Tales of Men and Ghosts

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Title: Tales Of Men And Ghosts

Author: Edith Wharton

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Edited by Charles Aldarondo Aldarondo@yahoo.com

TALES OF MEN AND GHOSTS

BY

EDITH WHARTON

LONDON

1910

CONTENTS

I The Bolted Door II His Father’s Son III The Daunt Diana IV The Debt V Full Circle VI The Legend VII The Eyes VIII The Blond Beast IX Afterward X The Letters

THE BOLTED DOOR

I

HUBERT GRANICE, pacing the length of his pleasant lamp-lit library, paused to compare his watch with the clock on the chimney-piece.

Three minutes to eight.

In exactly three minutes Mr. Peter Ascham, of the eminent legal firm of Ascham and Pettilow, would have his punctual hand on the door-bell of the flat. It was a comfort to reflect that Ascham was so punctual—the suspense was beginning to make his host nervous. And the sound of the door-bell would be the beginning of the end—after that there’d be no going back, by God—no going back!

Granice resumed his pacing. Each time he reached the end of the room opposite the door he caught his reflection in the Florentine mirror above the fine old walnut credence he had picked up at Dijon—saw himself spare, quick-moving, carefully brushed and dressed, but furrowed, gray about the temples, with a stoop which he corrected by a spasmodic straightening of the shoulders whenever a glass confronted him: a tired middle-aged man, baffled, beaten, worn out.

As he summed himself up thus for the third or fourth time the door opened and he turned with a thrill of relief to greet his guest. But it was only the man-servant who entered, advancing silently over the mossy surface of the old Turkey rug.

“Mr. Ascham telephones, sir, to say he’s unexpectedly detained and can’t be here till eight-thirty.”

Granice made a curt gesture of annoyance. It was becoming harder and harder for him to control these reflexes. He turned on his heel, tossing to the servant over his shoulder: “Very good. Put off dinner.”

Down his spine he felt the man’s injured stare. Mr. Granice had always been so mild-spoken to his people—no doubt the odd change in his manner had already been noticed and discussed below stairs. And very likely they suspected the cause. He stood drumming on the writing-table till he heard the servant go out; then he threw himself into a chair, propping his elbows on the table and resting his chin on his locked hands.

Another half hour alone with it!

He wondered irritably what could have detained his guest. Some professional matter, no doubt—the punctilious lawyer would have allowed nothing less to interfere with a dinner engagement, more especially since Granice, in his note, had said: “I shall want a little business chat afterward.”

But what professional matter could have come up at that unprofessional hour? Perhaps some other soul in misery had called on the lawyer; and, after all, Granice’s note had given no hint of his own need! No doubt Ascham thought he merely wanted to make another change in his will. Since he had come into his little property, ten years earlier, Granice had been perpetually tinkering with his will.

Suddenly another thought pulled him up, sending a flush to his sallow temples. He remembered a word he had tossed to the lawyer some six weeks earlier, at the Century Club. “Yes—my play’s as good as taken. I shall be calling on you soon to go over the contract. Those theatrical chaps are so slippery—I won’t trust anybody but you to tie the knot for me!” That, of course, was what Ascham would think he was wanted for. Granice, at the idea, broke into an audible laugh—a queer stage-laugh, like the cackle of a baffled villain in a melodrama. The absurdity, the unnaturalness of the sound abashed him, and he compressed his lips angrily. Would he take to soliloquy next?

He lowered his arms and pulled open the upper drawer of the writing-table. In the right-hand corner lay a thick manuscript, bound in paper folders, and tied with a string beneath which a letter had been slipped. Next to the manuscript was a small revolver. Granice stared a moment at these oddly associated objects; then he took the letter from under the string and slowly began to open it. He had known he should do so from the moment his hand touched the drawer. Whenever his eye fell on that letter some relentless force compelled him to re-read it.

It was dated about four weeks back, under the letter-head of “The Diversity Theatre.” “MY DEAR MR. GRANICE:

“I have given the matter my best consideration for the last month, and it’s no use—the play won’t do. I have talked it over with Miss Melrose—and you know there isn’t a gamer artist on our stage—and I regret to tell you she feels just as I do about it. It isn’t the poetry that scares her—or me either. We both want to do all we can to help along the poetic drama—we believe the public’s ready for it, and we’re willing to take a big financial risk in order to be the first to give them what they want. But we don’t believe they could be made to want this. The fact is, there isn’t enough drama in your play to the allowance of poetry—the thing drags all through. You’ve got a big idea, but it’s not out of swaddling clothes.

“If this was your first play I’d say: Try again. But it has been just the same with all the others you’ve shown me. And you remember the result of ‘The Lee Shore,’ where you carried all the expenses of production yourself, and we couldn’t fill the theatre for a week. Yet ‘The Lee Shore’ was a modern problem play—much easier to swing than blank verse. It isn’t as if you hadn’t tried all kinds—”

Granice folded the letter and put it carefully back into the envelope. Why on earth was he rereading it, when he knew every phrase in it by heart, when for a month past he had seen it, night after night, stand out in letters of flame against the darkness of his sleepless lids?

“It has been just the same with all the others you’ve shown me.”

That was the way they dismissed ten years of passionate unremitting work!

“You remember the result of ‘The Lee Shore.’”

Good God—as if he were likely to forget it! He relived it all now in a drowning flash: the persistent rejection of the play, his sudden resolve to put it on at his own cost, to spend ten thousand dollars of his inheritance on testing his chance of success—the fever of preparation, the dry-mouthed agony of the “first night,” the flat fall, the stupid press, his secret rush to Europe to escape the condolence of his friends!

“It isn’t as if you hadn’t tried all kinds.”

No—he had tried all kinds: comedy, tragedy, prose and verse, the light curtain-raiser, the short sharp drama, the bourgeois-realistic and the lyrical-romantic—finally deciding that he would no longer “prostitute his talent” to win popularity, but would impose on the public his own theory of art in the form of five acts of blank verse. Yes, he had offered them everything—and always with the same result.

Ten years of it—ten years of dogged work and unrelieved failure. The ten years from forty to fifty—the best ten years of his life! And if one counted the years before, the silent years of dreams, assimilation, preparation—then call it half a man’s life-time: half a man’s life-time thrown away!

And what was he to do with the remaining half? Well, he had settled that, thank God! He turned and glanced anxiously at the clock. Ten minutes past eight—only ten minutes had been consumed in that stormy rush through his whole past! And he must wait another twenty minutes for Ascham. It was one of the worst symptoms of his case that, in proportion as he had grown to shrink from human company, he dreaded more and more to be alone. … But why the devil was he waiting for Ascham? Why didn’t he cut the knot himself? Since he was so unutterably sick of the whole business, why did he have to call in an outsider to rid him of this nightmare of living?

He opened the drawer again and laid his hand on the revolver. It was a small slim ivory toy—just the instrument for a tired sufferer to give himself a “hypodermic” with. Granice raised it slowly in one hand, while with the other he felt under the thin hair at the back of his head, between the ear and the nape. He knew just where to place the muzzle: he had once got a young surgeon to show him. And as he found the spot, and lifted the revolver to it, the inevitable phenomenon occurred. The hand that held the weapon began to shake, the tremor communicated itself to his arm, his heart gave a wild leap which sent up a wave of deadly nausea to his throat, he smelt the powder, he sickened at the crash of the bullet through his skull, and a sweat of fear broke out over his forehead and ran down his quivering face…

He laid away the revolver with an oath and, pulling out a cologne-scented handkerchief, passed it tremulously over his brow and temples. It was no use—he knew he could never do it in that way. His attempts at self-destruction were as futile as his snatches at fame! He couldn’t make himself a real life, and he couldn’t get rid of the life he had. And that was why he had sent for Ascham to help him…

The lawyer, over the Camembert and Burgundy, began to excuse himself for his delay.

“I didn’t like to say anything while your man was about—but the fact is, I was sent for on a rather unusual matter—”

“Oh, it’s all right,” said Granice cheerfully. He was beginning to feel the usual reaction that food and company produced. It was not any recovered pleasure in life that he felt, but only a deeper withdrawal into himself. It was easier to go on automatically with the social gestures than to uncover to any human eye the abyss within him.

“My dear fellow, it’s sacrilege to keep a dinner waiting—especially the production of an artist like yours.” Mr. Ascham sipped his Burgundy luxuriously. “But the fact is, Mrs. Ashgrove sent for me.”

Granice raised his head with a quick movement of surprise. For a moment he was shaken out of his self-absorption.

“Mrs. Ashgrove?”

Ascham smiled. “I thought you’d be interested; I know your passion for causes celebres. And this promises to be one. Of course it’s out of our line entirely—we never touch criminal cases. But she wanted to consult me as a friend. Ashgrove was a distant connection of my wife’s. And, by Jove, it is a queer case!” The servant reentered, and Ascham snapped his lips shut.

Would the gentlemen have their coffee in the dining-room?

“No—serve it in the library,” said Granice, rising. He led the way back to the curtained confidential room. He was really curious to hear what Ascham had to tell him.

While the coffee and cigars were being served he fidgeted about the library, glancing at his letters—the usual meaningless notes and bills—and picking up the evening paper. As he unfolded it a headline caught his eye.

“ROSE MELROSE WANTS TO PLAY POETRY.

“THINKS SHE HAS FOUND HER POET.”

He read on with a thumping heart—found the name of a young author he had barely heard of, saw the title of a play, a “poetic drama,” dance before his eyes, and dropped the paper, sick, disgusted. It was true, then—she was “game”—it was not the manner but the matter she mistrusted!

Granice turned to the servant, who seemed to be purposely lingering. “I shan’t need you this evening, Flint. I’ll lock up myself.”

He fancied the man’s acquiescence implied surprise. What was going on, Flint seemed to wonder, that Mr. Granice should want him out of the way? Probably he would find a pretext for coming back to see. Granice suddenly felt himself enveloped in a network of espionage.

As the door closed he threw himself into an armchair and leaned forward to take a light from Ascham’s cigar.

“Tell me about Mrs. Ashgrove,” he said, seeming to himself to speak stiffly, as if his lips were cracked.

“Mrs. Ashgrove? Well, there’s not much to tell.”

“And you couldn’t if there were?” Granice smiled.

“Probably not. As a matter of fact, she wanted my advice about her choice of counsel. There was nothing especially confidential in our talk.”

“And what’s your impression, now you’ve seen her?”

“My impression is, very distinctly, that nothing will ever be known.”

“Ah—?” Granice murmured, puffing at his cigar.

“I’m more and more convinced that whoever poisoned Ashgrove knew his business, and will consequently never be found out. That’s a capital cigar you’ve given me.”

“You like it? I get them over from Cuba.” Granice examined his own reflectively. “Then you believe in the theory that the clever criminals never are caught?”

“Of course I do. Look about you—look back for the last dozen years—none of the big murder problems are ever solved.” The lawyer ruminated behind his blue cloud. “Why, take the instance in your own family: I’d forgotten I had an illustration at hand! Take old Joseph Lenman’s murder—do you suppose that will ever be explained?”

As the words dropped from Ascham’s lips his host looked slowly about the library, and every object in it stared back at him with a stale unescapable familiarity. How sick he was of looking at that room! It was as dull as the face of a wife one has wearied of. He cleared his throat slowly; then he turned his head to the lawyer and said: “I could explain the Lenman murder myself.”

Ascham’s eye kindled: he shared Granice’s interest in criminal cases.

“By Jove! You’ve had a theory all this time? It’s odd you never mentioned it. Go ahead and tell me. There are certain features in the Lenman case not unlike this Ashgrove affair, and your idea may be a help.”

Granice paused and his eye reverted instinctively to the table drawer in which the revolver and the manuscript lay side by side. What if he were to try another appeal to Rose Melrose? Then he looked at the notes and bills on the table, and the horror of taking up again the lifeless routine of life—of performing the same automatic gestures another day—displaced his fleeting vision.

“I haven’t a theory. I know who murdered Joseph Lenman.”

Ascham settled himself comfortably in his chair, prepared for enjoyment.

“You know? Well, who did?” he laughed.

“I did,” said Granice, rising.

He stood before Ascham, and the lawyer lay back staring up at him. Then he broke into another laugh.

“Why, this is glorious! You murdered him, did you? To inherit his money, I suppose? Better and better! Go on, my boy! Unbosom yourself! Tell me all about it! Confession is good for the soul.”

Granice waited till the lawyer had shaken the last peal of laughter from his throat; then he repeated doggedly: “I murdered him.”

The two men looked at each other for a long moment, and this time Ascham did not laugh.

“Granice!”

“I murdered him—to get his money, as you say.”

There was another pause, and Granice, with a vague underlying sense of amusement, saw his guest’s look change from pleasantry to apprehension.

“What’s the joke, my dear fellow? I fail to see.”

“It’s not a joke. It’s the truth. I murdered him.” He had spoken painfully at first, as if there were a knot in his throat; but each time he repeated the words he found they were easier to say.

Ascham laid down his extinct cigar.

“What’s the matter? Aren’t you well? What on earth are you driving at?”

“I’m perfectly well. But I murdered my cousin, Joseph Lenman, and I want it known that I murdered him.”

“You want it known?”

“Yes. That’s why I sent for you. I’m sick of living, and when I try to kill myself I funk it.” He spoke quite naturally now, as if the knot in his throat had been untied.

“Good Lord—good Lord,” the lawyer gasped.

“But I suppose,” Granice continued, “there’s no doubt this would be murder in the first degree? I’m sure of the chair if I own up?”

Ascham drew a long breath; then he said slowly: “Sit down, Granice. Let’s talk.”

II

GRANICE told his story simply, connectedly.

He began by a quick survey of his early years—the years of drudgery and privation. His father, a charming man who could never say “no,” had so signally failed to say it on certain essential occasions that when he died he left an illegitimate family and a mortgaged estate. His lawful kin found themselves hanging over a gulf of debt, and young Granice, to support his mother and sister, had to leave Harvard and bury himself at eighteen in a broker’s office. He loathed his work, and he was always poor, always worried and in ill-health. A few years later his mother died, but his sister, an ineffectual neurasthenic, remained on his hands. His own health gave out, and he had to go away for six months, and work harder than ever when he came back. He had no knack for business, no head for figures, no dimmest insight into the mysteries of commerce. He wanted to travel and write—those were his inmost longings. And as the years dragged on, and he neared middle-age without making any more money, or acquiring any firmer health, a sick despair possessed him. He tried writing, but he always came home from the office so tired that his brain could not work. For half the year he did not reach his dim up-town flat till after dark, and could only “brush up” for dinner, and afterward lie on the lounge with his pipe, while his sister droned through the evening paper. Sometimes he spent an evening at the theatre; or he dined out, or, more rarely, strayed off with an acquaintance or two in quest of what is known as “pleasure.” And in summer, when he and Kate went to the sea-side for a month, he dozed through the days in utter weariness. Once he fell in love with a charming girl—but what had he to offer her, in God’s name? She seemed to like him, and in common decency he had to drop out of the running. Apparently no one replaced him, for she never married, but grew stoutish, grayish, philanthropic—yet how sweet she had been when he had first kissed her! One more wasted life, he reflected…

But the stage had always been his master-passion. He would have sold his soul for the time and freedom to write plays! It was in him—he could not remember when it had not been his deepest-seated instinct. As the years passed it became a morbid, a relentless obsession—yet with every year the material conditions were more and more against it. He felt himself growing middle-aged, and he watched the reflection of the process in his sister’s wasted face. At eighteen she had been pretty, and as full of enthusiasm as he. Now she was sour, trivial, insignificant—she had missed her chance of life. And she had no resources, poor creature, was fashioned simply for the primitive functions she had been denied the chance to fulfil! It exasperated him to think of it—and to reflect that even now a little travel, a little health, a little money, might transform her, make her young and desirable… The chief fruit of his experience was that there is no such fixed state as age or youth—there is only health as against sickness, wealth as against poverty; and age or youth as the outcome of the lot one draws.

At this point in his narrative Granice stood up, and went to lean against the mantel-piece, looking down at Ascham, who had not moved from his seat, or changed his attitude of rigid fascinated attention.

“Then came the summer when we went to Wrenfield to be near old Lenman—my mother’s cousin, as you know. Some of the family always mounted guard over him—generally a niece or so. But that year they were all scattered, and one of the nieces offered to lend us her cottage if we’d relieve her of duty for two months. It was a nuisance for me, of course, for Wrenfield is two hours from town; but my mother, who was a slave to family observances, had always been good to the old man, so it was natural we should be called on—and there was the saving of rent and the good air for Kate. So we went.

“You never knew Joseph Lenman? Well, picture to yourself an amoeba or some primitive organism of that sort, under a Titan’s microscope. He was large, undifferentiated, inert—since I could remember him he had done nothing but take his temperature and read the Churchman. Oh, and cultivate melons—that was his hobby. Not vulgar, out-of-door melons—his were grown under glass. He had miles of it at Wrenfield—his big kitchen-garden was surrounded by blinking battalions of greenhouses. And in nearly all of them melons were grown—early melons and late, French, English, domestic—dwarf melons and monsters: every shape, colour and variety. They were petted and nursed like children—a staff of trained attendants waited on them. I’m not sure they didn’t have a doctor to take their temperature—at any rate the place was full of thermometers. And they didn’t sprawl on the ground like ordinary melons; they were trained against the glass like nectarines, and each melon hung in a net which sustained its weight and left it free on all sides to the sun and air…

“It used to strike me sometimes that old Lenman was just like one of his own melons—the pale-fleshed English kind. His life, apathetic and motionless, hung in a net of gold, in an equable warm ventilated atmosphere, high above sordid earthly worries. The cardinal rule of his existence was not to let himself be ‘worried.’ . . I remember his advising me to try it myself, one day when I spoke to him about Kate’s bad health, and her need of a change. ‘I never let myself worry,’ he said complacently. ‘It’s the worst thing for the liver—and you look to me as if you had a liver. Take my advice and be cheerful. You’ll make yourself happier and others too.’ And all he had to do was to write a cheque, and send the poor girl off for a holiday!

“The hardest part of it was that the money half-belonged to us already. The old skin-flint only had it for life, in trust for us and the others. But his life was a good deal sounder than mine or Kate’s—and one could picture him taking extra care of it for the joke of keeping us waiting. I always felt that the sight of our hungry eyes was a tonic to him.

