The Arrow of Gold

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Title: The Arrow of Gold

a story between two notes

Author: Joseph Conrad

Release Date: August 3, 2009 [eBook #1083]

[This file last updated December 27, 2010]

Language: English

Character set encoding: ISO-646-US (US-ASCII)

***START OF THE PROJECT GUTENBERG EBOOK THE ARROW OF GOLD***

Transcribed from the 1921 T. Fisher Unwin by David Price, email ccx074@pglaf.org

THE

ARROW OF GOLD

A STORY BETWEEN TWO NOTES

by

JOSEPH CONRAD

Celui qui n’a connu que des hommes

polis et raisonnables, ou ne connait pas

l’homme, ou ne le connait qu’a demi.

Caracteres.

T. FISHER UNWIN, LTD.

LONDON: ADELPHI TERRACE

First published

August 1919

Reprinted

December 1919

Reprinted

October 1921

all rights reserved

to

RICHARD CURLE

FIRST NOTE

The pages which follow have been extracted from a pile of manuscript which was apparently meant for the eye of one woman only. She seems to have been the writer’s childhood’s friend. They had parted as children, or very little more than children. Years passed. Then something recalled to the woman the companion of her young days and she wrote to him: “I have been hearing of you lately. I know where life has brought you. You certainly selected your own road. But to us, left behind, it always looked as if you had struck out into a pathless desert. We always regarded you as a person that must be given up for lost. But you have turned up again; and though we may never see each other, my memory welcomes you and I confess to you I should like to know the incidents on the road which has led you to where you are now.”

And he answers her: “I believe you are the only one now alive who remembers me as a child. I have heard of you from time to time, but I wonder what sort of person you are now. Perhaps if I did know I wouldn’t dare put pen to paper. But I don’t know. I only remember that we were great chums. In fact, I chummed with you even more than with your brothers. But I am like the pigeon that went away in the fable of the Two Pigeons. If I once start to tell you I would want you to feel that you have been there yourself. I may overtax your patience with the story of my life so different from yours, not only in all the facts but altogether in spirit. You may not understand. You may even be shocked. I say all this to myself; but I know I shall succumb! I have a distinct recollection that in the old days, when you were about fifteen, you always could make me do whatever you liked.”

He succumbed. He begins his story for her with the minute narration of this adventure which took about twelve months to develop. In the form in which it is presented here it has been pruned of all allusions to their common past, of all asides, disquisitions, and explanations addressed directly to the friend of his childhood. And even as it is the whole thing is of considerable length. It seems that he had not only a memory but that he also knew how to remember. But as to that opinions may differ.

This, his first great adventure, as he calls it, begins in Marseilles. It ends there, too. Yet it might have happened anywhere. This does not mean that the people concerned could have come together in pure space. The locality had a definite importance. As to the time, it is easily fixed by the events at about the middle years of the seventies, when Don Carlos de Bourbon, encouraged by the general reaction of all Europe against the excesses of communistic Republicanism, made his attempt for the throne of Spain, arms in hand, amongst the hills and gorges of Guipuzcoa. It is perhaps the last instance of a Pretender’s adventure for a Crown that History will have to record with the usual grave moral disapproval tinged by a shamefaced regret for the departing romance. Historians are very much like other people.

However, History has nothing to do with this tale. Neither is the moral justification or condemnation of conduct aimed at here. If anything it is perhaps a little sympathy that the writer expects for his buried youth, as he lives it over again at the end of his insignificant course on this earth. Strange person—yet perhaps not so very different from ourselves.

A few words as to certain facts may be added.

It may seem that he was plunged very abruptly into this long adventure. But from certain passages (suppressed here because mixed up with irrelevant matter) it appears clearly that at the time of the meeting in the café, Mills had already gathered, in various quarters, a definite view of the eager youth who had been introduced to him in that ultra-legitimist salon. What Mills had learned represented him as a young gentleman who had arrived furnished with proper credentials and who apparently was doing his best to waste his life in an eccentric fashion, with a bohemian set (one poet, at least, emerged out of it later) on one side, and on the other making friends with the people of the Old Town, pilots, coasters, sailors, workers of all sorts. He pretended rather absurdly to be a seaman himself and was already credited with an ill-defined and vaguely illegal enterprise in the Gulf of Mexico. At once it occurred to Mills that this eccentric youngster was the very person for what the legitimist sympathizers had very much at heart just then: to organize a supply by sea of arms and ammunition to the Carlist detachments in the South. It was precisely to confer on that matter with Doña Rita that Captain Blunt had been despatched from Headquarters.

Mills got in touch with Blunt at once and put the suggestion before him. The Captain thought this the very thing. As a matter of fact, on that evening of Carnival, those two, Mills and Blunt, had been actually looking everywhere for our man. They had decided that he should be drawn into the affair if it could be done. Blunt naturally wanted to see him first. He must have estimated him a promising person, but, from another point of view, not dangerous. Thus lightly was the notorious (and at the same time mysterious) Monsieur George brought into the world; out of the contact of two minds which did not give a single thought to his flesh and blood.

Their purpose explains the intimate tone given to their first conversation and the sudden introduction of Doña Rita’s history. Mills, of course, wanted to hear all about it. As to Captain Blunt—I suspect that, at the time, he was thinking of nothing else. In addition it was Doña Rita who would have to do the persuading; for, after all, such an enterprise with its ugly and desperate risks was not a trifle to put before a man—however young.

It cannot be denied that Mills seems to have acted somewhat unscrupulously. He himself appears to have had some doubt about it, at a given moment, as they were driving to the Prado. But perhaps Mills, with his penetration, understood very well the nature he was dealing with. He might even have envied it. But it’s not my business to excuse Mills. As to him whom we may regard as Mills’ victim it is obvious that he has never harboured a single reproachful thought. For him Mills is not to be criticized. A remarkable instance of the great power of mere individuality over the young.

PART ONE

CHAPTER I

Certain streets have an atmosphere of their own, a sort of universal fame and the particular affection of their citizens. One of such streets is the Cannebière, and the jest: “If Paris had a Cannebière it would be a little Marseilles” is the jocular expression of municipal pride. I, too, I have been under the spell. For me it has been a street leading into the unknown.

There was a part of it where one could see as many as five big cafés in a resplendent row. That evening I strolled into one of them. It was by no means full. It looked deserted, in fact, festal and overlighted, but cheerful. The wonderful street was distinctly cold (it was an evening of carnival), I was very idle, and I was feeling a little lonely. So I went in and sat down.

The carnival time was drawing to an end. Everybody, high and low, was anxious to have the last fling. Companies of masks with linked arms and whooping like red Indians swept the streets in crazy rushes while gusts of cold mistral swayed the gas lights as far as the eye could reach. There was a touch of bedlam in all this.

Perhaps it was that which made me feel lonely, since I was neither masked, nor disguised, nor yelling, nor in any other way in harmony with the bedlam element of life. But I was not sad. I was merely in a state of sobriety. I had just returned from my second West Indies voyage. My eyes were still full of tropical splendour, my memory of my experiences, lawful and lawless, which had their charm and their thrill; for they had startled me a little and had amused me considerably. But they had left me untouched. Indeed they were other men’s adventures, not mine. Except for a little habit of responsibility which I had acquired they had not matured me. I was as young as before. Inconceivably young—still beautifully unthinking—infinitely receptive.

You may believe that I was not thinking of Don Carlos and his fight for a kingdom. Why should I? You don’t want to think of things which you meet every day in the newspapers and in conversation. I had paid some calls since my return and most of my acquaintance were legitimists and intensely interested in the events of the frontier of Spain, for political, religious, or romantic reasons. But I was not interested. Apparently I was not romantic enough. Or was it that I was even more romantic than all those good people? The affair seemed to me commonplace. That man was attending to his business of a Pretender.

On the front page of the illustrated paper I saw lying on a table near me, he looked picturesque enough, seated on a boulder, a big strong man with a square-cut beard, his hands resting on the hilt of a cavalry sabre—and all around him a landscape of savage mountains. He caught my eye on that spiritedly composed woodcut. (There were no inane snapshot-reproductions in those days.) It was the obvious romance for the use of royalists but it arrested my attention.

Just then some masks from outside invaded the café, dancing hand in hand in a single file led by a burly man with a cardboard nose. He gambolled in wildly and behind him twenty others perhaps, mostly Pierrots and Pierrettes holding each other by the hand and winding in and out between the chairs and tables: eyes shining in the holes of cardboard faces, breasts panting; but all preserving a mysterious silence.

They were people of the poorer sort (white calico with red spots, costumes), but amongst them there was a girl in a black dress sewn over with gold half moons, very high in the neck and very short in the skirt. Most of the ordinary clients of the café didn’t even look up from their games or papers. I, being alone and idle, stared abstractedly. The girl costumed as Night wore a small black velvet mask, what is called in French a “loup.” What made her daintiness join that obviously rough lot I can’t imagine. Her uncovered mouth and chin suggested refined prettiness.

They filed past my table; the Night noticed perhaps my fixed gaze and throwing her body forward out of the wriggling chain shot out at me a slender tongue like a pink dart. I was not prepared for this, not even to the extent of an appreciative “Très foli,” before she wriggled and hopped away. But having been thus distinguished I could do no less than follow her with my eyes to the door where the chain of hands being broken all the masks were trying to get out at once. Two gentlemen coming in out of the street stood arrested in the crush. The Night (it must have been her idiosyncrasy) put her tongue out at them, too. The taller of the two (he was in evening clothes under a light wide-open overcoat) with great presence of mind chucked her under the chin, giving me the view at the same time of a flash of white teeth in his dark, lean face. The other man was very different; fair, with smooth, ruddy cheeks and burly shoulders. He was wearing a grey suit, obviously bought ready-made, for it seemed too tight for his powerful frame.

That man was not altogether a stranger to me. For the last week or so I had been rather on the look-out for him in all the public places where in a provincial town men may expect to meet each other. I saw him for the first time (wearing that same grey ready-made suit) in a legitimist drawing-room where, clearly, he was an object of interest, especially to the women. I had caught his name as Monsieur Mills. The lady who had introduced me took the earliest opportunity to murmur into my ear: “A relation of Lord X.” (Un proche parent de Lord X.) And then she added, casting up her eyes: “A good friend of the King.” Meaning Don Carlos of course.

I looked at the proche parent; not on account of the parentage but marvelling at his air of ease in that cumbrous body and in such tight clothes, too. But presently the same lady informed me further: “He has come here amongst us un naufragé.”

I became then really interested. I had never seen a shipwrecked person before. All the boyishness in me was aroused. I considered a shipwreck as an unavoidable event sooner or later in my future.

Meantime the man thus distinguished in my eyes glanced quietly about and never spoke unless addressed directly by one of the ladies present. There were more than a dozen people in that drawing-room, mostly women eating fine pastry and talking passionately. It might have been a Carlist committee meeting of a particularly fatuous character. Even my youth and inexperience were aware of that. And I was by a long way the youngest person in the room. That quiet Monsieur Mills intimidated me a little by his age (I suppose he was thirty-five), his massive tranquillity, his clear, watchful eyes. But the temptation was too great—and I addressed him impulsively on the subject of that shipwreck.

He turned his big fair face towards me with surprise in his keen glance, which (as though he had seen through me in an instant and found nothing objectionable) changed subtly into friendliness. On the matter of the shipwreck he did not say much. He only told me that it had not occurred in the Mediterranean, but on the other side of Southern France—in the Bay of Biscay. “But this is hardly the place to enter on a story of that kind,” he observed, looking round at the room with a faint smile as attractive as the rest of his rustic but well-bred personality.

I expressed my regret. I should have liked to hear all about it. To this he said that it was not a secret and that perhaps next time we met. . .

“But where can we meet?” I cried. “I don’t come often to this house, you know.”

“Where? Why on the Cannebière to be sure. Everybody meets everybody else at least once a day on the pavement opposite the Bourse.”

This was absolutely true. But though I looked for him on each succeeding day he was nowhere to be seen at the usual times. The companions of my idle hours (and all my hours were idle just then) noticed my preoccupation and chaffed me about it in a rather obvious way. They wanted to know whether she, whom I expected to see, was dark or fair; whether that fascination which kept me on tenterhooks of expectation was one of my aristocrats or one of my marine beauties: for they knew I had a footing in both these—shall we say circles? As to themselves they were the bohemian circle, not very wide—half a dozen of us led by a sculptor whom we called Prax for short. My own nick-name was “Young Ulysses.”

I liked it.

But chaff or no chaff they would have been surprised to see me leave them for the burly and sympathetic Mills. I was ready to drop any easy company of equals to approach that interesting man with every mental deference. It was not precisely because of that shipwreck. He attracted and interested me the more because he was not to be seen. The fear that he might have departed suddenly for England—(or for Spain)—caused me a sort of ridiculous depression as though I had missed a unique opportunity. And it was a joyful reaction which emboldened me to signal to him with a raised arm across that café.

I was abashed immediately afterwards, when I saw him advance towards my table with his friend. The latter was eminently elegant. He was exactly like one of those figures one can see of a fine May evening in the neighbourhood of the Opera-house in Paris. Very Parisian indeed. And yet he struck me as not so perfectly French as he ought to have been, as if one’s nationality were an accomplishment with varying degrees of excellence. As to Mills, he was perfectly insular. There could be no doubt about him. They were both smiling faintly at me. The burly Mills attended to the introduction: “Captain Blunt.”

We shook hands. The name didn’t tell me much. What surprised me was that Mills should have remembered mine so well. I don’t want to boast of my modesty but it seemed to me that two or three days was more than enough for a man like Mills to forget my very existence. As to the Captain, I was struck on closer view by the perfect correctness of his personality. Clothes, slight figure, clear-cut, thin, sun-tanned face, pose, all this was so good that it was saved from the danger of banality only by the mobile black eyes of a keenness that one doesn’t meet every day in the south of France and still less in Italy. Another thing was that, viewed as an officer in mufti, he did not look sufficiently professional. That imperfection was interesting, too.

You may think that I am subtilizing my impressions on purpose, but you may take it from a man who has lived a rough, a very rough life, that it is the subtleties of personalities, and contacts, and events, that count for interest and memory—and pretty well nothing else. This—you see—is the last evening of that part of my life in which I did not know that woman. These are like the last hours of a previous existence. It isn’t my fault that they are associated with nothing better at the decisive moment than the banal splendours of a gilded café and the bedlamite yells of carnival in the street.

We three, however (almost complete strangers to each other), had assumed attitudes of serious amiability round our table. A waiter approached for orders and it was then, in relation to my order for coffee, that the absolutely first thing I learned of Captain Blunt was the fact that he was a sufferer from insomnia. In his immovable way Mills began charging his pipe. I felt extremely embarrassed all at once, but became positively annoyed when I saw our Prax enter the café in a sort of mediaeval costume very much like what Faust wears in the third act. I have no doubt it was meant for a purely operatic Faust. A light mantle floated from his shoulders. He strode theatrically up to our table and addressing me as “Young Ulysses” proposed I should go outside on the fields of asphalt and help him gather a few marguerites to decorate a truly infernal supper which was being organized across the road at the Maison Dorée—upstairs. With expostulatory shakes of the head and indignant glances I called his attention to the fact that I was not alone. He stepped back a pace as if astonished by the discovery, took off his plumed velvet toque with a low obeisance so that the feathers swept the floor, and swaggered off the stage with his left hand resting on the hilt of the property dagger at his belt.

Meantime the well-connected but rustic Mills had been busy lighting his briar and the distinguished Captain sat smiling to himself. I was horribly vexed and apologized for that intrusion, saying that the fellow was a future great sculptor and perfectly harmless; but he had been swallowing lots of night air which had got into his head apparently.

Mills peered at me with his friendly but awfully searching blue eyes through the cloud of smoke he had wreathed about his big head. The slim, dark Captain’s smile took on an amiable expression. Might he know why I was addressed as “Young Ulysses” by my friend? and immediately he added the remark with urbane playfulness that Ulysses was an astute person. Mills did not give me time for a reply. He struck in: “That old Greek was famed as a wanderer—the first historical seaman.” He waved his pipe vaguely at me.

“Ah! Vraiment!” The polite Captain seemed incredulous and as if weary. “Are you a seaman? In what sense, pray?” We were talking French and he used the term homme de mer.

Again Mills interfered quietly. “In the same sense in which you are a military man.” (Homme de guerre.)

It was then that I heard Captain Blunt produce one of his striking declarations. He had two of them, and this was the first.

“I live by my sword.”

It was said in an extraordinary dandified manner which in conjunction with the matter made me forget my tongue in my head. I could only stare at him. He added more naturally: “2nd Reg. Castille, Cavalry.” Then with marked stress in Spanish, “En las filas legitimas.”

Mills was heard, unmoved, like Jove in his cloud: “He’s on leave here.”

“Of course I don’t shout that fact on the housetops,” the Captain addressed me pointedly, “any more than our friend his shipwreck adventure. We must not strain the toleration of the French authorities too much! It wouldn’t be correct—and not very safe either.”

I became suddenly extremely delighted with my company. A man who “lived by his sword,” before my eyes, close at my elbow! So such people did exist in the world yet! I had not been born too late! And across the table with his air of watchful, unmoved benevolence, enough in itself to arouse one’s interest, there was the man with the story of a shipwreck that mustn’t be shouted on housetops. Why?

I understood very well why, when he told me that he had joined in the Clyde a small steamer chartered by a relative of his, “a very wealthy man,” he observed (probably Lord X, I thought), to carry arms and other supplies to the Carlist army. And it was not a shipwreck in the ordinary sense. Everything went perfectly well to the last moment when suddenly the Numancia (a Republican ironclad) had appeared and chased them ashore on the French coast below Bayonne. In a few words, but with evident appreciation of the adventure, Mills described to us how he swam to the beach clad simply in a money belt and a pair of trousers. Shells were falling all round till a tiny French gunboat came out of Bayonne and shooed the Numancia away out of territorial waters.

He was very amusing and I was fascinated by the mental picture of that tranquil man rolling in the surf and emerging breathless, in the costume you know, on the fair land of France, in the character of a smuggler of war material. However, they had never arrested or expelled him, since he was there before my eyes. But how and why did he get so far from the scene of his sea adventure was an interesting question. And I put it to him with most naïve indiscretion which did not shock him visibly. He told me that the ship being only stranded, not sunk, the contraband cargo aboard was doubtless in good condition. The French custom-house men were guarding the wreck. If their vigilance could be—h’m—removed by some means, or even merely reduced, a lot of these rifles and cartridges could be taken off quietly at night by certain Spanish fishing boats. In fact, salved for the Carlists, after all. He thought it could be done. . . .

I said with professional gravity that given a few perfectly quiet nights (rare on that coast) it could certainly be done.

Mr. Mills was not afraid of the elements. It was the highly inconvenient zeal of the French custom-house people that had to be dealt with in some way.

“Heavens!” I cried, astonished. “You can’t bribe the French Customs. This isn’t a South-American republic.”

“Is it a republic?” he murmured, very absorbed in smoking his wooden pipe.

“Well, isn’t it?”

He murmured again, “Oh, so little.” At this I laughed, and a faintly humorous expression passed over Mills’ face. No. Bribes were out of the question, he admitted. But there were many legitimist sympathies in Paris. A proper person could set them in motion and a mere hint from high quarters to the officials on the spot not to worry over-much about that wreck. . . .

