Strangers in Town: Three Newly Discovered Mysteries

Strangers in Town

"My son is in grave trouble," the woman said.

I asked her to sit down, and after a moment's hesitation she lowered her weight into the chair I placed for her. She was a large Negro woman, clothed rather tightly in a blue linen dress which she had begun to outgrow. Her bosom was rising and falling with excitement, or from the effort of climbing the flight of stairs to my office. She looked no older than forty, but the hair that showed under her blue straw hat was the color of steel wool. Perspiration furred her upper lip.

"About your son?" I sat down behind my desk, the possible kinds of trouble that a Negro boy could get into in Los Angeles running like a newsreel through my head.

"My son has been arrested on suspicion of murder." She spoke with a schoolteacher's precision. "The police have had him up all night, questioning him, trying to force a confession out of him."

"Where is he held? Lincoln Heights?"

"In Santa Teresa. We live there. I just came down on the bus to see if you could help me. There are no private detectives in Santa Teresa."

"He have a lawyer?"

"Mr. Santana. He recommended you to me, Mr. Archer."

"I see." Santana I knew by name and reputation as a leader of minority groups in Southern California. He had come up the long hard way, and remembered every step. "Well, what are the facts?"

"Before I go over them in detail, I would like to be assured that you'll take the case."

"I'd like to be assured that your son isn't guilty."

"He isn't. They have nothing against him but circumstances."

"Not many murder cases depend on witnesses, Mrs.—"

"Norris, Genevieve Norris. My son's name is Alex, after his father." The modulation of her voice suggested that Alex senior was dead. "Alex is entering his sophomore year in college," she added with pride.

"What does Santana think?"

"Mr. Santana knows that Alex is innocent. He'd have come to you himself, except that he's busy trying to have him freed. He thinks the woman may have committed suicide—"

"It was a woman, then."

"She was my boarder. I'll tell you honestly, Mr. Archer, Alex had grown fond of her. Much too fond. The woman was older than him — than he — and different. A different class of person from Alex. I was going to give her notice when she — died."

"How did she die?"

"Her throat was cut."

Mrs. Norris laid a genteel brown hand on her bosom, as if to quiet its surge. A plain gold wedding band was sunk almost out of sight in the flesh of one of her fingers. The hand came up to her lip and dashed away the moisture there. "I found her myself, last midnight. Her terrible breathing woke me. I thought maybe she was sick or — intoxicated. By the time I reached her she was dead on the floor, in her blood. Do you know how I felt, Mr. Archer?" She leaned towards me with the diffident and confiding charm of her race, her eyes deeply shadowed by the brim of her hat: "As if all the things I had dreaded for myself and Alex, when we were going from city to city during the depression, trying to find a living, in Buffalo, Detroit, Chicago. As if they'd suddenly come true, in my own house. When I saw Lucy in her blood." Her voice broke like a cello string.

"Who was Lucy?" I asked her after a pause.

"Lucy Deschamps is her name. She claimed to be a Creole from New Orleans. Alex was taken in, he's a romantic boy, but I don't know. She was common."

"Weapon?"

She looked at me blankly.

"If it might have been suicide, the weapon was there."

"Yes, of course. The weapon was there. It was a long native knife. My husband sent it from the Philippines before his ship was sunk. Mr. Norris was a chief petty officer in the Navy." Her unconscious panic was pushing her off the point, into the security and respectability of her past.

I brought her back to the point: "And where was Alex?"

"Sleeping in his room. He has a room of his own. A college student needs a room of his own. When I screamed, he came running in in his pyjamas. He let out a cry and lay down beside her. I couldn't get him up. When the policemen came, he was blood from head to foot. He said he was responsible for her death, he was really wild. They took him away." Bowed forward in her chair like a great black Rachel, she had forgotten her careful speech and her poise. Her shadowed eyes were following the image of her son into the shadows.

I rose and fetched her a drink from the water-cooler in the corner of the room. "We can drive up to Santa Teresa together," I said, "if that suits you. I want to hear more about Lucy."

She gulped the water and stood up. She was almost as tall as I was, and twice as imposing.

"Of course. You're a kind man, Mr. Archer."

I took the inland route, over Cahuenga Pass. It wasn't built for speed, but the sparseness of traffic gave me a chance to listen. As we moved north out of the valley, the heat eased off. The withered September hills were a moving backdrop to the small sad romance of Alex Norris and Lucy.

She had come to the house in a taxi about a month before, a handsome light brown woman of twenty-five or so, well-dressed and well-spoken. She preferred to stay in a private home, she said, because all but the worst hotels in Santa Teresa were closed to her. Mrs. Norris gave her the spare room, the one in the front of the house with the separate entrance, which she sometimes rented out when she could find a suitable tenant. The rent-money would help with Alex's tuition.

Miss Deschamps was a peaceful little soul, or so she seemed. She ate most of her meals with the family, almost never went out, spent most of her evenings quietly in her room with the portable radio she had brought along with her. She seldom spoke about herself, except to let it be understood that she had been a lady's maid in some very good families. But she made Mrs. Norris nervous. The landlady felt that her boarder was under tension, planning her words and actions in order not to give anything away. She seemed afraid, almost as if she were in hiding from someone or something. It put everyone under a strain.

The strain became severe when Mrs. Norris discovered one day that Lucy was a solitary drinker. It happened quite by accident, as she was cleaning the room during one of Lucy's rare walks. She opened up a bureau drawer to change the paper lining, and found it half full of empty whisky bottles. And then she learned, in conversation with Alex, that Alex had been serving as Lucy's errand-boy, bringing her nightly pints from the liquor store. That she had rewarded Alex by teaching him to dance, alone in her room, to the music of the portable radio. That Lucy, to put it briefly (as Mrs. Norris did), had been transforming her God-fearing household into a dancehall-saloon, her son into God knew what.

