by German and Flemish painters of the . . .
Judith’s brain was going into overdrive, but was
short-circuited by the voice of Battalion Chief
Ramirez, who was calling from the entry hall.
“Everything’s under control,” he said, pulling off his
heavy gloves. “We’ll come by later today to check
things out and see what help we can offer once your
husband has finished talking to your insurance agent.”
Judith thanked the firefighter, then waited on the
porch until the hoses were rolled up and the fire truck
drove away. A small white sedan was pulled up to the
curb by the Rankerses’ driveway. Something about the
vehicle chafed at her memory, but she shrugged it
SILVER SCREAM
329
away. Small white cars were as common as the autumn
fog. My brain’s in a fog, she thought. Rarely had she
felt so low in her mind.
As the firefighters disappeared out of the cul-de-sac,
Judith heard a sound just off the porch on the other side
of the Weigela bush. Walking down the steps, she
turned the corner and peered through the fog.
A gray-clad figure appeared like a wraith out of the
mists. Judith stood very still, her heart in her mouth.
Then, as the figure came closer, recognition dawned.
“Mrs. Izard!” Judith exclaimed. “What are you
doing here?”
Meg Izard clutched at her imitation-leather purse
with one hand and held the felt picture-frame hat in
place with the other. “Just passing by on our way out
of town,” she said, her usually cold gaze showing a
spark of life. “I didn’t think anybody was home. Walt
and I saw somebody leave the house. We thought it
was you. What’s going on with the firemen?”
“A small fire,” Judith replied. “Guests are sometimes heedless.”
“I’ll bet,” Meg said, looking away toward the
Weigela.
Judith retreated to the bottom of the porch steps.
“Despite the problems we had with your reservation,
do you plan on staying at Hillside Manor when you
visit again?”
“We’ll see about that,” Meg replied with a scowl.
“The weather here’s dismal.”
“September is lovely,” Judith said. “So is early October.”
“September’s no good,” Meg said, adjusting the
round felt hat before her hands tightened again on her
330
Mary Daheim
purse. “We never miss the state fair.” She started to
move past Judith on the walk.
“Where’s Mr. Izard?” Judith asked, a hand on Meg’s
arm.
“He’s wandering around, having a smoke,” Meg
replied. “You can’t smoke in these rental cars, you
know.”
“We permit smoking,” Judith said. “Why don’t you
come in for a few minutes? The fog’s supposed to lift
soon. Then driving will be safer, especially in an unfamiliar city.”
“Well . . .” Meg flexed her fingers on the black
purse. “I’ll come in for a bit. Never mind Walt. He’s
happy just moseying around outside.”
Judith led the way into the house. “Have a seat at the
dining-room table,” she offered.
But Meg went straight into the kitchen, where she
fumbled with her purse.
“Would you prefer sitting in here?” Judith inquired.
“No. Just give me a minute to catch my breath.” She
stood by the sink, looking down. After almost a full
minute, she turned and followed Judith into the dining
room. Meg sat down with her purse in her lap and her
shabby gray coat unbuttoned. “I take cream,” she announced.
“Fine,” Judith said, going back into the kitchen. She
fixed Meg’s coffee and poured a glass of orange juice
for herself. “Are you headed for the airport?” she inquired when she was seated at the big oak table.
Meg nodded. “We got a flight out at two. If the fog
lifts.”
“It should,” Judith said. “So you always attend the
Iowa State Fair,” she remarked in a casual tone.
SILVER SCREAM
331
“Haven’t missed it since I was two,” Meg answered
with a hint of pride. “Best fair in the Midwest.”
“Do you and Walt own a farm?” Judith asked.
“A small one, just outside Riceville.” The corners
of Meg’s thin mouth turned down. “Walt’s dad sold
out to one of those combines years ago. They cheated
Mr. Izard. Now we’ve only got some chickens, a couple of cows, and a cornfield. It’s been a struggle, believe me.”
“Farming certainly has changed,” Judith remarked.
“But you must do okay. I mean, you and Walt are able
to take vacations like this one.”
“First time since our honeymoon,” Meg said, with
her usual sour expression. “We wouldn’t have done it
now except it’s our silver wedding anniversary. That,
and with—” She stopped abruptly, her thin shoulders
tensing under the worn wool coat.
Recalling Walt Izard’s gaunt frame, Judith gently
posed a question. “Is your husband ill?”
