I mean no offense to anyone, but there can be little dispute that the funniest mystery writer who ever lived was Donald E. Westlake. He showed his versatility by also writing a very hard-boiled series about the tough professional thief Parker, using the pen name Richard Stark, and the poignant series about Mitch Tobin, under the pseudonym Tucker Coe. It is for his complex and hilarious caper novels, mainly about the unlucky criminal genius John Dortmunder, for whom every perfectly planned burglary goes woefully wrong, that Westlake has been most honored, notably by the Mystery Writers of America, which named him a Grand Master for lifetime achievement in 1993. “The Burglar and the Whatsit” was first published in Playboy in 1996; it was first collected in A Good Story and Other Stories (Unity, ME, Five Star, 1999).
“Hey, Sanity Clause,” shouted the drunk from up the hall. “Wait up. C’mere.”
The man in the red Santa Claus suit, with the big white beard on his face and the big heavy red sack on his shoulder, did not wait up, and did not come here, but instead continued to plod on down the hall in this high floor of a Manhattan apartment building in the middle of a cold evening in the middle of December.
“Hey, Sanity! Wait up, will ya?”
The man in the Santa Claus suit did not at all want to wait up, but on the other hand he also did not at all want a lot of shouting in this hall here, because in fact he was not your normal Santa Claus but was something else entirely, which was a burglar, named Jack. This Jack was a burglar who had learned some time ago that if he were to enter apartment buildings costumed like the sort of person who in the normal course of events would carry on himself some sort of large bag or box or reticule or sack, he could probably fill that sack or whatever with any number of valuable items without much risk of his being challenged, questioned, or — in the worst case — arrested.
Often, therefore, this Jack would roam the corridors of the cliff dwellers garbed as, for instance, a mailman or other parcel delivery person, or as a supermarket clerk pushing a cart full of grocery bags (paper, because you can see through plastic, and plastic bags don’t stand up). Just once he’d been a doctor, with a stethoscope and a doctor’s black bag, but that time he’d been snagged at once, for everybody knows doctors don’t make house calls. A master of disguise, Jack even occasionally appeared as a Chinese restaurant delivery guy. The bicycle clip around his right ankle, to protect his pants leg from the putative bicycle’s supposed chain, was the masterstroke of that particular impersonation.
But the best was Santa Claus. First of all, the disguise was so complete, with the false stomach and the beard and the hat and the gloves. Also, the Santa sack was more capacious than almost anything else he could carry. And finally, people liked Santa Claus, and it made the situation more humane, somehow, gentler and nicer, to be smiled upon by the people he’d just robbed.
The downside of Santa was that his season was so short. There was only about a three-week period in December when the appearance of a Santa Claus in an apartment building’s public areas would not raise more questions than it would answer. But those three weeks were the peak of the year for Jack, when he could move in warmth and safety and utter anonymity, his sack full of gifts — not for the nearby residents but from them. And all in peace and quiet, because people leave Santa Claus alone, when they see him they know he’s on his way somewhere, to a party or a chimney or something.
So they leave Santa alone. Except for this drunk here, shouting in the hallway. Jack the burglar didn’t need a lot of shouting in the hallway, and he didn’t want a lot of shouting in the hallway, so with some reluctance he turned around at last and waited up, gazing at the approaching drunk from eyes that were the one false in the costume: They definitely did not twinkle.
The drunk reeled closer and stared at the burglar out of his own awful eyes, like blue eggs sunny-side up. “You’re just the guy I need,” he announced, inaccurately, for clearly what he most urgently needed was both a 12-step program and a whole lot of large, humorless people to enforce it.
The burglar waited, and the drunk leaned against the wall to keep the building from falling over. “If anybody can get the goddamn thing to work,” he said, “it’s Sanity Clause. But don’t talk to me about batteries. Batteries not included is not the problem here.”
“Good,” the burglar said, and then expanded on that: “Goodbye.”
“Wait!” the drunk shouted as the burglar turned away.
The burglar turned back. “Don’t shout,” he said.
“Well, don’t keep going away,” the drunk told him. “I got a real problem here.”
The burglar sighed through his thick white beard. One of the reasons he’d taken up this line of work in the first place was that you could do it alone. “All right,” he said, hoping this would be short, at least. “What’s the problem?”
“Come on, I’ll show you.” Risking all, the drunk pushed off from the wall and tottered away down the hall. The burglar followed him, and the drunk touched his palm to an apartment door, which clicked and swung open — that was cute — and they went inside. The door swung shut, and the burglar stopped dead and stared.
Jack the burglar had seen a lot of living rooms in his business, but this one was definitely the strangest. Nothing in it looked right. All the furniture, if that’s what it was, consisted of hard and soft shapes from geometry class, in a variety of pastel colors. Tall narrow things that looked like metal plants might have been lamps. Short wide things that crouched could have been chairs. Some of the stuff didn’t seem to be anything in particular at all.
The drunk tottered through this abstract landscape to an inner doorway, then said, “Be right back,” and disappeared.
The burglar made a circuit of the room, and to his surprise found items of interest. A small pale pyramid turned out to be a clock; into his sack it went. Also, this avocado with ears seemed to be a CD player; pop, in it went.
In a far corner, in amazing contrast to everything else, stood a Christmas tree, fat and richly green and hung with a million ornaments, the only normal object in sight. Or, wait a minute. The burglar stared and frowned, and the Christmas tree shimmered over there as though it were about to be beamed up to the starship Enterprise. What was wrong with that tree?
The drunk returned, aglow with happy pride. Waving at the wavering Christmas tree, he said, “Whaddya think?”
“What is it, that’s what I think.”
“A hologram,” the drunk said. “You can walk all around it, see all the sides, and you never have to water it, and it never drops a needle and you can use it next year. Pretty good, huh?”
“It isn’t traditional,” the burglar said. He had his own sense of the fitness of things.
“Tra-dish-unal!” The drunk almost knocked himself over, he rocketed that word out so hard. “I don’t need tradition, I’m an inventor!” Pointing at a whatsit that was just now following him into the room, he said, “See?”
The burglar saw. This whatsit was a metal box, pebbly gray, about four feet tall and a foot square, scattered all over with dials and switches and antennas, plus a smooth dome on the top and little wheels on the bottom that hummed as the thing came straight across the bare gray floor to stop in front of the burglar and go, “Chick-chick, chillick, chillick.”
The burglar didn’t like this artifact at all. He said. “Well what’s this supposed to be?”
“That’s just it,” the drunk said and collapsed backward onto a trapezoid that just possibly could have been a sofa. “I don’t know what the heck it is.”
“I don’t like it,” the burglar said. The thing buzzed and chicked as though it were a supermarket scanner and Jack the burglar were equipped with a bar code. “It’s making me nervous.”
“It makes me nervous,” the drunk said. “I invented the darn thing, and I don’t know what it’s for. Whyn’t you sit down?”
The burglar looked around. “On what?”
“Oh, anything. You want an eggnog?”
Revolted, the burglar said, “Eggnog? No!” And he sat on a nearby rhomboid, which fortunately was more comfortable than it looked.
“I just thought, you know, the uniform,” the drunk said, and sat up straighter on his trapezoid and began to applaud.
What’s he got to applaud about? But here came another whatsit, this one with skinny metal arms and a head shaped like a tray. The drunk told it, “I’ll have the usual.” To the burglar he said, “And what for you?”
“Nothing,” said the burglar. “Not, uh, on duty.”
“OK. Give him a seltzer with a slice of lime,” he told the tray-headed whatsit, and the thing wheeled about and left as the drunk explained, “I don’t like to see anybody without a glass.”
“So you got a lot of these, uh, things, huh? Invented them all?”
“Used to have a lot more,” the drunk said, getting mad, “but a bunch got stolen. Goddamn it, goddamn it!”
“Oh, yeah?”
“If I could get my hands on those burglars!” The drunk tried to demonstrate a pretend choke in midair, but his fingers got all tangled together, and in trying to untangle them he fell over on his side. Lying there on the trapezoid, one eye visible, he glared at the domed whatsit hovering near the burglar and snarled, “I wish they’d steal that thing.”
The burglar said, “How can you invent it and not know what it is?”
“Easy.” The drunk, with a lot of arm and leg movements, pushed himself back to a seated position as the bartender whatsit came rolling back into the room with two drinks on its head/tray. It zipped past the drunk, who grabbed his glass from it on the fly, then paused in front of the burglar on the rhomboid, who accepted the glass of seltzer and suppressed the urge to say “Thanks.”
Tray-head wheeled around the enigmatic whatsit and left. The drunk frowned at the whatsit and said, “Half the things I invent I don’t remember. I just do them. I do the drawing and fax it to my construction people, and then I go think about other things. And after a while, dingdong, United Parcel, and there it is, according to specifikah — speci — plan.”
“Then how do you find out what anything’s for?
“I leave myself a note in the computer when I invent it. When the package shows up, I check back and the screen says, ‘We now have a perfect vacuum cleaner.’ Or, ‘We now have a perfect pocket calculator.’ ”
“How come you didn’t do that this time?”
“I did!” A growl escaped the drunk’s throat and his face reddened with remembered rage. “Somebody stole the computer!”
“Ah,” said the burglar.
“So, here I am,” the drunk went on, pointing with his free hand at himself and the whatsit and his drink and the Christmas tree and various other things, “here I am, I got this thing — for all I know it’s some sorta boon to mankind, a perfect Christmas present to humanity — and I don’t know what it is!”
“But what do you want from me?” the burglar asked, shifting on his rhomboid. “I don’t know about inventions.”