“Well, I tried to see if I couldn’t reach him through his vanity. I flattered him, feigned a passionate interest in his melons. And he was taken in, and used to discourse on them by the hour. On fine days he was driven to the greenhouses in his pony-chair, and waddled through them, prodding and leering at the fruit, like a fat Turk in his seraglio. When he bragged to me of the expense of growing them I was reminded of a hideous old Lothario bragging of what his pleasures cost. And the resemblance was completed by the fact that he couldn’t eat as much as a mouthful of his melons—had lived for years on buttermilk and toast. ‘But, after all, it’s my only hobby—why shouldn’t I indulge it?’ he said sentimentally. As if I’d ever been able to indulge any of mine! On the keep of those melons Kate and I could have lived like gods…

“One day toward the end of the summer, when Kate was too unwell to drag herself up to the big house, she asked me to go and spend the afternoon with cousin Joseph. It was a lovely soft September afternoon—a day to lie under a Roman stone-pine, with one’s eyes on the sky, and let the cosmic harmonies rush through one. Perhaps the vision was suggested by the fact that, as I entered cousin Joseph’s hideous black walnut library, I passed one of the under-gardeners, a handsome full-throated Italian, who dashed out in such a hurry that he nearly knocked me down. I remember thinking it queer that the fellow, whom I had often seen about the melon-houses, did not bow to me, or even seem to see me.

“Cousin Joseph sat in his usual seat, behind the darkened windows, his fat hands folded on his protuberant waistcoat, the last number of the Churchman at his elbow, and near it, on a huge dish, a fat melon—the fattest melon I’d ever seen. As I looked at it I pictured the ecstasy of contemplation from which I must have roused him, and congratulated myself on finding him in such a mood, since I had made up my mind to ask him a favour. Then I noticed that his face, instead of looking as calm as an egg-shell, was distorted and whimpering—and without stopping to greet me he pointed passionately to the melon.

“‘Look at it, look at it—did you ever see such a beauty? Such firmness—roundness—such delicious smoothness to the touch?’ It was as if he had said ‘she’ instead of ‘it,’ and when he put out his senile hand and touched the melon I positively had to look the other way.

“Then he told me what had happened. The Italian under-gardener, who had been specially recommended for the melon-houses—though it was against my cousin’s principles to employ a Papist—had been assigned to the care of the monster: for it had revealed itself, early in its existence, as destined to become a monster, to surpass its plumpest, pulpiest sisters, carry off prizes at agricultural shows, and be photographed and celebrated in every gardening paper in the land. The Italian had done well—seemed to have a sense of responsibility. And that very morning he had been ordered to pick the melon, which was to be shown next day at the county fair, and to bring it in for Mr. Lenman to gaze on its blonde virginity. But in picking it, what had the damned scoundrelly Jesuit done but drop it—drop it crash on the sharp spout of a watering-pot, so that it received a deep gash in its firm pale rotundity, and was henceforth but a bruised, ruined, fallen melon?

“The old man’s rage was fearful in its impotence—he shook, spluttered and strangled with it. He had just had the Italian up and had sacked him on the spot, without wages or character—had threatened to have him arrested if he was ever caught prowling about Wrenfield. ‘By God, and I’ll do it—I’ll write to Washington—I’ll have the pauper scoundrel deported! I’ll show him what money can do!’ As likely as not there was some murderous Black-hand business under it—it would be found that the fellow was a member of a ‘gang.’ Those Italians would murder you for a quarter. He meant to have the police look into it… And then he grew frightened at his own excitement. ‘But I must calm myself,’ he said. He took his temperature, rang for his drops, and turned to the Churchman. He had been reading an article on Nestorianism when the melon was brought in. He asked me to go on with it, and I read to him for an hour, in the dim close room, with a fat fly buzzing stealthily about the fallen melon.

“All the while one phrase of the old man’s buzzed in my brain like the fly about the melon. ’I’ll show him what money can do!‘ Good heaven! If I could but show the old man! If I could make him see his power of giving happiness as a new outlet for his monstrous egotism! I tried to tell him something about my situation and Kate’s—spoke of my ill-health, my unsuccessful drudgery, my longing to write, to make myself a name—I stammered out an entreaty for a loan. ‘I can guarantee to repay you, sir—I’ve a half-written play as security…’

“I shall never forget his glassy stare. His face had grown as smooth as an egg-shell again—his eyes peered over his fat cheeks like sentinels over a slippery rampart.

“‘A half-written play—a play of yours as security?’ He looked at me almost fearfully, as if detecting the first symptoms of insanity. ‘Do you understand anything of business?’ he enquired mildly. I laughed and answered: ‘No, not much.’

“He leaned back with closed lids. ‘All this excitement has been too much for me,’ he said. ‘If you’ll excuse me, I’ll prepare for my nap.’ And I stumbled out of the room, blindly, like the Italian.”

Granice moved away from the mantel-piece, and walked across to the tray set out with decanters and soda-water. He poured himself a tall glass of soda-water, emptied it, and glanced at Ascham’s dead cigar.

“Better light another,” he suggested.

The lawyer shook his head, and Granice went on with his tale. He told of his mounting obsession—how the murderous impulse had waked in him on the instant of his cousin’s refusal, and he had muttered to himself: “By God, if you won’t, I’ll make you.” He spoke more tranquilly as the narrative proceeded, as though his rage had died down once the resolve to act on it was taken. He applied his whole mind to the question of how the old man was to be “disposed of.” Suddenly he remembered the outcry: “Those Italians will murder you for a quarter!” But no definite project presented itself: he simply waited for an inspiration.

Granice and his sister moved to town a day or two after the incident of the melon. But the cousins, who had returned, kept them informed of the old man’s condition. One day, about three weeks later, Granice, on getting home, found Kate excited over a report from Wrenfield. The Italian had been there again—had somehow slipped into the house, made his way up to the library, and “used threatening language.” The house-keeper found cousin Joseph gasping, the whites of his eyes showing “something awful.” The doctor was sent for, and the attack warded off; and the police had ordered the Italian from the neighbourhood.

But cousin Joseph, thereafter, languished, had “nerves,” and lost his taste for toast and buttermilk. The doctor called in a colleague, and the consultation amused and excited the old man—he became once more an important figure. The medical men reassured the family—too completely!—and to the patient they recommended a more varied diet: advised him to take whatever “tempted him.” And so one day, tremulously, prayerfully, he decided on a tiny bit of melon. It was brought up with ceremony, and consumed in the presence of the house-keeper and a hovering cousin; and twenty minutes later he was dead…

“But you remember the circumstances,” Granice went on; “how suspicion turned at once on the Italian? In spite of the hint the police had given him he had been seen hanging about the house since ‘the scene.’ It was said that he had tender relations with the kitchen-maid, and the rest seemed easy to explain. But when they looked round to ask him for the explanation he was gone—gone clean out of sight. He had been ‘warned’ to leave Wrenfield, and he had taken the warning so to heart that no one ever laid eyes on him again.”

Granice paused. He had dropped into a chair opposite the lawyer’s, and he sat for a moment, his head thrown back, looking about the familiar room. Everything in it had grown grimacing and alien, and each strange insistent object seemed craning forward from its place to hear him.

“It was I who put the stuff in the melon,” he said. “And I don’t want you to think I’m sorry for it. This isn’t ‘remorse,’ understand. I’m glad the old skin-flint is dead—I’m glad the others have their money. But mine’s no use to me any more. My sister married miserably, and died. And I’ve never had what I wanted.”

Ascham continued to stare; then he said: “What on earth was your object, then?”

“Why, to get what I wanted—what I fancied was in reach! I wanted change, rest, life, for both of us—wanted, above all, for myself, the chance to write! I travelled, got back my health, and came home to tie myself up to my work. And I’ve slaved at it steadily for ten years without reward—without the most distant hope of success! Nobody will look at my stuff. And now I’m fifty, and I’m beaten, and I know it.” His chin dropped forward on his breast. “I want to chuck the whole business,” he ended.

III

IT was after midnight when Ascham left.

His hand on Granice’s shoulder, as he turned to go—“District Attorney be hanged; see a doctor, see a doctor!” he had cried; and so, with an exaggerated laugh, had pulled on his coat and departed.

Granice turned back into the library. It had never occurred to him that Ascham would not believe his story. For three hours he had explained, elucidated, patiently and painfully gone over every detail—but without once breaking down the iron incredulity of the lawyer’s eye.

At first Ascham had feigned to be convinced—but that, as Granice now perceived, was simply to get him to expose himself, to entrap him into contradictions. And when the attempt failed, when Granice triumphantly met and refuted each disconcerting question, the lawyer dropped the mask suddenly, and said with a good-humoured laugh: “By Jove, Granice you’ll write a successful play yet. The way you’ve worked this all out is a marvel.”

Granice swung about furiously—that last sneer about the play inflamed him. Was all the world in a conspiracy to deride his failure?

“I did it, I did it,” he muttered sullenly, his rage spending itself against the impenetrable surface of the other’s mockery; and Ascham answered with a smile: “Ever read any of those books on hallucination? I’ve got a fairly good medico-legal library. I could send you one or two if you like…”

Left alone, Granice cowered down in the chair before his writing-table. He understood that Ascham thought him off his head.

“Good God—what if they all think me crazy?”

The horror of it broke out over him in a cold sweat—he sat there and shook, his eyes hidden in his icy hands. But gradually, as he began to rehearse his story for the thousandth time, he saw again how incontrovertible it was, and felt sure that any criminal lawyer would believe him.

“That’s the trouble—Ascham’s not a criminal lawyer. And then he’s a friend. What a fool I was to talk to a friend! Even if he did believe me, he’d never let me see it—his instinct would be to cover the whole thing up… But in that case—if he did believe me—he might think it a kindness to get me shut up in an asylum…” Granice began to tremble again. “Good heaven! If he should bring in an expert—one of those damned alienists! Ascham and Pettilow can do anything—their word always goes. If Ascham drops a hint that I’d better be shut up, I’ll be in a strait-jacket by tomorrow! And he’d do it from the kindest motives—be quite right to do it if he thinks I’m a murderer!”

The vision froze him to his chair. He pressed his fists to his bursting temples and tried to think. For the first time he hoped that Ascham had not believed his story.

“But he did—he did! I can see it now—I noticed what a queer eye he cocked at me. Good God, what shall I do—what shall I do?”

He started up and looked at the clock. Half-past one. What if Ascham should think the case urgent, rout out an alienist, and come back with him? Granice jumped to his feet, and his sudden gesture brushed the morning paper from the table. Mechanically he stooped to pick it up, and the movement started a new train of association.

He sat down again, and reached for the telephone book in the rack by his chair.

“Give me three-o-ten … yes.”

The new idea in his mind had revived his flagging energy. He would act—act at once. It was only by thus planning ahead, committing himself to some unavoidable line of conduct, that he could pull himself through the meaningless days. Each time he reached a fresh decision it was like coming out of a foggy weltering sea into a calm harbour with lights. One of the queerest phases of his long agony was the intense relief produced by these momentary lulls.

“That the office of the Investigator? Yes? Give me Mr. Denver, please… Hallo, Denver… Yes, Hubert Granice. … Just caught you? Going straight home? Can I come and see you … yes, now … have a talk? It’s rather urgent … yes, might give you some first-rate ‘copy.’ … All right!” He hung up the receiver with a laugh. It had been a happy thought to call up the editor of the Investigator—Robert Denver was the very man he needed…

Granice put out the lights in the library—it was odd how the automatic gestures persisted!—went into the hall, put on his hat and overcoat, and let himself out of the flat. In the hall, a sleepy elevator boy blinked at him and then dropped his head on his folded arms. Granice passed out into the street. At the corner of Fifth Avenue he hailed a crawling cab, and called out an up-town address. The long thoroughfare stretched before him, dim and deserted, like an ancient avenue of tombs. But from Denver’s house a friendly beam fell on the pavement; and as Granice sprang from his cab the editor’s electric turned the corner.

The two men grasped hands, and Denver, feeling for his latch-key, ushered Granice into the brightly-lit hall.

“Disturb me? Not a bit. You might have, at ten tomorrow morning … but this is my liveliest hour … you know my habits of old.”

Granice had known Robert Denver for fifteen years—watched his rise through all the stages of journalism to the Olympian pinnacle of the Investigator’s editorial office. In the thick-set man with grizzling hair there were few traces left of the hungry-eyed young reporter who, on his way home in the small hours, used to “bob in” on Granice, while the latter sat grinding at his plays. Denver had to pass Granice’s flat on the way to his own, and it became a habit, if he saw a light in the window, and Granice’s shadow against the blind, to go in, smoke a pipe, and discuss the universe.

“Well—this is like old times—a good old habit reversed.” The editor smote his visitor genially on the shoulder. “Reminds me of the nights when I used to rout you out… How’s the play, by the way? There is a play, I suppose? It’s as safe to ask you that as to say to some men: ‘How’s the baby?’”

Denver laughed good-naturedly, and Granice thought how thick and heavy he had grown. It was evident, even to Granice’s tortured nerves, that the words had not been uttered in malice—and the fact gave him a new measure of his insignificance. Denver did not even know that he had been a failure! The fact hurt more than Ascham’s irony.

“Come in—come in.” The editor led the way into a small cheerful room, where there were cigars and decanters. He pushed an armchair toward his visitor, and dropped into another with a comfortable groan.

“Now, then—help yourself. And let’s hear all about it.”

He beamed at Granice over his pipe-bowl, and the latter, lighting his cigar, said to himself: “Success makes men comfortable, but it makes them stupid.”

Then he turned, and began: “Denver, I want to tell you—”

The clock ticked rhythmically on the mantel-piece. The room was gradually filled with drifting blue layers of smoke, and through them the editor’s face came and went like the moon through a moving sky. Once the hour struck—then the rhythmical ticking began again. The atmosphere grew denser and heavier, and beads of perspiration began to roll from Granice’s forehead.

“Do you mind if I open the window?”

“No. It is stuffy in here. Wait—I’ll do it myself.” Denver pushed down the upper sash, and returned to his chair. “Well—go on,” he said, filling another pipe. His composure exasperated Granice.

“There’s no use in my going on if you don’t believe me.”

The editor remained unmoved. “Who says I don’t believe you? And how can I tell till you’ve finished?”

Granice went on, ashamed of his outburst. “It was simple enough, as you’ll see. From the day the old man said to me, ‘Those Italians would murder you for a quarter,’ I dropped everything and just worked at my scheme. It struck me at once that I must find a way of getting to Wrenfield and back in a night—and that led to the idea of a motor. A motor—that never occurred to you? You wonder where I got the money, I suppose. Well, I had a thousand or so put by, and I nosed around till I found what I wanted—a second-hand racer. I knew how to drive a car, and I tried the thing and found it was all right. Times were bad, and I bought it for my price, and stored it away. Where? Why, in one of those no-questions-asked garages where they keep motors that are not for family use. I had a lively cousin who had put me up to that dodge, and I looked about till I found a queer hole where they took in my car like a baby in a foundling asylum… Then I practiced running to Wrenfield and back in a night. I knew the way pretty well, for I’d done it often with the same lively cousin—and in the small hours, too. The distance is over ninety miles, and on the third trial I did it under two hours. But my arms were so lame that I could hardly get dressed the next morning…

“Well, then came the report about the Italian’s threats, and I saw I must act at once… I meant to break into the old man’s room, shoot him, and get away again. It was a big risk, but I thought I could manage it. Then we heard that he was ill—that there’d been a consultation. Perhaps the fates were going to do it for me! Good Lord, if that could only be! …”

Granice stopped and wiped his forehead: the open window did not seem to have cooled the room.

“Then came word that he was better; and the day after, when I came up from my office, I found Kate laughing over the news that he was to try a bit of melon. The house-keeper had just telephoned her—all Wrenfield was in a flutter. The doctor himself had picked out the melon, one of the little French ones that are hardly bigger than a large tomato—and the patient was to eat it at his breakfast the next morning.

“In a flash I saw my chance. It was a bare chance, no more. But I knew the ways of the house—I was sure the melon would be brought in over night and put in the pantry ice-box. If there were only one melon in the ice-box I could be fairly sure it was the one I wanted. Melons didn’t lie around loose in that house—every one was known, numbered, catalogued. The old man was beset by the dread that the servants would eat them, and he took a hundred mean precautions to prevent it. Yes, I felt pretty sure of my melon … and poisoning was much safer than shooting. It would have been the devil and all to get into the old man’s bedroom without his rousing the house; but I ought to be able to break into the pantry without much trouble.

“It was a cloudy night, too—everything served me. I dined quietly, and sat down at my desk. Kate had one of her usual headaches, and went to bed early. As soon as she was gone I slipped out. I had got together a sort of disguise—red beard and queer-looking ulster. I shoved them into a bag, and went round to the garage. There was no one there but a half-drunken machinist whom I’d never seen before. That served me, too. They were always changing machinists, and this new fellow didn’t even bother to ask if the car belonged to me. It was a very easy-going place…

“Well, I jumped in, ran up Broadway, and let the car go as soon as I was out of Harlem. Dark as it was, I could trust myself to strike a sharp pace. In the shadow of a wood I stopped a second and got into the beard and ulster. Then away again—it was just eleven-thirty when I got to Wrenfield.

“I left the car in a dark lane behind the Lenman place, and slipped through the kitchen-garden. The melon-houses winked at me through the dark—I remember thinking that they knew what I wanted to know. … By the stable a dog came out growling—but he nosed me out, jumped on me, and went back… The house was as dark as the grave. I knew everybody went to bed by ten. But there might be a prowling servant—the kitchen-maid might have come down to let in her Italian. I had to risk that, of course. I crept around by the back door and hid in the shrubbery. Then I listened. It was all as silent as death. I crossed over to the house, pried open the pantry window and climbed in. I had a little electric lamp in my pocket, and shielding it with my cap I groped my way to the ice-box, opened it—and there was the little French melon … only one.

