Still Life

TWELVE

'Yolande Fontaine and her husband Andre Malenfant,'

Beauvoir said as he wrote their names in tidy capitals on the sheet of paper. It was 8.15 on Tuesday morning, almost a week and a half since the murder, and the investigators were reviewing the list of suspects. The first two were obvious.

'Who else?'

'Peter and Clara Morrow,' said Nichol, looking up from her doodling.

'Motive?' he asked, writing the names.

'Money,' said Lacoste. 'They have very little. Or had. Now they're rich, of course, but before Miss Neal died they were practically paupers. Clara Morrow comes from a modest background, so she's used to being careful with money, but not him. He's a Golden Mile boy, born and bred. A Montreal Brahmin. Best schools, St Andrew's Ball. I spoke to one of his sisters in Montreal. She was circumspect, as only these people can be, but she made it quite clear the family wasn't thrilled with his choice of career. Blamed Clara for it. They wanted him to go into business. The family considers him a disappointment, at least his mother does. Too bad, really, because by Canadian art standards he's a star. Sold ten thousand dollars' worth of art last year, but that's still below the poverty level. Clara sold about a thousand dollars. They live frugally. Their car needs major repair work as does their home. She teaches art in the winter to pay the bills, and they sometimes pick up contracts to restore art. They scrape by.'

'His mother's still alive?' Gamache asked, trying to do some quick calculations.

'Ninety-two,' said Lacoste. 'Pickled, by all accounts, but breathing. An old tartar. Probably outlive them all. Family lore has it she found her husband next to her one morning, dead, and she rolled over and went back to sleep. Why be inconvenienced?'

'We only have Mrs Morrow's word for it that they didn't know what was in the will,' said Beauvoir. 'Miss Neal might have told them they'd inherit, n'est-ce pas?'

'If they needed money, wouldn't they have gone to Miss Neal for a loan instead of murdering her?' Gamache asked.

'Maybe they did,' said Beauvoir. 'And she said no. And, they had the best chance of luring her to the woods. If either Clara or Peter had called her at 6.30 in the morning and asked to see her without the dog, she'd have gone. No questions asked.'

Gamache had to agree.

'And', Beauvoir was on a roll, 'Peter Morrow's an accomplished archer. His specialty is the old wooden recurve. He says he only target shoots, but who knows? Besides, as you found out, it's easy enough to replace the snub-nosed tip with the killer tip. He could have gotten them from the clubhouse, killed her, cleaned the equipment and returned it. And even if we found his prints or fibers, it'd mean nothing. He used the equipment all the time anyway.'

'He was on the jury that chose her art work,' Lacoste was warming to the possibility, 'suppose he was jealous of her, saw her potential and, I don't know, flipped out or something.' She sputtered to a stop. None of them could see Peter Morrow 'flipping out'. But Gamache knew the human psyche was complex. Sometimes people reacted to things without knowing why. And often that reaction was violent, physically or emotionally. It was just possible Peter Morrow, having struggled with his art and his family's approval all his life, saw brilliance in Jane Neal's work and couldn't take it. Was consumed with jealousy. It was possible, not probable, but just possible.

'Who else?' asked Gamache.

'Ben Hadley,' said Lacoste. 'He's also a good archer, with access to the weapons. And trusted by Miss Neal.'

'But without a motive,' said Gamache.

'Well, not money, anyway,' admitted Lacoste. 'He's worth millions. All inherited from his mother. Before that he was on a generous allowance.'

Nichol snorted. She hated these 'trust fund' kids who did nothing with their lives except wait for Mommy and Daddy to die.

Beauvoir chose to ignore the snort. 'Could he have had another motive besides money? Lacoste, anything in the papers you found in Jane Neal's home?'

'Nothing.'

'No diary?'

'Except the diary where she made a list of people who wanted to kill her.'

'Well, you might have mentioned it.' Beauvoir smiled.

Gamache looked at the list of suspects. Yolande and Andre, Peter and Clara and Ben Hadley.

'Anyone else?' Beauvoir was closing his notebook.

'Ruth Zardo,' said Gamache. He explained his thinking.

'So her motive', said Lacoste, 'would be to stop Jane from telling everyone what she'd done. Wouldn't it've been easier to just kill Timmer to shut her up?'

'Actually, yes, and that's been bothering me. We don't know that Ruth Zardo didn't kill Timmer Hadley.'

'And Jane found out about it?' asked Lacoste.

'Or suspected. She was the type, I think, who would've gone directly to Ruth and asked her about her suspicions. She probably thought it was a mercy killing, one friend relieving another of pain.'

