Shadow Prey

CHAPTER 5

The barbershop had one chair, a turn-of-the-century model with a cracked black leather seat. A mirror was mounted on the wall behind the chair. Below the mirror, on a shelf, stood a line of bottles with luminescent yellow lotions and ruby-red toilet waters. Sunlight played through them like a visual pipe organ.

When Lucas walked in, William Dooley was pushing a flat broom around the floor, herding snips of black hair into a pile on the flaking brown linoleum.

"Officer Davenport," Dooley said gravely. Dooley was old and very thin. His temples looked papery, like eggshells.

"Mr. Dooley." Lucas nodded, matching the old man's gravity. He climbed into the chair. Dooley moved behind him, tucked a slippery nylon bib into his collar and stood back.

"Just a little around the ears?" he asked. Lucas didn't need a haircut.

"Around the ears and the back of the neck, Mr. Dooley," Lucas said. The slanting October sunlight dappled the linoleum below his feet. A sugar wasp bounced against the dusty window.

"Bad business about that Bluebird," Lucas said after a bit.

Dooley's snipping scissors had been going chip-chip-chip. They paused just above Lucas' ear, then resumed. "Bad business," he agreed.

He snipped for another few seconds before Lucas asked, "Did you know him?"

"Nope," Dooley said promptly. After another few snips, he added, "Knew his daddy, though. Back in the war. We was in the Pacific together. Not the same unit, but I seen him from time to time."

"Did Bluebird have any people besides his wife and kids?"

"Huh." Dooley stopped to think. He was halfbreed Sioux, with an Indian father and a Swedish mother. "He might have an aunt or an uncle or two out at Rosebud. That's where they'd be, if there are any left. His ma died in the early fifties and his old man went four or five years back, must have been."

Dooley stared sightlessly through the sunny window. "No, by God," he said in a creaking voice after a minute. "His old man died in the summer of 'seventy-eight, right between those two bad winters. Twelve years ago. Time passes, don't it?"

"It does," Lucas said.

"You want to know something about being an Indian, Officer Davenport?" Dooley asked. He'd stopped cutting Lucas' hair.

"Everything helps."

"Well, when Bluebird died-the old man-I went off to his funeral, out to the res. He was a Catholic, you know? They buried him in a Catholic cemetery. So I went up to the cemetery with the crowd from the funeral and they put him in the ground, and everybody was standing around. Now most of the graves were all together, but I noticed that there was another bunch off in a corner by themselves. I asked a fellow there, I said, 'What's them graves over there?' You know what they were?"

"No," said Lucas.

"They were the Catholic suicides. The Catholics don't allow no suicides to be buried in the regular part of the cemetery, but there got to be so many suicides that they just kind of cut off a special corner for them… You ever hear of anything like that?"

"No, I never did. And I'm a Catholic," Lucas said.

"You think about that. Enough Catholic suicides on one dinky little res to have their own corner of the cemetery."

Dooley stood looking through the window for another few seconds, then caught himself and went back to work. "Not many Bluebirds left," he said. "Mostly married off, went away east or west. New York and Los Angeles. Lost their names. Good people, though."

"Crazy thing he did."

"Why?" The question was so unexpected that Lucas half turned his head and caught the sharp point of the scissors in the scalp.

"Whoa, did that hurt?" Dooley asked, concern in his voice.

"Nah. What'd you…?"

"Almost stuck a hole in you," Dooley interrupted. He rubbed at Lucas' scalp with a thumb. "Don't see no blood."

"What do you mean, 'Why?' " Lucas persisted. "He cut a guy's throat. Maybe two guys."

There was a long moment of silence, then, "They needed them cut," Dooley said. "There weren't no worse men for the Indian community. I read the Bible, just like anybody. What Bluebird did was wrong. But he's paid, hasn't he? An eye for an eye. They're dead and he's dead. And I'll tell you this, the Indian people got two big weights off their backs."

"Okay," said Lucas. "I can buy it. Ray Cuervo was an asshole. Excuse the language."

"I heard the word before," Dooley said. "I wouldn't say you was wrong. And not about this Benton fella, either. He was bad as Cuervo."

"So I'm told," Lucas said.

Dooley finished the trim above Lucas' ear, pushed his head forward until his chin rested on his chest, and did the back of his neck.

"There's been another killing, in New York," Lucas said. "Same way as Cuervo and Benton. Throat cut with a stone knife."

