Super Sad True Love Story

1 DO NOT GO GENTLE

Rome-New York

Dearest Diary,

Today I’ve made a major decision: I am never going to die.

Others will die around me. They will be nullified. Nothing of their personality will remain. The light switch will be turned off. Their lives, their entirety, will be marked by glossy marble headstones bearing false summations (“her star shone brightly,” “never to be forgotten,” “he liked jazz”), and then these too will be lost in a coastal flood or get hacked to pieces by some genetically modified future-turkey.

Don’t let them tell you life’s a journey. A journey is when you end up somewhere. When I take the number 6 train to see my social worker, that’s a journey. When I beg the pilot of this rickety UnitedContinentalDeltamerican plane currently trembling its way across the Atlantic to turn around and head straight back to Rome and into Eunice Park’s fickle arms, that’s a journey.

But wait. There’s more, isn’t there? There’s our legacy. We don’t die because our progeny lives on! The ritual passing of the DNA, Mama’s corkscrew curls, his granddaddy’s lower lip, ah buh-lieve thuh chil’ren ah our future. I’m quoting here from “The Greatest Love of All,” by 1980s pop diva Whitney Houston, track nine of her eponymous first LP.

Utter nonsense. The children are our future only in the most narrow, transitive sense. They are our future until they too perish. The song’s next line, “Teach them well and let them lead the way,” encourages an adult’s relinquishing of selfhood in favor of future generations. The phrase “I live for my kids,” for example, is tantamount to admitting that one will be dead shortly and that one’s life, for all practical purposes, is already over. “I’m gradually dying for my kids” would be more accurate.

But what ah our chil’ren? Lovely and fresh in their youth; blind to mortality; rolling around, Eunice Park-like, in the tall grass with their alabaster legs; fawns, sweet fawns, all of them, gleaming in their dreamy plasticity, at one with the outwardly simple nature of their world.

And then, a brief almost-century later: drooling on some poor Mexican nursemaid in an Arizona hospice.

Nullified. Did you know that each peaceful, natural death at age eighty-one is a tragedy without compare? Every day people, individuals-Americans, if that makes it more urgent for you-fall facedown on the battlefield, never to get up again. Never to exist again. These are complex personalities, their cerebral cortexes shimmering with floating worlds, universes that would have floored our sheep-herding, fig-eating, analog ancestors. These folks are minor deities, vessels of love, life-givers, unsung geniuses, gods of the forge getting up at six-fifteen in the morning to fire up the coffeemaker, mouthing silent prayers that they will live to see the next day and the one after that and then Sarah’s graduation and then…

Nullified.

But not me, dear diary. Lucky diary. Undeserving diary. From this day forward you will travel on the greatest adventure yet undertaken by a nervous, average man sixty-nine inches in height, 160 pounds in heft, with a slightly dangerous body mass index of 23.9. Why “from this day forward”? Because yesterday I met Eunice Park, and she will sustain me through forever. Take a long look at me, diary. What do you see? A slight man with a gray, sunken battleship of a face, curious wet eyes, a giant gleaming forehead on which a dozen cavemen could have painted something nice, a sickle of a nose perched atop a tiny puckered mouth, and from the back, a growing bald spot whose shape perfectly replicates the great state of Ohio, with its capital city, Columbus, marked by a deep-brown mole. Slight. Slightness is my curse in every sense. A so-so body in a world where only an incredible one will do. A body at the chronological age of thirty-nine already racked with too much LDL cholesterol, too much ACTH hormone, too much of everything that dooms the heart, sunders the liver, explodes all hope. A week ago, before Eunice gave me reason to live, you wouldn’t have noticed me, diary. A week ago, I did not exist. A week ago, at a restaurant in Turin, I approached a potential client, a classically attractive High Net Worth Individual. He looked up from his wintry bollito misto, looked right past me, looked back down at the boiled lovemaking of his seven meats and seven vegetable sauces, looked back up, looked right past me again-it is clear that for a member of upper society to even remotely notice me I must first fire a flaming arrow into a dancing moose or be kicked in the testicles by a head of state.

And yet Lenny Abramov, your humble diarist, your small nonentity, will live forever. The technology is almost here. As the Life Lovers Outreach Coordinator (Grade G) of the Post-Human Services division of the Staatling-Wapachung Corporation, I will be the first to partake of it. I just have to be good and I have to believe in myself. I just have to stay off the trans fats and the hooch. I just have to drink plenty of green tea and alkalinized water and submit my genome to the right people. I will need to re-grow my melting liver, replace the entire circulatory system with “smart blood,” and find someplace safe and warm (but not too warm) to while away the angry seasons and the holocausts. And when the earth expires, as it surely must, I will leave it for a new earth, greener still but with fewer allergens; and in the flowering of my own intelligence some 10³² years hence, when our universe decides to fold in on itself, my personality will jump through a black hole and surf into a dimension of unthinkable wonders, where the things that sustained me on Earth 1.0-tortelli lucchese, pistachio ice cream, the early works of the Velvet Underground, smooth, tanned skin pulled over the soft Baroque architecture of twentysomething buttocks-will seem as laughable and infantile as building blocks, baby formula, a game of “Simon says do this.”

That’s right: I am never going to die, caro diario. Never, never, never, never. And you can go to hell for doubting me.

