least didn’t let your brother and sister and you find out. But maybe even then, as she held you in her arms and let her thoughts roam, she was feeling in her breast the labored thudding of her heart and thinking that she might die and never see you grow up, never know what would become of you, that this summer trip to the town where she was born just might be her last. When the car made the final turn, and as you beheld the paradise of the orchards on the plain and the stair-stepped houses on the hillside, maybe she was looking up toward the sere, reddish peak where the cemetery was and thinking, “That is where I want to be buried, with people I love and who know me, not in one of those cemeteries in Madrid filled with nameless dead.”

FINALLY, DRIVING INTO TOWN, you will see the name in the headlights and only then realize that you’re slightly carsick, and bored. The old joy of arriving is scarcely a flicker. It’s winter now and totally dark, and although from a distance the lights have given you the sensation that everything might be the same, little by little you see that things are not as you remember: the road is paved where you remember cobbles with grass growing between the rounded stones, encroaching buildings transform the street corners and block the view, and the shop where your mother and your aunt sent you as a girl to do the shopping, where you bought rolls and treats and soft drinks and Popsicles in the summer, is closed and looking run down. My cousin was a lot more adventurous than I. Whenever she could get away with it, she would take some coins from her mother’s apron and drag me with her to buy ice cream and chocolates. As for me, I take everything in, look at what you point out, and study your face as we drive up a steep, narrow street toward the house where your aunt lies dying. I know I’m not seeing what you’re seeing, the ghosts that have welcomed you the moment you arrived and are escorting you or lying in wait as we go up a paved hill and along a dimly lit street on which many of the houses are boarded up.

We’re almost there. The house is at the top of the hill, and you used to arrive panting with excitement, running up the street ahead of your brother and sister, and with your two childish hands you’d push open the large door that was closed only at night, at bedtime. Now, too, the door is half open, and there are lights in all the windows, lights that suggest wakefulness and alarm in the winter darkness. You push open the door, fearing you’ve come too late, and for a moment you think you see reproach on the exhausted faces that turn to greet you, as if they’d all been devastated by the same illness. I hear names, give kisses, shake hands, exchange words in a low voice; I am the outsider whom they accept because I’ve come with you. Being part of your life, I, too, belong to this place, to the fatigue and sorrow of people who have spent many nights watching over a sick woman and anticipate the mourning for her. There is an eleven- or twelve-year-old child, and a youngish man who must be his father clasps my hand with a warm and vigorous show of welcome. “This is my cousin, the doctor.” Having come here with you binds me to you in a new way, not merely to the adult woman I met not so many years ago but to all your life, to all the faces and places of your childhood, and also to your dead, and to those for whom this house we’ve just come to is a kind of sanctuary. I see a large photograph of your mother and another of your maternal grandparents, remote and solemn as an Etruscan funeral relief, and atop the ancient television, which is probably the same you sat before as a child to watch the cartoons, is the smiling face of your deceased cousin in a color photo.

I like being nothing more than your shadow here, the person who’s come with you: my husband, you say, introducing me, and I become aware of the value of that word, which is my safe-conduct in this house, among these people who knew you and gave you their affection long before I found you, and when I see how they treat you, the familiarity that is immediate among you despite all the time that’s passed since you last were here, my love for you expands to encompass that fullness, those bonds of tenderness and memory, bonds that also connect with and nourish me, linking me with a past that until now didn’t belong to me, to the photographs of dead relatives unknown to me that were waiting for you with the same loyalty as the worn furniture and whitewashed walls. “How old all this is,” you must be thinking sadly, again with a stab of guilt for having waited so long, for living in a house much more comfortable than this one in which your aunt spent the last years of her life, with the same old television that was here when you liked to flop on the sofa and watch the children’s programs and an electric heater under the table and a supplementary radiator that did little to dissipate the cold rising from the paving stones, as if seeping up through them, the same floor that has been here always, except more worn, where here and there a stone has worked loose and makes a hollow sound when someone steps on it. Everything is simply old, stripped of the beauty with which memory endows things from the past, the plastic-upholstered chairs that were the latest thing when you were a girl, the brown imitation-leather sofa, the plaster Immaculate Conception with the fine, pale face and cloak of celestial blue. What will happen to them after tomorrow, after the burial, when the house is closed, too uncomfortable to be lived in and too costly to renovate? “Probably it will have to be torn down,” someone beside me says, one of your relatives, in that tone people use when speaking of trivial matters in order to break the tedium of a death watch. “It’ll be closed up and fall down piece by piece, like so many other abandoned houses here in town.”