Meg scowled at Judith. “No. Why do you ask? It’s
none of your beeswax.”
“That’s true,” Judith admitted. “I’m sorry. It’s just
that I’m interested in people. Sometimes it gets me
into awkward situations.”
Meg’s face softened slightly. “Well . . . you can’t do
much about serious sickness. Trouble is, the doctors
can’t either. Folks like us can’t afford big-city specialists like some.”
“Maybe not,” Judith responded, then paused before
speaking again. “Shall I tell you a story?”
“A story?” Meg wrinkled her long nose. “Why do I
want to hear a story?” But a flicker of interest kindled
in her eyes.
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Mary Daheim
“You’ll want to hear this story,” Judith said, placing
her elbows on the table and leaning closer to her guest.
“It’s about a young girl from a small town in Iowa who
fell in love with a romantic young man.”
Meg tensed, her hands tightening on the purse in her
lap. But she said nothing. In Judith’s mind’s eye, she
tried to picture the thin, haggard woman across the
table as a young girl—the girl in the photograph that
lay between the pages of The Gasman.
“This young man had a vivid imagination,” Judith
continued, “and he wooed her with all the passion of
his creative nature. Unfortunately, the girl got pregnant. Her family insisted on a wedding. Since the
young man had roots in the area, he gave in, and they
were married. His bride made the mistake of believing
he’d keep his vows. She trusted him, even if she
thought his ambitions were out of reach. She couldn’t
understand why farm life in Iowa didn’t suit him. But
he had bigger dreams, and moved on, leaving her behind.” Judith paused, recalling the lock of hair. She
looked Meg right in the eye. “What happened to that
baby, Mrs. Izard?”
Meg sat stony-faced for a long moment. When she
finally spoke, her lips scarcely moved. “He was stillborn. My so-called husband had already left me. I
named the poor baby Douglas, after my father. We
buried him next to Pa in the family plot.”
“I’m sorry,” Judith said softly. “Do you have other
children?”
Meg shook her head. “I couldn’t. Something went
wrong at the time of the birth.”
Now it was Judith’s turn to be silent. The fog
seemed to permeate the kitchen, like a sad, gray pall.
SILVER SCREAM
333
“Your first husband took something else besides your
happiness, didn’t he?” she finally asked.
Meg sat up very straight. “You mean . . . the book?”
Judith nodded. “That’s what you came for earlier
this morning, isn’t it? The book. Your copy of the
book.”
Meg’s jaw dropped, but she recovered quickly.
“That Best woman—she was the one who all but stole
it from us.”
“Not your personal copy, though,” Judith put in.
“Bruno took it with him when he left you, didn’t he?”
“I could have killed him right then and there,” Meg
declared. “Pa’s book was his monument. It was all that
we had left of him, except for the manuscript he never
finished. And no one would buy that one from us.
Foolishly, we let the copyright on The Gasman run out
in 1985. We thought, what’s the use? There was never
more than the one printing. Then Bruno . . .” She spat
out his name as if it were tainted with gall. “Then he
used the book to make this big, big movie. Winifred
Best had gotten hold of the rights for him. Walt and I
couldn’t believe it when we saw it on a TV show about
Hollywood. Millions of dollars. And we were practically on food stamps. After all those years—thirty-one,
to be exact—that son of a bitch uses Pa’s book to make
himself even more rich and famous.”
“You never forgave Bruno, did you?” Judith asked
quietly.
Meg shook her head decisively. “Never. How could
I? He ruined my life, he destroyed my future, he stole
Pa’s book. It ate at me, like a cancer.”
“Cancer,” Judith repeated. “You have cancer, don’t
you?”
334
Mary Daheim
Meg’s body jerked in the chair. “How do you
know?”
“I found a piece of label from a prescription bottle
in Bruno’s room the morning after he died,” Judith
said. “It was for thalidomide. If it wasn’t for Bruno and
it wasn’t for Walt, then it had to be for you. I’d heard
that the drug was being used again, this time for cancer patients. Thalidomide has proved effective in retarding end-stage cancers. I think that scrap of label
was dropped when you were exploring the upstairs.
You didn’t notice because you were too busy destroying Angela’s costume and putting the rubber spider in
Bruno’s bed.”
Meg’s gaze dropped along with her shoulders. “That
medicine helps. But it doesn’t cure. I’ve got blood cancer. Multiple myeloma, if you want to put a fancy
name to it.”