What was most amusing was the cool, reasonable tone of this amazing project. Mr. Blunt sat by very detached, his eyes roamed here and there all over the café; and it was while looking upward at the pink foot of a fleshy and very much foreshortened goddess of some sort depicted on the ceiling in an enormous composition in the Italian style that he let fall casually the words, “She will manage it for you quite easily.”

“Every Carlist agent in Bayonne assured me of that,” said Mr. Mills. “I would have gone straight to Paris only I was told she had fled here for a rest; tired, discontented. Not a very encouraging report.”

“These flights are well known,” muttered Mr. Blunt. “You shall see her all right.”

“Yes. They told me that you . . . ”

I broke in: “You mean to say that you expect a woman to arrange that sort of thing for you?”

“A trifle, for her,” Mr. Blunt remarked indifferently. “At that sort of thing women are best. They have less scruples.”

“More audacity,” interjected Mr. Mills almost in a whisper.

Mr. Blunt kept quiet for a moment, then: “You see,” he addressed me in a most refined tone, “a mere man may suddenly find himself being kicked down the stairs.”

I don’t know why I should have felt shocked by that statement. It could not be because it was untrue. The other did not give me time to offer any remark. He inquired with extreme politeness what did I know of South American republics? I confessed that I knew very little of them. Wandering about the Gulf of Mexico I had a look-in here and there; and amongst others I had a few days in Haiti which was of course unique, being a negro republic. On this Captain Blunt began to talk of negroes at large. He talked of them with knowledge, intelligence, and a sort of contemptuous affection. He generalized, he particularized about the blacks; he told anecdotes. I was interested, a little incredulous, and considerably surprised. What could this man with such a boulevardier exterior that he looked positively like, an exile in a provincial town, and with his drawing-room manner—what could he know of negroes?

Mills, sitting silent with his air of watchful intelligence, seemed to read my thoughts, waved his pipe slightly and explained: “The Captain is from South Carolina.”

“Oh,” I murmured, and then after the slightest of pauses I heard the second of Mr. J. K. Blunt’s declarations.

“Yes,” he said. “Je suis Américain, catholique et gentil-homme,” in a tone contrasting so strongly with the smile, which, as it were, underlined the uttered words, that I was at a loss whether to return the smile in kind or acknowledge the words with a grave little bow. Of course I did neither and there fell on us an odd, equivocal silence. It marked our final abandonment of the French language. I was the one to speak first, proposing that my companions should sup with me, not across the way, which would be riotous with more than one “infernal” supper, but in another much more select establishment in a side street away from the Cannebière. It flattered my vanity a little to be able to say that I had a corner table always reserved in the Salon des Palmiers, otherwise Salon Blanc, where the atmosphere was legitimist and extremely decorous besides—even in Carnival time. “Nine tenths of the people there,” I said, “would be of your political opinions, if that’s an inducement. Come along. Let’s be festive,” I encouraged them.

I didn’t feel particularly festive. What I wanted was to remain in my company and break an inexplicable feeling of constraint of which I was aware. Mills looked at me steadily with a faint, kind smile.

“No,” said Blunt. “Why should we go there? They will be only turning us out in the small hours, to go home and face insomnia. Can you imagine anything more disgusting?”

He was smiling all the time, but his deep-set eyes did not lend themselves to the expression of whimsical politeness which he tried to achieve. He had another suggestion to offer. Why shouldn’t we adjourn to his rooms? He had there materials for a dish of his own invention for which he was famous all along the line of the Royal Cavalry outposts, and he would cook it for us. There were also a few bottles of some white wine, quite possible, which we could drink out of Venetian cut-glass goblets. A bivouac feast, in fact. And he wouldn’t turn us out in the small hours. Not he. He couldn’t sleep.

Need I say I was fascinated by the idea? Well, yes. But somehow I hesitated and looked towards Mills, so much my senior. He got up without a word. This was decisive; for no obscure premonition, and of something indefinite at that, could stand against the example of his tranquil personality.

CHAPTER II

The street in which Mr. Blunt lived presented itself to our eyes, narrow, silent, empty, and dark, but with enough gas-lamps in it to disclose its most striking feature: a quantity of flag-poles sticking out above many of its closed portals. It was the street of Consuls and I remarked to Mr. Blunt that coming out in the morning he could survey the flags of all nations almost—except his own. (The U. S. consulate was on the other side of the town.) He mumbled through his teeth that he took good care to keep clear of his own consulate.

“Are you afraid of the consul’s dog?” I asked jocularly. The consul’s dog weighed about a pound and a half and was known to the whole town as exhibited on the consular fore-arm in all places, at all hours, but mainly at the hour of the fashionable promenade on the Prado.

But I felt my jest misplaced when Mills growled low in my ear: “They are all Yankees there.”

I murmured a confused “Of course.”

Books are nothing. I discovered that I had never been aware before that the Civil War in America was not printed matter but a fact only about ten years old. Of course. He was a South Carolinian gentleman. I was a little ashamed of my want of tact. Meantime, looking like the conventional conception of a fashionable reveller, with his opera-hat pushed off his forehead, Captain Blunt was having some slight difficulty with his latch-key; for the house before which we had stopped was not one of those many-storied houses that made up the greater part of the street. It had only one row of windows above the ground floor. Dead walls abutting on to it indicated that it had a garden. Its dark front presented no marked architectural character, and in the flickering light of a street lamp it looked a little as though it had gone down in the world. The greater then was my surprise to enter a hall paved in black and white marble and in its dimness appearing of palatial proportions. Mr. Blunt did not turn up the small solitary gas-jet, but led the way across the black and white pavement past the end of the staircase, past a door of gleaming dark wood with a heavy bronze handle. It gave access to his rooms he said; but he took us straight on to the studio at the end of the passage.

It was rather a small place tacked on in the manner of a lean-to to the garden side of the house. A large lamp was burning brightly there. The floor was of mere flag-stones but the few rugs scattered about though extremely worn were very costly. There was also there a beautiful sofa upholstered in pink figured silk, an enormous divan with many cushions, some splendid arm-chairs of various shapes (but all very shabby), a round table, and in the midst of these fine things a small common iron stove. Somebody must have been attending it lately, for the fire roared and the warmth of the place was very grateful after the bone-searching cold blasts of mistral outside.

Mills without a word flung himself on the divan and, propped on his arm, gazed thoughtfully at a distant corner where in the shadow of a monumental carved wardrobe an articulated dummy without head or hands but with beautifully shaped limbs composed in a shrinking attitude, seemed to be embarrassed by his stare.

As we sat enjoying the bivouac hospitality (the dish was really excellent and our host in a shabby grey jacket still looked the accomplished man-about-town) my eyes kept on straying towards that corner. Blunt noticed this and remarked that I seemed to be attracted by the Empress.

“It’s disagreeable,” I said. “It seems to lurk there like a shy skeleton at the feast. But why do you give the name of Empress to that dummy?”

“Because it sat for days and days in the robes of a Byzantine Empress to a painter. . . I wonder where he discovered these priceless stuffs. . . You knew him, I believe?”

Mills lowered his head slowly, then tossed down his throat some wine out of a Venetian goblet.

“This house is full of costly objects. So are all his other houses, so is his place in Paris—that mysterious Pavilion hidden away in Passy somewhere.”

Mills knew the Pavilion. The wine had, I suppose, loosened his tongue. Blunt, too, lost something of his reserve. From their talk I gathered the notion of an eccentric personality, a man of great wealth, not so much solitary as difficult of access, a collector of fine things, a painter known only to very few people and not at all to the public market. But as meantime I had been emptying my Venetian goblet with a certain regularity (the amount of heat given out by that iron stove was amazing; it parched one’s throat, and the straw-coloured wine didn’t seem much stronger than so much pleasantly flavoured water) the voices and the impressions they conveyed acquired something fantastic to my mind. Suddenly I perceived that Mills was sitting in his shirt-sleeves. I had not noticed him taking off his coat. Blunt had unbuttoned his shabby jacket, exposing a lot of starched shirt-front with the white tie under his dark shaved chin. He had a strange air of insolence—or so it seemed to me. I addressed him much louder than I intended really.

“Did you know that extraordinary man?”

“To know him personally one had to be either very distinguished or very lucky. Mr. Mills here . . .”

“Yes, I have been lucky,” Mills struck in. “It was my cousin who was distinguished. That’s how I managed to enter his house in Paris—it was called the Pavilion—twice.”

“And saw Doña Rita twice, too?” asked Blunt with an indefinite smile and a marked emphasis. Mills was also emphatic in his reply but with a serious face.

“I am not an easy enthusiast where women are concerned, but she was without doubt the most admirable find of his amongst all the priceless items he had accumulated in that house—the most admirable. . . ”

“Ah! But, you see, of all the objects there she was the only one that was alive,” pointed out Blunt with the slightest possible flavour of sarcasm.

“Immensely so,” affirmed Mills. “Not because she was restless, indeed she hardly ever moved from that couch between the windows—you know.”

“No. I don’t know. I’ve never been in there,” announced Blunt with that flash of white teeth so strangely without any character of its own that it was merely disturbing.

“But she radiated life,” continued Mills. “She had plenty of it, and it had a quality. My cousin and Henry Allègre had a lot to say to each other and so I was free to talk to her. At the second visit we were like old friends, which was absurd considering that all the chances were that we would never meet again in this world or in the next. I am not meddling with theology but it seems to me that in the Elysian fields she’ll have her place in a very special company.”

All this in a sympathetic voice and in his unmoved manner. Blunt produced another disturbing white flash and muttered:

“I should say mixed.” Then louder: “As for instance . . . ”

“As for instance Cleopatra,” answered Mills quietly. He added after a pause: “Who was not exactly pretty.”

“I should have thought rather a La Vallière,” Blunt dropped with an indifference of which one did not know what to make. He may have begun to be bored with the subject. But it may have been put on, for the whole personality was not clearly definable. I, however, was not indifferent. A woman is always an interesting subject and I was thoroughly awake to that interest. Mills pondered for a while with a sort of dispassionate benevolence, at last:

“Yes, Doña Rita as far as I know her is so varied in her simplicity that even that is possible,” he said. “Yes. A romantic resigned La Vallière . . . who had a big mouth.”

I felt moved to make myself heard.

“Did you know La Vallière, too?” I asked impertinently.

Mills only smiled at me. “No. I am not quite so old as that,” he said. “But it’s not very difficult to know facts of that kind about a historical personage. There were some ribald verses made at the time, and Louis XIV was congratulated on the possession—I really don’t remember how it goes—on the possession of:

“. . . de ce bec amoureux

Qui d’une oreille à l’autre va,

Tra là là.

or something of the sort. It needn’t be from ear to ear, but it’s a fact that a big mouth is often a sign of a certain generosity of mind and feeling. Young man, beware of women with small mouths. Beware of the others, too, of course; but a small mouth is a fatal sign. Well, the royalist sympathizers can’t charge Doña Rita with any lack of generosity from what I hear. Why should I judge her? I have known her for, say, six hours altogether. It was enough to feel the seduction of her native intelligence and of her splendid physique. And all that was brought home to me so quickly,” he concluded, “because she had what some Frenchman has called the ‘terrible gift of familiarity’.”

Blunt had been listening moodily. He nodded assent.

“Yes!” Mills’ thoughts were still dwelling in the past. “And when saying good-bye she could put in an instant an immense distance between herself and you. A slight stiffening of that perfect figure, a change of the physiognomy: it was like being dismissed by a person born in the purple. Even if she did offer you her hand—as she did to me—it was as if across a broad river. Trick of manner or a bit of truth peeping out? Perhaps she’s really one of those inaccessible beings. What do you think, Blunt?”

It was a direct question which for some reason (as if my range of sensitiveness had been increased already) displeased or rather disturbed me strangely. Blunt seemed not to have heard it. But after a while he turned to me.

“That thick man,” he said in a tone of perfect urbanity, “is as fine as a needle. All these statements about the seduction and then this final doubt expressed after only two visits which could not have included more than six hours altogether and this some three years ago! But it is Henry Allègre that you should ask this question, Mr. Mills.”

“I haven’t the secret of raising the dead,” answered Mills good humouredly. “And if I had I would hesitate. It would seem such a liberty to take with a person one had known so slightly in life.”

“And yet Henry Allègre is the only person to ask about her, after all this uninterrupted companionship of years, ever since he discovered her; all the time, every breathing moment of it, till, literally, his very last breath. I don’t mean to say she nursed him. He had his confidential man for that. He couldn’t bear women about his person. But then apparently he couldn’t bear this one out of his sight. She’s the only woman who ever sat to him, for he would never suffer a model inside his house. That’s why the ‘Girl in the Hat’ and the ‘Byzantine Empress’ have that family air, though neither of them is really a likeness of Doña Rita. . . You know my mother?”

Mills inclined his body slightly and a fugitive smile vanished from his lips. Blunt’s eyes were fastened on the very centre of his empty plate.

“Then perhaps you know my mother’s artistic and literary associations,” Blunt went on in a subtly changed tone. “My mother has been writing verse since she was a girl of fifteen. She’s still writing verse. She’s still fifteen—a spoiled girl of genius. So she requested one of her poet friends—no less than Versoy himself—to arrange for a visit to Henry Allègre’s house. At first he thought he hadn’t heard aright. You must know that for my mother a man that doesn’t jump out of his skin for any woman’s caprice is not chivalrous. But perhaps you do know? . . .”

Mills shook his head with an amused air. Blunt, who had raised his eyes from his plate to look at him, started afresh with great deliberation.

“She gives no peace to herself or her friends. My mother’s exquisitely absurd. You understand that all these painters, poets, art collectors (and dealers in bric-à-brac, he interjected through his teeth) of my mother are not in my way; but Versoy lives more like a man of the world. One day I met him at the fencing school. He was furious. He asked me to tell my mother that this was the last effort of his chivalry. The jobs she gave him to do were too difficult. But I daresay he had been pleased enough to show the influence he had in that quarter. He knew my mother would tell the world’s wife all about it. He’s a spiteful, gingery little wretch. The top of his head shines like a billiard ball. I believe he polishes it every morning with a cloth. Of course they didn’t get further than the big drawing-room on the first floor, an enormous drawing-room with three pairs of columns in the middle. The double doors on the top of the staircase had been thrown wide open, as if for a visit from royalty. You can picture to yourself my mother, with her white hair done in some 18th century fashion and her sparkling black eyes, penetrating into those splendours attended by a sort of bald-headed, vexed squirrel—and Henry Allègre coming forward to meet them like a severe prince with the face of a tombstone Crusader, big white hands, muffled silken voice, half-shut eyes, as if looking down at them from a balcony. You remember that trick of his, Mills?”

Mills emitted an enormous cloud of smoke out of his distended cheeks.

“I daresay he was furious, too,” Blunt continued dispassionately. “But he was extremely civil. He showed her all the ‘treasures’ in the room, ivories, enamels, miniatures, all sorts of monstrosities from Japan, from India, from Timbuctoo . . . for all I know. . . He pushed his condescension so far as to have the ‘Girl in the Hat’ brought down into the drawing-room—half length, unframed. They put her on a chair for my mother to look at. The ‘Byzantine Empress’ was already there, hung on the end wall—full length, gold frame weighing half a ton. My mother first overwhelms the ‘Master’ with thanks, and then absorbs herself in the adoration of the ‘Girl in the Hat.’ Then she sighs out: ‘It should be called Diaphanéité, if there is such a word. Ah! This is the last expression of modernity!’ She puts up suddenly her face-à-main and looks towards the end wall. ‘And that—Byzantium itself! Who was she, this sullen and beautiful Empress?’

“‘The one I had in my mind was Theodosia!’ Allègre consented to answer. ‘Originally a slave girl—from somewhere.’

“My mother can be marvellously indiscreet when the whim takes her. She finds nothing better to do than to ask the ‘Master’ why he took his inspiration for those two faces from the same model. No doubt she was proud of her discerning eye. It was really clever of her. Allègre, however, looked on it as a colossal impertinence; but he answered in his silkiest tones:

“‘Perhaps it is because I saw in that woman something of the women of all time.’

“My mother might have guessed that she was on thin ice there. She is extremely intelligent. Moreover, she ought to have known. But women can be miraculously dense sometimes. So she exclaims, ‘Then she is a wonder!’ And with some notion of being complimentary goes on to say that only the eyes of the discoverer of so many wonders of art could have discovered something so marvellous in life. I suppose Allègre lost his temper altogether then; or perhaps he only wanted to pay my mother out, for all these ‘Masters’ she had been throwing at his head for the last two hours. He insinuates with the utmost politeness:

“‘As you are honouring my poor collection with a visit you may like to judge for yourself as to the inspiration of these two pictures. She is upstairs changing her dress after our morning ride. But she wouldn’t be very long. She might be a little surprised at first to be called down like this, but with a few words of preparation and purely as a matter of art . . .’

“There were never two people more taken aback. Versoy himself confesses that he dropped his tall hat with a crash. I am a dutiful son, I hope, but I must say I should have liked to have seen the retreat down the great staircase. Ha! Ha! Ha!”

He laughed most undutifully and then his face twitched grimly.

“That implacable brute Allègre followed them down ceremoniously and put my mother into the fiacre at the door with the greatest deference. He didn’t open his lips though, and made a great bow as the fiacre drove away. My mother didn’t recover from her consternation for three days. I lunch with her almost daily and I couldn’t imagine what was the matter. Then one day . . .”

He glanced round the table, jumped up and with a word of excuse left the studio by a small door in a corner. This startled me into the consciousness that I had been as if I had not existed for these two men. With his elbows propped on the table Mills had his hands in front of his face clasping the pipe from which he extracted now and then a puff of smoke, staring stolidly across the room.

I was moved to ask in a whisper:

“Do you know him well?”

“I don’t know what he is driving at,” he answered drily. “But as to his mother she is not as volatile as all that. I suspect it was business. It may have been a deep plot to get a picture out of Allègre for somebody. My cousin as likely as not. Or simply to discover what he had. The Blunts lost all their property and in Paris there are various ways of making a little money, without actually breaking anything. Not even the law. And Mrs. Blunt really had a position once—in the days of the Second Empire—and so. . .”

I listened open-mouthed to these things into which my West-Indian experiences could not have given me an insight. But Mills checked himself and ended in a changed tone.

“It’s not easy to know what she would be at, either, in any given instance. For the rest, spotlessly honourable. A delightful, aristocratic old lady. Only poor.”

A bump at the door silenced him and immediately Mr. John Blunt, Captain of Cavalry in the Army of Legitimity, first-rate cook (as to one dish at least), and generous host, entered clutching the necks of four more bottles between the fingers of his hand.

“I stumbled and nearly smashed the lot,” he remarked casually. But even I, with all my innocence, never for a moment believed he had stumbled accidentally. During the uncorking and the filling up of glasses a profound silence reigned; but neither of us took it seriously—any more than his stumble.

“One day,” he went on again in that curiously flavoured voice of his, “my mother took a heroic decision and made up her mind to get up in the middle of the night. You must understand my mother’s phraseology. It meant that she would be up and dressed by nine o’clock. This time it was not Versoy that was commanded for attendance, but I. You may imagine how delighted I was. . . .”