There is an air of weary insomnia in the house, of waiting for the ponderous arrival of death, which is drawing near on the other side of a half-opened door, the one that separates the living room from the bedroom of the dying woman. “She’s sleeping now,” we are told by the man with the white hair and the pleasant but melancholy expression, your mother and your aunt’s brother, the father of the physician and also of your deceased cousin whose photograph sits staring into the monotony of the waiting, a young and very attractive young girl with green eyes and shining chestnut curls and something of you in her features — maybe the strong chin and broad smile, or the cinnamon tone of her skin. In this room that breathes the presence of death, I observe what you do and see and say and maybe feel as you sit here beside me on the sofa, holding my hand but at the same time far away, lost in the invocations of this place, of all these relics of your childhood I am seeing for the first time, talking in a low voice with people who have known you since you were born.

We never see people who were young adults when we were children exactly as they are today; we superimpose on today’s gray hair and wrinkles the splendor they once radiated in our innocent eyes, the face of the old man, for example, who hugged me when he said hello as if he had known me forever; you still see, beneath the insults of age, the energetic features of your uncle, who looked so much like his sisters, your mother and your dying aunt, the younger brother who now will be the only survivor of the three, the man whose daughter’s death may have turned his hair gray and given him a burden of mourning that is renewed as he awaits death’s arrival again, guarding his sister’s bedroom door, wanting to hear her should she wake from her morphine-induced sleep long enough to know that you’ve come and that she will see you before she dies. “She’s been asking about you all day, whether you called, whether you’re really on the way.”

Now the doctor, who has been with your aunt, appears in the doorway, and with a gesture signals you to come in. He bends down a little to tell you in a low voice that she’s awake and has just asked for you. I hang back a little, unsure, feeling cowardly about what I will witness if I go through that door, but you pull me with you, holding my hand hard, and your uncle’s large, friendly hand on my shoulder encourages me to follow you. With the same shiver — not of sorrow but in response to a strangeness you cannot absorb — with which twenty years ago you pulled back the plastic curtain around the bed where your mother had just died, you walk into the darkened bedroom, which has the thick fug of old age, illness, and medications, but also the cold of ancient winters, along with some acrid, unhealthy scent that must be the exudation of death, the last secretions and breaths from that body lying on the bed in a stiff fetal position, its volume so reduced that it is barely visible beneath the blankets. Your uncle bends over his sister, brushes back the hair from her face, and pats her cheeks with a tenderness that is much younger than him: perhaps he patted his daughter this way in her cradle. “Look and see who’s come from Madrid,” he whispers.

The eyelids, bare of lashes, scarcely part, but there is a gleam of pupils in the dark and a rictus that is almost a smile on the swollen lips that dentures have been pushing out as the face shrinks. One hand lifts very slowly toward you, bones and blue veins and ashen skin; it finds your hand, reaches farther, touches your tear-wet face, recognizes it, feeling it as a blind person would. She murmurs your name, using a diminutive I’ve never heard, undoubtedly the name your mother and she gave you when you were little, and sitting on the edge of the bed you put your arms around her, sinking into the odor of sickness you kiss the unrecognizable face, the hard bones of death beneath transparent skin, you call to her quietly, as if wanting to wake her from all this. You will remember all the times you snuggled near her in this same bed as a child, looking for warmth on cruel winter nights, and how again, when you were sixteen, you sought that same solace on the night they buried your mother.