“I’m so sorry,” Judith said, feeling as if she had to
apologize for too many tragedies in Meg’s life. “When
you learned Bruno was premiering his movie here in
town, it must have come as a shock to discover that he
and his company were registered at the same B&B
you’d chosen.”
“Not really,” Meg said on a weary sigh. “It figured.
Our first trip in twenty-five years, and somehow Bruno
managed to foul it up for us. I guess that was the last
straw. It was right after that when I found out about the
cancer.”
The damp air seemed to seep into Judith’s skin; she
felt faintly chilled. The ticking of the schoolhouse
clock sounded unnaturally loud in her ears. For all she
knew, Meg had a gun in her purse. It seemed heavy,
judging from the way Meg held it. Judith braced her- SILVER SCREAM
335
self before asking the next question. “Did you intend to
kill Bruno?”
Meg smirked before speaking. “Of course I did. I’d
wished him dead every day of my life. But then I saw
him again, after so many years.” She looked away and
bit her lip. “I had to talk to him, to tell him what a
skunk he was, to make him give me back my book. And
of course money from him would have been nice. I
don’t know how Walt will manage without me. He
hasn’t been the same since the farming went bad.” She
looked away, into the corner of the dining room, with
its quaint washstand, porcelain ewer, and pitcher. Judith thought the sight must have reminded the other
woman of home.
“Bruno was so snotty to me,” Meg went on, “so
mean, like he was after we were married. When I first
began to show with the baby, he called me Spider
Woman. He said that with the big belly and my scrawny
long arms and legs, I reminded him of a spider.”
“How cruel,” Judith said with a shake of her head.
“Bruno sounds as if he was held captive by his ego,
even then.”
“He was nice only in the beginning,” Meg said,
“when he was trying to seduce me. I was so green. I’d
never met anyone like him.”
Judith started to reach out to comfort Meg, but
thought better of it. “Don’t blame yourself,” she said.
“You were a farm girl from a small town. He was in
search of his Iowa roots, and already had the aura of
Southern California about him.” She paused, knowing
that Meg had a need to talk about the confrontation
with Bruno. “Night before last must have been very
hard when you finally faced him again.”
336
Mary Daheim
“It was and it wasn’t,” Meg responded, her sharp
features hardening even more. “I was glad that when I
finally saw him, he was feeling miserable. How the
mighty have fallen, I thought to myself. But then he
got nasty. When Bruno went to take some pills he had
in his hand, he opened the cupboard by the sink to
fetch a glass. Then he dropped one of the pills. When
he bent down to get it, he reared up so fast that he
banged his head on the cupboard door and knocked
himself silly. He fell right into the sink with all that
water in it. For a second I thought I should haul him
out.” Her face twisted with bitterness. “Then I thought,
to hell with him. He never cared about me, why should
I care about him? So I held his head under the water
until he stopped flailing around. Then I put the spider
over the sink and left.” Meg’s pallor had a strange
glow. She’d won the final battle with Bruno.
For a long time neither woman spoke. Judith forced
herself not to look in the direction of Meg’s purse.
“Your brother, Will,” Judith said at last, recalling the
information on the Internet. “You mentioned at some
point that he lives here. He’s William Euclid Carp,
isn’t he?” Silently, she cursed herself. She’d never
thought of looking up Carp in the phone book.
Meg nodded. “He moved out this way a couple of
years ago. He couldn’t stand trying to make a living
selling farm equipment anymore. The market had
fallen out of that, too. I figured that this trip would be
my last chance to see him. Will was real pleased. But
sad. I’d asked him to scout out this place so we could
find it without running around all over a strange city.
By then, we’d been displaced, and knew from you that
Bruno was coming here for his big shindig.”
SILVER SCREAM
337
“Ah!” Judith exclaimed softly. She couldn’t believe
she’d been such a dunce. The tall, old-fashioned figure
she’d seen alongside the house wasn’t Ben Carmody;
it was William Euclid Carp. “But you were the pioneer
woman at the party,” she said. It was a statement, not a
question. American Gothic, Judith had thought the first
time she’d met the Izards. Gothic, as in grotesque. Out
of the corner of her eye, she could see the calendar
with the Grant Wood painting.
“What else could I be?” Meg replied. “That was
Great-Grandma Carp’s dress and bonnet I found a long
time ago in the attic. I brought it with me. I couldn’t afford a fancy-dress costume. I’d heard about the ball on
TV, and I figured I’d confront Bruno afterward at your
B&B.”
