The Art of Travel

Picture Acknowledgements

pp. 3, 237 Hammersmith Broadway from London A-Z Street Atlas (Reproduced by permission of Geographers' A-Z Map Co. Ltd. Licence No. B1299. This product includes mapping data licensed from Ordnance Survey®. © Crown Copyright 2001. Licence number 100017302)

pp. 3, 209 A Barbados beach (© Bob Krist/CORBIS)

p. 3 Portrait of Joris-Karl Huysmans (detail), photograph by Dornac (fl. 1890-1900) (Archives Larousse, Paris/Bridgeman Art Library)

p. 6 Tahiti Revisited, 1776, oil on canvas, by William Hodges (© National Maritime Museum, London)

p. 16 View of Alkmaar, c. 1670-75, oil on canvas, 44.4 X 43.4 cm, by Jacob Isaacksz van Ruisdael, Dutch (1628/9-82) (Ernest Wadsworth Longfellow Fund, 39.794. Courtesy Museum of Fine Arts, Boston. Reproduced with permission. © 2000. Museum of Fine Arts, Boston. All Rights Reserved)

p. 27 Charles Baudelaire, c. 1860, photograph (© Hulton-Deutsch Collection/CORBIS)

p. 27 Edward Hopper, c. 1940, photograph by Oscar White (© Oscar White/CORBIS)

p. 50 Automat, 1927, oil on canvas, by Edward Hopper (© Francis G. Mayer/CORBIS)

p. 53 Gas, 1940, oil on canvas, 66.7 X 102.2 cm, by Edward Hopper (The Museum of Modern Art, New York. Mrs Simon Guggenheim Fund. Photograph © 2001 The Museum of Modern Art, New York)

p. 55 Compartment C, Car 293, 1938, oil on canvas, by Edward Hopper (© Geoffrey Clements/CORBIS)

p. 60 Hotel Room, 1931, oil on canvas, by Edward Hopper (© Museo Thyssen-Bornemisza, Madrid)

p. 65 Gustave Flaubert, photograph (© Bettmann/CORBIS)

p. 71 Doors and Bay- Windows in an Arab House (detail), 1832, watercolour and pencil drawing, by Eugene Delacroix (Departement des arts graphiques, Louvre/Photo: © RMN —Gerard Blot)

p. 82 Bazaar of the Silk Mercers, Cairo, lithograph by Louis Haghe after a drawing by David Roberts, from Egypt and Nubia, published by F. G. Moon, 1849, London (By permission of the British Library)

p. 84 Private Houses in Cairo, engraving from Edward William Lane's An Account of the Manners and Customs of the Modern Egyptians, 1842, London

p. 89 Women of Algiers in Their Apartment, 1834, oil on canvas, by Eugene Delacroix (Louvre, Paris/Photo: © RMN—Arnaudet; J. Schormans)

p. 93 Gustave Flaubert in Cairo, 1850, photograph by Maxime Du Camp (Photo: © RMN—B. Hatala)

p. 99, 104 Alexander von Humboldt and Aimé Bonpland in Venezuela, c. 1850, oil on canvas, by Eduard Ender (1822-83) (Brandenburgische Akademie der Wissenschaften, Berlin/AKG London)

p. 113 Esmeralda, on the Orinoco, from Views in the Interior of Guiana, engraved by Paul Gauci (fl. 1834-67), lithograph after a drawing by Charles Bentley (1806-54) (Stapleton Collection/Bridgeman Art Library)

p. 115 Alexander von Humboldt and Aimé Bonpland at the Foot of Chimborazo, 1810, oil on canvas, by Friedrich Georg Weitsch (Staatliche Schlösser und Gärten/A KG London)

p. 118 Geographie des Plantes Equinoxiales, from Tableau physique des Andes et Pays voisins, 1799-1803, by Alexander von Humboldt and Aimé Bonpland (© Royal Geographical Society)

p. 127 William Wordsivorth (detail), 1842, oil on canvas, by Benjamin Robert Haydon (By courtesy of the National Portrait Gallery, London)

p. 140 The River Wye at Tintern Abbey, 1805, oil on canvas, by Philip James de Loutherbourg (1740-1812) (Fitzwilliam Museum, University of Cambridge Bridgeman Art Library)