It was very plain to me that Blunt was addressing himself exclusively to Mills: Mills the mind, even more than Mills the man. It was as if Mills represented something initiated and to be reckoned with. I, of course, could have no such pretensions. If I represented anything it was a perfect freshness of sensations and a refreshing ignorance, not so much of what life may give one (as to that I had some ideas at least) but of what it really contains. I knew very well that I was utterly insignificant in these men’s eyes. Yet my attention was not checked by that knowledge. It’s true they were talking of a woman, but I was yet at the age when this subject by itself is not of overwhelming interest. My imagination would have been more stimulated probably by the adventures and fortunes of a man. What kept my interest from flagging was Mr. Blunt himself. The play of the white gleams of his smile round the suspicion of grimness of his tone fascinated me like a moral incongruity.

So at the age when one sleeps well indeed but does feel sometimes as if the need of sleep were a mere weakness of a distant old age, I kept easily awake; and in my freshness I was kept amused by the contrast of personalities, of the disclosed facts and moral outlook with the rough initiations of my West-Indian experience. And all these things were dominated by a feminine figure which to my imagination had only a floating outline, now invested with the grace of girlhood, now with the prestige of a woman; and indistinct in both these characters. For these two men had seen her, while to me she was only being “presented,” elusively, in vanishing words, in the shifting tones of an unfamiliar voice.

She was being presented to me now in the Bois de Boulogne at the early hour of the ultra-fashionable world (so I understood), on a light bay “bit of blood” attended on the off side by that Henry Allègre mounted on a dark brown powerful weight carrier; and on the other by one of Allègre’s acquaintances (the man had no real friends), distinguished frequenters of that mysterious Pavilion. And so that side of the frame in which that woman appeared to one down the perspective of the great Allée was not permanent. That morning when Mr. Blunt had to escort his mother there for the gratification of her irresistible curiosity (of which he highly disapproved) there appeared in succession, at that woman’s or girl’s bridle-hand, a cavalry general in red breeches, on whom she was smiling; a rising politician in a grey suit, who talked to her with great animation but left her side abruptly to join a personage in a red fez and mounted on a white horse; and then, some time afterwards, the vexed Mr. Blunt and his indiscreet mother (though I really couldn’t see where the harm was) had one more chance of a good stare. The third party that time was the Royal Pretender (Allègre had been painting his portrait lately), whose hearty, sonorous laugh was heard long before the mounted trio came riding very slowly abreast of the Blunts. There was colour in the girl’s face. She was not laughing. Her expression was serious and her eyes thoughtfully downcast. Blunt admitted that on that occasion the charm, brilliance, and force of her personality was adequately framed between those magnificently mounted, paladin-like attendants, one older than the other but the two composing together admirably in the different stages of their manhood. Mr. Blunt had never before seen Henry Allègre so close. Allègre was riding nearest to the path on which Blunt was dutifully giving his arm to his mother (they had got out of their fiacre) and wondering if that confounded fellow would have the impudence to take off his hat. But he did not. Perhaps he didn’t notice. Allègre was not a man of wandering glances. There were silver hairs in his beard but he looked as solid as a statue. Less than three months afterwards he was gone.

“What was it?” asked Mills, who had not changed his pose for a very long time.

“Oh, an accident. But he lingered. They were on their way to Corsica. A yearly pilgrimage. Sentimental perhaps. It was to Corsica that he carried her off—I mean first of all.”

There was the slightest contraction of Mr. Blunt’s facial muscles. Very slight; but I, staring at the narrator after the manner of all simple souls, noticed it; the twitch of a pain which surely must have been mental. There was also a suggestion of effort before he went on: “I suppose you know how he got hold of her?” in a tone of ease which was astonishingly ill-assumed for such a worldly, self-controlled, drawing-room person.

Mills changed his attitude to look at him fixedly for a moment. Then he leaned back in his chair and with interest—I don’t mean curiosity, I mean interest: “Does anybody know besides the two parties concerned?” he asked, with something as it were renewed (or was it refreshed?) in his unmoved quietness. “I ask because one has never heard any tales. I remember one evening in a restaurant seeing a man come in with a lady—a beautiful lady—very particularly beautiful, as though she had been stolen out of Mahomet’s paradise. With Doña Rita it can’t be anything as definite as that. But speaking of her in the same strain, I’ve always felt that she looked as though Allègre had caught her in the precincts of some temple . . . in the mountains.”

I was delighted. I had never heard before a woman spoken about in that way, a real live woman that is, not a woman in a book. For this was no poetry and yet it seemed to put her in the category of visions. And I would have lost myself in it if Mr. Blunt had not, most unexpectedly, addressed himself to me.

“I told you that man was as fine as a needle.”

And then to Mills: “Out of a temple? We know what that means.” His dark eyes flashed: “And must it be really in the mountains?” he added.

“Or in a desert,” conceded Mills, “if you prefer that. There have been temples in deserts, you know.”

Blunt had calmed down suddenly and assumed a nonchalant pose.

“As a matter of fact, Henry Allègre caught her very early one morning in his own old garden full of thrushes and other small birds. She was sitting on a stone, a fragment of some old balustrade, with her feet in the damp grass, and reading a tattered book of some kind. She had on a short, black, two-penny frock (une petite robe de deux sous) and there was a hole in one of her stockings. She raised her eyes and saw him looking down at her thoughtfully over that ambrosian beard of his, like Jove at a mortal. They exchanged a good long stare, for at first she was too startled to move; and then he murmured, “Restez donc.” She lowered her eyes again on her book and after a while heard him walk away on the path. Her heart thumped while she listened to the little birds filling the air with their noise. She was not frightened. I am telling you this positively because she has told me the tale herself. What better authority can you have . . .?” Blunt paused.

“That’s true. She’s not the sort of person to lie about her own sensations,” murmured Mills above his clasped hands.

“Nothing can escape his penetration,” Blunt remarked to me with that equivocal urbanity which made me always feel uncomfortable on Mills’ account. “Positively nothing.” He turned to Mills again. “After some minutes of immobility—she told me—she arose from her stone and walked slowly on the track of that apparition. Allègre was nowhere to be seen by that time. Under the gateway of the extremely ugly tenement house, which hides the Pavilion and the garden from the street, the wife of the porter was waiting with her arms akimbo. At once she cried out to Rita: ‘You were caught by our gentleman.’

“As a matter of fact, that old woman, being a friend of Rita’s aunt, allowed the girl to come into the garden whenever Allègre was away. But Allègre’s goings and comings were sudden and unannounced; and that morning, Rita, crossing the narrow, thronged street, had slipped in through the gateway in ignorance of Allègre’s return and unseen by the porter’s wife.

“The child, she was but little more than that then, expressed her regret of having perhaps got the kind porter’s wife into trouble.

“The old woman said with a peculiar smile: ‘Your face is not of the sort that gets other people into trouble. My gentleman wasn’t angry. He says you may come in any morning you like.’

“Rita, without saying anything to this, crossed the street back again to the warehouse full of oranges where she spent most of her waking hours. Her dreaming, empty, idle, thoughtless, unperturbed hours, she calls them. She crossed the street with a hole in her stocking. She had a hole in her stocking not because her uncle and aunt were poor (they had around them never less than eight thousand oranges, mostly in cases) but because she was then careless and untidy and totally unconscious of her personal appearance. She told me herself that she was not even conscious then of her personal existence. She was a mere adjunct in the twilight life of her aunt, a Frenchwoman, and her uncle, the orange merchant, a Basque peasant, to whom her other uncle, the great man of the family, the priest of some parish in the hills near Tolosa, had sent her up at the age of thirteen or thereabouts for safe keeping. She is of peasant stock, you know. This is the true origin of the ‘Girl in the Hat’ and of the ‘Byzantine Empress’ which excited my dear mother so much; of the mysterious girl that the privileged personalities great in art, in letters, in politics, or simply in the world, could see on the big sofa during the gatherings in Allègre’s exclusive Pavilion: the Doña Rita of their respectful addresses, manifest and mysterious, like an object of art from some unknown period; the Doña Rita of the initiated Paris. Doña Rita and nothing more—unique and indefinable.” He stopped with a disagreeable smile.

“And of peasant stock?” I exclaimed in the strangely conscious silence that fell between Mills and Blunt.

“Oh! All these Basques have been ennobled by Don Sanche II,” said Captain Blunt moodily. “You see coats of arms carved over the doorways of the most miserable caserios. As far as that goes she’s Doña Rita right enough whatever else she is or is not in herself or in the eyes of others. In your eyes, for instance, Mills. Eh?”

For a time Mills preserved that conscious silence.

“Why think about it at all?” he murmured coldly at last. “A strange bird is hatched sometimes in a nest in an unaccountable way and then the fate of such a bird is bound to be ill-defined, uncertain, questionable. And so that is how Henry Allègre saw her first? And what happened next?”

“What happened next?” repeated Mr. Blunt, with an affected surprise in his tone. “Is it necessary to ask that question? If you had asked how the next happened. . . But as you may imagine she hasn’t told me anything about that. She didn’t,” he continued with polite sarcasm, “enlarge upon the facts. That confounded Allègre, with his impudent assumption of princely airs, must have (I shouldn’t wonder) made the fact of his notice appear as a sort of favour dropped from Olympus. I really can’t tell how the minds and the imaginations of such aunts and uncles are affected by such rare visitations. Mythology may give us a hint. There is the story of Danae, for instance.”

“There is,” remarked Mills calmly, “but I don’t remember any aunt or uncle in that connection.”

“And there are also certain stories of the discovery and acquisition of some unique objects of art. The sly approaches, the astute negotiations, the lying and the circumventing . . . for the love of beauty, you know.”

With his dark face and with the perpetual smiles playing about his grimness, Mr. Blunt appeared to me positively satanic. Mills’ hand was toying absently with an empty glass. Again they had forgotten my existence altogether.

“I don’t know how an object of art would feel,” went on Blunt, in an unexpectedly grating voice, which, however, recovered its tone immediately. “I don’t know. But I do know that Rita herself was not a Danae, never, not at any time of her life. She didn’t mind the holes in her stockings. She wouldn’t mind holes in her stockings now. . . That is if she manages to keep any stockings at all,” he added, with a sort of suppressed fury so funnily unexpected that I would have burst into a laugh if I hadn’t been lost in astonishment of the simplest kind.

“No—really!” There was a flash of interest from the quiet Mills.

“Yes, really,” Blunt nodded and knitted his brows very devilishly indeed. “She may yet be left without a single pair of stockings.”

“The world’s a thief,” declared Mills, with the utmost composure. “It wouldn’t mind robbing a lonely traveller.”

“He is so subtle.” Blunt remembered my existence for the purpose of that remark and as usual it made me very uncomfortable. “Perfectly true. A lonely traveller. They are all in the scramble from the lowest to the highest. Heavens! What a gang! There was even an Archbishop in it.”

“Vous plaisantez,” said Mills, but without any marked show of incredulity.

“I joke very seldom,” Blunt protested earnestly. “That’s why I haven’t mentioned His Majesty—whom God preserve. That would have been an exaggeration. . . However, the end is not yet. We were talking about the beginning. I have heard that some dealers in fine objects, quite mercenary people of course (my mother has an experience in that world), show sometimes an astonishing reluctance to part with some specimens, even at a good price. It must be very funny. It’s just possible that the uncle and the aunt have been rolling in tears on the floor, amongst their oranges, or beating their heads against the walls from rage and despair. But I doubt it. And in any case Allègre is not the sort of person that gets into any vulgar trouble. And it’s just possible that those people stood open-mouthed at all that magnificence. They weren’t poor, you know; therefore it wasn’t incumbent on them to be honest. They are still there in the old respectable warehouse, I understand. They have kept their position in their quartier, I believe. But they didn’t keep their niece. It might have been an act of sacrifice! For I seem to remember hearing that after attending for a while some school round the corner the child had been set to keep the books of that orange business. However it might have been, the first fact in Rita’s and Allègre’s common history is a journey to Italy, and then to Corsica. You know Allègre had a house in Corsica somewhere. She has it now as she has everything he ever had; and that Corsican palace is the portion that will stick the longest to Doña Rita, I imagine. Who would want to buy a place like that? I suppose nobody would take it for a gift. The fellow was having houses built all over the place. This very house where we are sitting belonged to him. Doña Rita has given it to her sister, I understand. Or at any rate the sister runs it. She is my landlady . . .”

“Her sister here!” I exclaimed. “Her sister!”

Blunt turned to me politely, but only for a long mute gaze. His eyes were in deep shadow and it struck me for the first time then that there was something fatal in that man’s aspect as soon as he fell silent. I think the effect was purely physical, but in consequence whatever he said seemed inadequate and as if produced by a commonplace, if uneasy, soul.

“Doña Rita brought her down from her mountains on purpose. She is asleep somewhere in this house, in one of the vacant rooms. She lets them, you know, at extortionate prices, that is, if people will pay them, for she is easily intimidated. You see, she has never seen such an enormous town before in her life, nor yet so many strange people. She has been keeping house for the uncle-priest in some mountain gorge for years and years. It’s extraordinary he should have let her go. There is something mysterious there, some reason or other. It’s either theology or Family. The saintly uncle in his wild parish would know nothing of any other reasons. She wears a rosary at her waist. Directly she had seen some real money she developed a love of it. If you stay with me long enough, and I hope you will (I really can’t sleep), you will see her going out to mass at half-past six; but there is nothing remarkable in her; just a peasant woman of thirty-four or so. A rustic nun. . . .”

I may as well say at once that we didn’t stay as long as that. It was not that morning that I saw for the first time Therese of the whispering lips and downcast eyes slipping out to an early mass from the house of iniquity into the early winter murk of the city of perdition, in a world steeped in sin. No. It was not on that morning that I saw Doña Rita’s incredible sister with her brown, dry face, her gliding motion, and her really nun-like dress, with a black handkerchief enfolding her head tightly, with the two pointed ends hanging down her back. Yes, nun-like enough. And yet not altogether. People would have turned round after her if those dartings out to the half-past six mass hadn’t been the only occasion on which she ventured into the impious streets. She was frightened of the streets, but in a particular way, not as if of a danger but as if of a contamination. Yet she didn’t fly back to her mountains because at bottom she had an indomitable character, a peasant tenacity of purpose, predatory instincts. . . .

No, we didn’t remain long enough with Mr. Blunt to see even as much as her back glide out of the house on her prayerful errand. She was prayerful. She was terrible. Her one-idead peasant mind was as inaccessible as a closed iron safe. She was fatal. . . It’s perfectly ridiculous to confess that they all seem fatal to me now; but writing to you like this in all sincerity I don’t mind appearing ridiculous. I suppose fatality must be expressed, embodied, like other forces of this earth; and if so why not in such people as well as in other more glorious or more frightful figures?

We remained, however, long enough to let Mr. Blunt’s half-hidden acrimony develop itself or prey on itself in further talk about the man Allègre and the girl Rita. Mr. Blunt, still addressing Mills with that story, passed on to what he called the second act, the disclosure, with, what he called, the characteristic Allègre impudence—which surpassed the impudence of kings, millionaires, or tramps, by many degrees—the revelation of Rita’s existence to the world at large. It wasn’t a very large world, but then it was most choicely composed. How is one to describe it shortly? In a sentence it was the world that rides in the morning in the Bois.

In something less than a year and a half from the time he found her sitting on a broken fragment of stone work buried in the grass of his wild garden, full of thrushes, starlings, and other innocent creatures of the air, he had given her amongst other accomplishments the art of sitting admirably on a horse, and directly they returned to Paris he took her out with him for their first morning ride.

“I leave you to judge of the sensation,” continued Mr. Blunt, with a faint grimace, as though the words had an acrid taste in his mouth. “And the consternation,” he added venomously. “Many of those men on that great morning had some one of their womankind with them. But their hats had to go off all the same, especially the hats of the fellows who were under some sort of obligation to Allègre. You would be astonished to hear the names of people, of real personalities in the world, who, not to mince matters, owed money to Allègre. And I don’t mean in the world of art only. In the first rout of the surprise some story of an adopted daughter was set abroad hastily, I believe. You know ‘adopted’ with a peculiar accent on the word—and it was plausible enough. I have been told that at that time she looked extremely youthful by his side, I mean extremely youthful in expression, in the eyes, in the smile. She must have been . . .”

Blunt pulled himself up short, but not so short as not to let the confused murmur of the word “adorable” reach our attentive ears.

The heavy Mills made a slight movement in his chair. The effect on me was more inward, a strange emotion which left me perfectly still; and for the moment of silence Blunt looked more fatal than ever.

“I understand it didn’t last very long,” he addressed us politely again. “And no wonder! The sort of talk she would have heard during that first springtime in Paris would have put an impress on a much less receptive personality; for of course Allègre didn’t close his doors to his friends and this new apparition was not of the sort to make them keep away. After that first morning she always had somebody to ride at her bridle hand. Old Doyen, the sculptor, was the first to approach them. At that age a man may venture on anything. He rides a strange animal like a circus horse. Rita had spotted him out of the corner of her eye as he passed them, putting up his enormous paw in a still more enormous glove, airily, you know, like this” (Blunt waved his hand above his head), “to Allègre. He passes on. All at once he wheels his fantastic animal round and comes trotting after them. With the merest casual ‘Bonjour, Allègre’ he ranges close to her on the other side and addresses her, hat in hand, in that booming voice of his like a deferential roar of the sea very far away. His articulation is not good, and the first words she really made out were ‘I am an old sculptor. . . Of course there is that habit. . . But I can see you through all that. . . ’

He put his hat on very much on one side. ‘I am a great sculptor of women,’ he declared. ‘I gave up my life to them, poor unfortunate creatures, the most beautiful, the wealthiest, the most loved. . . Two generations of them. . . Just look at me full in the eyes, mon enfant.’

“They stared at each other. Doña Rita confessed to me that the old fellow made her heart beat with such force that she couldn’t manage to smile at him. And she saw his eyes run full of tears. He wiped them simply with the back of his hand and went on booming faintly. ‘Thought so. You are enough to make one cry. I thought my artist’s life was finished, and here you come along from devil knows where with this young friend of mine, who isn’t a bad smearer of canvases—but it’s marble and bronze that you want. . . I shall finish my artist’s life with your face; but I shall want a bit of those shoulders, too. . . You hear, Allègre, I must have a bit of her shoulders, too. I can see through the cloth that they are divine. If they aren’t divine I will eat my hat. Yes, I will do your head and then—nunc dimittis.’

“These were the first words with which the world greeted her, or should I say civilization did; already both her native mountains and the cavern of oranges belonged to a prehistoric age. ‘Why don’t you ask him to come this afternoon?’ Allègre’s voice suggested gently. ‘He knows the way to the house.’

“The old man said with extraordinary fervour, ‘Oh, yes I will,’ pulled up his horse and they went on. She told me that she could feel her heart-beats for a long time. The remote power of that voice, those old eyes full of tears, that noble and ruined face, had affected her extraordinarily she said. But perhaps what affected her was the shadow, the still living shadow of a great passion in the man’s heart.

“Allègre remarked to her calmly: ‘He has been a little mad all his life.’”

CHAPTER III

Mills lowered the hands holding the extinct and even cold pipe before his big face.

“H’m, shoot an arrow into that old man’s heart like this? But was there anything done?”

“A terra-cotta bust, I believe. Good? I don’t know. I rather think it’s in this house. A lot of things have been sent down from Paris here, when she gave up the Pavilion. When she goes up now she stays in hotels, you know. I imagine it is locked up in one of these things,” went on Blunt, pointing towards the end of the studio where amongst the monumental presses of dark oak lurked the shy dummy which had worn the stiff robes of the Byzantine Empress and the amazing hat of the “Girl,” rakishly. I wondered whether that dummy had travelled from Paris, too, and whether with or without its head. Perhaps that head had been left behind, having rolled into a corner of some empty room in the dismantled Pavilion. I represented it to myself very lonely, without features, like a turnip, with a mere peg sticking out where the neck should have been. And Mr. Blunt was talking on.

