The Best Horror Stories of

DREAM MAGIC

"Great God!" whispered Kane; "these men were dead! Vampires! This is Satan's handiwork manifested."

Zunna crawled to his knees and clung there.

"These be walking dead men, master," she whimpered. "I should have warned you."

"Why did they not leap on my back when they first came?" asked he.

"They feared the fire. They were waiting for the embers to die entirely."

"Whence came they?"

"From the hills. Hundreds of their kind swarm among the boulders and caverns of these hills, and they live on human life, for a man they will slay, devouring his ghost as it leaves his quivering body. Aye, they are suckers of souls!

"Master, among the greater of these hills there is a silent city of stone, and in the old times, in the days of my ancestors, these people lived there. They were human, but they were not as we, for they had ruled this land for ages and ages. The ancestors of my people made war on them and slew many, and their magicians made all the dead men as these were. At last all died.

"And for ages have they preyed on the tribes of the jungle, stalking down from the hills at midnight and at sunset to haunt the jungle-ways and slay and slay. Men and beasts flee them and only fire will destroy them."

"Here is that which will destroy them," said Kane grimly, raising the voodoo stave. "Black magic must fight black magic, and I know not what spell N'Longa put hereon, but--"

"You are a god," said Zunna decidedly. "No man could overcome two of the walking dead men. Master, can you not lift this curse from my tribe? There is nowhere for us to flee and the monsters slay us at will, catching wayfarers outside the village wall. Death is on this land and we die helpless!"

Deep in Kane stirred the spirit of the crusader, the fire of the zealot--the fanatic who devotes his life to battling the powers of darkness.

"Let us eat," said he; "then we will build a great fire at the cave mouth. The fire which keeps away beasts shall also keep away fiends."

Later Kane sat just inside the cave, chin rested on clenched fist, eyes gazing unseeingly into the fire.

Behind in the shadows, Zunna watched him, awed.

"God of Hosts," Kane muttered, "grant me aid! My hand it is which must lift the ancient curse from this dark land. How am I to fight these dead fiends, who yield not to mortal weapons? Fire will destroy them--a broken neck renders them helpless--the voodoo stave thrust through them crumbles them to dust--but of what avail? How may I prevail against the hundreds who haunt these hills, and to whom human life-essence is Life? Have not--as Zunna says--warriors come against them in the past, only to find them fled to their high-walled city where no man can come against them?"

The night wore on. Zunna slept, her cheek pillowed on her round, girlish arm. The roaring of the lions shook the hills and still Kane sat and gazed broodingly into the fire. Outside, the night was alive with whispers and rustlings and stealthily soft footfalls. And at times Kane, glancing up from his meditations, seemed to catch the gleam of great red eyes beyond the flickering light of the fire.

Gray dawn was stealing over the grasslands when Kane shook Zunna into wakefulness.

"God have mercy on my soul for delving in barbaric magic," said he, "but demonry must be fought with demonry, mayhap. Tend ye the fire and awake me if aught untoward occur."

Kane lay down on his back on the sand floor and laid the voodoo staff on his breast, folding his hands upon it. He fell asleep instantly. And sleeping, he dreamed. To his slumbering self it seemed that he walked through a thick fog and in this fog he met N'Longa, true to life. N'Longa spoke, and the words were clear and vivid, impressing themselves on his consciousness so deeply as to span the gap between sleeping and waking.

"Send this girl to her village soon after sun-up when the lions have gone to their lairs," said N'Longa,

"and bid her bring her lover to you at this cave. There make him lie down as if to slumber, holding the voodoo stave."

The dream faded and Kane awoke suddenly, wondering. How strange and vivid had been the vision, and how strange to hear N'Longa talking in English, without the jargon! Kane shrugged his shoulders. He knew that N'Longa claimed to possess the power of sending his spirit through space, and he himself had seen the voodoo man animate a dead man's body. Still--

"Zunna," said Kane, giving the problem up, "I will go with you as far as the edge of the jungle and you must go on to your village and return here to this cave with your lover."

"Kran?" she asked naively.

"Whatever his name is. Eat and we will go."

Again the sun slanted toward the west. Kane sat in the cave, waiting. He had seen the girl safely to the place where the jungle thinned to the grasslands, and though his conscience stung him at the thought of the dangers which might confront her, he sent her on alone and returned to the cave. He sat now, wondering if he would not be damned to everlasting flames for tinkering with the magic of a black sorcerer, blood-brother or not.

Light footfalls sounded, and as Kane reached for his musket, Zunna entered, accompanied by a tall, splendidly proportioned youth whose brown skin showed that he was of the same race as the girl. His soft dreamy eyes were fixed on Kane in a sort of awesome worship. Evidently the girl had not minimized the white god's glory in her telling.

He bade the youth lie down as he directed and placed the voodoo stave in his hands. Zunna crouched at one side, wide-eyed. Kane stepped back, half ashamed of this mummery and wondering what, if anything, would come of it. Then to his horror, the youth gave one gasp and stiffened!

Zunna screamed, bounding erect.

"You have killed Kran!" she shrieked, flying at the Englishman who stood struck speechless.

Then she halted suddenly, wavered, drew a hand languidly across her brow--she slid down to lie with her arms about the motionless body of her lover.

And this body moved suddenly, made aimless motions with hands and feet, then sat up, disengaging itself from the clinging arms of the still senseless girl.

Kran looked up at Kane and grinned, a sly, knowing grin which seemed out of place on his face somehow. Kane started. Those soft eyes had changed in expression and were now hard and glittering and snaky--N'Longa's eyes!

"Ai ya," said Kran in a grotesquely familiar voice. "Blood-brother, you got no greeting for N'Longa?"

Kane was silent. His flesh crawled in spite of himself. Kran rose and stretched his arms in an unfamiliar sort of way, as if his limbs were new to him. He slapped his breast approvingly.

"Me N'Longa!" said he in the old boastful manner. "Mighty ju-ju man! Blood-brother, not you know me, eh?"

"You are Satan," said Kane sincerely. "Are you Kran or are you N'Longa?"

"Me N'Longa," assured the other. "My body sleep in ju-ju hut on Coast many treks from here. I borrow Kran's body for while. My ghost travel ten days' march in one breath; twenty days' march in same time.

My ghost go out from my body and drive out Kran's."

"And Kran is dead?"

"No, he no dead. I send his ghost to shadowland for a while--send the girl's ghost too, to keep him company; bimeby come back."

"This is the work of the Devil," said Kane frankly, "but I have seen you do even fouler magic--shall I call you N'Longa or Kran?"

"Kran--kah! Me N'Longa--bodies like clothes! Me N'Longa, in here now!" He rapped his breast.

"Bimeby Kran live along here--then he be Kran and I be N'Longa, same like before. Kran no live along now; N'Longa live along this one fellow body. Blood-brother, I am N'Longa!"

Kane nodded. This was in truth a land of horror and enchantment; anything was possible, even that the thin voice of N'Longa should speak to him from the great chest of Kran, and the snaky eyes of N'Longa should blink at him from the handsome young face of Kran.

"This land I know long time," said N'Longa, getting down to business. "Mighty ju-ju, these dead people!

No, no need to waste one fellow time--I know--I talk to you in sleep. My blood-brother want to kill out these dead black fellows, eh?"

"'Tis a thing opposed to nature," said Kane somberly. "They are known in my land as vampires--I never expected to come upon a whole nation of them."

IV

THE SILENT CITY

"Now we find this stone city," said N'Longa.

"Yes? Why not send your ghost out to kill these vampires?" Kane asked idly.

"Ghost got to have one fellow body to work in," N'Longa answered. "Sleep now. Tomorrow we start."

The sun had set; the fire glowed and flickered in the cave mouth. Kane glanced at the still form of the girl, who lay where she had fallen, and prepared himself for slumber.

"Awake me at midnight," he admonished, "and I will watch from then until dawn."

But when N'Longa finally shook his arm, Kane awoke to see the first light of dawn reddening the land.

"Time we start," said the fetish-man.

"But the girl--are you sure she lives?"

"She live, blood-brother."

"Then in God's name, we can not leave her here at the mercy of any prowling fiend who might chance upon her. Or some lion might--"

"No lion come. Vampire scent still linger, mixed with man scent. One fellow lion he no like man scent and he fear the walking dead men. No beast come; and"--lifting the voodoo stave and laying it across the cave entrance--"no dead man come now."

Kane watched him somberly and without enthusiasm.

"How will that rod safeguard her?"

"That mighty ju-ju," said N'Longa. "You see how one fellow vampire go along dust alongside that stave!

No vampire dare touch or come near it. I gave it to you, because outside Vampire Hills one fellow man sometimes meet a corpse walking in jungle when shadows be black. Not all walking dead man be here.

And all must suck Life from men--if not, they rot like dead wood."

"Then make many of these rods and arm the people with them."

"No can do!" N'Longa's skull shook violently. "That ju-ju rod be mighty magic! Old, old! No man live today can tell how old that fellow ju-ju stave be. I make my blood-brother sleep and do magic with it to guard him, that time we make palaver in Coast village. Today we scout and run; no need it. Leave it here to guard girl."

Kane shrugged his shoulders and followed the fetish-man, after glancing back at the still shape which lay in the cave. He would never have agreed to leave her so casually, had he not believed in his heart that she was dead. He had touched her, and her flesh was cold.

They went up among the barren hills as the sun was rising. Higher they climbed, up steep clay slopes, winding their way through ravines and between great boulders. The hills were honeycombed with dark, forbidding caves, and these they passed warily, and Kane's flesh crawled as he thought of the grisly occupants therein. For N'Longa said:

"Them vampires, he sleep in caves most all day till sunset. Them caves, he be full of one fellow dead man."

The sun rose higher, baking down on the bare slopes with an intolerable heat. Silence brooded like an evil monster over the land. They had seen nothing, but Kane could have sworn at times that a black shadow drifted behind a boulder at their approach.

"Them vampires, they stay hid in daytime," said N'Longa with a low laugh. "They be afraid of one fellow vulture! No fool vulture! He know death when he see it! He pounce on one fellow dead man and tear and eat if he be lying or walking!"

A strong shudder shook his companion.

"Great God!" Kane cried, striking his thigh with his hat; "is there no end to the horror of this hideous land? Truly this land is dedicated to the powers of darkness!"

Kane's eyes burned with a dangerous light. The terrible heat, the solitude and the knowledge of the horrors lurking on either hand were shaking even his steely nerves.

"Keep on one fellow hat, blood-brother," admonished N'Longa with a low gurgle of amusement. "That fellow sun, he knock you dead, suppose you no look out."

Kane shifted the musket he had insisted on bringing and made no reply. They mounted an eminence at last and looked down on a sort of plateau. And in the center of this plateau was a silent city of gray and crumbling stone. Kane was smitten by a sense of incredible age as he looked. The walls and houses were of great stone blocks, yet they were falling into ruin. Grass grew on the plateau, and high in the streets of that dead city. Kane saw no movement among the ruins.

"That is their city--why do they choose to sleep in caves?"

"Maybe-so one fellow stone fall on them from roof and crush. Them stone huts, he fall down bimeby.

Maybe-so they no like to stay together--maybe-so they eat each other, too."

"Silence!" whispered Kane; "how it hangs over all!"

"Them vampires no talk nor yell; they dead. They sleep in caves, wander at sunset and at night.

Maybe-so them black fellow bush tribes come with spears, them vampires go to stone kraal and fight behind walls."

Kane nodded. The crumbling walls which surrounded that dead city were still high and solid enough to resist the attack of spearmen--especially when defended by these snout-nosed fiends.

"Blood-brother," said N'Longa solemnly, "I have mighty magic thought! Be silent a little while."

Kane seated himself on a boulder and gazed broodingly at the bare crags and slopes which surrounded them. Far away to the south he saw the leafy green ocean that was the jungle. Distance lent a certain enchantment to the scene. Closer at hand loomed the dark blotches that were the mouths of the caves of horror.

N'Longa was squatting, tracing some strange pattern in the clay with a dagger point. Kane watched him, thinking how easily they might fall victim to the vampires if even three or four of the fiends should come out of their caverns. And even as he thought it, a black and horrific shadow fell across the crouching fetish-man.

Kane acted without conscious thought. He shot from the boulder where he sat like a stone hurled from a catapult, and his musket stock shattered the face of the hideous black thing who had stolen upon them.

Back and back Kane drove his inhuman foe staggering, never giving him time to halt or launch an offensive, battering him with the onslaught of a frenzied tiger.

At the very edge of the cliff the vampire wavered, then pitched back over, to fall for a hundred feet and lie writhing on the rocks of the plateau below. N'Longa was on his feet pointing; the hills were giving up their dead.

Out of the caves they were swarming, the terrible black silent shapes; up the slopes they came charging and over the boulders they came clambering, and their red eyes all turned toward the two humans who stood above the silent city. The caves belched them forth in an unholy judgment day.

N'Longa pointed to a crag some distance away and with a shout started running fleetly toward it. Kane followed. From behind boulders black-taloned hands clawed at them, tearing their garments. They raced past caves, and mummied monsters came lurching out of the dark, gibbering silently, to join in the pursuit.

The dead hands were close at their back when they scrambled up the last slope and stood on a ledge which was the top of the crag. The fiends halted silently a moment, then came clambering after them.

Kane clubbed his musket and smashed down into the red-eyed faces, knocking aside the upleaping hands. They surged up like a black wave; he swung his musket in a silent fury that matched theirs. The black wave broke and wavered back; came on again.

He--could--not--kill--them! These words beat on his brain like a sledge on an anvil as he shattered wood-like flesh and dead bone with his smashing swings. He knocked them down, hurled them back, but they rose and came on again. This could not last--what in God's name was N'Longa doing? Kane spared one swift, tortured glance over his shoulder. The fetish-man stood on the highest part of the ledge, head thrown back, arms lifted as if in invocation.

Kane's vision blurred to the sweep of hideous black faces with red, staring eyes. Those in front were horrible to see now, for their skulls were shattered, their faces caved in and their limbs broken. But still they came on and those behind reached across their shoulders to clutch at the man who defied them.

Kane was red but the blood was all his. From the long-withered veins of those monsters no single drop of warm red blood trickled. Suddenly from behind him came a long piercing wail--N'Longa! Over the crash of the flying musket-stock and the shattering of bones it sounded high and clear--the only voice lifted in that hideous fight.

The black wave washed about Kane's feet, dragging him down. Keen talons tore at him, flaccid lips sucked at his wounds. He reeled up again, disheveled and bloody, clearing a space with a shattering sweep of his splintered musket. Then they closed in again and he went down.

"This is the end!" he thought, but even at that instant the press slackened and the sky was suddenly filled with the beat of great wings.

Then he was free and staggered up, blindly and dizzily, ready to renew the strife. He halted, frozen.

Down the slope the black horde was fleeing and over their heads and close at their shoulders flew huge vultures, tearing and rending avidly, sinking their beaks in the dead black flesh, devouring the vampires as they fled.

Kane laughed, almost insanely.

"Defy man and God, but you may not deceive the vultures, sons of Satan! They know whether a man be alive or dead!"

N'Longa stood like a prophet on the pinnacle and the great black birds soared and wheeled about him.

His arms still waved and his voice still wailed out across the hills. And over the skylines they came, hordes on endless hordes--vultures, vultures, vultures! come to the feast so long denied them. They blackened the sky with their numbers, blotted out the sun; a strange darkness fell on the land. They settled in long dusky lines, diving into the caverns with a whir of wings and a clash of beaks. Their talons tore at the black horrors which these caves disgorged.