“I stopped to listen—I was quite cool. Then I pulled out my bottle of stuff and my syringe, and gave each section of the melon a hypodermic. It was all done inside of three minutes—at ten minutes to twelve I was back in the car. I got out of the lane as quietly as I could, struck a back road that skirted the village, and let the car out as soon as I was beyond the last houses. I only stopped once on the way in, to drop the beard and ulster into a pond. I had a big stone ready to weight them with and they went down plump, like a dead body—and at two o’clock I was back at my desk.”

Granice stopped speaking and looked across the smoke-fumes at his listener; but Denver’s face remained inscrutable.

At length he said: “Why did you want to tell me this?”

The question startled Granice. He was about to explain, as he had explained to Ascham; but suddenly it occurred to him that if his motive had not seemed convincing to the lawyer it would carry much less weight with Denver. Both were successful men, and success does not understand the subtle agony of failure. Granice cast about for another reason.

“Why, I—the thing haunts me … remorse, I suppose you’d call it…”

Denver struck the ashes from his empty pipe.

“Remorse? Bosh!” he said energetically.

Granice’s heart sank. “You don’t believe in—_remorse?_”

“Not an atom: in the man of action. The mere fact of your talking of remorse proves to me that you’re not the man to have planned and put through such a job.”

Granice groaned. “Well—I lied to you about remorse. I’ve never felt any.”

Denver’s lips tightened sceptically about his freshly-filled pipe. “What was your motive, then? You must have had one.”

“I’ll tell you—” And Granice began again to rehearse the story of his failure, of his loathing for life. “Don’t say you don’t believe me this time … that this isn’t a real reason!” he stammered out piteously as he ended.

Denver meditated. “No, I won’t say that. I’ve seen too many queer things. There’s always a reason for wanting to get out of life—the wonder is that we find so many for staying in!”

Granice’s heart grew light. “Then you do believe me?” he faltered.

“Believe that you’re sick of the job? Yes. And that you haven’t the nerve to pull the trigger? Oh, yes—that’s easy enough, too. But all that doesn’t make you a murderer—though I don’t say it proves you could never have been one.”

“I have been one, Denver—I swear to you.”

“Perhaps.” He meditated. “Just tell me one or two things.”

“Oh, go ahead. You won’t stump me!” Granice heard himself say with a laugh.

“Well—how did you make all those trial trips without exciting your sister’s curiosity? I knew your night habits pretty well at that time, remember. You were very seldom out late. Didn’t the change in your ways surprise her?”

“No; because she was away at the time. She went to pay several visits in the country soon after we came back from Wrenfield, and was only in town for a night or two before—before I did the job.”

“And that night she went to bed early with a headache?”

“Yes—blinding. She didn’t know anything when she had that kind. And her room was at the back of the flat.”

Denver again meditated. “And when you got back—she didn’t hear you? You got in without her knowing it?”

“Yes. I went straight to my work—took it up at the word where I’d left off—_why, Denver, don’t you remember?_” Granice suddenly, passionately interjected.

“Remember—?”

“Yes; how you found me—when you looked in that morning, between two and three … your usual hour …?”

“Yes,” the editor nodded.

Granice gave a short laugh. “In my old coat—with my pipe: looked as if I’d been working all night, didn’t I? Well, I hadn’t been in my chair ten minutes!”

Denver uncrossed his legs and then crossed them again. “I didn’t know whether you remembered that.”

“What?”

“My coming in that particular night—or morning.”

Granice swung round in his chair. “Why, man alive! That’s why I’m here now. Because it was you who spoke for me at the inquest, when they looked round to see what all the old man’s heirs had been doing that night—you who testified to having dropped in and found me at my desk as usual. … I thought that would appeal to your journalistic sense if nothing else would!”

Denver smiled. “Oh, my journalistic sense is still susceptible enough—and the idea’s picturesque, I grant you: asking the man who proved your alibi to establish your guilt.”

“That’s it—that’s it!” Granice’s laugh had a ring of triumph.

“Well, but how about the other chap’s testimony—I mean that young doctor: what was his name? Ned Ranney. Don’t you remember my testifying that I’d met him at the elevated station, and told him I was on my way to smoke a pipe with you, and his saying: ‘All right; you’ll find him in. I passed the house two hours ago, and saw his shadow against the blind, as usual.’ And the lady with the toothache in the flat across the way: she corroborated his statement, you remember.”

“Yes; I remember.”

Well, then?”

“Simple enough. Before starting I rigged up a kind of mannikin with old coats and a cushion—something to cast a shadow on the blind. All you fellows were used to seeing my shadow there in the small hours—I counted on that, and knew you’d take any vague outline as mine.”

“Simple enough, as you say. But the woman with the toothache saw the shadow move—you remember she said she saw you sink forward, as if you’d fallen asleep.”

“Yes; and she was right. It did move. I suppose some extra-heavy dray must have jolted by the flimsy building—at any rate, something gave my mannikin a jar, and when I came back he had sunk forward, half over the table.”

There was a long silence between the two men. Granice, with a throbbing heart, watched Denver refill his pipe. The editor, at any rate, did not sneer and flout him. After all, journalism gave a deeper insight than the law into the fantastic possibilities of life, prepared one better to allow for the incalculableness of human impulses.

“Well?” Granice faltered out.

Denver stood up with a shrug. “Look here, man—what’s wrong with you? Make a clean breast of it! Nerves gone to smash? I’d like to take you to see a chap I know—an ex-prize-fighter—who’s a wonder at pulling fellows in your state out of their hole—”

“Oh, oh—” Granice broke in. He stood up also, and the two men eyed each other. “You don’t believe me, then?”

“This yarn—how can I? There wasn’t a flaw in your alibi.”

“But haven’t I filled it full of them now?”

Denver shook his head. “I might think so if I hadn’t happened to know that you wanted to. There’s the hitch, don’t you see?”

Granice groaned. “No, I didn’t. You mean my wanting to be found guilty—?”

“Of course! If somebody else had accused you, the story might have been worth looking into. As it is, a child could have invented it. It doesn’t do much credit to your ingenuity.”

Granice turned sullenly toward the door. What was the use of arguing? But on the threshold a sudden impulse drew him back. “Look here, Denver—I daresay you’re right. But will you do just one thing to prove it? Put my statement in the Investigator, just as I’ve made it. Ridicule it as much as you like. Only give the other fellows a chance at it—men who don’t know anything about me. Set them talking and looking about. I don’t care a damn whether you believe me—what I want is to convince the Grand Jury! I oughtn’t to have come to a man who knows me—your cursed incredulity is infectious. I don’t put my case well, because I know in advance it’s discredited, and I almost end by not believing it myself. That’s why I can’t convince you. It’s a vicious circle.” He laid a hand on Denver’s arm. “Send a stenographer, and put my statement in the paper.”

But Denver did not warm to the idea. “My dear fellow, you seem to forget that all the evidence was pretty thoroughly sifted at the time, every possible clue followed up. The public would have been ready enough then to believe that you murdered old Lenman—you or anybody else. All they wanted was a murderer—the most improbable would have served. But your alibi was too confoundedly complete. And nothing you’ve told me has shaken it.” Denver laid his cool hand over the other’s burning fingers. “Look here, old fellow, go home and work up a better case—then come in and submit it to the Investigator.”

IV

THE perspiration was rolling off Granice’s forehead. Every few minutes he had to draw out his handkerchief and wipe the moisture from his haggard face.

For an hour and a half he had been talking steadily, putting his case to the District Attorney. Luckily he had a speaking acquaintance with Allonby, and had obtained, without much difficulty, a private audience on the very day after his talk with Robert Denver. In the interval between he had hurried home, got out of his evening clothes, and gone forth again at once into the dreary dawn. His fear of Ascham and the alienist made it impossible for him to remain in his rooms. And it seemed to him that the only way of averting that hideous peril was by establishing, in some sane impartial mind, the proof of his guilt. Even if he had not been so incurably sick of life, the electric chair seemed now the only alternative to the strait-jacket.

As he paused to wipe his forehead he saw the District Attorney glance at his watch. The gesture was significant, and Granice lifted an appealing hand. “I don’t expect you to believe me now—but can’t you put me under arrest, and have the thing looked into?”

Allonby smiled faintly under his heavy grayish moustache. He had a ruddy face, full and jovial, in which his keen professional eyes seemed to keep watch over impulses not strictly professional.

“Well, I don’t know that we need lock you up just yet. But of course I’m bound to look into your statement—”

Granice rose with an exquisite sense of relief. Surely Allonby wouldn’t have said that if he hadn’t believed him!

“That’s all right. Then I needn’t detain you. I can be found at any time at my apartment.” He gave the address.

The District Attorney smiled again, more openly. “What do you say to leaving it for an hour or two this evening? I’m giving a little supper at Rector’s—quiet, little affair, you understand: just Miss Melrose—I think you know her—and a friend or two; and if you’ll join us…”

Granice stumbled out of the office without knowing what reply he had made.

He waited for four days—four days of concentrated horror. During the first twenty-four hours the fear of Ascham’s alienist dogged him; and as that subsided, it was replaced by the exasperating sense that his avowal had made no impression on the District Attorney. Evidently, if he had been going to look into the case, Allonby would have been heard from before now. … And that mocking invitation to supper showed clearly enough how little the story had impressed him!

Granice was overcome by the futility of any farther attempt to inculpate himself. He was chained to life—a “prisoner of consciousness.” Where was it he had read the phrase? Well, he was learning what it meant. In the glaring night-hours, when his brain seemed ablaze, he was visited by a sense of his fixed identity, of his irreducible, inexpugnable selfness, keener, more insidious, more unescapable, than any sensation he had ever known. He had not guessed that the mind was capable of such intricacies of self-realization, of penetrating so deep into its own dark windings. Often he woke from his brief snatches of sleep with the feeling that something material was clinging to him, was on his hands and face, and in his throat—and as his brain cleared he understood that it was the sense of his own loathed personality that stuck to him like some thick viscous substance.

Then, in the first morning hours, he would rise and look out of his window at the awakening activities of the street—at the street-cleaners, the ash-cart drivers, and the other dingy workers flitting hurriedly by through the sallow winter light. Oh, to be one of them—any of them—to take his chance in any of their skins! They were the toilers—the men whose lot was pitied—the victims wept over and ranted about by altruists and economists; and how gladly he would have taken up the load of any one of them, if only he might have shaken off his own! But, no—the iron circle of consciousness held them too: each one was hand-cuffed to his own hideous ego. Why wish to be any one man rather than another? The only absolute good was not to be … And Flint, coming in to draw his bath, would ask if he preferred his eggs scrambled or poached that morning?

On the fifth day he wrote a long urgent letter to Allonby; and for the succeeding two days he had the occupation of waiting for an answer. He hardly stirred from his rooms, in his fear of missing the letter by a moment; but would the District Attorney write, or send a representative: a policeman, a “secret agent,” or some other mysterious emissary of the law?

On the third morning Flint, stepping softly—as if, confound it! his master were ill—entered the library where Granice sat behind an unread newspaper, and proferred a card on a tray.

Granice read the name—J. B. Hewson—and underneath, in pencil, “From the District Attorney’s office.” He started up with a thumping heart, and signed an assent to the servant.

Mr. Hewson was a slight sallow nondescript man of about fifty—the kind of man of whom one is sure to see a specimen in any crowd. “Just the type of the successful detective,” Granice reflected as he shook hands with his visitor.

And it was in that character that Mr. Hewson briefly introduced himself. He had been sent by the District Attorney to have “a quiet talk” with Mr. Granice—to ask him to repeat the statement he had made about the Lenman murder.

His manner was so quiet, so reasonable and receptive, that Granice’s self-confidence returned. Here was a sensible man—a man who knew his business—it would be easy enough to make him see through that ridiculous alibi! Granice offered Mr. Hewson a cigar, and lighting one himself—to prove his coolness—began again to tell his story.

He was conscious, as he proceeded, of telling it better than ever before. Practice helped, no doubt; and his listener’s detached, impartial attitude helped still more. He could see that Hewson, at least, had not decided in advance to disbelieve him, and the sense of being trusted made him more lucid and more consecutive. Yes, this time his words would certainly carry conviction…

V

DESPAIRINGLY, Granice gazed up and down the shabby street. Beside him stood a young man with bright prominent eyes, a smooth but not too smoothly-shaven face, and an Irish smile. The young man’s nimble glance followed Granice’s.

“Sure of the number, are you?” he asked briskly.

“Oh, yes—it was 104.”

“Well, then, the new building has swallowed it up—that’s certain.”

He tilted his head back and surveyed the half-finished front of a brick and limestone flat-house that reared its flimsy elegance above a row of tottering tenements and stables.

“Dead sure?” he repeated.

“Yes,” said Granice, discouraged. “And even if I hadn’t been, I know the garage was just opposite Leffler’s over there.” He pointed across the street to a tumble-down stable with a blotched sign on which the words “Livery and Boarding” were still faintly discernible.

The young man dashed across to the opposite pavement. “Well, that’s something—may get a clue there. Leffler’s—same name there, anyhow. You remember that name?”

“Yes—distinctly.”

Granice had felt a return of confidence since he had enlisted the interest of the Explorer’s “smartest” reporter. If there were moments when he hardly believed his own story, there were others when it seemed impossible that every one should not believe it; and young Peter McCarren, peering, listening, questioning, jotting down notes, inspired him with an exquisite sense of security. McCarren had fastened on the case at once, “like a leech,” as he phrased it—jumped at it, thrilled to it, and settled down to “draw the last drop of fact from it, and had not let go till he had.” No one else had treated Granice in that way—even Allonby’s detective had not taken a single note. And though a week had elapsed since the visit of that authorized official, nothing had been heard from the District Attorney’s office: Allonby had apparently dropped the matter again. But McCarren wasn’t going to drop it—not he! He positively hung on Granice’s footsteps. They had spent the greater part of the previous day together, and now they were off again, running down clues.

But at Leffler’s they got none, after all. Leffler’s was no longer a stable. It was condemned to demolition, and in the respite between sentence and execution it had become a vague place of storage, a hospital for broken-down carriages and carts, presided over by a blear-eyed old woman who knew nothing of Flood’s garage across the way—did not even remember what had stood there before the new flat-house began to rise.

“Well—we may run Leffler down somewhere; I’ve seen harder jobs done,” said McCarren, cheerfully noting down the name.

As they walked back toward Sixth Avenue he added, in a less sanguine tone: “I’d undertake now to put the thing through if you could only put me on the track of that cyanide.”

Granice’s heart sank. Yes—there was the weak spot; he had felt it from the first! But he still hoped to convince McCarren that his case was strong enough without it; and he urged the reporter to come back to his rooms and sum up the facts with him again.

“Sorry, Mr. Granice, but I’m due at the office now. Besides, it’d be no use till I get some fresh stuff to work on. Suppose I call you up tomorrow or next day?”

He plunged into a trolley and left Granice gazing desolately after him.

Two days later he reappeared at the apartment, a shade less jaunty in demeanor.

“Well, Mr. Granice, the stars in their courses are against you, as the bard says. Can’t get a trace of Flood, or of Leffler either. And you say you bought the motor through Flood, and sold it through him, too?”

“Yes,” said Granice wearily.

“Who bought it, do you know?”

Granice wrinkled his brows. “Why, Flood—yes, Flood himself. I sold it back to him three months later.”

“Flood? The devil! And I’ve ransacked the town for Flood. That kind of business disappears as if the earth had swallowed it.”

Granice, discouraged, kept silence.

“That brings us back to the poison,” McCarren continued, his note-book out. “Just go over that again, will you?”

And Granice went over it again. It had all been so simple at the time—and he had been so clever in covering up his traces! As soon as he decided on poison he looked about for an acquaintance who manufactured chemicals; and there was Jim Dawes, a Harvard classmate, in the dyeing business—just the man. But at the last moment it occurred to him that suspicion might turn toward so obvious an opportunity, and he decided on a more tortuous course. Another friend, Carrick Venn, a student of medicine whom irremediable ill-health had kept from the practice of his profession, amused his leisure with experiments in physics, for the exercise of which he had set up a simple laboratory. Granice had the habit of dropping in to smoke a cigar with him on Sunday afternoons, and the friends generally sat in Venn’s work-shop, at the back of the old family house in Stuyvesant Square. Off this work-shop was the cupboard of supplies, with its row of deadly bottles. Carrick Venn was an original, a man of restless curious tastes, and his place, on a Sunday, was often full of visitors: a cheerful crowd of journalists, scribblers, painters, experimenters in divers forms of expression. Coming and going among so many, it was easy enough to pass unperceived; and one afternoon Granice, arriving before Venn had returned home, found himself alone in the work-shop, and quickly slipping into the cupboard, transferred the drug to his pocket.

But that had happened ten years ago; and Venn, poor fellow, was long since dead of his dragging ailment. His old father was dead, too, the house in Stuyvesant Square had been turned into a boarding-house, and the shifting life of New York had passed its rapid sponge over every trace of their obscure little history. Even the optimistic McCarren seemed to acknowledge the hopelessness of seeking for proof in that direction.

“And there’s the third door slammed in our faces.” He shut his note-book, and throwing back his head, rested his bright inquisitive eyes on Granice’s furrowed face.

“Look here, Mr. Granice—you see the weak spot, don’t you?”

The other made a despairing motion. “I see so many!”

“Yes: but the one that weakens all the others. Why the deuce do you want this thing known? Why do you want to put your head into the noose?”

Granice looked at him hopelessly, trying to take the measure of his quick light irreverent mind. No one so full of a cheerful animal life would believe in the craving for death as a sufficient motive; and Granice racked his brain for one more convincing. But suddenly he saw the reporter’s face soften, and melt to a naive sentimentalism.

“Mr. Granice—has the memory of it always haunted you?”

Granice stared a moment, and then leapt at the opening. “That’s it—the memory of it … always …”

McCarren nodded vehemently. “Dogged your steps, eh? Wouldn’t let you sleep? The time came when you had to make a clean breast of it?”

“I had to. Can’t you understand?”

The reporter struck his fist on the table. “God, sir! I don’t suppose there’s a human being with a drop of warm blood in him that can’t picture the deadly horrors of remorse—”

The Celtic imagination was aflame, and Granice mutely thanked him for the word. What neither Ascham nor Denver would accept as a conceivable motive the Irish reporter seized on as the most adequate; and, as he said, once one could find a convincing motive, the difficulties of the case became so many incentives to effort.