“There are treasures behind these locked doors, brocades, old jewels, unframed pictures, bronzes, chinoiseries, Japoneries.”

He growled as much as a man of his accomplished manner and voice could growl. “I don’t suppose she gave away all that to her sister, but I shouldn’t be surprised if that timid rustic didn’t lay a claim to the lot for the love of God and the good of the Church. . .

“And held on with her teeth, too,” he added graphically.

Mills’ face remained grave. Very grave. I was amused at those little venomous outbreaks of the fatal Mr. Blunt. Again I knew myself utterly forgotten. But I didn’t feel dull and I didn’t even feel sleepy. That last strikes me as strange at this distance of time, in regard of my tender years and of the depressing hour which precedes the dawn. We had been drinking that straw-coloured wine, too, I won’t say like water (nobody would have drunk water like that) but, well . . . and the haze of tobacco smoke was like the blue mist of great distances seen in dreams.

Yes, that old sculptor was the first who joined them in the sight of all Paris. It was that old glory that opened the series of companions of those morning rides; a series which extended through three successive Parisian spring-times and comprised a famous physiologist, a fellow who seemed to hint that mankind could be made immortal or at least everlastingly old; a fashionable philosopher and psychologist who used to lecture to enormous audiences of women with his tongue in his cheek (but never permitted himself anything of the kind when talking to Rita); that surly dandy Cabanel (but he only once, from mere vanity), and everybody else at all distinguished including also a celebrated person who turned out later to be a swindler. But he was really a genius. . . All this according to Mr. Blunt, who gave us all those details with a sort of languid zest covering a secret irritation.

“Apart from that, you know,” went on Mr. Blunt, “all she knew of the world of men and women (I mean till Allègre’s death) was what she had seen of it from the saddle two hours every morning during four months of the year or so. Absolutely all, with Allègre self-denyingly on her right hand, with that impenetrable air of guardianship. Don’t touch! He didn’t like his treasures to be touched unless he actually put some unique object into your hands with a sort of triumphant murmur, ‘Look close at that.’ Of course I only have heard all this. I am much too small a person, you understand, to even . . .”

He flashed his white teeth at us most agreeably, but the upper part of his face, the shadowed setting of his eyes, and the slight drawing in of his eyebrows gave a fatal suggestion. I thought suddenly of the definition he applied to himself: “Américain, catholique et gentil-homme” completed by that startling “I live by my sword” uttered in a light drawing-room tone tinged by a flavour of mockery lighter even than air.

He insisted to us that the first and only time he had seen Allègre a little close was that morning in the Bois with his mother. His Majesty (whom God preserve), then not even an active Pretender, flanked the girl, still a girl, on the other side, the usual companion for a month past or so. Allègre had suddenly taken it into his head to paint his portrait. A sort of intimacy had sprung up. Mrs. Blunt’s remark was that of the two striking horsemen Allègre looked the more kingly.

“The son of a confounded millionaire soap-boiler,” commented Mr. Blunt through his clenched teeth. “A man absolutely without parentage. Without a single relation in the world. Just a freak.”

“That explains why he could leave all his fortune to her,” said Mills.

“The will, I believe,” said Mr. Blunt moodily, “was written on a half sheet of paper, with his device of an Assyrian bull at the head. What the devil did he mean by it? Anyway it was the last time that she surveyed the world of men and women from the saddle. Less than three months later. . .”

“Allègre died and. . . ” murmured Mills in an interested manner.

“And she had to dismount,” broke in Mr. Blunt grimly. “Dismount right into the middle of it. Down to the very ground, you understand. I suppose you can guess what that would mean. She didn’t know what to do with herself. She had never been on the ground. She . . . ”

“Aha!” said Mills.

“Even eh! eh! if you like,” retorted Mr. Blunt, in an unrefined tone, that made me open my eyes, which were well opened before, still wider.

He turned to me with that horrible trick of his of commenting upon Mills as though that quiet man whom I admired, whom I trusted, and for whom I had already something resembling affection had been as much of a dummy as that other one lurking in the shadows, pitiful and headless in its attitude of alarmed chastity.

“Nothing escapes his penetration. He can perceive a haystack at an enormous distance when he is interested.”

I thought this was going rather too far, even to the borders of vulgarity; but Mills remained untroubled and only reached for his tobacco pouch.

“But that’s nothing to my mother’s interest. She can never see a haystack, therefore she is always so surprised and excited. Of course Doña Rita was not a woman about whom the newspapers insert little paragraphs. But Allègre was the sort of man. A lot came out in print about him and a lot was talked in the world about her; and at once my dear mother perceived a haystack and naturally became unreasonably absorbed in it. I thought her interest would wear out. But it didn’t. She had received a shock and had received an impression by means of that girl. My mother has never been treated with impertinence before, and the aesthetic impression must have been of extraordinary strength. I must suppose that it amounted to a sort of moral revolution, I can’t account for her proceedings in any other way. When Rita turned up in Paris a year and a half after Allègre’s death some shabby journalist (smart creature) hit upon the notion of alluding to her as the heiress of Mr. Allègre. ‘The heiress of Mr. Allègre has taken up her residence again amongst the treasures of art in that Pavilion so well known to the élite of the artistic, scientific, and political world, not to speak of the members of aristocratic and even royal families. . . ’ You know the sort of thing. It appeared first in the Figaro, I believe. And then at the end a little phrase: ‘She is alone.’ She was in a fair way of becoming a celebrity of a sort. Daily little allusions and that sort of thing. Heaven only knows who stopped it. There was a rush of ‘old friends’ into that garden, enough to scare all the little birds away. I suppose one or several of them, having influence with the press, did it. But the gossip didn’t stop, and the name stuck, too, since it conveyed a very certain and very significant sort of fact, and of course the Venetian episode was talked about in the houses frequented by my mother. It was talked about from a royalist point of view with a kind of respect. It was even said that the inspiration and the resolution of the war going on now over the Pyrenees had come out from that head. . . Some of them talked as if she were the guardian angel of Legitimacy. You know what royalist gush is like.”

Mr. Blunt’s face expressed sarcastic disgust. Mills moved his head the least little bit. Apparently he knew.

“Well, speaking with all possible respect, it seems to have affected my mother’s brain. I was already with the royal army and of course there could be no question of regular postal communications with France. My mother hears or overhears somewhere that the heiress of Mr. Allègre is contemplating a secret journey. All the noble Salons were full of chatter about that secret naturally. So she sits down and pens an autograph: ‘Madame, Informed that you are proceeding to the place on which the hopes of all the right thinking people are fixed, I trust to your womanly sympathy with a mother’s anxious feelings, etc., etc.,’ and ending with a request to take messages to me and bring news of me. . . The coolness of my mother!”

Most unexpectedly Mills was heard murmuring a question which seemed to me very odd.

“I wonder how your mother addressed that note?”

A moment of silence ensued.

“Hardly in the newspaper style, I should think,” retorted Mr. Blunt, with one of his grins that made me doubt the stability of his feelings and the consistency of his outlook in regard to his whole tale. “My mother’s maid took it in a fiacre very late one evening to the Pavilion and brought an answer scrawled on a scrap of paper: ‘Write your messages at once’ and signed with a big capital R. So my mother sat down again to her charming writing desk and the maid made another journey in a fiacre just before midnight; and ten days later or so I got a letter thrust into my hand at the avanzadas just as I was about to start on a night patrol, together with a note asking me to call on the writer so that she might allay my mother’s anxieties by telling her how I looked.

“It was signed R only, but I guessed at once and nearly fell off my horse with surprise.”

“You mean to say that Doña Rita was actually at the Royal Headquarters lately?” exclaimed Mills, with evident surprise. “Why, we—everybody—thought that all this affair was over and done with.”

“Absolutely. Nothing in the world could be more done with than that episode. Of course the rooms in the hotel at Tolosa were retained for her by an order from Royal Headquarters. Two garret-rooms, the place was so full of all sorts of court people; but I can assure you that for the three days she was there she never put her head outside the door. General Mongroviejo called on her officially from the King. A general, not anybody of the household, you see. That’s a distinct shade of the present relation. He stayed just five minutes. Some personage from the Foreign department at Headquarters was closeted for about a couple of hours. That was of course business. Then two officers from the staff came together with some explanations or instructions to her. Then Baron H., a fellow with a pretty wife, who had made so many sacrifices for the cause, raised a great to-do about seeing her and she consented to receive him for a moment. They say he was very much frightened by her arrival, but after the interview went away all smiles. Who else? Yes, the Archbishop came. Half an hour. This is more than is necessary to give a blessing, and I can’t conceive what else he had to give her. But I am sure he got something out of her. Two peasants from the upper valley were sent for by military authorities and she saw them, too. That friar who hangs about the court has been in and out several times. Well, and lastly, I myself. I got leave from the outposts. That was the first time I talked to her. I would have gone that evening back to the regiment, but the friar met me in the corridor and informed me that I would be ordered to escort that most loyal and noble lady back to the French frontier as a personal mission of the highest honour. I was inclined to laugh at him. He himself is a cheery and jovial person and he laughed with me quite readily—but I got the order before dark all right. It was rather a job, as the Alphonsists were attacking the right flank of our whole front and there was some considerable disorder there. I mounted her on a mule and her maid on another. We spent one night in a ruined old tower occupied by some of our infantry and got away at daybreak under the Alphonsist shells. The maid nearly died of fright and one of the troopers with us was wounded. To smuggle her back across the frontier was another job but it wasn’t my job. It wouldn’t have done for her to appear in sight of French frontier posts in the company of Carlist uniforms. She seems to have a fearless streak in her nature. At one time as we were climbing a slope absolutely exposed to artillery fire I asked her on purpose, being provoked by the way she looked about at the scenery, ‘A little emotion, eh?’ And she answered me in a low voice: ‘Oh, yes! I am moved. I used to run about these hills when I was little.’ And note, just then the trooper close behind us had been wounded by a shell fragment. He was swearing awfully and fighting with his horse. The shells were falling around us about two to the minute.

“Luckily the Alphonsist shells are not much better than our own. But women are funny. I was afraid the maid would jump down and clear out amongst the rocks, in which case we should have had to dismount and catch her. But she didn’t do that; she sat perfectly still on her mule and shrieked. Just simply shrieked. Ultimately we came to a curiously shaped rock at the end of a short wooded valley. It was very still there and the sunshine was brilliant. I said to Doña Rita: ‘We will have to part in a few minutes. I understand that my mission ends at this rock.’ And she said: ‘I know this rock well. This is my country.’

“Then she thanked me for bringing her there and presently three peasants appeared, waiting for us, two youths and one shaven old man, with a thin nose like a sword blade and perfectly round eyes, a character well known to the whole Carlist army. The two youths stopped under the trees at a distance, but the old fellow came quite close up and gazed at her, screwing up his eyes as if looking at the sun. Then he raised his arm very slowly and took his red boina off his bald head. I watched her smiling at him all the time. I daresay she knew him as well as she knew the old rock. Very old rock. The rock of ages—and the aged man—landmarks of her youth. Then the mules started walking smartly forward, with the three peasants striding alongside of them, and vanished between the trees. These fellows were most likely sent out by her uncle the Cura.

“It was a peaceful scene, the morning light, the bit of open country framed in steep stony slopes, a high peak or two in the distance, the thin smoke of some invisible caserios, rising straight up here and there. Far away behind us the guns had ceased and the echoes in the gorges had died out. I never knew what peace meant before. . .

“Nor since,” muttered Mr. Blunt after a pause and then went on. “The little stone church of her uncle, the holy man of the family, might have been round the corner of the next spur of the nearest hill. I dismounted to bandage the shoulder of my trooper. It was only a nasty long scratch. While I was busy about it a bell began to ring in the distance. The sound fell deliciously on the ear, clear like the morning light. But it stopped all at once. You know how a distant bell stops suddenly. I never knew before what stillness meant. While I was wondering at it the fellow holding our horses was moved to uplift his voice. He was a Spaniard, not a Basque, and he trolled out in Castilian that song you know,

“‘Oh bells of my native village,

I am going away . . . good-bye!’

He had a good voice. When the last note had floated away I remounted, but there was a charm in the spot, something particular and individual because while we were looking at it before turning our horses’ heads away the singer said: ‘I wonder what is the name of this place,’ and the other man remarked: ‘Why, there is no village here,’ and the first one insisted: ‘No, I mean this spot, this very place.’ The wounded trooper decided that it had no name probably. But he was wrong. It had a name. The hill, or the rock, or the wood, or the whole had a name. I heard of it by chance later. It was—Lastaola.”

A cloud of tobacco smoke from Mills’ pipe drove between my head and the head of Mr. Blunt, who, strange to say, yawned slightly. It seemed to me an obvious affectation on the part of that man of perfect manners, and, moreover, suffering from distressing insomnia.

“This is how we first met and how we first parted,” he said in a weary, indifferent tone. “It’s quite possible that she did see her uncle on the way. It’s perhaps on this occasion that she got her sister to come out of the wilderness. I have no doubt she had a pass from the French Government giving her the completest freedom of action. She must have got it in Paris before leaving.”

Mr. Blunt broke out into worldly, slightly cynical smiles.

“She can get anything she likes in Paris. She could get a whole army over the frontier if she liked. She could get herself admitted into the Foreign Office at one o’clock in the morning if it so pleased her. Doors fly open before the heiress of Mr. Allègre. She has inherited the old friends, the old connections . . . Of course, if she were a toothless old woman . . . But, you see, she isn’t. The ushers in all the ministries bow down to the ground therefore, and voices from the innermost sanctums take on an eager tone when they say, ‘Faites entrer.’ My mother knows something about it. She has followed her career with the greatest attention. And Rita herself is not even surprised. She accomplishes most extraordinary things, as naturally as buying a pair of gloves. People in the shops are very polite and people in the world are like people in the shops. What did she know of the world? She had seen it only from the saddle. Oh, she will get your cargo released for you all right. How will she do it? . . Well, when it’s done—you follow me, Mills?—when it’s done she will hardly know herself.”

“It’s hardly possible that she shouldn’t be aware,” Mills pronounced calmly.

“No, she isn’t an idiot,” admitted Mr. Blunt, in the same matter-of-fact voice. “But she confessed to myself only the other day that she suffered from a sense of unreality. I told her that at any rate she had her own feelings surely. And she said to me: Yes, there was one of them at least about which she had no doubt; and you will never guess what it was. Don’t try. I happen to know, because we are pretty good friends.”

At that moment we all changed our attitude slightly. Mills’ staring eyes moved for a glance towards Blunt, I, who was occupying the divan, raised myself on the cushions a little and Mr. Blunt, with half a turn, put his elbow on the table.

“I asked her what it was. I don’t see,” went on Mr. Blunt, with a perfectly horrible gentleness, “why I should have shown particular consideration to the heiress of Mr. Allègre. I don’t mean to that particular mood of hers. It was the mood of weariness. And so she told me. It’s fear. I will say it once again: Fear. . . .”

He added after a pause, “There can be not the slightest doubt of her courage. But she distinctly uttered the word fear.”

There was under the table the noise of Mills stretching his legs.

“A person of imagination,” he began, “a young, virgin intelligence, steeped for nearly five years in the talk of Allègre’s studio, where every hard truth had been cracked and every belief had been worried into shreds. They were like a lot of intellectual dogs, you know . . .”

“Yes, yes, of course,” Blunt interrupted hastily, “the intellectual personality altogether adrift, a soul without a home . . . but I, who am neither very fine nor very deep, I am convinced that the fear is material.”

“Because she confessed to it being that?” insinuated Mills.

“No, because she didn’t,” contradicted Blunt, with an angry frown and in an extremely suave voice. “In fact, she bit her tongue. And considering what good friends we are (under fire together and all that) I conclude that there is nothing there to boast of. Neither is my friendship, as a matter of fact.”

Mills’ face was the very perfection of indifference. But I who was looking at him, in my innocence, to discover what it all might mean, I had a notion that it was perhaps a shade too perfect.

“My leave is a farce,” Captain Blunt burst out, with a most unexpected exasperation. “As an officer of Don Carlos, I have no more standing than a bandit. I ought to have been interned in those filthy old barracks in Avignon a long time ago. . . Why am I not? Because Doña Rita exists and for no other reason on earth. Of course it’s known that I am about. She has only to whisper over the wires to the Minister of the Interior, ‘Put that bird in a cage for me,’ and the thing would be done without any more formalities than that. . . Sad world this,” he commented in a changed tone. “Nowadays a gentleman who lives by his sword is exposed to that sort of thing.”

It was then for the first time I heard Mr. Mills laugh. It was a deep, pleasant, kindly note, not very loud and altogether free from that quality of derision that spoils so many laughs and gives away the secret hardness of hearts. But neither was it a very joyous laugh.

“But the truth of the matter is that I am ‘en mission,’” continued Captain Blunt. “I have been instructed to settle some things, to set other things going, and, by my instructions, Doña Rita is to be the intermediary for all those objects. And why? Because every bald head in this Republican Government gets pink at the top whenever her dress rustles outside the door. They bow with immense deference when the door opens, but the bow conceals a smirk because of those Venetian days. That confounded Versoy shoved his nose into that business; he says accidentally. He saw them together on the Lido and (those writing fellows are horrible) he wrote what he calls a vignette (I suppose accidentally, too) under that very title. There was in it a Prince and a lady and a big dog. He described how the Prince on landing from the gondola emptied his purse into the hands of a picturesque old beggar, while the lady, a little way off, stood gazing back at Venice with the dog romantically stretched at her feet. One of Versoy’s beautiful prose vignettes in a great daily that has a literary column. But some other papers that didn’t care a cent for literature rehashed the mere fact. And that’s the sort of fact that impresses your political man, especially if the lady is, well, such as she is . . .”

He paused. His dark eyes flashed fatally, away from us, in the direction of the shy dummy; and then he went on with cultivated cynicism.

“So she rushes down here. Overdone, weary, rest for her nerves. Nonsense. I assure you she has no more nerves than I have.”

I don’t know how he meant it, but at that moment, slim and elegant, he seemed a mere bundle of nerves himself, with the flitting expressions on his thin, well-bred face, with the restlessness of his meagre brown hands amongst the objects on the table. With some pipe ash amongst a little spilt wine his forefinger traced a capital R. Then he looked into an empty glass profoundly. I have a notion that I sat there staring and listening like a yokel at a play. Mills’ pipe was lying quite a foot away in front of him, empty, cold. Perhaps he had no more tobacco. Mr. Blunt assumed his dandified air—nervously.

“Of course her movements are commented on in the most exclusive drawing-rooms and also in other places, also exclusive, but where the gossip takes on another tone. There they are probably saying that she has got a ‘coup de coeur’ for some one. Whereas I think she is utterly incapable of that sort of thing. That Venetian affair, the beginning of it and the end of it, was nothing but a coup de tête, and all those activities in which I am involved, as you see (by order of Headquarters, ha, ha, ha!), are nothing but that, all this connection, all this intimacy into which I have dropped . . . Not to speak of my mother, who is delightful, but as irresponsible as one of those crazy princesses that shock their Royal families. . . ”

He seemed to bite his tongue and I observed that Mills’ eyes seemed to have grown wider than I had ever seen them before. In that tranquil face it was a great play of feature. “An intimacy,” began Mr. Blunt, with an extremely refined grimness of tone, “an intimacy with the heiress of Mr. Allègre on the part of . . . on my part, well, it isn’t exactly . . . it’s open . . . well, I leave it to you, what does it look like?”