This had been on a Monday, three days before. When Mrs. Norris had threatened to evict her tenant, Lucy promised in tears to be good, if only she might stay. Alex announced that if Lucy were forced to leave, he would go with her. Now, in a sense, he had.

"What did he mean by saying that he was responsible?"

"Alex? When?" Mrs. Norris shifted uncomfortably in the seat beside me.

"Last night. You said he told the police that he was responsible for her death."

"Did I say that? You must have misunderstood me." But she wouldn't meet my eyes.

It was just as well, because I almost missed the first Santa Teresa stoplight. I braked the car to a screaming stop, half over the white line. "All right, I misunderstood you. Let me get it straight about the weapon. Had it been lying around the house?"

"Yes."

"In Lucy's room?"

"I don't know where it was, Mr. Archer. It might have been anywhere in the house. It was usually on the mantel in the living room, but Lucy could easily get it if she wanted to do herself an injury."

"Why would she want to?"

The light changed, and I turned right, in the direction of the courthouse.

"Because she was afraid. I told you that."

"But you don't know what of?"

"No."

"Her past is simply a blank? She didn't tell you anything, except that she was a lady's maid from New Orleans?"

"No."

"Or why she came to you?"

"Oh, I know why she came to my house. She was referred. Dr. Benning referred her to me. She went to him as a Patient."

"What was the matter with her?"

"I don't know. She didn't seem ill to me, the way she carried on."

"Maybe I'd better talk to this doctor first. Did you tell the police that he sent Lucy to you?"

She was watching the bright stucco street as if it might narrow at any moment into an arc-lit alley, ambushed at each end. "I didn't tell them anything much." Her voice was glum.

Following her directions, I drove across the railroad tracks which cut through the center of town. The double band of steel was like a social equator dividing Santa Teresa roughly into lighter and darker hemispheres. Dr. Benning's house, which also contained his office, stood in the lower latitudes, a block above the station, two blocks off the main street. It was a grey old three-storied building standing in a block of rundown shops. The faded sign on the wall beside the front door, Samuel Benning, M.D., seemed large, even for California.

A young woman opened the door as I pulled up to the curb. She had straight black hair, trimmed short, and black-rimmed harlequin spectacles that gave her face an Asiatic cast. Though her body looked rather lumpy in an ill-fitting white uniform, I noticed that her waist and ankles were narrow.

"Who's she?" I asked the woman beside me.

"I never saw her before. Must be a new receptionist."

I got out and approached her. "Is Dr. Benning in?"

"He's just going out to lunch." Her spectacles or the blue eyes behind them glittered coldly in the sun.

"It's rather important. A woman has been killed. I understand that she was one of his patients."

"She boarded with me." Mrs. Norris had come up behind me. "Miss Lucy Deschamps."

"Lucy Deschamps?" The chill spread from her eyes across her face, drawing her unpainted mouth into a thin blue line. "I don't recall the name."

"The doctor probably will." I started up the walk that crossed the narrow yard.

As if of its own accord, her body moved to bar my way. She spoke on an indrawn breath: "How was she killed?"

"Cut throat."

"How awful." She turned away, towards the house. Her feet groped for the verandah steps like a blind woman's.

Dr. Benning was in the entrance hall, brushing a felt hat that badly needed brushing. He was a thin, high-shouldered man of indeterminate age. A fringe of reddish hair grew like withering grass around the pink desert expanse of his bald scalp.

"Good morning." His pale eyes shifted from me to the Negro woman. "Why, hello, Mrs. Norris. What's the trouble?"

"Trouble is the right word, doctor. The boarder you sent me last month, she was killed. Alex has been arrested."

"I'm sorry to hear it, naturally. But I didn't send you anyone last month. Did I?"

"That's what I told her," the receptionist put in. "I never heard the name Lucy Deschamps."

"Just a minute, Miss Tennent. I think I remember now. She probably came here on a Wednesday, when you were off. I may have forgotten to make a note of her visit." He turned to Mrs. Norris, who blocked the doorway. "Was she that light-brown woman from San Francisco?"

"I don't know where she was from. All she said was that you sent her to me. She came to my house in a taxi and I let her move in." There was a veiled accusation in Mrs. Norris' tone: no doctor should send a potential murderee to a respectable landlady.

"You can hardly say I sent her to you. She'd just got off the train, and was looking for a place to stay, and I may have mentioned your place as a possibility. What's this about Alex being arrested?"

Mrs. Norris told him. The receptionist stood flat against the wall at his elbow, steadily watching his face.

The doctor clucked sympathetically. "Too bad. He's a fine boy. I'll go down and talk to the D.A. if you like." He turned to me again: "You a detective?"

"A private one. I'm working for Mrs. Norris."

"Found out anything?"

"I hoped I would from you. Where the woman came from, what she was doing here, what was the matter with her."

"She came here in the middle of the afternoon, said she got off the San Francisco train. Just a minute, I'll check my records." He placed his hat on his head, dropping ten years.

I followed him into the waiting room, where he rummaged in a battered filing cabinet behind the receptionist's desk. The rest of the furniture was equally dilapidated. There was a worn linoleum rug on the floor.