Yesterday was my last day in Rome. Got up around eleven, caffè macchiato at the bar that has the best honey brioche, the neighbor’s ten-year-old anti-American kid screaming at me from his window, “No global! No way!,” warm cotton towel of guilt around my neck for not getting any last-minute work done, my äppärät buzzing with contacts, data, pictures, projections, maps, incomes, sound, fury. Yet another day of early-summer wandering, the streets in charge of my destiny, holding me in their oven-warm eternal embrace.

Ended up where I always end up. By the single most beautiful building in Europe. The Pantheon. The rotunda’s ideal proportions; the weight of the dome lifted above one’s shoulders, suspended in air by icy mathematic precision; the oculus letting in the rain and the searing Roman sunlight; the coolness and shade that nonetheless prevail. Nothing can diminish the Pantheon! Not the gaudy religious makeover (it is officially a church). Not the inflated, down-to-their-last-euro Americans seeking fat shelter beneath the portico. Not the modern-day Italians fighting and cajoling outside, boys trying to stick it inside girls, mopeds humming beneath hairy legs, multi-generational families bursting with pimply life. No, this is the most glorious grave marker to a race of men ever built. When I outlive the earth and depart from its familiar womb, I will take the memory of this building with me. I will encode it with zeros and ones and broadcast it across the universe. See what primitive man has wrought! Witness his first hankerings for immortality, his discipline, his selflessness.

My last Roman day. I had my macchiato. I bought some expensive deodorant, perhaps anticipating love. I took a three-hour, slightly masturbatory nap in the ridiculous glow of my sun-strangled apartment. And then, at a party thrown by my friend Fabrizia, I met Eunice-

Wait, no. That’s not exactly true. This chronology isn’t right. I’m lying to you, diary. It’s only page seven and I’m already a liar. Something terrible happened before Fabrizia’s party. So terrible I don’t want to write about it, because I want you to be a positive diary.

I went to the U.S. Embassy.

It wasn’t my idea to go. A friend of mine, Sandi, told me that if you spend over 250 days abroad and don’t register for Welcome Back, Pa’dner, the official United States Citizen Re-Entry Program, they can bust you for sedition right at JFK, send you to a “secure screening facility” Upstate, whatever that is.

Now, Sandi knows everything-he works in fashion-so I decided to take his vividly expressed, highly caffeinated advice and headed for Via Veneto, where our nation’s creamy palazzo of an embassy luxuriates behind a recently built moat. Not for much longer, I should say. According to Sandi, the strapped State Department just sold the whole thing to StatoilHydro, the Norwegian state oil company, and by the time I got to Via Veneto the enormous compound’s trees and shrubbery were already being coaxed into tall, agnostic shapes to please their new owners. Armored moving vans ringed the perimeter, and the sound of massive document-shredding could be divined from within.

The consular line for the visa section was nearly empty. Only a few of the saddest, most destitute Albanians still wanted to emigrate to the States, and that lonely number was further discouraged by a poster showing a plucky little otter in a sombrero trying to jump onto a crammed dinghy under the tagline “The Boat Is Full, Amigo.”

Inside an improvised security cage, an older man behind Plexiglas shouted at me incomprehensibly while I waved my passport at him. A competent Filipina, indispensable in these parts, finally materialized and waved me down a cluttered hallway to a mock-up of a faded public-high-school classroom decked out in the Welcome Back, Pa’dner, motif. The Mexican otter from the “Boat Is Full” campaign was here Americanized (sombrero replaced by red-white-and-blue bandana worn around his hirsute little neck), then perched upon a goofy-looking horse, the two of them galloping toward a fiercely rising and presumably Asian sun.

A half-dozen of my fellow citizens were seated behind their chewed-up desks, mumbling lowly into their äppäräti. There was an earplug lying slug-dead on an empty chair, and a sign reading INSERT EARPLUG IN EAR, PLACE YOUR ÄPPÄRÄT ON DESK, AND DISABLE ALL SECURITY SETTINGS. I did as I was told. An electronic version of John Cougar Mellencamp’s “Pink Houses” (“Ain’t that America, somethin’ to see, baby!”) twanged in my ear, and then a pixelated version of the plucky otter shuffled onto my äppärät screen, carrying on his back the letters ARA, which dissolved into the shimmering legend: American Restoration Authority.

The otter stood up on his hind legs, and made a show of dusting himself off. “Hi there, pa’dner!” he said, his electronic voice dripping with adorable carnivalesque. “My name is Jeffrey Otter and I bet we’re going to be friends!”

Feelings of loss and aloneness overwhelmed me. “Hi,” I said. “Hi, Jeffrey.”

“Hi there, yourself!” the otter said. “Now I’m going to ask you some friendly questions for statistical purposes only. If you don’t want to answer a question, just say, ‘I don’t want to answer this question.’ Remember, I’m here to help you! Okay, then. Let’s start simple. What’s your name and Social Security Number?”

I looked around. People were urgently whispering things to their otters. “Leonard or Lenny Abramov,” I murmured, followed by my Social Security.

“Hi, Leonard or Lenny Abramov, 205-32-8714. On behalf of the American Restoration Authority, I would love to welcome you back to the new United States of America. Look out, world! There’s no stoppin’ us now!” A bar from the McFadden and Whitehead disco hit “Ain’t No Stoppin’ Us Now” played loudly in my ear. “Now tell me, Lenny. What made you leave our country? Work or pleasure?”

“Work,” I said.