“Is there anybody looking on?” Mills let fall, gently, through his kindly lips.

“Not actually, perhaps, at this moment. But I don’t need to tell a man of the world, like you, that such things cannot remain unseen. And that they are, well, compromising, because of the mere fact of the fortune.”

Mills got on his feet, looked for his jacket and after getting into it made himself heard while he looked for his hat.

“Whereas the woman herself is, so to speak, priceless.”

Mr. Blunt muttered the word “Obviously.”

By then we were all on our feet. The iron stove glowed no longer and the lamp, surrounded by empty bottles and empty glasses, had grown dimmer.

I know that I had a great shiver on getting away from the cushions of the divan.

“We will meet again in a few hours,” said Mr. Blunt.

“Don’t forget to come,” he said, addressing me. “Oh, yes, do. Have no scruples. I am authorized to make invitations.”

He must have noticed my shyness, my surprise, my embarrassment. And indeed I didn’t know what to say.

“I assure you there isn’t anything incorrect in your coming,” he insisted, with the greatest civility. “You will be introduced by two good friends, Mills and myself. Surely you are not afraid of a very charming woman. . . .”

I was not afraid, but my head swam a little and I only looked at him mutely.

“Lunch precisely at midday. Mills will bring you along. I am sorry you two are going. I shall throw myself on the bed for an hour or two, but I am sure I won’t sleep.”

He accompanied us along the passage into the black-and-white hall, where the low gas flame glimmered forlornly. When he opened the front door the cold blast of the mistral rushing down the street of the Consuls made me shiver to the very marrow of my bones.

Mills and I exchanged but a few words as we walked down towards the centre of the town. In the chill tempestuous dawn he strolled along musingly, disregarding the discomfort of the cold, the depressing influence of the hour, the desolation of the empty streets in which the dry dust rose in whirls in front of us, behind us, flew upon us from the side streets. The masks had gone home and our footsteps echoed on the flagstones with unequal sound as of men without purpose, without hope.

“I suppose you will come,” said Mills suddenly.

“I really don’t know,” I said.

“Don’t you? Well, remember I am not trying to persuade you; but I am staying at the Hôtel de Louvre and I shall leave there at a quarter to twelve for that lunch. At a quarter to twelve, not a minute later. I suppose you can sleep?”

I laughed.

“Charming age, yours,” said Mills, as we came out on the quays. Already dim figures of the workers moved in the biting dawn and the masted forms of ships were coming out dimly, as far as the eye could reach down the old harbour.

“Well,” Mills began again, “you may oversleep yourself.”

This suggestion was made in a cheerful tone, just as we shook hands at the lower end of the Cannebière. He looked very burly as he walked away from me. I went on towards my lodgings. My head was very full of confused images, but I was really too tired to think.

PART TWO

CHAPTER I

Sometimes I wonder yet whether Mills wished me to oversleep myself or not: that is, whether he really took sufficient interest to care. His uniform kindliness of manner made it impossible for me to tell. And I can hardly remember my own feelings. Did I care? The whole recollection of that time of my life has such a peculiar quality that the beginning and the end of it are merged in one sensation of profound emotion, continuous and overpowering, containing the extremes of exultation, full of careless joy and of an invincible sadness—like a day-dream. The sense of all this having been gone through as if in one great rush of imagination is all the stronger in the distance of time, because it had something of that quality even then: of fate unprovoked, of events that didn’t cast any shadow before.

Not that those events were in the least extraordinary. They were, in truth, commonplace. What to my backward glance seems startling and a little awful is their punctualness and inevitability. Mills was punctual. Exactly at a quarter to twelve he appeared under the lofty portal of the Hôtel de Louvre, with his fresh face, his ill-fitting grey suit, and enveloped in his own sympathetic atmosphere.

How could I have avoided him? To this day I have a shadowy conviction of his inherent distinction of mind and heart, far beyond any man I have ever met since. He was unavoidable: and of course I never tried to avoid him. The first sight on which his eyes fell was a victoria pulled up before the hotel door, in which I sat with no sentiment I can remember now but that of some slight shyness. He got in without a moment’s hesitation, his friendly glance took me in from head to foot and (such was his peculiar gift) gave me a pleasurable sensation.

After we had gone a little way I couldn’t help saying to him with a bashful laugh: “You know, it seems very extraordinary that I should be driving out with you like this.”

He turned to look at me and in his kind voice:

“You will find everything extremely simple,” he said. “So simple that you will be quite able to hold your own. I suppose you know that the world is selfish, I mean the majority of the people in it, often unconsciously I must admit, and especially people with a mission, with a fixed idea, with some fantastic object in view, or even with only some fantastic illusion. That doesn’t mean that they have no scruples. And I don’t know that at this moment I myself am not one of them.”

“That, of course, I can’t say,” I retorted.

“I haven’t seen her for years,” he said, “and in comparison with what she was then she must be very grown up by now. From what we heard from Mr. Blunt she had experiences which would have matured her more than they would teach her. There are of course people that are not teachable. I don’t know that she is one of them. But as to maturity that’s quite another thing. Capacity for suffering is developed in every human being worthy of the name.”

“Captain Blunt doesn’t seem to be a very happy person,” I said. “He seems to have a grudge against everybody. People make him wince. The things they do, the things they say. He must be awfully mature.”

Mills gave me a sidelong look. It met mine of the same character and we both smiled without openly looking at each other. At the end of the Rue de Rome the violent chilly breath of the mistral enveloped the victoria in a great widening of brilliant sunshine without heat. We turned to the right, circling at a stately pace about the rather mean obelisk which stands at the entrance to the Prado.

“I don’t know whether you are mature or not,” said Mills humorously. “But I think you will do. You . . . ”

“Tell me,” I interrupted, “what is really Captain Blunt’s position there?”

And I nodded at the alley of the Prado opening before us between the rows of the perfectly leafless trees.

“Thoroughly false, I should think. It doesn’t accord either with his illusions or his pretensions, or even with the real position he has in the world. And so what between his mother and the General Headquarters and the state of his own feelings he. . . ”

“He is in love with her,” I interrupted again.

“That wouldn’t make it any easier. I’m not at all sure of that. But if so it can’t be a very idealistic sentiment. All the warmth of his idealism is concentrated upon a certain ‘Américain, Catholique et gentil-homme. . . ’”

The smile which for a moment dwelt on his lips was not unkind.

“At the same time he has a very good grip of the material conditions that surround, as it were, the situation.”

“What do you mean? That Doña Rita” (the name came strangely familiar to my tongue) “is rich, that she has a fortune of her own?”

“Yes, a fortune,” said Mills. “But it was Allègre’s fortune before. . . And then there is Blunt’s fortune: he lives by his sword. And there is the fortune of his mother, I assure you a perfectly charming, clever, and most aristocratic old lady, with the most distinguished connections. I really mean it. She doesn’t live by her sword. She . . . she lives by her wits. I have a notion that those two dislike each other heartily at times. . . Here we are.”

The victoria stopped in the side alley, bordered by the low walls of private grounds. We got out before a wrought-iron gateway which stood half open and walked up a circular drive to the door of a large villa of a neglected appearance. The mistral howled in the sunshine, shaking the bare bushes quite furiously. And everything was bright and hard, the air was hard, the light was hard, the ground under our feet was hard.

The door at which Mills rang came open almost at once. The maid who opened it was short, dark, and slightly pockmarked. For the rest, an obvious “femme-de-chambre,” and very busy. She said quickly, “Madame has just returned from her ride,” and went up the stairs leaving us to shut the front door ourselves.

The staircase had a crimson carpet. Mr. Blunt appeared from somewhere in the hall. He was in riding breeches and a black coat with ample square skirts. This get-up suited him but it also changed him extremely by doing away with the effect of flexible slimness he produced in his evening clothes. He looked to me not at all himself but rather like a brother of the man who had been talking to us the night before. He carried about him a delicate perfume of scented soap. He gave us a flash of his white teeth and said:

“It’s a perfect nuisance. We have just dismounted. I will have to lunch as I am. A lifelong habit of beginning her day on horseback. She pretends she is unwell unless she does. I daresay, when one thinks there has been hardly a day for five or six years that she didn’t begin with a ride. That’s the reason she is always rushing away from Paris where she can’t go out in the morning alone. Here, of course, it’s different. And as I, too, am a stranger here I can go out with her. Not that I particularly care to do it.”

These last words were addressed to Mills specially, with the addition of a mumbled remark: “It’s a confounded position.” Then calmly to me with a swift smile: “We have been talking of you this morning. You are expected with impatience.”

“Thank you very much,” I said, “but I can’t help asking myself what I am doing here.”

The upward cast in the eyes of Mills who was facing the staircase made us both, Blunt and I, turn round. The woman of whom I had heard so much, in a sort of way in which I had never heard a woman spoken of before, was coming down the stairs, and my first sensation was that of profound astonishment at this evidence that she did really exist. And even then the visual impression was more of colour in a picture than of the forms of actual life. She was wearing a wrapper, a sort of dressing-gown of pale blue silk embroidered with black and gold designs round the neck and down the front, lapped round her and held together by a broad belt of the same material. Her slippers were of the same colour, with black bows at the instep. The white stairs, the deep crimson of the carpet, and the light blue of the dress made an effective combination of colour to set off the delicate carnation of that face, which, after the first glance given to the whole person, drew irresistibly your gaze to itself by an indefinable quality of charm beyond all analysis and made you think of remote races, of strange generations, of the faces of women sculptured on immemorial monuments and of those lying unsung in their tombs. While she moved downwards from step to step with slightly lowered eyes there flashed upon me suddenly the recollection of words heard at night, of Allègre’s words about her, of there being in her “something of the women of all time.”

At the last step she raised her eyelids, treated us to an exhibition of teeth as dazzling as Mr. Blunt’s and looking even stronger; and indeed, as she approached us she brought home to our hearts (but after all I am speaking only for myself) a vivid sense of her physical perfection in beauty of limb and balance of nerves, and not so much of grace, probably, as of absolute harmony.

She said to us, “I am sorry I kept you waiting.” Her voice was low pitched, penetrating, and of the most seductive gentleness. She offered her hand to Mills very frankly as to an old friend. Within the extraordinarily wide sleeve, lined with black silk, I could see the arm, very white, with a pearly gleam in the shadow. But to me she extended her hand with a slight stiffening, as it were a recoil of her person, combined with an extremely straight glance. It was a finely shaped, capable hand. I bowed over it, and we just touched fingers. I did not look then at her face.

Next moment she caught sight of some envelopes lying on the round marble-topped table in the middle of the hall. She seized one of them with a wonderfully quick, almost feline, movement and tore it open, saying to us, “Excuse me, I must . . . Do go into the dining-room. Captain Blunt, show the way.”

Her widened eyes stared at the paper. Mr. Blunt threw one of the doors open, but before we passed through it we heard a petulant exclamation accompanied by childlike stamping with both feet and ending in a laugh which had in it a note of contempt.

The door closed behind us; we had been abandoned by Mr. Blunt. He had remained on the other side, possibly to soothe. The room in which we found ourselves was long like a gallery and ended in a rotunda with many windows. It was long enough for two fireplaces of red polished granite. A table laid out for four occupied very little space. The floor inlaid in two kinds of wood in a bizarre pattern was highly waxed, reflecting objects like still water.

Before very long Doña Rita and Blunt rejoined us and we sat down around the table; but before we could begin to talk a dramatically sudden ring at the front door stilled our incipient animation. Doña Rita looked at us all in turn, with surprise and, as it were, with suspicion. “How did he know I was here?” she whispered after looking at the card which was brought to her. She passed it to Blunt, who passed it to Mills, who made a faint grimace, dropped it on the table-cloth, and only whispered to me, “A journalist from Paris.”

“He has run me to earth,” said Doña Rita. “One would bargain for peace against hard cash if these fellows weren’t always ready to snatch at one’s very soul with the other hand. It frightens me.”

Her voice floated mysterious and penetrating from her lips, which moved very little. Mills was watching her with sympathetic curiosity. Mr. Blunt muttered: “Better not make the brute angry.” For a moment Doña Rita’s face, with its narrow eyes, its wide brow, and high cheek bones, became very still; then her colour was a little heightened. “Oh,” she said softly, “let him come in. He would be really dangerous if he had a mind—you know,” she said to Mills.

The person who had provoked all those remarks and as much hesitation as though he had been some sort of wild beast astonished me on being admitted, first by the beauty of his white head of hair and then by his paternal aspect and the innocent simplicity of his manner. They laid a cover for him between Mills and Doña Rita, who quite openly removed the envelopes she had brought with her, to the other side of her plate. As openly the man’s round china-blue eyes followed them in an attempt to make out the handwriting of the addresses.

He seemed to know, at least slightly, both Mills and Blunt. To me he gave a stare of stupid surprise. He addressed our hostess.

“Resting? Rest is a very good thing. Upon my word, I thought I would find you alone. But you have too much sense. Neither man nor woman has been created to live alone. . . .” After this opening he had all the talk to himself. It was left to him pointedly, and I verily believe that I was the only one who showed an appearance of interest. I couldn’t help it. The others, including Mills, sat like a lot of deaf and dumb people. No. It was even something more detached. They sat rather like a very superior lot of waxworks, with the fixed but indetermined facial expression and with that odd air wax figures have of being aware of their existence being but a sham.

I was the exception; and nothing could have marked better my status of a stranger, the completest possible stranger in the moral region in which those people lived, moved, enjoying or suffering their incomprehensible emotions. I was as much of a stranger as the most hopeless castaway stumbling in the dark upon a hut of natives and finding them in the grip of some situation appertaining to the mentalities, prejudices, and problems of an undiscovered country—of a country of which he had not even had one single clear glimpse before.

It was even worse in a way. It ought to have been more disconcerting. For, pursuing the image of the cast-away blundering upon the complications of an unknown scheme of life, it was I, the castaway, who was the savage, the simple innocent child of nature. Those people were obviously more civilized than I was. They had more rites, more ceremonies, more complexity in their sensations, more knowledge of evil, more varied meanings to the subtle phrases of their language. Naturally! I was still so young! And yet I assure you, that just then I lost all sense of inferiority. And why? Of course the carelessness and the ignorance of youth had something to do with that. But there was something else besides. Looking at Doña Rita, her head leaning on her hand, with her dark lashes lowered on the slightly flushed cheek, I felt no longer alone in my youth. That woman of whom I had heard these things I have set down with all the exactness of unfailing memory, that woman was revealed to me young, younger than anybody I had ever seen, as young as myself (and my sensation of my youth was then very acute); revealed with something peculiarly intimate in the conviction, as if she were young exactly in the same way in which I felt myself young; and that therefore no misunderstanding between us was possible and there could be nothing more for us to know about each other. Of course this sensation was momentary, but it was illuminating; it was a light which could not last, but it left no darkness behind. On the contrary, it seemed to have kindled magically somewhere within me a glow of assurance, of unaccountable confidence in myself: a warm, steady, and eager sensation of my individual life beginning for good there, on that spot, in that sense of solidarity, in that seduction.

CHAPTER II

For this, properly speaking wonderful, reason I was the only one of the company who could listen without constraint to the unbidden guest with that fine head of white hair, so beautifully kept, so magnificently waved, so artistically arranged that respect could not be felt for it any more than for a very expensive wig in the window of a hair-dresser. In fact, I had an inclination to smile at it. This proves how unconstrained I felt. My mind was perfectly at liberty; and so of all the eyes in that room mine was the only pair able to look about in easy freedom. All the other listeners’ eyes were cast down, including Mills’ eyes, but that I am sure was only because of his perfect and delicate sympathy. He could not have been concerned otherwise.

The intruder devoured the cutlets—if they were cutlets. Notwithstanding my perfect liberty of mind I was not aware of what we were eating. I have a notion that the lunch was a mere show, except of course for the man with the white hair, who was really hungry and who, besides, must have had the pleasant sense of dominating the situation. He stooped over his plate and worked his jaw deliberately while his blue eyes rolled incessantly; but as a matter of fact he never looked openly at any one of us. Whenever he laid down his knife and fork he would throw himself back and start retailing in a light tone some Parisian gossip about prominent people.

He talked first about a certain politician of mark. His “dear Rita” knew him. His costume dated back to ’48, he was made of wood and parchment and still swathed his neck in a white cloth; and even his wife had never been seen in a low-necked dress. Not once in her life. She was buttoned up to the chin like her husband. Well, that man had confessed to him that when he was engaged in political controversy, not on a matter of principle but on some special measure in debate, he felt ready to kill everybody.

He interrupted himself for a comment. “I am something like that myself. I believe it’s a purely professional feeling. Carry one’s point whatever it is. Normally I couldn’t kill a fly. My sensibility is too acute for that. My heart is too tender also. Much too tender. I am a Republican. I am a Red. As to all our present masters and governors, all those people you are trying to turn round your little finger, they are all horrible Royalists in disguise. They are plotting the ruin of all the institutions to which I am devoted. But I have never tried to spoil your little game, Rita. After all, it’s but a little game. You know very well that two or three fearless articles, something in my style, you know, would soon put a stop to all that underhand backing of your king. I am calling him king because I want to be polite to you. He is an adventurer, a blood-thirsty, murderous adventurer, for me, and nothing else. Look here, my dear child, what are you knocking yourself about for? For the sake of that bandit? Allons donc! A pupil of Henry Allègre can have no illusions of that sort about any man. And such a pupil, too! Ah, the good old days in the Pavilion! Don’t think I claim any particular intimacy. It was just enough to enable me to offer my services to you, Rita, when our poor friend died. I found myself handy and so I came. It so happened that I was the first. You remember, Rita? What made it possible for everybody to get on with our poor dear Allègre was his complete, equable, and impartial contempt for all mankind. There is nothing in that against the purest democratic principles; but that you, Rita, should elect to throw so much of your life away for the sake of a Royal adventurer, it really knocks me over. For you don’t love him. You never loved him, you know.”

He made a snatch at her hand, absolutely pulled it away from under her head (it was quite startling) and retaining it in his grasp, proceeded to a paternal patting of the most impudent kind. She let him go on with apparent insensibility. Meanwhile his eyes strayed round the table over our faces. It was very trying. The stupidity of that wandering stare had a paralysing power. He talked at large with husky familiarity.

“Here I come, expecting to find a good sensible girl who had seen at last the vanity of all those things; half-light in the rooms; surrounded by the works of her favourite poets, and all that sort of thing. I say to myself: I must just run in and see the dear wise child, and encourage her in her good resolutions. . . And I fall into the middle of an intime lunch-party. For I suppose it is intime. Eh? Very? H’m, yes . . . ”

He was really appalling. Again his wandering stare went round the table, with an expression incredibly incongruous with the words. It was as though he had borrowed those eyes from some idiot for the purpose of that visit. He still held Doña Rita’s hand, and, now and then, patted it.

“It’s discouraging,” he cooed. “And I believe not one of you here is a Frenchman. I don’t know what you are all about. It’s beyond me. But if we were a Republic—you know I am an old Jacobin, sans-culotte and terrorist—if this were a real Republic with the Convention sitting and a Committee of Public Safety attending to national business, you would all get your heads cut off. Ha, ha . . . I am joking, ha, ha! . . . and serve you right, too. Don’t mind my little joke.”