Now all the vampires were fleeing to their city. The vengeance held back for ages had come down on them and their last hope was the heavy walls which had kept back the desperate human foes. Under those crumbling roofs they might find shelter. And N'Longa watched them stream into the city, and he laughed until the crags re-echoed.

Now all were in and the birds settled like a cloud over the doomed city, perching in solid rows along the walls, sharpening their beaks and claws on the towers.

And N'Longa struck flint and steel to a bundle of dry leaves he had brought with him. The bundle leaped into instant flame and he straightened and flung the blazing thing far out over the cliffs. It fell like a meteor to the plateau beneath, showering sparks. The tall grass of the plateau leaped aflame.

From the silent city beneath them Fear flowed in unseen waves, like a white fog. Kane smiled grimly.

"The grass is sere and brittle from the drouth," he said; "there has been even less rain than usual this season; it will burn swiftly."

Like a crimson serpent the fire ran through the high dead grass. It spread and it spread and Kane, standing high above, yet felt the fearful intensity of the hundreds of red eyes which watched from the stone city.

Now the scarlet snake had reached the walls and was rearing as if to coil and writhe over them. The vultures rose on heavily flapping wings and soared reluctantly. A vagrant gust of wind whipped the blaze about and drove it in a long red sheet around the wall. Now the city was hemmed in on all sides by a solid barricade of flame. The roar came up to the two men on the high crag.

Sparks flew across the wall, lighting in the high grass in the streets. A score of flames leaped up and grew with terrifying speed. A veil of red cloaked streets and buildings, and through this crimson, whirling mist Kane and N'Longa saw hundreds of black shapes scamper and writhe, to vanish suddenly in red bursts of flame. There rose an intolerable scent of decaying flesh burning.

Kane gazed, awed. This was truly a hell on earth. As in a nightmare he looked into the roaring red cauldron where black insects fought against their doom and perished. The flames leaped a hundred feet in air, and suddenly above their roar sounded one bestial, inhuman scream like a shriek from across nameless gulfs of cosmic space, as one vampire, dying, broke the chains of silence which had held him for untold centuries. High and haunting it rose, the death cry of a vanishing race.

Then the flames dropped suddenly. The conflagration had been a typical grass fire, short and fierce. Now the plateau showed a blackened expanse and the city a charred and smoking mass of crumbling stone.

Not one corpse lay in view, not even a charred bone. Above all whirled the dark swarms of the vultures, but they, too, were beginning to scatter.

Kane gazed hungrily at the clean blue sky. Like a strong sea wind clearing a fog of horror was the sight to him. From somewhere sounded the faint and far-off roaring of a distant lion. The vultures were flapping away in black, straggling lines.

V

PALAVER SET!

Kane sat in the mouth of the cave where Zunna lay, submitting to the fetish-man's bandaging.

The Puritan's garments hung in tatters about his frame; his limbs and breast were deeply gashed and darkly bruised, but he had had no mortal wound in that deathly fight on the cliff.

"Mighty men, we be!" declared N'Longa with deep approval. "Vampire city be silent now, sure 'nough!

No walking dead man live along these hills."

"I do not understand," said Kane, resting chin on hand. "Tell me, N'Longa, how have you done things?

How talked you with me in my dreams; how came you into the body of Kran; and how summoned you the vultures?"

"My blood-brother," said N'Longa, discarding his pride in his pidgin English, to drop into the river language understood by Kane, "I am so old that you would call me a liar if I told you my age. All my life I have worked magic, sitting first at the feet of mighty ju-ju men of the south and the east; then I was a slave to the Buckra--the white man--and learned more. My brother, shall I span all these years in a moment and make you understand with a word, what has taken me so long to learn? I could not even make you understand how these vampires have kept their bodies from decay by drinking the lives of men.

"I sleep and my spirit goes out over the jungle and the rivers to talk with the sleeping spirits of my friends.

There is a mighty magic on the voodoo staff I gave you--a magic out of the Old Land which draws my ghost to it as a white man's magnet draws metal."

Kane listened unspeaking, seeing for the first time in N'Longa's glittering eyes something stronger and deeper than the avid gleam of the worker in black magic. To Kane it seemed almost as if he looked into the far-seeing and mystic eyes of a prophet of old.

"I spoke to you in dreams," N'Longa went on, "and I made a deep sleep come over the souls of Kran and of Zunna, and removed them to a far dim land, whence they shall soon return, unremembering. All things bow to magic, blood-brother, and beasts and birds obey the master words. I worked strong voodoo, vulture-magic, and the flying people of the air gathered at my call.

"These things I know and am a part of, but how shall I tell you of them? Blood-brother, you are a mighty warrior, but in the ways of magic you are as a little child lost. And what has taken me long dark years to know, I may not divulge to you so you would understand. My friend, you think only of bad spirits, but were my magic always bad, should I not take this fine young body in place of my old wrinkled one and keep it? But Kran shall have his body back safely.

"Keep the voodoo staff, blood-brother. It has mighty power against all sorcerers and serpents and evil things. Now I return to the village on the Coast where my true body sleeps. And what of you, my blood-brother?"

Kane pointed silently eastward.

"The call grows no weaker. I go."

N'Longa nodded, held out his hand. Kane grasped it. The mystical expression had gone from the dusky face and the eyes twinkled snakily with a sort of reptilian mirth.

"Me go now, blood-brother," said the fetish-man, returning to his beloved jargon, of which knowledge he was prouder than all his conjuring tricks. "You take care--that one fellow jungle, she pluck your bones yet! Remember that voodoo stave, brother. Ai ya, palaver set!"

He fell back on the sand, and Kane saw the keen sly expression of N'Longa fading from the face of Kran. His flesh crawled again. Somewhere back on the Slave Coast, the body of N'Longa, withered and wrinkled, was stirring in the ju-ju hut, was rising as if from a deep sleep. Kane shuddered.

Kran sat up, yawned, stretched and smiled. Beside him the girl Zunna rose, rubbing her eyes.

"Master," said Kran apologetically, "we must have slumbered."

Dig Me No Grave

The thunder of my old-fashioned door-knocker, reverberating eerily through the house, roused me from a restless and nightmare-haunted sleep. I looked out the window. In the last light of the sinking moon, the white face of my friend John Conrad looked up at me.

"May I come up, Kirowan?" His voice was shaky and strained.

"Certainly!" I sprang out of bed and pulled on a bath-robe as I heard him enter the front door and ascend the stairs.

A moment later he stood before me, and in the light which I had turned on I saw his hands tremble and noticed the unnatural pallor of his face.

"Old John Grimlan died an hour ago," he said abruptly.

"Indeed? I had not known that he was ill."

"It was a sudden, virulent attack of peculiar nature, a sort of seizure somewhat akin to epilepsy. He has been subject to such spells of late years, you know."

I nodded. I knew something of the old hermit-like man who had lived in his great dark house on the hill; indeed, I had once witnessed one of his strange seizures, and I had been appalled at the writhings, howlings and yammerings of the wretch, who had groveled on the earth like a wounded snake, gibbering terrible curses and black blasphemies until his voice broke in a wordless screaming which spattered his lips with foam. Seeing this, I understood why people in old times looked on such victims as men possessed by demons.

"--some hereditary taint," Conrad was saying. "Old John doubtless fell heir to some ingrown weakness brought on by some loathsome disease, which was his heritage from perhaps a remote ancestor--such things occasionally happen. Or else--well, you know old John himself pried about in the mysterious parts of the earth, and wandered all over the East in his younger days. It is quite possible that he was infected with some obscure malady in his wanderings. There are still many unclassified diseases in Africa and the Orient."

"But," said I, "you have not told me the reason for this sudden visit at this unearthly hour--for I notice that it is past midnight."

My friend seemed rather confused.

"Well, the fact is that John Grimlan died alone, except for myself. He refused to receive any medical aid of any sort, and in the last few moments when it was evident that he was dying, and I was prepared to go for some sort of help in spite of him, he set up such a howling and screaming that I could not refuse his passionate pleas--which were that he should not be left to die alone.

"I have seen men die," added Conrad, wiping the perspiration from his pale brow, "but the death of John Grimlan was the most fearful I have ever seen."

"He suffered a great deal?"

"He appeared to be in much physical agony, but this was mostly submerged by some monstrous mental or psychic suffering. The fear in his distended eyes and his screams transcended any conceivable earthly terror. I tell you, Kirowan, Grimlan's fright was greater and deeper than the ordinary fear of the Beyond shown by a man of ordinarily evil life."

I shifted restlessly. The dark implications of this statement sent a chill of nameless apprehension trickling down my spine.

"I know the country people always claimed that in his youth he sold his soul to the Devil, and that his sudden epileptic attacks were merely a visible sign of the Fiend's power over him; but such talk is foolish, of course, and belongs in the Dark Ages. We all know that John Grimlan's life was a peculiarly evil and vicious one, even toward his last days. With good reason he was universally detested and feared, for I never heard of his doing a single good act. You were his only friend."

"And that was a strange friendship," said Conrad. "I was attracted to him by his unusual powers, for despite his bestial nature, John Grimlan was a highly educated man, a deeply cultured man. He had dipped deep into occult studies, and I first met him in this manner; for as you know, I have always been strongly interested in these lines of research myself.

"But, in this as in all other things, Grimlan was evil and perverse. He had ignored the white side of the occult and delved into the darker, grimmer phases of it--into devil-worship, and voodoo and Shintoism.

His knowledge of these foul arts and sciences was immense and unholy. And to hear him tell of his researches and experiments was to know such horror and repulsion as a venomous reptile might inspire.

For there had been no depths to which he had not sunk, and some things he only hinted at, even to me. I tell you, Kirowan, it is easy to laugh at tales of the black world of the unknown, when one is in pleasant company under the bright sunlight, but had you sat at ungodly hours in the silent bizarre library of John Grimlan and looked on the ancient musty volumes and listened to his grisly talk as I did, your tongue would have cloven to your palate with sheer horror as mine did, and the supernatural would have seemed very real and near to you--as it seemed to me!"

"But in God's name, man!" I cried, for the tension was growing unbearable; "come to the point and tell me what you want of me."

"I want you to come with me to John Grimlan's house and help carry out his outlandish instructions in regard to his body."

I had no liking for the adventure, but I dressed hurriedly, an occasional shudder of premonition shaking me. Once fully clad, I followed Conrad out of the house and up the silent road which led to the house of John Grimlan. The road wound uphill, and all the way, looking upward and forward, I could see that great grim house perched like a bird of evil on the crest of the hill, bulking black and stark against the stars. In the west pulsed a single dull red smear where the young moon had just sunk from view behind the low black hills. The whole night seemed full of brooding evil, and the persistent swishing of a bat's wings somewhere overhead caused my taut nerves to jerk and thrum. To drown the quick pounding of my own heart, I said:

"Do you share the belief so many hold, that John Grimlan was mad?"

We strode on several paces before Conrad answered, seemingly with a strange reluctance, "But for one incident, I would say no man was ever saner. But one night in his study, he seemed suddenly to break all bonds of reason.

"He had discoursed for hours on his favorite subject--black magic--when suddenly he cried, as his face lit with a weird unholy glow: 'Why should I sit here babbling such child's prattle to you? These voodoo rituals--these Shinto sacrifices--feathered snakes--goats without horns--black leopard cults--bah! Filth and dust that the wind blows away! Dregs of the real Unknown--the deep mysteries! Mere echoes from the Abyss!

"'I could tell you things that would shatter your paltry brain! I could breathe into your ear names that would wither you like a burnt weed! What do you know of Yog-Sothoth, of Kathulos and the sunken cities? None of these names is even included in your mythologies. Not even in your dreams have you glimpsed the black cyclopean walls of Koth, or shriveled before the noxious winds that blow from Yuggoth!

"'But I will not blast you lifeless with my black wisdom! I cannot expect your infantile brain to bear what mine holds. Were you as old as I--had you seen, as I have seen, kingdoms crumble and generations pass away--had you gathered as ripe grain the dark secrets of the centuries--'

"He was raving away, his wildly lit face scarcely human in appearance, and suddenly, noting my evident bewilderment, he burst into a horrible cackling laugh.

"'Gad!' he cried in a voice and accent strange to me, 'methinks I've frighted ye, and certes, it is not to be marveled at, sith ye be but a naked salvage in the arts of life, after all. Ye think I be old, eh? Why, ye gaping lout, ye'd drop dead were I to divulge the generations of men I've known--'

"But at this point such horror overcame me that I fled from him as from an adder, and his high-pitched, diabolical laughter followed me out of the shadowy house. Some days later I received a letter apologizing for his manner and ascribing it candidly--too candidly--to drugs. I did not believe it, but I renewed our relations, after some hesitation."

"It sounds like utter madness," I muttered.

"Yes," admitted Conrad, hesitantly. "But--Kirowan, have you ever seen anyone who knew John Grimlan in his youth?"

I shook my head.

"I have been at pains to inquire about him discreetly," said Conrad. "He has lived here--with the exception of mysterious absences often for months at a time--for twenty years. The older villagers remember distinctly when he first came and took over that old house on the hill, and they all say that in the intervening years he seems not to have aged perceptibly. When he came here he looked just as he does now--or did, up to the moment of his death--of the appearance of a man about fifty.

"I met old Von Boehnk in Vienna, who said he knew Grimlan when a very young man studying in Berlin, fifty years ago, and he expressed astonishment that the old man was still living; for he said at that time Grimlan seemed to be about fifty years of age."

I gave an incredulous exclamation, seeing the implication toward which the conversation was trending.

"Nonsense! Professor Von Boehnk is past eighty himself, and liable to the errors of extreme age. He confused this man with another." Yet as I spoke, my flesh crawled unpleasantly and the hairs on my neck prickled.

"Well," shrugged Conrad, "here we are at the house."

The huge pile reared up menacingly before us, and as we reached the front door a vagrant wind moaned through the near-by trees and I started foolishly as I again heard the ghostly beat of the bat's wings.

Conrad turned a large key in the antique lock, and as we entered, a cold draft swept across us like a breath from the grave--moldy and cold. I shuddered.

We groped our way through a black hallway and into a study, and here Conrad lighted a candle, for no gas lights or electric lights were to be found in the house. I looked about me, dreading what the light might disclose, but the room, heavily tapestried and bizarrely furnished, was empty save for us two.

"Where--where is--It?" I asked in a husky whisper, from a throat gone dry.

"Upstairs," answered Conrad in a low voice, showing that the silence and mystery of the house had laid a spell on him also. "Upstairs, in the library where he died."

I glanced up involuntarily. Somewhere above our head, the lone master of this grim house was stretched out in his last sleep--silent, his white face set in a grinning mask of death. Panic swept over me and I fought for control. After all, it was merely the corpse of a wicked old man, who was past harming anyone--this argument rang hollowly in my brain like the words of a frightened child who is trying to reassure himself.

I turned to Conrad. He had taken a time-yellowed envelope from an inside pocket.

"This," he said, removing from the envelope several pages of closely written, time-yellowed parchment,

"is, in effect, the last word of John Grimlan, though God alone knows how many years ago it was written.

He gave it to me ten years ago, immediately after his return from Mongolia. It was shortly after this that he had his first seizure.

"This envelope he gave me, sealed, and he made me swear that I would hide it carefully, and that I would not open it until he was dead, when I was to read the contents and follow their directions exactly. More, he made me swear that no matter what he said or did after giving me the envelope, I would go ahead as first directed. 'For,' he said with a fearful smile, 'the flesh is weak but I am a man of my word, and though I might, in a moment of weakness, wish to retract, it is far, far too late now. You may never understand the matter, but you are to do as I have said.'"