"Saw it on TV," Dooley acknowledged. He pointed at the black-and-white television mounted in the corner of the shop. "Today show. Thought it sounded pretty much the same."

"Too much," Lucas said. "I've been wondering…"

"If I might of heard anything? Just talk. You know Bluebird was a sun-dancer?"

"No, I didn't know," Lucas said.

"Check his body, if you still got it. You'll find scars all over his chest where he pulled the pegs through." Lucas winced. As part of the Sioux ceremony, dancers pushed pegs through the skin of their chests. Cords were attached to the pegs, and the dancers dangled from poles until the pegs ripped out. "There's another thing. Bluebird was a sun-dancer for sure, but there's folks around saying that a couple years ago, he got involved in this ghost-dance business."

"Ghost dance? I didn't think that was being done," Lucas said.

"Some guys came down from Canada, tried to start it up. They had a drum, went around to all the reservations, collecting money, dancing. Scared the heck out of a lot of people, but I haven't heard anything about them lately. Most Indian people think it was a con game."

"But Bluebird was dancing?"

"That's what I heard…" Dooley's voice trailed off and Lucas turned and found the old man staring out the window again. There was a park across the street, with grass worn brown by kids' feet and the fall frosts. An Indian kid was working on an upturned bike in the middle of the park and an old lady tottered down the sidewalk toward a concrete drinking fountain. "I don't think it means much," Dooley said. He turned back to Lucas. "Except that Bluebird was a man looking for religion."

"Religion?"

"He was looking to be saved. Maybe he found it," Dooley said. He sighed and moved close behind Lucas and finished the trim with a few final snips. He put the scissors down, brushed cut hair off Lucas' neck, unpinned the bib and shook it out. "Sit tight for a minute," he said.

Lucas sat and Dooley found his electric trimmers and shaved the back of Lucas' neck, then slapped on a stinging palmful of aromatic yellow oil.

"All done," he said.

Lucas slid out of the chair, asked, "How much?" Dooley said, "The regular." Lucas handed him three dollars.

"I haven't heard anything," Dooley said soberly. He looked Lucas in the eyes. "If I had, I'd tell you-but I don't know if I'd tell you what it was. Bluebird was the Indian people, getting back some of their own."

Lucas shook his head, sensing the defiance in the old man. "It's hard to believe you said that, Mr. Dooley. It makes me sad," he said.

Indian Country was full of Dooleys.

Lucas quartered through it, touching the few Indians he knew: a seamstress at an awnings shop, a seafood broker, a heating contractor, clerks at two gas stations and a convenience store, an out-of-business antique dealer, a key-maker, a cleaning lady, a car salesman. An hour before Bluebird's funeral was scheduled to begin, he left his car in an alley and walked across the street to Dakota Hardware.

A bell over the door jingled, and Lucas stopped for a moment, waiting for his eyes to adjust to the gloom. Earl May came out of the back room wearing a leather apron and flashed a smile. Lucas walked back and watched the smile fade.

"I was about to say, 'Good to see you,' but I guess you're here to ask questions about Bluebird and that killing in New York," May said. He turned his head and yelled into the back, "Hey, Betty, it's Lucas Davenport."

Betty May stuck her head through the curtain between the back room and the store. "Lucas, it's been a while," she said. She had a round face, touched by old acne scars, and a husky voice that might have sung the blues.

"There's not much around about Bluebird," said Earl. He looked at his wife. "He's asking about the killings."

"That's what everybody tells me," Lucas said. Earl was standing with his arms crossed. It was a defensive position, a push-off stance, one that Lucas had not seen before with the Mays. Behind her husband, Betty unconsciously took the same position.

"You'll have trouble dealing with the community on this one," she said. "Benton was bad, Cuervo was worse. Cuervo was so bad that when his wife got down to his office, after the police called her, she was smiling."

"But what about this guy in New York, Andretti?" Lucas asked. "What the hell did he do?"

"Andretti. The liberal with good accountants," Earl snorted. "He called himself a realist. He said there were people that you have to write off. He said that it made no difference whether you threw money at the underclass or just let it get along. He said the underclass was a perpetual drag on the people who work."

"Yeah?" said Lucas.

"A lot of people want to hear that," Earl continued. "And he might even be right about some people-winos and junkies. But there's one big question he doesn't answer. What about the kids? That's the question. You're seeing a genocide. The victims aren't the welfare queens. The victims are the kids."

"You can't think this is right, these people being killed," Lucas argued.

Earl shook his head. "People die all the time. Now some folks are dying who were hurting the Indian people. That's too bad for them and it's a crime, but I can't get too upset about it."

