Sharp Objects

Chapter Two

Happy Hour. I gave up on the search and stopped off at Footh’s, the town’s low-key country bar, before dropping by 1665 Grove Street, home of Betsy and Robert Nash, parents of Ashleigh, twelve; Tiffanie, eleven; the deceased Ann, forever nine; and six-year-old Bobby Jr.

Three girls until, at last, their baby boy. As I sipped my bourbon and cracked peanuts, I pondered the growing desperation the Nashes must have felt each time a child popped out without a penis. There was the first, Ashleigh, not a boy, but sweet and healthy. They’d always wanted two anyway. Ashleigh got a fancy name with extravagant spelling and a closet full of frosting-cake dresses. They crossed their fingers and tried again but still got Tiffanie. Now they were nervous, the welcome home less triumphant. When Mrs. Nash got knocked up once again, her husband bought a tiny baseball glove to give the lump in her belly a nudge in the right direction. Imagine the righteous dismay when Ann arrived. She got slapped with some family name—didn’t even get the extra e to ornament it a bit.

Thank goodness for Bobby. Three years after the disappointing Ann—was he an accident or one last shot of brio?—Bobby was given his dad’s name, was doted on, and the little girls suddenly realized how extraneous they were. Especially Ann. No one needs a third girl. But now she’s getting some attention.

I took my second bourbon in one smooth shot, unclenched my shoulders, gave my cheeks a quick slap, got in my big blue Buick, and wished for a third drink. I’m not one of those reporters who relishes picking through people’s privacy. It’s probably the reason I’m a second-rate journalist. One of them, at least.

I still remembered the way to Grove Street. It was two blocks behind my high school, which served every kid within a seventy-mile radius. Millard Calhoon H.S. was founded in 1930, Wind Gap’s last cough of effort before sinking into the Depression. It was named for the first mayor of Wind Gap, a Civil War hero. A Confederate Civil War hero, but that made no never mind, a hero nonetheless. Mr. Calhoon shot it out with a whole troop of Yankees in the first year of the Civil War over in Lexington, and single-handedly saved that little Missouri town. (Or so implies the plaque inside the school entrance.) He darted across farmyards and zipped through picket-fenced homes, politely shooing the cooing ladies aside so they wouldn’t be damaged by the Yanks. Go to Lexington today and ask to see Calhoon House, a fine bit of period architecture, and you can still spot northern bullets in its planks. Mr. Calhoon’s southern bullets, one assumes, were buried with the men they killed.

Calhoon himself died in 1929 as he closed in on his centennial birthday. He was sitting at a gazebo, which is now gone, in the town square, which has been paved over, being feted by a big brass band, when suddenly he leaned into his fifty-two-year-old wife and said, “It’s all too loud.” Then he had a massive coronary and pitched forward in his chair, smudging his Civil War finery in the tea cakes that had been decorated with the Stars and Bars just for him.

I have a special fondness for Calhoon. Sometimes it is all too loud.

The Nashs’ house was much as I’d expected, a late-’70s piece of generica like all the houses on the west side of town. One of those homely ranch houses featuring the garage as its central point. As I drove up, a messy blond boy was sitting in the driveway in a Big Wheel several sizes too small for him, grunting with the effort to pedal the plastic bike. The wheels just spun in place under his weight.

“Want a push?” I said as I got out of the car. I’m not good with children as a rule, but it seemed an attempt wouldn’t hurt. He looked at me silently for a second, stuck a finger in his mouth. His tank top slipped up as his round belly popped out to greet me. Bobby Jr. looked stupid and cowed. A boy for the Nashes, but a disappointing one.

I stepped toward him. He jumped off the Big Wheel, which remained clamped to him for a few steps, jammed on his body as it was, then clattered off sideways.

“Daddy!” He ran wailing toward the house as if I’d pinched him.

By the time I reached the front door, a man appeared. My eyes focused behind him, at a miniature fountain gurgling in the hallway. It had three tiers shaped like shells, with a statue of a little boy perched on top. Even from the other side of the screen door, the water smelled old.

“Can I help you?”

“Are you Robert Nash?”

He looked suddenly wary. It was probably the first question the police had asked him when they told him his daughter was dead.

“I’m Bob Nash.”

“I’m so sorry to bother you at home. I’m Camille Preaker. I’m from Wind Gap.”

“Mmhmmm.”

“But now I’m with the Daily Post in Chicago. We’re covering the story…. We’re here because of Natalie Keene, and your daughter’s murder.”

I braced for yelling, door slams, curses, a punch. Bob Nash stuffed both hands deep into his front pockets and leaned back on his heels.

