CHAPTER 4
The Horners live in the Sherwood Forest mobile home park on Highway 83 between Keene and Clark. The sky is as hard and gray as concrete as I turn onto the gravel street. Next to me, Glock studies the map I printed before leaving.
“There’s Sebring Lane,” he says, pointing.
I make a right and see a dozen mobile homes lined up like Matchbox cars on either side of the street. “What’s the lot number?”
“Thirty-five, there at the end.”
I park the Explorer in front of a blue and white 12 by 60 Liberty mobile home circa 1980. A living room extension juts from the side, giving it a haphazard look. But the lot is well kept. A newish Ford F-150 pickup sits in the driveway. I see green curtains at the kitchen window. Residual Christmas lights encircle the storm door. An aluminum trash can overflows at the curb. An ordinary home about to be shattered.
I’d rather cut off my hand than look into Belinda Horner’s eyes and ask her to identify a body I’m certain is her daughter. But this is my job, and I don’t have a choice.
I get out and start toward the trailer. The wind penetrates my parka, icy spears driving into my skin. I shiver as I climb the steps and knock. Beside me, Glock curses the cold. The storm door swings open as if someone is expecting us. I find myself looking at a middle-aged woman with bottle-blonde hair and tired, bruised eyes. She looks like she hasn’t slept for a week.
“Mrs. Horner?” I flash my badge. “I’m Kate Burkholder, chief of police in Painters Mill.”
Her eyes dart from me to Glock, lingering on our badges. I see hope in her eyes, but that hope is tempered with fear. She knows a personal visit from the cops isn’t a good sign. “Is this about Amanda? Have you found her? Has she been hurt?”
“May we come in?” I ask.
She steps back and opens the door wider. “Where is she? Is she in some kind of trouble? Was there an accident?”
The trailer is too warm and cramped with a dozen pieces of mismatched furniture. I smell this morning’s bacon, last night’s meatloaf and the lingering remnants of hair spray. The television is tuned to a game show where some lucky contestant is bidding on a jukebox. “Are you alone, ma’am?”
She blinks at me. “My husband is at work.” Her eyes flick from me to Glock and back to me. “What’s this about? Why are you here?”
“Ma’am, I’m afraid I have some bad news.”
Something wild leaps into her eyes. Some terrible precursor to grief. She knows what I’m going to say next. I see the awful anticipation as clearly as I’ve felt it in my own heart.
“We may have found your daughter, ma’am. A young woman matching her description—”
“Found her?” A hysterical laugh squeezes from her throat. “What do you mean found her? Why isn’t she here?”
“I’m sorry, ma’am, but the woman we found is deceased.”
“No.” She raises a hand as if to fend me off. Her expression is fierce enough to stop a train. “You’re wrong. That’s not true. Someone made a mistake.”
“We’ll need for you to come down to the hospital in Millersburg and identify her.”
“No.” She chokes out a sound that is part sob, part moan. “It’s not her. It can’t be.”
I drop my gaze to the floor to give her a moment. I take those precious seconds to rein in my own emotions and try not to think about how impossible it is to stand here and fracture this woman’s world. “Is there someone we can call to be here with you, ma’am? Your husband or a family member?”
“I don’t need anyone. Amanda’s not dead.” Gasping for breath, she presses a hand against her stomach. “She’s not.”
“I’m sorry.” My words ring hollow even to me.
Her hands curl into fists and she puts them against her temples. “She’s not dead. I would have known.” Her ravaged eyes meet mine. “The police made a mistake. This is a small town. Mistakes happen all the time.”
“There was no identification, but we believe it’s her,” I say. “I’m very sorry.”
She turns away from us and paces to the other side of the room. I glance at Glock. He looks the way I feel; like he’d rather be anywhere in the world than this hot and cramped trailer, tearing this woman’s life apart. His gaze meets mine. His nod bolsters me, and I wonder if he knows how badly I need that small sign of support at this moment.