"How about you, Betty?" Lucas asked. He turned to the woman, disturbed. "Do you feel the same way?"

"Yeah, I do, Lucas," she said.

Lucas peered at them for a moment, studying Earl's face, then Betty's. They were the best people he knew. What they thought, a lot of people would think. Lucas shook his head, rapped the counter with his knuckles and said, "Shit."

Bluebird's funeral was… Lucas had to search for the right word. He finally settled on peculiar. Too many of the gathered Indians were shaking hands, with quick grins that just as quickly turned somber.

And there were too many Indians for one guy who wasn't that well known. After the coffin had been lowered into the ground, and the last prayers said, they gathered in groups and clusters, twos and threes, talking. An air of suppressed celebration, Lucas thought. Somebody had lashed out. Bluebird had paid, but there were others still at it, taking down the assholes. Lucas watched the crowd, searching for faces he knew, people he might tap later.

Riverwood Cemetery was a working-class graveyard in a working-class neighborhood. Bluebird was buried on a south-facing slope under an ash tree. His grave would look up at the sun, even in winter. Lucas stood on a small rise, next to one of the city's increasingly rare elms, thirty yards from the gravesite. Directly opposite him, across the street from the cemetery and a hundred feet from the grave, were more watchers. The catsup-colored Chevy van fit into the neighborhood like a perfect puzzle piece. In the back, two cops made movies through the dark windows.

Identifying everyone would be impossible, Lucas thought. The funeral had been too big and too many people were simply spectators. He noticed a white woman drifting along the edges of the crowd. She was taller than most women and a little heavy, he thought. She glanced his way, and from a distance, she was a sulky, dark-haired madonna, with an oval face and long heavy eyebrows.

He was still following her progress through the fringe of the crowd when Sloan ambled up and said, "Hello, there." Lucas turned to say hello. When he turned back to the funeral crowd a moment later, the dark-haired woman was gone.

"You talk to Bluebird's old lady?" Lucas asked.

"I tried," Sloan said. "I couldn't get her alone. She had all these people around, saying, 'Don't talk to the cops, honey. Your man is a hero.' They're shutting her down."

"Maybe later, huh?"

"Maybe, but I don't think we'll get much," Sloan said. "Where're you parked?"

"Around the corner."

"So am I." They picked their way between graves, down the shallow slope toward the street. Some of the graves were well tended, others were weedy. One limestone gravemarker was so old that the name had eroded away, leaving only the fading word FATHER. "I was talking to one of the people at her house. The guy said Bluebird hadn't been around that much. In fact, he and his old lady were probably on the edge of breaking up," Sloan said.

"Not too promising," Lucas agreed.

"So what're you doing?"

"Running around picking up bullshit," Lucas said. He looked one last time for the dark-haired woman but didn't see her. "I'm headed over to the Point. Yellow Hand's up there. Maybe he's heard something more."

"It's worth a try," Sloan said, discouraged.

"He's my last shot. Nobody wants to talk."

"That's what I get," Sloan said. "They're rootin' for the other side."

The Point was a row of red-brick townhouses that had been converted to single-floor apartments. Lucas stepped inside the door, pushed it shut and sniffed. Boiled cabbage, a few days old. Canned corn. Oatmeal. Fish. He reached back to his hip, slipped the Heckler and Koch P7 out of its holster and put it in his sport coat pocket.

Yellow Hand's room was five floors up, in what had once been a common-storage attic. Lucas stopped on the landing at the fourth floor, caught his breath and finished the climb with his hand on the P7. The door at the top of the stairs was closed. He tried the knob without knocking, turned it and pushed the door open.

A man was sitting on a mattress reading a copy of People magazine. An Indian, wearing a blue work shirt with the sleeves rolled above his elbows, and jeans and white socks. An army field jacket lay next to the mattress, along with a pair of cowboy boots, a green ginger-ale can, another copy of People and a battered volume of Reader's Digest Condensed Books. Lucas stepped inside.

"Who are you?" the man asked. His forearms were tattooed-a rose inside a heart on the arm nearer to Lucas, an eagle's wing on the other. Another mattress lay across the room with two people on it, asleep, a man and a woman. The man wore jockey shorts, the woman a rose-colored rayon slip. Her dress lay neatly folded by the mattress and next to that were two chipped cups with a coil heater inside one of them. The floor was littered with scraps of paper, old magazines, empty food packages and cans. The room stank of marijuana and soup.