“We can talk in the bedroom.”

He held the door open for me, and I began picking my way through the clutter of the living room, laundry baskets spurting over with rumpled sheets and tiny T-shirts. Then past a bathroom whose centerpiece was an empty roll of toilet paper on the floor, and down a hallway spackled with fading photos beneath grimy laminate: little blonde girls crowded dotingly around a baby boy; a young Nash with his arm stiffly circled around his new bride, each of them holding the edge of a cake knife. When I got to the bedroom—matching curtains and bedclothes, a tidy dresser—I realized why Nash had chosen the spot for our interview. It was the one area of the house that held a degree of civilization, like an outpost on the edge of a despairing jungle.

Nash sat on one edge of the bed, I on the other. There were no chairs. We could have been day players in an amateur porn flick. Except we each had a glass of cherry Kool-Aid he’d fetched for us. Nash was a well-kept man: clipped mustache, receding blond hair held down with gel, a glaring green polo tucked into jeans. I assumed he was the one who maintained the order of this room; it had the unadorned neatness of a bachelor trying very hard.

He needed no foreplay for the interview, and I was grateful. It’s like sweet-talking your date when you both know you’re about to get laid.

“Ann’d been riding her bike all last summer,” he started without prompting. “All summer just around and around the block. My wife and me wouldn’t let her go no further. She was only nine. We are very protective parents. But then at the end, right before she started school, my wife said fine. Ann had been whining, so my wife said fine, Ann could ride to her friend Emily’s house. She never got there. It was eight o’clock before we realized.”

“What time had she left?”

“About seven. So somewhere along the way, in those ten blocks, they got her. My wife will never forgive herself. Never.”

“What do you mean, they got her?”

“Them, him, whatever. The bastard. The sick baby killer. While my family and I sleep, while you drive around doing your reporting, there is a person out there looking for babies to kill. Because you and I both know the little Keene girl isn’t just lost.”

He finished the rest of his Kool-Aid in one belt, wiped his mouth. The quotes were good, if overpolished. I find this common, and in direct proportion to the amount of TV a subject watches. Not long ago, I interviewed a woman whose twenty-two-year-old daughter had just been murdered by her boyfriend, and she gave me a line straight from a legal drama I happened to catch the night before: I’d like to say that I pity him, but now I fear I’ll never be able to pity again.

“So Mr. Nash, you have no thoughts of anyone who might have wanted to harm you or your family by hurting Ann?”

“Miss, I sell chairs, ergonomic chairs for a living—over the phone. I work out of an office over in Hayti, with two other fellas. I don’t meet anyone. My wife does part-time office work at the grade school. There’s no drama here. Someone just decided to kill our little girl.” He said the last part beleaguredly, as if he’d given in to the idea.

Bob Nash walked to the sliding glass door off the side of the bedroom. It led onto a tiny deck. He opened the door but stayed inside. “Might be a homo did it,” he said. The word choice was actually a euphemism in these parts.

“Why do you say that?”

“He didn’t rape her. Everyone says that’s unusual in a killing like this. I say it’s the only blessing we got. I’d rather him kill her than rape her.”

“There were no signs of molestation at all?” I asked in a murmur I hoped sounded gentle.

“None. And no bruises, no cuts, no sign of any kind of…torture. Just strangled her. Pried her teeth out. And I didn’t mean what I said before, about her being better killed than raped. That was a stupid thing to say. But you know what I mean.”

I said nothing, let my tape recorder whir on, capturing my breathing, Nash’s ice clinking, the thunks of a volleyball game being played next door in the last of the daylight.

“Daddy?” A pretty blonde girl, hair in a ponytail down to her waist, peeked through the crack of the bedroom door.

“Not now, honey.”

“I’m hungry.”

“You can fix something,” Nash said. “There’s waffles in the freezer. Make sure Bobby eats, too.”

The girl lingered a few seconds longer looking at the carpet in front of her, then quietly shut the door. I wondered where their mother was.

“Were you home when Ann left the house that last time?”

He cocked his head sideways at me, sucked his teeth. “No. I was on my way home from Hayti. It’s an hour drive. I didn’t hurt my daughter.”

“I didn’t mean that,” I lied. “I was just wondering if you got to see her that night.”

“Saw her that morning,” he said. “Don’t remember if we talked or not. Probably not. Four kids in the morning can be a little much, you know?”