He looked up with a deprecatory smile: "I'm sorry, I have so many cash patients, I don't keep complete records. I do remember this woman though. She had some kind of female trouble, a slight irregularity. She'd blown it up in her head into a malignant disease. I set her mind at rest as well as I could, and gave her a hormone prescription, and that was all there was to it. Typical hypochondriac."

"She wasn't seriously ill, then."

"I'd stake my reputation on it." The room mocked his words, and he grinned sheepishly. His teeth were poor. "Of course it's possible," he added slowly, "that she didn't accept my reassurances, and killed herself out of pure funk. In any case, it's certainly rough on Jenny."

"Mrs. Norris is a friend of yours?"

"Yes, I'd call her a friend. She's often nursed patients for me, in their homes. Jenny's not a trained nurse, but she's a dependable woman. Used to teach school in Detroit. Her son's quite brilliant, I hear. Scholarship student. He's Jenny's pride and joy."

"Evidently. You say the woman came here on a Wednesday."

"It must have been—" He consulted the desk-calendar " — Wednesday, August 16, I'd say. Five weeks ago yesterday."

"Thanks, Doctor. One other thing. Would you class her as a suicidal type?"

"I didn't talk to her for very long, and I'm no psychiatrist. All I can say is that it's possible. She was prone to phobias, certainly."

I left him standing in the unsuccessful room, hatted and ill-at-ease in his own house. Miss Tennent and Mrs. Norris were close together in the hallway, talking in low tones about Lucy's death. The white-uniformed girl leaned towards the dark woman with an eagerness that almost amounted to sickness. When I brushed past her she shied away.

Santana was closeted with a Superior Court judge in the judge's chambers. The District Attorney was holding himself incommunicado in his office. The Deputy D.A. I talked to wouldn't say a word about the case, except to indicate that Alex was still in jail, for all kinds of excellent reasons. I finally found the Sheriff eating lunch in a lunch-bar across the street from the courthouse.

Sheriff Kerrigan was a big middle-aged man in a rumpled business suit. He was reasonable, as elected police officials often tended to be. My connection with Santana, and Santana's influence on the Mexican and Negro vote, were no disadvantage at all. He took me to see the body at the morgue.

This occupied the rear of a fly-specked mortuary a short walk from the courthouse. The dead woman lay on a marble-topped table under a sheet. The Sheriff removed the sheet, and switched on a naked light. I looked down into wide blank eyes. Lucy's skin was shriveled and jaundiced from loss of blood, which had wasted through a gaping slash in her neck. Her orange silk pyjamas were heavily stained. I noticed before I looked away that the silk was real. She had red mules on her feet.

"Not pretty," Kerrigan said. "I don't like it any better than you do."

"Where did she come from?"

"I'll be frank with you," he answered heavily. "I haven't the slightest idea. The city identification officer is stumped—"

"No kidding, Sheriff."

"Absolutely not. There's nothing in her room to give us a lead. Repeat, nothing. No laundry marks, no social security card, no labels on the clothes that tell us anything, nothing written down. It's possible she couldn't write, I don't know. All we know is she's dead."

"Autopsy?"

"Not yet. The cause of death is obvious, so there's no hurry. Snickersnee." He drew a finger under his own soft jowls.

"With the Norrises' bolo knife?"

"Sure looks like it. The knife was there on the floor, covered with blood."

"How would it get into her room, assuming that Alex Norris didn't take it there?"

"He did, though. He admits it."

"You have a confession?"

"Hell, no. He claims she asked him for it day before yesterday. According to him, she saw him using it to split some kindling, and she said she'd like to have it in her room. He took it to her when he was finished cutting wood. He says."

"Any reason given?"

"She wanted it to protect herself, he says. Santana thinks she was contemplating suicide, but that's what Santana would think, or say he thinks."

"What do fingerprints say, or is that a secret?"

He lit a cigar without offering me one: I voted in Los Angeles. "It's no secret. Both hers and his are on it. Mostly hers."

"That's consistent with suicide."

"It's also consistent with murder. Suicides don't cut themselves that deep, unless they're completely nutty, and she wasn't. Besides, there are no hesitation marks. And the boy admits they quarreled. The D.A. wants him arraigned." He sounded faintly regretful.

"You don't think he did it, though."

"I'll let a jury form my opinion for me. The evidence warrants arraignment, you can see that. Somebody killed her, and the Norris kid was the one that quarreled with her." He switched off the light, and his cigar winked at me like a red eye.

"What about?"

"He won't say. He admits that they quarreled yesterday, that's all."

"Is that what he meant when he said he was responsible?"

"You figure it out." He covered Lucy with the sheet again, and we went outside.

I drove to Mrs. Norris's address. The street was on the precarious edge of the slums, in but not quite of the unofficial ghetto. A street of small well-kept houses standing among neat pocket-handkerchief lawns and flowery borders. Mrs. Norris's white clapboard bungalow was one of the best in its block. There was a postwar Cadillac at the curb in front of it, being admired by a group of Negro children. I parked behind the Cadillac.

Its owner was inside with Mrs. Norris. He was a slight, sallow Mexican in his fifties, with a dry laconic voice and effusive manners. He embraced me with one arm and shook my hand with the other. "Glad to see you, Mr. Archer. Glad you could make it." His breath, which was not unpleasant, smelt of spices. A mummy might look and smell and sound as Santana did, if it started to breathe again in a sudden onrush of enthusiasm.

I drew away, and sat in the armchair Mrs. Norris indicated. "What's the word on your client?"

"They still habent the corpus. I just passed a bad hour arguing with Judge Bronson. He won't issue a writ. They're going to arraign Alex in Justice Court." He took out a gold cigarette holder, caught Mrs. Norris's look of disapproval, and put it away again, gracefully.