He speaks up for the first time. “Mrs. Horner, I know this is difficult, but we need to ask you some questions.”
She turns to Glock and looks at him as if seeing him for the first time. Tears shimmer in her eyes. “How did she . . .”
She knows there’s more coming; I see it in her eyes. Some people have a sixth sense when it comes to impending tragedy. She has that look. The mental brace. The ancient eyes. And I know she has received her share of blows.
“The woman we found was murdered,” I reply.
Belinda Horner makes a sound that is part scream, part groan. She glares at me as if she wants to attack me, the messenger of unbearable news. I brace, but she doesn’t move. For several interminable seconds, it’s as if she’s frozen. Then her face turns deep red. “No!” Her mouth quivers. “You’re lying.” Her gaze flicks to Glock. “Both of you!”
Unable to meet her ravaged eyes, I focus on a stain in the carpet. After a moment, an animalistic sound erupts from her throat, startling me. I look up to see her bend at the waist, as if someone gut-punched her. When she looks at me, her face is wet with tears. “Please tell me it’s not true.”
This isn’t the first time I’ve had to deliver bad news. Two years ago, when I’d been on the job for less than a week, I was forced to tell Jim and Marilyn Stettler that their sixteen-year-old son wrapped his brand-new Mustang around a telephone pole, killing himself and his fourteen-year-old sister in the process. It was one of the hardest things I’ve ever had to do in the course of my law enforcement career. It was the first time in my life I drank alone. But it wasn’t the last.
I go to Belinda Horner, set my hand on her shoulder and squeeze. “I’m very sorry.”
She shakes off my hand and turns on me. She looks like she wants to tear me apart. “How could this happen?” She is screaming now. Overcome with grief and an impotent rage that is about to burgeon out of control. “How could someone hurt her?”
“We don’t know, ma’am, but I promise you we’re doing everything we can to find out.”
She stares at me a moment longer, then clenches her fists in her hair as if to pull it out. “Oh, dear God. Harold. I have to call Harold. How am I going to tell him our baby is gone?”
Spotting a phone on the counter, I cross to it and pick it up. “Mrs. Horner, let me call him for you. What’s his number?”
She wipes her eyes with the back of her hand, leaving a smear of mascara. Her voice trembles as she recites the number from memory. I dial, hating it that Harold Horner’s life is about to be torn apart, too. But I don’t want this woman left alone. I have a crime to solve and I can’t do that from here.
Horner answers on the first ring. I identify myself and tell him there’s an emergency at home. He asks about his wife first, and I tell him she’s all right. When he asks about his daughter, I ask him to come home and hang up.
Belinda Horner stands at the window, her arms wrapped around herself. Glock stands near the door looking out at the bleak landscape beyond. His forehead is slicked with sweat. I feel that same terrible sweat between my shoulder blades.
“Mrs. Horner, when’s the last time you saw Amanda?” I ask.
The question elicits a look that gives me a chill. “I want to see her,” she says hollowly. “Where is she? Where’s my baby?”
Before I can answer, her knees buckle. I rush toward her, but Glock is faster and catches her beneath the arms just as her knees hit the floor. “Easy, ma’am,” he says.
Glock and I help her to the sofa. “I know this is hard, Mrs. Horner,” I say. “Please try to calm down.”
She turns tear-bright eyes on me. “Where is she?”
“The hospital in Millersburg. The chaplain is waiting for you there if you need him.”
“I’m not very religious.” She struggles to her feet, glances around the room, but she doesn’t move. She seems confused, not sure where she is or what to do next. “I really want to see her.”
“That won’t be a problem.” I try again to get the information I need. “Mrs. Horner, when’s the last time you saw your daughter?”
“Two days ago. She was . . . going out. She’d just gotten her hair cut. Bought a new sweater at the mall. It was brown with sequins at the collar. She looked so pretty.”
“Was she with someone?”
“Her friend Connie. They were going to that new club.”