"Well?"

"Well," again Conrad wiped his brow, "tonight as he lay writhing in his death-agonies, his wordless howls were mingled with frantic admonitions to me to bring him the envelope and destroy it before his eyes! As he yammered this, he forced himself up on his elbows and with eyes staring and hair standing straight up on his head, he screamed at me in a manner to chill the blood. And he was shrieking for me to destroy the envelope, not to open it; and once he howled in his delirium for me to hew his body into pieces and scatter the bits to the four winds of heaven!"

An uncontrollable exclamation of horror escaped my dry lips.

"At last," went on Conrad, "I gave in. Remembering his commands ten years ago, I at first stood firm, but at last, as his screeches grew unbearably desperate, I turned to go for the envelope, even though that meant leaving him alone. But as I turned, with one last fearful convulsion in which blood-flecked foam flew from his writhing lips, the life went from his twisted body in a single great wrench."

He fumbled at the parchment.

"I am going to carry out my promise. The directions herein seem fantastic and may be the whims of a disordered mind, but I gave my word. They are, briefly, that I place his corpse on the great black ebony table in his library, with seven black candles burning about him. The doors and windows are to be firmly closed and fastened. Then, in the darkness which precedes dawn, I am to read the formula, charm or spell which is contained in a smaller, sealed envelope inside the first, and which I have not yet opened."

"But is that all?" I cried. "No provisions as to the disposition of his fortune, his estate--or his corpse?"

"Nothing. In his will, which I have seen elsewhere, he leaves estate and fortune to a certain Oriental gentleman named in the document as--Malik Tous!"

"What!" I cried, shaken to my soul. "Conrad, this is madness heaped on madness! Malik Tous--good God! No mortal man was ever so named! That is the title of the foul god worshipped by the mysterious Yezidees--they of Mount Alamout the Accursed--whose Eight Brazen Towers rise in the mysterious wastes of deep Asia. His idolatrous symbol is the brazen peacock. And the Muhammadans, who hate his demon-worshipping devotees, say he is the essence of the evil of all the universes--the Prince of Darkness--Ahriman--the old Serpent--the veritable Satan! And you say Grimlan names this mythical demon in his will?"

"It is the truth," Conrad's throat was dry. "And look--he has scribbled a strange line at the corner of this parchment: 'Dig me no grave; I shall not need one.'"

Again a chill wandered down my spine.

"In God's name," I cried in a kind of frenzy, "let us get this incredible business over with!"

"I think a drink might help," answered Conrad, moistening his lips. "It seems to me I've seen Grimlan go into this cabinet for wine--" He bent to the door of an ornately carved mahogany cabinet, and after some difficulty opened it.

"No wine here," he said disappointedly, "and if ever I felt the need of stimulants--what's this?"

He drew out a roll of parchment, dusty, yellowed and half covered with spiderwebs. Everything in that grim house seemed, to my nervously excited senses, fraught with mysterious meaning and import, and I leaned over his shoulder as he unrolled it.

"It's a record of peerage," he said, "such a chronicle of births, deaths and so forth, as the old families used to keep, in the Sixteenth Century and earlier."

"What's the name?" I asked.

He scowled over the dim scrawls, striving to master the faded, archaic script.

"G-r-y-m--I've got it--Grymlann, of course. It's the records of old John's family--the Grymlanns of Toad's-heath Manor, Suffolk--what an outlandish name for an estate! Look at the last entry."

Together we read, "John Grymlann, borne, March 10, 1630." And then we both cried out. Under this entry was freshly written, in a strange scrawling hand, "Died, March 10, 1930." Below this there was a seal of black wax, stamped with a strange design, something like a peacock with a spreading tail.

Conrad stared at me speechless, all the color ebbed from his face. I shook myself with the rage engendered by fear.

"It's the hoax of a madman!" I shouted. "The stage has been set with such great care that the actors have overstepped themselves. Whoever they are, they have heaped up so many incredible effects as to nullify them. It's all a very stupid, very dull drama of illusion."

And even as I spoke, icy sweat stood out on my body and I shook as with an ague. With a wordless motion Conrad turned toward the stairs, taking up a large candle from a mahogany table.

"It was understood, I suppose," he whispered, "that I should go through with this ghastly matter alone; but I had not the moral courage, and now I'm glad I had not."

A still horror brooded over the silent house as we went up the stairs. A faint breeze stole in from somewhere and set the heavy velvet hangings rustling, and I visualized stealthy taloned fingers drawing aside the tapestries, to fix red gloating eyes upon us. Once I thought I heard the indistinct clumping of monstrous feet somewhere above us, but it must have been the heavy pounding of my own heart.

The stairs debouched into a wide dark corridor, in which our feeble candle cast a faint gleam which but illuminated our pale faces and made the shadows seem darker by comparison. We stopped at a heavy door, and I heard Conrad's breath draw in sharply as a man's will when he braces himself physically or mentally. I involuntarily clenched my fists until the nails bit into the palms; then Conrad thrust the door open.

A sharp cry escaped his lips. The candle dropped from his nerveless fingers and went out. The library of John Grimlan was ablaze with light, though the whole house had been in darkness when we entered it.

This light came from seven black candles placed at regular intervals about the great ebony table. On this table, between the candles--I had braced myself against the sight. Now in the face of the mysterious illumination and the sight of the thing on the table, my resolution nearly gave way. John Grimlan had been unlovely in life; in death he was hideous. Yes, he was hideous even though his face was mercifully covered with the same curious silken robe, which, worked in fantastic bird-like designs, covered his whole body except the crooked claw-like hands and the bare withered feet.

A strangling sound came from Conrad. "My God!" he whispered; "what is this? I laid his body out on the table and placed the candles about it, but I did not light them, nor did I place that robe over the body!

And there were bedroom slippers on his feet when I left--"

He halted suddenly. We were not alone in the death-room.

At first we had not seen him, as he sat in the great armchair in a farther nook of a corner, so still that he seemed a part of the shadows cast by the heavy tapestries. As my eyes fell upon him, a violent shuddering shook me and a feeling akin to nausea racked the pit of my stomach. My first impression was of vivid, oblique yellow eyes which gazed unwinkingly at us. Then the man rose and made a deep salaam, and we saw that he was an Oriental. Now when I strive to etch him clearly in my mind, I can resurrect no plain image of him. I only remember those piercing eyes and the yellow, fantastic robe he wore.

We returned his salute mechanically and he spoke in a low, refined voice, "Gentlemen, I crave your pardon! I have made so free as to light the candles--shall we not proceed with the business pertaining to our mutual friend."

He made a slight gesture toward the silent bulk on the table. Conrad nodded, evidently unable to speak.

The thought flashed through our minds at the same time, that this man had also been given a sealed envelope--but how had he come to the Grimlan house so quickly? John Grimlan had been dead scarcely two hours and to the best of our knowledge no one knew of his demise but ourselves. And how had he got into the locked and bolted house?

The whole affair was grotesque and unreal in the extreme. We did not even introduce ourselves or ask the stranger his name. He took charge in a matter-of-fact way, and so under the spell of horror and illusion were we that we moved dazedly, involuntarily obeying his suggestions, given us in a low, respectful tone.

I found myself standing on the left side of the table, looking across its grisly burden at Conrad. The Oriental stood with arms folded and head bowed at the head of the table, nor did it then strike me as being strange that he should stand there, instead of Conrad who was to read what Grimlan had written. I found my gaze drawn to the figure worked on the breast of the stranger's robe, in black silk--a curious figure, somewhat resembling a peacock and somewhat resembling a bat, or a flying dragon. I noted with a start that the same design was worked on the robe covering the corpse.

The doors had been locked, the windows fastened down. Conrad, with a shaky hand, opened the inner envelope and fluttered open the parchment sheets contained therein. These sheets seemed much older than those containing the instructions to Conrad, in the larger envelope. Conrad began to read in a monotonous drone which had the effect of hypnosis on the hearer; so at times the candles grew dim in my gaze and the room and its occupants swam strange and monstrous, veiled and distorted like an hallucination. Most of what he read was gibberish; it meant nothing; yet the sound of it and the archaic style of it filled me with an intolerable horror.

"To ye contract elsewhere recorded, I, John Grymlann, herebye sweare by ye Name of ye Nameless One to keep goode faithe. Wherefore do I now write in blood these wordes spoken to me in thys grim & silent chamber in ye dedde citie of Koth, whereto no mortal manne hath attained but mee. These same wordes now writ down by mee to be rede over my bodie at ye appointed tyme to fulfill my parte of ye bargain which I entered intoe of mine own free will & knowledge beinge of rite mynd & fiftie years of age this yeare of 1680, A. D. Here begynneth ye incantation:

"Before manne was, ye Elder ones were, & even yet their lord dwelleth amonge ye shadows to which if a manne sette his foote he maye not turn vpon his track."

The words merged into a barbaric gibberish as Conrad stumbled through an unfamiliar language--a language faintly suggesting the Phoenician, but shuddery with the touch of a hideous antiquity beyond any remembered earthly tongue. One of the candles flickered and went out. I made a move to relight it, but a motion from the silent Oriental stayed me. His eyes burned into mine, then shifted back to the still form on the table.

The manuscript had shifted back into its archaic English.

"--And ye mortal which gaineth to ye black citadels of Koth & speaks with ye Darke Lord whose face is hidden, for a price maye he gain hys heartes desire, ryches & knowledge beyond countinge & lyffe beyond mortal span even two hundred and fiftie yeares."

Again Conrad's voice trailed off into unfamiliar gutturals. Another candle went out.

"--Let not ye mortal flynche as ye tyme draweth nigh for payement & ye fires of Hell laye hold vpon ye vytals as the sign of reckoninge. For ye Prince of Darkness taketh hys due in ye endde & he is not to bee cozened. What ye have promised, that shall ye deliver. Augantha ne shuba--"

At the first sound of those barbaric accents, a cold hand of terror locked about my throat. My frantic eyes shot to the candles and I was not surprized to see another flicker out. Yet there was no hint of any draft to stir the heavy black hangings. Conrad's voice wavered; he drew his hand across his throat, gagging momentarily. The eyes of the Oriental never altered.

"--Amonge ye sonnes of men glide strange shadows for ever. Men see ye tracks of ye talones but not ye feete that make them. Over ye souls of men spread great black wingges. There is but one Black Master though men calle hym Sathanas & Beelzebub & Apolleon & Ahriman & Malik Tous--"

Mists of horror engulfed me. I was dimly aware of Conrad's voice droning on and on, both in English and in that other fearsome tongue whose horrific import I scarcely dared try to guess. And with stark fear clutching at my heart, I saw the candles go out, one by one. And with each flicker, as the gathering gloom darkened about us, my horror mounted. I could not speak, I could not move; my distended eyes were fixed with agonized intensity on the remaining candle. The silent Oriental at the head of that ghastly table was included in my fear. He had not moved nor spoken, but under his drooping lids, his eyes burned with devilish triumph; I knew that beneath his inscrutable exterior he was gloating fiendishly--but why--why?

But I knew that the moment the extinguishing of the last candle plunged the room into utter darkness, some nameless, abominable thing would take place. Conrad was approaching the end. His voice rose to the climax in gathering crescendo.

"Approacheth now ye moment of payement. Ye ravens are flying. Ye bats winge against ye skye. There are skulls in ye starres. Ye soul & ye bodie are promised and shall bee delivered uppe. Not to ye dust agayne nor ye elements from which springe lyfe--"

The candle flickered slightly. I tried to scream, but my mouth gaped to a soundless yammering. I tried to flee, but I stood frozen, unable even to close my eyes.

"--Ye abysse yawns & ye debt is to paye. Ye light fayles, ye shadows gather. There is no god but evil; no lite but darkness; no hope but doom--"

A hollow groan resounded through the room. It seemed to come from the robe-covered thing on the table! That robe twitched fitfully.

"Oh winges in ye black darke!"

I started violently; a faint swish sounded in the gathering shadows. The stir of the dark hangings? It sounded like the rustle of gigantic wings.

"Oh redde eyes in ye shadows! What is promised, what is writ in bloode is fulfilled! Ye lite is gulfed in blackness! Ya--Koth!"

The last candle went out suddenly and a ghastly unhuman cry that came not from my lips or from Conrad's burst unbearably forth. Horror swept over me like a black icy wave; in the blind dark I heard myself screaming terribly. Then with a swirl and a great rush of wind something swept the room, flinging the hangings aloft and dashing chairs and tables crashing to the floor. For an instant an intolerable odor burned our nostrils, a low hideous tittering mocked us in the blackness; then silence fell like a shroud.

Somehow, Conrad found a candle and lighted it. The faint glow showed us the room in fearful disarray--showed us each other's ghastly faces--and showed us the black ebony table--empty! The doors and windows were locked as they had been, but the Oriental was gone--and so was the corpse of John Grimlan.

Shrieking like damned men we broke down the door and fled frenziedly down the well-like staircase where the darkness seemed to clutch at us with clammy black fingers. As we tumbled down into the lower hallway, a lurid glow cut the darkness and the scent of burning wood filled our nostrils.

The outer doorway held momentarily against our frantic assault, then gave way and we hurtled into the outer starlight. Behind us the flames leaped up with a crackling roar as we fled down the hill. Conrad, glancing over his shoulder, halted suddenly, wheeled and flung up his arms like a madman, and screamed,

"Soul and body he sold to Malik Tous, who is Satan, two hundred and fifty years ago! This was the night of payment--and my God--look! Look! The Fiend has claimed his own!"

I looked, frozen with horror. Flames had enveloped the whole house with appalling swiftness, and now the great mass was etched against the shadowed sky, a crimson inferno. And above the holocaust hovered a gigantic black shadow like a monstrous bat, and from its dark clutch dangled a small white thing, like the body of a man, dangling limply. Then, even as we cried out in horror, it was gone and our dazed gaze met only the shuddering walls and blazing roof which crumpled into the flames with an earth-shaking roar.

The Song of a Mad Minstrel

I am the thorn in the foot, I am the blur in the sight;

I am the worm at the root, I am the thief in the night.

I am the rat in the wall, the leper that leers at the gate; I am the ghost in the hall, herald of horror and hate.

I am the rust on the corn, I am the smut on the wheat,

Laughing man's labor to scorn, weaving a web for his feet.

I am canker and mildew and blight, danger and death and decay; The rot of the rain by night, the blast of the sun by day.

I warp and wither with drouth, I work in the swamp's foul yeast; I bring the black plague from the south and the leprosy in from the east.

I rend from the hemlock boughs wine steeped in the petals of dooms; Where the fat black serpents drowse I gather the Upas blooms.

I have plumbed the northern ice for a spell like frozen lead; In lost gray fields of rice, I have learned from Mongol dead.

Where a bleak black mountain stands I have looted grisly caves; I have digged in the desert sands to plunder terrible graves.

Never the sun goes forth, never the moon glows red,

But out of the south or the north, I come with the slavering dead.

I come with hideous spells, black chants and ghastly tunes; I have looted the hidden hells and plundered the lost black moons.

There was never a king or priest to cheer me by word or look, There was never a man or beast in the blood-black ways I took.

There were crimson gulfs unplumbed, there were black wings over a sea; There were pits where mad things drummed, and foaming blasphemy.

There were vast ungodly tombs where slimy monsters dreamed; There were clouds like blood-drenched plumes where unborn demons screamed.

