Spin

twenty-two.

"What happened?” Katrina asked as she pulled a swan-shaped coffee cup from the pile. Its neck was a handle, and its wings wrapped around the bowl. “I can’t find the spoons.”

I picked one up from the floor. “Here. I’ll wash it.”

She snatched it and blew on it. “Sanitizing pixie dust. Knife too, please.”

I picked one of my best silver butter knives off the floor and handed it to her without offering to wash it. The sink was full of china cruets anyway.

“I’ll put it all away later.”

“Whatever.” She cleared a space in front of the coffee pot and poured herself some.

“But we have to be on set today, then I have work on Monday. I’ll get Manuela on it when she comes Tuesday,” I said.

“Whatever.”

“Are you mad?”

“Mad? No. I almost broke all these damned dishes last night in a rage, but not because of them. Only because they were in front of me.”

I handed her a dish. “Go ahead. Break it.”

She took it and waved it up and down, balancing it on her fingertips like half a seesaw. Then she put it on top of its stack. “It’s pointless.” She put the heels of her hands to her eyes and growled in a tantrum.

“What?”

“Apogee fell through,” she shouted, as if yelling at the entire Hollywood system.

“What? They won’t distribute it?”

“No, they backed out of post-production.”

“Why?”

“Because.” She shook her hands as if she was at a loss for words. “Lenny Garsh moved to Ultimate, and the new guy’s only backing projects he believes in. Completed projects.” She stamped her feet. Full-on tantrum. “Fuck fuck fuck fuck. I have the editing bay and ADR place booked, and I can’t pay.”

“Okay, we can work this out.”

“There’s nothing to work out. I’m screwed. I tapped everyone I know to do production. Now there’s no point in even finishing.” Her face collapsed. It took seconds for the muscles to go slack and the tears to gather. She sniffed, hard and wet. “Fuck, what am I going to tell Michael? He was depending on this. He’s a star, you know? In his gut. And I told him... I told him we’d get this done.”

“You will get this done,” I said, taking her shoulders.

“Ernie shot it free because he believed in me.”

“Katrina—”

“It’s my job to get the money, and I let everyone down.” She was full-on blubbering and trying to talk through hitching gasps.

I put my arms around her. “Directrix?”

I was answered with sobs.

“You have another week of production. Do you have the money to finish it?”

She nodded into my shoulder. “But—”

“No buts. Get it together.”

“I don’t have enough. I missed a wide on the dinner scene.”

“You won’t be the first. Now we have twenty minutes to get out of here and get to set. People are waiting.”

She pulled away and wiped her eyes. “I have to tell them.”

“No.” I put up my hands. “What is wrong with you? That’ll kill the momentum.”

She put her head in her hands. “I don’t know what I’m thinking.”

“Go take a shower, and let’s go. Come on. I took a week off work to finish this with you. We have to get this thing in the can by Friday. Reschedule your ADR. It’s a phone call, right?”

“If they have space. They book months in advance.”

“Fast, cheap, or good,” I said, quoting the old filmmaking motto that no one can get more than two of the three. “Fast isn’t happening.”

“I have to eat. I can’t mooch off you forever.”

“Whatever. Let’s deal with today. Okay? We’re shooting at the café again?”

“Yes.”

“If you start freaking out, you come to me, right?”

“I love you, Tee Dray. You’re so together.”