Chapter 13
It was a long time after he left, that warm September morning, that she was able to relax enough to drop the knife. When it clattered to the linoleum, she brought her arms down, oh, so slowly, and cradled her breasts as though they were two man-goes thumbed over in the marketplace and pushed aside. She stood that way in the little rented room with the sunshine pouring in until Guitar came home. He could not get her to speak or move, so he picked her up in his arms and carried her downstairs. He sat her on the bottom step while he went to borrow a car to drive her home.
Terrible as he thought the whole business was, and repelled as he was by mindlessness in love, he could not keep the deep wave of sorrow from engulfing him as he looked at this really rather pretty woman sitting straight as a pole, holding her breasts, and staring in front of her out of hollow eyes.
The engine of the old car he’d borrowed roared, but spoke softly to her. “You think because he doesn’t love you that you are worthless. You think because he doesn’t want you anymore that he is right–that his judgment and opinion of you are correct. If he throws you out, then you are garbage. You think he belongs to you because you want to belong to him. Hagar, don’t. It’s a bad word, ‘belong.’ Especially when you put it with somebody you love. Love shouldn’t be like that. Did you ever see the way the clouds love a mountain? They circle all around it; sometimes you can’t even see the mountain for the clouds. But you know what? You go up top and what do you see? His head. The clouds never cover the head. His head pokes through, because the clouds let him; they don’t wrap him up. They let him keep his head up high, free, with nothing to hide him or bind him. Hear me, Hagar?” He spoke to her as he would to a very young child. “You can’t own a human being. You can’t lose what you don’t own. Suppose you did own him. Could you really love somebody who was absolutely nobody without you? You really want somebody like that? Somebody who falls apart when you walk out the door? You don’t, do you? And neither does he. You’re turning over your whole life to him. Your whole life, girl. And if it means so little to you that you can just give it away, hand it to him, then why should it mean any more to him? He can’t value you more than you value yourself.” He stopped. She did not move or give any sign that she had heard him.
Pretty woman, he thought. Pretty little black-skinned woman. Who wanted to kill for love, die for love. The pride, the conceit of these doormat women amazed him. They were always women who had been spoiled children. Whose whims had been taken seriously by adults and who grew up to be the stingiest, greediest people on earth and out of their stinginess grew their stingy little love that ate everything in sight. They could not believe or accept the fact that they were unloved; they believed that the world itself was off balance when it appeared as though they were not loved. Why did they think they were so lovable? Why did they think their brand of love was better than, or even as good as, anybody else’s? But they did. And they loved their love so much they would kill anybody who got in its way.
He looked at her again. Pretty. Pretty little black girl. Pretty little black-skinned girl. What had Pilate done to her? Hadn’t anybody told her the things she ought to know? He thought of his two sisters, grown women now who could deal, and the litany of their growing up. Where’s your daddy? Your mama know you out here in the street? Put something on your head. You gonna catch your death a cold. Ain’t you hot? Ain’t you cold? Ain’t you scared you gonna get wet? Uncross your legs. Pull up your socks. I thought you was goin to the Junior Choir. Your slip is showin. Your hem is out. Come back in here and iron that collar. Hush your mouth. Comb your head. Get up from there and make that bed. Put on the meat. Take out the trash. Vaseline get rid of that ash.
Neither Pilate nor Reba knew that Hagar was not like them. Not strong enough, like Pilate, nor simple enough, like Reba, to make up her life as they had. She needed what most colored girls needed: a chorus of mamas, grandmamas, aunts, cousins, sisters, neighbors, Sunday school teachers, best girl friends, and what all to give her the strength life demanded of her—and the humor with which to live it.