There were ages dead to Time, and lands lost out of Space;

There were adders in the slime, and a dim unholy Face.

Oh, the heart in my breast turned stone, and the brain froze in my skull--

But I won through, I alone, and poured my chalice full

Of horrors and dooms and spells, black buds and bitter roots--

From the hells beneath the hells, I bring you my deathly fruits.

The Children of the Night

There were, I remember, six of us in Conrad's bizarrely fashioned study, with its queer relics from all over the world and its long rows of books which ranged from the Mandrake Press edition of Boccaccio to a Missale Romanum, bound in clasped oak boards and printed in Venice, 1740. Clemants and Professor Kirowan had just engaged in a somewhat testy anthropological argument: Clemants upholding the theory of a separate, distinct Alpine race, while the professor maintained that this so-called race was merely a deviation from an original Aryan stock--possibly the result of an admixture between the southern or Mediterranean races and the Nordic people.

"And how," asked Clemants, "do you account for their brachycephalicism? The Mediterraneans were as long-headed as the Aryans: would admixture between these dolichocephalic peoples produce a broad-headed intermediate type?"

"Special conditions might bring about a change in an originally long-headed race," snapped Kirowan.

"Boaz has demonstrated, for instance, that in the case of immigrants to America, skull formations often change in one generation. And Flinders Petrie has shown that the Lombards changed from a long-headed to a round-headed race in a few centuries."

"But what caused these changes?"

"Much is yet unknown to science," answered Kirowan, "and we need not be dogmatic. No one knows, as yet, why people of British and Irish ancestry tend to grow unusually tall in the Darling district of Australia--Cornstalks, as they are called--or why people of such descent generally have thinner jaw-structures after a few generations in New England. The universe is full of the unexplainable."

"And therefore the uninteresting, according to Machen," laughed Taverel.

Conrad shook his head. "I must disagree. To me the unknowable is most tantalizingly fascinating."

"Which accounts, no doubt, for all the works on witchcraft and demonology I see on your shelves," said Ketrick, with a wave of his hand toward the rows of books.

And let me speak of Ketrick. Each of the six of us was of the same breed--that is to say, a Briton or an American of British descent. By British, I include all natural inhabitants of the British Isles. We represented various strains of English and Celtic blood, but basically, these strains are the same after all.

But Ketrick: to me the man always seemed strangely alien. It was in his eyes that this difference showed externally. They were a sort of amber, almost yellow, and slightly oblique. At times, when one looked at his face from certain angles, they seemed to slant like a Chinaman's.

Others than I had noticed this feature, so unusual in a man of pure Anglo-Saxon descent. The usual myths ascribing his slanted eyes to some pre-natal influence had been mooted about, and I remember Professor Hendrik Brooler once remarked that Ketrick was undoubtedly an atavism, representing a reversion of type to some dim and distant ancestor of Mongolian blood--a sort of freak reversion, since none of his family showed such traces.

But Ketrick comes of the Welsh branch of the Cetrics of Sussex, and his lineage is set down in the Book of Peers. There you may read the line of his ancestry, which extends unbroken to the days of Canute.

No slightest trace of Mongoloid intermixture appears in the genealogy, and how could there have been such intermixture in old Saxon England? For Ketrick is the modern form of Cedric, and though that branch fled into Wales before the invasion of the Danes, its male heirs consistently married with English families on the border marches, and it remains a pure line of the powerful Sussex Cetrics--almost pure Saxon. As for the man himself, this defect of his eyes, if it can be called a defect, is his only abnormality, except for a slight and occasional lisping of speech. He is highly intellectual and a good companion except for a slight aloofness and a rather callous indifference which may serve to mask an extremely sensitive nature.

Referring to his remark, I said with a laugh: "Conrad pursues the obscure and mystic as some men pursue romance; his shelves throng with delightful nightmares of every variety."

Our host nodded. "You'll find there a number of delectable dishes--Machen, Poe, Blackwood, Maturin--look, there's a rare feast--Horrid Mysteries, by the Marquis of Grosse--the real Eighteenth Century edition."

Taverel scanned the shelves. "Weird fiction seems to vie with works on witchcraft, voodoo and dark magic."

"True; historians and chroniclers are often dull; tale-weavers never--the masters, I mean. A voodoo sacrifice can be described in such a dull manner as to take all the real fantasy out of it, and leave it merely a sordid murder. I will admit that few writers of fiction touch the true heights of horror--most of their stuff is too concrete, given too much earthly shape and dimensions. But in such tales as Poe's Fall of the House of Usher, Machen's Black Seal and Lovecraft's Call of Cthulhu--the three master horror-tales, to my mind--the reader is borne into dark and outer realms of imagination.

"But look there," he continued, "there, sandwiched between that nightmare of Huysmans', and Walpole's Castle of Otranto--Von Junzt's Nameless Cults. There's a book to keep you awake at night!"

"I've read it," said Taverel, "and I'm convinced the man is mad. His work is like the conversation of a maniac--it runs with startling clarity for awhile, then suddenly merges into vagueness and disconnected ramblings."

Conrad shook his head. "Have you ever thought that perhaps it is his very sanity that causes him to write in that fashion? What if he dares not put on paper all he knows? What if his vague suppositions are dark and mysterious hints, keys to the puzzle, to those who know?"

"Bosh!" This from Kirowan. "Are you intimating that any of the nightmare cults referred to by Von Junzt survive to this day--if they ever existed save in the hag-ridden brain of a lunatic poet and philosopher?"

"Not he alone used hidden meanings," answered Conrad. "If you will scan various works of certain great poets you may find double meanings. Men have stumbled on to cosmic secrets in the past and given a hint of them to the world in cryptic words. Do you remember Von Junzt's hints of 'a city in the waste'?

What do you think of Flecker's lines:

"'Pass not beneath! Men say there blows in stony deserts still a rose

"'But with no scarlet to her leaf--and from whose heart no perfume flows.'

"Men may stumble upon secret things, but Von Junzt dipped deep into forbidden mysteries. He was one of the few men, for instance, who could read the Necronomicon in the original Greek translation."

Taverel shrugged his shoulders, and Professor Kirowan, though he snorted and puffed viciously at his pipe, made no direct reply; for he, as well as Conrad, had delved into the Latin version of the book, and had found there things not even a cold-blooded scientist could answer or refute.

"Well," he said presently, "suppose we admit the former existence of cults revolving about such nameless and ghastly gods and entities as Cthulhu, Yog Sothoth, Tsathoggua, Gol-goroth, and the like, I can not find it in my mind to believe that survivals of such cults lurk in the dark corners of the world today."

To our surprize Clemants answered. He was a tall, lean man, silent almost to the point of taciturnity, and his fierce struggles with poverty in his youth had lined his face beyond his years. Like many another artist, he lived a distinctly dual literary life, his swashbuckling novels furnishing him a generous income, and his editorial position on The Cloven Hoof affording him full artistic expression. The Cloven Hoof was a poetry magazine whose bizarre contents had often aroused the shocked interest of the conservative critics.

"You remember Von Junzt makes mention of a so-called Bran cult," said Clemants, stuffing his pipe-bowl with a peculiarly villainous brand of shag tobacco. "I think I heard you and Taverel discussing it once."

"As I gather from his hints," snapped Kirowan, "Von Junzt includes this particular cult among those still in existence. Absurd."

Again Clemants shook his head. "When I was a boy working my way through a certain university, I had for roommate a lad as poor and ambitious as I. If I told you his name, it would startle you. Though he came of an old Scotch line of Galloway, he was obviously of a non-Aryan type.

"This is in strictest confidence, you understand. But my roommate talked in his sleep. I began to listen and put his disjointed mumbling together. And in his mutterings I first heard of the ancient cult hinted at by Von Junzt; of the king who ruled the Dark Empire, which was a revival of an older, darker empire dating back into the Stone Age; and of the great, nameless cavern where stands the Dark Man--the image of Bran Mak Morn, carved in his likeness by a master-hand while the great king yet lived, and to which each worshipper of Bran makes a pilgrimage once in his or her lifetime. Yes, that cult lives today in the descendants of Bran's people--a silent, unknown current it flows on in the great ocean of life, waiting for the stone image of the great Bran to breathe and move with sudden life, and come from the great cavern to rebuild their lost empire."

"And who were the people of that empire?" asked Ketrick.

"Picts," answered Taverel, "doubtless the people known later as the wild Picts of Galloway were predominantly Celtic--a mixture of Gaelic, Cymric, aboriginal and possibly Teutonic elements. Whether they took their name from the older race or lent their own name to that race, is a matter yet to be decided. But when Von Junzt speaks of Picts, he refers specifically to the small, dark, garlic-eating peoples of Mediterranean blood who brought the Neolithic culture into Britain. The first settlers of that country, in fact, who gave rise to the tales of earth spirits and goblins."

"I can not agree to that last statement," said Conrad. "These legends ascribe a deformity and inhumanness of appearances to the characters. There was nothing about the Picts to excite such horror and repulsion in the Aryan peoples. I believe that the Mediterraneans were preceded by a Mongoloid type, very low in the scale of development, whence these tales--"

"Quite true," broke in Kirowan, "but I hardly think they preceded the Picts, as you call them, into Britain.

We find troll and dwarf legends all over the Continent, and I am inclined to think that both the Mediterranean and Aryan peoples brought these tales with them from the Continent. They must have been of extremely inhuman aspect, those early Mongoloids."

"At least," said Conrad, "here is a flint mallet a miner found in the Welsh hills and gave to me, which has never been fully explained. It is obviously of no ordinary Neolithic make. See how small it is, compared to most implements of that age; almost like a child's toy; yet it is surprizingly heavy and no doubt a deadly blow could be dealt with it. I fitted the handle to it, myself, and you would be surprised to know how difficult it was to carve it into a shape and balance corresponding with the head."

We looked at the thing. It was well made, polished somewhat like the other remnants of the Neolithic I had seen, yet as Conrad said, it was strangely different. Its small size was oddly disquieting, for it had no appearance of a toy, otherwise. It was as sinister in suggestion as an Aztec sacrificial dagger. Conrad had fashioned the oaken handle with rare skill, and in carving it to fit the head, had managed to give it the same unnatural appearance as the mallet itself had. He had even copied the workmanship of primal times, fixing the head into the cleft of the haft with rawhide.

"My word!" Taverel made a clumsy pass at an imaginary antagonist and nearly shattered a costly Shang vase. "The balance of the thing is all off center; I'd have to readjust all my mechanics of poise and equilibrium to handle it."

"Let me see it," Ketrick took the thing and fumbled with it, trying to strike the secret of its proper handling. At length, somewhat irritated, he swung it up and struck a heavy blow at a shield which hung on the wall near by. I was standing near it; I saw the hellish mallet twist in his hand like a live serpent, and his arm wrenched out of line; I heard a shout of alarmed warning--then darkness came with the impact of the mallet against my head.

Slowly I drifted back to consciousness. First there was dull sensation with blindness and total lack of knowledge as to where I was or what I was; then vague realization of life and being, and a hard something pressing into my ribs. Then the mists cleared and I came to myself completely.

I lay on my back half beneath some underbrush and my head throbbed fiercely. Also my hair was caked and clotted with blood, for the scalp had been laid open. But my eyes traveled down my body and limbs, naked but for a deerskin loin-cloth and sandals of the same material, and found no other wound. That which pressed so uncomfortably into my ribs was my ax, on which I had fallen.

Now an abhorrent babble reached my ears and stung me into clear consciousness. The noise was faintly like language, but not such language as men are accustomed to. It sounded much like the repeated hissing of many great snakes.

I stared. I lay in a great, gloomy forest. The glade was overshadowed, so that even in the daytime it was very dark. Aye--that forest was dark, cold, silent, gigantic and utterly grisly. And I looked into the glade.

I saw a shambles. Five men lay there--at least, what had been five men. Now as I marked the abhorrent mutilations my soul sickened. And about them clustered the--Things. Humans they were, of a sort, though I did not consider them so. They were short and stocky, with broad heads too large for their scrawny bodies. Their hair was snaky and stringy, their faces broad and square, with flat noses, hideously slanted eyes, a thin gash for a mouth, and pointed ears. They wore the skins of beasts, as did I, but these hides were but crudely dressed. They bore small bows and flint-tipped arrows, flint knives and cudgels. And they conversed in a speech as hideous as themselves, a hissing, reptilian speech that filled me with dread and loathing.

Oh, I hated them as I lay there; my brain flamed with white-hot fury. And now I remembered. We had hunted, we six youths of the Sword People, and had wandered far into that grim forest which our people generally shunned. Weary of the chase, we had paused to rest; to me had been given the first watch, for in those days, no sleep was safe without a sentry. Now shame and revulsion shook my whole being. I had slept--I had betrayed my comrades. And now they lay gashed and mangled--butchered while they slept, by vermin who had never dared to stand before them on equal terms. I, Aryara, had betrayed my trust.

Aye--I remembered. I had slept and in the midst of a dream of the hunt, fire and sparks had exploded in my head and I had plunged into a deeper darkness where there were no dreams. And now the penalty.

They who had stolen through the dense forest and smitten me senseless, had not paused to mutilate me.

Thinking me dead they had hastened swiftly to their grisly work. Now perhaps they had forgotten me for a time. I had sat somewhat apart from the others, and when struck, had fallen half under some bushes.

But soon they would remember me. I would hunt no more, dance no more in the dances of hunt and love and war, see no more the wattle huts of the Sword People.

But I had no wish to escape back to my people. Should I slink back with my tale of infamy and disgrace?

Should I hear the words of scorn my tribe would fling at me, see the girls point their contemptuous fingers at the youth who slept and betrayed his comrades to the knives of vermin?

Tears stung my eyes, and slow hate heaved up in my bosom, and my brain. I would never bear the sword that marked the warrior. I would never triumph over worthy foes and die gloriously beneath the arrows of the Picts or the axes of the Wolf People or the River People. I would go down to death beneath a nauseous rabble, whom the Picts had long ago driven into forest dens like rats.

And mad rage gripped me and dried my tears, giving in their stead a berserk blaze of wrath. If such reptiles were to bring about my downfall, I would make it a fall long remembered--if such beasts had memories.

Moving cautiously, I shifted until my hand was on the haft of my ax; then I called on Il-marinen and bounded up as a tiger springs. And as a tiger springs I was among my enemies and smashed a flat skull as a man crushes the head of a snake. A sudden wild clamor of fear broke from my victims and for an instant they closed round me, hacking and stabbing. A knife gashed my chest but I gave no heed. A red mist waved before my eyes, and my body and limbs moved in perfect accord with my fighting brain.

Snarling, hacking and smiting, I was a tiger among reptiles. In an instant they gave way and fled, leaving me bestriding half a dozen stunted bodies. But I was not satiated.

I was close on the heels of the tallest one, whose head would perhaps come to my shoulder, and who seemed to be their chief. He fled down a sort of runway, squealing like a monstrous lizard, and when I was close at his shoulder, he dived, snake-like, into the bushes. But I was too swift for him, and I dragged him forth and butchered him in a most gory fashion.

And through the bushes I saw the trail he was striving to reach--a path winding in and out among the trees, almost too narrow to allow the traversing of it by a man of normal size. I hacked off my victim's hideous head, and carrying it in my left hand, went up the serpent-path, with my red ax in my right.