'But Ruth Zardo couldn't have actually fired the arrow,' said Beauvoir.

'True. But she might have enlisted the aid of someone who could, and would do anything. For a fee.'

'Malenfant,' said Beauvoir with a certain glum glee.

Clara sat in her studio with her morning coffee, staring at the box. It was still there, only now it stood on four legs, made of tree branches. Initially she'd seen it on a single leg, like the trunk of a tree. Like the blind. That's the image that had come to her in the woods during the ritual, when she'd looked over and seen the blind. It was such a perfect and appropriate image. Of being blind. Of the people who use the blind not seeing the cruelty of what they did, not seeing the beauty of what they were about to kill. It was, after all, a perfect word for that perch. A blind. And it was how Clara felt these days. Jane's killer was among them, that much was obvious. But who? What wasn't she seeing?

But the single tree trunk idea hadn't worked. The box had looked unbalanced, off-putting. So she'd added the other legs and what had been a perch, a blind, now looked like a home on great long stilts. But it still wasn't right. Closer. But there was something she needed to see. As always when faced with this problem Clara tried to clear her mind, and let the work come to her.

Beauvoir and Agent Lacoste were in the process of searching the Malenfant home. Lacoste had been prepared for filth, for a stench so thick she could see it. She hadn't been prepared for this. She stood in Bernard's bedroom and felt ill. It was perfect, not a dirty sock, not a plate of congealing food. Her kids were under five and their rooms already looked, and smelled, like the beach at low tide. This kid was, what? Fourteen? And his room smelled of Lemon Pledge. Lacoste felt like retching. As she put on her gloves and began her search she wondered if there wasn't a coffin in the basement which he slept in.

Ten minutes later she found something, though not what she'd expected. She walked out of Bernard's room and into the living room, making sure to catch the boy's eye. Rolling up the document she discreetly put it in her evidence bag. Not so discreetly, though, that Bernard didn't see. It was the first time she'd seen fear on his face.

'Well, look what I found.' Beauvoir came out of the other bedroom holding up a large manila folder. 'Oddly enough,' he said into Yolande's lemon-sucked face and Andre's lean leer, 'it was taped to the back of a picture, in your bedroom.'

Beauvoir opened the folder and flipped through the contents. They were rough sketches, Jane Neal's rough sketches of the county fair all the way back to 1943.

'Why did you take these?'

'Take? Who said anything about take? Aunt Jane gave them to us,' said Yolande in her most convincing, 'the roof is nearly new' real estate agent's voice.

Beauvoir wasn't buying. 'And you taped it behind that print of a lighthouse?'

'She told us to keep them out of the light,' said Yolande in her 'the plumbing isn't lead' voice.

'Why not just wallpaper over them?' Andre actually gave a snort of laughter before being silenced by Yolande. 'All right, take them in,' said Beauvoir. It was getting close to lunch and he longed for a beer and a sandwich.

'And the boy?' asked Lacoste, picking up the cue. 'He's a minor. Can't stay here without parents.'

'Call Children's Aid.'

'No.' Yolande grabbed Bernard and tried to put her arms around him. They wouldn't go. Bernard himself didn't seem all that upset at the thought of a foster home. Andre looked as though he thought this might be a good idea. Yolande was apoplectic.

'Or', said Beauvoir in his best, 'you'd better make an offer before the owners change their minds' voice, 'you can tell us the truth right now.' He held up the folder. Part of him felt badly about using Bernard but he figured he'd get over it.

The beans spilled. She'd found the folder sitting on the coffee table in Aunt Jane's home. In full view. Yolande described this as though she'd found an S and M magazine. She was about to toss it on the fire but she decided, out of respect and love for dear Aunt Jane, to keep the pictures.

'Why did you take them?' Beauvoir repeated, walking toward the door.

'OK, OK. I thought maybe they'd be worth something.'

'I thought you hated your aunt's work.'

'Not as art, you great shit,' said Andre. 'I thought I could sell them to her friends, maybe Ben Hadley.'

'Why would he buy them?'

'Well, he has lots of money and maybe if I threatened to burn them he'd want to save them.'

'But why take them out of the house? Why not keep the sketches there?'

'Because they disgust me,' Yolande was transformed. All the make-up in the world, and she was pretty close to wearing it all, couldn't hide the hideous person underneath. In an instant she became a bitter middle-aged woman, twisted and made grotesque like a metalwork sculpture. All rust and sharp edges. Even Bernard edged away from her. 'I needed them where I knew no one else would see them.'

