Foreword STARSHIP AVRAM: A WRITERS’ MEMORIAL PARTY by Grania Davis

AVRAM DAVIDSON: APRIL 23, 1923–MAY 8, 1993

AVRAM DAVIDSON’S REMARKABLE WRITING career spanned nearly half a century. He lived and wrote enough for many lifetimes — he was writing letters to beloved friends on the day he passed away in May 1993. He discovered “magical realism” before the term was invented, and his later works of imaginative fiction are as strong and inventive as the powerful stories of his youth.

He wrote intensely, and published over two hundred works of short fiction. Many stories are award winners or award nominees, or were included in “Best of …” anthologies. The score stands at:

Five World Fantasy Award nominations, and three awards (Best Short Fiction, Best Collection, and Life Achievement).

Seven Nebula nominations, covering all categories. (The Nebula is awarded by one’s colleagues in the Science Fiction and Fantasy Writers of America.)

Two Edgar nominations and one award, for Best Short Mystery Story, from his fellow Mystery Writers of America.

The Ellery Queen Award for Best Short Mystery Story.

Appearances in nearly fifty (count ’em!) “Best Of …” anthologies.

(And a partridge in a pear tree…)

Yet many of these acclaimed stories have never appeared in an Avram Davidson collection, or have fallen out of print and are rare and hard to find.

Avram once wrote, “A labor which might have made Hercules pause is persuading a publisher to issue a collection of short stories. At the first suggestion of it they whine, whimper, climb trees, and go seek their homes in the rocks like the aunts.” (Preface to Strange Seas and Shores, Doubleday, 1971.)

But here they are — or at least some of them, gathered into a wonderful, whiz-bang volume. Ask your bookseller for more.

Avram Davidson has always been a writers’ writer — the author that other authors choose when they want a warm, witty, literate read. This became strikingly clear when we sent invitations to his friends and colleagues, requesting introductions to their favorite Avram Davidson stories — a sort of Writers’ Memorial Party. The response was exciting, as you will see. Many stories in this book were award winners or nominees; most of them appeared in one or more “Best of …” anthologies; and all of them were picked by a respected author of imaginative fiction as a beloved favorite.

I want to thank all the authors who wrote introductions, and pass along Avram’s advice to you:

A million schoolmams, male and female, have taught us as if teaching geometry or other holy writ, that a story must have a beginning, a middle, and an end. And, of course, a story has. The beginning of a story is where it begins, the middle of a story is where it middens, and the end of a story is where it ends. This is exemplified by the one book found even in homes where the mom and the dad have provided no Bible, namely the telephone book. It begins at A and it ends at Z and it middens at or about L. It is the story or song of the Tenth Sister, Elemenope, the Muse of the Alphabet. Characters? Look at all those characters! Plots? Plots? As many as you like. From Abbott Plott to Zygmunt Plotz. (Afterword to The Best of Avram Davidson, Doubleday, 1979.)

This book has been the cooperative effort of Avram Davidson’s friends, and mine. I owe thanks and gratitude to every one — you are each a treasure. To Robert Silverberg, my esteemed co-editor, and to Teresa Nielsen Hayden, our Tor editor, who was with us from the start. To every friend who wrote an introduction — and especially to every friend who offered to write an introduction, even after the book was filled. To my dear husband, Dr. Stephen L. Davis, and my fine sons Ethan Davidson and Seth Davis (Avram Davidson’s son and godson), who made countless field-trips to the dreaded copy-shop. To Darrell Schweitzer and George Scithers at Owlswick Literary Agency, who persevered, and to Peter Crowther and Stewart Wieck, who got our ball rolling. Many thanks to author Sr. Richard Gibbons, who kept it together, and to Davidson bibliographers extraordinaire, Richard Grant, who saved so much, and vajra Henry Wessells. To those who listened patiently, tracked down information, offered help and ideas, encouragement, kindness and love in so many ways — you know who you are.

Thanks most of all to the readers, who are about to embark on an adventure. You are in for some laughs and verbal thrills, and your mind will be bent in many directions. Please remember that some of the stories were written decades ago, when language customs were different — like those wonderful old black-and-white noir films, where all the women are called “babe.” Fasten your seat belts, hold onto your hats, and don’t forget to send postcards home.

STARSHIP AVRAM TAKING OFF — BON VOYAGE.

YOURSLY YOURS (AS AVRAM OFTEN SAID),

GRANIA DAVIS (THE “IRON KREPLACH”),

1998, SAN RAFAEL, CALIFORNIA, AND KAHUKU, HAWAII

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