“What club?”
“The Brass Rail.”
My officers have been called there on several occasions. The place draws a young crowd high on hormones and booze and God only knows what else. “What’s Connie’s last name?”
“Spencer.”
I pull a pad from my pocket and jot. “What time did Amanda leave here?”
“Seven-thirty or so. She was always running late. Waited till the last minute to do everything.” She squeezes her eyes closed and chokes back a sob. “I can’t believe this is happening.”
“Did Amanda have a boyfriend?”
“No. She was such a good girl. So young and pretty. Smart, too. Smarter than me and her daddy put together.” She looks at me, her mouth trembling. “She was going back to college this fall.”
I have no words to console her.
“Do you mind if we take a look at her room?” I ask.
She gives me a thousand-yard stare.
“Could you show us her room, ma’am?” Glock asks quietly.
Keening softly, she shuffles toward the hall. I follow close behind. We pass a tiny bathroom. I see pink towels with lace and a matching shower curtain. She stops at the next door, pushes it open. “This is her room. Her things.” Her body convulses with sobs. “Oh, my baby. My poor, sweet baby girl.”
I step past her and try to assess what I see with the unbiased eye of a cop. Not easy to do when the grief in the room is so palpable you can’t breathe.
The bed is a twin. Unmade. With lacy pink sheets and a matching comforter. Little-girl bedclothes, I think. Probably had them since she was a kid.
A lamp, alarm clock and several framed photographs sit atop the single night table. I cross to it and pick up a photo of Amanda and a young man. “Who’s this?”
Belinda blinks back tears. “Donny Beck.”
“Boyfriend?”
She nods. “Ex. He was crazy about Amanda.”
“Was she serious about him?”
“She liked him, but not as much as he liked her.”
I exchange looks with Glock. Another photo depicts Amanda atop a sorrel horse, grinning as if she’d just won the Kentucky Derby.
“She loves horses.” Belinda Horner looks as if she’s aged ten years in five minutes. Her eyes and cheeks are sunken, her makeup streaked down her face like that of a sad clown. “Harold and I bought her riding lessons for her high school graduation. We couldn’t really afford it. But she loved it so much.”
I replace the photo. “Did she keep a diary, ma’am? Journal? Anything like that?”
“Not that I know of.” She picks up a ratty-looking stuffed bear and smells it. Hugging the bear, she bursts into tears. “I want her back.”
I look around, hoping to spot something—anything—that will tell me more about Amanda Horner. Being as unobtrusive as possible, I look through the night table. Finding nothing, I move to the dresser and quickly rifle through T-shirts and jeans, socks and underwear.
The sound of a car door slamming outside alerts me that Harold Horner has arrived home. Without speaking, Belinda rushes from the room. “Harold! Harold!”
I look at Glock. “Jesus.”
He shakes his head. “Yeah.”
I enter the living room as the front door bursts open.
“I got here as fast as I could.” Harold Horner is a large man. Wearing a red flannel shirt and denim jacket, he looks like a lumberjack. He is bald with the rough hands of a workingman. I notice his eyes are the same color as his daughter’s. He scans the faces in the room. “Where’s Amanda?”
Showing him my badge, I identify myself. “I’m afraid we have some bad news about your daughter, sir.”
“Aw, Jesus. Aw, God. What happened? What’s going on?”
“She’s dead,” Belinda Horner blurts. “Our baby is dead. Oh Harold, dear God.” He goes to her and she collapses in his arms. “Our sweet little girl is gone, and she’s never coming back.”
I drop Glock at the station with instructions to head over to the Brass Rail. I’d rather do that myself; I’ve never been good at delegating. But I need to speak with Doc Coblentz. Revisiting the dead is one responsibility I won’t put on my officers.
Earlier, Glock completed the tedious task of lifting tire tread and footwear impressions at the crime scene. Mona couriered everything to the Bureau of Criminal Investigation and Identification lab in London, Ohio, which is over a hundred miles away. A courier fee isn’t in the budget, but I can’t spare an officer. I’ll pay for it out of my own pocket if necessary.