"Cop," said Lucas. He stepped fully into the room and looked off to his left. A third mattress. Yellow Hand, asleep. "Looking for Yellow Hand."

"He's passed out," said the tattooed man.

"Drinking?"

"Yeah." The man rolled off the mattress and picked up his jacket. Lucas pointed a finger at him.

"Stick around for a minute, okay?"

"Sure, no problem. You got a cigarette?"

"No."

The woman on the second mattress stirred, rolled onto her back and propped herself up on her elbows. She was white, and older than Lucas thought when he first saw her. Forties, he thought. "What's going on?" she asked.

"Cop to see Yellow Hand," said the tattooed man.

"Oh, shit." She squinted at Lucas and he saw she was missing her front teeth. "You got a cigarette?"

"No."

"God damn, nobody ever got no smokes around here," she whined. She looked at the man beside her, poked him. "Get up, Bob. The cops are here." Bob moaned, twitched and snored.

"Leave him," said Lucas. He moved over to Yellow Hand and pushed him with his toe.

"Don't fuck w' me," Yellow Hand said sleepily, batting at the foot.

"Need to talk to you."

"Don't fuck w' me," Yellow Hand said again.

Lucas prodded him a little harder. "Get up, Yellow Hand. This is Davenport."

Yellow Hand's eyes flickered and Lucas thought he looked too old for a teenager. He looked as old as the woman, who was now sitting slouched on the mattress, smacking her lips. The tattooed man stood bouncing on his toes for a second, then reached for a cowboy boot.

"Leave the boots," Lucas said, pointing at him again. "Wake up, Yellow Hand."

Yellow Hand rolled to a sitting position. "What is it?"

"I want to talk." Lucas turned to the tattooed man. "Why'n't you come over here and sit on the mattress?"

"I ain't done a fuckin' thing," the man snarled, suddenly defiant. He was rake thin and had one shoulder turned toward Lucas in an unconscious boxing stance.

"I'm not here to fuck with anybody," Lucas said. "I'm not asking for ID, I'm not calling in for warrants. I just want to talk."

"I don't talk to the fuckin' cops," the tattooed man said. He looked around for support. The woman was staring at the floor, shaking her head; then she spat between her feet. Lucas put his hand in his pocket. The attic space was crowded. Ordinarily, he wouldn't worry about a couple of derelicts and a drifter, but the tattooed man exuded an air of toughness. If there were a fight, he wouldn't have much room to maneuver.

"We can do it the easy way or we can do it the hard way," he said softly. "Now get your ass over here or I'll kick it up between the ears."

"What you gonna do, cop, you gonna fuckin' shoot me? I ain't got no knife, I ain't got no gun, I'm in my own fuckin' apartment, I ain't seen no warrant, you gonna shoot me?"

The man stepped closer and Lucas took his hand back out of his pocket.

"No, but I might beat the snot out of you," Lucas said. Both the older man and the woman were looking away. If the tattooed man jumped, he would have no support from them. Yellow Hand wasn't likely to help the stranger, so it would be one on one. He braced himself.

"Take it easy, Shadow, you don't want to fight no cop," Yellow Hand said from the mattress. "You know what'd happen then."

Lucas looked from Yellow Hand to the tattooed man and guessed that the tattooed man was on parole.

"You know Benton?" he snapped. "He your PO?"

"No, man. I never met him," the tattooed man said, suddenly closing his eyes and half turning away. The tension ebbed.

"All I want to do is talk," Lucas said mildly.

"You want to talk with a gun in your pocket," said the tattooed man, turning back to him. "Like all whites."

He looked straight at Lucas, and Lucas saw that his eyes were light gray, so light they looked as though cataracts were floating across his irises. The man's body trembled once, again, and then settled into a low vibration, like a guitar string.

"Take it easy," Yellow Hand said again, rubbing his face. "Come on over and sit down. Davenport won't fuck with you."

There was another moment of stress; then, as suddenly as he'd become angry, the tattooed man relaxed and smiled. His teeth were a startling white against his dark face. "Sure. Jeez, I'm sorry, but you come on sudden," he said. He bobbed his head in apology.

Lucas backed up a few steps, wary of the sudden change, uneasy about the eyes. Witch eyes. The tattooed man moved over to Yellow Hand's mattress and sat down on a corner. Lucas watched him for a second, then stepped closer to Yellow Hand, until he was looming over him. He spoke at the top of the teenager's head.