"Can they make it stick?"

He shot a lizard glance at the boy's mother, and shrugged. "I'd feel a little more certain that it won't if we could present a reasonable alternative, you know? I thought suicide, but I don't know if it's tenable."

"I'm afraid not. You've seen the wound?"

"Yes," he said. "Guillotine."

Mrs. Norris shuddered audibly. She was leaning forward in a rocker with her forearms on her knees, her eyes like dark weights in her head. On the wall behind her a Sunday School motto stated that Christ was a silent listener at every conversation.

"Mrs. Norris," I said, "if I could have a look at Lucy's things—"

She straightened. "The police sealed up her room, inside and outside. I can't get in myself, even to clean it up."

"You can," I told Santana.

"Yes. I'll need an order."

"Isn't there anything of hers in the rest of the house?"

Mrs. Norris rose ponderously. "She mostly stayed in her room, but I'll have a look."

As soon as she was gone, Santana moved with short quick steps across the threadbare carpet, and laid a hand on my shoulder. "I didn't like to speak out in front of her. I talked to Alex this morning, and there was another man. Alex saw him go in by Lucy's private entrance Tuesday night, night before last. That's what their fight was about yesterday. He accused her of being a prostitute. Then when he found her dead, he thought he'd forced her to suicide." He removed his weight from my shoulder and spread his hands. "Poor boy."

"Poor girl. Was she one?"

"Not here. Not in Mrs. Norris's house. That one is a highly moral woman."

"No doubt." But there was doubt in my mind about Lucy and her orange silk pyjamas. "Could he give you a description of the man?"

"A very good description." He took out a small leather notebook and opened it. "He was a white man. Curly black hair and Latin features, more Italian than Spanish. Broad-shouldered, above medium height. Light tan tweed jacket, light gabardine trousers. Two-tone sport shoes, brown and white. Dark red tie. General effect that of a prosperous thug. Discount that last though. Alex hated the man on sight, for obvious reasons."

"You've told the police about this?"

"Alex wouldn't let me. He made me swear I wouldn't. The boy's a poetry-reader, Mr. Archer. He would rather die than cast aspersions publicly on her memory. I'm going to tell them anyway, of course, now that I've told you first. Quite soon now. But it would be so much more effective if we could present the man along with the story."

"So I'm to pluck him out of the air. This state is lousy with prosperous thugs. Latin and non-Latin."

"Is it not?" He scurried back to the mohair chesterfield. "But there is your problem."

Mrs. Norris returned, laden with meager booty. A woman's hat and coat. "These were hers. She kept them in the hall closet." Toothbrush and toothpaste, a bottle of mouthwash, one of hair oil, assorted cosmetics. "She had her own little cabinet in the bathroom. Oh, and this."

She handed me a clinical thermometer. I turned it over and found the mercury column. It registered a temperature of 107. I showed it to Santana. "Lucy was really sick, apparently."

"She didn't die of a fever," he said.

Mrs. Norris examined the thermometer. "I don't believe she was running a temperature like that. She wouldn't have been able to walk around. What did Dr. Benning say about her?"

"That she had nothing serious the matter."

"Benning?" Santana said. "Was she Benning's patient?"

"Not exactly. She went to see him once."

"Most people do," he said dryly.

"Let's look at the other things."

The items from the bathroom cabinet could have been bought in any city or town in the United States. There was no druggists's prescription, nothing that could be pinned down to a definite place or person. The coat was equally anonymous. It was a plain black cloth coat, bearing the label of a New York maker who turned out thousands of cheap coats every year.

I was a little surprised by the hat. It was a soft turban made of black wool yarn interwoven with threads of gold. It was simple enough, but something about its shape suggested money.

"With your permission," I said, "I'm going to take this along with me. You're sure there's nothing else of hers around, outside of the room?"

"I don't believe so."

"Who's the best milliner in town?"

"Helen," Santana answered, so quickly that he almost blushed about it. "Her shop is on the Plaza."

Helen's was one of those shops with a single hat in the window, like a masterpiece of plastic art in a gallery. Helen herself was almost a work of art, a small dark middle-aged woman who tripped towards me like an aging ballet dancer.

"You are looking for a gift, perhaps?" Her painted mask-like face formed a slight waiting smile.

"Not exactly. In fact, not at all." I took the black-and-gold turban out of my jacket pocket and handed it to her. "You wouldn't know where this came from?"

Her curved scarlet talons poked and pulled at the hat. "Why?"

"I'm a detective. A woman was killed. This belonged to her."

"Wealth?" She turned it inside out.

"I hardly think so. It's a good hat, though, isn't it?"

"Very good. French workmanship, I do believe."

"You couldn't hazard a guess as to the maker?"

"A guess, perhaps. It has Augustin lines. The way it's folded, you know?" She plucked at the material.

"Where is Augustin?"

"Paris." She pulled the hat on suddenly, struck a pose in front of a mirror on the wall. "Pretty, but not for me. It was made for a blonde. Was your killed woman a blonde?"

"No."

"Then she had bad taste." She removed the hat and gave it back to me. "Augustin has a Los Angeles outlet, you know. Bertha Mackay on Wilshire. Might that help?"

I drove to Los Angeles. Bertha Mackay's hat shop had the hushed solemnity of a funeral chapel. A few handmaidens lazed about in the theatrical light, and paid no attention to me. Tea was being served from a silver service in the rear of the shop. I couldn't imagine Lucy coming here to buy a hat.