For the moment I have disappeared, become invisible, blending into the shadow of the corner where I stand, neither guest nor spy, a mute presence from another world and another time. But she, the person I have seen only as she is dying, who seemed to have her eyes closed, has noticed me and motions me forward with a faint gesture of a cadaverous hand, the hand that for you was as warm and reassuring as your mother’s. You smile and look toward me as your aunt tells you something in a hoarse, whispery voice I can scarcely distinguish from the rasp of her breathing. “She says come over here, she wants to see if you are as good-looking as I’ve told her.”

I walk toward her with respect, at first uncertain and clumsy, like someone moving in the sanctuary of a religion not his own. The slits of her eyelids open a little wider. As I bend down, I peer into a life and eyes that are fading, and my lips brush skin that will be like ice in a few hours or minutes. The face so near my own is that of a stranger already lost in the shadowy land of death, and the hoarse voice is a death rattle, an anguished effort to breathe, in which words, barely formed, fall from pale, dry lips. Your aunt’s hand holds mine for a long moment, and I feel as if I am receiving the affectionate pressure of your mother’s hand from across time and from the other side of death, as if she too were seeing me through your aunt’s last gaze, and as if seeing you with me so many years later will dissipate a part of her sadness and uncertainty about your future in this life in which she is not at your side.

In the Greek funeral stelae we saw together at the Metropolitan Museum in New York, the dead serenely clasp the hands of the living. The hand holding mine is slightly sweaty, and the pressure ceases at the same time the eyelids close. I panic, I’ve never seen anyone die, but when I move back a little, the eyes open weakly, a movement as faint as the voice was, as the smile on lips the same yellowish hue as the face. Her hand drops from mine; the scratch of her voice becomes a moan, and the doctor, who has a hypodermic syringe in his hand, gently moves me aside. “I must give her morphine before the pain gets worse.” But she shakes her head, her thin gray hair stuck to her temples in swirls from having been pressed so long against the pillows. She says no and murmurs something; the doctor leans down to hear. “Cousin, she’s calling you, she says bend over.” She’s using the name no one has called you since you were a baby, and when you are near, she opens her eyes wide, as if to assure herself that it’s really you. She strokes your wet face, and with her other hand she tries to hold both yours, patting and pulling, as if to tell you something or to kiss you. The hand never lets yours go, but after a slight shudder it is no longer squeezing yours, and the open eyes do not see you. She’s left you without your realizing, just as your mother did, slipped away so stealthily that you are stunned death can happen so quietly, like the faintest ripple on the surface of a lake.

WHO CAN SLEEP THIS NIGHT, in which so much is under way, the prelude to a burial overseen by women trained in the rituals of mourning, in dressing the dead woman before she stiffens, in ordering the coffin and the catafalque on which it will rest, and the candles and large crucifix that for a few hours will lend the somber air of a sanctuary to the house, a place where the cult of the past and death is honored. I hear your soft breathing in the darkness and know you’re not asleep, even though you haven’t spoken for a long time and are lying as still as possible in order not to disturb me. The bed with its cold sheets and the room that smells of mildew and gloom feel strange to me, but must feel stranger to you, who haven’t slept here since the end of your teenage years, the first bed and the first room you slept in alone after you outgrew the crib in your parents’ bedroom, the room where you knew terror and sleeplessness on stormy nights, when rumbling thunder shook the windowpanes and a lightning flash blinded you with its white blaze, where you were afraid to fall asleep and dream of the horror movie your cousin and you saw at the theater that opened in the summer, the two of you huddled beneath the sheets and talking all night long, trading secrets of shameful intimacies, your first period and first boyfriends, slow dancing at the town fiestas with boys who were also summer residents, or in the sinful reddish darkness of the first discotheques you visited, you always tagging along behind your cousin, who introduced you to the giddiness of beer and cigarettes and didn’t seem to recognize any of the limits that held you back — not modesty, not danger. Who could have said then that your destinies would be so different, that she, so like you, born at almost the same time, would slowly disappear into the dark maze of misfortune? She never made her way out, and it would have been so easy for you to wander into it, not consciously but just drifting, as she did. One year your cousin didn’t come back to spend the summer with her parents and the brother who became a doctor, so serious and docile from the time he was a little boy, always the exact opposite of his sister.