“Remorse—_remorse_,” he repeated, rolling the word under his tongue with an accent that was a clue to the psychology of the popular drama; and Granice, perversely, said to himself: “If I could only have struck that note I should have been running in six theatres at once.”

He saw that from that moment McCarren’s professional zeal would be fanned by emotional curiosity; and he profited by the fact to propose that they should dine together, and go on afterward to some music-hall or theatre. It was becoming necessary to Granice to feel himself an object of preoccupation, to find himself in another mind. He took a kind of gray penumbral pleasure in riveting McCarren’s attention on his case; and to feign the grimaces of moral anguish became a passionately engrossing game. He had not entered a theatre for months; but he sat out the meaningless performance in rigid tolerance, sustained by the sense of the reporter’s observation.

Between the acts, McCarren amused him with anecdotes about the audience: he knew every one by sight, and could lift the curtain from every physiognomy. Granice listened indulgently. He had lost all interest in his kind, but he knew that he was himself the real centre of McCarren’s attention, and that every word the latter spoke had an indirect bearing on his own problem.

“See that fellow over there—the little dried-up man in the third row, pulling his moustache? His memoirs would be worth publishing,” McCarren said suddenly in the last entr’acte.

Granice, following his glance, recognized the detective from Allonby’s office. For a moment he had the thrilling sense that he was being shadowed.

“Caesar, if he could talk—!” McCarren continued. “Know who he is, of course? Dr. John B. Stell, the biggest alienist in the country—”

Granice, with a start, bent again between the heads in front of him. ”That man—the fourth from the aisle? You’re mistaken. That’s not Dr. Stell.”

McCarren laughed. “Well, I guess I’ve been in court enough to know Stell when I see him. He testifies in nearly all the big cases where they plead insanity.”

A cold shiver ran down Granice’s spine, but he repeated obstinately: “That’s not Dr. Stell.”

“Not Stell? Why, man, I know him. Look—here he comes. If it isn’t Stell, he won’t speak to me.”

The little dried-up man was moving slowly up the aisle. As he neared McCarren he made a slight gesture of recognition.

“How’do, Doctor Stell? Pretty slim show, ain’t it?” the reporter cheerfully flung out at him. And Mr. J. B. Hewson, with a nod of amicable assent, passed on.

Granice sat benumbed. He knew he had not been mistaken—the man who had just passed was the same man whom Allonby had sent to see him: a physician disguised as a detective. Allonby, then, had thought him insane, like the others—had regarded his confession as the maundering of a maniac. The discovery froze Granice with horror—he seemed to see the mad-house gaping for him.

“Isn’t there a man a good deal like him—a detective named J. B. Hewson?”

But he knew in advance what McCarren’s answer would be. “Hewson? J. B. Hewson? Never heard of him. But that was J. B. Stell fast enough—I guess he can be trusted to know himself, and you saw he answered to his name.”

VI

SOME days passed before Granice could obtain a word with the District Attorney: he began to think that Allonby avoided him.

But when they were face to face Allonby’s jovial countenance showed no sign of embarrassment. He waved his visitor to a chair, and leaned across his desk with the encouraging smile of a consulting physician.

Granice broke out at once: “That detective you sent me the other day—”

Allonby raised a deprecating hand.

“—I know: it was Stell the alienist. Why did you do that, Allonby?”

The other’s face did not lose its composure. “Because I looked up your story first—and there’s nothing in it.”

“Nothing in it?” Granice furiously interposed.

“Absolutely nothing. If there is, why the deuce don’t you bring me proofs? I know you’ve been talking to Peter Ascham, and to Denver, and to that little ferret McCarren of the Explorer. Have any of them been able to make out a case for you? No. Well, what am I to do?”

Granice’s lips began to tremble. “Why did you play me that trick?”

“About Stell? I had to, my dear fellow: it’s part of my business. Stell is a detective, if you come to that—every doctor is.”

The trembling of Granice’s lips increased, communicating itself in a long quiver to his facial muscles. He forced a laugh through his dry throat. “Well—and what did he detect?”

“In you? Oh, he thinks it’s overwork—overwork and too much smoking. If you look in on him some day at his office he’ll show you the record of hundreds of cases like yours, and advise you what treatment to follow. It’s one of the commonest forms of hallucination. Have a cigar, all the same.”

“But, Allonby, I killed that man!”

The District Attorney’s large hand, outstretched on his desk, had an almost imperceptible gesture, and a moment later, as if an answer to the call of an electric bell, a clerk looked in from the outer office.

“Sorry, my dear fellow—lot of people waiting. Drop in on Stell some morning,” Allonby said, shaking hands.

McCarren had to own himself beaten: there was absolutely no flaw in the alibi. And since his duty to his journal obviously forbade his wasting time on insoluble mysteries, he ceased to frequent Granice, who dropped back into a deeper isolation. For a day or two after his visit to Allonby he continued to live in dread of Dr. Stell. Why might not Allonby have deceived him as to the alienist’s diagnosis? What if he were really being shadowed, not by a police agent but by a mad-doctor? To have the truth out, he suddenly determined to call on Dr. Stell.

The physician received him kindly, and reverted without embarrassment to the conditions of their previous meeting. “We have to do that occasionally, Mr. Granice; it’s one of our methods. And you had given Allonby a fright.”

Granice was silent. He would have liked to reaffirm his guilt, to produce the fresh arguments which had occurred to him since his last talk with the physician; but he feared his eagerness might be taken for a symptom of derangement, and he affected to smile away Dr. Stell’s allusion.

“You think, then, it’s a case of brain-fag—nothing more?”

“Nothing more. And I should advise you to knock off tobacco. You smoke a good deal, don’t you?”

He developed his treatment, recommending massage, gymnastics, travel, or any form of diversion that did not—that in short—

Granice interrupted him impatiently. “Oh, I loathe all that—and I’m sick of travelling.”

“H’m. Then some larger interest—politics, reform, philanthropy? Something to take you out of yourself.”

“Yes. I understand,” said Granice wearily.

“Above all, don’t lose heart. I see hundreds of cases like yours,” the doctor added cheerfully from the threshold.

On the doorstep Granice stood still and laughed. Hundreds of cases like his—the case of a man who had committed a murder, who confessed his guilt, and whom no one would believe! Why, there had never been a case like it in the world. What a good figure Stell would have made in a play: the great alienist who couldn’t read a man’s mind any better than that!

Granice saw huge comic opportunities in the type.

But as he walked away, his fears dispelled, the sense of listlessness returned on him. For the first time since his avowal to Peter Ascham he found himself without an occupation, and understood that he had been carried through the past weeks only by the necessity of constant action. Now his life had once more become a stagnant backwater, and as he stood on the street corner watching the tides of traffic sweep by, he asked himself despairingly how much longer he could endure to float about in the sluggish circle of his consciousness.

The thought of self-destruction recurred to him; but again his flesh recoiled. He yearned for death from other hands, but he could never take it from his own. And, aside from his insuperable physical reluctance, another motive restrained him. He was possessed by the dogged desire to establish the truth of his story. He refused to be swept aside as an irresponsible dreamer—even if he had to kill himself in the end, he would not do so before proving to society that he had deserved death from it.

He began to write long letters to the papers; but after the first had been published and commented on, public curiosity was quelled by a brief statement from the District Attorney’s office, and the rest of his communications remained unprinted. Ascham came to see him, and begged him to travel. Robert Denver dropped in, and tried to joke him out of his delusion; till Granice, mistrustful of their motives, began to dread the reappearance of Dr. Stell, and set a guard on his lips. But the words he kept back engendered others and still others in his brain. His inner self became a humming factory of arguments, and he spent long hours reciting and writing down elaborate statements of his crime, which he constantly retouched and developed. Then gradually his activity languished under the lack of an audience, the sense of being buried beneath deepening drifts of indifference. In a passion of resentment he swore that he would prove himself a murderer, even if he had to commit another crime to do it; and for a sleepless night or two the thought flamed red on his darkness. But daylight dispelled it. The determining impulse was lacking and he hated too promiscuously to choose his victim… So he was thrown back on the unavailing struggle to impose the truth of his story. As fast as one channel closed on him he tried to pierce another through the sliding sands of incredulity. But every issue seemed blocked, and the whole human race leagued together to cheat one man of the right to die.

Thus viewed, the situation became so monstrous that he lost his last shred of self-restraint in contemplating it. What if he were really the victim of some mocking experiment, the centre of a ring of holiday-makers jeering at a poor creature in its blind dashes against the solid walls of consciousness? But, no—men were not so uniformly cruel: there were flaws in the close surface of their indifference, cracks of weakness and pity here and there…

Granice began to think that his mistake lay in having appealed to persons more or less familiar with his past, and to whom the visible conformities of his life seemed a final disproof of its one fierce secret deviation. The general tendency was to take for the whole of life the slit seen between the blinders of habit: and in his walk down that narrow vista Granice cut a correct enough figure. To a vision free to follow his whole orbit his story would be more intelligible: it would be easier to convince a chance idler in the street than the trained intelligence hampered by a sense of his antecedents. This idea shot up in him with the tropic luxuriance of each new seed of thought, and he began to walk the streets, and to frequent out-of-the-way chop-houses and bars in his search for the impartial stranger to whom he should disclose himself.

At first every face looked encouragement; but at the crucial moment he always held back. So much was at stake, and it was so essential that his first choice should be decisive. He dreaded stupidity, timidity, intolerance. The imaginative eye, the furrowed brow, were what he sought. He must reveal himself only to a heart versed in the tortuous motions of the human will; and he began to hate the dull benevolence of the average face. Once or twice, obscurely, allusively, he made a beginning—once sitting down at a man’s side in a basement chop-house, another day approaching a lounger on an east-side wharf. But in both cases the premonition of failure checked him on the brink of avowal. His dread of being taken for a man in the clutch of a fixed idea gave him an unnatural keenness in reading the expression of his interlocutors, and he had provided himself in advance with a series of verbal alternatives, trap-doors of evasion from the first dart of ridicule or suspicion.

He passed the greater part of the day in the streets, coming home at irregular hours, dreading the silence and orderliness of his apartment, and the critical scrutiny of Flint. His real life was spent in a world so remote from this familiar setting that he sometimes had the mysterious sense of a living metempsychosis, a furtive passage from one identity to another—yet the other as unescapably himself!

One humiliation he was spared: the desire to live never revived in him. Not for a moment was he tempted to a shabby pact with existing conditions. He wanted to die, wanted it with the fixed unwavering desire which alone attains its end. And still the end eluded him! It would not always, of course—he had full faith in the dark star of his destiny. And he could prove it best by repeating his story, persistently and indefatigably, pouring it into indifferent ears, hammering it into dull brains, till at last it kindled a spark, and some one of the careless millions paused, listened, believed…

It was a mild March day, and he had been loitering on the west-side docks, looking at faces. He was becoming an expert in physiognomies: his eagerness no longer made rash darts and awkward recoils. He knew now the face he needed, as clearly as if it had come to him in a vision; and not till he found it would he speak. As he walked eastward through the shabby reeking streets he had a premonition that he should find it that morning. Perhaps it was the promise of spring in the air—certainly he felt calmer than for many days…

He turned into Washington Square, struck across it obliquely, and walked up University Place. Its heterogeneous passers always allured him—they were less hurried than in Broadway, less enclosed and classified than in Fifth Avenue. He walked slowly, watching for his face.

At Union Square he felt a sudden relapse into discouragement, like a votary who has watched too long for a sign from the altar. Perhaps, after all, he should never find his face… The air was languid, and he felt tired. He walked between the bald grass-plots and the twisted trees, making for an empty seat. Presently he passed a bench on which a girl sat alone, and something as definite as the twitch of a cord made him stop before her. He had never dreamed of telling his story to a girl, had hardly looked at the women’s faces as they passed. His case was man’s work: how could a woman help him? But this girl’s face was extraordinary—quiet and wide as a clear evening sky. It suggested a hundred images of space, distance, mystery, like ships he had seen, as a boy, quietly berthed by a familiar wharf, but with the breath of far seas and strange harbours in their shrouds… Certainly this girl would understand. He went up to her quietly, lifting his hat, observing the forms—wishing her to see at once that he was “a gentleman.”

“I am a stranger to you,” he began, sitting down beside her, “but your face is so extremely intelligent that I feel… I feel it is the face I’ve waited for … looked for everywhere; and I want to tell you—”

The girl’s eyes widened: she rose to her feet. She was escaping him!

In his dismay he ran a few steps after her, and caught her roughly by the arm.

“Here—wait—listen! Oh, don’t scream, you fool!” he shouted out.

He felt a hand on his own arm; turned and confronted a policeman. Instantly he understood that he was being arrested, and something hard within him was loosened and ran to tears.

“Ah, you know—you know I’m guilty!”

He was conscious that a crowd was forming, and that the girl’s frightened face had disappeared. But what did he care about her face? It was the policeman who had really understood him. He turned and followed, the crowd at his heels…

VII

IN the charming place in which he found himself there were so many sympathetic faces that he felt more than ever convinced of the certainty of making himself heard.

It was a bad blow, at first, to find that he had not been arrested for murder; but Ascham, who had come to him at once, explained that he needed rest, and the time to “review” his statements; it appeared that reiteration had made them a little confused and contradictory. To this end he had willingly acquiesced in his removal to a large quiet establishment, with an open space and trees about it, where he had found a number of intelligent companions, some, like himself, engaged in preparing or reviewing statements of their cases, and others ready to lend an interested ear to his own recital.

For a time he was content to let himself go on the tranquil current of this existence; but although his auditors gave him for the most part an encouraging attention, which, in some, went the length of really brilliant and helpful suggestion, he gradually felt a recurrence of his old doubts. Either his hearers were not sincere, or else they had less power to aid him than they boasted. His interminable conferences resulted in nothing, and as the benefit of the long rest made itself felt, it produced an increased mental lucidity which rendered inaction more and more unbearable. At length he discovered that on certain days visitors from the outer world were admitted to his retreat; and he wrote out long and logically constructed relations of his crime, and furtively slipped them into the hands of these messengers of hope.

This occupation gave him a fresh lease of patience, and he now lived only to watch for the visitors’ days, and scan the faces that swept by him like stars seen and lost in the rifts of a hurrying sky.

Mostly, these faces were strange and less intelligent than those of his companions. But they represented his last means of access to the world, a kind of subterranean channel on which he could set his “statements” afloat, like paper boats which the mysterious current might sweep out into the open seas of life.

One day, however, his attention was arrested by a familiar contour, a pair of bright prominent eyes, and a chin insufficiently shaved. He sprang up and stood in the path of Peter McCarren.

The journalist looked at him doubtfully, then held out his hand with a startled deprecating, ”Why—?”

“You didn’t know me? I’m so changed?” Granice faltered, feeling the rebound of the other’s wonder.

“Why, no; but you’re looking quieter—smoothed out,” McCarren smiled.

“Yes: that’s what I’m here for—to rest. And I’ve taken the opportunity to write out a clearer statement—”

Granice’s hand shook so that he could hardly draw the folded paper from his pocket. As he did so he noticed that the reporter was accompanied by a tall man with grave compassionate eyes. It came to Granice in a wild thrill of conviction that this was the face he had waited for…

“Perhaps your friend—he is your friend?—would glance over it—or I could put the case in a few words if you have time?” Granice’s voice shook like his hand. If this chance escaped him he felt that his last hope was gone. McCarren and the stranger looked at each other, and the former glanced at his watch.

“I’m sorry we can’t stay and talk it over now, Mr. Granice; but my friend has an engagement, and we’re rather pressed—”

Granice continued to proffer the paper. “I’m sorry—I think I could have explained. But you’ll take this, at any rate?”

The stranger looked at him gently. “Certainly—I’ll take it.” He had his hand out. “Good-bye.”

“Good-bye,” Granice echoed.

He stood watching the two men move away from him through the long light hall; and as he watched them a tear ran down his face. But as soon as they were out of sight he turned and walked hastily toward his room, beginning to hope again, already planning a new statement.

Outside the building the two men stood still, and the journalist’s companion looked up curiously at the long monotonous rows of barred windows.

“So that was Granice?”

“Yes—that was Granice, poor devil,” said McCarren.

“Strange case! I suppose there’s never been one just like it? He’s still absolutely convinced that he committed that murder?”

“Absolutely. Yes.”

The stranger reflected. “And there was no conceivable ground for the idea? No one could make out how it started? A quiet conventional sort of fellow like that—where do you suppose he got such a delusion? Did you ever get the least clue to it?”

McCarren stood still, his hands in his pockets, his head cocked up in contemplation of the barred windows. Then he turned his bright hard gaze on his companion.

“That was the queer part of it. I’ve never spoken of it—but I did get a clue.”

“By Jove! That’s interesting. What was it?”

McCarren formed his red lips into a whistle. “Why—that it wasn’t a delusion.”

He produced his effect—the other turned on him with a pallid stare.

“He murdered the man all right. I tumbled on the truth by the merest accident, when I’d pretty nearly chucked the whole job.”

“He murdered him—murdered his cousin?”

“Sure as you live. Only don’t split on me. It’s about the queerest business I ever ran into… Do about it? Why, what was I to do? I couldn’t hang the poor devil, could I? Lord, but I was glad when they collared him, and had him stowed away safe in there!”

The tall man listened with a grave face, grasping Granice’s statement in his hand.

“Here—take this; it makes me sick,” he said abruptly, thrusting the paper at the reporter; and the two men turned and walked in silence to the gates.

HIS FATHER’S SON

I

AFTER his wife’s death Mason Grew took the momentous step of selling out his business and moving from Wingfield, Connecticut, to Brooklyn.

For years he had secretly nursed the hope of such a change, but had never dared to suggest it to Mrs. Grew, a woman of immutable habits. Mr. Grew himself was attached to Wingfield, where he had grown up, prospered, and become what the local press described as “prominent.” He was attached to his ugly brick house with sandstone trimmings and a cast-iron area-railing neatly sanded to match; to the similar row of houses across the street, the “trolley” wires forming a kind of aerial pathway between, and the sprawling vista closed by the steeple of the church which he and his wife had always attended, and where their only child had been baptized.