A stout woman with blonde coroneted braids was pouring for a bevy of spectacularly hatted females. I addressed her: "May I speak to Miss Mackay?"

"You have that privilege and pleasure." Her smile conveyed the idea that the hat shop and the tea-pouring were charades, good fun but not to be taken seriously.

"Privately, if possible."

"I'm rather busy just now—"

"It won't take a minute."

She removed her hand from the teapot and rose sighing. "Now what?" She led me into a corner.

I had a story ready, which omitted the alarming fact of murder: "I sell cars. A young lady came into the showroom this morning, and asked to try out a new convertible. She went away without leaving her name or address, and left her hat in the car. I'd like to return it to her."

"And sell her a car?"

"If I can. But the hat is worth money, isn't it?" I showed it to her.

She looked up sharply. "How did you know I sold it?"

"A woman who knows hats said it was an Augustin, and that you handled them."

"It is worth money. Two hundred dollars, to be exact. I'm not excessively wild about the notion of giving out a customer's name, though. You know all you want to do is sell her a car."

"You sold her a hat."

She smiled, but she was suspicious of me. "What did she look like?"

I took a chance: "She was blonde, a well-groomed blonde."

She didn't deny it. Glancing impatiently towards the tea-party, where the spectacular hats were twittering like birds, she said: "Oh hell, it was Fern Dee bought it. Only don't tell her I told you, she might object. Say you went to a fortune-teller, um?"

"Fern Dee. Where does she live?"

"I haven't the faintest idea. I only saw her the one time, last spring. She saw this hat in the window and walked in and paid cash for it and walked out. I recognized her from her pictures."

"Her pictures?"

"In the newspaper. Don't you read the newspapers? I really must go now." Brusquely, she turned away.

I took my sense of frustration to Morris Cramm. Bach on a harpsichord rustled and clanged behind the door of his walkup apartment. He came to the door softly in stocking feet, and waved me in without uttering a word. When the side was finished, he switched the Capehart off and said, "Hello there, Lew."

The Capehart was the only valuable thing in the dingy room, apart from Morris's filing-cabinet brain. He was the nightspot legman for a Hollywood columnist, a small middle-aging man with thick glasses and the inability to forget a fact.

"I need a small transfusion of information."

"You know my terms. Eye for eye, tooth for tooth, money for information. The Mosaic law won't let me turn off good music for nothing."

"I'm on the side of the angels this time. You should take that into account. I'm trying to clear a Negro boy of a pending murder charge. I don't even know if I'll be paid."

"You'll be paid. Moi aussi."

I screwed up a five-dollar bill and tossed it to him. "Money-grubber."

"Scavenger. Go ahead."

"I want to talk to a woman. Name is Fern Dee. You've heard of her, probably. Everyone else has."

"Except you, eh? She Superchiefed from Chicago last year with Angel Durano. I saw them on the Strip every night for a while. I don't know where or what she came up out of. Claimed to be a dancer, but he backed her in a revue and she flopped, dismally. Do you still want to talk to her?"

"Very much."

"You know who Durano is, don't you? The name for him back east is the Enforcer. When the Syndicate got tired of playing footsie with Mickey, they sent Durano out to finish him. In a business way, you understand. Nothing violent, unless it becomes essential." He took off his spectacles and wiped them. "Charming place and time we live in. Charming people."

"Where are these particular charming people?"

"I haven't seen them lately. Durano has himself a place in the desert, and they could be living there, though it's hardly the season. They could be back in Chicago, but I doubt it. Durano is running this territory permanently." He clicked his teeth. "That's a nice fat five dollar's worth."

"It's pretty hot in the desert this time of year."

"Heat doesn't seem to bother Durano. He's got ice water in his veins. I saw him in the Springs in the middle of August. It was close to 110 in the shade, and he was wearing a topcoat."

"Is that where his place is — Palm Springs?"

"It's a few miles beyond Palm Springs, towards Indio. Everybody out there knows him. Better be nice to him, Lew, if you get that far. He was indicted for homicide once, even in Chicago."

I said that I was always nice to people. The harpsichord drowned me out.

The sun was low when I reached Palm Springs, glowing dull red like a cigar-butt balanced on the rim of the horizon. The tall sky rose above it, blue-grey like a column of smoke. Beyond the town, which was miniatured by space, the chameleon desert burned red in the sun's reflection. It was hot.

I stopped at a highway gas-station and ordered a tankful. Paying the attendant, I mentioned casually that Mr. Durano had invited me to dinner.

"Mr. Angelo Durano?"

"That's the one. Know him?"

His manner changed perceptibly, became a little contemptuous and a little obsequious. "I don't know him, no. He bought some gas here once, at least his chauffeur did. He was in the car." He eyed me curiously.

"It's a lovely doll he travels with," I said. "You see her, too? The blonde?"

"I didn't see her. Here's your change, sir."

"Keep it. You don't know where he lives, do you? They gave me full instructions how to find it, but this is new country to me."

"Sure, sir. He lives on Canyon Road. Take the second turn to the right and you can't miss it. It's a great big place with round towers. Used to be a gambling casino in the old days."

It stood by itself on a slight rise like somebody's idea of a castle in Spain. The last rays of the sun washed its stucco walls in purple light. Its acreage was surrounded by an eight-foot wire fence, barbed along the top. The single gate was closed and guarded.

The guard wore riding breeches, a Stetson, and a suede windbreaker bulky enough to hide a gun. When I stopped in front of the gate, he waved me on. I got out and approached him. "Is this Durano's place?"