Nash twirled his ice, now melted into one solid mass. He ran his fingers underneath his bristly mustache. “No one’s been any help so far,” he said. “Vickery’s in over his head. There’s some big-shot detective assigned here from Kansas City. He’s a kid, smug too. Marking days till he can get out. You want a picture of Ann?” He said picture like pitcher. So do I if I don’t watch it. He took from his wallet a school photo of a girl with a wide, crooked smile, her pale brown hair cut jaggedly above her chin.

“My wife wanted to put her hair in rollers the night before school photos. Ann chopped it off instead. She was a willful thing. A tomboy. I’m actually surprised she’s the one they took. Ashleigh’s always been the pretty one, you know. The one people look at.” He stared at the photo one more time. “Ann must’ve given hell.”

As I was leaving, Nash gave me the address of the friend Ann was going to visit the night she was grabbed. I drove there slowly over a perfectly squared few blocks. This west side was the newer section of town. You could tell because the grass was a brighter green, rolled out in prepaid patches just thirty summers ago. It wasn’t like the dark, stiff, prickly stuff that grew in front of my mother’s house. That grass made better whistles. You could split a blade in the middle, blow, and get a tweezy sound until your lips began to itch.

It would have taken Ann Nash only five minutes to pedal to her friend’s house. Add an extra ten in case she decided to take a longer route, stretch her legs at the first chance to really ride that summer. Nine is too old to be stuck pedaling in circles around the same block. What happened to the bike?

I rolled slowly past the home of Emily Stone. As the night bloomed blue, I could see a girl run past a bright window. I bet Emily’s parents tell their friends things like, “We hug her a little harder every night now.” I bet Emily wonders where Ann was taken to die.

I did. Yanking out twenty-some teeth, no matter how small, no matter how lifeless the subject, is a tough task. It’d have to be done in a special place, somewhere safe so a person could take a few minutes to breathe now and then.

I looked at Ann’s photo, the edges curling in as if to protect her. The defiant haircut and that grin reminded me of Natalie. I liked this girl, too. I tucked her picture away in my glove compartment. Then I lifted up the sleeve of my shirt and wrote her full name—Ann Marie Nash—in lush blue ballpoint on the inside of my arm.

I didn’t pull into anyone’s driveway to turn around as I needed to. I figured people here were jittery enough without unknown cars trolling around. Instead I turned left at the end of the block and took the long way to my mother’s house. I debated whether to phone her first and decided against it three blocks from home. It was too late to call, too much misguided courtesy. Once you’ve crossed state lines, you don’t phone to ask if you can drop in.

My mother’s massive house is at the southernmost point of Wind Gap, the wealthy section, if you can count approximately three square blocks of town as a section. She lives in—and I once did too—an elaborate Victorian replete with a widow’s walk, a wraparound veranda, a summer porch jutting toward the back, and a cupola arrowing out of the top. It’s full of cubbyholes and nooks, curiously circuitous. The Victorians, especially southern Victorians, needed a lot of room to stray away from each other, to duck tuberculosis and flu, to avoid rapacious lust, to wall themselves away from sticky emotions. Extra space is always good.

The house is at the very top of a very steep hill. In first gear, you can drive up the cracked old driveway to the top, where a carriage porch keeps cars from getting wet. Or you can park at the bottom of the hill and walk the sixty-three stairs to the top, clutching the cigar-thin rail to the left. When I was a child, I always walked the stairs up, ran the driveway down. I assumed the rail was on the left side going up because I’m left-handed, and someone thought I might like that. Odd to think I ever indulged in such presumptions.

I parked at the bottom, so as to seem less intrusive. Wet with sweat by the time I hit the top, I lifted up my hair, waved a hand at the back of my neck, flapped my shirt a few times. Vulgar pit stains on my French blue blouse. I smelled, as my mother would say, ripe.

I rang the doorbell, which had been a cat-calling screech when I was very young, now subdued and truncated, like the bing! you hear on children’s records when it’s time to turn the page. It was 9:15, just late enough that they might have gone to bed.

“Who is it, please?” My mother’s reedy voice behind the door.

“Hi, Momma. It’s Camille.” I tried to keep my voice even.

“Camille.” She opened the door and stood in the doorway, didn’t seem surprised, and didn’t offer a hug at all, not even the limp one I’d expected. “Is something the matter?”

“No, Momma, not at all. I’m in town on business.”

“Business. Business? Well, goodness, I’m sorry, sweetheart, come in, come in. The house is not up to par for a visitor, I’m afraid.”

The house was perfect, down to the dozens of cut tulips in vases at the entry hall. The air was so teasy with pollen, my eyes watered. Of course my mother didn’t ask me what kind of business could possibly land me here. She rarely asked questions of any potency. It was either an exaggerated concern for others’ privacy or she simply didn’t care much about much. I’ll let you guess which option I favored.