While he was still laughing he released her hand and she leaned her head on it again without haste. She had never looked at him once.

During the rather humiliating silence that ensued he got a leather cigar case like a small valise out of his pocket, opened it and looked with critical interest at the six cigars it contained. The tireless femme-de-chambre set down a tray with coffee cups on the table. We each (glad, I suppose, of something to do) took one, but he, to begin with, sniffed at his. Doña Rita continued leaning on her elbow, her lips closed in a reposeful expression of peculiar sweetness. There was nothing drooping in her attitude. Her face with the delicate carnation of a rose and downcast eyes was as if veiled in firm immobility and was so appealing that I had an insane impulse to walk round and kiss the forearm on which it was leaning; that strong, well-shaped forearm, gleaming not like marble but with a living and warm splendour. So familiar had I become already with her in my thoughts! Of course I didn’t do anything of the sort. It was nothing uncontrollable, it was but a tender longing of a most respectful and purely sentimental kind. I performed the act in my thought quietly, almost solemnly, while the creature with the silver hair leaned back in his chair, puffing at his cigar, and began to speak again.

It was all apparently very innocent talk. He informed his “dear Rita” that he was really on his way to Monte Carlo. A lifelong habit of his at this time of the year; but he was ready to run back to Paris if he could do anything for his “chère enfant,” run back for a day, for two days, for three days, for any time; miss Monte Carlo this year altogether, if he could be of the slightest use and save her going herself. For instance he could see to it that proper watch was kept over the Pavilion stuffed with all these art treasures. What was going to happen to all those things? . . . Making herself heard for the first time Doña Rita murmured without moving that she had made arrangements with the police to have it properly watched. And I was enchanted by the almost imperceptible play of her lips.

But the anxious creature was not reassured. He pointed out that things had been stolen out of the Louvre, which was, he dared say, even better watched. And there was that marvellous cabinet on the landing, black lacquer with silver herons, which alone would repay a couple of burglars. A wheelbarrow, some old sacking, and they could trundle it off under people’s noses.

“Have you thought it all out?” she asked in a cold whisper, while we three sat smoking to give ourselves a countenance (it was certainly no enjoyment) and wondering what we would hear next.

No, he had not. But he confessed that for years and years he had been in love with that cabinet. And anyhow what was going to happen to the things? The world was greatly exercised by that problem. He turned slightly his beautifully groomed white head so as to address Mr. Blunt directly.

“I had the pleasure of meeting your mother lately.”

Mr. Blunt took his time to raise his eyebrows and flash his teeth at him before he dropped negligently, “I can’t imagine where you could have met my mother.”

“Why, at Bing’s, the curio-dealer,” said the other with an air of the heaviest possible stupidity. And yet there was something in these few words which seemed to imply that if Mr. Blunt was looking for trouble he would certainly get it. “Bing was bowing her out of his shop, but he was so angry about something that he was quite rude even to me afterwards. I don’t think it’s very good for Madame votre mère to quarrel with Bing. He is a Parisian personality. He’s quite a power in his sphere. All these fellows’ nerves are upset from worry as to what will happen to the Allègre collection. And no wonder they are nervous. A big art event hangs on your lips, my dear, great Rita. And by the way, you too ought to remember that it isn’t wise to quarrel with people. What have you done to that poor Azzolati? Did you really tell him to get out and never come near you again, or something awful like that? I don’t doubt that he was of use to you or to your king. A man who gets invitations to shoot with the President at Rambouillet! I saw him only the other evening; I heard he had been winning immensely at cards; but he looked perfectly wretched, the poor fellow. He complained of your conduct—oh, very much! He told me you had been perfectly brutal with him. He said to me: ‘I am no good for anything, mon cher. The other day at Rambouillet, whenever I had a hare at the end of my gun I would think of her cruel words and my eyes would run full of tears. I missed every shot’ . . . You are not fit for diplomatic work, you know, ma chère. You are a mere child at it. When you want a middle-aged gentleman to do anything for you, you don’t begin by reducing him to tears. I should have thought any woman would have known that much. A nun would have known that much. What do you say? Shall I run back to Paris and make it up for you with Azzolati?”

He waited for her answer. The compression of his thin lips was full of significance. I was surprised to see our hostess shake her head negatively the least bit, for indeed by her pose, by the thoughtful immobility of her face she seemed to be a thousand miles away from us all, lost in an infinite reverie.

He gave it up. “Well, I must be off. The express for Nice passes at four o’clock. I will be away about three weeks and then you shall see me again. Unless I strike a run of bad luck and get cleaned out, in which case you shall see me before then.”

He turned to Mills suddenly.

“Will your cousin come south this year, to that beautiful villa of his at Cannes?”

Mills hardly deigned to answer that he didn’t know anything about his cousin’s movements.

“A grand seigneur combined with a great connoisseur,” opined the other heavily. His mouth had gone slack and he looked a perfect and grotesque imbecile under his wig-like crop of white hair. Positively I thought he would begin to slobber. But he attacked Blunt next.

“Are you on your way down, too? A little flutter. . . It seems to me you haven’t been seen in your usual Paris haunts of late. Where have you been all this time?”

“Don’t you know where I have been?” said Mr. Blunt with great precision.

“No, I only ferret out things that may be of some use to me,” was the unexpected reply, uttered with an air of perfect vacancy and swallowed by Mr. Blunt in blank silence.

At last he made ready to rise from the table. “Think over what I have said, my dear Rita.”

“It’s all over and done with,” was Doña Rita’s answer, in a louder tone than I had ever heard her use before. It thrilled me while she continued: “I mean, this thinking.” She was back from the remoteness of her meditation, very much so indeed. She rose and moved away from the table, inviting by a sign the other to follow her; which he did at once, yet slowly and as it were warily.

It was a conference in the recess of a window. We three remained seated round the table from which the dark maid was removing the cups and the plates with brusque movements. I gazed frankly at Doña Rita’s profile, irregular, animated, and fascinating in an undefinable way, at her well-shaped head with the hair twisted high up and apparently held in its place by a gold arrow with a jewelled shaft. We couldn’t hear what she said, but the movement of her lips and the play of her features were full of charm, full of interest, expressing both audacity and gentleness. She spoke with fire without raising her voice. The man listened round-shouldered, but seeming much too stupid to understand. I could see now and then that he was speaking, but he was inaudible. At one moment Doña Rita turned her head to the room and called out to the maid, “Give me my hand-bag off the sofa.”

At this the other was heard plainly, “No, no,” and then a little lower, “You have no tact, Rita. . . .” Then came her argument in a low, penetrating voice which I caught, “Why not? Between such old friends.” However, she waved away the hand-bag, he calmed down, and their voices sank again. Presently I saw him raise her hand to his lips, while with her back to the room she continued to contemplate out of the window the bare and untidy garden. At last he went out of the room, throwing to the table an airy “Bonjour, bonjour,” which was not acknowledged by any of us three.

CHAPTER III

Mills got up and approached the figure at the window. To my extreme surprise, Mr. Blunt, after a moment of obviously painful hesitation, hastened out after the man with the white hair.

In consequence of these movements I was left to myself and I began to be uncomfortably conscious of it when Doña Rita, near the window, addressed me in a raised voice.

“We have no confidences to exchange, Mr. Mills and I.”

I took this for an encouragement to join them. They were both looking at me. Doña Rita added, “Mr. Mills and I are friends from old times, you know.”

Bathed in the softened reflection of the sunshine, which did not fall directly into the room, standing very straight with her arms down, before Mills, and with a faint smile directed to me, she looked extremely young, and yet mature. There was even, for a moment, a slight dimple in her cheek.

“How old, I wonder?” I said, with an answering smile.

“Oh, for ages, for ages,” she exclaimed hastily, frowning a little, then she went on addressing herself to Mills, apparently in continuation of what she was saying before.

. . . “This man’s is an extreme case, and yet perhaps it isn’t the worst. But that’s the sort of thing. I have no account to render to anybody, but I don’t want to be dragged along all the gutters where that man picks up his living.”

She had thrown her head back a little but there was no scorn, no angry flash under the dark-lashed eyelids. The words did not ring. I was struck for the first time by the even, mysterious quality of her voice.

“Will you let me suggest,” said Mills, with a grave, kindly face, “that being what you are, you have nothing to fear?”

“And perhaps nothing to lose,” she went on without bitterness. “No. It isn’t fear. It’s a sort of dread. You must remember that no nun could have had a more protected life. Henry Allègre had his greatness. When he faced the world he also masked it. He was big enough for that. He filled the whole field of vision for me.”

“You found that enough?” asked Mills.

“Why ask now?” she remonstrated. “The truth—the truth is that I never asked myself. Enough or not there was no room for anything else. He was the shadow and the light and the form and the voice. He would have it so. The morning he died they came to call me at four o’clock. I ran into his room bare-footed. He recognized me and whispered, ‘You are flawless.’ I was very frightened. He seemed to think, and then said very plainly, ‘Such is my character. I am like that.’ These were the last words he spoke. I hardly noticed them then. I was thinking that he was lying in a very uncomfortable position and I asked him if I should lift him up a little higher on the pillows. You know I am very strong. I could have done it. I had done it before. He raised his hand off the blanket just enough to make a sign that he didn’t want to be touched. It was the last gesture he made. I hung over him and then—and then I nearly ran out of the house just as I was, in my night-gown. I think if I had been dressed I would have run out of the garden, into the street—run away altogether. I had never seen death. I may say I had never heard of it. I wanted to run from it.”

She paused for a long, quiet breath. The harmonized sweetness and daring of her face was made pathetic by her downcast eyes.

“Fuir la mort,” she repeated, meditatively, in her mysterious voice.

Mills’ big head had a little movement, nothing more. Her glance glided for a moment towards me like a friendly recognition of my right to be there, before she began again.

“My life might have been described as looking at mankind from a fourth-floor window for years. When the end came it was like falling out of a balcony into the street. It was as sudden as that. Once I remember somebody was telling us in the Pavilion a tale about a girl who jumped down from a fourth-floor window. . . For love, I believe,” she interjected very quickly, “and came to no harm. Her guardian angel must have slipped his wings under her just in time. He must have. But as to me, all I know is that I didn’t break anything—not even my heart. Don’t be shocked, Mr. Mills. It’s very likely that you don’t understand.”

“Very likely,” Mills assented, unmoved. “But don’t be too sure of that.”

“Henry Allègre had the highest opinion of your intelligence,” she said unexpectedly and with evident seriousness. “But all this is only to tell you that when he was gone I found myself down there unhurt, but dazed, bewildered, not sufficiently stunned. It so happened that that creature was somewhere in the neighbourhood. How he found out. . . But it’s his business to find out things. And he knows, too, how to worm his way in anywhere. Indeed, in the first days he was useful and somehow he made it look as if Heaven itself had sent him. In my distress I thought I could never sufficiently repay. . . Well, I have been paying ever since.”

“What do you mean?” asked Mills softly. “In hard cash?”

“Oh, it’s really so little,” she said. “I told you it wasn’t the worst case. I stayed on in that house from which I nearly ran away in my nightgown. I stayed on because I didn’t know what to do next. He vanished as he had come on the track of something else, I suppose. You know he really has got to get his living some way or other. But don’t think I was deserted. On the contrary. People were coming and going, all sorts of people that Henry Allègre used to know—or had refused to know. I had a sensation of plotting and intriguing around me, all the time. I was feeling morally bruised, sore all over, when, one day, Don Rafael de Villarel sent in his card. A grandee. I didn’t know him, but, as you are aware, there was hardly a personality of mark or position that hasn’t been talked about in the Pavilion before me. Of him I had only heard that he was a very austere and pious person, always at Mass, and that sort of thing. I saw a frail little man with a long, yellow face and sunken fanatical eyes, an Inquisitor, an unfrocked monk. One missed a rosary from his thin fingers. He gazed at me terribly and I couldn’t imagine what he might want. I waited for him to pull out a crucifix and sentence me to the stake there and then. But no; he dropped his eyes and in a cold, righteous sort of voice informed me that he had called on behalf of the prince—he called him His Majesty. I was amazed by the change. I wondered now why he didn’t slip his hands into the sleeves of his coat, you know, as begging Friars do when they come for a subscription. He explained that the Prince asked for permission to call and offer me his condolences in person. We had seen a lot of him our last two months in Paris that year. Henry Allègre had taken a fancy to paint his portrait. He used to ride with us nearly every morning. Almost without thinking I said I should be pleased. Don Rafael was shocked at my want of formality, but bowed to me in silence, very much as a monk bows, from the waist. If he had only crossed his hands flat on his chest it would have been perfect. Then, I don’t know why, something moved me to make him a deep curtsy as he backed out of the room, leaving me suddenly impressed, not only with him but with myself too. I had my door closed to everybody else that afternoon and the Prince came with a very proper sorrowful face, but five minutes after he got into the room he was laughing as usual, made the whole little house ring with it. You know his big, irresistible laugh. . . .”

“No,” said Mills, a little abruptly, “I have never seen him.”

“No,” she said, surprised, “and yet you . . . ”

“I understand,” interrupted Mills. “All this is purely accidental. You must know that I am a solitary man of books but with a secret taste for adventure which somehow came out; surprising even me.”

She listened with that enigmatic, still, under the eyelids glance, and a friendly turn of the head.

“I know you for a frank and loyal gentleman. . . Adventure—and books? Ah, the books! Haven’t I turned stacks of them over! Haven’t I? . . .”

“Yes,” murmured Mills. “That’s what one does.”

She put out her hand and laid it lightly on Mills’ sleeve.

“Listen, I don’t need to justify myself, but if I had known a single woman in the world, if I had only had the opportunity to observe a single one of them, I would have been perhaps on my guard. But you know I hadn’t. The only woman I had anything to do with was myself, and they say that one can’t know oneself. It never entered my head to be on my guard against his warmth and his terrible obviousness. You and he were the only two, infinitely different, people, who didn’t approach me as if I had been a precious object in a collection, an ivory carving or a piece of Chinese porcelain. That’s why I have kept you in my memory so well. Oh! you were not obvious! As to him—I soon learned to regret I was not some object, some beautiful, carved object of bone or bronze; a rare piece of porcelain, pâte dure, not pâte tendre. A pretty specimen.”

“Rare, yes. Even unique,” said Mills, looking at her steadily with a smile. “But don’t try to depreciate yourself. You were never pretty. You are not pretty. You are worse.”

Her narrow eyes had a mischievous gleam. “Do you find such sayings in your books?” she asked.

“As a matter of fact I have,” said Mills, with a little laugh, “found this one in a book. It was a woman who said that of herself. A woman far from common, who died some few years ago. She was an actress. A great artist.”

“A great! . . . Lucky person! She had that refuge, that garment, while I stand here with nothing to protect me from evil fame; a naked temperament for any wind to blow upon. Yes, greatness in art is a protection. I wonder if there would have been anything in me if I had tried? But Henry Allègre would never let me try. He told me that whatever I could achieve would never be good enough for what I was. The perfection of flattery! Was it that he thought I had not talent of any sort? It’s possible. He would know. I’ve had the idea since that he was jealous. He wasn’t jealous of mankind any more than he was afraid of thieves for his collection; but he may have been jealous of what he could see in me, of some passion that could be aroused. But if so he never repented. I shall never forget his last words. He saw me standing beside his bed, defenceless, symbolic and forlorn, and all he found to say was, ‘Well, I am like that.’”

I forgot myself in watching her. I had never seen anybody speak with less play of facial muscles. In the fullness of its life her face preserved a sort of immobility. The words seemed to form themselves, fiery or pathetic, in the air, outside her lips. Their design was hardly disturbed; a design of sweetness, gravity, and force as if born from the inspiration of some artist; for I had never seen anything to come up to it in nature before or since.

All this was part of the enchantment she cast over me; and I seemed to notice that Mills had the aspect of a man under a spell. If he too was a captive then I had no reason to feel ashamed of my surrender.

“And you know,” she began again abruptly, “that I have been accustomed to all the forms of respect.”

“That’s true,” murmured Mills, as if involuntarily.

“Well, yes,” she reaffirmed. “My instinct may have told me that my only protection was obscurity, but I didn’t know how and where to find it. Oh, yes, I had that instinct . . . But there were other instincts and . . . How am I to tell you? I didn’t know how to be on guard against myself, either. Not a soul to speak to, or to get a warning from. Some woman soul that would have known, in which perhaps I could have seen my own reflection. I assure you the only woman that ever addressed me directly, and that was in writing, was . . . ”

She glanced aside, saw Mr. Blunt returning from the hall and added rapidly in a lowered voice,

“His mother.”

The bright, mechanical smile of Mr. Blunt gleamed at us right down the room, but he didn’t, as it were, follow it in his body. He swerved to the nearest of the two big fireplaces and finding some cigarettes on the mantelpiece remained leaning on his elbow in the warmth of the bright wood fire. I noticed then a bit of mute play. The heiress of Henry Allègre, who could secure neither obscurity nor any other alleviation to that invidious position, looked as if she would speak to Blunt from a distance; but in a moment the confident eagerness of her face died out as if killed by a sudden thought. I didn’t know then her shrinking from all falsehood and evasion; her dread of insincerity and disloyalty of every kind. But even then I felt that at the very last moment her being had recoiled before some shadow of a suspicion. And it occurred to me, too, to wonder what sort of business Mr. Blunt could have had to transact with our odious visitor, of a nature so urgent as to make him run out after him into the hall? Unless to beat him a little with one of the sticks that were to be found there? White hair so much like an expensive wig could not be considered a serious protection. But it couldn’t have been that. The transaction, whatever it was, had been much too quiet. I must say that none of us had looked out of the window and that I didn’t know when the man did go or if he was gone at all. As a matter of fact he was already far away; and I may just as well say here that I never saw him again in my life. His passage across my field of vision was like that of other figures of that time: not to be forgotten, a little fantastic, infinitely enlightening for my contempt, darkening for my memory which struggles still with the clear lights and the ugly shadows of those unforgotten days.

CHAPTER IV

It was past four o’clock before I left the house, together with Mills. Mr. Blunt, still in his riding costume, escorted us to the very door. He asked us to send him the first fiacre we met on our way to town. “It’s impossible to walk in this get-up through the streets,” he remarked, with his brilliant smile.

At this point I propose to transcribe some notes I made at the time in little black books which I have hunted up in the litter of the past; very cheap, common little note-books that by the lapse of years have acquired a touching dimness of aspect, the frayed, worn-out dignity of documents.

Expression on paper has never been my forte. My life had been a thing of outward manifestations. I never had been secret or even systematically taciturn about my simple occupations which might have been foolish but had never required either caution or mystery. But in those four hours since midday a complete change had come over me. For good or evil I left that house committed to an enterprise that could not be talked about; which would have appeared to many senseless and perhaps ridiculous, but was certainly full of risks, and, apart from that, commanded discretion on the ground of simple loyalty. It would not only close my lips but it would to a certain extent cut me off from my usual haunts and from the society of my friends; especially of the light-hearted, young, harum-scarum kind. This was unavoidable. It was because I felt myself thrown back upon my own thoughts and forbidden to seek relief amongst other lives—it was perhaps only for that reason at first I started an irregular, fragmentary record of my days.