"Beat it, mac. This is private property."

"I didn't think it was a national park. I'm looking for Mr. Durano."

"Keep right on looking." He took a step towards me, left foot first, right foot coming up behind. In the shadow of his hat, his face was thick with scar-tissue. "Someplace else."

I spoke soothingly: "Why don't you ask Mr. Durano if he'll see me? My name is Lew Archer."

"Mr. Durano ain't here. Now amscray, mac. I mean it." He acted out his meaning, advancing his left shoulder and balling his right fist.

"Miss Dee, then. Fern Dee. Can I talk to her?"

The name had an effect on him, interrupting his preparations to hit me. "You know Miss Dee?"

"I have something of hers." I reached for the turban.

"Keep your hands away from your pockets." He moved up close to me and patted me down, then jerked the hat out of my jacket pocket. "Where did you get ahold of this?"

"I'll tell Miss Dee."

"That's what you think," he said in brilliant repartee. "You better come on inside."

The man who guarded the front door relieved him at the gate. Durano received me in the great hall. It was a large rectangular room with a high roof supported by black oak beams, crowded with stiff old Spanish furniture, carpeted with Oriental rugs. A baronial room, built for giants.

Durano was a tired-looking little man. He might have been a moderately successful grocer or barkeep who had come to California for his health. Clearly his health was poor. Even in the stifling heat of the room he looked pale and chilly, as if he had caught a slight case of chronic death from one of his victims.

He had been playing solitaire on one end of a refectory table. He rose and advanced towards me, his legs shuffling feebly in wrinkled blue trousers that bagged at the knees. The upper part of his body was swathed in a heavy turtleneck sweater. He had two days' beard on his chin, like motheaten grey plush.

"Mr. Durano?" I said. "My name is Lew Archer."

The guard spoke up behind me: "He brung this little hat with him, Mr. Durano. Said it belongs to Fern — Miss Dee."

Durano took the hat from him, and turned it over in his blue hands. His eyes were like thin stab-wounds filled with watery blood. "Where did you get this, Mr. Archer?"

"I sort of thought I'd like to tell the owner where I got it."

"You sort of thought." He smiled at me quite pleasantly, and pressed his toe into the center of the rug that he was standing on. Two more men entered the room.

Durano nodded to the guard behind me, who reached to pin my arms. I turned on him, landed one punch, and took a very hard counter in the neck. One of the men behind me hit my kidneys like a heavy truck-bumper. I turned on him and kneed him, catching his companion with an elbow under the chin. The original guard delivered a rabbit-punch that made my head ring like a gong. Under that clangor, Durano was saying quietly:

"Where did you get the hat?"

I didn't say. The two men held me upright by the arms while the guard employed my face and body as punching bags. At intervals Durano asked me politely to tell him about the hat. After a while he shook his head. My handlers deposited me in a chair which swung on a wire from the ceiling in great circles. It swung out over the desert into black space.

When I came to, a young man was standing over me. He had curly black hair, Mediterranean features and coloring, light tan jacket, red tie. Alex's description had been excellent. There was an empty water-glass in his hand, and my face was dripping.

"Did you get the hat from Lucy?" he said.

"Lucy?" My mouth was numb, and I lisped. "I don't know any Lucy."

"Sure you do." He shattered the glass on the arm of my chair, and held the jagged base up close to my eyes. "You tell me all about it like a nice fella."

"Nix, Gino," the old man said. "I got a better idea as usual."

They conferred in low voices, and the younger man left the room. He returned with a photograph in a silver frame, which he held in front of my face. It was a studio portrait, of the kind intended for use as publicity cheesecake. Against a black velvet background, a young blonde half-reclined in a gossamer sort of robe that was split to show one bent leg. Though she was adequately stacked and pretty in a rather dull, corn-fed way, her best feature was her long pull-taffy hair. The picture was signed in a childish hand: "To my Angel, with love and everything. Fern."

"You know the dame?" Gino demanded. "Ever seen her before?"

I thought I had, and said I hadn't.

"You're sure?" The shard of glass was still in his other hand.

"I see a lot of blondes. How can I be sure?"

"Where did you get the hat, then?"

"I won it in a raffle."

Gino's face thickened, and his eyes almost crossed. Durano stepped in front of him. "Leave him alone, leave him go. There is heat on, remember. We keep our hands clean." He scoured his thin blue hands with each other. They sounded like sticks rubbing together.

Gino backed away, joining the three others who stood in a semi-circle behind Durano. The old man leaned towards me:

"Mr. Detective, I don't know who you work for, I don't care. You took a nice good look at the lady in the picture? You ever see her, come back and visit me. I promise a nicer reception."

I turned my face away from his charnel-house breath.

At midnight I was back in Santa Teresa, knocking on the door of Santana's house. He came to the door in a red velvet smoking-jacket, a volume of the Holmes-Pollock letters open under his arm.

"What under heaven?" he said in Spanish. "Your face, Mr. Archer!"

"I had a little plastic surgery done."

"Come in. Let me get you a drink."

Over the drink, Scotch and water in equal proportions, I told him where I had gone on the trail of the hat, and what had happened there.

"Where is the hat now?"

"Durano kept it. After all, he probably paid for it."

"And what do you make of it all?" Santana hunched his shoulders and spread his hands palms upward on his knees. In his paneled library, surrounded by books, he resembled an old spider at the center of his web.

"There isn't too much to go on, certainly not enough to try and have Durano and his torpedo brought in. That would take powerful medicine."

"I agree."