“And what do you do, Leonard or Lenny Abramov?”

“Um, Indefinite Life Extension.”

“You said ‘effeminate life invention.’ Is that right?”

“Indefinite Life Extension,” I said.

“What’s your Credit ranking, Leonard or Lenny, out of a total score of sixteen hundred?”

“Fifteen hundred twenty.”

“That’s pretty neat. You must really know how to pinch those pennies. You have money in the bank, you work in ‘effeminate life invention.’ Now I just have to ask, are you a member of the Bipartisan Party? And if so, would you like to receive our new weekly äppärät stream, ‘Ain’t No Stoppin’ Us Now!’? It’s got all sorts of great tips on readjusting to life in these United States and getting the most bang for your buck.”

“I’m not a Bipartisan, but, yes, I would like to get your stream,” I said, trying to be conciliatory.

“Okey-dokey! You’re on our list. Say, Leonard or Lenny, did you meet any nice foreign people during your stay abroad?”

“Yes,” I said.

“What kind of people?”

“Some Italians.”

“You said ‘Somalians.’”

“Some Italians,” I said.

“You said ‘Somalians,’” the otter insisted. “You know Americans get lonely abroad. Happens all the time! That’s why I never leave the brook where I was born. What’s the point? Tell me, for statistical purposes, did you have any intimate physical relationships with any non-Americans during your stay?”

I stared hard at the otter, my hands shaking beneath the desk. Did everyone get this question? I didn’t want to end up in an Upstate “secure screening facility” simply because I had crawled on top of Fabrizia and tried to submerge my feelings of loneliness and inferiority inside her. “Yes,” I said. “Just one girl. A couple of times we did it.”

“And what was this non-American’s full name? Last name first, please.”

I could hear one fellow sitting several desks in front of me, his square Anglo face hidden partially by a thick mane, breathing Italian names into his äppärät.

“I’m still waiting for that name, Leonard or Lenny,” said the otter.

“DeSalva, Fabrizia,” I whispered.

“You said ‘DeSalva-’” But just then the otter froze in mid-name, and my äppärät began to produce its “heavy thinking” noises, a wheel desperately spinning inside its hard plastic shell, its ancient circuitry completely overtaxed by the otter and his antics. The words ERROR CODE IT/FC-GS/FLAG appeared on the screen. I got up and went back to the security cage out front. “Excuse me,” I said, leaning into the mouth hole. “My äppärät froze. The otter stopped speaking to me. Could you send over that nice Filipina woman?”

The old creature manning this post crackled at me incomprehensibly, the lapels of his shirt trembling with stars and stripes. I made out the words “wait” and “service representative.”

An hour passed in bureaucratic metronome. Movers carried out a man-sized golden statue of our nation’s E Pluribus Unum eagle and a dining table missing three legs. Eventually an older white woman in enormous orthopedic shoes clacked her way down the hall. She had a magnificent tripartite nose, more Roman than any proboscis ever grown along the banks of the Tiber, and the kind of pinkish oversized glasses I associate with kindness and progressive mental health. Thin lips quivered from daily contact with life, and her earlobes bore silver loops a size too large.

In appearance and mien she reminded me of Nettie Fine, a woman whom I hadn’t seen since high-school graduation. She was the first person to greet my parents at the airport after they had winged their way from Moscow to the United States four decades ago in search of dollars and God. She was their young American mama, their latkes-bearing synagogue volunteer, arranger of English lessons, bequeather of spare furniture. In fact, Nettie’s husband had worked in D.C. at the State Department. In further fact, before I left for Rome my mother had told me he was stationed in a certain European capital…

“Mrs. Fine?” I said. “Are you Nettie Fine, ma’am?”

Ma’am? I had been raised to worship her, but I was scared of Nettie Fine. She had seen my family at its most exposed, at its poorest and weakest (my folks literally immigrated to the States with one pair of underwear between them). But this temperate bird of a woman had shown me nothing but unconditional love, the kind of love that rushed me in waves and left me feeling weak and depleted, battling an undertow whose source I couldn’t place. Her arms were soon around me as she yelled at me for not coming to visit her sooner, and why was I so old-looking all of a sudden (“But I’m almost forty, Mrs. Fine,” “Oh, where does the time go, Leonard?”), along with other examples of happy Jewish hysteria.

It turned out that she was working as a contractor for the State Department, helping out with the Welcome Back, Pa’dner program.

“But don’t get me wrong,” she said, “I’m just doing customer service. Answering questions, not asking them. That’s all American Restoration Authority.” And then, leaning toward me, in a lowered voice, her artichoke breath gently strumming my face: “Oh, what has happened to us, Lenny? I get reports on my desk, they make me cry. The Chinese and Europeans are going to decouple from us. I’m not sure what that means, but how good can it be? And we’re going to deport all our immigrants with weak Credit. And our poor boys are being massacred in Venezuela. This time I’m afraid we’re not going to pull out of it!”

“No, it’ll be okay, Mrs. Fine,” I said. “There’s still only one America.”

“And that shifty Rubenstein. Can you believe he’s one of us?”

“One of us?”

Barely sonic whisper: “A Jew.”

“My parents actually love Rubenstein,” I said, in reference to our imperious but star-crossed Defense Secretary. “All they do is sit at home and watch FoxLiberty-Prime and FoxLiberty-Ultra.”

