Candida opened her eyes upon an even darkness. A momentary consciousness of this darkness just touched her and was gone again. But next time it came it reached the point at which it became thought.
Darkness -
Then, after an undefined interval, the thought again, and with it a question.
It was quite, quite dark – why?
Time passed before she got any farther than that. Gradually the question began to impress itself, to demand an answer. There wasn’t any light at all – the darkness was absolute. Even in the deepest middle of the night there is some shading, some thinning of the blackness, where a window cuts the wall. Unless there are thick curtains tightly drawn. But she never drew her curtains or shut the windows at night. She should have been able to see two narrow oblongs hanging like pictures on the wall to her left.
She became aware that she was lying on her back. If she wanted to see the windows she must turn on to her left side. It wasn’t easy. Her body didn’t feel as if it belonged to her. She made it obey, but looking as far to the left as she could, there was still no break in the darkness, no window in that impenetrable wall. The question in her mind had become insistent. Feeling, sensation, consciousness flowed back, evenly now and without those dizzy intervals when they had seemed to ebb.
The bed was very hard. She had lost her pillow. She put out her hand and groped. It touched a cold, unyielding substance that was certainly not a bed. It was cold – it was hard – it was damp.
It was stone.
She tried to sit up, but her head swam. At the third attempt she was on her hands and knees. Her head ached, but it was steadier. Her hands pressed down upon a stone floor. She pushed herself into a half-sitting position, one hand still on the stone.
There had been a moment of awful fear, just there on the edge of thought. Now it was gone. There was space over her. She was not closed in. She wasn’t – buried. When she stretched her arm above her head there was nothing there. Only darkness, only air. Nothing to prevent her from getting to her feet.
She wasn’t quite ready for that. She stayed leaning on her hand. Presently she sat right up and tried to think. The last thing she remembered was drinking the glass of milk which Anna had put beside her bed. After that nothing – just nothing at all. She put up a hand to her throat and let it slide down again, touching, feeling. She had been wearing her black dress, but she wasn’t wearing it now. But she hadn’t undressed. What she was touching wasn’t a nightgown. There was a silk shirt, and the lapel of a coat. Someone had taken off her dress and put her into these clothes – her grey coat and skirt and the outdoor coat that went with them. She was even wearing her little grey felt hat.
She sat and thought about this. She was in her outdoor things, but she wasn’t out of doors. Why? It didn’t seem to make sense. She had on her outdoor shoes. Why had she put them on? The answer came with astonishing certainty, ‘I didn’t.’ Then, after a long strange pause, ‘Someone did.’
There really was no getting away from it. Someone had drugged the milk, and changed her clothes, and brought her here. But why? The answer forced its way – ‘To get rid of me.’
She put her head in her hands and tried to think. To have sight and to have no use for it – to batter against this wall of darkness and to feel it just flow back again like air, like water, like fear itself! She pressed her hands down close upon her eyelids and held them there. If you did that, even in a lighted room you would not expect to see.
She got herself steady again and began gradually and methodically to feel about her. She might be in a cellar, or in one of the passages. The air was heavy and the floor damp. She had got to find out where she was, and she had got to be careful. There might be some hole or some pit into which she could fall, as poor Aunt Cara had done. Quick and clear there came up the picture of Anna brushing away the dust from Miss Cara’s slippers, the cobweb from the tassel of her dressing-gown. If it was in such a place as this that she had come by the cobweb and the dust, then it was in such a place as this that she had come by her death. But how had she come to such a place at all? Of her own free will, or drugged as Candida had been drugged?
She began to move cautiously on her hands and knees, feeling before her. Almost at once she touched something smooth – first leather, and then a metal clasp. Her handbag – her own handbag.
Of course if she was to disappear, her handbag must go with her. She couldn’t be supposed to have run away in a thin black dress and indoor shoes. She must be dressed for a journey, and she must wear a hat and have a handbag with her. Was it poor sobbing Anna who had thought of all these things? She couldn’t believe it. Yet Anna had acted a part before now. She might have been pushed, threatened… She had no need to think who might have threatened her. A voice in her own mind said quick and clear, ‘She would never have hurt Aunt Cara.’ And like an echo another answered it, ‘How do you know what anyone will do?’
People have just so much resistance and no more. Not everyone can endure to the end. Anna had been conditioned by forty years of service – forty years of bondage during which she had been driven by another will than her own, a very hard and ruthless will.
These things did not come to Candida as logical, consecutive thoughts. They were there, as the pictures are there on the walls of a room into which you have strayed. You did not bring them into the room, but they are there, and if you look that way they are most plainly to be seen. The one she could see most plainly of all was the dark picture of Olivia Benevent’s hatred.
She had stopped moving, her hand on the bag. Now she sat back and opened it. The first things that she felt were a purse, a handkerchief. Her hand went beyond them. It touched something cold. There, at the bottom of the bag, fallen down by its own weight, was an electric torch.