“You know about things,” the drunk told him. “You know about stuff. Nobody in the world knows stuff like Sanity Clause. Electric pencil sharpeners. Jigsaw puzzles. Stuff.”
“Yeah? And? So?”
“So tell me stuff,” the drunk said. “Any kinda stuff that you can think of, and I’ll tell you if I did one yet, and when it’s something I never did we’ll try out some commands on Junior here and see what happens.”
“I don’t know,” the burglar said, as the whatsit at last wheeled away from him and out into the middle of the room. It stopped, as though poised there. “You mean, just say products to you?”
“S’only thing I can think off,” the drunk explained, “that might help.” Then he sat up even more and gaped at the whatsit. “Looka that!”
The whatsit was extruding more aerials. Little lights ran around its square body. A buzzing sound came from within. The burglar said, “It isn’t gonna explode, is it?”
“I don’t think so,” the drunk said. “It looks like it’s broadcasting. Suppose I invented something to look for intelligence on other planets?”
“Would you want something like that?”
The drunk considered, then shook his head. “No. You’re right, it isn’t that.” Perking up, he said, “But you got the idea, right? Try me, come on, tell me stuff. We gotta get moving here. I gotta figure out what this thing’s supposed to do before it starts doing it all on its own. Come on, come on.”
The burglar thought. He wasn’t actually Santa Claus, of course, but he was certainly familiar with stuff. “A fax machine,” he said, there being three of them at the moment in his sack on the floor beside the rhomboid.
“Did one,” the drunk said. “Recycles newspapers, prints on it.”
“Coffee maker.”
“Part of my breakfast maker.”
“Rock polisher.”
“Don’t want one.”
“Air purifier.”
“I manufacture my own air in here.”
They went on like that, the burglar pausing to think of more things, trying them out, bouncing them off the drunk, but none of them right, while the whatsit entertained itself with its chirruping and buzzing in the middle of the room, until at last the burglar’s mind had become drained of artifacts, of ideas, of things, of stuff. “I’m sorry, pal,” the burglar said, after their final silence. Shaking his head, he got up from the rhomboid, picked up his sack, and said, “I’d like to help. But I gotta get on with my life, you know?”
“I appreciate all you done,” the drunk said, trying but failing to stand. Then, getting mad all over again, he clenched his fists and shouted, “If only they didn’t steal my computer!” He pointed an angry fist toward a keypad beside the front door. “You see that pad? That’s the building’s so-called burglar alarm! Ha! Burglars laugh at it!”
They did. Jack himself had laughed at several of them just tonight. “Hard to find a really good burglar al—” he said, and stopped.
They both stared at the whatsit, still buzzing away at itself like a drum machine with the mute on. “By golly,” breathed the drunk, “you got it.”
The burglar frowned. “It’s a burglar alarm?
That thing?”
“It’s the perfect burglar alarm,” the drunk said, and bounced around with new confidence on his trapezoid. “You know what’s wrong with regular burglar alarms?” he demanded.
“They aren’t very good,” the burglar said.
“They trap the innocent,” the drunk told him, “and they’re too stupid to catch the guilty.”
“That’s pretty much true,” the burglar agreed.
“A perfect burglar alarm would sense burglars, know them by a thousand tiny indications, too subtle for you and me, and call the cops before they could pull the job!”
Behind his big white Santa Claus beard, Jack the burglar’s chin felt itchy all of a sudden. The big round fake stomach beneath his red costume was heavier than before. Giving the whatsit a sickly smile, he said, “A machine that can sense burglars? Impossible.”
“No, sir,” said the drunk. “Heavier-than-air flight is impossible. Sensing guilt is a snap, for the right machine.” Contemplating his invention, frowning in thought, the drunk said, “But it was broadcasting. Practicing, do you suppose? Telling me it’s ready to go to work?”
“Me, too,” the burglar said, moving toward the door.
“Go to work. Nice to—”
The doorbell rang. “Huh,” the drunk said. “Who do you suppose that is at this hour?”
Bookies, con men, robbers, bootleggers, prostitutes, and murderers populate the stories of Damon Runyon, but they are generally presented as having hearts of gold. Runyon always will be associated with New York’s Broadway and the colorful characters whose humorous slang enlivened his prose. Shady characters and members of the underworld are usually involved in his stories, most famously Guys and Dolls, which was adapted as a popular musical and a motion picture. He eventually went to Hollywood to write movies, producing the Shirley Temple vehicle Little Miss Marker, based on his short story about bookies. “Dancing Dan’s Christmas” was first published in the December 21, 1932, issue of Collier’s Weekly; it was collected in Blue Plate Special (New York, Stokes, 1934).
Now one time it comes on Christmas, and in fact it is the evening before Christmas, and I am in Good Time Charley Bernstein’s little speakeasy in West Forty-seventh Street, wishing Charley a Merry Christmas and having a few hot Tom and Jerrys with him.
This hot Tom and Jerry is an old time drink that is once used by one and all in this country to celebrate Christmas with, and in fact it is once so popular that many people think Christmas is invented only to furnish an excuse for hot Tom and Jerry, although of course this is by no means true.
But anybody will tell you that there is nothing that brings out the true holiday spirit like hot Tom and Jerry, and I hear that since Tom and Jerry goes out of style in the United States, the holiday spirit is never quite the same.
Well, as Good Time Charley and I are expressing our holiday sentiments to each other over our hot Tom and Jerry, and I am trying to think up the poem about the night before Christmas and all through the house, which I know will interest Charley no little, all of a sudden there is a big knock at the front door, and when Charley opens the door, who comes in carrying a large package under one arm but a guy by the name of Dancing Dan.
This Dancing Dan is a good-looking young guy, who always seems well-dressed, and he is called by the name of Dancing Dan because he is a great hand for dancing around and about with dolls in night clubs, and other spots where there is any dancing. In fact, Dan never seems to be doing anything else, although I hear rumors that when he is not dancing he is carrying on in a most illegal manner at one thing and another. But of course you can always hear rumors in this town about anybody, and personally I am rather fond of Dancing Dan as he always seems to be getting a great belt out of life.
Anybody in town will tell you that Dancing Dan is a guy with no Barnaby whatever in him, and in fact he has about as much gizzard as anybody around, although I wish to say I always question his judgment in dancing so much with Miss Muriel O’Neill, who works in the Half Moon night club. And the reason I question his judgment in this respect is because everybody knows that Miss Muriel O’Neill is a doll who is very well thought of by Heine Schmitz, and Heine Schmitz is not such a guy as will take kindly to anybody dancing more than once and a half with a doll that he thinks well of.
Well, anyway, as Dancing Dan comes in, he weighs up the joint in one quick peek, and then he tosses the package he is carrying into a corner where it goes plunk, as if there is something very heavy in it, and then he steps up to the bar alongside of Charley and me and wishes to know what we are drinking.
Naturally we start boosting hot Tom and Jerry to Dancing Dan, and he says he will take a crack at it with us, and after one crack, Dancing Dan says he will have another crack, and Merry Christmas to us with it, and the first thing anybody knows it is a couple of hours later and we still are still having cracks at the hot Tom and Jerry with Dancing Dan, and Dan says he never drinks anything so soothing in his life. In fact, Dancing Dan says he will recommend Tom and Jerry to everybody he knows, only he does not know anybody good enough for Tom and Jerry, except maybe Miss Muriel O’Neill, and she does not drink anything with drugstore rye in it.
Well, several times while we are drinking this Tom and Jerry, customers come to the door of Good Time Charley’s little speakeasy and knock, but by now Charley is commencing to be afraid they will wish Tom and Jerry, too, and he does not feel we will have enough for ourselves, so he hangs out a sign which says “Closed on Account of Christmas,” and the only one he will let in is a guy by the name of Ooky, who is nothing but an old rumdum, and who is going around all week dressed like Santa Claus and carrying a sign advertising Moe Lewinsky’s clothing joint around in Sixth Avenue.
This Ooky is still wearing his Santa Claus outfit when Charley lets him in, and the reason Charley permits such a character as Ooky in his joint is because Ooky does the porter work for Charley when he is not Santa Claus for Moe Lewinsky, such as sweeping out, and washing the glasses, and one thing and another.
Well, it is about nine-thirty when Ooky comes in, and his puppies are aching, and he is all petered out generally from walking up and down and here and there with his sign, for any time a guy is Santa Claus for Moe Lewinsky he must earn his dough. In fact, Ooky is so fatigued, and his puppies hurt him so much that Dancing Dan and Good Time Charley and I all feel very sorry for him, and invite him to have a few mugs of hot Tom and Jerry with us, and wish him plenty of Merry Christmas.
But old Ooky is not accustomed to Tom and Jerry and after about the fifth mug he folds up in a chair, and goes right to sleep on us. He is wearing a pretty good Santa Claus makeup, what with a nice red suit trimmed with white cotton, and a wig, and false nose, and long white whiskers, and a big sack stuffed with excelsior on his back, and if I do not know Santa Claus is not apt to be such a guy as will snore loud enough to rattle the windows, I will think Ooky is Santa Claus sure enough.
Well, we forget Ooky and let him sleep, and go on with our hot Tom and Jerry, and in the meantime we try to think up a few songs appropriate to Christmas, and Dancing Dan finally renders “My Dad’s Dinner Pail” in a nice baritone and very loud, while I do first rate with “Will You Love Me in December As You Do in May?”
About midnight Dancing Dan wishes to see how he looks as Santa Claus.
So Good Time Charley and I help Dancing Dan pull off Ooky’s outfit and put it on Dan, and this is easy as Ooky only has this Santa Claus outfit on over his ordinary clothes, and he does not even wake up when we are undressing him of the Santa Claus uniform.