Still, he thought, to have the object of your love, worthy or not, despise you, or leave you…
“You know what, Hagar? Everything I ever loved in my life left me. My father died when I was four. That was the first leaving I knew and the hardest. Then my mother. There were four of us and she just couldn’t cut it when my father died. She ran away. Just ran away. My aunt took care of us until my grandmother could get there. Then my grandmother took care of us. Then Uncle Billy came. They’re both close to dead now. So it was hard for me to latch on to a woman. Because I thought if I loved anything it would die. But I did latch on. Once. But I guess once is all you can manage.” Guitar thought about it and said, “But I never wanted to kill her. Him, yeah. But not her.” He smiled, but Hagar wasn’t looking, wasn’t even listening, and when he led her out of the car into Reba’s arms her eyes were still empty.
All they knew to do was love her and since she would not speak, they brought things to please her. For the first time in life Reba tried to win things. And, also for the first time, couldn’t. Except for a portable television set, which they couldn’t connect because they had no electricity, Reba won nothing. No raffle ticket, no Bingo, no policy slip, no clearing-house number, no magazine sweepstakes, no, nor any unpierced carnival balloon succumbed to her magic. It wore her down. Puzzled and luckless, she dragged herself home clutching stalks of anything that blossomed along the edges of lots and other people’s gardens. These she presented to her daughter, who sat in a chair by the window or lay in bed fingering, fingering her hair.
They cooked special things for her; searched for gifts that they hoped would break the spell. Nothing helped. Pilate’s lips were still and Reba’s eyes full of panic. They brought her lipstick and chocolate milk, a pink nylon sweater and a fuchsia bed jacket. Reba even investigated the mysteries of making jello, both red and green. Hagar didn’t even look at it.
One day Pilate sat down on Hagar’s bed and held a compact before her granddaughter’s face. It was trimmed in a goldlike metal and had a pink plastic lid.
“Look, baby. See here?” Pilate turned it all around to show it off and pressed in the catch. The lid sprang open and Hagar saw a tiny part of her face reflected in the mirror. She took the compact then and stared into the mirror for a long while.
“No wonder,” she said at last. “Look at that. No wonder. No wonder.”
Pilate was thrilled at the sound of Hagar’s voice. “It’s yours, baby,” she said. “Ain’t it pretty?”
“No wonder,” said Hagar. “No wonder.”
“No wonder what?” asked Pilate.
“Look at how I look. I look awful. No wonder he didn’t want me. I look terrible.” Her voice was calm and reasonable, as though the last few days hadn’t been lived through at all. “I need to get up from here and fix myself up. No wonder!” Hagar threw back the bedcover and stood up. “Ohhh. I smell too. Mama, heat me some water. I need a bath. A long one. We got any bath salts left? Oh, Lord, my head. Look at that.” She peered into the compact mirror again. “I look like a ground hog. Where’s the comb?”
Pilate called Reba and together they flew through the house to find the comb, but when they found it Hagar couldn’t get the teeth through her roped and matted hair.
“Wash it,” said Reba. “Wash it and we’ll comb it while it’s wet.”
“I need shampoo, then. Real shampoo. I can’t use Mama’s soap.”
“I’ll go get some.” Reba was trembling a little. “What kind?”
“Oh, any kind. And get some hair oil, Reba. Posner’s, and some…Oh, never mind. Just that. Mama? Have you seen my…Oh, my God. No wonder. No wonder.”
Pilate pulled a piece of string from Hagar’s bedspread and put it in her mouth. “I’ll heat up the water,” she said.
When Reba got back she washed Hagar’s hair, brushed it, and combed it gently.
“Just make me two braids, Reba. I’m going to have to go to the beauty shop. Today. Oh, and I need something to wear.” Hagar stood at the door of the little cardboard closet, running her hands over the shoulders of dresses. “Everything’s a mess in here. A mess. All wrinkled…”
“Water’s hot. Where you want the tub?”
“Bring it in here.”
“You think you should be taking a bath so soon?” Reba asked. “You just got up.”
“Hush, Reba,” said Pilate. “Let the child take care of herself.”
“But she’s been in the bed three days.”
“All the more reason.”
“I can’t put these things on. Everything’s a mess.” Hagar was almost in tears.
Reba looked at Pilate. “I hope you right. I don’t approve of getting up too fast and jumping right in some water.”