"What there is adds up to the reasonable alternative you asked for. Fern Dee was Durano's girl friend. She got fed up with him and the desert, as anybody but a gila monster would, and she left him. But that's one of the things the executives of the Syndicate can't permit, this year especially. Their women learn too much about their sources of income, ever to be allowed to run out on them. Besides, Durano is old and ugly and sick. She took her life in her hands when she left him, and she must have known it." I sipped my drink. The whisky burned my lips where they had been cut.

"And Lucy?"

"See how this sounds to you. Lucy was Fern Dee's maid, probably her confidante. She knew where Fern Dee had gone, perhaps she had instructions to follow her when she got the chance, and bring her clothes—"

"To Santa Teresa here."

"Evidently. Fern let her keep some of the clothes, and gave her money to live on quietly. There could have been blackmail involved, but I doubt that."

"Blackmail seems to be indicated," the lawyer said.

"It's doubtful. Gino traced Lucy down, don't forget. He talked to her in her room Tuesday night, and she didn't tell him where Fern was."

"You think that is why she was killed, that this Gino killed her?"

"It's a reasonable alternative," I said. "In any case, your client was an innocent bystander. He stood too near the fire, and got burned."

"We still have the task of proving it. Can we question this Gino in any way? Where is he?"

"In Santa Teresa," I said. "He followed me out of Palm Springs in a Buick. It was a pretty crude tail-job, and I lost him on 99. But he should be in town by now. He'll be looking for me. Durano thinks I can lead him to Fern Dee."

"Can you?"

"I think so."

"Do you have a gun?"

I patted my pocket. "I keep it in the glove compartment of my car."

Santana stood up. "I believe that I had better call the police."

"No," I said. "You want to give them the man along with the story."

"A doctor, at least. Those are nasty cuts on your mouth. They need attention."

"I'm on my way to see a doctor — Dr. Benning."

Santana exploded, dryly, like a puff-ball. "He is a bum physician, Mr. Archer. A charlatan. Only those who can find nothing better go to Benning. Those who have to."

"Girls that get caught, for example?"

"That is the rumor. As a matter of fact, I can confirm the rumor. I have many sorts of clients."

"I'm not proud."

There were lights on both the first and second stories of Dr. Benning's house. I parked at the curb and looked up and down the street. Yellow traffic lights winked on the bare asphalt. The sidewalks were deserted. A few late cars rolled into sight and out of mind. There was no sign of Gino's four-hole Buick sedan.

I pushed the bell-button under the large shabby sign. I heard quiet footsteps in the hallway, and Benning's long face was framed in the dirty glass pane. The light came on over my head. Benning unlocked the door, and opened it cautiously. His pale eyeballs were bloodshot, but not from sleep. He was fully clothed, in the suit I had seen him in that morning.

I got the curious idea that Dr. Benning had been crying.

His speech was slightly thick: "Archer, isn't it? You've been hurt, man."

"That can wait."

I leaned my shoulder against the half-open door, and he stepped back to let me enter. Under the lamp in the hallway, his bald pink pate looked innocent and vulnerable like a baby's. He took his worn felt hat from a brass rack on the wall, and placed it on his head.

"Going somewhere?"

The gesture had been unconscious. He didn't understand me. "No, I'm not going anywhere." His tone implied that he never had, had never even expected to. He moved back against the wall, out of the grim light. Beyond his dwarf shadow a flight of stairs rose into darkness.

"I came across a funny thing this afternoon, Dr. Benning. Your patient Lucy Deschamps — your ex-patient — had a clinical thermometer. Mrs. Norris found it in her bathroom."

"What's funny about that? Most people do, particularly hypochondriacs."

"The funny thing was that it registered a temperature of 107."

"Good lord, man. That's usually fatal in adults. Was she so ill as that? I had no idea." His reaction was phony.

He lifted his hat with his left hand and began to polish the top of his head with his right palm. It was ludicrous. I didn't know whether to laugh at him or weep with him.

"I don't think she was ill at all, or had a temperature. The weather did it."

He blinked at me, still polishing his scalp. Futility and unease surrounded him like an odor. "It's never been that hot in Santa Teresa."

"Lucy came from Palm Springs last August 16. It was that hot in Palm Springs in the middle of August."

"She told me San Francisco," he said feebly.

"Maybe she did. If you talked to her at all. Which I doubt."

"You're calling me a liar?" His body stayed loose against the wall, unstiffened by anger or pride.

Somewhere upstairs, above our heads, there was a scraping sound, a small flurry of movement. Then he stiffened.

"You are a liar," I said. "You said that Lucy was a hypochondriac, that fear might have motivated her suicide. But she hadn't taken her temperature in a month. A hypochondriac takes it every day."

"I may have misjudged her. I probably did. People make mistakes."

"No. She didn't even come here to see you. She came to see your receptionist. You lied this morning to cover up for Miss Tennent."

"I had to—" He broke off sharply, jammed the hat on his head, huddled long and thin against the wall.

"I want to speak to Miss Tennent. Is she upstairs?"

"No. I don't know where she is. She's gone away."

"I'll have a look, if you don't mind."

"No!" He moved sideways to the foot of the stairs. His actions had lost all sense of style or timing. Something had beaten the last vestiges of pride out of his body.

"Even if you do mind."

I pushed him to one side and went up. A dingy hallway lined with doors ran the length of the second story. A yellow tape of light showed under one of the doors. I opened it quietly.

The woman who had called herself Miss Tennent was packing a suitcase on an unmade bed on the far side of the room. She was leaning over the bed with her narrow back to me, the short black hair falling about her face.