Well, I wish to say I see many a Santa Claus in my time, but I never see a better-looking Santa Claus than Dancing Dan, especially after he gets the wig and white whiskers fixed just right, and we put a sofa pillow that Good Time Charley happens to have around the joint for the cat to sleep on down his pants to give Dancing Dan a nice fat stomach such as Santa Claus is bound to have.
“Well,” Charley finally says, “it is a great pity we do not know where there are some stockings hung up somewhere, because then,” he says, “you can go around and stuff things in these stockings, as I always hear this is the main idea of a Santa Claus. But,” Charley says, “I do not suppose anybody in this section has any stockings hung up, or if they have,” he says, “the chances are they are so full of holes they will not hold anything. Anyway,” Charley says, “even if there are any stockings hung up we do not have anything to stuff in them, although personally,” he says, “I will gladly donate a few pints of Scotch.”
Well, I am pointing out that we have no reindeer and that a Santa Claus is bound to look like a terrible sap if he goes around without any reindeer, but Charley’s remarks seem to give Dancing Dan an idea, for all of a sudden he speaks as follows:
“Why,” Dancing Dan says, “I know where a stocking is hung up. It is hung up at Miss Muriel O’Neill’s flat over here in West Forty-ninth Street. This stocking is hung up by nobody but a party by the name of Gammer O’Neill, who is Miss Muriel O’Neill’s grandmamma,” Dancing Dan says. “Gammer O’Neill is going on ninety-odd,” he says, “and Miss Muriel O’Neill tells me she cannot hold out much longer, what with one thing and another, including being a little childish in spots.
“Now,” Dancing Dan says, “I remember Miss Muriel O’Neill is telling me just the other night how Gammer O’Neill hangs up her stocking on Christmas Eve all her life, and,” he says, “I judge from what Miss Muriel O’Neill says that the old doll always believes Santa Claus will come along some Christmas and fill the stocking full of beautiful gifts. But,” Dancing Dan says, “Miss Muriel O’Neill tells me Santa Claus never does this, although Miss Muriel O’Neill personally always takes a few gifts home and pops them into the stocking to make Gammer O’Neill feel better.
“But, of course,” Dancing Dan says, “these gifts are nothing much because Miss Muriel O’Neill is very poor, and proud, and also good, and will not take a dime off of anybody and I can lick the guy who says she will.
“Now,” Dancing Dan goes on, “it seems that while Gammer O’Neill is very happy to get whatever she finds in her stocking on Christmas morning, she does not understand why Santa Claus is not more liberal, and,” he says, “Miss Muriel O’Neill is saying to me that she only wishes she can give Gammer O’Neill one real big Christmas before the old doll puts her checks back in the rack.
“So,” Dancing Dan states, “here is a job for us. Miss Muriel O’Neill and her grandmamma live all alone in this flat over in West Forty-ninth Street, and,” he says, “at such an hour as this Miss Muriel O’Neill is bound to be working, and the chances are Gammer O’Neill is sound asleep, and we will just hop over there and Santa Claus will fill up her stocking with beautiful gifts.”
Well, I say, I do not see where we are going to get any beautiful gifts at this time of night, what with all the stores being closed, unless we dash into an all-night drug store and buy a few bottles of perfume and a bum toilet set as guys always do when they forget about their ever-loving wives until after store hours on Christmas Eve, but Dancing Dan says never mind about this, but let us have a few more Tom and Jerrys first.
So we have a few more Tom and Jerrys and then Dancing Dan picks up the package he heaves into the corner, and dumps most of the excelsior out of Ooky’s Santa Claus sack, and puts the bundle in, and Good Time Charley turns out all the lights, but one, and leaves a bottle of Scotch on the table in front of Ooky for a Christmas gift, and away we go.
Personally, I regret very much leaving the hot Tom and Jerry, but then I am also very enthusiastic about going along to help Dancing Dan play Santa Claus, while Good Time Charley is practically overjoyed, as it is the first time in his life Charley is ever mixed up in so much holiday spirit.
As we go up Broadway, headed for Forty-ninth Street, Charley and I see many citizens we know and give them a large hello, and wish them Merry Christmas, and some of these citizens shake hands with Santa Claus, not knowing he is nobody but Dancing Dan, although later I understand there is some gossip among these citizens because they claim a Santa Claus with such a breath on him as our Santa Claus has is a little out of line.
And once we are somewhat embarrassed when a lot of little kids going home with their parents from a late Christmas party somewhere gather about Santa Claus with shouts of childish glee, and some of them wish to climb up Santa Claus’ legs. Naturally, Santa Claus gets a little peevish, and calls them a few names, and one of the parents comes up and wishes to know what is the idea of Santa Claus using such language, and Santa Claus takes a punch at the parent, all of which is no doubt astonishing to the little kids who have an idea of Santa Claus as a very kindly old guy.
Well, finally we arrive in front of the place where Dancing Dan says Miss Muriel O’Neill and her grandmamma live, and it is nothing but a tenement house not far back of Madison Square Garden, and furthermore it is a walk-up, and at this time there are no lights burning in the joint except a gas jet in the main hall, and by the light of this jet we look at the names on the letter boxes, such as you always find in the hall of these joints, and we see that Miss Muriel O’Neill and her grandmamma live on the fifth floor.
This is the top floor, and personally I do not like the idea of walking up five flights of stairs, and I am willing to let Dancing Dan and Good Time Charley go, but Dancing Dan insists we must all go, and finally I agree with him because Charley is commencing to argue that the right way for us to do is to get on the roof and let Santa Claus go down a chimney, and is making so much noise I am afraid he will wake somebody up.
So up the stairs we climb and finally we come to a door on the top floor that has a little card in a slot that says O’Neill, so we know we reach our destination. Dancing Dan first tries the knob, and right away the door opens, and we are in a little two- or three-room flat, with not much furniture in it, and what furniture there is, is very poor. One single gas jet is burning near a bed in a room just off the one the door opens into, and by this light we see a very old doll is sleeping on the bed, so we judge this is nobody but Gammer O’Neill.
On her face is a large smile, as if she is dreaming of something very pleasant. On a chair at the head of the bed is hung a long black stocking, and it seems to be such a stocking as is often patched and mended, so I can see that what Miss Muriel O’Neill tells Dancing Dan about her grandmamma hanging up her stocking is really true, although up to this time I have my doubts.
Finally Dancing Dan unslings the sack on his back, and takes out his package, and unties this package, and all of a sudden out pops a raft of big diamond bracelets, and diamond rings, and diamond brooches, and diamond necklaces, and I do not know what else in the way of diamonds, and Dancing Dan and I begin stuffing these diamonds into the stocking and Good Time Charley pitches in and helps us.
There are enough diamonds to fill the stocking to the muzzle, and it is no small stocking, at that, and I judge that Gammer O’Neill has a pretty fair set of bunting sticks when she is young. In fact, there are so many diamonds that we have enough left over to make a nice little pile on the chair after we fill the stocking plumb up, leaving a nice diamond-studded vanity case sticking out the top where we figure it will hit Gammer O’Neill’s eye when she wakes up.
And it is not until I get out in the fresh air again that all of a sudden I remember seeing large headlines in the afternoon papers about a five-hundred-G’s stickup in the afternoon of one of the biggest diamond merchants in Maiden Lane while he is sitting in his office, and I also recall once hearing rumors that Dancing Dan is one of the best lone-hand git-’em-up guys in the world.
Naturally, I commence to wonder if I am in the proper company when I am with Dancing Dan, even if he is Santa Claus. So I leave him on the next corner arguing with Good Time Charley about whether they ought to go and find some more presents somewhere, and look for other stockings to stuff, and I hasten on home and go to bed.
The next day I find I have such a noggin that I do not care to stir around, and in fact I do not stir around much for a couple of weeks.
Then one night I drop around to Good Time Charley’s little speakeasy, and ask Charley what is doing.
“Well,” Charley says, “many things are doing, and personally,” he says, “I’m greatly surprised I do not see you at Gammer O’Neill’s wake. You know Gammer O’Neill leaves this wicked old world a couple of days after Christmas,” Good Time Charley says, “and,” he says, “Miss Muriel O’Neill states that Doc Moggs claims it is at least a day after she is entitled to go, but she is sustained,” Charley says, “by great happiness in finding her stocking filled with beautiful gifts on Christmas morning.
“According to Miss Muriel O’Neill,” Charley says, “Gammer O’Neill dies practically convinced that there is a Santa Claus, although of course,” he says, “Miss Muriel O’Neill does not tell her the real owner of the gifts, an all-right guy by the name of Shapiro leaves the gifts with her after Miss Muriel O’Neill notifies him of finding of same.
“It seems,” Charley says, “this Shapiro is a tender-hearted guy, who is willing to help keep Gammer O’Neill with us a little longer when Doc Moggs says leaving the gifts with her will do it.
“So,” Charley says, “everything is quite all right, as the coppers cannot figure anything except that maybe the rascal who takes the gifts from Shapiro gets conscience-stricken, and leaves them the first place he can, and Miss Muriel O’Neill receives a ten-G’s reward for finding the gifts and returning them. And,” Charley says, “I hear Dancing Dan is in San Francisco and is figuring on reforming and becoming a dancing teacher, so he can marry Miss Muriel O’Neill, and of course,” he says, “we all hope and trust she never learns any details of Dancing Dan’s career.”
Well, it is Christmas Eve a year later that I run into a guy by the name of Shotgun Sam, who is mobbed up with Heine Schmitz in Harlem, and who is a very, very obnoxious character indeed.