“Help me with this tub and stop grumbling.”
“All wrinkled. What am I going to wear?”
“That ain’t enough water to cover her feet.”
“It’ll grow when she sits down.”
“Where’s my yellow dress? The one that buttons all the way down?”
“Somewhere in there, I reckon.”
“Find it for me and press it, would you? I know it’s a mess. Everything’s a mess.”
Reba found and pressed the yellow dress. Pilate helped Hagar bathe. Finally a clean and clothed Hagar stood before the two women and said, “I have to buy some clothes. New clothes. Everything I have is a mess.”
They looked at each other. “What you need?” asked Pilate.
“I need everything,” she said, and everything is what she got. She shopped for everything a woman could wear from the skin out, with the money from Reba’s diamond. They had seventy-five cents between them when Hagar declared her needs, and six dollars owed to them from customers. So the two-thousand-dollar two-carat diamond went to a pawnshop, where Reba traded it for thirty dollars at first and then, accompanied by a storming Pilate, she went back and got one hundred and seventy more for it. Hagar stuffed two hundred dollars and seventy-five cents into her purse and headed downtown, still whispering to herself every now and then, “No wonder.”
She bought a Playtex garter belt, I. Miller No Color hose, Fruit of the Loom panties, and two nylon slips—one white, one pink—one pair of Joyce Fancy Free and one of Con Brio (“Thank heaven for little Joyce heels”). She carried an armful of skirts and an Evan-Picone two-piece number into the fitting room. Her little yellow dress that buttoned all the way down lay on the floor as she slipped a skirt over her head and shoulders, down to her waist. But the placket would not close. She sucked in her stomach and pulled the fabric as far as possible, but the teeth of the zipper would not join. A light sheen broke out on her forehead as she huffed and puffed. She was convinced that her whole life depended on whether or not those aluminum teeth would meet. The nail of her forefinger split and the balls of her thumbs ached as she struggled with the placket. Dampness became sweat and her breath came in gasps. She was about to weep when the saleswoman poked her head through the curtain and said brightly, “How are you doing?” But when she saw Hagar’s gnarled and frightened face, the smile froze.
“Oh, my,” she said, and reached for the tag hanging from the skirt’s waist. “This is a five. Don’t force it. You need, oh, a nine or eleven, I should think. Please. Don’t force it. Let me see if I have that size.”
She waited until Hagar let the plaid skirt fall down to her ankles before disappearing. Hagar easily drew on the skirt the woman brought back, and without further search, said she would take it and the little two-piece Evan-Picone.
She bought a white blouse next and a nightgown–fawn trimmed in sea foam. Now all she needed was make-up.
The cosmetics department enfolded her in perfume, and she read hungrily the labels and the promise. Myrurgia for primeval woman who creates for him a world of tender privacy where the only occupant is you, mixed with Nina Ricci’s L’Air du Temps. Yardley’s Flair with Tuvaché’s Nectaroma and D’Orsay’s Intoxication. Robert Piguet’s Fracas, and Calypso and Visa and Bandit. Houbigant’s Chantilly. Caron’s Fleurs de Rocaille and Bellodgia. Hagar breathed deeply the sweet air that hung over the glass counters. Like a smiling sleepwalker she circled. Round and round the diamond-clear counters covered with bottles, wafer-thin disks, round boxes, tubes, and phials. Lipsticks in soft white hands darted out of their sheaths like the shiny red penises of puppies. Peachy powders and milky lotions were grouped in front of poster after cardboard poster of gorgeous grinning faces. Faces in ecstasy. Faces somber with achieved seduction. Hagar believed she could spend her life there among the cut glass, shimmering in peaches and cream, in satin. In opulence. In luxe. In love.
It was five-thirty when Hagar left the store with two shopping bags full of smaller bags gripped in her hands. And she didn’t put them down until she reached Lilly’s Beauty Parlor.
“No more heads, honey.” Lilly looked up from the sink as Hagar came in.