On a slip of paper Beauvoir wrote a receipt for the folder and gave it to Yolande who took it in her manicured hand as though he'd passed her a sheet of toilet paper.

Clara had given up waiting for her tree house to speak and had gone to Jane's to do more work. She'd begun to see Jane's work as a masterpiece. One giant mural, like the Sistine Chapel or Da Vinci's Last Supper. She didn't hesitate to make the comparisons. Jane had captured the same elements as those master works. Awe. Creation. Wonderment. Longing. Even logging, in Jane's case.

Ben couldn't be moving more slowly if he tried. Still, Clara had to remind herself that it didn't really matter. It would all be revealed, eventually.

'Oh, my God, it's a disaster,' Ruth's voice rang loud and clear. Clara came up from the basement with her bucket. Ruth and Gamache were standing in the center of the living room and Clara was a little disheartened to see Ben also there, lounging by the desk.

'Did you do this?' Ruth wanted to know.

'I helped uncover it. Jane did the drawings.'

'I never thought I'd say it, but I'm on Yolande's side.

Cover them up.'

'I want to show you something.' Clara took Ruth's elbow and guided her to the far wall. 'Look at that.' Unmistakable, there was a picture of Ruth as a child, holding her mother's hand in the schoolhouse. Little Ruth, tall and gawky, school books for feet. Encyclopedia feet. Piglets dancing in her hair. Which could mean one of two things.

'I had pigtails as a child,' said Ruth, apparently reading her thoughts. But Clara thought Jane's message was that even then Ruth was pig-headed. The other children were laughing but one child was coming over to hug her. Ruth stood, transfixed, in front of Jane's wall:'Jenny kissed me when we met, jumping from the chair she sat in; time, you thief, who love to get sweets into your list, put that in: say I'm weary, say I'm sad, say that health and wealth have missed me; say I'm growing old, but add, Jenny kissed me.'

Ruth recited the poem in a whisper, and the still room heard. 'Leigh Hunt. "Rondeau". That's the only poem I wish I'd written. I didn't think Jane remembered, I didn't think it'd meant anything to her. This is my first day here, when my father came to work in the mill. I was eight years old, the new kid, tall and ugly, as you can see, and not very nice even then. But when I walked into that schoolhouse, terrified, Jane walked all the way down the aisle and she kissed me. She didn't even know me but it didn't matter to her. Jane kissed me when we met.'

Ruth, her brittle-blue eyes glistening, took a breath and then took a long look around the room. Then slowly shook her head and whispered, 'It's extraordinary. Oh, Jane, I'm so sorry.'

'Sorry for what?' Gamache asked.

'Sorry she didn't know we loved her enough to be trusted with this. Sorry she felt she had to hide it from us.' Ruth gave a hurrumph of unamused laughter. 'I thought I was the only one with a wound. What a fool.'

'I think the key to Jane's murder is here,' said Gamache, watching the elderly woman limp around the room. 'I think she was killed because she was about to let everyone see it. I don't know why but there you have it. You knew her all her life, I want you to tell me what you see here. What strikes you, what patterns you see, what you don't see

'Most of the upstairs, for starters,' said Clara, and watched Ben flinch.

'Well, spend as much time as you can here.'

'I don't know,' said Ruth. 'I'm supposed to address the United Nations and Clara, aren't you accepting the Nobel prize?'

'That's right, for art.'

'I canceled both engagements,' said Gamache, thinking little Ruthie Zardo was a bad influence on Clara. They smiled and nodded. Ben and Clara went back upstairs while Ruth inched along the walls, examining the images, occasionally hooting when one struck her as particularly apt. Gamache sat in the big leather chair by the fire and let the room come to him.

Suzanne picked Matthew up late in the day at his sister's in Cowansville where he'd stayed until the Provincial Guardians Office had finished its investigation. Even though Philippe had recanted his accusation of abuse, the Office was obligated to investigate. It found nothing. In his heart Matthew was disappointed. Not, of course, at being exonerated. But so much damage had been done he wished they'd made a public statement that he was, in reality, a wonderful father. A kind, compassionate, firm parent. A loving father.

He'd long since forgiven Philippe, he didn't even need to know why Philippe had done it. But standing now in the kitchen that had held so many birthday parties, and excited Christmas mornings, and had been the scene of so many batches of 's'mores' and 'yes yes' cookies, standing here, he knew life would never be the same. Too much had been said and done. He also knew, with work, it could actually be better. The question was, was Philippe willing to put the work in? A week and a half ago, in anger, he'd waited for his son to come to him. That had been a mistake. Now he was going to his son.