“Well, well, well,” Shotgun says, “the last time I see you is another Christmas Eve like this, and you are coming out of Good Time Charley’s joint, and,” he says, “you certainly have your pots on.”
“Well, Shotgun,” I says, “I am sorry you get such a wrong impression of me, but the truth is,” I say, “on the occasion you speak of, I am suffering from a dizzy feeling in my head.”
“It is all right with me,” Shotgun says. “I have a tip this guy Dancing Dan is in Good Time Charley’s the night I see you, and Mockie Morgan, and Gunner Jack and me are casing the joint, because,” he says, “Heine Schmitz is all sored up at Dan over some doll, although of course,” Shotgun says, “it is all right now, as Heine has another doll.
“Anyway,” he says, “we never get to see Dancing Dan. We watch the joint from six-thirty in the evening until daylight Christmas morning, and nobody goes in all night but old Ooky the Santa Claus guy in his Santa Claus makeup, and,” Shotgun says, “nobody comes out except you and Good Time Charley and Ooky.
“Well,” Shotgun says, “it is a great break for Dancing Dan he never goes in or comes out of Good Time Charley’s, at that, because,” he says, “we are waiting for him on the second-floor front of the building across the way with some nice little sawed-offs, and are under orders from Heine not to miss.”
“Well, Shotgun,” I say, “Merry Christmas.”
“Well, all right,” Shotgun says, “Merry Christmas.”
It is no small thing to be able to blend three genres into good, readable stories, but Ron Goulart has proven to be a master at this juggling act, combining mystery, science fiction, and humor to produce scores of books with this rich stew, one of which, After Things Fell Apart (1970), was nominated for an Edgar Award. Many of his private eye stories are set in the future, a time and place with which he was comfortable enough to mentor William Shatner when the popular actor began to write a series of Star Trek novels. “A Visit from St. Nicholas” was first published in Santa Clues, edited by Martin H. Greenberg and Carol-Lynn Rossel Waugh (New York, Signet, 1993).
The media, as usual, got it completely wrong. The corpse in the Santa Claus suit hadn’t been the victim of a mugging and therefore wasn’t an all too obvious symbol of what’s wrong with our decaying society.
Actually Harry Wilkie had gotten dressed up as St. Nicholas to commit grand larceny. Things obviously went quite wrong, which is why he ended up, decked out in a scarlet costume and snowy white whiskers, sprawled on that midnight beach in Southport, Connecticut.
It snowed on what was to be Harry’s final birthday. That was December 20th last year and the snowfall was fitful and halfhearted, not a traditional New En gland Christmas-card snow at all. And a foot or so of good snow would have improved the view through the narrow window of the living room of the condo where he’d been living in exile since his last divorce almost two years ago.
Harry was sitting there, phone in his lap, looking out at his carport, his two blue plastic garbage cans, and a bleak patch of dead lawn.
“Didn’t I warn you?” his brother Roy was asking from his mansion way out in Oregon someplace. “You take up residence in something named Yankee Woodlands Village, you’re obviously going to have problems. There probably aren’t any woodlands within miles, are there?”
“Six trees. The point, Roy, is—”
“What kind of trees?”
“Elms. The point, Roy, is that it’s been over four months since I was let go at Forman & McCay. You may not have heard, but the economy is—”
“You really had talent once. I still remember those great caricatures you did of Mr. Washburn.”
“Who?”
“Our high school math teacher. Washburn, the one with the nose shaped like—”
“My high school math teachers were Miss Dillingham and Mr. Ribera. The point is, Roy, that I’m running short of cash and—”
“To go from really brilliant caricatures to the worst kind of commercial art is sad and—”
“Forman & McCay is the second largest ad agency in Manhattan, Roy. I work on the Kubla Kola account, which annually bills—”
“Worked. Past tense.”
“And the Cyclops Security System account and—”
“Okay, how much?”
“Do I need, you mean?”
“I can’t let you have more than $5000. Abigail wants to go for her MA degree next sem—”
“You don’t have a daughter named Abigail.”
“Mistress. Will $5000 help?”
“Sure, yes. I’ve got a lead on a new art director job and right after the first of the—”
“Another job in the Apple?”
“No, it’s just over in Norwalk. Near Wilton here. A small, aggressive young agency that specializes in health food and herbal remedy accounts.”
“Have you considered trying one of those career counselors? It’s probably not too late, even at your age, to start fresh and—”
“My age? I’m two years, Roy, younger than you are.”
“Well, I’m nearly fifty.”
“You’re nearly fifty-one. I’m forty-nine. And I’ll tell you something else — having a damned birthday so close to Christmas is not that great. This year especially, since I’m not married or seeing anybody seriously, I got hardly any presents or even—”
“You maybe shouldn’t become serious about another woman, Harry. Not right yet anyway,” advised his brother. “Four marriages gone flooey is enough for now.”
“Three marriages gone flooey.”
“Was there one that didn’t go flooey?”
“There were only three marriages all told, Roy.”
“You sure?”
“Yeah, I’ve kept track.”
“Only three, huh? Let’s see... there was the fat one. Was that Alexandra?”
“That was Alice, who was plump and not fat.”
“Hereabouts we judge a woman who tips the scale at two-fifty plus as fat.”
“At her peak she weighed one seventy-five.”
“That’s still pretty close to fat, Harry. And then there was that crazy skinny one. What was her name? Some kind of flower.”
“Pearl.”
“That’s the one. Loony as a fruitbar.”
“Nutty as a fruitcake.”
“Exactly.”
“No, I wasn’t agreeing, I was just correcting your cliché. Pearl was a mite eccentric, yes, though certainly not crazy.”
Out in Oregon his brother made a grunting sound. “The first one wasn’t too terrible. The best of the lot, in fact. Was her name Amy?”
“Yep.”
“She was halfway good-looking, too.”
Harry asked, “Could you, Roy, FedEx me the check?”
“Things that bad?”
“The condo payment is a mite past due. And—” His phone signaled that he had another call. “Hold on, Roy, I have another call.” He pushed a button. “Hello?”
“Gee, you sound awful. Are you sick?”
“No,” he said tentatively.
The woman continued, “You sound absolutely rotten. I bet it’s another of those frequent bouts of bronchitis you were always having.”
“I’ve had bronchitis exactly twice in my entire life, Amy.”
“Most people never have it at all,” said his first wife. “Listen, can I talk to you?”
“Hold on a minute. I’m on the other line with Roy.”
“Roy?”
“My brother. The best man at our wedding.”
“Was his name Roy? That all seems like a hundred years ago and I try not to clutter my memory with all that old junk. Give him my best, though.”
He pushed a button and said to his brother, “I’ve got to take this other call. Send the money and—”
“It’s a woman, isn’t it? I can tell by the furtive tone of your voice.”
“Do I also sound like I have bronchitis?”
“Is this some new lady? You really, Harry, in your present state shouldn’t even consider—”
“It’s only my ex-wife. It’s Amy. She sends you her best wishes, by the way.”
“She wasn’t half bad, especially compared to what came later. Merry Christmas — and, oh, happy birthday.”
“Thanks, Roy... Hello, Amy, what is it?”
And that’s when he first heard about what was up in the attic of the Southport mansion she and her latest husband had recently moved into.
The Southport mansion was less than a block from the Sound. A century-old Victorian, it rose up three stories and was encrusted with intricacies of gingerbread and wrought iron.
Harry arrived there at a quarter past one the day after his former wife’s call. Standing on the wide front porch, he noted that they had a new Cyclops alarm system.
“Late as usual,” Amy observed as she admitted him to the large hallway. The house was filled with the scents of fresh paint, new carpeting, furniture polish, and cut flowers.
“It took longer to drive over here from Wilton, probably because of the wind and sleet. And then, too, I—”
“You never were very good at planning anything, even a simple visit from one town to another.” She helped him out of his overcoat, holding it gingerly and then rushing it into a large closet. “Isn’t this the same shabby overcoat?”
“Same as what?”
“It certainly resembles the shabby old overcoat you insisted on wearing back when we were... um... together.”
“Married. We were married.” Harry thrust his hands into his trouser pockets and glanced around. There were several small abstract paintings on the walls, bright and in silvery metal frames. He couldn’t identify the artist.
“Yes, they’re Businos.” She smiled thinly and nodded at the nearest painting, which was mostly red.
“Oh, right, Busino.” He had no idea who the hell Busino was.
“What happened to your hair?”
He reached up and touched his head. “Still there, Amy.”
“Not very much of it,” she observed. “You used to have a great deal much more hair back when we were... um... cohabiting.”
He asked, “What about the paintings you wanted me to look at?”
“My husband... have you ever met Tops?”
“Tops? Your husband’s first name is Tops? No, I’d remember if I’d ever encountered somebody who was named Tops. What’s it short for?”
“Nothing. It’s a nickname. Obviously.”
“Is he home?”
“No, he’s with his parents over on Long Island. I’ll be joining them Christmas Eve day. I find two days with Mommy Nayland is all I can safely tolerate.”
“What do they call Tops’s father?”
“Jared.”
Harry nodded. “About the pictures?”
“I was trying to say that Tops has a full head of wavy hair.”
“I once did myself.”
She sighed briefly. “Follow me,” Amy invited. “We left them up in the attic after we found them last month. You see, as I mentioned to you over the telephone yesterday, many years ago an art director from some New York advertising concern lived in this house. A coincidence, isn’t it, since you’re an art director, too? His name was... um... Hoganbanger.”
“I doubt it.”