“Did Walt dress up?” Judith inquired. “I don’t recall
seeing him at the party.”
“He never came inside,” Meg said. “He and Will put
together some makeshift costumes. Walt was a scarecrow. Will was a cowboy. Those were easy to do, after
all the scarecrows we’ve had on the farm. Will had
herded cattle for many years. He still had his boots and
his vest and his cowboy hat. They didn’t blame me for
what I’d done, but they fussed. They were afraid I’d be
found out. Will was especially worried, so he and Walt
tried to keep tabs on what was going on here after
Bruno died.”
So the witch wasn’t a witch, but a scarecrow,
thought Judith. Another mistake she’d made, though
understandable. In the fog, the pointed hat, the turnedup shoes, the ragged garments, the strawlike hair, and
the fact that it was Halloween had made the illusion
credible.
338
Mary Daheim
“Who found the missing key to Hillside Manor?”
Judith asked.
“Walt.” Meg smiled thinly. “It was in your driveway.
He picked it up on a . . . whim, I guess. I tried to use it
this morning, but before I could make it turn right,
some fat old bag came to the door.”
Judith had another query for Meg. “Why did you hit
Winifred Best and start the fire?”
Meg’s jaw jutted. “I thought she had my book. She
said she didn’t—Bruno had it. But that didn’t make
sense. Bruno was dead, so where did it go? She swore
she didn’t know. That’s when I hit her. Then I went all
through her room, but I couldn’t find the book. I got
mad.” Her eyes grew cold as marble. “I struck a match
and set fire to the bedclothes. That woman may not
have had my book on her, but she’s had Bruno all these
years. It wasn’t fair.”
Judith tried not to gape. Could Meg still love Bruno
in spite of everything he’d done? Sometimes love and
hate were so hard to distinguish. Maybe it was obsession. Yet Bruno Zepf had inspired love in several
women, perhaps including Winifred Best.
“And there was this,” Meg added, releasing the grip
on her purse. She fumbled a bit before she held out a
black rubber spider. “I came to leave this. Sort of a . . .
what do you call it? A calling card, maybe.”
“An epitaph,” Judith murmured. “Why did you put
the other spiders in our freezer?”
“Walt did that,” Meg said, looking askance. “Don’t
ask why Walt does things. Sometimes I think he’s a
little tetched. Losing his pa’s farm, you know.”
Judith suddenly recalled another seemingly inexplicable incident. “And the truffles that were sent here?”
SILVER SCREAM
339
“Truffles?” Meg scowled. “I don’t know what a
truffle looks like.”
“They’re kind of . . . disgusting,” Judith explained,
“but they taste wonderful.”
Meg continued scowling, then suddenly let out a
sharp yip of laughter. “I sent Bruno a cowpie, straight
off the farm.”
“Oh!” Gertrude had been right to flush the parcel’s
contents down the toilet. “I see.”
Meg toyed with the spider for a moment, then
pushed it across the table to Judith. “Here, you keep it
as a souvenir. What are you going to do now, call the
cops?”
Judith gazed at the gray, gaunt face. Meg Izard was
already condemned to death.
“I have to,” she finally said.
Meg reached into her purse. “Okay,” she said. “But
not yet.” In her hand was a .45 revolver. No doubt it had
been used previously to shoo away unwelcome birds
and even more unwelcome strangers on the Izard farm.
Judith tensed in her chair. Her feet were planted
firmly on the floor, her fingers gripping the table’s
edge. “Why would you shoot me?” she asked in a
voice that didn’t sound like her own.
“I want my book,” Meg said, now holding the gun
with both hands. “Give me my book.”
“Okay.” Judith forced herself to move. “May I?”
“Yes.” Meg stood up. “No tricks, just my book.”
It had never been harder for Judith to walk, not even
when she’d taken her first tenuous steps after hip surgery. Slowly, agonizingly, she made her way to the
drawer by the computer. Keeping one hand in full
sight, she reached down to get the book.
340
Mary Daheim
“Here,” she said, still moving with difficulty.
“Here’s your book.”
Meg removed her left hand from the gun and took
the heavy volume from Judith. “Thank you,” she said
with great dignity. She clasped The Gasman to her flat
breast and slipped the gun back into her purse. “Goodbye.”
Judith stared as Meg walked toward the entry hall.