Mrs. Fine made a distasteful face. She had helped drag my parents into the American continuum, had taught them to gargle and wash out sweat stains, but their inbred Soviet Jewish conservatism had ultimately repulsed her.

She had known me since I was born, back when the Abramov mishpocheh lived in Queens in a cramped garden apartment that now elicits nothing but nostalgia, but which must have been a mean and sorrowful place all the same. My father had a janitorial job out at a Long Island government laboratory, a job that kept us in Spam for the first ten years of my life. My mother celebrated my birth by being promoted from clerk/typist to secretary at the credit union where she bravely labored minus English-language skills, and all of a sudden we were really on our way to becoming lower-middle-class. In those days, my parents used to drive me around in their rusted Chevrolet Malibu Classic to neighborhoods poorer than our own, so that we could both laugh at the funny ragtag brown people scurrying about in their sandals and pick up important lessons about what failure could mean in America. It was after my parents told Mrs. Fine about our little slumming forays into Corona and the safer parts of Bed-Stuy that the rupture between her and my family truly began. I remember my parents looking up “cruel” in the English-Russian dictionary, shocked that our American mama could possibly think that of us.

“Tell me everything!” Nettie Fine said. “What have you been doing in Rome?”

“I work in the creative economy,” I said proudly. “Indefinite Life Extension. We’re going to help people live forever. I’m looking for European HNWIs-that’s High Net Worth Individuals-and they’re going to be our clients. We call them ‘Life Lovers.’”

“Oh my!” Mrs. Fine said. She clearly didn’t know what the hell I was talking about, but this woman with her three courteous UPenn-graduated boys could only smile and encourage, smile and encourage. “That certainly sounds like-something!”

“It really is,” I said. “But I think I’m in a bit of trouble here.” I explained to her the problem I had just experienced with Welcome Back, Pa’dner. “Maybe the otter thinks I hang out with Somalians. What I said was ‘Some Italians.’”

“Show me your äppärät,” she commanded. She raised her eyeglasses to reveal the soft early-sixties wrinkles that had made her face exactly how it was meant to look since the day she was born-a comfort to all. “ERROR CODE IT/FC-GS/FLAG,” she sighed. “Oh boy, buster. You’ve been flagged.”

“But why?” I shouted. “What did I do?”

“Shhh,” she said. “Let me reset your äppärät. Let’s try Welcome Back, Pa’dner again.”

Several attempts were made, but the same frozen otter appeared along with the error message. “When did this happen?” she asked. “What was that thing asking you?”

I hesitated, feeling even more naked in front of my family’s native-born savior. “He asked me the name of the Italian woman I had relations with,” I said.

“Let’s backtrack,” Nettie said, ever the troubleshooter. “When the otter asked you to subscribe to the ‘Ain’t No Stoppin’ Us Now!’ thing, did you do it?”

“I did.”

“Good. And what’s your Credit ranking?” I told her. “Fine. I wouldn’t worry. If you get stopped at JFK, just give them my contact info and tell them to get in touch with me right away.” She plugged her coordinates into my äppärät. When she hugged me she could feel my knees knocking together in fear. “Aw, sweetie,” she said, a warm tribal tear spilling from her face onto mine. “Don’t worry. You’ll be okay. A man like you. Creative economy. I just hope your parents’ Credit ranking is strong. They came all the way to America, and for what? For what?”

But I did worry. How could I not? Flagged by some fucking otter! Jesus Christ. I instructed myself to relax, to enjoy the last twenty hours of my year-long European idyll, and possibly to get very drunk off some sour red Montepulciano.

My last Roman evening started out per the usual, diary. Another halfhearted orgy at Fabrizia’s, the woman I have had relations with. I’m only mildly tired of these orgies. Like all New Yorkers, I’m a real-estate whore, and I adore these late-nineteenth-century Turinese-built apartments on the huge, palm-studded Piazza Vittorio, with sunny views of the green-tinged Alban Hills in the distance. On my last night at Fabrizia’s, the expected bunch of forty-year-olds showed up, the rich children of Cinecittà film directors who are now occasional screenwriters for the failing Rai (once Italy’s main television concern), but mostly indulgers of their parents’ fading fortunes. That’s what I admire about youngish Italians, the slow diminution of ambition, the recognition that the best is far behind them. (An Italian Whitney Houston might have sung, “I believe the parents are our future.”) We Americans can learn a lot from their graceful decline.

I’ve always been shy around Fabrizia. I know she only likes me because I’m “diverting” and “funny” (read: Semitic), and because her bed hasn’t been warmed by a local man in some time. But now that I had sold her out to the American Restoration Authority otter, I worried that there might be repercussions for her down the line. Italy’s government is the last one left in Western Europe that still smooches our ass.

In any case, Fabrizia was all over me at the party. First she and some fat British filmmaker took turns kissing me on the eyelids. Then, as she was having one of those very angry Italian äppärät chats on the couch, she spread her legs to flash me her neon panties, her thick Mediterranean pubic hairs clearly visible. She took time out of her sexy screaming and furious typing to say to me in English: “You’ve become a lot more decadent since I’ve met you, Lenny.”

“I’m trying,” I stuttered.