"What do you hear, Yellow Hand? I need everything about Ray Cuervo getting his throat cut. Anything about this guy Benton. Anybody who was friends with Bluebird."

"I don't know about that shit," Yellow Hand said. "I knew Bluebird from out on the res."

"At Fort Thompson?"

"Yeah, man. His sister and my mom used to walk down below the dam and go fishing."

"What do you hear about him lately?" Lucas reached down and grabbed Yellow Hand's hair, just above his ear, and pulled his head back. "Gimme something, Yellow Hand. Talk to me."

"I don't know shit, man, I'm telling the truth," Yellow Hand said sullenly, jerking his hair free. Lucas squatted so he could look Yellow Hand straight in the face. The tattooed man watched Lucas' face over Yellow Hand's shoulder.

"Look. When Benton got killed, you got picked up as a witness," Lucas said, putting a friendly note in his voice. "That's on the record. There are some cops putting together a list. Your name is on it. That means some hardasses from Robbery-Homicide will be checking you out. They aren't going to be friendly, like me. They aren't gonna be no fuckin' pussycats. They aren't going to take care of you, Yellow Hand. If you give me something, I can deal them off. But I got to have something. If I don't get something, they'll figure I didn't squeeze hard enough."

"I could go back to the res," Yellow Hand said.

Lucas shook his head. "What are you going to smoke on the res? Sagebrush? What are you gonna do, sneak down to the tribal store and shoplift boomboxes? Gimme a break, Yellow Hand. You got all these nice K Marts you can work in the Cities. You got the candy man coming around every night. Shit, you got guys peddling crack at Fort Thompson?"

A tear trickled down Yellow Hand's face and he sniffed. Lucas looked at him. "What have you got, man?" Lucas asked again.

"I heard one thing," Yellow Hand admitted. He glanced at the tattooed man, then quickly looked away. "That's all. It probably don't mean shit."

"Let me hear it. I'll decide."

"You know that hassle last summer? Like two, three months ago, between the bikers and the Indian people out in the Black Hills?"

"Yeah, I saw something about it in the papers."

"What it was, was these bikers come in from all over. They have this big rally up in Sturgis and they have like a truce. There's Angels and Outlaws and Banditos and Satan's Slaves and every fuckin' thing. A whole bunch of them stay in this campground out at a place called Bear Butte. They call it the Bare Butt campground, which already makes some Indian people angry."

"What's this got to do with Bluebird?"

"Let me finish, man," Yellow Hand said angrily.

"Okay."

"Some of these bikers, they get drunk at night and they like to run up the side of the butte on their bikes. The butte's a holy place and there were some medicine people up there, with some guys looking for visions. They came down and they had guns. That's what started the trouble."

"And Bluebird was there?" asked Lucas.

"That's what I heard. He was with this group, searching for visions. And they came down with guns. Yesterday, when this guy in New York gets killed, I was in Dork's Pool Hall down on Lyndale?"

"Yeah?"

"Some guy had a picture cut out of the StarTribune from the biker thing. He was showing it around. There was a bunch of cops and a bunch of bikers and the Indian medicine people. One of the guys with a rifle was Bluebird."

"Okay, that's something," Lucas said, patting Yellow Hand on the knee.

"Jesus," said the tattooed man, looking at Yellow Hand.

"What about you?" Lucas asked him. "Where were you during this shit?"

"I got back from Los Angeles yesterday. I still got the bus ticket over by my bed. And I ain't heard nothing, except bullshit."

"What bullshit?"

"You know, that Bluebird went crazy and decided to kill a few of the white people sitting on his back. And how that's a good thing. Everybody says it's a good thing."

"What do you know about Bluebird?"

The tattooed man shrugged. "Never met him. I know the family name, but I'm from Standing Rock. I never went over to Fort Thompson except once, for a powwow. The place is out of the way of everything."

Lucas looked at him and nodded. "What were you doing in Los Angeles?"

"Just went there to look around, you know. Look at movie stars." He shrugged.

"All right," Lucas said after a moment. He looked down at Yellow Hand. There wouldn't be much more. "You two just sit here for a minute, okay?"

Lucas stepped over to the tattooed man's bed. On the floor on the far side, out of sight from the door, was a willow stick with a small red rag tied around the tip in a bundle, what looked like a crumpled bus ticket, and a money clip. Inside the clip were a South Dakota driver's license and a photograph pressed between two pieces of plastic. Lucas bent over and scooped it up.

"What you doin' with my stuff, man?" the tattooed man said. He was on his feet again, vibrating.