It was hard to snap all these threads of association, visual and sentimental; yet still harder, now that he was alone, to live so far from his boy. Ronald Grew was practising law in New York, and there was no more chance of returning to live at Wingfield than of a river’s flowing inland from the sea. Therefore to be near him his father must move; and it was characteristic of Mr. Grew, and of the situation generally, that the translation, when it took place, was to Brooklyn, and not to New York.

“Why you bury yourself in that hole I can’t think,” had been Ronald’s comment; and Mr. Grew simply replied that rents were lower in Brooklyn, and that he had heard of a house that would suit him. In reality he had said to himself—being the only recipient of his own confidences—that if he went to New York he might be on the boy’s mind; whereas, if he lived in Brooklyn, Ronald would always have a good excuse for not popping over to see him every other day. The sociological isolation of Brooklyn, combined with its geographical nearness, presented in fact the precise conditions for Mr. Grew’s case. He wanted to be near enough to New York to go there often, to feel under his feet the same pavement that Ronald trod, to sit now and then in the same theatres, and find on his breakfast-table the journals which, with increasing frequency, inserted Ronald’s name in the sacred bounds of the society column. It had always been a trial to Mr. Grew to have to wait twenty-four hours to read that “among those present was Mr. Ronald Grew.” Now he had it with his coffee, and left it on the breakfast-table to the perusal of a “hired girl” cosmopolitan enough to do it justice. In such ways Brooklyn attested the advantages of its propinquity to New York, while remaining, as regards Ronald’s duty to his father, as remote and inaccessible as Wingfield.

It was not that Ronald shirked his filial obligations, but rather because of his heavy sense of them, that Mr. Grew so persistently sought to minimize and lighten them. It was he who insisted, to Ronald, on the immense difficulty of getting from New York to Brooklyn.

“Any way you look at it, it makes a big hole in the day; and there’s not much use in the ragged rim left. You say you’re dining out next Sunday? Then I forbid you to come over here for lunch. Do you understand me, sir? You disobey at the risk of your father’s malediction! Where did you say you were dining? With the Waltham Bankshires again? Why, that’s the second time in three weeks, ain’t it? Big blow-out, I suppose? Gold plate and orchids—opera singers in afterward? Well, you’d be in a nice box if there was a fog on the river, and you got hung up half-way over. That’d be a handsome return for the attention Mrs. Bankshire has shown you—singling out a whipper-snapper like you twice in three weeks! (What’s the daughter’s name—Daisy?) No, sir—don’t you come fooling round here next Sunday, or I’ll set the dogs on you. And you wouldn’t find me in anyhow, come to think of it. I’m lunching out myself, as it happens—yes sir, lunching out. Is there anything especially comic in my lunching out? I don’t often do it, you say? Well, that’s no reason why I never should. Who with? Why, with—with old Dr. Bleaker: Dr. Eliphalet Bleaker. No, you wouldn’t know about him—he’s only an old friend of your mother’s and mine.”

Gradually Ronald’s insistence became less difficult to overcome. With his customary sweetness and tact (as Mr. Grew put it) he began to “take the hint,” to give in to “the old gentleman’s” growing desire for solitude.

“I’m set in my ways, Ronny, that’s about the size of it; I like to go tick-ticking along like a clock. I always did. And when you come bouncing in I never feel sure there’s enough for dinner—or that I haven’t sent Maria out for the evening. And I don’t want the neighbors to see me opening my own door to my son. That’s the kind of cringing snob I am. Don’t give me away, will you? I want ‘em to think I keep four or five powdered flunkeys in the hall day and night—same as the lobby of one of those Fifth Avenue hotels. And if you pop over when you’re not expected, how am I going to keep up the bluff?”

Ronald yielded after the proper amount of resistance—his intuitive sense, in every social transaction, of the proper amount of force to be expended, was one of the qualities his father most admired in him. Mr. Grew’s perceptions in this line were probably more acute than his son suspected. The souls of short thick-set men, with chubby features, mutton-chop whiskers, and pale eyes peering between folds of fat like almond kernels in half-split shells—souls thus encased do not reveal themselves to the casual scrutiny as delicate emotional instruments. But in spite of the dense disguise in which he walked Mr. Grew vibrated exquisitely in response to every imaginative appeal; and his son Ronald was perpetually stimulating and feeding his imagination.

Ronald in fact constituted his father’s one escape from the impenetrable element of mediocrity which had always hemmed him in. To a man so enamoured of beauty, and so little qualified to add to its sum total, it was a wonderful privilege to have bestowed on the world such a being. Ronald’s resemblance to Mr. Grew’s early conception of what he himself would have liked to look might have put new life into the discredited theory of pre-natal influences. At any rate, if the young man owed his beauty, his distinction and his winning manner to the dreams of one of his parents, it was certainly to those of Mr. Grew, who, while outwardly devoting his life to the manufacture and dissemination of Grew’s Secure Suspender Buckle, moved in an enchanted inward world peopled with all the figures of romance. In this high company Mr. Grew cut as brilliant a figure as any of its noble phantoms; and to see his vision of himself suddenly projected on the outer world in the shape of a brilliant popular conquering son, seemed, in retrospect, to give to that image a belated objective reality. There were even moments when, forgetting his physiognomy, Mr. Grew said to himself that if he’d had “half a chance” he might have done as well as Ronald; but this only fortified his resolve that Ronald should do infinitely better.

Ronald’s ability to do well almost equalled his gift of looking well. Mr. Grew constantly affirmed to himself that the boy was “not a genius”; but, barring this slight deficiency, he was almost everything that a parent could wish. Even at Harvard he had managed to be several desirable things at once—writing poetry in the college magazine, playing delightfully “by ear,” acquitting himself honorably in his studies, and yet holding his own in the fashionable sporting set that formed, as it were, the gateway of the temple of Society. Mr. Grew’s idealism did not preclude the frank desire that his son should pass through that gateway; but the wish was not prompted by material considerations. It was Mr. Grew’s notion that, in the rough and hurrying current of a new civilization, the little pools of leisure and enjoyment must nurture delicate growths, material graces as well as moral refinements, likely to be uprooted and swept away by the rush of the main torrent. He based his theory on the fact that he had liked the few “society” people he had met—had found their manners simpler, their voices more agreeable, their views more consonant with his own, than those of the leading citizens of Wingfield. But then he had met very few.

Ronald’s sympathies needed no urging in the same direction. He took naturally, dauntlessly, to all the high and exceptional things about which his father’s imagination had so long sheepishly and ineffectually hovered—from the start he was what Mr. Grew had dreamed of being. And so precise, so detailed, was Mr. Grew’s vision of his own imaginary career, that as Ronald grew up, and began to travel in a widening orbit, his father had an almost uncanny sense of the extent to which that career was enacting itself before him. At Harvard, Ronald had done exactly what the hypothetical Mason Grew would have done, had not his actual self, at the same age, been working his way up in old Slagden’s button factory—the institution which was later to acquire fame, and even notoriety, as the birthplace of Grew’s Secure Suspender Buckle. Afterward, at a period when the actual Grew had passed from the factory to the bookkeeper’s desk, his invisible double had been reading law at Columbia—precisely again what Ronald did! But it was when the young man left the paths laid out for him by the parental hand, and cast himself boldly on the world, that his adventures began to bear the most astonishing resemblance to those of the unrealized Mason Grew. It was in New York that the scene of this hypothetical being’s first exploits had always been laid; and it was in New York that Ronald was to achieve his first triumph. There was nothing small or timid about Mr. Grew’s imagination; it had never stopped at anything between Wingfield and the metropolis. And the real Ronald had the same cosmic vision as his parent. He brushed aside with a contemptuous laugh his mother’s tearful entreaty that he should stay at Wingfield and continue the dynasty of the Grew Suspender Buckle. Mr. Grew knew that in reality Ronald winced at the Buckle, loathed it, blushed for his connection with it. Yet it was the Buckle that had seen him through Groton, Harvard and the Law School, and had permitted him to enter the office of a distinguished corporation lawyer, instead of being enslaved to some sordid business with quick returns. The Buckle had been Ronald’s fairy godmother—yet his father did not blame him for abhorring and disowning it. Mr. Grew himself often bitterly regretted having bestowed his own name on the instrument of his material success, though, at the time, his doing so had been the natural expression of his romanticism. When he invented the Buckle, and took out his patent, he and his wife both felt that to bestow their name on it was like naming a battle-ship or a peak of the Andes.

Mrs. Grew had never learned to know better; but Mr. Grew had discovered his error before Ronald was out of school. He read it first in a black eye of his boy’s. Ronald’s symmetry had been marred by the insolent fist of a fourth former whom he had chastised for alluding to his father as “Old Buckles;” and when Mr. Grew heard the epithet he understood in a flash that the Buckle was a thing to blush for. It was too late then to dissociate his name from it, or to efface from the hoardings of the entire continent the picture of two gentlemen, one contorting himself in the abject effort to repair a broken brace, while the careless ease of the other’s attitude proclaimed his trust in the Secure Suspender Buckle. These records were indelible, but Ronald could at least be spared all direct connection with them; and from that day Mr. Grew resolved that the boy should not return to Wingfield.

“You’ll see,” he had said to Mrs. Grew, “he’ll take right hold in New York. Ronald’s got my knack for taking hold,” he added, throwing out his chest.

“But the way you took hold was in business,” objected Mrs. Grew, who was large and literal.

Mr. Grew’s chest collapsed, and he became suddenly conscious of his comic face in its rim of sandy whiskers. “That’s not the only way,” he said, with a touch of wistfulness which escaped his wife’s analysis.

“Well, of course you could have written beautifully,” she rejoined with admiring eyes.

“ Written? Me!” Mr. Grew became sardonic.

“Why, those letters—weren’t they beautiful, I’d like to know?”

The couple exchanged a glance, innocently allusive and amused on the wife’s part, and charged with a sudden tragic significance on the husband’s.

“Well, I’ve got to be going along to the office now,” he merely said, dragging himself out of his rocking-chair.

This had happened while Ronald was still at school; and now Mrs. Grew slept in the Wingfield cemetery, under a life-size theo-logical virtue of her own choosing, and Mr. Grew’s prognostications as to Ronald’s ability to “take right hold” in New York were being more and more brilliantly fulfilled.

II

RONALD obeyed his father’s injunction not to come to luncheon on the day of the Bankshires’ dinner; but in the middle of the following week Mr. Grew was surprised by a telegram from his son.

“Want to see you important matter. Expect me tomorrow afternoon.”

Mr. Grew received the telegram after breakfast. To peruse it he had lifted his eye from a paragraph of the morning paper describing a fancy-dress dinner which had taken place the night before at the Hamilton Gliddens’ for the house-warming of their new Fifth Avenue palace.

“Among the couples who afterward danced in the Poets’ Quadrille were Miss Daisy Bankshire, looking more than usually lovely as Laura, and Mr. Ronald Grew as the young Petrarch.”

Petrarch and Laura! Well—if anything meant anything, Mr. Grew supposed he knew what that meant. For weeks past he had noticed how constantly the names of the young people appeared together in the society notes he so insatiably devoured. Even the soulless reporter was getting into the habit of coupling them in his lists. And this Laura and Petrarch business was almost an announcement…

Mr. Grew dropped the telegram, wiped his eye-glasses, and re-read the paragraph. “Miss Daisy Bankshire … more than usually lovely…” Yes; she was lovely. He had often seen her photograph in the papers—seen her represented in every conceivable attitude of the mundane game: fondling her prize bull-dog, taking a fence on her thoroughbred, dancing a gavotte, all patches and plumes, or fingering a guitar, all tulle and lilies; and once he had caught a glimpse of her at the theatre. Hearing that Ronald was going to a fashionable first-night with the Bankshires, Mr. Grew had for once overcome his repugnance to following his son’s movements, and had secured for himself, under the shadow of the balcony, a stall whence he could observe the Bankshire box without fear of detection. Ronald had never known of his father’s presence at the play; and for three blessed hours Mr. Grew had watched his boy’s handsome dark head bent above the dense fair hair and white averted shoulder that were all he could catch of Miss Bankshire’s beauties.

He recalled the vision now; and with it came, as usual, its ghostly double: the vision of his young self bending above such a white shoulder and such shining hair. Needless to say that the real Mason Grew had never found himself in so enviable a situation. The late Mrs. Grew had no more resembled Miss Daisy Bankshire than he had looked like the happy victorious Ronald. And the mystery was that from their dull faces, their dull endearments, the miracle of Ronald should have sprung. It was almost—fantastically—as if the boy had been a changeling, child of a Latmian night, whom the divine companion of Mr. Grew’s early reveries had secretly laid in the cradle of the Wingfield bedroom while Mr. And Mrs. Grew slept the deep sleep of conjugal indifference.

The young Mason Grew had not at first accepted this astral episode as the complete cancelling of his claims on romance. He too had grasped at the high-hung glory; and, with his fatal tendency to reach too far when he reached at all, had singled out the prettiest girl in Wingfield. When he recalled his stammered confession of love his face still tingled under her cool bright stare. The wonder of his audacity had struck her dumb; and when she recovered her voice it was to fling a taunt at him.

“Don’t be too discouraged, you know—have you ever thought of trying Addie Wicks?”

All Wingfield would have understood the gibe: Addie Wicks was the dullest girl in town. And a year later he had married Addie Wicks…

He looked up from the perusal of Ronald’s telegram with this memory in his mind. Now at last his dream was coming true! His boy would taste of the joys that had mocked his thwarted youth and his dull gray middle-age. And it was fitting that they should be realized in Ronald’s destiny. Ronald was made to take happiness boldly by the hand and lead it home like a bridegroom. He had the carriage, the confidence, the high faith in his fortune, that compel the wilful stars. And, thanks to the Buckle, he would have the exceptional setting, the background of material elegance, that became his conquering person. Since Mr. Grew had retired from business his investments had prospered, and he had been saving up his income for just such a contingency. His own wants were few: he had transferred the Wingfield furniture to Brooklyn, and his sitting-room was a replica of that in which the long years of his married life had been spent. Even the florid carpet on which Ronald’s tottering footsteps had been taken was carefully matched when it became too threadbare. And on the marble centre-table, with its chenille-fringed cover and bunch of dyed pampas grass, lay the illustrated Longfellow and the copy of Ingersoll’s lectures which represented literature to Mr. Grew when he had led home his bride. In the light of Ronald’s romance, Mr. Grew found himself reliving, with a strange tremor of mingled pain and tenderness, all the poor prosaic incidents of his own personal history. Curiously enough, with this new splendor on them they began to emit a small faint ray of their own. His wife’s armchair, in its usual place by the fire, recalled her placid unperceiving presence, seated opposite to him during the long drowsy years; and he felt her kindness, her equanimity, where formerly he had only ached at her obtuseness. And from the chair he glanced up at the large discolored photograph on the wall above, with a brittle brown wreath suspended on a corner of the frame. The photograph represented a young man with a poetic necktie and untrammelled hair, leaning negligently against a Gothic chair-back, a roll of music in his hand; and beneath was scrawled a bar of Chopin, with the words: ” Adieu, Adele.”

The portrait was that of the great pianist, Fortune Dolbrowski; and its presence on the wall of Mr. Grew’s sitting-room commemorated the only exquisite hour of his life save that of Ronald’s birth. It was some time before the latter memorable event, a few months only after Mr. Grew’s marriage, that he had taken his wife to New York to hear the great Dolbrowski. Their evening had been magically beautiful, and even Addie, roused from her habitual inexpressiveness, had quivered into a momentary semblance of life. “I never—I never—” she gasped out helplessly when they had regained their hotel bedroom, and sat staring back entranced at the evening’s evocations. Her large immovable face was pink and tremulous, and she sat with her hands on her knees, forgetting to roll up her bonnet-strings and prepare her curl-papers.

“I’d like to write him just how I felt—I wisht I knew how!” she burst out suddenly in a final effervescence of emotion.

Her husband lifted his head and looked at her.

“Would you? I feel that way too,” he said with a sheepish laugh. And they continued to stare at each other shyly through a transfiguring mist of sound.

Mr. Grew recalled the scene as he gazed up at the pianist’s faded photograph. “Well, I owe her that anyhow—poor Addie!” he said, with a smile at the inconsequences of fate. With Ronald’s telegram in his hand he was in a mood to count his mercies.

III

“A CLEAR twenty-five thousand a year: that’s what you can tell ‘em with my compliments,” said Mr. Grew, glancing complacently across the centre-table at his boy’s charming face.

It struck him that Ronald’s gift for looking his part in life had never so romantically expressed itself. Other young men, at such a moment, would have been red, damp, tight about the collar; but Ronald’s cheek was only a shade paler, and the contrast made his dark eyes more expressive.

“A clear twenty-five thousand; yes, sir—that’s what I always meant you to have.”

Mr. Grew leaned back, his hands thrust carelessly in his pockets, as though to divert attention from the agitation of his features. He had often pictured himself rolling out that phrase to Ronald, and now that it was actually on his lips he could not control their tremor.

Ronald listened in silence, lifting a nervous hand to his slight dark moustache, as though he, too, wished to hide some involuntary betrayal of emotion. At first Mr. Grew took his silence for an expression of gratified surprise; but as it prolonged itself it became less easy to interpret.

“I—see here, my boy; did you expect more? Isn’t it enough?” Mr. Grew cleared his throat. “Do they expect more?” he asked nervously. He was hardly able to face the pain of inflicting a disappointment on Ronald at the very moment when he had counted on putting the final touch to his felicity.

Ronald moved uneasily in his chair and his eyes wandered upward to the laurel-wreathed photograph of the pianist above his father’s head.

“ Is it that, Ronald? Speak out, my boy. We’ll see, we’ll look round—I’ll manage somehow.”

“No, no,” the young man interrupted, abruptly raising his hand as though to silence his father.

Mr. Grew recovered his cheerfulness. “Well, what’s the matter than, if she’s willing?”

Ronald shifted his position again, and finally rose from his seat.

“Father—I—there’s something I’ve got to tell you. I can’t take your money.”

Mr. Grew sat speechless a moment, staring blankly at his son; then he emitted a puzzled laugh. “My money? What are you talking about? What’s this about my money? Why, it ain’t mine, Ronny; it’s all yours—every cent of it!” he cried.

The young man met his tender look with a gaze of tragic rejection.

“No, no, it’s not mine—not even in the sense you mean. Not in any sense. Can’t you understand my feeling so?”