“Try harder,” she said. She snapped her legs shut, which nearly killed me, and then went back to her äppärät assault. I wanted to feel those elegant forty-year-old breasts one more time. I made a few slow gyrating motions toward her and batted my eyelashes (that is to say, blinked a lot), trying, with a dose of East Coast irony, to resemble some hot Cinecittà leading lady of the 1960s. Fabrizia blinked back and stuck one hand down her panties. A few minutes later, we opened the door to her bedroom to discover her three-year-old boy hiding beneath a pillow, a cloud of smoke from the main rooms draping him twice-fold. “Fuck,” Fabrizia said, watching the small, asthmatic child crawling toward her on the bed.

“Mama,” the child whispered. “Aiuto me.”

“Katia!” she screamed. “Puttana! She supposed to watch him. Stay here, Lenny.” She went off looking for her Ukrainian nanny, her little boy stumbling through the Hollywood-grade smoke behind her.

I went into the corridor, which seemed like the arrivals lounge at Fiumicino Airport, with couples meeting, coming together, disappearing into rooms, coming out of rooms, fixing their blouses, tightening their belts, coming apart. I took out my dated äppärät, with its retro walnut finish and its dusty screen blinking with slow data, trying to get a read on whether there were any High Net Worth Individuals in the room-last chance to find some new clients for my boss, Joshie, after having found a grand total of one client during the whole year-but no one’s face was famous enough to register on my display. A sort-of well-known Mediastud, a Bolognese visual artist, sullen and shy in person, watched his girlfriend flirting ridiculously with a less accomplished man. “I work a little, play a little,” someone was saying in accented English, followed by cute, hollow female laughter. A recently arrived American girl, a yoga teacher to the stars, was being reduced to tears by a much older local woman, who kept stabbing her in the heart with one long, painted fingernail and accusing her, personally, of the U.S. invasion of Venezuela. A domestic came carrying a large plate of marinated anchovies. The bald man known as “Cancer Boy” followed dejectedly on the heels of the Afghani princess to whom he had given his heart. A slightly famous Rai actor started telling me about how he had impregnated a girl of good standing in Chile and then fled back to Rome before Chilean law could hold him accountable. When a fellow Neapolitan showed up, he said to me: “Excuse us, Lenny, we have to speak in dialect.”

I continued to wait for my Fabrizia while nibbling on an anchovy, feeling like the horniest thirty-nine-year-old man in Rome-a very serious distinction. Perhaps my occasional lover had fallen into another’s arms during our brief separation. I did not have a girl waiting for me in New York, I wasn’t sure I even had a job waiting for me in New York after my failures in Europe, so I really wanted to screw Fabrizia. She was the softest woman I had ever touched, the muscles stirring somewhere deep beneath her skin like phantom gears, and her breath, like her son’s, was shallow and hard, so that when she “made the love” (her words), it sounded like she was in danger of expiring.

I caught sight of a Roman fixture, an old American sculptor of small stature and dying teeth who wore his hair in a Beatlesque mop and liked to mention his friendship with the iconic Tribeca actor “Bobby D.” Several times I have pushed his drunken rotundity into a taxi, telling the cabbies his prestigious address on the Gianicolo Hill, and handing them twenty of my own precious euros.

I had almost failed to notice the young woman in front of him, a small Korean (I’ve dated two previously, both delightfully insane), with her hair up in a provocative bun so that she resembled vaguely a very young Asian Audrey Hepburn. She had full shiny lips and a lovely if incongruous splash of freckles across her nose, and could not have weighed more than eighty pounds, a compactness which made me tremble with bad thoughts. I wondered, for example, if her mother, probably a tiny, immaculate woman humming with immigrant anxiety and bad religion, knew that her little girl was no longer a virgin.

“Oh, it’s Lenny,” the American sculptor said when I came around to shake his hand. He was a High Net Worth Individual, if barely, and I had tried to court him on several occasions. The young Korean woman glanced at me with what I took to be serious lack of interest (her default position seemed to be a scowl), her hands clenched tightly before her. I thought I had blundered onto a new couple and was about to make my apologies, but the American was already starting to introduce us. “The lovely Eunice Kim from Fort Lee, New Jersey, via Elderbird College, Mass.,” he said in the brawling Brooklyn accent he thought was charmingly authentic. “Euny’s an art-history student.”

“Eunice Park,” she corrected him. “I don’t really study art history. I’m not even a college student anymore.”

I was pleased by her humility, acquiring a steady, throbbing erection.

“This is Lenny Abraham. He helps old stockbrokers live a little longer.”

“It’s Abramov,” I said, with a subservient bow to the young lady. I noticed the glass of inky Sicilian red in my hand and drank it in one go. All of a sudden I was sweating all over my freshly laundered shirt and ugly loafers. I took out my äppärät, flicked it open in a gesture that was au courant maybe a decade ago, held it stupidly in front of me, put it back in my shirt pocket, then reached for a nearby bottle and refilled my glass. It was incumbent upon me to say something impressive about myself. “I do nanotechnology and stuff.”

“Like a scientist?” Eunice Park asked.

“More like a salesman,” the American sculptor rumbled. He was notoriously competitive over women. At the last party, he had championed over a young Milanese animator to get a blow job from Fabrizia’s nineteen-year-old cousin. In Rome this passed for breaking news.

The sculptor made a half-turn toward Eunice, partly obscuring me with one thick shoulder. I took that as my sign to leave, but whenever I began to do so, she would glance my way, casually tossing me a lifeline. Maybe she was scared of the sculptor herself, worried she would end up on her knees in a dimly lit room.