"Nothing. Just looking," Lucas said. "Is this what I think it is?"

"It's a prayer stick, from an old ceremony down on the river. I carry it for luck."

"Okay." Lucas had seen one once before. He carefully laid it on the mattress. The bus ticket was out of Los Angeles, dated three days earlier. It might have been an arranged alibi, but didn't feel that way. The SoDak license carried a fuzzy photo of the tattooed man in a white T-shirt. The white eyes glistened like ball bearings, like the eyes of Jesse James in nineteenth-century photographs. Lucas checked the name. "Shadow Love?" he said. "That's a beautiful name."

"Thank you," said the tattooed man. His smile clicked on like a flashlight beam.

Lucas looked at the fading color snapshot. A middle-aged woman in a shapeless dress stood by a rope clothesline. The line was strung between a tree and the corner of a white clapboard house. There was a board fence in the background, and in the distance, a factory chimney. A city, maybe Minneapolis. The woman was laughing, holding up a pair of jeans that had frozen board-stiff. The trees in the background were bare, but the woman was standing on green grass. Early spring or late fall, Lucas thought.

"This your mom?" he asked.

"Yeah. So what?"

"So nothing," Lucas said. "A guy who carries a picture of his mom, he can't be all bad."

After the Point, Lucas gave up and headed back toward City Hall, stopping once at a public telephone outside the StarTribune.

"Library," she said. She was small and wistful, falling into her forties. Nobody at the paper paid her any attention.

"You alone?" he asked.

"Yes." He could feel her catch her breath.

"Could you call something up for me?"

"Go ahead," she said.

"Last week of July, first week of August. There was a confrontation between bikers and Indians out in South Dakota."

"Do you have a key word?" she asked.

"Try 'Bear Butte.' " Lucas spelled it for her. There was a moment's silence.

"Three hits," she said.

"Did you use any art?" There was another moment of silence.

"Yes," she said. "August first. Three columns, page three."

"Yours or AP?"

"Ours." She named the photographer.

"What are the chances of getting a print?"

"I'd have to lift it from the files," she said, in a hushed voice.

"Could you?"

Another few seconds passed. "Where are you?"

"Right down at the corner, in my car."

"It'll be a minute."

Sloan was leaving City Hall when Lucas arrived.

"Winter coming," he said as they stopped on the sidewalk.

"Still warm," said Lucas.

"Yeah, but it's already getting dark," Sloan said, looking up the street. Cars were creeping out toward the interstate, their lights on.

"Did you get anything today? After I left you?"

"Naw." Then the other man brightened. "I did get a look at that woman cop from New York."

Lucas grinned. "She's worth looking at?"

"Oh, yeah. She's got a lip, you know? She's got this little overbite and she's got this kind of soft look about her like, I don't know, like she'd moan or something…"

"Jesus, Sloan…"

"Wait'11 you take a look at her," Sloan said.

"Is she still here?"

"Yeah. Inside. She went out with Shearson this morning," Sloan laughed. "The lover boy. The good suits."

"He made a move on her?" Lucas asked.

"I'd bet on it," Sloan said. "When he came back, he spent two hours studying his files awful hard. She was sitting around looking cool."

"Hmph." But Lucas grinned. "How'd she get with Shear-son? I thought she was going out with you."

"Naw. Shearson gave Lester a blow job and got her assigned to him. Squire her around."

"He's so suave," Lucas said. He said "swave."

"Good title. You ought to write a song," Sloan said, and went on his way.

Lucas saw her in the hallway outside the Robbery-Homicide office. The madonna from the cemetery. She was walking toward him on high heels and he noticed her legs first, then her dark eyes, like pools. He thought about the tattooed man, the shiny pale eyes like flint, eyes you bounced off. With the woman, you fell in. She was wearing a tweed jacket and skirt with a ruffled-front blouse and black tie. She had a paper coffee cup in her hand and Lucas held the door for her.

"Thanks." She smiled and went through, headed for An-derson's cubbyhole. Her voice was low and buttery.

"Um," said Lucas, tagging behind. Her hair was done up in a slightly lopsided bun and a few loose strands fell across her neck.

"I'm leaving," she told Anderson, leaning into his cubbyhole. "If anything comes overnight, you've got the number."

Anderson was sitting behind an IBM terminal, chewing on the end of a chopstick. The remains of a Chinese dinner were congealing in a white foam carton on his desk and the office stank of overcooked water chestnuts and rum-soaked cigars. "Okay. We'll see if we can find something better for you tomorrow."