Green eyes — her father stares at the photograph in silence, as if asking a question whose answer he must await forever. Curly hair, suntanned skin — hair made blond by the summer sun and swimming pool — the still plump cheeks of a teenager, the smile like a declaration of complacency or defiance, and the chin so like yours. She was very thin the last time I saw her, but still pretty, tall, with curls falling into her face and that gleam in her green eyes and the same crazy laugh I remember from the times we set out on some risky adventure. But by then she’d become so pale, and she spoke with a slur I’d never noticed before, and although she was married and had a child, she kept telling me the same kinds of crazy things she had told me when we started going out with boys in the summer. For instance, that she met a man on a train, and within a few minutes they’d locked themselves in the bathroom for a quick fuck. We were in a cafeteria, and she was smoking too much and glancing around, nervous, making a great effort to contain herself. I could see that she enjoyed being with me, but also that she wanted to leave, to get something she needed, something that made her bite her fingernails and chainsmoke, and we both also saw that despite our mutual affection and memories we weren’t alike anymore, we didn’t have things to talk about and just sat there sometimes in silence, then she would turn and look outside or put out a just-lit cigarette in the ashtray, crushing it violently. We agreed that the following summer we’d go back home together, but I couldn’t because I had too much work, and she didn’t go anyway, and I never saw her again. Not until after her parents had lost track of her completely. By the time my doctor cousin learned what hospital she was in, it was too late. An ambulance had picked her up in the street. He told me she was so wasted he could recognize only her green eyes.

YOUR ARMS ARE AROUND ME, hugging me tight, as you do when you’re asleep and have a bad dream, you snuggle your icy feet between mine, shivering from the same cold you felt as a little girl, an ancient cold of long winters and houses without heat, cold retained in the rooms of this house as faithfully as the photos of the dead, as the most vivid memories older than reason but already brushed by melancholy and the inkling of inevitable loss: a child’s sudden fear of growing up, the cruel knowledge, which comes from nowhere, that your parents will grow old and die. Also the fear that clutched you in its pincers those nights after your mother’s death, when you didn’t dare go from your bedroom to the bathroom lest you see her in the shadowy hallway in her nightgown, her hair all wild, the way she looked when you came home and were there only a few days before she had to go back to the hospital. You closed your eyes and feared that when you opened them she would be standing at the foot of your bed, asking you something wordlessly, and if you felt you were falling asleep you feared that she would appear in a dream, and you would jerk awake with anguish, thinking you heard the sound of doors opening, or footsteps, and again you felt the raw pain of her death and of being so alone, and shamefully afraid she would come back as a ghost.

FROM BELOW COME THE sounds of conversations and footsteps, a car starting, a telephone ringing, male voices issuing instructions, large objects being shoved around or set down. They’re moving furniture to make room for the coffin. But you don’t want to give in to that thought, you resist imagining the face of your dead aunt, ravaged not only by cancer but also by the old age your mother never knew, a delicate woman young forever because the images you have of the time she was ill are nearly erased and because you happen to have no photographs from her last years. That’s how I see her too, assiduous spy that I am, researcher of your memory, which I want to be as much mine as your present life is. I can’t imagine the woman your mother would be now had she not died: seventy-some years, heavyset, probably with dyed hair. I see her as you do, as you sometimes dream of her, a young woman who still has the smile of a girl, the shadow of which I sometimes intuit on your lips, just as I can see her gaze in your eyes, and that from her — like a ring spreading on the surface of time — comes your inclination to melancholy, your way of building illusions about anything new, the care with which you arrange the objects around you, your devotion to this house in which you and she both were girls, to this oasis with the desertlike hills in the background, this place where she wanted to rest forever and be with her own, with those who gradually have been joining her in the small cemetery with the earthen walls: first her niece, who died even younger than your mother, forever safe from time in the photograph on the television, and tonight her sister, another name added to the tablet in the family pantheon, which you will see tomorrow morning during the burial, and think — maybe for the first time, and without my knowing, without your wanting to say it to me—“When I die, I want you to bury me with them.”