“Feeling so? I don’t know how you’re feeling. I don’t know what you’re talking about. Are you too proud to touch any money you haven’t earned? Is that what you’re trying to tell me?”

“No. It’s not that. You must know—”

Mr. Grew flushed to the rim of his bristling whiskers. “Know? Know what? Can’t you speak?”

Ronald hesitated, and the two men faced each other for a long strained moment, during which Mr. Grew’s congested countenance grew gradually pale again.

“What’s the meaning of this? Is it because you’ve done something … something you’re ashamed of … ashamed to tell me?” he suddenly gasped out; and walking around the table he laid his hand on his son’s shoulder. “There’s nothing you can’t tell me, my boy.”

“It’s not that. Why do you make it so hard for me?” Ronald broke out with passion. “You must have known this was sure to happen sooner or later.”

“Happen? What was sure to hap—?” Mr. Grew’s question wavered on his lip and passed into a tremulous laugh. “Is it something I’ve done that you don’t approve of? Is it—is it the Buckle you’re ashamed of, Ronald Grew?”

Ronald laughed too, impatiently. “The Buckle? No, I’m not ashamed of the Buckle; not any more than you are,” he returned with a sudden bright flush. “But I’m ashamed of all I owe to it—all I owe to you—when—when—” He broke off and took a few distracted steps across the room. “You might make this easier for me,” he protested, turning back to his father.

“Make what easier? I know less and less what you’re driving at,” Mr. Grew groaned.

Ronald’s walk had once more brought him beneath the photograph on the wall. He lifted his head for a moment and looked at it; then he looked again at Mr. Grew.

“Do you suppose I haven’t always known?”

“Known—?”

“Even before you gave me those letters—after my mother’s death—even before that, I suspected. I don’t know how it began … perhaps from little things you let drop … you and she … and resemblances that I couldn’t help seeing … in myself … How on earth could you suppose I shouldn’t guess? I always thought you gave me the letters as a way of telling me—”

Mr. Grew rose slowly from his chair. “The letters? Dolbrowski’s letters?”

Ronald nodded with white lips. “You must remember giving them to me the day after the funeral.”

Mr. Grew nodded back. “Of course. I wanted you to have everything your mother valued.”

“Well—how could I help knowing after that?”

“Knowing what?“ Mr. Grew stood staring helplessly at his son. Suddenly his look caught at a clue that seemed to confront it with a deeper bewilderment. “You thought—you thought those letters … Dolbrowski’s letters … you thought they meant …”

“Oh, it wasn’t only the letters. There were so many other signs. My love of music—my—all my feelings about life … and art… And when you gave me the letters I thought you must mean me to know.”

Mr. Grew had grown quiet. His lips were firm, and his small eyes looked out steadily from their creased lids.

“To know that you were Fortune Dolbrowski’s son?”

Ronald made a mute sign of assent.

“I see. And what did you mean to do?”

“I meant to wait till I could earn my living, and then repay you … as far as I can ever repay you… But now that there’s a chance of my marrying … and your generosity overwhelms me … I’m obliged to speak.”

“I see,” said Mr. Grew again. He let himself down into his chair, looking steadily and not unkindly at the young man. “Sit down, Ronald. Let’s talk.”

Ronald made a protesting movement. “Is anything to be gained by it? You can’t change me—change what I feel. The reading of those letters transformed my whole life—I was a boy till then: they made a man of me. From that moment I understood myself.” He paused, and then looked up at Mr. Grew’s face. “Don’t imagine I don’t appreciate your kindness—your extraordinary generosity. But I can’t go through life in disguise. And I want you to know that I have not won Daisy under false pretences—”

Mr. Grew started up with the first expletive Ronald had ever heard on his lips.

“You damned young fool, you, you haven’t told her—?”

Ronald raised his head quickly. “Oh, you don’t know her, sir! She thinks no worse of me for knowing my secret. She is above and beyond all such conventional prejudices. She’s proud of my parentage—” he straightened his slim young shoulders—“as I’m proud of it … yes, sir, proud of it…”

Mr. Grew sank back into his seat with a dry laugh. “Well, you ought to be. You come of good stock. And you’re father’s son, every inch of you!” He laughed again, as though the humor of the situation grew on him with its closer contemplation.

“Yes, I’ve always felt that,” Ronald murmured, flushing.

“Your father’s son, and no mistake.” Mr. Grew leaned forward. “You’re the son of as big a fool as yourself. And here he sits, Ronald Grew.”

The young man’s flush deepened to crimson; but Mr. Grew checked his reply with a decisive gesture. “Here he sits, with all your young nonsense still alive in him. Don’t you see the likeness? If you don’t, I’ll tell you the story of those letters.”

Ronald stared. “What do you mean? Don’t they tell their own story?”

“I supposed they did when I gave them to you; but you’ve given it a twist that needs straightening out.” Mr. Grew squared his elbows on the table, and looked at the young man across the gift-books and the dyed pampas grass. “I wrote all the letters that Dolbrowski answered.”

Ronald gave back his look in frowning perplexity. “You wrote them? I don’t understand. His letters are all addressed to my mother.”

“Yes. And he thought he was corresponding with her.”

“But my mother—what did she think?”

Mr. Grew hesitated, puckering his thick lids. “Well, I guess she kinder thought it was a joke. Your mother didn’t think about things much.”

Ronald continued to bend a puzzled frown on the question. “I don’t understand,” he reiterated.

Mr. Grew cleared his throat with a nervous laugh. “Well, I don’t know as you ever will—_quite_. But this is the way it came about. I had a toughish time of it when I was young. Oh, I don’t mean so much the fight I had to put up to make my way—there was always plenty of fight in me. But inside of myself it was kinder lonesome. And the outside didn’t attract callers.” He laughed again, with an apologetic gesture toward his broad blinking face. “When I went round with the other young fellows I was always the forlorn hope—the one that had to eat the drumsticks and dance with the left-overs. As sure as there was a blighter at a picnic I had to swing her, and feed her, and drive her home. And all the time I was mad after all the things you’ve got—poetry and music and all the joy-forever business. So there were the pair of us—my face and my imagination—chained together, and fighting, and hating each other like poison.

“Then your mother came along and took pity on me. It sets up a gawky fellow to find a girl who ain’t ashamed to be seen walking with him Sundays. And I was grateful to your mother, and we got along first-rate. Only I couldn’t say things to her—and she couldn’t answer. Well—one day, a few months after we were married, Dolbrowski came to New York, and the whole place went wild about him. I’d never heard any good music, but I’d always had an inkling of what it must be like, though I couldn’t tell you to this day how I knew. Well, your mother read about him in the papers too, and she thought it’d be the swagger thing to go to New York and hear him play—so we went… I’ll never forget that evening. Your mother wasn’t easily stirred up—she never seemed to need to let off steam. But that night she seemed to understand the way I felt. And when we got back to the hotel she said suddenly: ‘I’d like to tell him how I feel. I’d like to sit right down and write to him.’

“‘Would you?’ I said. ‘So would I.’

“There was paper and pens there before us, and I pulled a sheet toward me, and began to write. ‘Is this what you’d like to say to him?’ I asked her when the letter was done. And she got pink and said: ‘I don’t understand it, but it’s lovely.’ And she copied it out and signed her name to it, and sent it.”

Mr. Grew paused, and Ronald sat silent, with lowered eyes.

“That’s how it began; and that’s where I thought it would end. But it didn’t, because Dolbrowski answered. His first letter was dated January 10, 1872. I guess you’ll find I’m correct. Well, I went back to hear him again, and I wrote him after the performance, and he answered again. And after that we kept it up for six months. Your mother always copied the letters and signed them. She seemed to think it was a kinder joke, and she was proud of his answering my letters. But she never went back to New York to hear him, though I saved up enough to give her the treat again. She was too lazy, and she let me go without her. I heard him three times in New York; and in the spring he came to Wingfield and played once at the Academy. Your mother was sick and couldn’t go; so I went alone. After the performance I meant to get one of the directors to take me in to see him; but when the time came, I just went back home and wrote to him instead. And the month after, before he went back to Europe, he sent your mother a last little note, and that picture hanging up there…”

Mr. Grew paused again, and both men lifted their eyes to the photograph.

“Is that all?” Ronald slowly asked.

“That’s all—every bit of it,” said Mr. Grew.

“And my mother—my mother never even spoke to Dolbrowski?”

“Never. She never even saw him but that once in New York at his concert.”

“The blood crept again to Ronald’s face. “Are you sure of that, sir?” he asked in a trembling voice.

“Sure as I am that I’m sitting here. Why, she was too lazy to look at his letters after the first novelty wore off. She copied the answers just to humor me—but she always said she couldn’t understand what we wrote.”

“But how could you go on with such a correspondence? It’s incredible!”

Mr. Grew looked at his son thoughtfully. “I suppose it is, to you. You’ve only had to put out your hand and get the things I was starving for—music, and good talk, and ideas. Those letters gave me all that. You’ve read them, and you know that Dolbrowski was not only a great musician but a great man. There was nothing beautiful he didn’t see, nothing fine he didn’t feel. For six months I breathed his air, and I’ve lived on it ever since. Do you begin to understand a little now?”

“Yes—a little. But why write in my mother’s name? Why make it a sentimental correspondence?”

Mr. Grew reddened to his bald temples. “Why, I tell you it began that way, as a kinder joke. And when I saw that the first letter pleased and interested him, I was afraid to tell him—_I couldn’t_ tell him. Do you suppose he’d gone on writing if he’d ever seen me, Ronny?”

Ronald suddenly looked at him with new eyes. “But he must have thought your letters very beautiful—to go on as he did,” he broke out.

“Well—I did my best,” said Mr. Grew modestly.

Ronald pursued his idea. “Where are all your letters, I wonder? Weren’t they returned to you at his death?”

Mr. Grew laughed. “Lord, no. I guess he had trunks and trunks full of better ones. I guess Queens and Empresses wrote to him.”

“I should have liked to see your letters,” the young man insisted.

“Well, they weren’t bad,” said Mr. Grew drily. “But I’ll tell you one thing, Ronny,” he added suddenly. Ronald raised his head with a quick glance, and Mr. Grew continued: “I’ll tell you where the best of those letters is—it’s in you. If it hadn’t been for that one look at life I couldn’t have made you what you are. Oh, I know you’ve done a good deal of your own making—but I’ve been there behind you all the time. And you’ll never know the work I’ve spared you and the time I’ve saved you. Fortune Dolbrowski helped me do that. I never saw things in little again after I’d looked at ‘em with him. And I tried to give you the big view from the stars… So that’s what became of my letters.”

Mr. Grew paused, and for a long time Ronald sat motionless, his elbows on the table, his face dropped on his hands.

Suddenly Mr. Grew’s touch fell on his shoulder.

“Look at here, Ronald Grew—do you want me to tell you how you’re feeling at this minute? Just a mite let down, after all, at the idea that you ain’t the romantic figure you’d got to think yourself… Well, that’s natural enough, too; but I’ll tell you what it proves. It proves you’re my son right enough, if any more proof was needed. For it’s just the kind of fool nonsense I used to feel at your age—and if there’s anybody here to laugh at it’s myself, and not you. And you can laugh at me just as much as you like…”

THE DAUNT DIANA

I

“WHAT’S become of the Daunt Diana? You mean to say you never heard the sequel?”

Ringham Finney threw himself back into his chair with the smile of the collector who has a good thing to show. He knew he had a good listener, at any rate. I don’t think much of Ringham’s snuff-boxes, but his anecdotes are usually worth while. He’s a psychologist astray among bibelots, and the best bits he brings back from his raids on Christie’s and the Hotel Drouot are the fragments of human nature he picks up on those historic battle-fields. If his flair in enamel had been half as good we should have heard of the Finney collection by this time.

He really has—queer fatuous investigator!—an unusually sensitive touch for the human texture, and the specimens he gathers into his museum of heterogeneous memories have almost always some mark of the rare and chosen. I felt, therefore, that I was really to be congratulated on the fact that I didn’t know what had become of the Daunt Diana, and on having before me a long evening in which to learn. I had just led my friend back, after an excellent dinner at Foyot’s, to the shabby pleasant sitting-room of my rive-gauche hotel; and I knew that, once I had settled him in a good armchair, and put a box of cigars at his elbow, I could trust him not to budge till I had the story.

II

YOU remember old Neave, of course? Little Humphrey Neave, I mean. We used to see him pottering about Rome years ago. He lived in two tiny rooms over a wine shop, on polenta and lentils, and prowled among the refuse of the Ripetta whenever he had a few soldi to spend. But you’ve been out of the collector’s world for so long that you may not know what happened to him afterward…

He was always a queer chap, Neave; years older than you and me, of course—and even when I first knew him, in my raw Roman days, he gave me an extraordinary sense of age and experience. I don’t think I’ve ever known any one who was at once so intelligent and so simple. It’s the precise combination that results in romance; and poor little Neave was romantic.

He told me once how he’d come to Rome. He was originaire of Mystic, Connecticut—and he wanted to get as far away from it as possible. Rome seemed as far as anything on the same planet could be; and after he’d worried his way through Harvard—with shifts and shavings that you and I can’t imagine—he contrived to get sent to Switzerland as tutor to a chap who’d failed in his examinations. With only the Alps between, he wasn’t likely to turn back; and he got another fellow to take his pupil home, and struck out on foot for the seven hills.

I’m telling you these early details merely to give you a notion of the man’s idealism. There was a cool persistency and a headlong courage in his dash for Rome that one wouldn’t have guessed in the little pottering chap we used to know. Once on the spot, he got more tutoring, managed to make himself a name for coaxing balky youths to take their fences, and was finally able to take up the more congenial task of expounding “the antiquities” to cultured travellers. I call it more congenial—but how it must have seared his soul! Fancy unveiling the sacred scars of Time to ladies who murmur: “Was this actually the spot—?” while they absently feel for their hatpins! He used to say that nothing kept him at it but the exquisite thought of accumulating the lire for his collection. For the Neave collection, my dear fellow, began early, began almost with his Roman life, began in a series of little nameless odds and ends, broken trinkets, torn embroideries, the amputated extremities of maimed marbles: things that even the rag-picker had pitched away when he sifted his haul. But they weren’t nameless or meaningless to Neave; his strength lay in his instinct for identifying, putting together, seeing significant relations. He was a regular Cuvier of bric-a-brac. And during those early years, when he had time to brood over trifles and note imperceptible differences, he gradually sharpened his instinct, and made it into the delicate and redoubtable instrument it is. Before he had a thousand francs’ worth of anticaglie to his name he began to be known as an expert, and the big dealers were glad to consult him. But we’re getting no nearer the Daunt Diana…

Well, some fifteen years ago, in London, I ran across Neave at Christie’s. He was the same little man we’d known, effaced, bleached, indistinct, like a poor “impression”—as unnoticeable as one of his own early finds, yet, like them, with a quality, if one had an eye for it. He told me he still lived in Rome, and had contrived, by fierce self-denial, to get a few decent bits together—“piecemeal, little by little, with fasting and prayer; and I mean the fasting literally!” he said.

He had run over to London for his annual “look-round”—I fancy one or another of the big collectors usually paid his journey—and when we met he was on his way to see the Daunt collection. You know old Daunt was a surly brute, and the things weren’t easily seen; but he had heard Neave was in London, and had sent—yes, actually sent!—for him to come and give his opinion on a few bits, including the Diana. The little man bore himself discreetly, but you can imagine his pride. In his exultation he asked me to come with him—“Oh, I’ve the grandes et petites entrees, my dear fellow: I’ve made my conditions—” and so it happened that I saw the first meeting between Humphrey Neave and his fate.

For that collection was his fate: or, one may say, it was embodied in the Diana who was queen and goddess of the realm. Yes—I shall always be glad I was with Neave when he had his first look at the Diana. I see him now, blinking at her through his white lashes, and stroking his seedy wisp of a moustache to hide a twitch of the muscles. It was all very quiet, but it was the coup de foudre. I could see that by the way his hands trembled when he turned away and began to examine the other things. You remember Neave’s hands—thin, sallow, dry, with long inquisitive fingers thrown out like antennae? Whatever they hold—bronze or lace, hard enamel or brittle glass—they have an air of conforming themselves to the texture of the thing, and sucking out of it, by every finger-tip, the mysterious essence it has secreted. Well, that day, as he moved about among Daunt’s treasures, the Diana followed him everywhere. He didn’t look back at her—he gave himself to the business he was there for—but whatever he touched, he felt her. And on the threshold he turned and gave her his first free look—the kind of look that says: “You’re mine.”

It amused me at the time—the idea of little Neave making eyes at any of Daunt’s belongings. He might as well have coquetted with the Kohinoor. And the same idea seemed to strike him; for as we turned away from the big house in Belgravia he glanced up at it and said, with a bitterness I’d never heard in him: “Good Lord! To think of that lumpy fool having those things to handle! Did you notice his stupid stumps of fingers? I suppose he blunted them gouging nuggets out of the gold fields. And in exchange for the nuggets he gets all that in a year—only has to hold out his callous palm to have that great ripe sphere of beauty drop into it! That’s my idea of heaven—to have a great collection drop into one’s hand, as success, or love, or any of the big shining things, drop suddenly on some men. And I’ve had to worry along for nearly fifty years, saving and paring, and haggling and intriguing, to get here a bit and there a bit—and not one perfection in the lot! It’s enough to poison a man’s life.”

The outbreak was so unlike Neave that I remember every word of it: remember, too, saying in answer: “But, look here, Neave, you wouldn’t take Daunt’s hands for yours, I imagine?”

He stared a moment and smiled. “Have all that, and grope my way through it like a blind cave fish? What a question! But the sense that it’s always the blind fish that live in that kind of aquarium is what makes anarchists, sir!” He looked back from the corner of the square, where we had paused while he delivered himself of this remarkable metaphor. “God, I’d like to throw a bomb at that place, and be in at the looting!”

And with that, on the way home, he unpacked his grievance—pulled the bandage off the wound, and showed me the ugly mark it had made on his little white soul.

It wasn’t the struggling, stinting, self-denying that galled him—it was the inadequacy of the result. It was, in short, the old tragedy of the discrepancy between a man’s wants and his power to gratify them. Neave’s taste was too exquisite for his means—was like some strange, delicate, capricious animal, that he cherished and pampered and couldn’t satisfy.

