Songs of Innocence

Chapter 22

First there were the train yards, then the truck yards, each lit a burning white by sodium vapor lamps at the top of tall poles. Then we were passing the water and all I could see in the window was my own reflection staring back at me, bristling with a day’s growth of stubble. I fingered the can in my pocket. I decided to save it till we arrived. Shaving on a moving train might not be suicide in this era of safety razors, but I didn’t want to draw attention by emerging from the bathroom with a bloody throat or scalp.

A voice welcomed us to Amtrak’s service from New York’s Penn Station to 30th Street Station in Philadelphia, making stops at... I didn’t listen to the list. There was no danger I’d miss Philadelphia when we got there.

What I almost missed was the last part of the announcement. “The conductor will be coming through the train in a moment to collect your tickets and conduct random ID checks for your security. Please have your tickets ready and your ID out. Thank you.”

A squeal of feedback whistled as the microphone went back into its cradle.

I looked around. Most of the seats were empty. There was a woman in a business suit working her way through a stack of what looked like annual reports, a man in a down coat with his long legs sprawling into the aisle, another man talking quietly into his cell phone, and a third man, directly across the aisle from me, reading an issue of Sports Illustrated. During rush hour, when every seat was full, they probably checked one passenger in ten, maybe one in twenty. Now, if they checked one per car, I had a one in five chance of it being me.

Who would I check, if I were the conductor? I ruled out the woman—what are the odds Ms. Executive Suite was packing a bomb or smuggling hashish into Philly? The man across from me was clean-cut and in his sixties. That left three of us and one was as good as another. The shaved head probably didn’t serve me well here—my stubble was too short to make me look military, and that missing quarter inch could make the difference between signaling ‘good guy’ and ‘bad guy’ to some people.

I thought about heading into the bathroom after all, trying to stay in there till after the conductor passed, but it seemed unlikely that that would work—the conductor was bound to pass through more than once, and could I stay in there for the entire hour and a half of the ride? At some point one of the others would have to go, and Murphy’s Law said they’d knock just in time for the conductor to catch sight of me coming out—or would summon the conductor if I didn’t come out.

I might still have tried it if the door hadn’t opened right then. I glimpsed a woman in a blue uniform and billed cap at the far end of the car and immediately turned away. It was too late to get up; too late to do anything, really, except play the odds.

I set my ticket on the empty aisle seat next to me where she’d be sure to see it, and nestled my face in the corner between the seatback and the window. I slipped my glasses off and into my shirt pocket. Closed my eyes.

It was almost midnight. The other four passengers were awake. The conductor wouldn’t needlessly wake the one poor bastard who was sleeping. Would she?

At least there was a chance she wouldn’t.

I waited with my eyes shut, fighting the urge to clench them tightly, trying to keep my breathing measured and regular. I didn’t want anything to call attention to me. Nothing at all.

I heard the man on the cell phone—he was talking to his wife or girlfriend, quietly telling her to please be reasonable, it wasn’t that late. Across the aisle, a page turned, then another. Twice I heard the conductor say, “Tickets? Tickets, please.” Then the sound of her handheld hole-punch leaving its little triangular marks in the stiff paper.

I waited her for her to say “ID please?” to either of the people between her and me—the woman or the man on the cell phone—but she didn’t. Of course maybe she didn’t need to because they’d already had their IDs out and had handed them to her unasked. But how likely was that if they hadn’t had their tickets out?

Her footsteps came closer, stopped next to my seat.

I felt a trickle of sweat along the side of my face, by my ear. It hung there at my jaw—I could feel a droplet slowly forming. I ached to wipe it off. I didn’t move.

I heard her pick up the ticket from the seat beside me and punch it, set it back down. A moment passed—but I didn’t hear her walk on. Then she spoke. “Thank you. May I see your ID, sir?”

I couldn’t help it, I clenched my eyes tighter, like a little kid trying to convince his parents he was really asleep and not just pretending. This was it. I was on a train rocketing between two stations; even if I could somehow get away from the conductor, there was no way off the train. By the time we arrived, they’d have me in custody, and from there it would be a short ride back to the city and the Manhattan Detention Complex downtown. I’d be in jail by nightfall.

“Sir,” the conductor said again, impatience creeping into her tone, “your ID?”

I turned reluctantly, trying desperately to come up with some way to talk myself out of this situation. Maybe I’d left my driver’s license at home. I’d been mugged in the station and lost my wallet. Something. Anything.

But when I opened my eyes I saw I was facing the conductor’s back.

I put on my glasses.

The man across the aisle was putting his wallet away with an annoyed look on his face. “Thank you,” the conductor said. “Next time, have it out where I can see it.” She punched his ticket and handed it to him.

I whipped my glasses off and turned back to the window, closed my eyes again. I was breathing rapidly, my heartbeat staggering under the burden of an after-the-fact burst of adrenaline.

Not yet, I thought. They’d get me if I pressed my luck long enough. But not yet.

We drew into the station with a weary hiss. At the top of the stairs, the station’s main concourse loomed like an art deco temple, monumental columns at either end supporting a roof so far overhead it might as well have been the sky. At one end of the room a statue of an angel with upswept wings lifted a dead soldier from the ashes of a World War II battlefield. The corpse was probably meant to be stylized, but it looked painfully realistic to me, with its bare feet and slack flesh and torn clothes. Looking at it, I felt physically ill. I saw Ramos’ face; I saw Dorrie’s arms, floating limp in the water.

I hurried to the men’s room, found a sink and failed to throw up. I stood over the sink, sweating, clammy, tasting a thread of vomit at the back of my throat but unable to get it out of me. After a while, I gave up. I turned on the water, first cold, then hot. I laid out my razor and shaving cream on the sill behind the sink and went to work. I realized, as I plowed clean furrows down my cheeks, that somewhere along the way I’d stopped looking so young. My eyes had dark rings beneath them, my skin was sallow, and without hair my head looked angular and severe. With the stubble shaved off, I looked presentable. But I didn’t look well.

Well, I wasn’t. I felt sick; I felt beaten down and empty. I was here in a strange city to say goodbye to a woman who’d had a harder life than she deserved and a worse end to it. She’d been my friend and I’d been hers, and we’d clung to each other like shipwreck survivors to flotsam. With her gone, I could feel myself sinking. I couldn’t hold onto Susan, couldn’t drag her down with me, not now that she’d managed to escape her old life for a better one. And who else did I have? Michael? He wouldn’t shed a tear if someone handed him my obituary. He wasn’t built that way. Maybe that night, after the customers were gone, he’d raise a glass of whiskey to me, but that’s the most I could expect. And maybe it’s all I was worth.

I shoved the half-empty shaving cream can and the used razor into the trash, wiped my face and head with a handful of coarse paper towels, and walked out to the taxi stand.

The angel watched me go.