Now as I strode swiftly along the path and blood splashed beside my feet at every step from the severed jugular of my foe, I thought of those I hunted. Aye--we held them in so little esteem, we hunted by day in the forest they haunted. What they called themselves, we never knew; for none of our tribe ever learned the accursed hissing sibilances they used as speech; but we called them the Children of the Night. And night-things they were indeed, for they slunk in the depths of the dark forests, and in subterraneous dwellings, venturing forth into the hills only when their conquerors slept. It was at night that they did their foul deeds--the quick flight of a flint-tipped arrow to slay cattle, or perhaps a loitering human, the snatching of a child that had wandered from the village.

But it was for more than this we gave them their name; they were, in truth, people of night and darkness and the ancient horror-ridden shadows of bygone ages. For these creatures were very old, and they represented an outworn age. They had once overrun and possessed this land, and they had been driven into hiding and obscurity by the dark, fierce little Picts with whom we contested now, and who hated and loathed them as savagely as did we.

The Picts were different from us in general appearance, being shorter of stature and dark of hair, eyes and skin, whereas we were tall and powerful, with yellow hair and light eyes. But they were cast in the same mold, for all of that. These Children of the Night seemed not human to us, with their deformed dwarfish bodies, yellow skin and hideous faces. Aye--they were reptiles--vermin.

And my brain was like to burst with fury when I thought that it was these vermin on whom I was to glut my ax and perish. Bah! There is no glory slaying snakes or dying from their bites. All this rage and fierce disappointment turned on the objects of my hatred, and with the old red mist waving in front of me I swore by all the gods I knew, to wreak such red havoc before I died as to leave a dread memory in the minds of the survivors.

My people would not honor me, in such contempt they held the Children. But those Children that I left alive would remember me and shudder. So I swore, gripping savagely my ax, which was of bronze, set in a cleft of the oaken haft and fastened securely with rawhide.

Now I heard ahead a sibilant, abhorrent murmur, and a vile stench filtered to me through the trees, human, yet less than human. A few moments more and I emerged from the deep shadows into a wide open space. I had never before seen a village of the Children. There was a cluster of earthen domes, with low doorways sunk into the ground; squalid dwelling-places, half above and half below the earth. And I knew from the talk of the old warriors that these dwelling-places were connected by underground corridors, so the whole village was like an ant-bed, or a system of snake holes. And I wondered if other tunnels did not run off under the ground and emerge long distances from the villages.

Before the domes clustered a vast group of the creatures, hissing and jabbering at a great rate.

I had quickened my pace, and now as I burst from cover, I was running with the fleetness of my race. A wild clamor went up from the rabble as they saw the avenger, tall, blood-stained and blazing-eyed leap from the forest, and I cried out fiercely, flung the dripping head among them and bounded like a wounded tiger into the thick of them.

Oh, there was no escape for them now! They might have taken to their tunnels but I would have followed, even to the guts of hell. They knew they must slay me, and they closed around, a hundred strong, to do it.

There was no wild blaze of glory in my brain as there had been against worthy foes. But the old berserk madness of my race was in my blood and the smell of blood and destruction in my nostrils.

I know not how many I slew. I only know that they thronged about me in a writhing, slashing mass, like serpents about a wolf, and I smote until the ax-edge turned and bent and the ax became no more than a bludgeon; and I smashed skulls, split heads, splintered bones, scattered blood and brains in one red sacrifice to Il-marinen, god of the Sword People.

Bleeding from half a hundred wounds, blinded by a slash across the eyes, I felt a flint knife sink deep into my groin and at the same instant a cudgel laid my scalp open. I went to my knees but reeled up again, and saw in a thick red fog a ring of leering, slant-eyed faces. I lashed out as a dying tiger strikes, and the faces broke in red ruin.

And as I sagged, overbalanced by the fury of my stroke, a taloned hand clutched my throat and a flint blade was driven into my ribs and twisted venomously. Beneath a shower of blows I went down again, but the man with the knife was beneath me, and with my left hand I found him and broke his neck before he could writhe away.

Life was waning swiftly; through the hissing and howling of the Children I could hear the voice of Il-marinen. Yet once again I rose stubbornly, through a very whirlwind of cudgels and spears. I could no longer see my foes, even in a red mist. But I could feel their blows and knew they surged about me. I braced my feet, gripped my slippery ax-haft with both hands, and calling once more on Il-marinen I heaved up the ax and struck one last terrific blow. And I must have died on my feet, for there was no sensation of falling; even as I knew, with a last thrill of savagery, that I slew, even as I felt the splintering of skulls beneath my ax, darkness came with oblivion.

I came suddenly to myself. I was half reclining in a big armchair and Conrad was pouring water on me.

My head ached and a trickle of blood had half dried on my face. Kirowan, Taverel and Clemants were hovering about, anxiously, while Ketrick stood just in front of me, still holding the mallet, his face schooled to a polite perturbation which his eyes did not show. And at the sight of those cursed eyes a red madness surged up in me.

"There," Conrad was saying, "I told you he'd come out of it in a moment; just a light crack. He's taken harder than that. All right now, aren't you, O'Donnel?"

At that I swept them aside, and with a single low snarl of hatred launched myself at Ketrick. Taken utterly by surprize he had no opportunity to defend himself. My hands locked on his throat and we crashed together on the ruins of a divan. The others cried out in amazement and horror and sprang to separate us--or rather, to tear me from my victim, for already Ketrick's slant eyes were beginning to start from their sockets.

"For God's sake, O'Donnel," exclaimed Conrad, seeking to break my grip, "what's come over you?

Ketrick didn't mean to hit you--let go, you idiot!"

A fierce wrath almost overcame me at these men who were my friends, men of my own tribe, and I swore at them and their blindness, as they finally managed to tear my strangling fingers from Ketrick's throat. He sat up and choked and explored the blue marks my fingers had left, while I raged and cursed, nearly defeating the combined efforts of the four to hold me.

"You fools!" I screamed. "Let me go! Let me do my duty as a tribesman! You blind fools! I care nothing for the paltry blow he dealt me--he and his dealt stronger blows than that against me, in bygone ages. You fools, he is marked with the brand of the beast--the reptile--the vermin we exterminated centuries ago! I must crush him, stamp him out, rid the clean earth of his accursed pollution!"

So I raved and struggled, and Conrad gasped to Ketrick over his shoulder: "Get out, quick! He's out of his head! His mind is unhinged! Get away from him."

Now I look out over the ancient dreaming downs and the hills and deep forests beyond and I ponder.

Somehow, that blow from that ancient accursed mallet knocked me back into another age and another life. While I was Aryara I had no cognizance of any other life. It was no dream; it was a stray bit of reality wherein I, John O'Donnel, once lived and died, and back into which I was snatched across the voids of time and space by a chance blow. Time and times are but cogwheels, unmatched, grinding on oblivious to one another. Occasionally--oh, very rarely!--the cogs fit; the pieces of the plot snap together momentarily and give men faint glimpses beyond the veil of this everyday blindness we call reality.

I am John O'Donnel and I was Aryara, who dreamed dreams of war-glory and hunt-glory and feast-glory and who died on a red heap of his victims in some lost age. But in what age and where?

The last I can answer for you. Mountains and rivers change their contours; the landscapes alter; but the downs least of all. I look out upon them now and I remember them, not only with John O'Donnel's eyes, but with the eyes of Aryara. They are but little changed. Only the great forest has shrunk and dwindled and in many, many places vanished utterly. But here on these very downs Aryara lived and fought and loved and in yonder forest he died. Kirowan was wrong. The little, fierce, dark Picts were not the first men in the Isles. There were beings before them--aye, the Children of the Night. Legends--why, the Children were not unknown to us when we came into what is now the isle of Britain. We had encountered them before, ages before. Already we had our myths of them. But we found them in Britain.

Nor had the Picts totally exterminated them.

Nor had the Picts, as so many believe, preceded us by many centuries. We drove them before us as we came, in that long drift from the East. I, Aryara, knew old men who had marched on that century-long trek; who had been borne in the arms of yellow-haired women over countless miles of forest and plain, and who as youths had walked in the vanguard of the invaders.

As to the age--that I can not say. But I, Aryara, was surely an Aryan and my people were Aryans--members of one of the thousand unknown and unrecorded drifts that scattered yellow-haired, blue-eyed tribes all over the world. The Celts were not the first to come into western Europe. I, Aryara, was of the same blood and appearance as the men who sacked Rome, but mine was a much older strain.

Of the language I spoke, no echo remains in the waking mind of John O'Donnel, but I knew that Aryara's tongue was to ancient Celtic what ancient Celtic is to modern Gaelic.

Il-marinen! I remember the god I called upon, the ancient, ancient god who worked in metals--in bronze then. For Il-marinen was one of the base gods of the Aryans from whom many gods grew; and he was Wieland and Vulcan in the ages of iron. But to Aryara he was Il-marinen.

And Aryara--he was one of many tribes and many drifts. Not alone did the Sword People come or dwell in Britain. The River People were before us and the Wolf People came later. But they were Aryans like us, light-eyed and tall and blond. We fought them, for the reason that the various drifts of Aryans have always fought each other, just as the Achaeans fought the Dorians, just as the Celts and Germans cut each other's throats; aye, just as the Hellenes and the Persians, who were once one people and of the same drift, split in two different ways on the long trek and centuries later met and flooded Greece and Asia Minor with blood.

Now understand, all this I did not know as Aryara. I, Aryara, knew nothing of all these world-wide drifts of my race. I knew only that my people were conquerors, that a century ago my ancestors had dwelt in the great plains far to the east, plains populous with fierce, yellow-haired, light-eyed people like myself; that my ancestors had come westward in a great drift; and that in that drift, when my tribesmen met tribes of other races, they trampled and destroyed them, and when they met other yellow-haired, light-eyed people, of older or newer drifts, they fought savagely and mercilessly, according to the old, illogical custom of the Aryan people. This Aryara knew, and I, John O'Donnel, who know much more and much less than I, Aryara, knew, have combined the knowledge of these separate selves and have come to conclusions that would startle many noted scientists and historians.

Yet this fact is well known: Aryans deteriorate swiftly in sedentary and peaceful life. Their proper existence is a nomadic one; when they settle down to an agricultural existence, they pave the way for their downfall; and when they pen themselves in with city walls, they seal their doom. Why, I, Aryara, remember the tales of the old men--how the Sons of the Sword, on that long drift, found villages of white-skinned, yellow-haired people who had drifted into the west centuries before and had quit the wandering life to dwell among the dark, garlic-eating people and gain their sustenance from the soil. And the old men told how soft and weak they were, and how easily they fell before the bronze blades of the Sword People.

Look--is not the whole history of the Sons of Aryan laid on those lines? Look--how swiftly has Persian followed Mede; Greek, Persian; Roman, Greek; and German, Roman. Aye, and the Norsemen followed the Germanic tribes when they had grown flabby from a century or so of peace and idleness, and despoiled the spoils they had taken in the southland.

But let me speak of Ketrick. Ha--the short hairs at the back of my neck bristle at the very mention of his name. An atavism--aye! A reversion to type--but not to the type of some cleanly Chinaman or Mongol of recent times. The Danes drove his ancestors into the hills of Wales; and there, in what mediaeval century, and in what foul way did that cursed aboriginal taint creep into the clean Saxon blood of the Celtic line, there to lie dormant so long? The Celtic Welsh never mated with the Children any more than the Picts did. But there must have been survivals--vermin lurking in those grim hills, that had outlasted their time and age. In Aryara's day they were scarcely human. What must a thousand years of retrogression have done to the breed?

What foul shape stole into the Ketrick castle on some forgotten night, or rose out of the dusk to grip some woman of the line, straying in the hills?

The mind shrinks from such an image. But this I know: there must have been survivals of that foul, reptilian epoch when the Ketricks went into Wales. There still may be. But this changeling, this waif of darkness, this horror who bears the noble name of Ketrick, the brand of the serpent is upon him, and until he is destroyed there is no rest for me. Now that I know him for what he is, he pollutes the clean air and leaves the slime of the snake on the green earth. The sound of his lisping, hissing voice fills me with crawling horror and the sight of his slanted eyes inspires me with madness.

For I come of a royal race, and such as he is a continual insult and a threat, like a serpent under foot.

Mine is a regal race, though now it is become degraded and falls into decay by continual admixture with conquered races. The waves of alien blood have washed my hair black and my skin dark, but I still have the lordly stature and the blue eyes of a royal Aryan.

And as my ancestors--as I, Aryara, destroyed the scum that writhed beneath our heels, so shall I, John O'Donnel, exterminate the reptilian thing, the monster bred of the snaky taint that slumbered so long unguessed in clean Saxon veins, the vestigial serpent-things left to taunt the Sons of Aryan. They say the blow I received affected my mind; I know it but opened my eyes. Mine ancient enemy walks often on the moors alone, attracted, though he may not know it, by ancestral urgings. And on one of these lonely walks I shall meet him, and when I meet him, I will break his foul neck with my hands, as I, Aryara, broke the necks of foul night-things in the long, long ago.

Then they may take me and break my neck at the end of a rope if they will. I am not blind, if my friends are. And in the sight of the old Aryan god, if not in the blinded eyes of men, I will have kept faith with my tribe.

Musings

The little poets sing of little things:

Hope, cheer, and faith, small queens and puppet kings;

Lovers who kissed and then were made as one,

And modest flowers waving in the sun.

The mighty poets write in blood and tears

And agony that, flame-like, bites and sears.

They reach their mad blind hands into the night,

To plumb abysses dead to human sight;

To drag from gulfs where lunacy lies curled,

Mad, monstrous nightmare shapes to blast the world.

The Black Stone

They say foul beings of Old Times still lurk

In dark forgotten corners of the world,

And Gates still gape to loose, on certain nights,

Shapes pent in Hell.

--Justin Geoffrey

I read of it first in the strange book of Von Junzt, the German eccentric who lived so curiously and died in such grisly and mysterious fashion. It was my fortune to have access to his Nameless Cults in the original edition, the so-called Black Book, published in Düsseldorf in 1839, shortly before a hounding doom overtook the author. Collectors of rare literature are familiar with Nameless Cults mainly through the cheap and faulty translation which was pirated in London by Bridewall in 1845, and the carefully expurgated edition put out by the Golden Goblin Press of New York in 1909. But the volume I stumbled upon was one of the unexpurgated German copies, with heavy leather covers and rusty iron hasps. I doubt if there are more than half a dozen such volumes in the entire world today, for the quantity issued was not great, and when the manner of the author's demise was bruited about, many possessors of the book burned their volumes in panic.

Von Junzt spent his entire life (1795--1840) delving into forbidden subjects; he traveled in all parts of the world, gained entrance into innumerable secret societies, and read countless little-known and esoteric books and manuscripts in the original; and in the chapters of the Black Book, which range from startling clarity of exposition to murky ambiguity, there are statements and hints to freeze the blood of a thinking man. Reading what Von Junzt dared put in print arouses uneasy speculations as to what it was that he dared not tell. What dark matters, for instance, were contained in those closely written pages that formed the unpublished manuscript on which he worked unceasingly for months before his death, and which lay torn and scattered all over the floor of the locked and bolted chamber in which Von Junzt was found dead with the marks of taloned fingers on his throat? It will never be known, for the author's closest friend, the Frenchman Alexis Ladeau, after having spent a whole night piecing the fragments together and reading what was written, burnt them to ashes and cut his own throat with a razor.

