The Elephant’s Bride was not as wide as her husband, or as deep.
The only trunk she had
was filled with clothes.
Her nose was small,
the septum deviated,
she snored in her sleep,
but not loud enough to wake
her big husband.
The Elephant’s Bride
had never slept alone.
Sisters do not own
a single bed,
but sleep
cocooned, spooned
together,
head to heart, heart to head.
She was still a girl
when she was wed.
Now her gargantuan lover
was dead.
He who had been so huge,
was made small by illness.
His ears drooped,
his tail shed hairs,
his eyes seemed scaled,
gray skin paled.
Slump went his great back
And he dropped
right in his track.
She touched one long, cold, tusk,
whispered as he became a husk,
“Go, love, and I will follow.”
Better that than a dead elephant’s wife.
Widows in her world
had less than a half-life.
It took a derrick and ten men
to lift the corpse
onto the bier.
She set the fire,
then climbed on
the bed of flame,
folded her arms,
closed her eyes,
waited to claim
sweet heaven’s surprise.
But with a horrible crack
and a worse crash,
her hopes of heaven
were quickly dashed.
She arose, small,
gray
and covered with ash.
A miracle
or an allegory?
There is no moral here,
no jokes either.
You have a heart of stone
or else you are a believer.
I am neither,
just a teller of gossip,
a memorist, a liar.
Some of us bring water,
some bring alcohol
to fuel the funeral pyre.
JANE YOLEN just counted up her books published — and under contract to be published — and the astonishing number is 320. Of course if you counted her single poems, the count would be much higher. Her first love has always been poetry.
Her Web site is www.janeyolen.com.
I have long been fascinated by the horrifying tradition in India of suttee, in which a widow climbs onto her dead husband’s funeral pyre to die with him. I am a recent widow myself. So when I was invited to contribute to this anthology, I was at last able to write about the custom (and my own widowhood) one step removed.