“Something like that. Perhaps Bangerhagen.” She started up the ornate staircase. “Tops and I think they may be from the 1950s or possibly earlier. Left behind by the art director. It’s old artwork by various artists, stuff he must have brought home. This Hagenfarmer seems to—”
“Do you mean Faberhagen? Eric Faberhagen?”
“That sounds about right. Have you ever heard of him?”
“Sure, he was a famous art director in the 1930s and 1940s. He still gets written up in advertising graphics magazines now and then,” Harry answered. “He worked for the agency that, back then, had the Kubla Kola account.”
“Yes, some of these awful paintings have cola bottles in them.”
Harry felt a sudden tightening across his chest. He let out an inadvertent gasp, took hold of the bannister. “Really?” he managed to say.
“Have you had a physical exam lately? Climbing a few flights of stairs shouldn’t—”
“It’s the bronchitis, that’s all.”
“With all the weight you seem to have put on, you have to think seriously about your heart.”
“I weigh exactly what I did while we were... um... married.”
“C’mon, Harry.” She laughed. “You used to be quite slim.”
“I was never slim, no.”
“Well, certainly slimmer than you are now,” she insisted. “Two more flights to go. Can you make it?”
“Yes, ma’am.”
“I understand you’re not married just now.”
“I’m not.”
“I’ve been meaning to call you before this. Ever since Tops and I bought this place five months ago and I quit working with Thigpen Reality,” his former wife told him as they began another flight. “The thing is, Tops isn’t that keen on my seeing old beaus... or old husbands. But when we came across these old advertising paintings, it occurred to me you were the perfect person to tell us what they’re worth. I got Tops to see it my way. And, really, there’s no reason why you and I can’t be friends again — in a distant way at least.”
“When you moved out you implied you never wanted to see me again. Let’s see... the exact words were ‘I never want to look at that awful pudgy face of yours as long as we both shall live.’ ”
“Well, then I guess you were overweight back then, too,” she said, nodding slowly. “As I told you, I weed out my memories fairly often. I have no recollection what I might have said to you eleven years ago. Did my remarks hurt you?”
“Not as much as the bricks.”
“Oh, my. Did I throw a brick at you, Harry?”
“Bricks, plural. Three.”
“I have no recollection. Wherever did I get bricks?”
“The bookcase in my den was constructed from boards and bricks.”
“Oh, that ugly thing. Yes, I remember that,” she said. “Tops and I got to talking, after we discovered this small cache of old advertising art that had been mouldering in the attic for untold years, and I suggested that it might be worth something. Tops simply wants to donate it to St. Norby.”
“Another nickname?”
“St. Norbert’s Holy Denominational Church. You must’ve driven past it on your way here.”
“Big building with a cross on top?”
“That’s dear old St. Norby, yes.” She started up another flight. “But before we donate this stuff to their fair next month, I thought I ought to get an expert opinion. And, after some debate, Tops gave in and allowed me to ask you over. Maybe this crap is worth something after all.”
When they reached the large, chill attic and he saw the seven canvases, it took Harry almost a minute to get himself to where he could speak. He had to sit down on a highly polished humpback trunk and cough a few times.
Six of the unframed canvases were, indeed, crap. But the seventh, as he’d hoped ever since he’d heard the old art director’s name, was a large oil painting of Santa Claus in his shirtsleeves sitting in front of a roaring fireplace after a long night of delivering toys. He was relaxing by drinking Kubla Kola straight from the bottle. It was, beyond doubt, an authentic Maxwell Van Gelder.
Although most people knew nothing about the long-dead commercial artist, who’d been a favorite of the equally long dead Faberhagen, his Kubla Kola Santa paintings were highly prized by certain collectors. He’d done fifteen during his lifetime, but only five had surfaced thus far. The last one that had been sold, over three years ago, had been purchased by a Kubla executive for nearly $400,000. This one, which was much handsomer, ought to bring at least $500,000.
Harry was finally able, after another cough, to inform his ex-wife, “They’re not worth anything, Amy.”
“Nothing, not anything?”
“Not exactly nothing, no. There are people who collect old advertising art. I’d say you could get probably a hundred dollars or so for each of these,” he said. “That Santa, since it has a Christmas theme, might bring as much as two or three hundred.”
Amy looked disappointed for a few seconds, then smiled. “Tops was right this time,” she said, starting for the attic door.
“Wait a minute.” He rose off the trunk. “I collect this sort of stuff myself.”
“I didn’t realize that. Although you did tend to clutter up the house with all sorts of silly—”
“How about a thousand dollars for the lot? I’d like to hang that Santa in my den, to remind me of my days with Kubla.”
“That seems a fair price, and this stuff is only gathering dust up here.”
His brother’s check ought to get here tomorrow. He could write Amy a check for a thousand and still cover his condo payment and some of the other bills. And if he could sell the Van Gelder, very quietly, for even $450,000—hell, he could live on that for years. Sure, if you invested that wisely, you could even live well here in Fair-field County.
“I’ll take them with me, Amy, and send you a check first thing—”
“Oh, I’ll have to talk it over with Tops first.”
“Sure, of course. Can you phone him over in Long Island? Now, I mean.”
“Well, he’s off at lunch somewhere, I’m not exactly sure where, with Mommy Nayland and Dr. Boopsy and—”
“Dr. Boopsy?”
“His real name is Bublitzky. When Tops was little, he couldn’t pronounce that and his cute way of—”
“You can get in touch with him tonight, though?”
“Or tomorrow morning, yes.”
“I could take them along now, save me another trip and you more bother. He’s likely to say okay and—”
“I’d better not, Harry. I don’t want to annoy Tops by making a household decision without consulting him first. Unlike the days when you and I were... um... living in the same house, Tops and I have a very democratic marriage.”
“So did we, Amy, until you declared yourself fuhrer and... But that’s, as you say, all lost in the dim past.” He forced himself to smile. “Do call me as soon as you talk it over with your husband. And be sure to wish Tops a joyous Noel.”
Harry waited until noon the next day before phoning Amy. He didn’t want to convey undue eagerness, which might make his erstwhile wife suspicious.
He let the phone ring eleven times.
After pacing his living room for what seemed a half hour but was actually only thirteen minutes, he tried the Southport mansion again. This time he got their answering tape.
While Chopin music played softly in the background, a thin, nasal male voice said, “Well, hi, this is, as you no doubt expected, the Nayland residence. But, as you may not have expected, neither Tops nor Amy can come to the phone just now. You know the drill, so wait for the beep, won’t you?”
Not waiting for the beep, Harry hung up, muttering, “What an asshole.”
A chill, heavy rain was falling outside and it made his narrow view even bleaker. Harry sat there, phone waiting in his lap, watching the view for another twenty-six minutes.
Then he punched out Amy’s number again.
She answered, sounding impatient and out of breath, on the sixth ring. “Yes, what?”
“This is Harry and—”
“Oh, you picked a rotten time to call, dear heart. I’ve got Mr. Sanhammel in the parlor in his shorts and—”
“Beg pardon?”
“It’s because of the Santa Claus Choraleers,” she explained. “I’ll be right back, Mr. Sanhammel. He’s going on eighty, poor dear man.”
“But why is he in your parlor in his underwear?”
“That should be obvious. As people grow older, they tend to put on weight, as you well know. His Santa Claus suit doesn’t fit him anymore and has to be let out, quite a bit in fact, especially around the middle. But poor old Mrs. Sanhammel happens to be in intensive care at the Norwalk Hospital because of her—”
“What are the Santa Claus Choraleers?”
“A Southport tradition.”
“Oh, so?”
“Every Christmas Eve they roam the streets and byways of our town, every man jack of them dressed as St. Nicholas, stopping at various spots to sing carols and unoffensive hymns.”
“That’s fascinating, Amy. Now about—”
“You don’t think it’s fascinating at all. I can tell by that familiar patronizing tone in—”
“Actually I was wondering if you’d talked to your husband about those second-rate old ad paintings. I’m going to be over your way this—”
“Yes, I did. Tops feels that if they’re really only worth one thousand dollars, why we’ll donate them to St. Norby.”
“I’ll go up to twelve hundred. I’ll donate the money to St. Norby and save them the trouble of—”
“Let me be absolutely candid with you, Harry,” she cut in. “Tops says he’d rather toss the paintings on the landfill than sell them to an odious toad such as yourself.”
“What gave him the notion I was an odious toad?”
After a few silent seconds she answered, “Well, I may have exagerated my accounts of some of the low points of our wretched marriage, Harry.”
He said, “Fifteen hundred dollars.”
“It’s no use. He won’t sell them to you. But, hey, you can go to the fair at the church next month. I’ll have Father Boody send you an invitation.”
That was too risky. If the Van Gelder got out in public, somebody else might recognize it. “Wouldn’t it be much easier if—”
“Poor Mr. Sanhammel is getting all covered with gooseflesh. I really have to go. Merry Christmas and maybe I’ll see you at the church fair next month.”
“Yeah, Merry Christmas.”
The most difficult part was finding a Santa Claus suit. Harry didn’t come up with his plan until the afternoon of Christmas Eve and by then the few costume shops in his part of Connecticut had long since sold or rented what they’d had in stock.
He persisted, however, and finally located a used-clothing outlet over in Westchester County that had one threadbare Santa costume for sale. They wanted two hundred dollars for the damn thing, but since the check from his brother had come in, he was able to rush over into New York State with the cash to buy it. The beard was in bad shape, stringy and a dirty yellow color. When he got it home, Harry used some ivory spray paint on the whiskers and livened them up considerably.