'Yeah?' came the sullen answer to his tentative knock.

'May I come in? I'd like to talk with you. No yelling. Just clear the air, OK?'

'Whatever.'

'Philippe,' Matthew sat on the chair by the desk and turned to face the boy, who was lying on his crumpled bed. 'I've done something that's hurt you. My problem is I don't know what it is. I've racked my brains. Is it the basement? Are you angry about having to clean up the basement?'

'No.'

'Did I yell at you, or say something to hurt your feelings? If I did please tell me. I won't be angry. I just need to know and then we can talk about it.'

'No.'

'Philippe, I'm not angry about what you did. I never have been. I was hurt and confused. But not angry at you. I love you. Can you talk to me? Whatever it is, you can tell me.'

Matthew looked at his son and for the first time in almost a year he saw his sensitive, thoughtful, kind boy. Philippe looked at his father and longed to tell him. And he almost did. Almost. He stood at the cliff, his toes over the edge, and he looked into oblivion. His father was inviting him to step over and trust that it would be all right. He would catch him, wouldn't let him fall. And to give Philippe credit, he considered it. Philippe yearned to close his eyes, take that step and fall into his father's arms.

But in the end he couldn't. Instead he turned his face to the wall, put his headphones back on, and retreated.

Matthew dropped his head and looked down at his dirty old work boots and saw in excruciating detail the mud and bits of leaves stuck there.

Gamache was sitting in Olivier's Bistro, by the fireplace, waiting to be served. He'd just arrived, and the people who'd been in the choice location had just left, their tip still on the table. Gamache had the momentary desire to pocket the money himself. Another bit of weirdness from the long house.

'Hi, may I join you?'

Gamache rose and bowed slightly to Myrna, then indicated the sofa facing the fireplace. 'Please.'

'Quite a lot of excitement,' said Myrna. 'I hear Jane's home is wonderful.'

'You haven't seen it?'

'No. I wanted to wait until Thursday.'

'Thursday? What's happening Thursday?'

'Clara hasn't asked you?'

'Are my feelings going to be hurt? Surete homicide officers are notoriously sensitive. What's happening on Thursday?'

'Thursday? Are you going too?' Gabri asked, standing over them wearing a little apron and channeling Julia Child.

'Not yet.'

'Oh well, never mind. I hear Hurricane Kyla's hit land in Florida. Saw it on Meteo Media.'

'I saw that, too,' said Myrna. 'When's it supposed to get here?'

'Oh, a few days. 'Course it'll be a tropical storm by then, or whatever they call it by the time it hits Quebec. Should be quite a storm.' He looked out the window as though he expected to see it looming over the nearby mountain. He looked worried. Storms were never good.

Gamache toyed with the price tag dangling from the coffee table.

'Olivier's put price tags everywhere,' confided Gabri, 'including our private toilet, thank you very much. Fortunately I have enough elegance and good taste to overcome this one flaw of Olivier's. Greed, I think it's called. Now, can I interest you in a glass of wine, or perhaps a chandelier?'

Myrna ordered a red wine while Gamache took a Scotch.

'Clara's organising Jane's party for Thursday, just the way Jane had planned,' said Myrna, once the drinks had arrived. A couple of licorice pipes also appeared. 'After the vernissa^ge at Arts Williamsburg. Now, if Clara asks, you have to say you tortured me.'

'Trying to get me suspended again? The Surete torturing a black woman?'

'Don't they promote you for that?'

Gamache caught and held Myrna's eye. Neither smiled. They both knew the truth in that. He wondered whether Myrna knew his particular role in the Arnot case, and the price he'd paid. He thought not. The Surete was good at finding other people's secrets, and keeping its own.

'Wow,' said Clara, taking the big chair on the other side of the fireplace. 'This feels good. Nice to be out of the stink of the mineral spirits. I'm on my way home to make supper.'

'Isn't this a little out of your way?' asked Myrna.

'We artistic types never take a straight line, unless you're Peter. He starts at A and paints and paints and ends up at B. Without even a hesitation. Enough to drive you to drink.' She flagged down Gabri and ordered a beer and some nuts.

'How's the restoration?' asked Gamache.

'Fine, I think. I left Ben and Ruth there. Ruth has found Jane's liquor cabinet and is writing verse while staring at the walls. God knows what Ben's doing. Probably applying paint. I swear to God he seems to be going backwards. Still, it's great to have him there and actually the work he does do is fantastic, brilliant.'