Hagar stared. “I have to get my hair done. I have to hurry,” she said.
Lilly looked over at Marcelline. It was Marcelline who kept the shop prosperous. She was younger, more recently trained, and could do a light press that lasted. Lilly was still using redhot irons and an ounce of oil on every head. Her customers were loyal but dissatisfied. Now she spoke to Marcelline. “Can you take her? I can’t, I know.”
Marcelline peered deeply into her customer’s scalp. “Hadn’t planned on any late work. I got two more coming. This is my eighth today.”
No one spoke. Hagar stared.
“Well,” said Marcelline. “Since it’s you, come on back at eight-thirty. Is it washed already?”
Hagar nodded.
“Okay,” said Marcelline. “Eight-thirty. But don’t expect nothing fancy.”
“I’m surprised at you,” Lilly chuckled when Hagar left. “You just sent two people away.”
“Yeah, well, I don’t feel like it, but I don’t want no trouble with that girl Hagar. No telling what she might do. She jump that cousin of hers, no telling what she might do to me.”
“That the one going with Macon Dead’s boy?” Lilly’s customer lifted her head away from the sink.
“That’s her. Ought to be shamed, the two of them. Cousins.”
“Must not be working out if she’s trying to kill him.”
“I thought he left town.”
“Wouldn’t you?”
“Well, I know I don’t want to truck with her. Not me.”
“She don’t bother nobody but him.”
“Well, Pilate, then. Pilate know I turned her down, she wouldn’t like it. They spoil that child something awful.”
“Didn’t you order fish from next door?”
“All that hair. I hope she don’t expect nothing fancy.”
“Call him up again. I’m getting hungry.”
“Be just like her. No appointment. No nothing. Come in here all late and wrong and want something fancy.”
She probably meant to wait somewhere. Or go home and return to Lilly’s at eight-thirty. Yet the momentum of the thing held her—it was all of a piece. From the moment she looked into the mirror in the little pink compact she could not stop. It was as though she held her breath and could not let it go until the energy and busyness culminated in a beauty that would dazzle him. That was why, when she left Lilly’s, she looked neither right nor left but walked on and on, oblivious of other people, street lights, automobiles, and a thunderous sky. She was thoroughly soaked before she realized it was raining and then only because one of the shopping bags split. When she looked down, her Evan-Picone white-with-a-band-of-color skirt was lying in a neat half fold on the shoulder of the road, and she was far far from home. She put down both bags, picked the skirt up and brushed away the crumbs of gravel that stuck to it. Quickly she refolded it, but when she tried to tuck it back into the shopping bag, the bag collapsed altogether. Rain soaked her hair and poured down her neck as she stooped to repair the damage. She pulled out the box of Con Brios, a smaller package of Van Raalte gloves, and another containing her fawn-trimmed-in-sea-foam shortie nightgown. These she stuffed into the other bag. Retracing her steps, she found herself unable to carry the heavier bag in one hand, so she hoisted it up to her stomach and hugged it with both arms. She had gone hardly ten yards when the bottom fell out of it. Hagar tripped on Jungle Red (Sculptura) and Youth Blend, and to her great dismay, saw her box of Sunny Glow toppling into a puddle. She collected Jungle Red and Youth Blend safely, but Sunny Glow, which had tipped completely over and lost its protective disk, exploded in light peach puffs under the weight of the raindrops. Hagar scraped up as much of it as she could and pressed the wilted cellophane disk back into the box.
Twice before she got to Darling Street she had to stop to retrieve her purchases from the ground. Finally she stood in Pilate’s doorway, limp, wet, and confused, clutching her bundles in whatever way she could. Reba was so relieved to see her that she grabbed her, knocking Chantilly and Bandit to the floor. Hagar stiffened and pulled away from her mother.
“I have to hurry,” she whispered. “I have to hurry.”
Loafers sluicing, hair dripping, holding her purchases in her arms, she made it into the bedroom and shut the door. Pilate and Reba made no move to follow her.