The rest of that gray afternoon and into the evening he sat at his drawing board, studying all the material he’d saved about the Cyclops Security System from the days when he worked on the account. It seemed to him definitely possible, just by using the tools he had on hand, to outfox the type of alarm setup they were using at Amy’s mansion.
His plan was a simple one. There’d be a dozen costumed Santas — he’d found out how many choraleers there were from the back files of the Southport weekly at the library — roaming the streets of the town from nine until midnight. Nobody was likely to pay much attention to a thirteenth. Especially not on Christmas Eve. Amy and Tops were now over in Long Island and their house sat empty.
The Van Gelder Santa painting was resting quietly up in the attic. All Harry had to do was disarm the alarm system, enter the house, and gather up the picture. To throw suspicion off himself, he’d also swipe whatever silver and jewelry he could find. And he’d take all those awful Busino paintings that decorated the hall. The police would assume that the thief had stolen the advertising art under the assumption that it, too, was valuable.
Then, after a safe interval, he’d sell the painting and live on the $500,000. There wouldn’t be any more job interviews with art directors who were ten or twenty years younger. No more loans or lectures from Roy.
To explain his income, he’d pretend he was doing gallery painting. As a matter of fact, he’d been a damn good painter once and he might really give that a try again.
His plan wasn’t a bad one. But what Harry hadn’t anticipated was the fourteenth Santa Claus.
A strong wind came up at nightfall and the rain grew heavier. When Harry went running out to his carport, shortly after ten p.m., the rain hit at him hard.
He was carrying the Santa costume in a large, cloth laundry bag. Later, after he’d changed into the outfit, he was going to use the sack to carry off the Van Gelder and the rest of the loot. No one would pay much attention to a Santa Claus with what looked like a bulging sack of toys.
The Southport library sat less than a block from Amy’s mansion. The building was dark and there were only two other cars in the unlit parking lot. Harry parked there and opened the sack. He took out the jacket to the Santa suit.
After glancing around at the rainswept lot, he started getting into the jacket. The sleeves had several moth holes in them. Next he struggled into the pants, which were tough to tug on over his jeans. He heard a ripping sound, but when he felt at the trousers he couldn’t locate a rip.
The rain was drumming on the car roof, the wind rattled the tree branches overhead.
“Oh, shit,” he said aloud. “Where’s the beard? Where’s the damn beard?”
He thrust his hand deep into the sack again.
“Ow! Damn it.”
He’d stuck his forefinger with one of the screwdrivers he’d brought along for working on the alarm system.
“Ah, here it is.” He yanked out what felt like the false whiskers. It turned out, however, to be his Santa hat.
“I had the beard. I know I put it in the sack.”
Then he noticed something white on the floor of the car, over on the passenger side. He grabbed up the beard and attached it with the wire ear loops. Stretching up, he attempted to get a look at himself in the rearview mirror. The thing was all steamed and there wasn’t enough light anyway.
Harry started to open the door. “Half-wit,” he reminded himself. “Gloves! You almost forgot the damn gloves.”
They were in the laundry bag someplace, too. “Ow!” He found them and slipped them on.
Nodding to himself, Harry gathered up the big laundry bag and left the car.
Wind and rain struck at him, shoving him off in the wrong direction. He fought, gasping, and managed to get himself aimed right. The wind caught at the beard, and unhooked it from one ear.
Harry rescued it, got the whiskers back in place. As he stood on the sidewalk watching Amy’s dark mansion across the way, a Mercedes drove by on the wet street.
The driver honked and someone yelled, “Merry Christmas, Mr. Sanhammel!” out a briefly lowered window.
Harry waved. Maybe he was putting on weight.
After the car had been swallowed up by darkness, he ran across the street. He sloshed swiftly across the lawn, circled around to the backside of the Victorian house.
He intended to enter by the back door, which couldn’t be seen from the street and was sheltered by a stand of maples. Down across the back acre of lawn was a narrow stretch of beach. The water on the Sound was dark and foamy.
“This is typical of Amy,” he muttered when he reached the rear door. “She was always going off and leaving things wide open.”
The door stood an inch open. Gingerly Harry reached out with his gloved right hand and pushed at the door. Creaking faintly, it swung open inward.
After listening for a half minute, he crossed the threshold and started along the back hall. The house smelled exactly as it had the other day.
In the front hall, he stopped and frowned. Even in this dim light he noticed that the Busino paintings weren’t hanging on the walls anymore.
Then he spotted them, stacked and leaning against the bottom steps of the staircase.
That was just ten seconds before he became aware that somebody was coming down the stairs.
“Well, sir, hi there,” said Harry, affecting what he hoped was an older man’s voice. “I’m Mr. Sanhammel from—”
“You walked in at the wrong time, friend.” The man approaching him had a suitcase in his right hand and a .38 revolver in his left. Tucked under his arm was a lighted flash.
He was also wearing a Santa Claus suit and a handsome beard.
“Damn! Somebody else with the same idea.” Harry pivoted and made ready to run.
The other Santa came diving down the stairs. He dropped the suitcase and it hit the floor with a metallic rattle. He grabbed Harry by the arm, swung him around, and hit him hard across the temple with the butt of his gun.
That wasn’t what killed Harry, though. It was falling to the floor and cracking his head against the frame of the topmost Busino.
What the burglar did next was to gather up the loot he’d left downstairs, add it to the loot he’d gathered upstairs, and stash it all in his suitcase along with Harry’s laundry bag. Leaving it behind for a few moments, he carried the obviously dead Harry out of the house and down across the back acre. He left him lying at the edge of the water.
Returning to the house, he collected his things, took his leave, and reset the alarm system. When they found Harry’s body down on the beach, it probably wouldn’t occur to them that a burglary had been committed. Not immediately anyway.
None of the advertising art in the attic was stolen. In January, Amy and Tops did donate the paintings to the St. Norbert fair.
A young commercial artist from Westport picked up the Van Gelder for $225. Harry, by the way, overestimated the value of the Santa painting. It brought only $260,000 when it was auctioned at a Manhattan gallery last month.
No, this is not the usual tale of gloom and doom that is so closely associated with the work of the Victorian novelist Thomas Hardy. The title alone suggests a sense of lightness and in that expectation you will not be disappointed. In 1896, by contrast, disturbed by the public uproar over the unconventional subjects of two of his greatest novels, Tess of the D’Urbervilles (1891) and Jude the Obscure (1895), Hardy announced that he would never write fiction again. A bishop solemnly burned the books, “probably in his despair at not being able to burn me,” Hardy noted. “The Thieves Who Couldn’t Help Sneezing” was first published in the December 1877 issue of Father Christmas.
Many years ago, when oak-trees now past their prime were about as large as elderly gentlemen’s walking-sticks, there lived in Wessex a yeoman’s son, whose name was Hubert. He was about fourteen years of age, and was as remarkable for his candor and lightness of heart as for his physical courage, of which, indeed, he was a little vain.
One cold Christmas Eve his father, having no other help at hand, sent him on an important errand to a small town several miles from home. He travelled on horseback, and was detained by the business till a late hour the evening. At last, however, it was completed; he returned to the inn, the horse was saddled, and he started on his way. His journey homeward lay through the Vale of Blackmore, a fertile but somewhat lonely district, with heavy clay roads and crooked lanes. In those days, too, a great part of it was thickly wooded.
It must have been about nine o’clock when, riding along amid the over-hanging trees upon his stout-legged cob, Jerry, and singing a Christmas carol, to be in harmony with the season, Hubert fancied that he heard a noise among the boughs. This recalled to his mind that the spot he was traversing bore an evil name. Men had been waylaid there. He looked at Jerry, and wished he had been of any other color than light gray; for on this account the docile animal’s form was visible even here in the dense shade. “What do I care?” he said aloud, after a few minutes of reflection. “Jerry’s legs are too nimble to allow any highwayman to come near me.”
“Ha! ha! indeed,” was said in a deep voice; and the next moment a man darted from the thicket on his right hand, another man from the thicket on his left hand, and another from a tree-trunk a few yards ahead. Hubert’s bridle was seized, he was pulled from his horse, and although he struck out with all his might, as a brave boy would naturally do, he was overpowered. His arms were tied behind him, his legs bound tightly together, and he was thrown into the ditch. The robbers, whose faces he could now dimly perceive to be artificially blackened, at once departed, leading off the horse.
As soon as Hubert had a little recovered himself, he found that by great exertion he was able to extricate his legs from the cord; but, in spite of every endeavor, his arms remained bound as fast as before. All, therefore, that he could do was to rise to his feet and proceed on his way with his arms behind him, and trust to chance for getting them unfastened. He knew that it would be impossible to reach home on foot that night, and in such a condition; but he walked on. Owing to the confusion which this attack caused in his brain, he lost his way, and would have been inclined to lie down and rest till morning among the dead leaves had he not known the danger of sleeping without wrappers in a frost so severe. So he wandered further onwards, his arms wrung and numbed by the cord which pinioned him, and his heart aching for the loss of poor Jerry, who never had been known to kick, or bite, or show a single vicious habit. He was not a little glad when he discerned through the trees a distant light. Towards this he made his way, and presently found himself in front of a large mansion with flanking wings, gables, and towers, the battlements and chimneys showing their shapes against the stars.
All was silent; but the door stood wide open, it being from this door that the light shone which had attracted him. On entering he found himself in a vast apartment arranged as a dining-hall, and brilliantly illuminated. The walls were covered with a great deal of dark wainscoting, formed into moulded panels, carvings, closet-doors, and the usual fittings of a house of that kind. But what drew his attention most was the large table in the midst of the hall, upon which was spread a sumptuous supper, as yet untouched. Chairs were placed around, and it appeared as if something had occurred to interrupt the meal just at the time when all were ready to begin.