But the contents of the published matter are shuddersome enough, even if one accepts the general view that they but represent the ravings of a madman. There among many strange things I found mention of the Black Stone, that curious, sinister monolith that broods among the mountains of Hungary, and about which so many dark legends cluster. Van Junzt did not devote much space to it--the bulk of his grim work concerns cults and objects of dark worship which he maintained existed in his day, and it would seem that the Black Stone represents some order or being lost and forgotten centuries ago. But he spoke of it as one of the keys--a phrase used many times by him, in various relations, and constituting one of the obscurities of his work. And he hinted briefly at curious sights to be seen about the monolith on Midsummer's Night. He mentioned Otto Dostmann's theory that this monolith was a remnant of the Hunnish invasion and had been erected to commemorate a victory of Attila over the Goths. Von Junzt contradicted this assertion without giving any refutory facts, merely remarking that to attribute the origin of the Black Stone to the Huns was as logical as assuming that William the Conqueror reared Stonehenge.

This implication of enormous antiquity piqued my interest immensely and after some difficulty I succeeded in locating a rat-eaten and moldering copy of Dostmann's Remnants of Lost Empires (Berlin, 1809,

"Der Drachenhaus" Press). I was disappointed to find that Dostmann referred to the Black Stone even more briefly than had Von Junzt, dismissing it with a few lines as an artifact comparatively modern in contrast with the Greco-Roman ruins of Asia Minor which were his pet theme. He admitted his inability to make out the defaced characters on the monolith but pronounced them unmistakably Mongoloid.

However, little as I learned from Dostmann, he did mention the name of the village adjacent to the Black Stone--Stregoicavar--an ominous name, meaning something like Witch-Town.

A close scrutiny of guide-books and travel articles gave me no further information--Stregoicavar, not on any map that I could find, lay in a wild, little-frequented region, out of the path of casual tourists. But I did find subject for thought in Dornly's Magyar Folklore. In his chapter on Dream Myths he mentions the Black Stone and tells of some curious superstitions regarding it--especially the belief that if any one sleeps in the vicinity of the monolith, that person will be haunted by monstrous nightmares for ever after; and he cited tales of the peasants regarding too-curious people who ventured to visit the Stone on Midsummer Night and who died raving mad because of something they saw there.

That was all I could glean from Dornly, but my interest was even more intensely roused as I sensed a distinctly sinister aura about the Stone. The suggestion of dark antiquity, the recurrent hint of unnatural events on Midsummer Night, touched some slumbering instinct in my being, as one senses, rather than hears, the flowing of some dark subterraneous river in the night.

And I suddenly saw a connection between this Stone and a certain weird and fantastic poem written by the mad poet, Justin Geoffrey: The People of the Monolith. Inquiries led to the information that Geoffrey had indeed written that poem while traveling in Hungary, and I could not doubt that the Black Stone was the very monolith to which he referred in his strange verse. Reading his stanzas again, I felt once more the strange dim stirrings of subconscious promptings that I had noticed when first reading of the Stone.

I had been casting about for a place to spend a short vacation and I made up my mind. I went to Stregoicavar. A train of obsolete style carried me from Temesvar to within striking distance, at least, of my objective, and a three days' ride in a jouncing coach brought me to the little village which lay in a fertile valley high up in the fir-clad mountains. The journey itself was uneventful, but during the first day we passed the old battlefield of Schomvaal where the brave Polish-Hungarian knight, Count Boris Vladinoff, made his gallant and futile stand against the victorious hosts of Suleiman the Magnificent, when the Grand Turk swept over eastern Europe in 1526.

The driver of the coach pointed out to me a great heap of crumbling stones on a hill near by, under which, he said, the bones of the brave Count lay. I remembered a passage from Larson's Turkish Wars:

"After the skirmish" (in which the Count with his small army had beaten back the Turkish advance-guard)

"the Count was standing beneath the half-ruined walls of the old castle on the hill, giving orders as to the disposition of his forces, when an aide brought to him a small lacquered case which had been taken from the body of the famous Turkish scribe and historian, Selim Bahadur, who had fallen in the fight. The Count took therefrom a roll of parchment and began to read, but he had not read far before he turned very pale and, without saying a word, replaced the parchment in the case and thrust the case into his cloak. At that very instant a hidden Turkish battery suddenly opened fire, and the balls striking the old castle, the Hungarians were horrified to see the walls crash down in ruin, completely covering the brave Count. Without a leader the gallant little army was cut to pieces, and in the war-swept years which followed, the bones of the noblemen were never recovered. Today the natives point out a huge and moldering pile of ruins near Schomvaal beneath which, they say, still rests all that the centuries have left of Count Boris Vladinoff."

I found the village of Stregoicavar a dreamy, drowsy little village that apparently belied its sinister cognomen--a forgotten back-eddy that Progress had passed by. The quaint houses and the quainter dress and manners of the people were those of an earlier century. They were friendly, mildly curious but not inquisitive, though visitors from the outside world were extremely rare.

"Ten years ago another American came here and stayed a few days in the village," said the owner of the tavern where I had put up, "a young fellow and queer-acting--mumbled to himself--a poet, I think."

I knew he must mean Justin Geoffrey.

"Yes, he was a poet," I answered, "and he wrote a poem about a bit of scenery near this very village."

"Indeed?" Mine host's interest was aroused. "Then, since all great poets are strange in their speech and actions, he must have achieved great fame, for his actions and conversations were the strangest of any man I ever knew."

"As is usual with artists," I answered, "most of his recognition has come since his death."

"He is dead, then?"

"He died screaming in a madhouse five years ago."

"Too bad, too bad," sighed mine host sympathetically. "Poor lad--he looked too long at the Black Stone."

My heart gave a leap, but I masked my keen interest and said casually: "I have heard something of this Black Stone; somewhere near this village, is it not?"

"Nearer than Christian folk wish," he responded. "Look!" He drew me to a latticed window and pointed up at the fir-clad slopes of the brooding blue mountains. "There beyond where you see the bare face of that jutting cliff stands that accursed Stone. Would that it were ground to powder and the powder flung into the Danube to be carried to the deepest ocean! Once men tried to destroy the thing, but each man who laid hammer or maul against it came to an evil end. So now the people shun it."

"What is there so evil about it?" I asked curiously.

"It is a demon-haunted thing," he answered uneasily and with the suggestion of a shudder. "In my childhood I knew a young man who came up from below and laughed at our traditions--in his foolhardiness he went to the Stone one Midsummer Night and at dawn stumbled into the village again, stricken dumb and mad. Something had shattered his brain and sealed his lips, for until the day of his death, which came soon after, he spoke only to utter terrible blasphemies or to slaver gibberish.

"My own nephew when very small was lost in the mountains and slept in the woods near the Stone, and now in his manhood he is tortured by foul dreams, so that at times he makes the night hideous with his screams and wakes with cold sweat upon him.

"But let us talk of something else, Herr; it is not good to dwell upon such things."

I remarked on the evident age of the tavern and he answered with pride: "The foundations are more than four hundred years old; the original house was the only one in the village which was not burned to the ground when Suleiman's devils swept through the mountains. Here, in the house that then stood on these same foundations, it is said, the scribe Selim Bahadur had his headquarters while ravaging the country hereabouts."

I learned then that the present inhabitants of Stregoicavar are not descendants of the people who dwelt there before the Turkish raid of 1526. The victorious Moslems left no living human in the village or the vicinity thereabouts when they passed over. Men, women and children they wiped out in one red holocaust of murder, leaving a vast stretch of country silent and utterly deserted. The present people of Stregoicavar are descended from hardy settlers from the lower valleys who came into the upper levels and rebuilt the ruined village after the Turk was thrust back.

Mine host did not speak of the extermination of the original inhabitants with any great resentment and I learned that his ancestors in the lower levels had looked on the mountaineers with even more hatred and aversion than they regarded the Turks. He was rather vague regarding the causes of this feud, but said that the original inhabitants of Stregoicavar had been in the habit of making stealthy raids on the lowlands and stealing girls and children. Moreover, he said that they were not exactly of the same blood as his own people; the sturdy, original Magyar-Slavic stock had mixed and intermarried with a degraded aboriginal race until the breeds had blended, producing an unsavory amalgamation. Who these aborigines were, he had not the slightest idea, but maintained that they were "pagans" and had dwelt in the mountains since time immemorial, before the coming of the conquering peoples.

I attached little importance to this tale; seeing in it merely a parallel to the amalgamation of Celtic tribes with Mediterranean aborigines in the Galloway hills, with the resultant mixed race which, as Picts, has such an extensive part in Scotch legendry. Time has a curiously foreshortening effect on folklore, and just as tales of the Picts became intertwined with legends of an older Mongoloid race, so that eventually the Picts were ascribed the repulsive appearance of the squat primitives, whose individuality merged, in the telling, into Pictish tales, and was forgotten; so, I felt, the supposed inhuman attributes of the first villagers of Stregoicavar could be traced to older, outworn myths with invading Huns and Mongols.

The morning after my arrival I received directions from mine host, who gave them worriedly, and set out to find the Black Stone. A few hours' tramp up the fir-covered slopes brought me to the face of the rugged, solid stone cliff which jutted boldly from the mountainside. A narrow trail wound up it, and mounting this, I looked out over the peaceful valley of Stregoicavar, which seemed to drowse, guarded on either hand by the great blue mountains. No huts or any sign of human tenancy showed between the cliff whereon I stood and the village. I saw numbers of scattering farms in the valley but all lay on the other side of Stregoicavar, which itself seemed to shrink from the brooding slopes which masked the Black Stone.

The summit of the cliffs proved to be a sort of thickly wooded plateau. I made my way through the dense growth for a short distance and came into a wide glade; and in the center of the glade reared a gaunt figure of black stone.

It was octagonal in shape, some sixteen feet in height and about a foot and a half thick. It had once evidently been highly polished, but now the surface was thickly dinted as if savage efforts had been made to demolish it; but the hammers had done little more than to flake off small bits of stone and mutilate the characters which once had evidently marched up in a spiraling line round and round the shaft to the top.

Up to ten feet from the base these characters were almost completely blotted out, so that it was very difficult to trace their direction. Higher up they were plainer, and I managed to squirm part of the way up the shaft and scan them at close range. All were more or less defaced, but I was positive that they symbolized no language now remembered on the face of the earth. I am fairly familiar with all hieroglyphics known to researchers and philologists and I can say with certainty that those characters were like nothing of which I have ever read or heard. The nearest approach to them that I ever saw were some crude scratches on a gigantic and strangely symmetrical rock in a lost valley of Yucatan. I remember that when I pointed out these marks to the archeologist who was my companion, he maintained that they either represented natural weathering or the idle scratching of some Indian. To my theory that the rock was really the base of a long-vanished column, he merely laughed, calling my attention to the dimensions of it, which suggested, if it were built with any natural rules of architectural symmetry, a column a thousand feet high. But I was not convinced.

I will not say that the characters on the Black Stone were similar to those on that colossal rock in Yucatan; but one suggested the other. As to the substance of the monolith, again I was baffled. The stone of which it was composed was a dully gleaming black, whose surface, where it was not dinted and roughened, created a curious illusion of semi-transparency.

I spent most of the morning there and came away baffled. No connection of the Stone with any other artifact in the world suggested itself to me. It was as if the monolith had been reared by alien hands, in an age distant and apart from human ken.

I returned to the village with my interest in no way abated. Now that I had seen the curious thing, my desire was still more keenly whetted to investigate the matter further and seek to learn by what strange hands and for what strange purpose the Black Stone had been reared in the long ago.

I sought out the tavern-keeper's nephew and questioned him in regard to his dreams, but he was vague, though willing to oblige. He did not mind discussing them, but was unable to describe them with any clarity. Though he dreamed the same dreams repeatedly, and though they were hideously vivid at the time, they left no distinct impression on his waking mind. He remembered them only as chaotic nightmares through which huge whirling fires shot lurid tongues of flame and a black drum bellowed incessantly. One thing only he clearly remembered--in one dream he had seen the Black Stone, not on a mountain slope but set like a spire on a colossal black castle.

As for the rest of the villagers I found them not inclined to talk about the Stone, with the exception of the schoolmaster, a man of surprizing education, who spent much more of his time out in the world than any of the rest.

He was much interested in what I told him of Von Junzt's remarks about the Stone, and warmly agreed with the German author in the alleged age of the monolith. He believed that a coven had once existed in the vicinity and that possibly all of the original villagers had been members of that fertility cult which once threatened to undermine European civilization and gave rise to the tales of witchcraft. He cited the very name of the village to prove his point; it had not been originally named Stregoicavar, he said; according to legends the builders had called it Xuthltan, which was the aboriginal name of the site on which the village had been built many centuries ago.

This fact roused again an indescribable feeling of uneasiness. The barbarous name did not suggest connection with any Scythic, Slavic or Mongolian race to which an aboriginal people of these mountains would, under natural circumstances, have belonged.

That the Magyars and Slavs of the lower valleys believed the original inhabitants of the village to be members of the witchcraft cult was evident, the schoolmaster said, by the name they gave it, which name continued to be used even after the older settlers had been massacred by the Turks, and the village rebuilt by a cleaner and more wholesome breed.

He did not believe that the members of the cult erected the monolith but he did believe that they used it as a center of their activities, and repeating vague legends which had been handed down since before the Turkish invasion, he advanced the theory that the degenerate villagers had used it as a sort of altar on which they offered human sacrifices, using as victims the girls and babies stolen from his own ancestors in the lower valleys.

He discounted the myths of weird events on Midsummer Night, as well as a curious legend of a strange deity which the witch-people of Xuthltan were said to have invoked with chants and wild rituals of flagellation and slaughter.

He had never visited the Stone on Midsummer Night, he said, but he would not fear to do so; whatever had existed or taken place there in the past, had been long engulfed in the mists of time and oblivion. The Black Stone had lost its meaning save as a link to a dead and dusty past.

It was while returning from a visit with this schoolmaster one night about a week after my arrival at Stregoicavar that a sudden recollection struck me--it was Midsummer Night! The very time that the legends linked with grisly implications to the Black Stone. I turned away from the tavern and strode swiftly through the village. Stregoicavar lay silent; the villagers retired early. I saw no one as I passed rapidly out of the village and up into the firs which masked the mountain slopes with whispering darkness.

A broad silver moon hung above the valley, flooding the crags and slopes in a weird light and etching the shadows blackly. No wind blew through the firs, but a mysterious, intangible rustling and whispering was abroad. Surely on such nights in past centuries, my whimsical imagination told me, naked witches astride magic broomsticks had flown across the valley, pursued by jeering demoniac familiars.

I came to the cliffs and was somewhat disquieted to note that the illusive moonlight lent them a subtle appearance I had not noticed before--in the weird light they appeared less like natural cliffs and more like the ruins of cyclopean and Titan-reared battlements jutting from the mountain-slope.

Shaking off this hallucination with difficulty I came upon the plateau and hesitated a moment before I plunged into the brooding darkness of the woods. A sort of breathless tenseness hung over the shadows, like an unseen monster holding its breath lest it scare away its prey.

I shook off the sensation--a natural one, considering the eeriness of the place and its evil reputation--and made my way through the wood, experiencing a most unpleasant sensation that I was being followed, and halting once, sure that something clammy and unstable had brushed against my face in the darkness.

I came out into the glade and saw the tall monolith rearing its gaunt height above the sward. At the edge of the woods on the side toward the cliffs was a stone which formed a sort of natural seat. I sat down, reflecting that it was probably while there that the mad poet, Justin Geoffrey, had written his fantastic People of the Monolith. Mine host thought that it was the Stone which had caused Geoffrey's insanity, but the seeds of madness had been sown in the poet's brain long before he ever came to Stregoicavar.