'Peter isn't helping anymore?' asked Myrna.

'Oh yes, but we're taking turns now. Well, mostly he's taking turns. I spend most of the day there. It's kind of addictive. Peter loves the work, don't get me wrong, but he needs to do his own work.'

Gabri appeared with her beer. 'That'll be a hundred thousand dollars.'

'Well, you can kiss your tip goodbye.'

'If I could kiss my tip I wouldn't need Olivier.'

'We were talking about Thursday,' said Gamache. 'I hear there's a party.'

'Do you mind? I'd like to hold it just as Jane had planned.'

'Hope the Hurricane doesn't ruin it,' said Gabri, pleased to find melodrama.

Gamache wished he'd thought of it. Clara was doing it as a tribute to her friend, he knew, but it could have another very practical purpose. It could rattle the murderer.

'As long as I'm invited.'

Isabelle Lacoste looked up from her computer where she'd been writing her reports on the Fontaine/Malenfant search and her visit to Timmer's doctor. He'd brought up Timmer's file on his computer and finally, with extreme caution, admitted it: was a remote possibility someone had helped her into the next life.

'With morphine; that would be the only way. Wouldn't really take much at that stage, she was already on it, just a little more could have put her over the top.'

'You didn't check?'

'Saw no need.' Then he'd hesitated again. Lacoste was a good enough investigator to wait. And wait. Eventually he spoke again. 'It happens a lot in cases like this. A friend, or more often a family member, gives the person a fatal dose. Mercy. Happens more often than we know or want to know. There's a kind of unwritten agreement that in terminal cases, at the end of life, we don't look too closely.'

Lacoste could certainly sympathise and privately thought this was probably a good thing, but this was business, and in this case they weren't talking about mercy.

'Is there any way to check now?'

'She was cremated. Her own wishes.' He closed his computer.

And now, two hours later, she was closing hers. It was 6.30 and pitch black outside. She needed to speak with Gamache about what she'd found in Bernard's room before heading home. It was a cold night and Lacoste buttoned her field coat before setting out across the bridge that spanned the Riviere Bella Bella and headed into the heart of Three Pines.

'Give it to me.'

'Bonjour, Bernard.' She'd recognised the surly voice even before she saw him.

'Gimme.' Bernard Malenfant was leaning against her.

'Do you want to tell me about it?'

'Fuck off. Give it here.' He brought his fist to her face, but didn't strike.

Isabelle Lacoste had faced down serial killers, snipers, and abusive, drunken husbands, and she was under no illusion. A furious, out-of-control 14-year-old was as dangerous as any of them.

'Drop that fist. I'm not going to give it to you, so it's no use threatening.'

Bernard grabbed her satchel, trying to yank it away but she'd expected this. She'd found that most boys, and even some not very bright men, underestimated women. She was strong and determined and smart. She kept her cool and twisted the satchel out of his grip.

'Bitch. It's not even mine. Do you really think I'd have shit like that?' The last word was screamed into her face so she could feel his spittle on her chin and the stench of his warm breath.

'Then whose is it?' she said evenly, trying to control her gag response.

Bernard gave her a malevolent leer. 'Are you kidding? I'm not going to tell.'

'Hey, are you all right?' A woman and her dog were walking quickly toward them from the direction of the bridge.

Bernard swung around and saw them. He yanked up his bike and rode away, swerving so that he headed toward the dog, but just missed it.

'Are you all right?' the woman repeated, and reached out and touched Isabelle's arm. Lacoste recognised the woman as Hanna Parra. 'Was that young Malenfant?'

'Yes. We had a few words. I'm fine, but thanks for checking.' And she meant it. This wouldn't have happened in Montreal.

'Anytime.' They walked over the Bella Bella into Three Pines, separating at the Bistro and waving goodbye.

The first thing Lacoste did upon reaching the cheerful lights and warmth of the Bistro was head to the washroom, to scrub her face with the fragrant soap and fresh water. Once clean she ordered a Martini and Rossi and caught the chief's eye. He nodded toward a small, secluded table. The Martini and Rossi, a bowl of nuts and her chief in front of her, Lacoste relaxed. She then told him about her search of Bernard's room, handing him the item she'd taken as she spoke.

'Phew,' said Gamache, examining the item. 'Get this fingerprinted. Bernard denies it's his? Did he say whose it was?'

Lacoste shook her head.

'Did you believe it's not his?'