Even had Hubert been so inclined, he could not have eaten in his helpless state, unless by dipping his mouth into the dishes, like a pig or cow. He wished first to obtain assistance; and was about to penetrate further into the house for that purpose when he heard hasty footsteps in the porch and the words, “Be quick!” uttered in the deep voice which had reached him when he was dragged from the horse. There was only just time for him to dart under the table before three men entered the dining-hall. Peeping from beneath the hanging edges of the tablecloth, he perceived that their faces, too, were blackened, which at once removed any remaining doubts he may have felt that these were the same thieves.
“Now, then,” said the first — the man with the deep voice — “let us hide ourselves. They will all be back again in a minute. That was a good trick to get them out of the house — eh?”
“Yes. You well imitated the cries of a man in distress,” said the second.
“Excellently,” said the third.
“But they will soon find out that it was a false alarm. Come, where shall we hide? It must be some place we can stay in for two or three hours, till all are in bed and asleep. Ah! I have it. Come this way! I have learnt that the further closet is not opened once in a twelve-month; it will serve our purpose exactly.”
The speaker advanced into a corridor which led from the hall. Creeping a little farther forward, Hubert could discern that the closet stood at the end, facing the dining-hall. The thieves entered it, and closed the door. Hardly breathing, Hubert glided forward, to learn a little more of their intention, if possible; and, coming close, he could hear the robbers whispering about the different rooms where the jewels, plate, and other valuables of the house were kept, which they plainly meant to steal.
They had not been long in hiding when a gay chattering of ladies and gentlemen was audible on the terrace without. Hubert felt that it would not do to be caught prowling about the house, unless he wished to be taken for a robber himself; and he slipped softly back to the hall, out the door, and stood in a dark corner of the porch, where he could see everything without being himself seen. In a moment or two a whole troop of personages came gliding past him into the house. There were an elderly gentleman and lady, eight or nine young ladies, as many young men, besides half-a-dozen men-servants and maids. The mansion had apparently been quite emptied of its occupants.
“Now, children and young people, we will resume our meal,” said the old gentleman. “What the noise could have been I cannot understand. I never felt so certain in my life that there was a person being murdered outside my door.”
Then the ladies began saying how frightened they had been, and how they had expected an adventure, and how it had ended in nothing at all.
“Wait a while,” said Hubert to himself. “You’ll have adventure enough by-and-by, ladies.”
It appeared that the young men and women were married sons and daughters of the old couple, who had come that day to spend Christmas with their parents.
The door was then closed, Hubert being left outside in the porch. He thought this a proper moment for asking their assistance; and, since he was unable to knock with his hands, began boldly to kick the door.
“Hullo! What disturbance are you making here?” said a footman who opened it; and, seizing Hubert by the shoulder, he pulled him into the dining-hall. “Here’s a strange boy I have found making a noise in the porch, Sir Simon.”
Everybody turned.
“Bring him forward,” said Sir Simon, the old gentleman before mentioned. “What were you doing there, my boy?”
“Why, his arms are tied!” said one of the ladies.
“Poor fellow!” said another.
Hubert at once began to explain that he had been waylaid on his journey home, robbed of his horse, and mercilessly left in this condition by the thieves.
“Only to think of it!” exclaimed Sir Simon.
“That’s a likely story,” said one of the gentlemen-guests, incredulously.
“Doubtful, hey?” asked Sir Simon.
“Perhaps he’s a robber himself,” suggested a lady.
“There is a curiously wild, wicked look about him, certainly, now that I examine him closely,” said the old mother.
Hubert blushed with shame; and, instead of continuing his story, and relating that robbers were concealed in the house, he doggedly held his tongue, and half resolved to let them find out their danger for themselves.
“Well, untie him,” said Sir Simon. “Come, since it is Christmas Eve, we’ll treat him well. Here, my lad; sit down in that empty seat at the bottom of the table, and make as good a meal as you can. When you have had your fill we will listen to more particulars of your story.”
The feast then proceeded; and Hubert, now at liberty, was not at all sorry to join in. The more they ate and drank the merrier did the company become; the wine flowed freely, the logs flared up the chimney, the ladies laughed at the gentlemen’s stories; in short, all went as noisily and as happily as a Christmas gathering in old times possibly could do.
Hubert, in spite of his hurt feelings at their doubts of his honesty, could not help being warmed both in mind and in body by the good cheer, the scene, and the example of hilarity set by his neighbors. At last he laughed as heartily at their stories and repartees as the old Baronet, Sir Simon, himself. When the meal was almost over one of the sons, who had drunk a little too much wine, after the manner of men in that century, said to Hubert, “Well, my boy, how are you? Can you take a pinch of snuff?” He held out one of the snuff-boxes which were then becoming common among young and old throughout the country.
“Thank you,” said Hubert, accepting a pinch.
“Tell the ladies who you are, what you are made of, and what you can do,” the young man continued, slapping Hubert upon the shoulder.
“Certainly,” said our hero, drawing himself up, and thinking it best to put a bold face on the matter. “I am a traveling magician.”
“Indeed!”
“What shall we hear next?”
“Can you call up spirits from the vasty deep, young wizard?”
“I can conjure up a tempest in a cupboard,” Hubert replied.
“Ha-ha!” said the old Baronet, pleasantly rubbing his hands. “We must see this performance. Girls, don’t go away: here’s something to be seen.”
“Not dangerous, I hope?” said the old lady.
Hubert rose from the table. “Hand me your snuff-box, please,” he said to the young man who had made free with him. “And now,” he continued, “without the least noise, follow me. If any of you speak it will break the spell.”
They promised obedience. He entered the corridor, and, taking off his shoes, went on tiptoe to the closet door, the guests advancing in a silent group at a little distance behind him. Hubert next placed a stool in front of the door, and, by standing upon it, was tall enough to reach to the top. He then, just as noiselessly, poured all the snuff from the box along the upper edge of the door, and, with a few short puffs of breath, blew the snuff through the chink into the interior of the closet. He held up his finger to the assembly, that they might be silent.
“Dear me, what’s that?” said the old lady, after a minute or two had elapsed.
A suppressed sneeze had come from inside the closet.
Hubert held up his finger again.
“How very singular,” whispered Sir Simon. “This is most interesting.”
Hubert took advantage of the moment to gently slide the bolt of the closet door into its place. “More snuff,” he said, calmly.
“More snuff,” said Sir Simon. Two or three gentlemen passed their boxes, and the contents were blown in at the top of the closet. Another sneeze, not quite so well suppressed as the first, was heard: then another, which seemed to say that it would not be suppressed under any circumstances whatever. At length there arose a perfect storm of sneezes.
“Excellent, excellent for one so young!” said Sir Simon. “I am much interested in this trick of throwing the voice — called, I believe, ventriloquism.”
“More snuff,” said Hubert.
“More snuff,” said Sir Simon. Sir Simon’s man brought a large jar of the best scented Scotch.
Hubert once more charged the upper chink of the closet, and blew the snuff into the interior, as before. Again he charged, and again, emptying the whole contents of the jar. The tumult of sneezes became really extraordinary to listen to — there was no cessation. It was like wind, rain, and sea battling in a hurricane.
“I believe there are men inside, and that it is no trick at all!” exclaimed Sir Simon, the truth flashing on him.
“There are,” said Hubert. “They are come to rob the house; and they are the same who stole my horse.”
The sneezes changed to spasmodic groans. One of the thieves, hearing Hubert’s voice, cried, “Oh! mercy! mercy! let us out of this!”
“Where’s my horse?” said Hubert.
“Tied to the tree in the hollow behind Short’s Gibbet. Mercy! mercy! let us out, or we shall die of suffocation!”
All the Christmas guests now perceived that this was no longer sport, but serious earnest. Guns and cudgels were procured; all the men-servants were called in, and arranged in position outside the closet. At a signal Hubert withdrew the bolt, and stood on the defensive. But the three robbers, far from attacking them, were found crouching in the corner, gasping for breath. They made no resistance; and, being pinioned, were placed in an outhouse till the morning.
Hubert now gave the remainder of his story to the assembled company, and was profusely thanked for the services he had rendered. Sir Simon pressed him to stay over the night, and accept the use of the best bedroom the house afforded, which had been occupied by Queen Elizabeth and King Charles successively when on their visits to this part of the country. But Hubert declined, being anxious to find his horse Jerry, and to test the truth of the robbers’ statements concerning him.
Several of the guests accompanied Hubert to the spot behind the gibbet, alluded to by the thieves as where Jerry was hidden. When they reached the knoll and looked over, behold! there the horse stood, uninjured, and quite unconcerned. At sight of Hubert he neighed joyfully; and nothing could exceed Hubert’s gladness at finding him. He mounted, wished his friends “Good-night!” and cantered off in the direction they pointed out, reaching home safely about four o’clock in the morning.
In an unusual reversal of custom, John Mortimer’s famous character, the irascible barrister Horace Rumpole, was created for television and the scripts were novelized for books by Mortimer himself — and very nicely, too. The iconoclastic, poetry-quoting, cheap wine — drinking lawyer was based on Mortimer’s father, and the character was so perfectly portrayed by Leo McKern in the long-running Thames and PBS series, Rumpole of the Bailey, that Mortimer once stated that he would continue writing the series only as long as McKern was willing to portray him. “Rumpole and the Spirit of Christmas” was first published in Murder Under the Mistletoe, edited by Cynthia Manson (New York, Signet, 1992).