I drank heavily, eyeing the sculptor’s broad attempts to impress the thoroughly unimpressible Eunice Park. “So I says to her, ‘Contessa, you can stay in my beach house in Puglia until you get back on your feet.’ I don’t have time for the beach anyway. They want me to take up a commission in Shanghai. Six million yuan for two pieces. That’s what-fifty million dollars? I says to her, ‘Don’t cry, contessa, you sly old bird. I’ve been down to nothing myself. Not a centavo to my name. Practically grew up in the Brooklyn Navy Yard. First thing I remember was a sock to the face. Bam!’”

I felt sad for the sculptor, and not just because I doubted his chances with Eunice Park, but because I realized he would soon be dead. From an ex-lover of his I had learned that his advanced diabetes had almost cost him two toes, and the heavy cocaine use was maxing out his aging circulatory system. In the business we called him an ITP, Impossible to Preserve, the vital signs too far gone for current interventions, the psychological indicators showing an “extreme willingness/desire to perish.” Even more despairing was his financial status. I’m quoting directly from my report to boss man Joshie: “Income yearly $2.24 million, pegged to the yuan; obligations, including alimony and child support, $3.12 million; investible assets (excluding real estate)-northern euro 22,000,000; real estate $5.4 million, pegged to the yuan; total debts outstanding $12.9 million, unpegged.” A mess, in other words.

Why was he doing this to himself? Why not keep off the drugs and the demanding young women, spend a decade in Corfu or Chiang Mai, douse his body with alkalines and smart technology, clamp down on the free radicals, keep the mind focused on the work, beef up the stock portfolio, take the tire off the belly, let us fix that aging bulldog’s mug? What kept the sculptor here, in a city useful only as a reference to the past, preying on the young, gorging on thick-haired pussy and platefuls of carbs, swimming with the prevailing current toward his own nullification? Beyond that ugly body, those rotting teeth, that curdled breath, was a visionary and a creator, whose heavy-handed work I sometimes admired.

As I buried the sculptor, marching behind the pallbearers, comforting his beautiful ex-wife and cherubic twin sons, my eyes watched Eunice Park, young, stoic, and flat, nodding along to the sculptor’s self-serving remarks. I wanted to reach over and touch her empty chest, feel the tough little nipples that I imagined proclaimed her love. I noticed that her sharp nose and little arms were lightly coated with moisture and that she was matching me in the drinking department, plucking off wineglasses from passing trays, her tightly wound mouth turning purple. She wore fancy jeans, a gray cashmere sweater, and a string of pearls which lent her at least ten years of age. The only youthful part of her was a sleek white pendant-a pebble almost-which looked like some kind of miniaturized new äppärät. In certain wealthy precincts of trans-Atlantic society, the differences between young and old were steadily eroding, and in other precincts the young were mostly going naked, but what was Eunice Park’s story? Was she trying to be older or richer or whiter? Why do attractive people have to be anything but themselves?

When I next looked up, the sculptor had placed his heavy paw on her negligible shoulder and was squeezing hard. “Chinese women are so delicate,” he said.

“I’m not that delicate.”

“Yes, you are!”

“I’m not Chinese.”

“Anyway, Bobby D. and Dick Gere were fighting at a party. Dick came to me and said, ‘Why does Bobby hate me so much?’ Wait. What was I saying? Do you need another drink? Oh! You made the right choice coming to Rome, kitten. New York is finished these days. America is history. And with those fuckers in charge now, I’m never going back. Fucking Rubenstein. Fucking Bipartisan Party. It’s 1984, baby. Not that you would get the reference. Maybe our bookish friend Lenny here could enlighten us. You’re so lucky to be here with me, Euny. Do you want to kiss me?”

“No,” Eunice Park said. “No, thank you.”

No, thank you. A nice Korean girl, graduate of Elderbird College, Mass. How I longed to kiss those full lips myself and cradle the slightness of the rest of her.

“Why not?” the sculptor shouted. And then, because he had long lost the ability to gauge short-term consequences, he shook her by the shoulder, a drunken shake, but one that her tiny body looked ill-equipped to handle. Eunice looked up, and in her eyes I saw the familiar anger of an adult suddenly dragged back into childhood. She pressed one hand to her stomach, as if she had been punched, and looked down. Red wine had spilled on her expensive sweater. She turned to me, and I saw embarrassment, not for the sculptor, but for herself.

“Let’s take it easy,” I said, putting my hand on the sculptor’s taut, moist neck. “Let’s maybe sit down on the couch and have some water.” Eunice was rubbing her shoulder and backing away from us. She looked as if she was expertly holding back the tears.

“Fuck off, Lenny,” the sculptor said, giving me a little shove. His hands were undeniably strong. “Go peddle your fountain of youth.”

“Find a couch and chillax,” I instructed the sculptor. I moved over to Eunice and put my arm within the vicinity of her, but not directly upon her. “I’m sorry,” I muttered. “He gets drunk.”

“Yeah, I gets drunk!” the sculptor shouted. “And I may even be a little bit tipsy right now. But in the morning I’ll be making art. And what are you going to be doing, Leonard? Pushing green tea and cloned livers to geezer Bipartisans? Typing in a diary? Let me guess. ‘My uncle abused me. I was addicted to heroin for three seconds.’ Forget the fountain of youth, pal of mine. You can live to be a thousand, and it won’t matter. Mediocrities like you deserve immortality. Don’t trust this guy, Eunice. He’s not like us. He’s a real American. A real sharpie. He’s the reason we’re in Venezuela right now. He’s why people are afraid to say ‘boo’ in the States. He’s no better than Rubenstein. Look at those dark, lying Ashkenazi eyes. Kissinger the Second.”