p. 149 Kindred Spirits, 1849, oil on canvas, by Asher Brown Durand (Collections of the New York Public Library, Astor, Lenox and Tilden Foundations)

p. 155 Map of Egypt (detail), from Arthur Penrhyn Stanley's Sinai and Palestine, published by John Murray, 1859, London

p. 155 Edmund Burke (detail), 1771, oil on canvas, by Sir Joshua Reynolds (By courtesy of the National Portrait Gallery, London)

p. 155 Job (detail), oil on canvas, by Leon Joseph Florentin Bonnat (1833-1922) (Musée Bonnat, Bayonne/Lauros/Bridgeman Art Library)

p. 158 Rocky Mountains, Landers Peak, 1863, oil on linen, by Albert Bierstadt (Courtesy of the Fogg Art Museum, Harvard University Art Museum, Mrs William Hayes Fogg. Photographic Services © 2001 President and Fellows of Harvard College)

p. 160 An Avalanche in the Alps, 1803, oil on canvas, by Philip James de Loutherbourg (Tate, London. © Tate, London 2001)

p. 162 Chalk Cliffs on Rügen, c. 1818, oil on canvas, by Caspar David Friedrich (Oskar Reinhart Collection, Winterthur/AKG London)

pp. 179, 190 Cypresses, 1889, pencil, quill and reed pen, brown and black ink on wove paper, 62.2 X 47.1 cm, by Vincent van Gogh (Brooklyn Museum of Art, Frank L. Babbott and A. Augustus Healy Funds. © 2001 Brooklyn Museum of Art, New York)

p. 179 Self-portrait (detail), 1886/7, oil on artist's board mounted on cradled panel, 41 X 32.5 cm, by Vincent van Gogh, Dutch (1853-90) (Joseph Winterbotham Collection, 1954.326 The Art Institute of Chicago. Photograph © 2001, The Art Institute of Chicago. All rights reserved)

p. 191 Wheat Field with Cypresses (detail), 1889, black crayon, pen, reed pen and brown ink on paper, 47 X 62.5 cm, by Vincent van Gogh (Van Gogh Museum, Amsterdam/Vincent van Gogh Foundation)

p. 195 Olive Grove- Orange Sky 1889, oil on canvas, by Vincent van Gogh (Collection Rijksmuseum Kröller-Müller, Otterlo)

p. 198 ‘The Yellow House (Vincent's House), Aries, 1888, oil on canvas, by Vincent van Gogh (Rijksmuseum Vincent van Gogh, Amsterdam/AKG London)

p. 208 Sunset: Wheat Fields near Aries, 1888, oil on canvas, by Vincent van Gogh (Kunstmuseum Winterthur, Winterthur. © 2001)

p. 211 West India Docks from London A—Z Street Atlas (Reproduced by permission of Geographers' A-Z Map Co. Ltd. Licence No. B1299. This product includes mapping data licensed from Ordnance Survey®. © Crown Copyright 2001. Licence number 100017302)

p. 211 John Ruskin (detail), 1879, watercolour, by Sir Hubert von Herkomer (Courtesy of the National Portrait Gallery, London)

p. 221 Study of a Peacock's Breast Feather, 1873, watercolour, by John Ruskin (Collection of the Guild of St George, Sheffield Galleries & Museums Trust)

p. 223 Velvet Crab, c. 1870-71, pencil, watercolour and bodycolour, on grey-blue paper, by John Ruskin (Ashmolean Museum, Oxford/Bridgeman Art Library)

p. 224 Branches, drawing by John Ruskin from John Ruskin's Elements of Drawing, 1857, London

p. 226 Alpine Peaks, 1846, pencil, watercolour and bodycolour, on three joined sheets, by John Ruskin (Birmingham Museums and Art Gallery)

p. 230 Clouds, engraving byj. C. Armytage after a drawing byj. M. W Turner, from John Ruskin's Modern Painters, Vol. 5, 1860, London

p. 237 Le Comte Xavier de Maistre (1764-1852) (detail), engraving by Baron de Steuben (Photo: © Roger-Viollet)

All other photographs were taken by the author.