The lab will scan each impression and imprint into a computer and run a comparison analysis, matching impressions at the scene against the imprints of the first responders. It’s a long shot, but I’m hoping one impression will stand out and give us our first clue as to the identity of the killer.
It’s almost noon by the time I park adjacent the main entrance of Pomerene Hospital in Millersburg. I pass the information desk and take the elevator to the basement. A yellow and black biohazard sign glares at me as I go through the swinging doors. Doc Coblentz sits at a desk inside a glassed-in office where the miniblinds are open. He spots me and rises. Wearing a white lab coat and baggy tan trousers, he looks like an aging Pillsbury doughboy.
“Chief.” He extends his hand and we shake. “The parents were here a few minutes ago and identified her.” He shakes his head. “Nice family. Sad as hell to see something like this happen.”
“They see the chaplain?”
“Father Zimmerman took them to the chapel.” With a nod, he’s ready to get down to business. “I haven’t done the autopsy yet. All I have for you is a prelim.”
“I’ll take whatever you have.” The thought of seeing Amanda Horner’s body fills me with dread. But my need for hard facts overrides that human frailty. Right now, information is my most powerful tool. I want to catch the son of a bitch who did this. There is a part of me that wants to pull out my sidearm and fire a round into his face so he can’t put anyone else through the hell he’s putting the Horners through.
That need drives me forward when the doctor motions to a small alcove. “Grab a gown and shoe covers on the shelf there,” he says. “I’ll take your coat.”
Reluctantly, I relinquish my parka. He hangs it on a hook outside the door. Quickly, I don a sterile gown, slip the disposable shoe covers over my boots and leave the alcove.
Doc Coblentz motions toward the adjoining room labeled with a larger biohazard sign. “It’s not pretty,” he says.
“Murder never is.”
We go through another set of swinging doors and enter the autopsy room. Though it’s equipped with a separate ventilation system from the rest of the building, I discern the smell of formalin and an array of other, darker odors I don’t want to identify. Four stainless steel gurneys are parked against the far wall. A huge scale used for weighing bodies stands in the center. A smaller scale used for weighing individual organs squats on the stainless steel counter along with an assortment of trays, bottles and instruments.
The doc snags a clipboard from a shelf and takes me to the fifth gurney, the only one in use. He pulls down the sheet and Amanda Horner’s face comes into view. Her skin is gray now. Someone closed her eyes, but the left lid has come back up. A sticky-looking film coats the eyeball.
Sighing, Doc Coblentz shakes his head. “This poor child endured a horrible death, Kate.”
“Torture?”
“Yes.”
I steel myself against a slow rise of outrage. “Do you know the cause of death?”
“Exsanguination more than likely.”
“Any idea what kind of knife he used?”
“Something damn sharp. No serration. Probably short-bladed.” Using a long wooden swab with a cotton tip, he indicates the cut on her neck. “This is the fatal wound. Sharp force injury is clearly visible. You can see that the wound path is relatively short.” He glances at the clipboard. “Eight point one centimeters.”
“Is that significant?”
“It tells me he knew where to cut to hit the artery.”
“Medical training?”
“Or maybe he’s done it before.”
Because I don’t want to address that, I go to my next question. “How did he initially subdue her? Drugs? What?”
“I’ll run a tox screen.” He looks at me over the tops of his glasses. “But I think he may have used a stun gun.”
“How can you tell?”
Slipping his chubby hands into disposable gloves, he tugs the sheet down to her abdomen.
I’ve been a cop for almost ten years. I’ve seen shootings. Bloody domestic disputes. Horrific traffic accidents. It still disturbs me to see the dead up close and personal. Fear of death is a primal response built into all of us to varying degrees. No matter how much I’ve seen, I’ll never get used to it.
“See these red marks?” he asks.