A crowd had started to gather around us. Watching the famous sculptor “act out” was a great source of entertainment for the Romans, and the words “Venezuela” and “Rubenstein,” spoken with slow, accusatory relish, could arouse even a coma-bound European. I could hear Fabrizia’s voice announcing itself from the living room. As gently as possible, I prodded the Korean toward the kitchen, which led to the servants’ quarters, which enjoyed a separate entrance to the apartment.

In the half-light of a bare bulb, I saw the Ukrainian nanny petting the sweet, dark head of Fabrizia’s boy, as she maneuvered an inhaler into his mouth. The child registered our intrusion with little surprise, the nanny began to say “Che cosa?,” but we trooped right past her and the small tidy stash of clothes and cheap mementos (a cooking apron depicting Michelangelo’s David astride the Coliseum) that made up her immediate possessions. As Eunice and I clambered down the noisy marble stairs, we heard Fabrizia and others give chase, summoning the wire-mesh enclosure of the elevator to their high floor, eager to catch up with us and hear what had happened, how the sculptor’s considerable drunken anger had been stirred. “Lenny, come back,” Fabrizia was shouting. “Dobbiamo scopare ancora una volta. We have to fuck still. One last time.”

Fabrizia. The softest woman I had ever touched. But maybe I no longer needed softness. Fabrizia. Her body conquered by small armies of hair, her curves fixed by carbohydrates, nothing but the Old World and its dying nonelectronic corporeality. And in front of me, Eunice Park. A nano-sized woman who had likely never known the tickle of her own pubic hair, who lacked both breast and scent, who existed as easily on an äppärät screen as on the street before me.

Outside, the southern moon, pregnant and satisfied, roosted atop the outreached palm trees of Piazza Vittorio. The usual immigrant gaggle were sleeping off a long day of manual labor or tucking in their mistresses’ children. The only pedestrians were stylish Italians staggering back from dinner, the only sounds the hum of their bitter conversations and the hissing electric rattle of the old tramcar that surveyed the piazza’s northeastern side.

Eunice Park and I marched ahead. She marched, I hopped, unable to cover up the joy of having escaped the party with her by my side. I wanted Eunice to thank me for saving her from the sculptor and his stench of death. I wanted her to get to know me and then to repudiate all the terrible things he had said about my person, my supposed greed, my boundless ambition, my lack of talent, my fictive membership in the Bipartisan Party, and my designs on Caracas. I wanted to tell her that I myself was in danger, that the American Restoration Authority otter had singled me out for sedition, and all because I had slept with one middle-aged Italian woman.

I eyed Eunice’s ruined sweater and the obscenely fresh body that lived and sweated and, I hoped, yearned beneath it. “I know of a good dry cleaner that can fix red-wine stains,” I said. “There’s this Nigerian up the block.” I stressed “Nigerian” to underline my open-mindedness. Lenny Abramov, friend to all.

“I volunteer at a refugee shelter near the train station,” Eunice said, apropos of something.

“You do? That’s so fantastic!”

“You’re such a nerd.” She laughed cruelly at me.

“What?” I said. “I’m sorry.” I laughed too, just in case it was a joke, but right away I felt hurt.

“LPT,” she said. “TIMATOV. ROFLAARP. PRGV. Totally PRGV.”

The youth and their abbreviations. I pretended like I knew what she was talking about. “Right,” I said. “IMF. PLO. ESL.”

She looked at me like I was insane. “JBF,” she said.

“Who’s that?” I pictured a tall Protestant man.

“It means I’m ‘just butt-fucking’ with you. Just kidding, you know.”

“Duh,” I said. “I knew that. Seriously. What makes me a nerd in your estimation?”

“‘In your estimation,’” she mimicked. “Who says things like that? And who wears those shoes? You look like a bookkeeper.”

“I’m sensing a bit of anger here,” I said. What had happened to that sweet, hurt Korean girl of three minutes ago? For some reason I puffed out my chest and stood up on my toes, even though I had a good half a foot on her.

She touched the cuff of my shirt, and then looked at it more carefully. “This isn’t buttoned right,” she said. And before I could say anything, she rebuttoned my cuff and pulled on the shirtsleeve to make it less bunched up around the shoulder and upper arm. “There,” she said. “You look a little better now.”

I didn’t know what to say or do. When dealing with people my own age, I know precisely who I am. Not physically attractive, but at least well educated, decently paid, working at the frontiers of science and technology (even though I have the same finesse with my äppärät as my aged immigrant parents). On Planet Eunice Park, these attributes clearly did not matter. I was some kind of ancient dork. “Thanks,” I said. “Don’t know what I’d do without you.”

She smiled at me, and I noticed that she had the kind of dimples that not merely puncture the face but easily fill it with warmth and personality (and, in the case of Eunice, take away some of her anger). “I’m hungry,” she said.

I must have looked like the befuddled Rubenstein at his press conference after our troops got routed at Ciudad Bolívar. “What?” I said. “Hungry? Isn’t it a little too late?”

“Um, no, Gramps,” Eunice Park said.

