“Please help me,” I say when she answers the door. “Is Felix home?”
“Trish!” she mouths silently. Pantomiming, which means the baby is sleeping. “Oh dear, what’s wrong? Don’t worry.”
She hugs me on the front porch, and I hug her back, for a length of time that would feel unnatural with anybody but Justine Harkonnen. I try to record, to preserve in my skeleton, in my muscle memory, exactly how this feels. I figure there’s a real chance that thirty minutes from now I’ll be back on the lawn. Ousted from the Harkonnens’ lives for good, or even, it’s occurred to me, in the back of a police car—didn’t we steal their child’s sleep for profit? Felix must be home—the turquoise and brown car is baking in the sun. Strays weave around its tires like material shadows. There is a universe where I never tell the Harkonnens what I know about Jim. Or how I tried to use my dead sister, like tongs, to get something supple and alive out of them. I rest my head on Justine’s shoulder; instinctively, her hand flies up to pat my back. A driver in a passing car might think we are dancing in place. Through the doorway, I can see Mr. Harkonnen rocking Baby A, who is sleeping for herself this afternoon. Only her head pokes out of the sling, which makes Abigail look like the crinkled face in the moon. Deep inside me, I feel Dori stirring, her dead eyes opening to peer out through mine. Dori, in life, was honest “to a fault,” as they say. She’s dead, I mostly believe that, but we all pray, don’t we? To ourselves, if not to some provident Eye in the clouds.
In the doorframe, Mrs. Harkonnen is smiling, shining, with that innocence that we of the Slumber Corps love and abhor in her. With those wide-sky eyes, all blue, and a faith that precedes knowledge, Mrs. Harkonnen ushers me into her home. She says in a whisper, so as not to wake her baby daughter, “Come in, Trish. Whatever’s wrong, we’ll get to the bottom of it. I’m sure we can figure this out.”