Hagar stripped herself naked there, and without taking time to dry her face or hair or feet, she dressed herself up in the white-with-a-band-of-color skirt and matching bolero, the Maiden-form brassiere, the Fruit of the Loom panties, the no color hose, the Playtex garter belt and the Joyce con brios. Then she sat down to attend to her face. She drew charcoal gray for the young round eye through her brows, after which she rubbed mango tango on her cheeks. Then she patted sunny glow all over her face. Mango tango disappeared under it and she had to put it on again. She pushed out her lips and spread jungle red over them. She put baby clear sky light to outwit the day light on her eyelids and touched bandit to her throat, earlobes, and wrists. Finally she poured a little youth blend into her palm and smoothed it over her face.
At last she opened the door and presented herself to Pilate and Reba. And it was in their eyes that she saw what she had not seen before in the mirror: the wet ripped hose, the soiled white dress, the sticky, lumpy face powder, the streaked rouge, and the wild wet shoals of hair. All this she saw in their eyes, and the sight filled her own with water warmer and much older than the rain. Water that lasted for hours, until the fever came, and then it stopped. The fever dried her eyes up as well as her mouth.
She lay in her little Goldilocks’-choice bed, her eyes sand dry and as quiet as glass. Pilate and Reba, seated beside the bed, bent over her like two divi-divi trees beaten forward by a wind always blowing from the same direction. Like the trees, they offered her all they had: love murmurs and a protective shade.
“Mama.” Hagar floated up into an even higher fever.
“Hmmm?”
“Why don’t he like my hair?”
“Who, baby? Who don’t like your hair?”
“Milkman.”
“Milkman does too like your hair,” said Reba.
“No. He don’t. But I can’t figure out why. Why he never liked my hair.”
“Of course he likes it. How can he not like it?” asked Pilate.
“He likes silky hair.” Hagar was murmuring so low they had to bend down to hear her.
“Silky hair? Milkman?”
“He don’t like hair like mine.”
“Hush, Hagar.”
“Silky hair the color of a penny.”
“Don’t talk, baby.”
“Curly, wavy, silky hair. He don’t like mine.”
Pilate put her hand on Hagar’s head and trailed her fingers through her granddaughter’s soft damp wool. “How can he not love your hair? It’s the same hair that grows out of his own armpits. The same hair that crawls up out his crotch on up his stomach. All over his chest. The very same. It grows out of his nose, over his lips, and if he ever lost his razor it would grow all over his face. It’s all over his head, Hagar. It’s his hair too. He got to love it.”
“He don’t love it at all. He hates it.”
“No he don’t. He don’t know what he loves, but he’ll come around, honey, one of these days. How can he love himself and hate your hair?”
“He loves silky hair.”
“Hush, Hagar.”
“Penny-colored hair.”
“Please, honey.”
“And lemon-colored skin.”
“Shhh.”
“And gray-blue eyes.”
“Hush now, hush.”
“And thin nose.”
“Hush, girl, hush.”
“He’s never going to like my hair.”
“Hush. Hush. Hush, girl, hush.”
The neighbors took up a collection because Pilate and Reba had spent everything getting Hagar the things needed to fix herself up. It didn’t amount to much, though, and it was touch and go whether she’d have a decent funeral until Ruth walked down to Sonny’s Shop and stared at Macon without blinking. He reached into his cash drawer and pulled out two twenty-dollar bills and put them down on the desk. Ruth didn’t stretch out her hand to pick them up, or even shift her feet. Macon hesitated, then wheeled around in his chair and began fiddling with the combination to his safe. Ruth waited. Macon dipped into the safe three separate times before Ruth unclasped her hands and reached for the money. “Thank you,” she said, and marched off to Linden Chapel Funeral Home to make the fastest arrangements possible.