My eyes follow the swab. Sure enough, two small round abrasion-like dots mar the skin at her left shoulder. Two more appear on her chest, above her right breast. Another stands out on her left bicep. If I wasn’t looking at the body of a murder victim, I could almost convince myself I was looking at a cluster of chicken pox, or some other benign blemish. But as a cop I know these marks are much more sinister.
“Abrasions?” I look closer. “Burns?”
“Burns.”
“Most stun guns don’t leave marks.”
“You’re right,” he concedes. “That’s particularly true if it’s applied through clothing.”
“So he hit her with it when she was nude?”
He lifts his shoulders. “Probably. But these marks are not consistent with what I’ve seen in the past.”
“What are you getting at?”
“These burns are more substantial. I think the voltage or amperage of the stun gun was tampered with.”
I look at the marks and try not to shudder. Ten years ago I attended the police academy in Columbus. As part of our training, any cadet brave enough to volunteer was hit with a stun gun. Because I was curious, I volunteered. Even though the amperage was set low, it knocked me on my ass. It incapacitated me for a full minute. And it hurt like hell. I couldn’t imagine being at the mercy of some psychopath with a souped-up stunner.
“You think the stun gun is some kind of homemade job?” I ask.
“Or modified.” He nods. “Whatever the case, she was hit with it multiple times.”
I look at the scored flesh on her wrists. A quiver runs through my stomach when I see the white of bone. “What the hell did he bind her with?”
“Some type of wire. For quite some time, evidently.” He shakes his head so vigorously his jowls jiggle. “She struggled.”
Painters Mill is located in the heart of farm country. Many farmers grow and cut hay, so there’s plenty of baling wire around. Even if we identified the type, it would be impossible to trace.
The doctor lifts the sheet. “He used some type of chain on her ankles. Large links with some rust present. Judging from these bruises, he strung her up when she was still alive.”
The image my mind conjures is too horrific to contemplate. All I can think is that we’re not dealing with a human being. We’re not even dealing with an animal. Only true evil could inflict these kinds of horrors.
With the impersonal enthusiasm of the scientist he is, the doc removes the sheet completely. I mentally brace as Amanda Horner’s body comes into view. I see multiple burns and abrasions on gray flesh. I’m not squeamish, but my stomach feels jittery. I’m aware of my heart beating too fast. Saliva pooling in my mouth. I know what the doc is going to say next, and my eyes are drawn to the carving on her abdomen, above her navel.
The wound has been cleaned. The XXIII carved into her flesh is unmistakable. Realizing I’m holding my breath, I exhale.
“You need water, Kate?”
The question annoys me, but I resist the urge to snap. “Did you get photos?”
“Yes.”
My eyes go to the faint bruising on the insides of her thighs. “She was sexually assaulted?”
“There was minute vaginal tearing. Some anal tearing as well. I also found evidence of burns around the anus, probably from some type of electrical charge. I took swabs, but I don’t think there was any semen left behind.”
“What about hair or fibers?”
“No and no.”
“So he wore a condom.”
“A lubricated condom, actually. I found traces of glycerin and methylparaben inside her vagina and around the anus.”
I consider that. “How can a guy get close enough to rape and not leave hair behind?”
“I have two hypotheses on that.”
“Lay them on me.”
“He could have shaved his body hair. Wouldn’t be the first time a serial rapist has gone to those lengths to avoid the risk of leaving DNA behind.”
“And the second?”
“He could have raped her using some type of foreign object. I may know more when I get my swabs back from the lab.”
“So, our guy might know something about forensics and evidence.”
“Who doesn’t these days?” He shrugs. “People watch CSI. Everyone’s an expert.”
“Put a rush on the lab, will you?”
“You bet I will.”
Some of the tension leaves me when the doc drapes the sheet over the body. “What about time of death?”