'I don't know. I think I don't want to believe him, but some instinct tells me he's telling the truth.'

Only with Gamache could she talk about feelings, intuition and instinct without feeling defensive. He nodded and offered her dinner before she headed back to Montreal, but she declined. She wanted to see her family before they went to bed Gamache awoke to a pounding on his door. His bedside clock said 2.47. Putting on his dressing gown he opened the door. Yvette Nichol stood there in an impossibly fluffy pink and white number.

She'd been lying awake, tossing and turning, and finally just curling on her side, staring at the wall. How had it come to this? She was in trouble. Something had gone wrong. Something always went wrong, it seemed. But how? She'd tried so hard.

Now, in the tiny new day the familiar old voice spoke to her, It's because you're Uncle Saul, after all. Stupid Uncle Saul. They were counting on you, your family, and you've fucked up again. Shame on you.

Nichol felt the lump in her chest harden and she turned over. Looking out the window she saw a light go on across the village green. She leapt out of bed, threw on a dressing gown, and ran up the stairs to Gamache's room.

'There's a light on,' she said without preamble.

'Where?'

'Across the way, at Jane Neal's home. It went on a few minutes ago.'

'Get Inspector Beauvoir. Have him meet me downstairs.'

'Yes, sir.' And she left. Five minutes later he met a disheveled Beauvoir on the stairs. As they were leaving they heard a noise and saw Nichol descending.

'Stay here,' commanded Gamache.

'No, sir. It's my light.' She might have said, 'purple door candlestick', for all the sense that made to Gamache or Beauvoir.

'Stay here. That's an order. If you hear shots, call for help.'

As the two men walked briskly across the green toward Jane Neal's home, Gamache thought to ask, 'Did you bring your gun?'

'No. Did you?'

'No. But you've got to know Nichol had her's. Oh, well.'

They could see two lights in the home, one upstairs and another in the living room. Gamache and Beauvoir had done this hundreds of times before, they knew their routine. Gamache was always the first through, Beauvoir on his heels, ready to throw the chief out of any line of fire.

Gamache entered the dark mudroom silently and crept up the two steps into the kitchen. He tiptoed to the living-room door and listened. He could hear voices. A man's and a woman's. Unrecognisable, and unintelligible. He signaled to Beauvoir, took a breath, and shoved the door open.

Ben and Clara stood stunned in the middle of the room. Gamache felt as though he'd stumbled into a Noel Coward drawing-room comedy, all Ben needed was an ascot tied around his neck and a Martini glass. Clara, though, belonged more in a circus. She was wearing a bright red single-piece flannel outfit, complete with feet, and probably a hatch at the back.

'We surrender,' said Clara.

'So do we,' said Beauvoir, looking at her outfit, amazed. You'd never find a francophone woman in that.

'What're you doing here?' Gamache went right to the point. It was 3 a.m. and he'd just geared himself up for some unpleasantness. He wanted to go back to bed.

'That's what I was asking Ben. I haven't been sleeping so well since Jane died, so I got up to use the bathroom and saw the light. I came over to see.'

'By yourself?'

'Well, I didn't want to disturb Peter, and besides, this is Jane's home,' she said, as though that explained it. Gamache thought he understood. Clara considered it a safe place. He'd have to have a talk with her.

'Mr Hadley, what are you doing here?'

Ben was looking very embarrassed by now. 'I set my alarm to come here. I wanted to, well, sort of go upstairs, you know.'

This was so deeply uninformative and uninteresting Beauvoir thought he might actually fall asleep on his feet.

'Go on,' said Gamache.

'Well, to do more work. On the walls. You'd said yesterday how important it was to see everything, and well. Then there's Clara, of course.'

'Go on,' said Gamache. In his peripheral vision he could see Beauvoir swaying.

'You tried to hide it, but I could tell you were getting impatient with me,' Ben said to Clara. 'I'm not a very fast worker. I'm not a very fast person, I guess. Anyway, I wanted to surprise you by doing some work tonight. It was probably a dumb idea.'

'I think it's a beautiful idea,' said Clara, going over and giving Ben a hug. 'But you'll just exhaust yourself, you know, and be slow again tomorrow.'

'I hadn't thought of that,' admitted Ben. 'Do you mind, though, if I just put in a couple of hours?'

'That's fine with me,' said Gamache. 'But next time, please tell us.'

'Should I stay and help?' Clara offered. Ben hesitated and seemed on the verge of saying something, but simply shook his head. As he left Gamache looked back at Ben standing alone in the living room. He looked like a little lost boy.