A glance at my watch showed that the hour of midnight was close at hand. I leaned back, waiting whatever ghostly demonstration might appear. A thin night wind started up among the branches of the firs, with an uncanny suggestion of faint, unseen pipes whispering an eery and evil tune. The monotony of the sound and my steady gazing at the monolith produced a sort of self-hypnosis upon me; I grew drowsy. I fought this feeling, but sleep stole on me in spite of myself; the monolith seemed to sway and dance, strangely distorted to my gaze, and then I slept.

I opened my eyes and sought to rise, but lay still, as if an icy hand gripped me helpless. Cold terror stole over me. The glade was no longer deserted. It was thronged by a silent crowd of strange people, and my distended eyes took in strange barbaric details of costume which my reason told me were archaic and forgotten even in this backward land. Surely, I thought, these are villagers who have come here to hold some fantastic conclave--but another glance told me that these people were not of the folk of Stregoicavar. They were a shorter, more squat race, whose brows were lower, whose faces were broader and duller. Some had Slavic and Magyar features, but those features were degraded as from a mixture of some baser, alien strain I could not classify. Many wore the hides of wild beasts, and their whole appearance, both men and women, was one of sensual brutishness. They terrified and repelled me, but they gave me no heed. They formed in a vast half-circle in front of the monolith and began a sort of chant, flinging their arms in unison and weaving their bodies rhythmically from the waist upward. All eyes were fixed on the top of the Stone which they seemed to be invoking. But the strangest of all was the dimness of their voices; not fifty yards from me hundreds of men and women were unmistakably lifting their voices in a wild chant, yet those voices came to me as a faint indistinguishable murmur as if from across vast leagues of Space--or time.

Before the monolith stood a sort of brazier from which a vile, nauseous yellow smoke billowed upward, curling curiously in an undulating spiral around the black shaft, like a vast unstable serpent.

On one side of this brazier lay two figures--a young girl, stark naked and bound hand and foot, and an infant, apparently only a few months old. On the other side of the brazier squatted a hideous old hag with a queer sort of black drum on her lap; this drum she beat with slow, light blows of her open palms, but I could not hear the sound.

The rhythm of the swaying bodies grew faster and into the space between the people and the monolith sprang a naked young woman, her eyes blazing, her long black hair flying loose. Spinning dizzily on her toes, she whirled across the open space and fell prostrate before the Stone, where she lay motionless.

The next instant a fantastic figure followed her--a man from whose waist hung a goatskin, and whose features were entirely hidden by a sort of mask made from a huge wolf 's head, so that he looked like a monstrous, nightmare being, horribly compounded of elements both human and bestial. In his hand he held a bunch of long fir switches bound together at the larger ends, and the moonlight glinted on a chain of heavy gold looped about his neck. A smaller chain depending from it suggested a pendant of some sort, but this was missing.

The people tossed their arms violently and seemed to redouble their shouts as this grotesque creature loped across the open space with many a fantastic leap and caper. Coming to the woman who lay before the monolith, he began to lash her with the switches he bore, and she leaped up and spun into the wild mazes of the most incredible dance I have ever seen. And her tormentor danced with her, keeping the wild rhythm, matching her every whirl and bound, while incessantly raining cruel blows on her naked body. And at every blow he shouted a single word, over and over, and all the people shouted it back. I could see the working of their lips, and now the faint far-off murmur of their voices merged and blended into one distant shout, repeated over and over with slobbering ecstasy. But what that one word was, I could not make out.

In dizzy whirls spun the wild dancers, while the lookers-on, standing still in their tracks, followed the rhythm of their dance with swaying bodies and weaving arms. Madness grew in the eyes of the capering votaress and was reflected in the eyes of the watchers. Wilder and more extravagant grew the whirling frenzy of that mad dance--it became a bestial and obscene thing, while the old hag howled and battered the drum like a crazy woman, and the switches cracked out a devil's tune.

Blood trickled down the dancer's limbs but she seemed not to feel the lashing save as a stimulus for further enormities of outrageous motion; bounding into the midst of the yellow smoke which now spread out tenuous tentacles to embrace both flying figures, she seemed to merge with that foul fog and veil herself with it. Then emerging into plain view, closely followed by the beast-thing that flogged her, she shot into an indescribable, explosive burst of dynamic mad motion, and on the very crest of that mad wave, she dropped suddenly to the sward, quivering and panting as if completely overcome by her frenzied exertions. The lashing continued with unabated violence and intensity and she began to wriggle toward the monolith on her belly. The priest--or such I will call him--followed, lashing her unprotected body with all the power of his arm as she writhed along, leaving a heavy track of blood on the trampled earth. She reached the monolith, and gasping and panting, flung both arms about it and covered the cold stone with fierce hot kisses, as in frenzied and unholy adoration.

The fantastic priest bounded high in the air, flinging away the red-dabbled switches, and the worshippers, howling and foaming at the mouths, turned on each other with tooth and nail, rending one another's garments and flesh in a blind passion of bestiality. The priest swept up the infant with a long arm, and shouting again that Name, whirled the wailing babe high in the air and dashed its brains out against the monolith, leaving a ghastly stain on the black surface. Cold with horror I saw him rip the tiny body open with his bare brutish fingers and fling handfuls of blood on the shaft, then toss the red and torn shape into the brazier, extinguishing flame and smoke in a crimson rain, while the maddened brutes behind him howled over and over that Name. Then suddenly they all fell prostrate, writhing like snakes, while the priest flung wide his gory hands as in triumph. I opened my mouth to scream my horror and loathing, but only a dry rattle sounded; a huge monstrous toad-like thing squatted on the top of the monolith!

I saw its bloated, repulsive and unstable outline against the moonlight, and set in what would have been the face of a natural creature, its huge, blinking eyes which reflected all the lust, abysmal greed, obscene cruelty and monstrous evil that has stalked the sons of men since their ancestors mowed blind and hairless in the tree-tops. In those grisly eyes were mirrored all the unholy things and vile secrets that sleep in the cities under the sea, and that skulk from the light of day in the blackness of primordial caverns. And so that ghastly thing that the unhallowed ritual of cruelty and sadism and blood had evoked from the silence of the hills, leered and blinked down on its bestial worshippers, who groveled in abhorrent abasement before it.

Now the beast-masked priest lifted the bound and weakly writhing girl in his brutish hands and held her up toward that horror on the monolith. And as that monstrosity sucked in its breath, lustfully and slobberingly, something snapped in my brain and I fell into a merciful faint.

I opened my eyes on a still white dawn. All the events of the night rushed back on me and I sprang up, then stared about me in amazement. The monolith brooded gaunt and silent above the sward which waved, green and untrampled, in the morning breeze. A few quick strides took me across the glade; here had the dancers leaped and bounded until the ground should have been trampled bare, and here had the votaress wriggled her painful way to the Stone, streaming blood on the earth. But no drop of crimson showed on the uncrushed sward. I looked, shudderingly, at the side of the monolith against which the bestial priest had brained the stolen baby--but no dark stain nor grisly clot showed there.

A dream! It had been a wild nightmare--or else--I shrugged my shoulders. What vivid clarity for a dream!

I returned quietly to the village and entered the inn without being seen. And there I sat meditating over the strange events of the night. More and more was I prone to discard the dream-theory. That what I had seen was illusion and without material substance, was evident. But I believed that I had looked on the mirrored shadow of a deed perpetrated in ghastly actuality in bygone days. But how was I to know?

What proof to show that my vision had been a gathering of foul specters rather than a mere nightmare originating in my own brain?

As if for answer a name flashed into my mind--Selim Bahadur! According to legend this man, who had been a soldier as well as a scribe, had commanded that part of Suleiman's army which had devastated Stregoicavar; it seemed logical enough; and if so, he had gone straight from the blotted-out countryside to the bloody field of Schomvaal, and his doom. I sprang up with a sudden shout--that manuscript which was taken from the Turk's body, and which Count Boris shuddered over--might it not contain some narration of what the conquering Turks found in Stregoicavar? What else could have shaken the iron nerves of the Polish adventurer? And since the bones of the Count had never been recovered, what more certain than that the lacquered case, with its mysterious contents, still lay hidden beneath the ruins that covered Boris Vladinoff? I began packing my bag with fierce haste.

Three days later found me ensconced in a little village a few miles from the old battlefield, and when the moon rose I was working with savage intensity on the great pile of crumbling stone that crowned the hill.

It was back-breaking toil--looking back now I can not see how I accomplished it, though I labored without a pause from moonrise to dawn. Just as the sun was coming up I tore aside the last tangle of stones and looked on all that was mortal of Count Boris Vladinoff--only a few pitiful fragments of crumbling bone--and among them, crushed out of all original shape, lay a case whose lacquered surface had kept it from complete decay through the centuries.

I seized it with frenzied eagerness, and piling back some of the stones on the bones I hurried away; for I did not care to be discovered by the suspicious peasants in an act of apparent desecration.

Back in my tavern chamber I opened the case and found the parchment comparatively intact; and there was something else in the case--a small squat object wrapped in silk. I was wild to plumb the secrets of those yellowed pages, but weariness forbade me. Since leaving Stregoicavar I had hardly slept at all, and the terrific exertions of the previous night combined to overcome me. In spite of myself I was forced to stretch myself on my bed, nor did I awake until sundown.

I snatched a hasty supper, and then in the light of a flickering candle, I set myself to read the neat Turkish characters that covered the parchment. It was difficult work, for I am not deeply versed in the language and the archaic style of the narrative baffled me. But as I toiled through it a word or a phrase here and there leaped at me and a dimly growing horror shook me in its grip. I bent my energies fiercely to the task, and as the tale grew clearer and took more tangible form my blood chilled in my veins, my hair stood up and my tongue clove to my mouth. All external things partook of the grisly madness of that infernal manuscript until the night sounds of insects and creatures in the woods took the form of ghastly murmurings and stealthy treadings of ghoulish horrors and the sighing of the night wind changed to tittering obscene gloating of evil over the souls of men.

At last when gray dawn was stealing through the latticed window, I laid down the manuscript and took up and unwrapped the thing in the bit of silk. Staring at it with haggard eyes I knew the truth of the matter was clinched, even had it been possible to doubt the veracity of that terrible manuscript.

And I replaced both obscene things in the case, nor did I rest or sleep or eat until that case containing them had been weighted with stones and flung into the deepest current of the Danube which, God grant, carried them back into the Hell from which they came.

It was no dream I dreamed on Midsummer Midnight in the hills above Stregoicavar. Well for Justin Geoffrey that he tarried there only in the sunlight and went his way, for had he gazed upon that ghastly conclave, his mad brain would have snapped before it did. How my own reason held, I do not know.

No--it was no dream--I gazed upon a foul rout of votaries long dead, come up from Hell to worship as of old; ghosts that bowed before a ghost. For Hell has long claimed their hideous god. Long, long he dwelt among the hills, a brain-shattering vestige of an outworn age, but no longer his obscene talons clutch for the souls of living men, and his kingdom is a dead kingdom, peopled only by the ghosts of those who served him in his lifetime and theirs.

By what foul alchemy or godless sorcery the Gates of Hell are opened on that one eery night I do not know, but mine own eyes have seen. And I know I looked on no living thing that night, for the manuscript written in the careful hand of Selim Bahadur narrated at length what he and his raiders found in the valley of Stregoicavar; and I read, set down in detail, the blasphemous obscenities that torture wrung from the lips of screaming worshippers; and I read, too, of the lost, grim black cavern high in the hills where the horrified Turks hemmed a monstrous, bloated, wallowing toad-like being and slew it with flame and ancient steel blessed in old times by Muhammad, and with incantations that were old when Arabia was young. And even staunch old Selim's hand shook as he recorded the cataclysmic, earth-shaking death-howls of the monstrosity, which died not alone; for a half-score of his slayers perished with him, in ways that Selim would not or could not describe.

And that squat idol carved of gold and wrapped in silk was an image of himself, and Selim tore it from the golden chain that looped the neck of the slain high priest of the mask.

Well that the Turks swept that foul valley with torch and cleanly steel! Such sights as those brooding mountains have looked on belong to the darkness and abysses of lost eons. No--it is not fear of the toad-thing that makes me shudder in the night. He is made fast in Hell with his nauseous horde, freed only for an hour on the most weird night of the year, as I have seen. And of his worshippers, none remains.

But it is the realization that such things once crouched beast-like above the souls of men which brings cold sweat to my brow; and I fear to peer again into the leaves of Von Junzt's abomination. For now I understand his repeated phrase of keys!--aye! Keys to Outer Doors--links with an abhorrent past and--who knows?--of abhorrent spheres of the present. And I understand why the cliffs look like battlements in the moonlight and why the tavern-keeper's nightmare-haunted nephew saw in his dream, the Black Stone like a spire on a cyclopean black castle. If men ever excavate among those mountains they may find incredible things below those masking slopes. For the cave wherein the Turks trapped the--

thing--was not truly a cavern, and I shudder to contemplate the gigantic gulf of eons which must stretch between this age and the time when the earth shook herself and reared up, like a wave, those blue mountains that, rising, enveloped unthinkable things. May no man ever seek to uproot that ghastly spire men call the Black Stone!

A Key! Aye, it is a Key, symbol of a forgotten horror. That horror has faded into the limbo from which it crawled, loathsomely, in the black dawn of the earth. But what of the other fiendish possibilities hinted at by Von Junzt--what of the monstrous hand which strangled out his life? Since reading what Selim Bahadur wrote, I can no longer doubt anything in the Black Book. Man was not always master of the earth--and is he now?

And the thought recurs to me--if such a monstrous entity as the Master of the Monolith somehow survived its own unspeakably distant epoch so long--what nameless shapes may even now lurk in the dark places of the world?

The Thing on the Roof

They lumber through the night

With their elephantine tread;

I shudder in affright

As I cower in my bed.

They lift colossal wings

On the high gable roofs

Which tremble to the trample

Of their mastodonic hoofs.

--Justin Geoffrey, Out of the Old Land

Let me begin by saying that I was surprized when Tussmann called on me. We had never been close friends; the man's mercenary instincts repelled me; and since our bitter controversy of three years before, when he attempted to discredit my Evidences of Nahua Culture in Yucatan, which was the result of years of careful research, our relations had been anything but cordial. However, I received him and found his manner hasty and abrupt, but rather abstracted, as if his dislike for me had been thrust aside in some driving passion that had hold of him.

His errand was quickly stated. He wished my aid in obtaining a volume in the first edition of Von Junzt's Nameless Cults--the edition known as the Black Book, not from its color, but because of its dark contents. He might almost as well have asked me for the original Greek translation of the Necronomicon.

Though since my return from Yucatan I had devoted practically all my time to my avocation of book collecting, I had not stumbled on to any hint that the book in the Düsseldorf edition was still in existence.

A word as to this rare work. Its extreme ambiguity in spots, coupled with its incredible subject matter, has caused it long to be regarded as the ravings of a maniac and the author was damned with the brand of insanity. But the fact remains that much of his assertions are unanswerable, and that he spent the full forty-five years of his life prying into strange places and discovering secret and abysmal things. Not a great many volumes were printed in the first edition and many of these were burned by their frightened owners when Von Junzt was found strangled in a mysterious manner, in his barred and bolted chamber one night in 1840, six months after he had returned from a mysterious journey to Mongolia.