“Can I get you something to drink, Camille? Alan and I were just having amaretto sours.” She motioned to the glass in her hand. “I put just a little bit of Sprite in it, sharpens the sweet. But I also have mango juice, wine, and sweet tea, or ice water. Or soda water. Where are you staying?”

“Funny you ask that. I was hoping I could stay here. Just for a few days.”

A quick pause, her long fingernails, a transparent pink, clicked on her glass. “Well, I’m sure that’s fine. I wish you’d phoned. Just so I’d have known. I would have had dinner for you or something. Come say hello to Alan. We’re on the back porch.”

She began walking away from me, down the hallway—luminous white living rooms and sitting rooms and reading rooms blooming out on all sides—and I studied her. It was the first time we’d seen each other in almost a year. My hair was a different color—brown from red—but she didn’t seem to notice. She looked exactly the same, though, not much older than I am now, although she’s in her late forties. Glowing pale skin, with long blonde hair and pale blue eyes. She was like a girl’s very best doll, the kind you don’t play with. She was wearing a long, pink cotton dress with little white slippers. She was twirling her amaretto sour without spilling a drop.

“Alan, Camille’s here.” She disappeared into the back kitchen (the smaller of two) and I heard her crack a metal ice tray.

“Who?”

I peeked around the corner, offered up a smile. “Camille. I’m so sorry to drop in like this.”

You’d think a lovely thing like my mother was born to be with a big ex-football star. She would have looked just right with a burly, mustached giant. Alan was, if anything, thinner than my mother, with cheekbones that jutted out of his face so high and sharp his eyes turned to almond slivers. I wanted to administer an IV when I saw him. He overdressed always, even for an evening of sweet drinks with my mother. Now he sat, needly legs jutting out of white safari shorts, with a baby blue sweater draped over a crisp oxford. He sweated not at all. Alan is the opposite of moist.

“Camille. It’s a pleasure. A real pleasure,” he murmured in his monotone drawl. “All the way down in Wind Gap. Thought you had a moratorium on anything south of Illinois.”

“Just working, actually.”

“Work.” He smiled. It was the closest to a question as I would get. My mother reappeared, her hair now pulled up in a pale blue bow, Wendy Darling all grown up. She pressed a chilled glass of fizzing amaretto into my hand, patted my shoulder twice, and sat away from me, next to Alan.

“Those little girls, Ann Nash and Natalie Keene,” I prompted. “I’m covering it for my paper.”

“Oh, Camille.” My mother hushed me, looking away. When my mother is piqued, she has a peculiar tell: She pulls at her eyelashes. Sometimes they come out. During some particularly difficult years when I was a child, she had no lashes at all, and her eyes were a constant gluey pink, vulnerable as a lab rabbit’s. In winter time, they leaked streaks of tears whenever she went outdoors. Which wasn’t often.

“It’s my assignment.”

“Goodness, what an assignment,” she said, her fingers hovering near her eyes. She scratched the skin just below and put her hand in her lap. “Aren’t those parents having a difficult enough time without you coming here to copy it all down and spread it to the world? ‘Wind Gap Murders Its Children’!—is that what you want people to think?”

“A little girl has been killed, and another is missing. It’s my job to let people know, yes.”

“I knew those children, Camille. I’m having a very hard time, as you can imagine. Dead little girls. Who would do that?”

I took a slug of my drink. Granules of sugar stuck to my tongue. I was not ready to speak with my mother. My skin hummed.

“I won’t stay long. Truly.”

Alan refolded the cuffs of his sweater, smoothed his hand down the crease of his shorts. His contribution to our conversations generally came in the form of adjustments: a collar tucked in, a leg recrossed.

“I just can’t have that kind of talk around me,” my mother said. “About hurt children. Just don’t tell me what you’re doing, don’t talk about anything you know. I’ll pretend you’re here for summer break.” She traced the braided wicker of Alan’s chair with her fingertip.

“How’s Amma?” I asked to change the subject.

“Amma?” My mother looked alarmed, as if she suddenly remembered she’d left her child somewhere. “She’s fine, she’s upstairs asleep. Why do you ask?”

I knew from the footsteps I heard scampering up and down the second floor—from the playroom to the sewing room to the hall window that gave the best spying vantage of the back porch—that Amma was certainly not asleep, but I didn’t begrudge her avoiding me.