The other woman moved slowly now, almost decorously, to the front door. Trying to control a sudden
spasm of trembling, Judith started to follow. But Meg
had closed the door behind her before Judith could get
beyond the dining room.
“My God!” Judith exclaimed under her breath, and
leaned against the wall.
She took several breaths before she could go on. Finally, she reached the door just as the shot rang out. Judith had expected it. She didn’t want to look outside,
but she had to.
Meg Izard was lying facedown at the sidewalk’s
edge. Her copy of The Gasman had fallen in the gutter.
Judith inspected the items on the silver tray and decided to start breakfast with the fruit compote. “How’s
your omelette?” she asked of Joe, who was sitting in a
plush armchair with his tray on his lap.
“Excellent,” he replied. “I couldn’t have made a better one myself. The Cascadia Hotel has one of the best
chefs on the West Coast.”
“I have to admit it,” Judith said with a pleasurable
little smile, “this is heaven.”
“As long as we’ve been turned out of our house, we
might as well make the most of it,” Joe said, his green- SILVER SCREAM
341
eyed gaze taking in the extensive hotel suite with its
lavish old-world appointments. “Especially since Paradox Studios is paying for it.”
“I can’t believe they ended up paying us,” Judith remarked, admiring the thick slice of Virginia ham on the
white Limoges plate. “Twenty-five thousand dollars,
plus our expenses. And the insurance money for the
fire—I’m wondering if we shouldn’t keep the B&B
closed for a while. Business gets increasingly slow this
time of year. We could make some renovations I’ve
been thinking about.”
“You decide,” Joe said.
“We might even enlarge the toolshed for Mother
now that she’s gotten used to being out of it for a few
days while the major work is being done to the house.”
“I still say all the noise of the construction wouldn’t
have bothered her,” Joe asserted. “She’s deaf, she’s
daffy.”
“She’s also selling her life story to the movies,” Judith pointed out. “At least she hopes so.”
Joe merely shook his head. He didn’t notice that his
wife was staring at him.
“I’m not so hungry anymore,” Judith said softly. She
put the tray aside. “At least not for breakfast.”
“What?” Joe looked up from his marmaladecovered toast. He grinned. “Well, now. Maybe I’m not
either. But do you really want to let things cool off?”
“That depends on what you’re talking about,” Judith
replied.
Joe set his tray down on a French marquetry table
and moved toward her. “You’re right. Seize the moment.” Instead, he climbed onto the king-size bed and
seized his wife around the waist.
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Mary Daheim
“Oh, Joe.” Judith sighed, her lips against his cheek.
“This is perfect!”
A knock sounded at the door.
“Damn!” Judith breathed. “Shall I get it?”
Joe buried his face in the bare curve of her shoulder.
“No,” he said, his voice muffled.
The knock sounded again, louder, more insistent.
“We’d better answer that,” Judith said through
clenched teeth. “Whoever it is will go away fast
enough.” Pulling her terrycloth robe closed, she
slipped off the bed and went to the door.
Gertrude stood in the hallway. “Where’s my breakfast?”
Judith gaped at her mother. “Didn’t you order from
room service?”
“Of course not,” Gertrude shot back. “You know
how I hate to use the phone.” She and her walker
clumped past Judith and into the room. “Lunkhead
here can order for me. And what’s this leaving a newspaper outside my door? I’m not paying for it. I get my
news on TV. Why are people always giving me things
to read that I don’t want? Even that nice Dade Whoozits brought me some goofy script when he was here, all
about the Mormons. Now why would I want to read
such a thing? I’m not a Mormon. I’m a Catholic and a
Democrat. I just put that script in the barbecue and set
a match to it. I think I’ll do the same thing with that
newspaper. It’s not even local.” Gertrude ran out of
breath, but not for long. She glared at Joe. “Where’s
my breakfast?”
Judith proffered her own tray. “Here. I’ve lost my
appetite.”
As Gertrude sat down in the armchair Joe had va- SILVER SCREAM
343
cated, Judith cast a longing look at her husband. Joe
simply shook his head.
“Hey,” Gertrude cried, “where are my dentures?”
“In your mouth,” Judith responded a bit testily.
“Oh.” Gertrude began to eat. After swallowing a
mouthful of omelette, she stared at her daughter.
“Where’s that danged cat?”
“In your room, remember?” Judith said.
“Maybe not,” Joe put in. He gestured at Judith.
“Let’s go look for him.”