I made these notes not so much to preserve the memory (one cared not for any to-morrow then) but to help me to keep a better hold of the actuality. I scribbled them on shore and I scribbled them on the sea; and in both cases they are concerned not only with the nature of the facts but with the intensity of my sensations. It may be, too, that I learned to love the sea for itself only at that time. Woman and the sea revealed themselves to me together, as it were: two mistresses of life’s values. The illimitable greatness of the one, the unfathomable seduction of the other working their immemorial spells from generation to generation fell upon my heart at last: a common fortune, an unforgettable memory of the sea’s formless might and of the sovereign charm in that woman’s form wherein there seemed to beat the pulse of divinity rather than blood.

I begin here with the notes written at the end of that very day.

—Parted with Mills on the quay. We had walked side by side in absolute silence. The fact is he is too old for me to talk to him freely. For all his sympathy and seriousness I don’t know what note to strike and I am not at all certain what he thinks of all this. As we shook hands at parting, I asked him how much longer he expected to stay. And he answered me that it depended on R. She was making arrangements for him to cross the frontier. He wanted to see the very ground on which the Principle of Legitimacy was actually asserting itself arms in hand. It sounded to my positive mind the most fantastic thing in the world, this elimination of personalities from what seemed but the merest political, dynastic adventure. So it wasn’t Doña Rita, it wasn’t Blunt, it wasn’t the Pretender with his big infectious laugh, it wasn’t all that lot of politicians, archbishops, and generals, of monks, guerrilleros, and smugglers by sea and land, of dubious agents and shady speculators and undoubted swindlers, who were pushing their fortunes at the risk of their precious skins. No. It was the Legitimist Principle asserting itself! Well, I would accept the view but with one reservation. All the others might have been merged into the idea, but I, the latest recruit, I would not be merged in the Legitimist Principle. Mine was an act of independent assertion. Never before had I felt so intensely aware of my personality. But I said nothing of that to Mills. I only told him I thought we had better not be seen very often together in the streets. He agreed. Hearty handshake. Looked affectionately after his broad back. It never occurred to him to turn his head. What was I in comparison with the Principle of Legitimacy?

Late that night I went in search of Dominic. That Mediterranean sailor was just the man I wanted. He had a great experience of all unlawful things that can be done on the seas and he brought to the practice of them much wisdom and audacity. That I didn’t know where he lived was nothing since I knew where he loved. The proprietor of a small, quiet café on the quay, a certain Madame Léonore, a woman of thirty-five with an open Roman face and intelligent black eyes, had captivated his heart years ago. In that café with our heads close together over a marble table, Dominic and I held an earnest and endless confabulation while Madame Léonore, rustling a black silk skirt, with gold earrings, with her raven hair elaborately dressed and something nonchalant in her movements, would take occasion, in passing to and fro, to rest her hand for a moment on Dominic’s shoulder. Later when the little café had emptied itself of its habitual customers, mostly people connected with the work of ships and cargoes, she came quietly to sit at our table and looking at me very hard with her black, sparkling eyes asked Dominic familiarly what had happened to his Signorino. It was her name for me. I was Dominic’s Signorino. She knew me by no other; and our connection has always been somewhat of a riddle to her. She said that I was somehow changed since she saw me last. In her rich voice she urged Dominic only to look at my eyes. I must have had some piece of luck come to me either in love or at cards, she bantered. But Dominic answered half in scorn that I was not of the sort that runs after that kind of luck. He stated generally that there were some young gentlemen very clever in inventing new ways of getting rid of their time and their money. However, if they needed a sensible man to help them he had no objection himself to lend a hand. Dominic’s general scorn for the beliefs, and activities, and abilities of upper-class people covered the Principle of Legitimacy amply; but he could not resist the opportunity to exercise his special faculties in a field he knew of old. He had been a desperate smuggler in his younger days. We settled the purchase of a fast sailing craft. Agreed that it must be a balancelle and something altogether out of the common. He knew of one suitable but she was in Corsica. Offered to start for Bastia by mail-boat in the morning. All the time the handsome and mature Madame Léonore sat by, smiling faintly, amused at her great man joining like this in a frolic of boys. She said the last words of that evening: “You men never grow up,” touching lightly the grey hair above his temple.

A fortnight later.

. . . In the afternoon to the Prado. Beautiful day. At the moment of ringing at the door a strong emotion of an anxious kind. Why? Down the length of the dining-room in the rotunda part full of afternoon light Doña R., sitting cross-legged on the divan in the attitude of a very old idol or a very young child and surrounded by many cushions, waves her hand from afar pleasantly surprised, exclaiming: “What! Back already!” I give her all the details and we talk for two hours across a large brass bowl containing a little water placed between us, lighting cigarettes and dropping them, innumerable, puffed at, yet untasted in the overwhelming interest of the conversation. Found her very quick in taking the points and very intelligent in her suggestions. All formality soon vanished between us and before very long I discovered myself sitting cross-legged, too, while I held forth on the qualities of different Mediterranean sailing craft and on the romantic qualifications of Dominic for the task. I believe I gave her the whole history of the man, mentioning even the existence of Madame Léonore, since the little café would have to be the headquarters of the marine part of the plot.

She murmured, “Ah! Une belle Romaine,” thoughtfully. She told me that she liked to hear people of that sort spoken of in terms of our common humanity. She observed also that she wished to see Dominic some day; to set her eyes for once on a man who could be absolutely depended on. She wanted to know whether he had engaged himself in this adventure solely for my sake.

I said that no doubt it was partly that. We had been very close associates in the West Indies from where we had returned together, and he had a notion that I could be depended on, too. But mainly, I suppose, it was from taste. And there was in him also a fine carelessness as to what he did and a love of venturesome enterprise.

“And you,” she said. “Is it carelessness, too?”

“In a measure,” I said. “Within limits.”

“And very soon you will get tired.”

“When I do I will tell you. But I may also get frightened. I suppose you know there are risks, I mean apart from the risk of life.”

“As for instance,” she said.

“For instance, being captured, tried, and sentenced to what they call ‘the galleys,’ in Ceuta.”

“And all this from that love for . . .”

“Not for Legitimacy,” I interrupted the inquiry lightly. “But what’s the use asking such questions? It’s like asking the veiled figure of fate. It doesn’t know its own mind nor its own heart. It has no heart. But what if I were to start asking you—who have a heart and are not veiled to my sight?” She dropped her charming adolescent head, so firm in modelling, so gentle in expression. Her uncovered neck was round like the shaft of a column. She wore the same wrapper of thick blue silk. At that time she seemed to live either in her riding habit or in that wrapper folded tightly round her and open low to a point in front. Because of the absence of all trimming round the neck and from the deep view of her bare arms in the wide sleeve this garment seemed to be put directly on her skin and gave one the impression of one’s nearness to her body which would have been troubling but for the perfect unconsciousness of her manner. That day she carried no barbarous arrow in her hair. It was parted on one side, brushed back severely, and tied with a black ribbon, without any bronze mist about her forehead or temple. This smoothness added to the many varieties of her expression also that of child-like innocence.

Great progress in our intimacy brought about unconsciously by our enthusiastic interest in the matter of our discourse and, in the moments of silence, by the sympathetic current of our thoughts. And this rapidly growing familiarity (truly, she had a terrible gift for it) had all the varieties of earnestness: serious, excited, ardent, and even gay. She laughed in contralto; but her laugh was never very long; and when it had ceased, the silence of the room with the light dying in all its many windows seemed to lie about me warmed by its vibration.

As I was preparing to take my leave after a longish pause into which we had fallen as into a vague dream, she came out of it with a start and a quiet sigh. She said, “I had forgotten myself.” I took her hand and was raising it naturally, without premeditation, when I felt suddenly the arm to which it belonged become insensible, passive, like a stuffed limb, and the whole woman go inanimate all over! Brusquely I dropped the hand before it reached my lips; and it was so lifeless that it fell heavily on to the divan.

I remained standing before her. She raised to me not her eyes but her whole face, inquisitively—perhaps in appeal.

“No! This isn’t good enough for me,” I said.

The last of the light gleamed in her long enigmatic eyes as if they were precious enamel in that shadowy head which in its immobility suggested a creation of a distant past: immortal art, not transient life. Her voice had a profound quietness. She excused herself.

“It’s only habit—or instinct—or what you like. I have had to practise that in self-defence lest I should be tempted sometimes to cut the arm off.”

I remembered the way she had abandoned this very arm and hand to the white-haired ruffian. It rendered me gloomy and idiotically obstinate.

“Very ingenious. But this sort of thing is of no use to me,” I declared.

“Make it up,” suggested her mysterious voice, while her shadowy figure remained unmoved, indifferent amongst the cushions.

I didn’t stir either. I refused in the same low tone.

“No. Not before you give it to me yourself some day.”

“Yes—some day,” she repeated in a breath in which there was no irony but rather hesitation, reluctance what did I know?

I walked away from the house in a curious state of gloomy satisfaction with myself.

And this is the last extract. A month afterwards.

—This afternoon going up to the Villa I was for the first time accompanied in my way by some misgivings. To-morrow I sail.

First trip and therefore in the nature of a trial trip; and I can’t overcome a certain gnawing emotion, for it is a trip that mustn’t fail. In that sort of enterprise there is no room for mistakes. Of all the individuals engaged in it will every one be intelligent enough, faithful enough, bold enough? Looking upon them as a whole it seems impossible; but as each has got only a limited part to play they may be found sufficient each for his particular trust. And will they be all punctual, I wonder? An enterprise that hangs on the punctuality of many people, no matter how well disposed and even heroic, hangs on a thread. This I have perceived to be also the greatest of Dominic’s concerns. He, too, wonders. And when he breathes his doubts the smile lurking under the dark curl of his moustaches is not reassuring.

But there is also something exciting in such speculations and the road to the Villa seemed to me shorter than ever before.

Let in by the silent, ever-active, dark lady’s maid, who is always on the spot and always on the way somewhere else, opening the door with one hand, while she passes on, turning on one for a moment her quick, black eyes, which just miss being lustrous, as if some one had breathed on them lightly.

On entering the long room I perceive Mills established in an armchair which he had dragged in front of the divan. I do the same to another and there we sit side by side facing R., tenderly amiable yet somehow distant among her cushions, with an immemorial seriousness in her long, shaded eyes and her fugitive smile hovering about but never settling on her lips. Mills, who is just back from over the frontier, must have been asking R. whether she had been worried again by her devoted friend with the white hair. At least I concluded so because I found them talking of the heart-broken Azzolati. And after having answered their greetings I sit and listen to Rita addressing Mills earnestly.

“No, I assure you Azzolati had done nothing to me. I knew him. He was a frequent visitor at the Pavilion, though I, personally, never talked with him very much in Henry Allègre’s lifetime. Other men were more interesting, and he himself was rather reserved in his manner to me. He was an international politician and financier—a nobody. He, like many others, was admitted only to feed and amuse Henry Allègre’s scorn of the world, which was insatiable—I tell you.”

“Yes,” said Mills. “I can imagine.”

“But I know. Often when we were alone Henry Allègre used to pour it into my ears. If ever anybody saw mankind stripped of its clothes as the child sees the king in the German fairy tale, it’s I! Into my ears! A child’s! Too young to die of fright. Certainly not old enough to understand—or even to believe. But then his arm was about me. I used to laugh, sometimes. Laugh! At this destruction—at these ruins!”

“Yes,” said Mills, very steady before her fire. “But you have at your service the everlasting charm of life; you are a part of the indestructible.”

“Am I? . . . But there is no arm about me now. The laugh! Where is my laugh? Give me back my laugh. . . .”

And she laughed a little on a low note. I don’t know about Mills, but the subdued shadowy vibration of it echoed in my breast which felt empty for a moment and like a large space that makes one giddy.

“The laugh is gone out of my heart, which at any rate used to feel protected. That feeling’s gone, too. And I myself will have to die some day.”

“Certainly,” said Mills in an unaltered voice. “As to this body you . . .”

“Oh, yes! Thanks. It’s a very poor jest. Change from body to body as travellers used to change horses at post houses. I’ve heard of this before. . . .”

“I’ve no doubt you have,” Mills put on a submissive air. “But are we to hear any more about Azzolati?”

“You shall. Listen. I had heard that he was invited to shoot at Rambouillet—a quiet party, not one of these great shoots. I hear a lot of things. I wanted to have a certain information, also certain hints conveyed to a diplomatic personage who was to be there, too. A personage that would never let me get in touch with him though I had tried many times.”

“Incredible!” mocked Mills solemnly.

“The personage mistrusts his own susceptibility. Born cautious,” explained Doña Rita crisply with the slightest possible quiver of her lips. “Suddenly I had the inspiration to make use of Azzolati, who had been reminding me by a constant stream of messages that he was an old friend. I never took any notice of those pathetic appeals before. But in this emergency I sat down and wrote a note asking him to come and dine with me in my hotel. I suppose you know I don’t live in the Pavilion. I can’t bear the Pavilion now. When I have to go there I begin to feel after an hour or so that it is haunted. I seem to catch sight of somebody I know behind columns, passing through doorways, vanishing here and there. I hear light footsteps behind closed doors. . . My own!”

Her eyes, her half-parted lips, remained fixed till Mills suggested softly, “Yes, but Azzolati.”

Her rigidity vanished like a flake of snow in the sunshine. “Oh! Azzolati. It was a most solemn affair. It had occurred to me to make a very elaborate toilet. It was most successful. Azzolati looked positively scared for a moment as though he had got into the wrong suite of rooms. He had never before seen me en toilette, you understand. In the old days once out of my riding habit I would never dress. I draped myself, you remember, Monsieur Mills. To go about like that suited my indolence, my longing to feel free in my body, as at that time when I used to herd goats. . . But never mind. My aim was to impress Azzolati. I wanted to talk to him seriously.”

There was something whimsical in the quick beat of her eyelids and in the subtle quiver of her lips. “And behold! the same notion had occurred to Azzolati. Imagine that for this tête-à-tête dinner the creature had got himself up as if for a reception at court. He displayed a brochette of all sorts of decorations on the lapel of his frac and had a broad ribbon of some order across his shirt front. An orange ribbon. Bavarian, I should say. Great Roman Catholic, Azzolati. It was always his ambition to be the banker of all the Bourbons in the world. The last remnants of his hair were dyed jet black and the ends of his moustache were like knitting needles. He was disposed to be as soft as wax in my hands. Unfortunately I had had some irritating interviews during the day. I was keeping down sudden impulses to smash a glass, throw a plate on the floor, do something violent to relieve my feelings. His submissive attitude made me still more nervous. He was ready to do anything in the world for me providing that I would promise him that he would never find my door shut against him as long as he lived. You understand the impudence of it, don’t you? And his tone was positively abject, too. I snapped back at him that I had no door, that I was a nomad. He bowed ironically till his nose nearly touched his plate but begged me to remember that to his personal knowledge I had four houses of my own about the world. And you know this made me feel a homeless outcast more than ever—like a little dog lost in the street—not knowing where to go. I was ready to cry and there the creature sat in front of me with an imbecile smile as much as to say ‘here is a poser for you. . . .’ I gnashed my teeth at him. Quietly, you know . . . I suppose you two think that I am stupid.”

She paused as if expecting an answer but we made no sound and she continued with a remark.

“I have days like that. Often one must listen to false protestations, empty words, strings of lies all day long, so that in the evening one is not fit for anything, not even for truth if it comes in one’s way. That idiot treated me to a piece of brazen sincerity which I couldn’t stand. First of all he began to take me into his confidence; he boasted of his great affairs, then started groaning about his overstrained life which left him no time for the amenities of existence, for beauty, or sentiment, or any sort of ease of heart. His heart! He wanted me to sympathize with his sorrows. Of course I ought to have listened. One must pay for service. Only I was nervous and tired. He bored me. I told him at last that I was surprised that a man of such immense wealth should still keep on going like this reaching for more and more. I suppose he must have been sipping a good deal of wine while we talked and all at once he let out an atrocity which was too much for me. He had been moaning and sentimentalizing but then suddenly he showed me his fangs. ‘No,’ he cries, ‘you can’t imagine what a satisfaction it is to feel all that penniless, beggarly lot of the dear, honest, meritorious poor wriggling and slobbering under one’s boots.’ You may tell me that he is a contemptible animal anyhow, but you should have heard the tone! I felt my bare arms go cold like ice. A moment before I had been hot and faint with sheer boredom. I jumped up from the table, rang for Rose, and told her to bring me my fur cloak. He remained in his chair leering at me curiously. When I had the fur on my shoulders and the girl had gone out of the room I gave him the surprise of his life. ‘Take yourself off instantly,’ I said. ‘Go trample on the poor if you like but never dare speak to me again.’ At this he leaned his head on his arm and sat so long at the table shading his eyes with his hand that I had to ask, calmly—you know—whether he wanted me to have him turned out into the corridor. He fetched an enormous sigh. ‘I have only tried to be honest with you, Rita.’ But by the time he got to the door he had regained some of his impudence. ‘You know how to trample on a poor fellow, too,’ he said. ‘But I don’t mind being made to wriggle under your pretty shoes, Rita. I forgive you. I thought you were free from all vulgar sentimentalism and that you had a more independent mind. I was mistaken in you, that’s all.’ With that he pretends to dash a tear from his eye-crocodile!—and goes out, leaving me in my fur by the blazing fire, my teeth going like castanets. . . Did you ever hear of anything so stupid as this affair?” she concluded in a tone of extreme candour and a profound unreadable stare that went far beyond us both. And the stillness of her lips was so perfect directly she ceased speaking that I wondered whether all this had come through them or only had formed itself in my mind.

Presently she continued as if speaking for herself only.

“It’s like taking the lids off boxes and seeing ugly toads staring at you. In every one. Every one. That’s what it is having to do with men more than mere—Good-morning—Good evening. And if you try to avoid meddling with their lids, some of them will take them off themselves. And they don’t even know, they don’t even suspect what they are showing you. Certain confidences—they don’t see it—are the bitterest kind of insult. I suppose Azzolati imagines himself a noble beast of prey. Just as some others imagine themselves to be most delicate, noble, and refined gentlemen. And as likely as not they would trade on a woman’s troubles—and in the end make nothing of that either. Idiots!”

The utter absence of all anger in this spoken meditation gave it a character of touching simplicity. And as if it had been truly only a meditation we conducted ourselves as though we had not heard it. Mills began to speak of his experiences during his visit to the army of the Legitimist King. And I discovered in his speeches that this man of books could be graphic and picturesque. His admiration for the devotion and bravery of the army was combined with the greatest distaste for what he had seen of the way its great qualities were misused. In the conduct of this great enterprise he had seen a deplorable levity of outlook, a fatal lack of decision, an absence of any reasoned plan.

He shook his head.

“I feel that you of all people, Doña Rita, ought to be told the truth. I don’t know exactly what you have at stake.”

She was rosy like some impassive statue in a desert in the flush of the dawn.

“Not my heart,” she said quietly. “You must believe that.”

“I do. Perhaps it would have been better if you. . . ”

“No, Monsieur le Philosophe. It would not have been better. Don’t make that serious face at me,” she went on with tenderness in a playful note, as if tenderness had been her inheritance of all time and playfulness the very fibre of her being. “I suppose you think that a woman who has acted as I did and has not staked her heart on it is . . . How do you know to what the heart responds as it beats from day to day?”

“I wouldn’t judge you. What am I before the knowledge you were born to? You are as old as the world.”

She accepted this with a smile. I who was innocently watching them was amazed to discover how much a fleeting thing like that could hold of seduction without the help of any other feature and with that unchanging glance.