“I took a core body temp as soon as I got her here, which was at three-fifty-three this morning.” The doc looks at the clipboard. “Liver temp was 83.6 degrees Fahrenheit. My best estimate on time of death is going to be between four and seven P.M. yesterday afternoon.”
Belinda Horner told me the last time she saw Amanda was around seven-thirty P.M. Saturday, so she was abducted at some point after that. “If he abducted her sometime Saturday night, he had her for quite a while before he killed her.” The thought sickens me. Makes me want to get my hands on the sick bastard responsible and forget I’m a cop.
“I’m afraid so.” He gestures toward the body. “Whoever did this took his time with her, Kate. He wasn’t in a hurry and kept her alive for a while.”
I try to keep my voice level. “So, he probably took her to a place where he felt safe. A place where he knew he wouldn’t be overheard.” There are a lot of places like that in farm country, where houses are often more than a mile apart.
I look at the doc. “Was she gagged?”
“Not that I can tell. No sign of tape residue. No visible fibers in her mouth.” He grimaces. “She bit her tongue.”
He listened to her scream, I think. “So he has a place that’s private. A place he can come and go as he pleases. A place that’s desolate where no one could hear her.”
“Or a house with a basement or soundproof room.”
The need to move, to work this case, pumps through me with an intensity that’s almost manic. My mind whirls with all the things I need to do. The people I need to question. I must decide which tasks to delegate and which to take on myself. I’m going to need the help of all my officers. I’ll need to call in my auxiliary officer, too. My exhaustion from earlier is gone. In its place is the steel resolve to find a monster.
As if realizing I’m finished here, the doctor snaps off his latex gloves. “I’ll call you as soon as I finish.”
“Thanks, Doc. You’ve been a huge help.”
I’m midway to the door when I remember I have one more question. “Do you have the complete autopsy reports on the vics from before? I’ve only got the summaries.”
“I believe they’re in archive, but I can get them.”
“I’d appreciate it if you’d pull everything you have and send copies to my office ASAP.”
He holds my gaze, and his expression darkens. “I was just out of my residency back then, Kate. I assisted Dr. Kours on all four autopsies.” He laughs, but it’s a humorless sound. “I swear to God I almost went into dentistry after seeing those bodies.”
I don’t want to hear what he’s going to say next, but I don’t turn away.
“You see something like that and it sticks with you.” He crosses to me. “Amanda Horner died exactly the same way as those girls.”
Though I’d anticipated this moment, his words send a chill through me.
“I’m sure you noticed that the number carved into the victim’s abdomen jumps from nine to twenty-three,” the doctor says. “That concerns me.”
“We’re not even sure if we’re dealing with the same killer,” I reply. “Could be a copycat.”
He tosses his gloves into the biohazard receptacle. “I don’t want to believe there is one man, let alone two, who are capable of this kind of evil. I sure as hell don’t want to believe they sprang from this town.”
He removes his glasses and wipes the bridge of his nose with a handkerchief, and I realize this veteran doctor is upset by the things he’s seen today.
“It’s his signature,” he says. “I’ll stake my career on it.”
I stare at him, telling myself he’s wrong. But for the first time, a tiny grain of doubt assails me. Some little voice in the back of my mind demands to know if, in the hysteria and horror of that dreadful day sixteen years ago, the shotgun blast failed to do the job.
For half of my life I’ve believed I took a man’s life. I’ve forgiven myself and asked God to do the same. I rationalized my actions, my silence, the silence of my family. Somehow, I learned to live with it. This murder makes me question all of it.
“Kate?” The doc’s bushy white brows knit in concern.
“I’m okay,” I say quickly and start toward the door. I feel the doctor’s eyes on me as I yank it open. By the time I step into the hall I’m sweating beneath my uniform.
There’s only one way to find out if the man I shot all those years ago is dead. To do that I need to talk to two people I’ve spoken to only a handful of times since. Two people who were there the day my life was irrevocably changed by violence. The day a fourteen-year-old Amish girl picked up her father’s shotgun and killed a man.
Or did I?