Five years later a London printer, one Bridewall, pirated the work, and issued a cheap translation for sensational effect, full of grotesque wood-cuts, and riddled with misspellings, faulty translations and the usual errors of a cheap and unscholarly printing. This still further discredited the original work, and publishers and public forgot about the book until 1909 when the Golden Goblin Press of New York brought out an edition.

Their production was so carefully expurgated that fully a fourth of the original matter was cut out; the book was handsomely bound and decorated with the exquisite and weirdly imaginative illustrations of Diego Vasquez. The edition was intended for popular consumption but the artistic instinct of the publishers defeated that end, since the cost of issuing the book was so great that they were forced to cite it at a prohibitive price.

I was explaining all this to Tussmann when he interrupted brusquely to say that he was not utterly ignorant in such matters. One of the Golden Goblin books ornamented his library, he said, and it was in it that he found a certain line which aroused his interest. If I could procure him a copy of the original 1839 edition, he would make it worth my while; knowing, he added, that it would be useless to offer me money, he would, instead, in return for my trouble in his behalf, make a full retraction of his former accusations in regard to my Yucatan researches, and offer a complete apology in The Scientific News.

I will admit that I was astounded at this, and realized that if the matter meant so much to Tussmann that he was willing to make such concessions, it must indeed be of the utmost importance. I answered that I considered that I had sufficiently refuted his charges in the eyes of the world and had no desire to put him in a humiliating position, but that I would make the utmost efforts to procure him what he wanted.

He thanked me abruptly and took his leave, saying rather vaguely that he hoped to find a complete exposition of something in the Black Book which had evidently been slighted in the later edition.

I set to work, writing letters to friends, colleagues and book-dealers all over the world, and soon discovered that I had assumed a task of no small magnitude. Three months elapsed before my efforts were crowned with success, but at last, through the aid of Professor James Clement of Richmond, Virginia, I was able to obtain what I wished.

I notified Tussmann and he came to London by the next train. His eyes burned avidly as he gazed at the thick, dusty volume with its heavy leather covers and rusty iron hasps, and his fingers quivered with eagerness as he thumbed the time-yellowed pages.

And when he cried out fiercely and smashed his clenched fist down on the table I knew that he had found what he hunted.

"Listen!" he commanded, and he read to me a passage that spoke of an old, old temple in a Honduras jungle where a strange god was worshipped by an ancient tribe which became extinct before the coming of the Spaniards. And Tussmann read aloud of the mummy that had been, in life, the last high priest of that vanished people, and which now lay in a chamber hewn in the solid rock of the cliff against which the temple was built. About that mummy's withered neck was a copper chain, and on that chain a great red jewel carved in the form of a toad. This jewel was a key, Von Junzt went on to say, to the treasure of the temple which lay hidden in a subterranean crypt far below the temple's altar.

Tussmann's eyes blazed.

"I have seen that temple! I have stood before the altar. I have seen the sealed-up entrance of the chamber in which, the natives say, lies the mummy of the priest. It is a very curious temple, no more like the ruins of the prehistoric Indians than it is like the buildings of the modern Latin-Americans. The Indians in the vicinity disclaim any former connection with the place; they say that the people who built that temple were a different race from themselves, and were there when their own ancestors came into the country. I believe it to be a remnant of some long-vanished civilization which began to decay thousands of years before the Spaniards came.

"I would have liked to have broken into the sealed-up chamber, but I had neither the time nor the tools for the task. I was hurrying to the coast, having been wounded by an accidental gunshot in the foot, and I stumbled on to the place purely by chance.

"I have been planning to have another look at it, but circumstances have prevented--now I intend to let nothing stand in my way! By chance I came upon a passage in the Golden Goblin edition of this book, describing the temple. But that was all; the mummy was only briefly mentioned. Interested, I obtained one of Bridewall's translations but ran up against a blank wall of baffling blunders. By some irritating mischance the translator had even mistaken the location of the Temple of the Toad, as Von Junzt calls it, and has it in Guatemala instead of Honduras. The general description is faulty, but the jewel is mentioned and the fact that it is a 'key.' But a key to what, Bridewall's book does not state. I now felt that I was on the track of a real discovery, unless Von Junzt was, as many maintain, a madman. But that the man was actually in Honduras at one time is well attested, and no one could so vividly describe the temple--as he does in the Black Book--unless he had seen it himself. How he learned of the jewel is more than I can say. The Indians who told me of the mummy said nothing of any jewel. I can only believe that Von Junzt found his way into the sealed crypt somehow--the man had uncanny ways of learning hidden things.

"To the best of my knowledge only one other white man has seen the Temple of the Toad besides Von Junzt and myself--the Spanish traveller Juan Gonzalles, who made a partial exploration of that country in 1793. He mentioned, briefly, a curious fane that differed from most Indian ruins, and spoke skeptically of a legend current among the natives that there was 'something unusual' hidden under the temple. I feel certain that he was referring to the Temple of the Toad.

"Tomorrow I sail for Central America. Keep the book; I have no more use for it. This time I am going fully prepared and I intend to find what is hidden in that temple, if I have to demolish it. It can be nothing less than a great store of gold! The Spaniards missed it, somehow; when they arrived in Central America, the Temple of the Toad was deserted; they were searching for living Indians from whom torture could wring gold; not for mummies of lost peoples. But I mean to have that treasure."

So saying Tussman took his departure. I sat down and opened the book at the place where he had left off reading, and I sat until midnight, wrapt in Von Junzt's curious, wild and at times utterly vague expoundings. And I found pertaining to the Temple of the Toad certain things which disquieted me so much that the next morning I attempted to get in touch with Tussmann, only to find that he had already sailed.

Several months passed and then I received a letter from Tussmann, asking me to come and spend a few days with him at his estate in Sussex; he also requested me to bring the Black Book with me.

I arrived at Tussmann's rather isolated estate just after nightfall. He lived in almost feudal state, his great ivy-grown house and broad lawns surrounded by high stone walls. As I went up the hedge-bordered way from the gate to the house, I noted that the place had not been well kept in its master's absence.

Weeds grew rank among the trees, almost choking out the grass. Among some unkempt bushes over against the outer wall, I heard what appeared to be a horse or an ox blundering and lumbering about. I distinctly heard the clink of its hoof on a stone.

A servant who eyed me suspiciously admitted me and I found Tussmann pacing to and fro in his study like a caged lion. His giant frame was leaner, harder than when I had last seen him; his face was bronzed by a tropic sun. There were more and harsher lines in his strong face and his eyes burned more intensely than ever. A smoldering, baffled anger seemed to underlie his manner.

"Well, Tussmann," I greeted him, "what success? Did you find the gold?"

"I found not an ounce of gold," he growled. "The whole thing was a hoax--well, not all of it. I broke into the sealed chamber and found the mummy--"

"And the jewel?" I exclaimed.

He drew something from his pocket and handed it to me.

I gazed curiously at the thing I held. It was a great jewel, clear and transparent as crystal, but of a sinister crimson, carved, as Von Junzt had declared, in the shape of a toad. I shuddered involuntarily; the image was peculiarly repulsive. I turned my attention to the heavy and curiously wrought copper chain which supported it.

"What are these characters carved on the chain?" I asked curiously.

"I can not say," Tussmann replied. "I had thought perhaps you might know. I find a faint resemblance between them and certain partly defaced hieroglyphics on a monolith known as the Black Stone in the mountains of Hungary. I have been unable to decipher them."

"Tell me of your trip," I urged, and over our whiskey-and-sodas he began, as if with a strange reluctance.

"I found the temple again with no great difficulty, though it lies in a lonely and little-frequented region. The temple is built against a sheer stone cliff in a deserted valley unknown to maps and explorers. I would not endeavor to make an estimate of its antiquity, but it is built of a sort of unusually hard basalt, such as I have never seen anywhere else, and its extreme weathering suggests incredible age.

"Most of the columns which form its facade are in ruins, thrusting up shattered stumps from worn bases, like the scattered and broken teeth of some grinning hag. The outer walls are crumbling, but the inner walls and the columns which support such of the roof as remains intact, seem good for another thousand years, as well as the walls of the inner chamber.

"The main chamber is a large circular affair with a floor composed of great squares of stone. In the center stands the altar, merely a huge, round, curiously carved block of the same material. Directly behind the altar, in the solid stone cliff which forms the rear wall of the chamber, is the sealed and hewn-out chamber wherein lay the mummy of the temple's last priest.

"I broke into the crypt with not too much difficulty and found the mummy exactly as is stated in the Black Book. Though it was in a remarkable state of preservation, I was unable to classify it. The withered features and general contour of the skull suggested certain degraded and mongrel peoples of lower Egypt, and I feel certain that the priest was a member of a race more akin to the Caucasian than the Indian. Beyond this, I can not make any positive statement.

"But the jewel was there, the chain looped about the dried-up neck."

From this point Tussmann's narrative became so vague that I had some difficulty in following him and wondered if the tropic sun had affected his mind. He had opened a hidden door in the altar somehow with the jewel--just how, he did not plainly say, and it struck me that he did not clearly understand himself the action of the jewel-key. But the opening of the secret door had had a bad effect on the hardy rogues in his employ. They had refused point-blank to follow him through that gaping black opening which had appeared so mysteriously when the gem was touched to the altar.

Tussmann entered alone with his pistol and electric torch, finding a narrow stone stair that wound down into the bowels of the earth, apparently. He followed this and presently came into a broad corridor, in the blackness of which his tiny beam of light was almost engulfed. As he told this he spoke with strange annoyance of a toad which hopped ahead of him, just beyond the circle of light, all the time he was below ground.

Making his way along dank tunnels and stairways that were wells of solid blackness, he at last came to a heavy door fantastically carved, which he felt must be the crypt wherein was secreted the gold of the ancient worshippers. He pressed the toad-jewel against it at several places and finally the door gaped wide.

"And the treasure?" I broke in eagerly.

He laughed in savage self-mockery.

"There was no gold there, no precious gems--nothing"--he hesitated--"nothing that I could bring away."

Again his tale lapsed into vagueness. I gathered that he had left the temple rather hurriedly without searching any further for the supposed treasure. He had intended bringing the mummy away with him, he said, to present to some museum, but when he came up out of the pits, it could not be found and he believed that his men, in superstitious aversion to having such a companion on their road to the coast, had thrown it into some well or cavern.

"And so," he concluded, "I am in England again no richer than when I left."

"You have the jewel," I reminded him. "Surely it is valuable."

He eyed it without favor, but with a sort of fierce avidness almost obsessional.

"Would you say that it is a ruby?" he asked.

I shook my head. "I am unable to classify it."

"And I. But let me see the book."

He slowly turned the heavy pages, his lips moving as he read. Sometimes he shook his head as if puzzled, and I noticed him dwell long over a certain line.

"This man dipped so deeply into forbidden things," said he, "I can not wonder that his fate was so strange and mysterious. He must have had some foreboding of his end--here he warns men not to disturb sleeping things."

Tussmann seemed lost in thought for some moments.

"Aye, sleeping things," he muttered, "that seem dead, but only lie waiting for some blind fool to awake them--I should have read further in the Black Book--and I should have shut the door when I left the crypt--but I have the key and I'll keep it in spite of hell."

He roused himself from his reveries and was about to speak when he stopped short. From somewhere upstairs had come a peculiar sound.

"What was that?" He glared at me. I shook my head and he ran to the door and shouted for a servant.

The man entered a few moments later and he was rather pale.

"You were upstairs?" growled Tussmann.

"Yes, sir."

"Did you hear anything?" asked Tussmann harshly and in a manner almost threatening and accusing.

"I did, sir," the man answered with a puzzled look on his face.

"What did you hear?" The question was fairly snarled.

"Well, sir," the man laughed apologetically, "you'll say I'm a bit off, I fear, but to tell you the truth, sir, it sounded like a horse stamping around on the roof!"

A blaze of absolute madness leaped into Tussmann's eyes.

"You fool!" he screamed. "Get out of here!" The man shrank back in amazement and Tussmann snatched up the gleaming toad-carved jewel.

"I've been a fool!" he raved. "I didn't read far enough--and I should have shut the door--but by heaven, the key is mine and I'll keep it in spite of man or devil."

And with these strange words he turned and fled upstairs. A moment later his door slammed heavily and a servant, knocking timidly, brought forth only a blasphemous order to retire and a luridly worded threat to shoot any one who tried to obtain entrance into the room.

Had it not been so late I would have left the house, for I was certain that Tussmann was stark mad. As it was, I retired to the room a frightened servant showed me, but I did not go to bed. I opened the pages of the Black Book at the place where Tussmann had been reading.

This much was evident, unless the man was utterly insane: he had stumbled upon something unexpected in the Temple of the Toad. Something unnatural about the opening of the altar door had frightened his men, and in the subterraneous crypt Tussmann had found something that he had not thought to find. And I believed that he had been followed from Central America, and that the reason for his persecution was the jewel he called the Key.

Seeking some clue in Von Junzt's volume, I read again of the Temple of the Toad, of the strange pre-Indian people who worshipped there, and of the huge, tittering, tentacled, hoofed monstrosity that they worshipped.

Tussmann had said that he had not read far enough when he had first seen the book. Puzzling over this cryptic phrase I came upon the line he had pored over--marked by his thumb nail. It seemed to me to be another of Von Junzt's many ambiguities, for it merely stated that a temple's god was the temple's treasure. Then the dark implication of the hint struck me and cold sweat beaded my forehead.

The Key to the Treasure! And the temple's treasure was the temple's god! And sleeping Things might awaken on the opening of their prison door! I sprang up, unnerved by the intolerable suggestion, and at that moment something crashed in the stillness and the death-scream of a human being burst upon my ears.

In an instant I was out of the room, and as I dashed up the stairs I heard sounds that have made me doubt my sanity ever since. At Tussmann's door I halted, essaying with shaking hand to turn the knob.

The door was locked, and as I hesitated I heard from within a hideous high-pitched tittering and then the disgusting squashy sound as if a great, jelly-like bulk was being forced through the window. The sound ceased and I could have sworn I heard a faint swish of gigantic wings. Then silence.

Gathering my shattered nerves, I broke down the door. A foul and overpowering stench billowed out like a yellow mist. Gasping in nausea I entered. The room was in ruins, but nothing was missing except that crimson toad-carved jewel Tussmann called the Key, and that was never found. A foul, unspeakable slime smeared the window-sill, and in the center of the room lay Tussmann, his head crushed and flattened; and on the red ruin of skull and face, the plain print of an enormous hoof.

The Dweller in Dark Valley

The nightwinds tossed the tangled trees, the stars were cold with scorn; Midnight lay over Dark Valley the hour I was born.

The mid-wife dozed beside the hearth, a hand the window tried--

She woke and stared and screamed and swooned at what she saw outside.

Her hair was white as a leper's hand, she never spoke again; But laughed and wove the wild flowers into an endless chain.

But when my childish tongue could speak, and my infant feet could stray, I found her dying in the hills at the haunted dusk of day.

And her darkening eyes at last were sane; she passed with a fearsome word:

"You who were born in Dark Valley, beware the Valley's lord!"

As I came down through Dark Valley, the grim hills gulped the light; I heard the ponderous tramping of a monster in the night.

The great trees leaned together, the vines ensnared my feet, I heard across the darkness my own heart's thundering beat.

Damned be the dark ends of the earth where old horrors live again.

And monsters of lost ages lurk to eat the souls of men!

I climbed the ridge into the moon and trembling there I turned--

Down in the blasted shadows two eyes like hellfire burned.

Under the black malignant trees a shapeless Shadow fell--

I go no more to Dark Valley which is the Gate of Hell.