“Don’t you know those little glittering lizards that die if they’re not fed on some wonderful tropical fly? Well, my taste’s like that, with one important difference—if it doesn’t get its fly, it simply turns and feeds on me. Oh, it doesn’t die, my taste—worse luck! It gets larger and stronger and more fastidious, and takes a bigger bite of me—that’s all.”

That was all. Year by year, day by day, he had made himself into this delicate register of perceptions and sensations—as far above the ordinary human faculty of appreciation as some scientific registering instrument is beyond the rough human senses—only to find that the beauty which alone could satisfy him was unattainable—that he was never to know the last deep identification which only possession can give. He had trained himself in short, to feel, in the rare great thing—such an utterance of beauty as the Daunt Diana, say—a hundred elements of perfection, a hundred reasons why, imperceptible, inexplicable even, to the average “artistic” sense; he had reached this point by a long austere process of discrimination and rejection, the renewed great refusals of the intelligence which perpetually asks more, which will make no pact with its self of yesterday, and is never to be beguiled from its purpose by the wiles of the next-best-thing. Oh, it’s a poignant case, but not a common one; for the next-best-thing usually wins…

You see, the worst of Neave’s state was the fact of his not being a mere collector, even the collector raised to his highest pitch of efficiency. The whole thing was blent in him with poetry—his imagination had romanticized the acquisitive instinct, as the religious feeling of the Middle Ages turned passion into love. And yet his could never be the abstract enjoyment of the philosopher who says: “This or that object is really mine because I’m capable of appreciating it.” Neave wanted what he appreciated—wanted it with his touch and his sight as well as with his imagination.

It was hardly a year afterward that, coming back from a long tour in India, I picked up a London paper and read the amazing headline: “Mr. Humphrey Neave buys the Daunt collection”… I rubbed my eyes and read again. Yes, it could only be our old friend Humphrey. “An American living in Rome … one of our most discerning collectors”; there was no mistaking the description. I clapped on my hat and bolted out to see the first dealer I could find; and there I had the incredible details. Neave had come into a fortune—two or three million dollars, amassed by an uncle who had a corset-factory, and who had attained wealth as the creator of the Mystic Super-straight. (Corset-factory sounds odd, by the way, doesn’t it? One had fancied that the corset was a personal, a highly specialized garment, more or less shaped on the form it was to modify; but, after all, the Tanagras were all made from two or three moulds—and so, I suppose, are the ladies who wear the Mystic Super-straight.)

The uncle had a son, and Neave had never dreamed of seeing a penny of the money; but the son died suddenly, and the father followed, leaving a codicil that gave everything to our friend. Humphrey had to go out to “realize” on the corset-factory; and his description of that … Well, he came back with his money in his pocket, and the day he landed old Daunt went to smash. It all fitted in like a Chinese puzzle. I believe Neave drove straight from Euston to Daunt House: at any rate, within two months the collection was his, and at a price that made the trade sit up. Trust old Daunt for that!

I was in Rome the following spring, and you’d better believe I looked him up. A big porter glared at me from the door of the Palazzo Neave: I had almost to produce my passport to get in. But that wasn’t Neave’s fault—the poor fellow was so beset by people clamouring to see his collection that he had to barricade himself, literally. When I had mounted the state Scalone, and come on him, at the end of half a dozen echoing saloons, in the farthest, smallest reduit of the vast suite, I received the same welcome that he used to give us in his little den over the wine shop.

“Well—so you’ve got her?” I said. For I’d caught sight of the Diana in passing, against the bluish blur of an old verdure—just the background for her poised loveliness. Only I rather wondered why she wasn’t in the room where he sat.

He smiled. “Yes, I’ve got her,” he returned, more calmly than I had expected.

“And all the rest of the loot?”

“Yes. I had to buy the lump.”

“Had to? But you wanted to, didn’t you? You used to say it was your idea of heaven—to stretch out your hand and have a great ripe sphere of beauty drop into it. I’m quoting your own words, by the way.”

Neave blinked and stroked his seedy moustache. “Oh, yes. I remember the phrase. It’s true—it is the last luxury.” He paused, as if seeking a pretext for his lack of warmth. “The thing that bothered me was having to move. I couldn’t cram all the stuff into my old quarters.”

“Well, I should say not! This is rather a better setting.”

He got up. “Come and take a look round. I want to show you two or three things—new attributions I’ve made. I’m doing the catalogue over.”

The interest of showing me the things seemed to dispel the vague apathy I had felt in him. He grew keen again in detailing his redistribution of values, and above all in convicting old Daunt and his advisers of their repeated aberrations of judgment. “The miracle is that he should have got such things, knowing as little as he did what he was getting. And the egregious asses who bought for him were no better, were worse in fact, since they had all sorts of humbugging wrong reasons for admiring what old Daunt simply coveted because it belonged to some other rich man.”

Never had Neave had so wondrous a field for the exercise of his perfected faculty; and I saw then how in the real, the great collector’s appreciations the keenest scientific perception is suffused with imaginative sensibility, and how it’s to the latter undefinable quality that in the last resort he trusts himself.

Nevertheless, I still felt the shadow of that hovering apathy, and he knew I felt it, and was always breaking off to give me reasons for it. For one thing, he wasn’t used to his new quarters—hated their bigness and formality; then the requests to show his things drove him mad. “The women—oh, the women!” he wailed, and interrupted himself to describe a heavy-footed German Princess who had marched past his treasures as if she were inspecting a cavalry regiment, applying an unmodulated Mugneeficent to everything from the engraved gems to the Hercules torso.

“Not that she was half as bad as the other kind,” he added, as if with a last effort at optimism. “The kind who discriminate and say: ‘I’m not sure if it’s Botticelli or Cellini I mean, but one of that school, at any rate.’ And the worst of all are the ones who know—up to a certain point: have the schools, and the dates and the jargon pat, and yet wouldn’t know a Phidias if it stood where they hadn’t expected it.”

He had all my sympathy, poor Neave; yet these were trials inseparable from the collector’s lot, and not always without their secret compensations. Certainly they did not wholly explain my friend’s attitude; and for a moment I wondered if it were due to some strange disillusionment as to the quality of his treasures. But no! the Daunt collection was almost above criticism; and as we passed from one object to another I saw there was no mistaking the genuineness of Neave’s pride in his possessions. The ripe sphere of beauty was his, and he had found no flaw in it as yet…

A year later came the amazing announcement—the Daunt collection was for sale. At first we all supposed it was a case of weeding out (though how old Daunt would have raged at the thought of anybody’s weeding his collection!) But no—the catalogue corrected that idea. Every stick and stone was to go under the hammer. The news ran like wildfire from Rome to Berlin, from Paris to London and New York. Was Neave ruined, then? Wrong again—the dealers nosed that out in no time. He was simply selling because he chose to sell; and in due time the things came up at Christie’s.

But you may be sure the trade had found an answer to the riddle; and the answer was that, on close inspection, Neave had found the collection less impeccable than he had supposed. It was a preposterous answer—but then there was no other. Neave, by this time, was pretty generally recognized as having the subtlest flair of any collector in Europe, and if he didn’t choose to keep the Daunt collection it could be only because he had reason to think he could do better.

In a flash this report had gone the rounds and the buyers were on their guard. I had run over to London to see the thing through, and it was the queerest sale I ever was at. Some of the things held their own, but a lot—and a few of the best among them—went for half their value. You see, they’d been locked up in old Daunt’s house for nearly twenty years, and hardly shown to any one, so that the whole younger generation of dealers and collectors knew of them only by hearsay. Then you know the effect of suggestion in such cases. The undefinable sense we were speaking of is a ticklish instrument, easily thrown out of gear by a sudden fall of temperature; and the sharpest experts grow shy and self-distrustful when the cold current of depreciation touches them. The sale was a slaughter—and when I saw the Daunt Diana fall at the wink of a little third-rate brocanteur from Vienna I turned sick at the folly of my kind.

For my part, I had never believed that Neave had sold the collection because he’d “found it out”; and within a year my incredulity was justified. As soon as the things were put in circulation they were known for the marvels they are. There was hardly a poor bit in the lot; and my wonder grew at Neave’s madness. All over Europe, dealers began to be fighting for the spoils; and all kinds of stuff were palmed off on the unsuspecting as fragments of the Daunt collection!

Meanwhile, what was Neave doing? For a long time I didn’t hear, and chance kept me from returning to Rome. But one day, in Paris, I ran across a dealer who had captured for a song one of the best Florentine bronzes in the Daunt collection—a marvellous plaquette of Donatello’s. I asked him what had become of it, and he said with a grin: “I sold it the other day,” naming a price that staggered me.

“Ye gods! Who paid you that for it?”

His grin broadened, and he answered: “Neave.”

“ Neave? Humphrey Neave?”

“Didn’t you know he was buying back his things?”

“Nonsense!”

“He is, though. Not in his own name—but he’s doing it.”

And he was, do you know—and at prices that would have made a sane man shudder! A few weeks later I ran across his tracks in London, where he was trying to get hold of a Penicaud enamel—another of his scattered treasures. Then I hunted him down at his hotel, and had it out with him.

“Look here, Neave, what are you up to?”

He wouldn’t tell me at first: stared and laughed and denied. But I took him off to dine, and after dinner, while we smoked, I happened to mention casually that I had a pull over the man who had the Penicaud—and at that he broke down and confessed.

“Yes, I’m buying them back, Finney—it’s true.” He laughed nervously, twitching his moustache. And then he let me have the story.

“You know how I’d hungered and thirsted for the real thing—you quoted my own phrase to me once, about the ‘ripe sphere of beauty.’ So when I got my money, and Daunt lost his, almost at the same moment, I saw the hand of Providence in it. I knew that, even if I’d been younger, and had more time, I could never hope, nowadays, to form such a collection as that. There was the ripe sphere, within reach; and I took it. But when I got it, and began to live with it, I found out my mistake. It was a mariage de convenance—there’d been no wooing, no winning. Each of my little old bits—the rubbish I chucked out to make room for Daunt’s glories—had its own personal history, the drama of my relation to it, of the discovery, the struggle, the capture, the first divine moment of possession. There was a romantic secret between us. And then I had absorbed its beauties one by one, they had become a part of my imagination, they held me by a hundred threads of far-reaching association. And suddenly I had expected to create this kind of intense personal tie between myself and a roomful of new cold alien presences—things staring at me vacantly from the depths of unknown pasts! Can you fancy a more preposterous hope? Why, my other things, my own things, had wooed me as passionately as I wooed them: there was a certain little bronze, a little Venus Callipyge, who had drawn me, drawn me, drawn me, imploring me to rescue her from her unspeakable surroundings in a vulgar bric-a-brac shop at Biarritz, where she shrank out of sight among sham Sevres and Dutch silver, as one has seen certain women—rare, shy, exquisite—made almost invisible by the vulgar splendours surrounding them. Well! that little Venus, who was just a specious seventeenth century attempt at the ‘antique,’ but who had penetrated me with her pleading grace, touched me by the easily guessed story of her obscure, anonymous origin, was more to me imaginatively—yes! more than the cold bought beauty of the Daunt Diana…”

“The Daunt Diana!” I broke in. “Hold up, Neave—_the Daunt Diana?_”

He smiled contemptuously. “A professional beauty, my dear fellow—expected every head to be turned when she came into a room.”

“Oh, Neave,” I groaned.

“Yes, I know. You’re thinking of what we felt that day we first saw her in London. Many a poor devil has sold his soul as the result of such a first sight! Well, I sold her instead. Do you want the truth about her? Elle etait bete a pleurer.”

He laughed, and stood up with a little shrug of disenchantment.

“And so you’re impenitent?” I paused. “And yet you’re buying some of the things back?”

Neave laughed again, ironically. “I knew you’d find me out and call me to account. Well, yes: I’m buying back.” He stood before me half sheepish, half defiant. “I’m buying back because there’s nothing else as good in the market. And because I’ve a queer feeling that, this time, they’ll be mine. But I’m ruining myself at the game!” he confessed.

It was true: Neave was ruining himself. And he’s gone on ruining himself ever since, till now the job’s nearly done. Bit by bit, year by year, he has gathered in his scattered treasures, at higher prices than the dealers ever dreamed of getting. There are fabulous details in the story of his quest. Now and then I ran across him, and was able to help him recover a fragment; and it was wonderful to see his delight in the moment of reunion. Finally, about two years ago, we met in Paris, and he told me he had got back all the important pieces except the Diana.

“The Diana? But you told me you didn’t care for her.”

“Didn’t care?” He leaned across the restaurant table that divided us. “Well, no, in a sense I didn’t. I wanted her to want me, you see; and she didn’t then! Whereas now she’s crying to me to come to her. You know where she is?” he broke off.

Yes, I knew: in the centre of Mrs. Willy P. Goldmark’s yellow and gold drawing-room, under a thousand-candle-power chandelier, with reflectors aimed at her from every point of the compass. I had seen her wincing and shivering there in her outraged nudity at one of the Goldmark “crushes.”

“But you can’t get her, Neave,” I objected.

“No, I can’t get her,” he said.

Well, last month I was in Rome, for the first time in six or seven years, and of course I looked about for Neave. The Palazzo Neave was let to some rich Russians, and the splendid new porter didn’t know where the proprietor lived. But I got on his trail easily enough, and it led me to a strange old place in the Trastevere, an ancient crevassed black palace turned tenement house, and fluttering with pauper clothes-lines. I found Neave under the leads, in two or three cold rooms that smelt of the cuisine of all his neighbours: a poor shrunken little figure, seedier and shabbier than ever, yet more alive than when we had made the tour of his collection in the Palazzo Neave.

The collection was around him again, not displayed in tall cabinets and on marble tables, but huddled on shelves, perched on chairs, crammed in corners, putting the gleam of bronze, the opalescence of old glass, the pale lustre of marble, into all the angles of his low dim rooms. There they were, the proud presences that had stared at him down the vistas of Daunt House, and shone in cold transplanted beauty under his own painted cornices: there they were, gathered in humble promiscuity about his bent shabby figure, like superb wild creatures tamed to become the familiars of some harmless old wizard.

As we went from bit to bit, as he lifted one piece after another, and held it to the light of his low windows, I saw in his hands the same tremor of sensation that I had noticed when he first examined the same objects at Daunt House. All his life was in his finger-tips, and it seemed to communicate life to the exquisite things he touched. But you’ll think me infected by his mysticism if I tell you they gained new beauty while he held them…

We went the rounds slowly and reverently; and then, when I supposed our inspection was over, and was turning to take my leave, he opened a door I had not noticed, and showed me into a slit of a room beyond. It was a mere monastic cell, scarcely large enough for his narrow iron bed and the chest which probably held his few clothes; but there, in a niche of the bare wall, facing the foot of the bed—there stood the Daunt Diana.

I gasped at the sight and turned to him; and he looked back at me without speaking.

“In the name of magic, Neave, how did you do it?”

He smiled as if from the depths of some secret rapture. “Call it magic, if you like; but I ruined myself doing it,” he said.

I stared at him in silence, breathless with the madness and the wonder of it; and suddenly, red to the ears, he flung out his boyish confession. “I lied to you that day in London—the day I said I didn’t care for her. I always cared—always worshipped—always wanted her. But she wasn’t mine then, and I knew it, and she knew it … and now at last we understand each other.” He looked at me shyly, and then glanced about the bare cold cell. “The setting isn’t worthy of her, I know; she was meant for glories I can’t give her; but beautiful things, my dear Finney, like beautiful spirits, live in houses not made with hands…”

His face shone with extraordinary sweetness as he spoke; and I saw he’d got hold of the secret we’re all after. No, the setting isn’t worthy of her, if you like. The rooms are as shabby and mean as those we used to see him in years ago over the wine shop. I’m not sure they’re not shabbier and meaner. But she rules there at last, she shines and hovers there above him, and there at night, I doubt not, steals down from her cloud to give him the Latmian kiss.

THE DEBT

I

YOU remember—it’s not so long ago—the talk there was about Dredge’s “Arrival of the Fittest”? The talk has subsided, but the book of course remains: stands up, in fact, as the tallest thing of its kind since—well, I’d almost said since “The Origin of Species.”

I’m not wrong, at any rate, in calling it the most important contribution yet made to the development of the Darwinian theory, or rather to the solution of the awkward problem about which that theory has had to make such a circuit. Dredge’s hypothesis will be contested, may one day be disproved; but at least it has swept out of the way all previous conjectures, including of course Lanfear’s magnificent attempt; and for our generation of scientific investigators it will serve as the first safe bridge across a murderous black whirlpool.

It’s all very interesting—there are few things more stirring to the imagination than that sudden projection of the new hypothesis, light as a cobweb and strong as steel, across the intellectual abyss; but, for an idle observer of human motives, the other, the personal, side of Dredge’s case is even more interesting and arresting.

Personal side? You didn’t know there was one? Pictured him simply as a thinking machine, a highly specialized instrument of precision, the result of a long series of “adaptations,” as his own jargon would put it? Well, I don’t wonder—if you’ve met him. He does give the impression of being something out of his own laboratory: a delicate scientific instrument that reveals wonders to the initiated, and is absolutely useless in an ordinary hand.

In his youth it was just the other way. I knew him twenty years ago, as an awkward lout whom young Archie Lanfear had picked up at college, and brought home for a visit. I happened to be staying at the Lanfears’ when the boys arrived, and I shall never forget Dredge’s first appearance on the scene. You know the Lanfears always lived very simply. That summer they had gone to Buzzard’s Bay, in order that Professor Lanfear might be near the Biological Station at Wood’s Holl, and they were picnicking in a kind of sketchy bungalow without any attempt at elegance. But Galen Dredge couldn’t have been more awe-struck if he’d been suddenly plunged into a Fifth Avenue ball-room. He nearly knocked his shock head against the low doorway, and in dodging this peril trod heavily on Mabel Lanfear’s foot, and became hopelessly entangled in her mother’s draperies—though how he managed it I never knew, for Mrs. Lanfear’s dowdy muslins ran to no excess of train.