“With me it is pun d’onor. To my first independent friend.”

“You were soon parted,” ventured Mills, while I sat still under a sense of oppression.

“Don’t think for a moment that I have been scared off,” she said. “It is they who were frightened. I suppose you heard a lot of Headquarters gossip?”

“Oh, yes,” Mills said meaningly. “The fair and the dark are succeeding each other like leaves blown in the wind dancing in and out. I suppose you have noticed that leaves blown in the wind have a look of happiness.”

“Yes,” she said, “that sort of leaf is dead. Then why shouldn’t it look happy? And so I suppose there is no uneasiness, no occasion for fears amongst the ‘responsibles.’”

“Upon the whole not. Now and then a leaf seems as if it would stick. There is for instance Madame . . .”

“Oh, I don’t want to know, I understand it all, I am as old as the world.”

“Yes,” said Mills thoughtfully, “you are not a leaf, you might have been a tornado yourself.”

“Upon my word,” she said, “there was a time that they thought I could carry him off, away from them all—beyond them all. Verily, I am not very proud of their fears. There was nothing reckless there worthy of a great passion. There was nothing sad there worthy of a great tenderness.”

“And is this the word of the Venetian riddle?” asked Mills, fixing her with his keen eyes.

“If it pleases you to think so, Señor,” she said indifferently. The movement of her eyes, their veiled gleam became mischievous when she asked, “And Don Juan Blunt, have you seen him over there?”

“I fancy he avoided me. Moreover, he is always with his regiment at the outposts. He is a most valorous captain. I heard some people describe him as foolhardy.”

“Oh, he needn’t seek death,” she said in an indefinable tone. “I mean as a refuge. There will be nothing in his life great enough for that.”

“You are angry. You miss him, I believe, Doña Rita.”

“Angry? No! Weary. But of course it’s very inconvenient. I can’t very well ride out alone. A solitary amazon swallowing the dust and the salt spray of the Corniche promenade would attract too much attention. And then I don’t mind you two knowing that I am afraid of going out alone.”

“Afraid?” we both exclaimed together.

“You men are extraordinary. Why do you want me to be courageous? Why shouldn’t I be afraid? Is it because there is no one in the world to care what would happen to me?”

There was a deep-down vibration in her tone for the first time. We had not a word to say. And she added after a long silence:

“There is a very good reason. There is a danger.”

With wonderful insight Mills affirmed at once:

“Something ugly.”

She nodded slightly several times. Then Mills said with conviction:

“Ah! Then it can’t be anything in yourself. And if so . . . ”

I was moved to extravagant advice.

“You should come out with me to sea then. There may be some danger there but there’s nothing ugly to fear.”

She gave me a startled glance quite unusual with her, more than wonderful to me; and suddenly as though she had seen me for the first time she exclaimed in a tone of compunction:

“Oh! And there is this one, too! Why! Oh, why should he run his head into danger for those things that will all crumble into dust before long?”

I said: “You won’t crumble into dust.” And Mills chimed in:

“That young enthusiast will always have his sea.”

We were all standing up now. She kept her eyes on me, and repeated with a sort of whimsical enviousness:

“The sea! The violet sea—and he is longing to rejoin it! . . . At night! Under the stars! . . . A lovers’ meeting,” she went on, thrilling me from head to foot with those two words, accompanied by a wistful smile pointed by a suspicion of mockery. She turned away.

“And you, Monsieur Mills?” she asked.

“I am going back to my books,” he declared with a very serious face. “My adventure is over.”

“Each one to his love,” she bantered us gently. “Didn’t I love books, too, at one time! They seemed to contain all wisdom and hold a magic power, too. Tell me, Monsieur Mills, have you found amongst them in some black-letter volume the power of foretelling a poor mortal’s destiny, the power to look into the future? Anybody’s future . . .” Mills shook his head. . . “What, not even mine?” she coaxed as if she really believed in a magic power to be found in books.

Mills shook his head again. “No, I have not the power,” he said. “I am no more a great magician, than you are a poor mortal. You have your ancient spells. You are as old as the world. Of us two it’s you that are more fit to foretell the future of the poor mortals on whom you happen to cast your eyes.”

At these words she cast her eyes down and in the moment of deep silence I watched the slight rising and falling of her breast. Then Mills pronounced distinctly: “Good-bye, old Enchantress.”

They shook hands cordially. “Good-bye, poor Magician,” she said.

Mills made as if to speak but seemed to think better of it. Doña Rita returned my distant bow with a slight, charmingly ceremonious inclination of her body.

“Bon voyage and a happy return,” she said formally.

I was following Mills through the door when I heard her voice behind us raised in recall:

“Oh, a moment . . . I forgot . . .”

I turned round. The call was for me, and I walked slowly back wondering what she could have forgotten. She waited in the middle of the room with lowered head, with a mute gleam in her deep blue eyes. When I was near enough she extended to me without a word her bare white arm and suddenly pressed the back of her hand against my lips. I was too startled to seize it with rapture. It detached itself from my lips and fell slowly by her side. We had made it up and there was nothing to say. She turned away to the window and I hurried out of the room.

PART THREE

CHAPTER I

It was on our return from that first trip that I took Dominic up to the Villa to be presented to Doña Rita. If she wanted to look on the embodiment of fidelity, resource, and courage, she could behold it all in that man. Apparently she was not disappointed. Neither was Dominic disappointed. During the half-hour’s interview they got into touch with each other in a wonderful way as if they had some common and secret standpoint in life. Maybe it was their common lawlessness, and their knowledge of things as old as the world. Her seduction, his recklessness, were both simple, masterful and, in a sense, worthy of each other.

Dominic was, I won’t say awed by this interview. No woman could awe Dominic. But he was, as it were, rendered thoughtful by it, like a man who had not so much an experience as a sort of revelation vouchsafed to him. Later, at sea, he used to refer to La Señora in a particular tone and I knew that henceforth his devotion was not for me alone. And I understood the inevitability of it extremely well. As to Doña Rita she, after Dominic left the room, had turned to me with animation and said: “But he is perfect, this man.” Afterwards she often asked after him and used to refer to him in conversation. More than once she said to me: “One would like to put the care of one’s personal safety into the hands of that man. He looks as if he simply couldn’t fail one.” I admitted that this was very true, especially at sea. Dominic couldn’t fail. But at the same time I rather chaffed Rita on her preoccupation as to personal safety that so often cropped up in her talk.

“One would think you were a crowned head in a revolutionary world,” I used to tell her.

“That would be different. One would be standing then for something, either worth or not worth dying for. One could even run away then and be done with it. But I can’t run away unless I got out of my skin and left that behind. Don’t you understand? You are very stupid . . .” But she had the grace to add, “On purpose.”

I don’t know about the on purpose. I am not certain about the stupidity. Her words bewildered one often and bewilderment is a sort of stupidity. I remedied it by simply disregarding the sense of what she said. The sound was there and also her poignant heart-gripping presence giving occupation enough to one’s faculties. In the power of those things over one there was mystery enough. It was more absorbing than the mere obscurity of her speeches. But I daresay she couldn’t understand that.

Hence, at times, the amusing outbreaks of temper in word and gesture that only strengthened the natural, the invincible force of the spell. Sometimes the brass bowl would get upset or the cigarette box would fly up, dropping a shower of cigarettes on the floor. We would pick them up, re-establish everything, and fall into a long silence, so close that the sound of the first word would come with all the pain of a separation.

It was at that time, too, that she suggested I should take up my quarters in her house in the street of the Consuls. There were certain advantages in that move. In my present abode my sudden absences might have been in the long run subject to comment. On the other hand, the house in the street of Consuls was a known out-post of Legitimacy. But then it was covered by the occult influence of her who was referred to in confidential talks, secret communications, and discreet whispers of Royalist salons as: “Madame de Lastaola.”

That was the name which the heiress of Henry Allègre had decided to adopt when, according to her own expression, she had found herself precipitated at a moment’s notice into the crowd of mankind. It is strange how the death of Henry Allègre, which certainly the poor man had not planned, acquired in my view the character of a heartless desertion. It gave one a glimpse of amazing egoism in a sentiment to which one could hardly give a name, a mysterious appropriation of one human being by another as if in defiance of unexpressed things and for an unheard-of satisfaction of an inconceivable pride. If he had hated her he could not have flung that enormous fortune more brutally at her head. And his unrepentant death seemed to lift for a moment the curtain on something lofty and sinister like an Olympian’s caprice.

Doña Rita said to me once with humorous resignation: “You know, it appears that one must have a name. That’s what Henry Allègre’s man of business told me. He was quite impatient with me about it. But my name, amigo, Henry Allègre had taken from me like all the rest of what I had been once. All that is buried with him in his grave. It wouldn’t have been true. That is how I felt about it. So I took that one.” She whispered to herself: “Lastaola,” not as if to test the sound but as if in a dream.

To this day I am not quite certain whether it was the name of any human habitation, a lonely caserio with a half-effaced carving of a coat of arms over its door, or of some hamlet at the dead end of a ravine with a stony slope at the back. It might have been a hill for all I know or perhaps a stream. A wood, or perhaps a combination of all these: just a bit of the earth’s surface. Once I asked her where exactly it was situated and she answered, waving her hand cavalierly at the dead wall of the room: “Oh, over there.” I thought that this was all that I was going to hear but she added moodily, “I used to take my goats there, a dozen or so of them, for the day. From after my uncle had said his Mass till the ringing of the evening bell.”

I saw suddenly the lonely spot, sketched for me some time ago by a few words from Mr. Blunt, populated by the agile, bearded beasts with cynical heads, and a little misty figure dark in the sunlight with a halo of dishevelled rust-coloured hair about its head.

The epithet of rust-coloured comes from her. It was really tawny. Once or twice in my hearing she had referred to “my rust-coloured hair” with laughing vexation. Even then it was unruly, abhorring the restraints of civilization, and often in the heat of a dispute getting into the eyes of Madame de Lastaola, the possessor of coveted art treasures, the heiress of Henry Allègre. She proceeded in a reminiscent mood, with a faint flash of gaiety all over her face, except her dark blue eyes that moved so seldom out of their fixed scrutiny of things invisible to other human beings.

“The goats were very good. We clambered amongst the stones together. They beat me at that game. I used to catch my hair in the bushes.”

“Your rust-coloured hair,” I whispered.

“Yes, it was always this colour. And I used to leave bits of my frock on thorns here and there. It was pretty thin, I can tell you. There wasn’t much at that time between my skin and the blue of the sky. My legs were as sunburnt as my face; but really I didn’t tan very much. I had plenty of freckles though. There were no looking-glasses in the Presbytery but uncle had a piece not bigger than my two hands for his shaving. One Sunday I crept into his room and had a peep at myself. And wasn’t I startled to see my own eyes looking at me! But it was fascinating, too. I was about eleven years old then, and I was very friendly with the goats, and I was as shrill as a cicada and as slender as a match. Heavens! When I overhear myself speaking sometimes, or look at my limbs, it doesn’t seem to be possible. And yet it is the same one. I do remember every single goat. They were very clever. Goats are no trouble really; they don’t scatter much. Mine never did even if I had to hide myself out of their sight for ever so long.”

It was but natural to ask her why she wanted to hide, and she uttered vaguely what was rather a comment on my question:

“It was like fate.” But I chose to take it otherwise, teasingly, because we were often like a pair of children.

“Oh, really,” I said, “you talk like a pagan. What could you know of fate at that time? What was it like? Did it come down from Heaven?”

“Don’t be stupid. It used to come along a cart-track that was there and it looked like a boy. Wasn’t he a little devil though. You understand, I couldn’t know that. He was a wealthy cousin of mine. Round there we are all related, all cousins—as in Brittany. He wasn’t much bigger than myself but he was older, just a boy in blue breeches and with good shoes on his feet, which of course interested and impressed me. He yelled to me from below, I screamed to him from above, he came up and sat down near me on a stone, never said a word, let me look at him for half an hour before he condescended to ask me who I was. And the airs he gave himself! He quite intimidated me sitting there perfectly dumb. I remember trying to hide my bare feet under the edge of my skirt as I sat below him on the ground.

“C’est comique, eh!” she interrupted herself to comment in a melancholy tone. I looked at her sympathetically and she went on:

“He was the only son from a rich farmhouse two miles down the slope. In winter they used to send him to school at Tolosa. He had an enormous opinion of himself; he was going to keep a shop in a town by and by and he was about the most dissatisfied creature I have ever seen. He had an unhappy mouth and unhappy eyes and he was always wretched about something: about the treatment he received, about being kept in the country and chained to work. He was moaning and complaining and threatening all the world, including his father and mother. He used to curse God, yes, that boy, sitting there on a piece of rock like a wretched little Prometheus with a sparrow pecking at his miserable little liver. And the grand scenery of mountains all round, ha, ha, ha!”

She laughed in contralto: a penetrating sound with something generous in it; not infectious, but in others provoking a smile.

“Of course I, poor little animal, I didn’t know what to make of it, and I was even a little frightened. But at first because of his miserable eyes I was sorry for him, almost as much as if he had been a sick goat. But, frightened or sorry, I don’t know how it is, I always wanted to laugh at him, too, I mean from the very first day when he let me admire him for half an hour. Yes, even then I had to put my hand over my mouth more than once for the sake of good manners, you understand. And yet, you know, I was never a laughing child.

“One day he came up and sat down very dignified a little bit away from me and told me he had been thrashed for wandering in the hills.

“‘To be with me?’ I asked. And he said: ‘To be with you! No. My people don’t know what I do.’ I can’t tell why, but I was annoyed. So instead of raising a clamour of pity over him, which I suppose he expected me to do, I asked him if the thrashing hurt very much. He got up, he had a switch in his hand, and walked up to me, saying, ‘I will soon show you.’ I went stiff with fright; but instead of slashing at me he dropped down by my side and kissed me on the cheek. Then he did it again, and by that time I was gone dead all over and he could have done what he liked with the corpse but he left off suddenly and then I came to life again and I bolted away. Not very far. I couldn’t leave the goats altogether. He chased me round and about the rocks, but of course I was too quick for him in his nice town boots. When he got tired of that game he started throwing stones. After that he made my life very lively for me. Sometimes he used to come on me unawares and then I had to sit still and listen to his miserable ravings, because he would catch me round the waist and hold me very tight. And yet, I often felt inclined to laugh. But if I caught sight of him at a distance and tried to dodge out of the way he would start stoning me into a shelter I knew of and then sit outside with a heap of stones at hand so that I daren’t show the end of my nose for hours. He would sit there and rave and abuse me till I would burst into a crazy laugh in my hole; and then I could see him through the leaves rolling on the ground and biting his fists with rage. Didn’t he hate me! At the same time I was often terrified. I am convinced now that if I had started crying he would have rushed in and perhaps strangled me there. Then as the sun was about to set he would make me swear that I would marry him when I was grown up. ‘Swear, you little wretched beggar,’ he would yell to me. And I would swear. I was hungry, and I didn’t want to be made black and blue all over with stones. Oh, I swore ever so many times to be his wife. Thirty times a month for two months. I couldn’t help myself. It was no use complaining to my sister Therese. When I showed her my bruises and tried to tell her a little about my trouble she was quite scandalized. She called me a sinful girl, a shameless creature. I assure you it puzzled my head so that, between Therese my sister and José the boy, I lived in a state of idiocy almost. But luckily at the end of the two months they sent him away from home for good. Curious story to happen to a goatherd living all her days out under God’s eye, as my uncle the Cura might have said. My sister Therese was keeping house in the Presbytery. She’s a terrible person.”

“I have heard of your sister Therese,” I said.

“Oh, you have! Of my big sister Therese, six, ten years older than myself perhaps? She just comes a little above my shoulder, but then I was always a long thing. I never knew my mother. I don’t even know how she looked. There are no paintings or photographs in our farmhouses amongst the hills. I haven’t even heard her described to me. I believe I was never good enough to be told these things. Therese decided that I was a lump of wickedness, and now she believes that I will lose my soul altogether unless I take some steps to save it. Well, I have no particular taste that way. I suppose it is annoying to have a sister going fast to eternal perdition, but there are compensations. The funniest thing is that it’s Therese, I believe, who managed to keep me out of the Presbytery when I went out of my way to look in on them on my return from my visit to the Quartel Real last year. I couldn’t have stayed much more than half an hour with them anyway, but still I would have liked to get over the old doorstep. I am certain that Therese persuaded my uncle to go out and meet me at the bottom of the hill. I saw the old man a long way off and I understood how it was. I dismounted at once and met him on foot. We had half an hour together walking up and down the road. He is a peasant priest, he didn’t know how to treat me. And of course I was uncomfortable, too. There wasn’t a single goat about to keep me in countenance. I ought to have embraced him. I was always fond of the stern, simple old man. But he drew himself up when I approached him and actually took off his hat to me. So simple as that! I bowed my head and asked for his blessing. And he said ‘I would never refuse a blessing to a good Legitimist.’ So stern as that! And when I think that I was perhaps the only girl of the family or in the whole world that he ever in his priest’s life patted on the head! When I think of that I . . . I believe at that moment I was as wretched as he was himself. I handed him an envelope with a big red seal which quite startled him. I had asked the Marquis de Villarel to give me a few words for him, because my uncle has a great influence in his district; and the Marquis penned with his own hand some compliments and an inquiry about the spirit of the population. My uncle read the letter, looked up at me with an air of mournful awe, and begged me to tell his excellency that the people were all for God, their lawful King and their old privileges. I said to him then, after he had asked me about the health of His Majesty in an awfully gloomy tone—I said then: ‘There is only one thing that remains for me to do, uncle, and that is to give you two pounds of the very best snuff I have brought here for you.’ What else could I have got for the poor old man? I had no trunks with me. I had to leave behind a spare pair of shoes in the hotel to make room in my little bag for that snuff. And fancy! That old priest absolutely pushed the parcel away. I could have thrown it at his head; but I thought suddenly of that hard, prayerful life, knowing nothing of any ease or pleasure in the world, absolutely nothing but a pinch of snuff now and then. I remembered how wretched he used to be when he lacked a copper or two to get some snuff with. My face was hot with indignation, but before I could fly out at him I remembered how simple he was. So I said with great dignity that as the present came from the King and as he wouldn’t receive it from my hand there was nothing else for me to do but to throw it into the brook; and I made as if I were going to do it, too. He shouted: ‘Stay, unhappy girl! Is it really from His Majesty, whom God preserve?’ I said contemptuously, ‘Of course.’ He looked at me with great pity in his eyes, sighed deeply, and took the little tin from my hand. I suppose he imagined me in my abandoned way wheedling the necessary cash out of the King for the purchase of that snuff. You can’t imagine how simple he is. Nothing was easier than to deceive him; but don’t imagine I deceived him from the vainglory of a mere sinner. I lied to the dear man, simply because I couldn’t bear the idea of him being deprived of the only gratification his big, ascetic, gaunt body ever knew on earth. As I mounted my mule to go away he murmured coldly: ‘God guard you, Señora!’ Señora! What sternness! We were off a little way already when his heart softened and he shouted after me in a terrible voice: ‘The road to Heaven is repentance!’ And then, after a silence, again the great shout ‘Repentance!’ thundered after me. Was that sternness or simplicity, I wonder? Or a mere unmeaning superstition, a mechanical thing? If there lives anybody completely honest in this world, surely it must be my uncle. And yet—who knows?