Judith started to protest, caught the gleam in Joe’s
eyes, and agreed. They’d search for Sweetums.
“Take your time eating, Mother,” Judith called over
her shoulder as they headed for Gertrude’s adjoining
room.
Hand in hand, Judith and Joe hurried out of the
suite.
If life wasn’t perfect, this was the next best thing.
About the Author
Seattle native MARY RICHARDSON DAHEIM began
reading mysteries when she was seven. She began her
writing career about the same time, but after getting a
journalism degree, she put her skills to use on
newspapers and in public relations. Publishing novels
was always her goal, and she finally hit the racks with
her first B&B mystery in 1991, adding the Alpine series
the next year. Daheim received the Pacific Northwest
Writers Association’s Achievement Award in 2000. She
lives with her husband, David Daheim, in Seattle.
Visit www.AuthorTracker.com for exclusive information
on your favorite HarperCollins author.
Praise
“MARY DAHEIM
IS THE REIGNING QUEEN
OF THE COZIES”
Portland Oregonian
“Delightful mysteries.”
Kansas City Star
“Daheim writes with wit, wisdom, and a big heart . . .
Judith and Renie are sleuths to treasure.”
Carolyn Hart
“Silver Scream is a pleasing addition to a joyous series.”
Romantic Times
“Like Joan Hess’ Maggody series, Daheim’s bed-and-breakfast mysteries show a funny and often stinging
insight into people’s relationships and behavior.”
Houston Chronicle
“Rife with loony Hollywood types, Mary Daheim’s
latest is a ‘Scream.’ ”
Stuart News (Fl.)
“Mary Daheim is one of the brightest stars in our
city’s literary constellation.”
Seattle Times
“Silver Scream is a must read . . . If you’re not
familiar with award-winning author
Mary Daheim, become so.”
I Love A Mystery
Bed-and-Breakfast Mysteries by
Mary Daheim
SILVER SCREAM
SUTURE SELF
A STREETCAR NAMED EXPIRE
CREEPS SUZETTE
LEGS BENEDICT
SNOW PLACE TO DIE
WED AND BURIED
SEPTEMBER MOURN
NUTTY AS A FRUITCAKE
AUNTIE MAYHEM
MURDER, MY SUITE
MAJOR VICES
A FIT OF TEMPERA
BANTAM OF THE OPERA
DUNE TO DEATH
HOLY TERRORS
FOWL PREY
JUST DESSERTS
Available in hardcover
HOCUS CROAKUS
Copyright
This book is a work of fiction. The characters, incidents,
and dialogue are drawn from the author’s imagination and
are not to be construed as real. Any resemblance to actual
events or persons, living or dead, is entirely coincidental.
SILVER SCREAM. Copyright © 2002 by Mary Daheim. All
rights reserved under International and Pan-American
Copyright Conventions. By payment of the required fees,
you have been granted the non-exclusive, non-transferable
right to access and read the text of this e-book on-screen.
No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or
introduced into any information storage and retrieval
system, in any form or by any means, whether electronic or
mechanical, now known or hereinafter invented, without
the express written permission of HarperCollins e-books.
Adobe Acrobat eBook Reader February 2007
ISBN 978-0-06-135935-4
10 9 8 7 6 5 4 3 2 1
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Document Outline
Title Page
Dedication Page
Contents
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Chapter Twenty
About the Author
Praise
Bed-and-Breakfast Mysteries by Mary Daheim
Copyright Notice
About the Publisher
Table of Contents
ONE
TWO
THREE
FOUR
FIVE
SIX
SEVEN
EIGHT
NINE
TEN
ELEVEN
TWELVE
THIRTEEN
FOURTEEN
FIFTEEN
SIXTEEN
SEVENTEEN
EIGHTEEN
NINETEEN
TWENTY
About the Author
Praise
Other Books by Mary Daheim
Cover
Copyright
About the Publisher
Bed-and-Breakfast Mysteries by
Table of Contents
ONE
TWO
THREE
FOUR
FIVE
SIX
SEVEN
EIGHT
NINE
TEN
ELEVEN
TWELVE
THIRTEEN
FOURTEEN
FIFTEEN
SIXTEEN
SEVENTEEN
EIGHTEEN
NINETEEN
TWENTY
About the Author
Praise
Other Books by Mary Daheim
Cover
Copyright
About the Publisher
Bed-and-Breakfast Mysteries by