She spoke without turning:

"You needn't come crawling back, Sam. I'm taking off, and you know it. Make it a clean break."

I said nothing. She turned sideways, still not looking at me, and picked up a bottle of black liquid that might have been hair dye. Wrapping it in a black brassiere, she pushed it into the suitcase.

She went on talking in a toneless voice, the words dropping cold and heavy from her hidden mouth. "Lucy and I were like sisters, you know that? All these years, since the South Side, she was my one true friend. So you killed her, Sam. All right. Lucy's finished. So are we. Anything you did for me when I needed doing for, you canceled it out. Just take it like a man, that's all I'm asking. Nobody's turning you in."

Behind and below me, Benning was laboring up the stairs. I had pushed him pretty hard. His breathing was audible, to the woman as well as me.

"Sam?" she cried on a rising note, and whirled in a dancer's movement.

I moved towards her. She reached backwards into the suitcase for something. I took her by the wrists. Her body was made of whalebone covered with plush. It was hard to subdue.

"Easy, Fern," I said. "I wouldn't hurt you."

Downstairs, in the front of the house, the doorbell rang. The woman started. We stood together by the half-packed suitcase, the unmade bed, breathing hard into each other's faces.

"If I turn you loose, will you promise not to shoot me?"

"I promise nothing."

I lifted her from behind and carried her into the hallway. Below, the front door opened.

"Dr. Benning?" It was Gino's voice.

"Don't let him in," I shouted.

Benning never heard me. A submachine gun pounded like an air-hammer at the shaky walls of his house.

The woman had ceased struggling in my arms. She was stiff with terror. I swung her behind me, took my revolver out, steadied my gun arm on the newel post. Gino came to the foot of the stairs with the Thompson in his hands. I shot him carefully through the face. Then I went to the telephone.

When I returned to the hallway, Benning was lying near the open door, his head in the woman's lap. His hat was on its side beside him, in a growing pool of blood. When he spoke, the words made bubbling sounds in his throat:

"You won't leave me, Fern? You promised you'd never leave me. I did it for you, everything for you."

"I won't leave you. Crazy fool. Crazy man."

She cradled the naked, vulnerable head in her hands. He sighed, and his life came out bright-colored at the mouth. It was Dr. Benning who departed.

Sitting against the wall with the dead man in her arms, she talked to me, in the same cold heavy voice:

"I'm a swell picker, aren't I? Durano, and now Sam Benning. I heard about Sam from a girl friend in the Springs, when I was two months gone. I could stand a trick baby, but not Durano's. Did you ever see Durano?"

"I've seen him." I sat on the bottom step and offered her a cigarette, which she refused.

"I stomached Angel for two years and a half. I owed him about that long. He took me out of a strip joint in Gary and gave me everything. Everything I wanted. But a baby was too much. I took a runout powder, and came up here to Sam. He didn't know me from Eve, but he took care of me. Even when he found out who I was, and who Durano was, he let me stay. He wanted me to stay. He was crazy about me, crazy in more ways than one. But he had guts." She looked down at the blind face clasped to her breast: "You weren't afraid, were you, Sammy? Not for a while, anyway."

Her gaze, blue and remote, swung back to me: "He started to lose his grip when Lucy came. She was my maid, sort of, I brought her out of Gary along with me. Hell, she was my best friend. Too bad Sammy never got that straight. Lucy came up last month and brought my things, all she could get away with. Then she was afraid to go back. I didn't want her to, either. Durano would squeeze it out of her where I was. So Sam found her a place to stay up here. I knew it couldn't last after Lucy came. A month was the best we could hope for. Durano's men found Lucy then. She didn't cover her traces the way I did. Gino went to see her Tuesday night. She had to play along. What could she do? She said she needed forty-eight hours to finger me, that I was hiding out in the mountains and only came to town once a week for groceries.

"They left a watch on her. It took her most of yesterday to throw them off and get over here without giving me away. I wasn't even here when she arrived. But Sam was. She spilled the thing to him, and he got the fantods and decided that Lucy had to be silenced. He knew that if she talked to Gino, that was the end of us. Sam was afraid for his life, but mostly I guess he didn't want to lose me. So he sneaked over there in the middle of the night and cut her throat for her. Today after you came I asked him if he did it and he admitted it. You had good reason to be afraid, didn't you, Sammy?" A dark and cynical tenderness growled in her voice. "Stop me if I'm breaking your heart, Archer or whatever your name is."

Somewhere outside in the night a siren screamed, very loud, as if the noise could make up for its tardiness.

"They'll be holding you for material witness," I said. "At least."

She shrugged, and the dead face moved against her. "I couldn't care less. Where would I want to go that I haven't been? Anyway, Angel can't get at me in the clink."

She was still in the same position when the city police walked in. She looked up at them coldly.

They held me, too, until Santana established that I had shot Gino in self-defense. I was in the Sheriffs office when Alex Norris was released. His mother was there with Santana, waiting to greet him. It was bright morning by then.

Alex had very little to say to his mother. He wanted to know where Lucy's body was. When Santana told him, he set out for the morgue by himself. I felt sorry for Mrs. Norris, but there was nothing I could do for her. Her son had stood too close to the fire and been burned. Chicago, the northern cities, had caught up with both of them.

Gino died in the County Hospital two days later, without having had a visitor. His automobile was charged with concealment of weapons, found guilty, and impounded for official use by the Sheriffs staff. Fern Dee, or whatever her name was, was released the following Monday. She disappeared. At the end of the month, Santana sent me a check for eighty dollars. One day's pay and expenses.