Two days later, halfway through the service, it seemed as though Ruth was going to be the lone member of the bereaved family there. A female quartet from Linden Baptist Church had already sung “Abide with Me”; the wife of the mortician had read the condolence cards and the minister had launched into his “Naked came ye into this life and naked shall ye depart” sermon, which he had always believed suitable for the death of a young woman; and the winos in the vestibule who came to pay their respects to “Pilate’s girl,” but who dared not enter, had begun to sob, when the door swung open and Pilate burst in, shouting, “Mercy!” as though it were a command. A young man stood up and moved toward her. She flung out her right arm and almost knocked him down. “I want mercy!” she shouted, and began walking toward the coffin, shaking her head from side to side as though somebody had asked her a question and her answer was no.
Halfway up the aisle she stopped, lifted a finger, and pointed. Then slowly, although her breathing was fast and shallow, she lowered her hand to her side. It was strange, the languorous, limp hand coming to rest at her side while her breathing was coming so quick and fast. “Mercy,” she said again, but she whispered it now. The mortician scurried toward her and touched her elbow. She moved away from him and went right up to the bier. She tilted her head and looked down. Her earring grazed her shoulder. Out of the total blackness of her clothes it blazed like a star. The mortician tried to approach her again, and moved closer, but when he saw her inky, berry-black lips, her cloudy, rainy eyes, the wonderful brass box hanging from her ear, he stepped back and looked at the floor.
“Mercy?” Now she was asking a question. “Mercy?”
It was not enough. The word needed a bottom, a frame. She straightened up, held her head high, and transformed the plea into a note. In a clear bluebell voice she sang it out—the one word held so long it became a sentence—and before the last syllable had died in the corners of the room, she was answered in a sweet soprano: “I hear you.”
The people turned around. Reba had entered and was singing too. Pilate neither acknowledged her entrance nor missed a beat. She simply repeated the word “Mercy,” and Reba replied. The daughter standing at the back of the chapel, the mother up front, they sang.
In the nighttime.
Mercy.
In the darkness.
Mercy.
In the morning.
Mercy.
At my bedside.
Mercy.
On my knees now.
Mercy. Mercy. Mercy. Mercy.
They stopped at the same time in a high silence. Pilate reached out her hand and placed three fingers on the edge of the coffin. Now she addressed her words to the woman bordered in gray satin who lay before her. Softly, privately, she sang to Hagar the very same reassurance she had promised her when she was a little girl.
Who’s been botherin my sweet sugar lumpkin?
Who’s been botherin my baby?
Who’s been botherin my sweet sugar lumpkin?
Who’s been botherin my baby girl?
Somebody’s been botherin my sweet sugar lumpkin.
Somebody’s been botherin my baby.
Somebody’s been botherin my sweet sugar lumpkin.
Somebody’s been botherin my baby girl.
I’ll find who’s botherin my sweet sugar lumpkin.
I’ll find who’s botherin my baby.
I’ll find who’s botherin my sweet sugar lumpkin.
I’ll find who’s botherin my baby girl.
“My baby girl.” The three words were still pumping in her throat as she turned away from the coffin. Looking about at the faces of the people seated in the pews, she fastened on the first pair of eyes that were directed toward her. She nodded at the face and said, “My baby girl.” She looked for another pair of eyes and told him also, “My baby girl.” Moving back down the aisle, she told each face turned toward her the same piece of news. “My baby girl. That’s my baby girl. My baby girl. My baby girl. My baby girl.”
Conversationally she spoke, identifying Hagar, selecting her away from everybody else in the world who had died. First she spoke to the ones who had the courage to look at her, shake their heads, and say, “Amen.” Then she spoke to those whose nerve failed them, whose glance would climb no higher than the long black fingers at her side. Toward them especially she leaned a little, telling in three words the full story of the stumped life in the coffin behind her. “My baby girl.” Words tossed like stones into a silent canyon.
Suddenly, like an elephant who has just found his anger and lifts his trunk over the heads of the little men who want his teeth or his hide or his flesh or his amazing strength, Pilate trumpeted for the sky itself to hear, “And she was loved!”
It startled one of the sympathetic winos in the vestibule and he dropped his bottle, spurting emerald glass and jungle-red wine everywhere.