When the Professor himself came in it was ten times worse, and I saw then that Dredge’s emotion was a tribute to the great man’s proximity. That made the boy interesting, and I began to watch. Archie, always enthusiastic but vague, had said: “Oh, he’s a tremendous chap—you’ll see—” but I hadn’t expected to see quite so clearly. Lanfear’s vision, of course, was sharper than mine; and the next morning he had carried Dredge off to the Biological Station. And that was the way it began.

Dredge is the son of a Baptist minister. He comes from East Lethe, New York State, and was working his way through college—waiting at White Mountain hotels in summer—when Archie Lanfear ran across him. There were eight children in the family, and the mother was an invalid. Dredge never had a penny from his father after he was fourteen; but his mother wanted him to be a scholar, and “kept at him,” as he put it, in the hope of his going back to “teach school” at East Lethe. He developed slowly, as the scientific mind generally does, and was still adrift about himself and his tendencies when Archie took him down to Buzzard’s Bay. But he had read Lanfear’s “Utility and Variation,” and had always been a patient and curious observer of nature. And his first meeting with Lanfear explained him to himself. It didn’t, however, enable him to explain himself to others, and for a long time he remained, to all but Lanfear, an object of incredulity and conjecture.

“ Why my husband wants him about—” poor Mrs. Lanfear, the kindest of women, privately lamented to her friends; for Dredge, at that time—they kept him all summer at the bungalow—had one of the most encumbering personalities you can imagine. He was as inexpressive as he is to-day, and yet oddly obtrusive: one of those uncomfortable presences whose silence is an interruption.

The poor Lanfears almost died of him that summer, and the pity of it was that he never suspected it, but continued to lavish on them a floundering devotion as uncomfortable as the endearments of a dripping dog—all out of gratitude for the Professor’s kindness! He was full, in those days, of raw enthusiasms, which he forced on any one who would listen when his first shyness had worn off. You can’t picture him spouting sentimental poetry, can you? Yet I’ve seen him petrify a whole group of Mrs. Lanfear’s callers by suddenly discharging on them, in the strident drawl of Western New York, “Barbara Frietchie” or “The Queen of the May.” His taste in literature was uniformly bad, but very definite, and far more assertive than his views on biological questions. In his scientific judgments he showed, even then, a remarkable temperance, a precocious openness to the opposite view; but in literature he was a furious propagandist, aggressive, disputatious, and extremely sensitive to adverse opinion.

Lanfear, of course, had been struck from the first by his gift of accurate observation, and by the fact that his eagerness to learn was offset by his reluctance to conclude. I remember Lanfear’s telling me that he had never known a lad of Dredge’s age who gave such promise of uniting an aptitude for general ideas with the plodding patience of the accumulator of facts. Of course when Lanfear talked like that of a young biologist his fate was sealed. There could be no question of Dredge’s going back to “teach school” at East Lethe. He must take a course in biology at Columbia, spend his vacations at the Wood’s Holl laboratory, and then, if possible, go to Germany for a year or two.

All this meant his virtual adoption by the Lanfears. Most of Lanfear’s fortune went in helping young students to a start, and he devoted his heaviest subsidies to Dredge.

“Dredge will be my biggest dividend—you’ll see!” he used to say, in the chrysalis days when poor Galen was known to the world of science only as a perpetual slouching presence in Mrs. Lanfear’s drawing-room. And Dredge, it must be said, took his obligations simply, with that kind of personal dignity, and quiet sense of his own worth, which in such cases saves the beneficiary from abjectness. He seemed to trust himself as fully as Lanfear trusted him.

The comic part of it was that his only idea of making what is known as “a return” was to devote himself to the Professor’s family. When I hear pretty women lamenting that they can’t coax Professor Dredge out of his laboratory I remember Mabel Lanfear’s cry to me: “If Galen would only keep away!” When Mabel fell on the ice and broke her leg, Galen walked seven miles in a blizzard to get a surgeon; but if he did her this service one day in the year, he bored her by being in the way for the other three hundred and sixty-four. One would have imagined at that time that he thought his perpetual presence the greatest gift he could bestow; for, except on the occasion of his fetching the surgeon, I don’t remember his taking any other way of expressing his gratitude.

In love with Mabel? Not a bit! But the queer thing was that he did have a passion in those days—a blind, hopeless passion for Mrs. Lanfear! Yes: I know what I’m saying. I mean Mrs. Lanfear, the Professor’s wife, poor Mrs. Lanfear, with her tight hair and her loose figure, her blameless brow and earnest eye-glasses, and her perpetual attitude of mild misapprehension. I can see Dredge cowering, long and many-jointed, in a diminutive drawing-room chair, one square-toed shoe coiled round an exposed ankle, his knees clasped in a knot of red knuckles, and his spectacles perpetually seeking Mrs. Lanfear’s eye-glasses. I never knew if the poor lady was aware of the sentiment she inspired, but her children observed it, and it provoked them to irreverent mirth. Galen was the predestined butt of Mabel and Archie; and secure in their mother’s virtuous obtuseness, and in her worshipper’s timidity, they allowed themselves a latitude of banter that sometimes turned their audience cold. Dredge meanwhile was going on obstinately with his work. Now and then he had queer fits of idleness, when he lapsed into a state of sulky inertia from which even Lanfear’s admonitions could not rouse him. Once, just before an examination, he suddenly went off to the Maine woods for two weeks, came back, and failed to pass. I don’t know if his benefactor ever lost hope; but at times his confidence must have been sorely strained. The queer part of it was that when Dredge emerged from these eclipses he seemed keener and more active than ever. His slowly growing intelligence probably needed its periodical pauses of assimilation; and Lanfear was marvellously patient.

At last Dredge finished his course and went to Germany; and when he came back he was a new man—was, in fact, the Dredge we all know. He seemed to have shed his blundering, encumbering personality, and come to life as a disembodied intelligence. His fidelity to the Lanfears was unchanged; but he showed it negatively, by his discretions and abstentions. I have an idea that Mabel was less disposed to deride him, might even have been induced to softer sentiments; but I doubt if Dredge even noticed the change. As for his ex-goddess, he seemed to regard her as a motherly household divinity, the guardian genius of the darning needle; but on Professor Lanfear he looked with a deepening reverence. If the rest of the family had diminished in his eyes, its head had grown even greater.

II

FROM that day Dredge’s progress continued steadily. If not always perceptible to the untrained eye, in Lanfear’s sight it never deviated, and the great man began to associate Dredge with his work, and to lean on him more and more. Lanfear’s health was already failing, and in my confidential talks with him I saw how he counted on Galen Dredge to continue and amplify his doctrine. If he did not describe the young man as his predestined Huxley, it was because any such comparison between himself and his great predecessors would have been repugnant to his taste; but he evidently felt that it would be Dredge’s role to reveal him to posterity. And the young man seemed at that time to take the same view of his calling. When he was not busy about Lanfear’s work he was recording their conversations with the diligence of a biographer and the accuracy of a naturalist. Any attempt to question or minimize Lanfear’s theories roused in his disciple the only flashes of wrath I have ever seen a scientific discussion provoke in him. In defending his master he became almost as intemperate as in the early period of his literary passions.

Such filial dedication must have been all the more precious to Lanfear because, about that time, it became evident that Archie would never carry on his father’s work. He had begun brilliantly, you may remember, by a little paper on Limulus Polyphemus that attracted a good deal of notice when it appeared in the Central Blatt; but gradually his zoological ardour yielded to an absorbing passion for the violin, which was followed by a sudden plunge into physics. At present, after a side-glance at the drama, I understand he’s devoting what is left of his father’s money to archaeological explorations in Asia Minor.

“Archie’s got a delightful little mind,” Lanfear used to say to me, rather wistfully, “but it’s just a highly polished surface held up to the show as it passes. Dredge’s mind takes in only a bit at a time, but the bit stays, and other bits are joined to it, in a hard mosaic of fact, of which imagination weaves the pattern. I saw just how it would be years ago, when my boy used to take my meaning in a flash, and answer me with clever objections, while Galen disappeared into one of his fathomless silences, and then came to the surface like a dripping retriever, a long way beyond Archie’s objections, and with an answer to them in his mouth.”

It was about this time that the crowning satisfaction of Lanfear’s career came to him: I mean, of course, John Weyman’s gift to Columbia of the Lanfear Laboratory, and the founding, in connection with it, of a chair of Experimental Evolution. Weyman had always taken an interest in Lanfear’s work, but no one had supposed that his interest would express itself so magnificently. The honour came to Lanfear at a time when he was fighting an accumulation of troubles: failing health, the money difficulties resulting from his irrepressible generosity, his disappointment about Archie’s career, and perhaps also the persistent attacks of the new school of German zoologists.

“If I hadn’t Galen I should feel the game was up,” he said to me once, in a fit of half-real, half-mocking despondency. “But he’ll do what I haven’t time to do myself, and what my boy can’t do for me.”

That meant that he would answer the critics, and triumphantly affirm Lanfear’s theory, which had been rudely shaken, but not displaced.

“A scientific hypothesis lasts till there’s something else to put in its place. People who want to get across a river will use the old bridge till the new one’s built. And I don’t see any one who’s particularly anxious, in this case, to take a contract for the new one,” Lanfear ended; and I remember answering with a laugh: “Not while Horatius Dredge holds the other.”

It was generally known that Lanfear had not long to live, and the Laboratory was hardly opened before the question of his successor in the chair of Experimental Evolution began to be a matter of public discussion. It was conceded that whoever followed him ought to be a man of achieved reputation, some one carrying, as the French say, a considerable “baggage.” At the same time, even Lanfear’s critics felt that he should be succeeded by a man who held his views and would continue his teaching. This was not in itself a difficulty, for German criticism had so far been mainly negative, and there were plenty of good men who, while they questioned the permanent validity of Lanfear’s conclusions, were yet ready to accept them for their provisional usefulness. And then there was the added inducement of the Laboratory! The Columbia Professor of Experimental Evolution has at his disposal the most complete instrument of biological research that modern ingenuity has yet produced; and it’s not only in theology or politics que Paris vaut bien une messe! There was no trouble about finding a candidate; but the whole thing turned on Lanfear’s decision, since it was tacitly understood that, by Weyman’s wish, he was to select his successor. And what a cry there was when he selected Galen Dredge!

Not in the scientific world, though. The specialists were beginning to know about Dredge. His remarkable paper on Sexual Dimorphism had been translated into several languages, and a furious polemic had broken out over it. When a young fellow can get the big men fighting over him his future is pretty well assured. But Dredge was only thirty-four, and some people seemed to feel that there was a kind of deflected nepotism in Lanfear’s choice.

“If he could choose Dredge he might as well have chosen his own son,” I’ve heard it said; and the irony was that Archie—will you believe it?—actually thought so himself! But Lanfear had Weyman behind him, and when the end came the Faculty at once appointed Galen Dredge to the chair of Experimental Evolution.

For the first two years things went quietly, along accustomed lines. Dredge simply continued the course which Lanfear’s death had interrupted. He lectured well even then, with a persuasive simplicity surprising in the slow, inarticulate creature one knew him for. But haven’t you noticed that certain personalities reveal themselves only in the more impersonal relations of life? It’s as if they woke only to collective contacts, and the single consciousness were an unmeaning fragment to them.

If there was anything to criticize in that first part of the course, it was the avoidance of general ideas, of those brilliant rockets of conjecture that Lanfear’s students were used to seeing him fling across the darkness. I remember once saying this to Archie, who, having recovered from his absurd disappointment, had returned to his old allegiance to Dredge.

“Oh, that’s Galen all over. He doesn’t want to jump into the ring till he has a big swishing knock-down argument in his fist. He’ll wait twenty years if he has to. That’s his strength: he’s never afraid to wait.”

I thought this shrewd of Archie, as well as generous; and I saw the wisdom of Dredge’s course. As Lanfear himself had said, his theory was safe enough till somebody found a more attractive one; and before that day Dredge would probably have accumulated sufficient proof to crystallize the fluid hypothesis.

III

THE third winter I was off collecting in Central America, and didn’t get back till Dredge’s course had been going for a couple of months. The very day I turned up in town Archie Lanfear descended on me with a summons from his mother. I was wanted at once at a family council.

I found the Lanfear ladies in a state of incoherent distress, which Archie’s own indignation hardly made more intelligible. But gradually I put together their fragmentary charges, and learned that Dredge’s lectures were turning into an organized assault on his master’s doctrine.

“It amounts to just this,” Archie said, controlling his women with the masterful gesture of the weak man. “Galen has simply turned round and betrayed my father.”

“Just for a handful of silver he left us,” Mabel sobbed in parenthesis, while Mrs. Lanfear tearfully cited Hamlet.

Archie silenced them again. “The ugly part of it is that he must have had this up his sleeve for years. He must have known when he was asked to succeed my father what use he meant to make of his opportunity. What he’s doing isn’t the result of a hasty conclusion: it means years of work and preparation.”

Archie broke off to explain himself. He had returned from Europe the week before, and had learned on arriving that Dredge’s lectures were stirring the world of science as nothing had stirred it since Lanfear’s “Utility and Variation.” And the incredible outrage was that they owed their sensational effect to the fact of being an attempted refutation of Lanfear’s great work.

I own that I was staggered: the case looked ugly, as Archie said. And there was a veil of reticence, of secrecy, about Dredge, that always kept his conduct in a half-light of uncertainty. Of some men one would have said offhand: “It’s impossible!” But one couldn’t affirm it of him.

Archie hadn’t seen him as yet; and Mrs. Lanfear had sent for me because she wished me to be present at the interview between the two men. The Lanfear ladies had a touching belief in Archie’s violence: they thought him as terrible as a natural force. My own idea was that if there were any broken bones they wouldn’t be Dredge’s; but I was too curious as to the outcome not to be glad to offer my services as moderator.

First, however, I wanted to hear one of the lectures; and I went the next afternoon. The hall was jammed, and I saw, as soon as Dredge appeared, what increased security and ease the interest of his public had given him. He had been clear the year before, now he was also eloquent. The lecture was a remarkable effort: you’ll find the gist of it in Chapter VII of “The Arrival of the Fittest.” Archie sat at my side in a white rage; he was too clever not to measure the extent of the disaster. And I was almost as indignant as he when we went to see Dredge the next day.

I saw at a glance that the latter suspected nothing; and it was characteristic of him that he began by questioning me about my finds, and only afterward turned to reproach Archie for having been back a week without notifying him.

“You know I’m up to my neck in this job. Why in the world didn’t you hunt me up before this?”

The question was exasperating, and I could understand Archie’s stammer of wrath.

“Hunt you up? Hunt you up? What the deuce are you made of, to ask me such a question instead of wondering why I’m here now?”

Dredge bent his slow calm scrutiny on his friend’s quivering face; then he turned to me.

“What’s the matter?” he said simply.

“The matter?” shrieked Archie, his clenched fist hovering excitedly above the desk by which he stood; but Dredge, with unwonted quickness, caught the fist as it descended.

“Careful—I’ve got a Kallima in that jar there.” He pushed a chair forward, and added quietly: “Sit down.”

Archie, ignoring the gesture, towered pale and avenging in his place; and Dredge, after a moment, took the chair himself.

“The matter?” Archie reiterated with rising passion. “Are you so lost to all sense of decency and honour that you can put that question in good faith? Don’t you really know what’s the matter?”

Dredge smiled slowly. “There are so few things one really knows.”

“Oh, damn your scientific hair-splitting! Don’t you know you’re insulting my father’s memory?”

Dredge stared again, turning his spectacles thoughtfully from one of us to the other.

“Oh, that’s it, is it? Then you’d better sit down. If you don’t see at once it’ll take some time to make you.”

Archie burst into an ironic laugh.

“I rather think it will!” he conceded.

“Sit down, Archie,” I said, setting the example; and he obeyed, with a gesture that made his consent a protest.

Dredge seemed to notice nothing beyond the fact that his visitors were seated. He reached for his pipe, and filled it with the care which the habit of delicate manipulations gave to all the motions of his long, knotty hands.

“It’s about the lectures?” he said.

Archie’s answer was a deep scornful breath.

“You’ve only been back a week, so you’ve only heard one, I suppose?”

“It was not necessary to hear even that one. You must know the talk they’re making. If notoriety is what you’re after—”

“Well, I’m not sorry to make a noise,” said Dredge, putting a match to his pipe.

Archie bounded in his chair. “There’s no easier way of doing it than to attack a man who can’t answer you!”

Dredge raised a sobering hand. “Hold on. Perhaps you and I don’t mean the same thing. Tell me first what’s in your mind.”

The request steadied Archie, who turned on Dredge a countenance really eloquent with filial indignation.

“It’s an odd question for you to ask; it makes me wonder what’s in yours. Not much thought of my father, at any rate, or you couldn’t stand in his place and use the chance he’s given you to push yourself at his expense.”

Dredge received this in silence, puffing slowly at his pipe.

“Is that the way it strikes you?” he asked at length.

“God! It’s the way it would strike most men.”

He turned to me. “You too?”

“I can see how Archie feels,” I said.

“That I’m attacking his father’s memory to glorify myself?”

“Well, not precisely: I think what he really feels is that, if your convictions didn’t permit you to continue his father’s teaching, you might perhaps have done better to sever your connection with the Lanfear lectureship.”

“Then you and he regard the Lanfear lectureship as having been founded to perpetuate a dogma, not to try and get at the truth?”

“Certainly not,” Archie broke in. “But there’s a question of taste, of delicacy, involved in the case that can’t be decided on abstract principles. We know as well as you that my father meant the laboratory and the lectureship to serve the ends of science, at whatever cost to his own special convictions; what we feel—and you don’t seem to—is that you’re the last man to put them to that use; and I don’t want to remind you why.”

A slight redness rose through Dredge’s sallow skin. “You needn’t,” he said. “It’s because he pulled me out of my hole, woke me up, made me, shoved me off from the shore. Because he saved me ten or twenty years of muddled effort, and put me where I am at an age when my best working years are still ahead of me. Every one knows that’s what your father did for me, but I’m the only person who knows the time and trouble that it took.”

It was well said, and I glanced quickly at Archie, who was never closed to generous emotions.

“Well, then—?” he said, flushing also.

“Well, then,” Dredge continued, his voice deepening and losing its nasal edge, “I had to pay him back, didn’t I?”

The sudden drop flung Archie back on his prepared attitude of irony. “It would be the natural inference—with most men.”