“Just being polite, Momma. We do that up north, too.” I smiled to show I was teasing her, but she buried her face into her drink. Came back up pink and resolute.

“Stay as long as you want, Camille, really,” she said. “But you will have to be kind to your sister. Those girls were her schoolmates.”

“I look forward to getting to know her,” I mumbled. “I’m very sorry for her loss.” The last words I couldn’t resist, but my mother didn’t notice their bitter spin.

“I’ll give you the bedroom next to the sitting room. Your old bedroom. It has a tub. I’ll buy fresh fruit and some toothpaste. And steaks. Do you eat steak?”

Four hours of threadbare sleep, like lying in a bathtub with your ears half submerged. Shooting up in bed every twenty minutes, my heart pounding so hard I wondered if it was the beating that woke me. I dreamt I was packing for a trip, then realized I’d laid out all the wrong clothes, sweaters for a summer vacation. I dreamt I’d filed the wrong story for Curry before I left: Instead of the item on miserable Tammy Davis and her four locked-up children, we’d run a puff piece about skin care.

I dreamt my mother was slicing an apple onto thick cuts of meat and feeding it to me, slowly and sweetly, because I was dying.

Just after 5 a.m. I finally threw off the covers. I washed Ann’s name off my arm, but somehow, between dressing, brushing my hair, and dabbing on some lipstick, I’d written Natalie Keene in its place. I decided to leave it for luck. Outside, the sun was just rising but my car handle was already hot. My face felt numb from lack of sleep and I stretched my eyes and mouth wide, like a B-movie scream queen. The search party was set to reconvene at 6 a.m. for continued work in the woods; I wanted to catch a quote from Vickery before the day began. Staking out the police station seemed a good bet.

Main Street looked vacant at first, but as I got out of my car I could see two people a few blocks down. It was a scene that made no sense. An older woman was sitting in the middle of the sidewalk, legs splayed, staring at the side of a building, while a man was stooped over her. The woman was shaking her head manically, like a child refusing to feed. Her legs shot out at angles that had to hurt her. A bad fall? Heart attack, maybe. I walked briskly toward them and could hear their staccato murmuring.

The man, white hair and ruined face, looked up at me with milky eyes. “Get the police,” he said. His voice came out crumpled. “And call an ambulance.”

“What’s wrong?” I started, but then I saw it.

Wedged in the foot-wide space between the hardware store and the beauty parlor was a tiny body, aimed out at the sidewalk. As if she were just sitting and waiting for us, brown eyes wide open. I recognized the wild curls. But the grin was gone. Natalie Keene’s lips caved in around her gums in a small circle. She looked like a plastic baby doll, the kind with a built-in hole for bottle feedings. Natalie had no teeth now.

The blood hit my face fast, and a shimmer of sweat quickly covered my skin. My legs and arms went slack, and for a second I thought I might smack the ground right next to the woman, who was now quietly praying. I backed up, leaned against a parked car, and put my fingers to my neck, willing my thumping pulse to slow. My eyes picked up images in meaningless flashes: The grimy rubber tip of the old man’s cane. A pink mole on the back of the woman’s neck. The Band-Aid on Natalie Keene’s knee. I could feel her name glowing hotly under my shirtsleeve.

Then more voices, and Chief Vickery was running toward us with a man.

“Goddammit,” Vickery grunted when he saw her. “Goddammit. Jesus.” He put his face against the brick of the beauty parlor, and breathed hard. The second man, about my age, stooped next to Natalie. A loop of bruised purple circled her neck, and he pressed his fingers just above it to check for a pulse. A stalling tactic while he gathered his composure—the child was clearly dead. Big-shot detective from Kansas City, I guessed, the smug kid.

He was good, though, coaxing the woman out of her prayers and into a calm story of the discovery. The two were husband and wife, the owners of the diner whose name I couldn’t remember the day before. Broussard. They were on their way to open for breakfast when they found her. They’d been there maybe five minutes before I came along.

A uniformed officer arrived, pulled his hands over his face when he saw what he’d been called for.

“Folks, we’re going to need you to head to the station with the officer here so we can get some statements,” Kansas City said. “Bill.” His voice had a parental sternness to it. Vickery was kneeling by the body, motionless. His lips moved as if he might be praying, too. His name had to be repeated twice before he snapped back.

“I hear you, Richard. Be human for a second.” Bill Vickery put his arms around Mrs. Broussard and murmured to her until she patted his hand.

I sat in a room the color of egg yolk for two hours while the officer got my story down. The whole time I was thinking about Natalie going to autopsy, and how I would like to sneak in and put a fresh Band-Aid on her knee.