I took that in stride. “I know of this place on Via del Governo Vecchio. It’s called da Tonino. Excellent cacio e pepe.”

“So it says in my Time Out guide,” the impudent girl said to me. She lifted up her äppärät-like pendant, and in shockingly perfect Italian ordered a taxi to pick us up. I hadn’t felt so frightened since high school. Even death, my slender, indefatigable nemesis, seemed lackluster when compared with the all-powerful Eunice Park.

In the taxi, I sat apart from her, engaging in very idle chatter indeed (“So I hear the dollar’s going to be devaluated again…”). The city of Rome appeared around us, casually splendid, eternally assured of itself, happy to take our money and pose for a picture, but in the end needing nothing and no one. Eventually I realized that the driver had decided to cheat me, but I didn’t protest his extended route, especially as we swung around the purple-lit carapace of the Coliseum, and I told myself, Remember this, Lenny; develop a sense of nostalgia for something, or you’ll never figure out what’s important.

But by the end of the night I remembered very little. Let’s just say that I drank. Drank out of fear (she was so cruel). Drank out of happiness (she was so beautiful). Drank until my whole mouth and teeth had turned a dark ruby red and the pungency of my breath and perspiration betrayed my passing years. And she drank too. One mezzo litro of the local swill became a full litro, and then two litri, and then a bottle of something possibly Sardinian but, in any case, thicker than bull’s blood.

Enormous plates of food were needed to mop up this overindulgence. We thoughtfully chewed on the pig jowls of the bucatini all’amatriciana, slurped up a plate of spaghetti with spicy eggplant, and picked apart a rabbit practically drowning in olive oil. I knew I would miss all this when I got back to New York, even the horrible fluorescent lighting that brought out my age-the wrinkles around my eyes, the single long highway and the three county roads that ran across my forehead, testaments to many sleepless nights spent worrying about unredeemed pleasures and my carefully hoarded income, but mostly about death. This particular restaurant was favored by theater actors, and as I stabbed with my fork at the thick hollows of pasta and the glistening aubergines, I tried to remember forever their loud, attention-seeking voices and the vibrant Italian hand gestures that in my mind are synonymous with the living animal, and hence with life itself.

I focused on the living animal in front of me and tried to make her love me. I spoke extravagantly and, I hope, sincerely. Here’s what I remember.

I told her I didn’t want to leave Rome now that I had met her.

She again told me I was a nerd, but a nerd who made her laugh.

I told her I wanted to do more than make her laugh.

She told me I should be thankful for what I had.

I told her she should move to New York with me.

She told me she was probably a lesbian.

I told her my work was my life, but I still had room for love.

She told me love was out of the question.

I told her my parents were Russian immigrants who lived in New York.

She told me hers were Korean immigrants who lived in Fort Lee, New Jersey.

I told her my father was a retired janitor who liked to go fishing.

She told me her father was a podiatrist who liked to punch his wife and two daughters in the face.

“Oh,” I said. Eunice Park shrugged and excused herself. On my plate, the rabbit’s little dead heart hung from within his rib cage. I put my head in my hands and wondered if I should just throw some euros down on the table and walk out and leave.

But soon enough I was walking down ivy-draped Via Giulia, my arm around Eunice Park’s fragrant, boyish frame. She was seemingly in good spirits, both loving and goading: promising me a kiss, then chastising my poor Italian. She was shyness and giggles, freckles in the moonlight and drunken, immature cries of “Shut up, Lenny!” and “You’re such an idiot!” I noticed she had released her hair from the bun’s captivity and that it was dark and endless and as thick as twine. She was twenty-four years old.

My apartment could accommodate no more than a cheap twin-sized mattress and a fully opened suitcase, brimming with books (“My text-major friends at Elderbird used to call those things ‘doorstops,’” she told me). We kissed, lazily, like it was nothing, then roughly, like we meant it. There were some problems. Eunice Park wouldn’t take off her bra (“I have absolutely no chest”), and I was too drunk and scared to develop an erection. But I didn’t want intercourse anyway. I talked her out of her pants, cupped the twin, tiny globes of her ass with my palms, and pushed my lips right inside her soft, vital pussy. “Oh, Lenny,” she said, a little sadly, for she must have sensed just how much her youth and freshness meant to me, a man who lived in death’s anteroom and could barely stand the light and heat of his brief sojourn on earth. I licked and licked, breathing in the slight odor of something authentic and human, and eventually must have fallen asleep with my face between her legs. The next morning, she was kind enough to help me repack my suitcase, which refused to close without her help. “That’s not how you do it,” she said, when she saw me brushing my teeth. She made me stick out my tongue and roughly scraped its purple surface with the toothbrush. “There,” she said. “Better.”

During the taxi ride to the airport, I felt the triple pangs of being happy and lonely and needy all at once. She had made me wash my lips and chin thoroughly to obliterate all traces of her, but Eunice Park’s alkaline tang still remained on the tip of my nose. I made great sniffing motions in the air, trying to capture her essence, thinking already of how I would bait her to New York, make her my wife, make her my life, my life eternal. I touched my expertly brushed teeth and petted the flurry of gray hairs sticking out from beneath my shirt collar, which she had thoroughly examined in the morning’s weak early light. “Cute,” she had said. And then, with a child’s sense of wonder: “You’re old, Len.”

Oh, dear diary. My youth has passed, but the wisdom of age hardly beckons. Why is it so hard to be a grown-up man in this world?