"Thanks, Harmon."

She turned and almost bumped into Lucas. He caught a faint scent that was neither water chestnut nor cigar, something expensive from Paris. Anderson said to her, "Do you know Lucas? Davenport?"

"Nice to meet you," she said, stepping back and offering her hand. Lucas took it and shook once, smiling politely. She was larger than he'd thought at first. Deep-breasted, a little pudgy. "You're the guy who blew up the Maddog."

"He's the one," Anderson said from behind her. "You get anything, Lucas?"

"Maybe," Lucas said, still looking at the woman. "Harmon didn't mention your name."

"Lily Rothenburg," she said. "Lieutenant, NYPD."

"Homicide?"

"No. I work out of the… out of a precinct in Greenwich Village."

Andersen's head was swiveling between them like a spectator at a tennis match.

"How come you're on this one?" Lucas asked. Inside his head, he was doing an inventory. He was wearing a $400 Brooks Brothers tweed sport coat with a pale rose stripe, a dark-blue shirt, tan slacks and loafers. He should look pretty good, he thought.

"Long story," she said. She nodded at the manila envelope in his hand. "What did you get? If you don't mind my asking?"

"A photograph of Bluebird taken on the first of August," he said. He took the photo out of the envelope and handed it to her. "He's the guy with the rifle over his shoulder."

"Who are these people?" A small frown line appeared on her forehead, connecting her bushy dark eyebrows.

"A group of Sioux vision-seekers and a couple of medicine men. I don't know who's who, but they had guns and Bluebird was with them a month ago."

She looked at him over the top of the photograph and their eyes clicked together like two pennies in a pocket. "This could be something," she said. "Where did you get it?"

"Friend," Lucas said.

She broke her eyes away and turned the photo over. The remnants of routing slips were pasted on the back. "A newspaper," she said. "Can we get the other shots on the roll?"

"Think it'd be worth the trouble?"

"Yes," she said. She put her index finger on the head of one of the figures in the photo. "See this guy?"

Lucas looked at the photo again. The tip of her finger was touching the head of a stocky Indian man, but only the outer rim of his face and one eye were visible. The rest was eclipsed behind the head of another figure in the foreground.

"What about him?" He took the photograph and looked more closely at it.

"That could be our man," she said. "The guy who lit up Andretti. It looks a lot like him, but I need a better shot to be sure."

"Whoa." Anderson eased out of his chair to take a look. The lumpy mound of Bear Butte was in the background, gray and brooding, a lonely northern outpost of the Black Hills. In the foreground, a group of Indians, wearing calico shirts and jeans, were gathered behind one of the elderly medicine men. Most of the men were looking to the left of" the camera, toward a group of sheriffs deputies. Bluebird was there with his gun, one of the few who were looking more or less at the camera.

"So how do we get back to your friend and see what else is on the negatives?" Lily asked.

"I'll talk to the chief tonight," Lucas said. "We'll have to meet with some of the people at the paper tomorrow morning. First thing."

"Tomorrow?" she snapped, incredulous. "Christ, the guy's on his way here right now. We've got to get going tonight."

"That would be… difficult," Lucas said hesitantly.

"What's difficult? We get the negs, print them and find somebody who knows my guy's name."

"Look, I know the papers here. They'll need three meet- ings and eight consultations before they'll make the pictures," Lucas said. "That won't get done tonight. There's no way that we'll see the negatives."

"If we put on enough heat…"

"We're talking bureaucracy here, okay? We can't move it faster than it's willing to move. And if we go tonight, there's a good chance I'll burn my friend. The first thing they'll do is look at their files, and they'll find their record photo's gone. I don't want to do that. I want to get it back in the file."

"Jesus Christ, you fuckin'…" She snapped her mouth shut.

"Shitkickers?"

"I wasn't going to say that," she lied.

"Bullshit. I'll tell you what. I'll get as much done tonight as can get done. All the newspaper people will get called, it'll all be explained, they can have all their meetings, and we'll be over there at eight tomorrow morning, looking at prints."

Her eyes searched his face for a moment. "I don't know," she said finally.

"Look," said Lucas, trying to win her over. "Your killer is driving a junker. If he pushed it as hard as he could, he wouldn't get here until tomorrow night anyway. Not unless he's got a relief driver and they really hammered it out the whole way."

"He was alone in the motel…"

"So we don't lose anything," Lucas said. "And I save my friend's ass, which is a pretty high priority."

"Okay," Lily said. She nodded, her eyes on his face, then stepped past him toward the door. "I'll see you tomorrow, Harmon."

"Yeah." Anderson looked after her as she went through the door. When she was gone, he turned to Lucas, a small smile playing on his face.

"You got the look," he said.

"What's that?"

"Like a bunch of people look after they talk to her. Like you been hit on the forehead with a ball-peen hammer," Anderson said.

Daniel was eating dinner.

"What happened?" he asked when Lucas identified himself.

"We came up with a photo from the StarTribune" Lucas said. He explained the rest of it.

"And Lillian thinks he might be the killer?" Daniel asked.

"Yeah."

"Damn, that's good. We can get some mileage out of this. I'll talk to the people at the Trib," Daniel said. "What do you think about the approach?"

"Tell them we need the rest of the negatives on that roll and any other rolls they have. Argue that the photos were taken at a public news event, that there is no secret film involved-nothing involving sources, nothing confidential. Tell them if they help catch Andretti's killer, we'll give them the story. And they'll already have the exclusive pictures that solved the assassination."

"You don't think they'll pull the confidentiality shit?" Daniel asked.

"I don't see why they should," Lucas said. "The pictures weren't confidential. And we're talking about serial assassination of major political figures, not some kind of horseshit inciting-to-riot thing."

"Okay. I'll call now."

"We need them as early as we can get them."

"Nine o'clock. We'll get them by nine," Daniel said.

Lucas hung up and dialed the StarTribune library. He gave his friend a summary of what had happened and arranged to meet her near the paper's offices.

"It's kind of exciting," she whispered as she leaned over his car. He handed her the manila envelope. "It's like being a mole, in John le Carre."

He left her in a glow and headed home.

Lucas lived in St. Paul. From his front-room window, he could see a line of trees along the Mississippi River gorge and the lights of Minneapolis on the other side. He lived alone, in a house he once thought might be too big. Over ten years, he'd spread out. The double garage took an aging Ford four-wheel-drive that he used for backcountry trips and boat-towing. The basement filled up with weights and workout pads, a heavy bag and a speed bag, shooting gear and a gun safe, tools and a workbench.

Upstairs, the den was equipped with a deep leather chair for dreaming and watching basketball on television. One bedroom was for sleeping, another for guests. He'd converted a third bedroom into a workroom, with an oak drawing table and a bookcase full of references.

Lucas invented games. War games, fantasy games, role-playing games. Games paid for the house and the Porsche and a cabin on a lake in northern Wisconsin. For three months, he had been immersed in a game he called Drorg. "Drorg" was an invented word, inspired by cyborg, which itself was a contraction of the words cybernetics organism. Cyborgs were humans with artificial parts. A drorg, in Lucas' game, was a drug organism, a human altered and enhanced by designer drugs. To see in the dark, to navigate by sonar with enhanced hearing, to have the strength of a gorilla, the reflexes of a cat. The brain of a genius.

Not all at once, of course. That's where the game came in. And the drugs had penalties. Some lingered: Call for su-perstrength and it hung on when you needed superintelli-gence. Call for superintelligence and the drug pushed you to madness and suicide if you couldn't acquire the antidote. Take the pan-effects drug and it flat killed you, period; but not before you achieved superabilities and eventually intolerable pleasure.

It all took work. There was the basic plot to write-Drorg was essentially a quest, like most role-playing games. There were also scoring systems to build, opponents to create, boards to design. The publisher was excited about it and was pressing. He wanted to do a computer version of it.

So five or six nights a week, for three months, Lucas had been in the workroom, sitting in a pool of light, plotting his patterns. He listened to classic rock, drank an occasional beer, but mostly laid out a story of information bureaucracies, corporate warfare, 'luded-out underclasses and drorg warriors. Where the story came from, he didn't know; but every night the words were there.

When he got home, Lucas put the car in the garage, went inside and popped a frozen chicken dinner into the microwave. In the five minutes before it was ready, he checked the house, got the paper off the front porch and washed his hands. He'd eaten all the french fries and three of the four chicken nibbles-he wasn't exactly sure what part they were, but they did have bones-when Lily Rothenburg's face popped into his mind.

She came out of nowhere: he hadn't been thinking about her, but suddenly she was there, like a photograph dropped on a table. A big woman, he thought. A little too heavy, and not his style; he liked the athletes, the small muscular gymnasts, the long sleek runners.

Not his style at all.

Lily.