I realized that Christmas was upon us when I saw a sprig of holly over the list of prisoners hung on the wall of the cells under the Old Bailey.
I pulled out a new box of small cigars and found its opening obstructed by a tinseled band on which a scarlet-faced Santa was seen hurrying a sleigh full of carcinoma-packed goodies to the Rejoicing World. I lit one as the lethargic screw, with a complexion the color of faded Bronco, regretfully left his doorstep sandwich and mug of sweet tea to unlock the gate.
“Good morning, Mr. Rumpole. Come to visit a customer?”
“Happy Christmas, officer,” I said as cheerfully as possible. “Is Mr. Timson at home?”
“Well, I don’t believe he’s slipped down to his little place in the country.”
Such were the pleasantries that were exchanged between us legal hacks and discontented screws; jokes that no doubt have changed little since the turnkeys unlocked the door at Newgate to let in a pessimistic advocate, or the cells under the Coliseum were opened to admit the unwelcome news of the Imperial thumbs-down.
“My mum wants me home for Christmas.”
Which Christmas? It would have been an unreasonable remark and I refrained from it. Instead, I said, “All things are possible.”
As I sat in the interviewing room, an Old Bailey hack of some considerable experience, looking through my brief and inadvertently using my waistcoat as an ashtray, I hoped I wasn’t on another loser. I had had a run of bad luck during that autumn season, and young Edward Timson was part of that huge south London family whose criminal activities provided such welcome grist to the Rumpole mill. The charge in the seventeen-year-old Eddie’s case was nothing less than wilful murder.
“We’re in with a chance, though, Mr. Rumpole, ain’t we?”
Like all his family, young Timson was a confirmed optimist. And yet, of course, the merest outsider in the Grand National, the hundred-to-one shot, is in with a chance, and nothing is more like going round the course at Aintree than living through a murder trial. In this particular case, a fanatical prosecutor named Wrigglesworth, known to me as the Mad Monk, as to represent Beechers, and Mr. Justice Vosper, a bright but wintry-hearted judge who always felt it his duty to lead for the prosecution, was to play the part of a particularly menacing fence at the Canal Turn.
“A chance. Well, yes, of course you’ve got a chance, if they can’t establish common purpose, and no one knows which of you bright lads had the weapon.”
No doubt the time had come for a brief glance at the prosecution case, not an entirely cheering prospect. Eddie, also known as “Turpin” Timson, lived in a kind of decaying barracks, a sort of highrise Lubianka, known as Keir Hardie Court, somewhere in south London, together with his parents, his various brothers, and his thirteen-year-old sister, Noreen. This particular branch of the Timson family lived on the thirteenth floor. Below them, on the twelfth, lived the large clan of the O’Dowds. The war between the Timsons and the O’Dowds began, it seems, with the casting of the Nativity play at the local comprehensive school.
Christmas comes earlier each year and the school show was planned about September. When Bridget O’Dowd was chosen to play the lead in the face of strong competition from Noreen Timson, an incident occurred comparable in historical importance to the assassination of an obscure Austrian archduke at Sarejevo. Noreen Timson announced in the playground that Bridget O’Dowd was a spotty little tart unsuited to play any role of which the most notable characteristic was virginity.
Hearing this, Bridget O’Dowd kicked Noreen Timson behind the anthracite bunkers. Within a few days, war was declared between the Timson and O’Dowd children, and a present of lit fireworks was posted through the O’Dowd front door. On what is known as the “night in question,” reinforcements of O’Dowds and Timsons arrived in old bangers from a number of south London addresses and battle was joined on the stone staircase, a bleak terrain of peeling walls scrawled with graffiti, blowing empty Coca-Cola tins and torn newspapers. The weapons seemed to have been articles in general domestic use, such as bread knives, carving knives, broom handles, and a heavy screwdriver. At the end of the day it appeared that the upstairs flat had repelled the invaders, and Kevin O’Dowd lay on the stairs. Having been stabbed with a slender and pointed blade, he was in a condition to become known as “the deceased” in the case of the Queen against Edward Timson. I made an application for bail for my client which was refused, but a speedy trial was ordered.
So even as Bridget O’Dowd was giving her Virgin Mary at the comprehensive, the rest of the family was waiting to give evidence against Eddie Timson in that home of British drama, Number One Court at the Old Bailey.
“I never had no cutter, Mr. Rumpole. Straight up, I never had one,” the defendant told me in the cells. He was an appealing-looking lad with soft brown eyes, who had already won the heart of the highly susceptible lady who wrote his social inquiry report. (“Although the charge is a serious one, this is a young man who might respond well to a period of probation.” I could imagine the steely contempt in Mr. Justice Vosper’s eye when he read that.)
“Well, tell me, Edward. Who had?”
“I never seen no cutters on no one, honest I didn’t. We wasn’t none of us tooled up, Mr. Rumpole.”
“Come on, Eddie. Someone must have been. They say even young Noreen was brandishing a potato peeler.”
“Not me, honest.”
“What about your sword?”
There was one part of the prosecution evidence that I found particularly distasteful. It was agreed that on the previous Sunday morning, Eddie “Turpin” Timson had appeared on the stairs of Keir Hardie Court and flourished what appeared to be an antique cavalry saber at the assembled O’Dowds, who were just popping out to Mass.
“Me sword I bought up the Portobello? I didn’t have that there, honest.”
“The prosecution can’t introduce evidence about the sword. It was an entirely different occasion.” Mr. Barnard, my instructing solicitor who fancied himself as an infallible lawyer, spoke with a confidence which I couldn’t feel. He, after all, wouldn’t have to stand up on his hind legs and argue the legal toss with Mr. Justice Vosper.
“It rather depends on who’s prosecuting us. I mean, if it’s some fairly reasonable fellow—”
“I think,” Mr. Barnard reminded me, shattering my faint optimism and ensuring that we were all in for a very rough Christmas indeed, “I think it’s Mr. Wrigglesworth. Will he try to introduce the sword?”
I looked at “Turpin” Timson with a kind of pity. “If it is the Mad Monk, he undoubtedly will.”
When I went into Court, Basil Wrigglesworth was standing with his shoulders hunched up round his large, red ears, his gown dropped to his elbows, his bony wrists protruding from the sleeves of his frayed jacket, his wig pushed back, and his huge hands joined on his lectern in what seemed to be an attitude of devoted prayer. A lump of cotton wool clung to his chin where he had cut himself shaving. Although well into his sixties, he preserved a look of boyish clumsiness. He appeared, as he always did when about to prosecute on a charge carrying a major punishment, radiantly happy.
“Ah, Rumpole,” he said, lifting his eyes from the police verbals as though they were his breviary. “Are you defending as usual?”
“Yes, Wrigglesworth. And you’re prosecuting as usual?” It wasn’t much of a riposte but it was all I could think of at the time.
“Of course, I don’t defend. One doesn’t like to call witnesses who may not be telling the truth.”
“You must have a few unhappy moments then, calling certain members of the Constabulary.”
“I can honestly tell you, Rumpole—” his curiously innocent blue eyes looked at me with a sort of pain, as though I had questioned the doctrine of the immaculate conception “—I have never called a dishonest policeman.”
“Yours must be a singularly simple faith, Wrigglesworth.”
“As for the Detective Inspector in this case,” counsel for the prosecution went on, “I’ve known Wainwright for years. In fact, this is his last trial before he retires. He could no more invent a verbal against a defendant than fly.”
Any more on that tack, I thought, and we should soon be debating how many angels could dance on the point of a pin.
“Look here, Wrigglesworth. That evidence about my client having a sword: it’s quite irrelevent. I’m sure you’d agree.”
“Why is it irrelevant?” Wrigglesworth frowned.
“Because the murder clearly wasn’t done with an antique cavalry saber. It was done with a small, thin blade.”
“If he’s a man who carries weapons, why isn’t that relevant?”
“A man? Why do you call him a man? He’s a child. A boy of seventeen!”
“Man enough to commit a serious crime.”
“If he did.”
“If he didn’t, he’d hardly be in the dock.”
“That’s the difference between us, Wrigglesworth,” I told him. “I believe in the presumption of innocence. You believe in original sin. Look here, old darling.” I tried to give the Mad Monk a smile of friendship and became conscious of the fact that it looked, no doubt, like an ingratiating sneer. “Give us a chance. You won’t introduce the evidence of the sword, will you?”
“Why ever not?”
“Well,” I told him, “the Timsons are an industrious family of criminals. They work hard, they never go on strike. If it weren’t for people like the Timsons, you and I would be out of a job.”
“They sound in great need of prosecution and punishment. Why shouldn’t I tell the jury about your client’s sword? Can you give me one good reason?”
“Yes,” I said, as convincingly as possible.
“What is it?” He peered at me, I thought, unfairly.
“Well, after all,” I said, doing my best, “it is Christmas.”
It would be idle to pretend that the first day in Court went well, although Wrigglesworth restrained himself from mentioning the sword in his opening speech, and told me that he was considering whether or not to call evidence about it the next day. I cross-examined a few members of the clan O’Dowd on the presence of lethal articles in the hands of the attacking force. The evidence about this varied, and weapons came and went in the hands of the inhabitants of Number Twelve as the witnesses were blown hither and thither in the winds of Rumpole’s cross-examination. An interested observer from one of the other flats spoke of having seen a machete.
“Could that terrible weapon have been in the hands of Mr. Kevin O’Dowd, the deceased in this case?”
“I don’t think so.”
“But can you rule out the possibility?”
“No, I can’t rule it out,” the witness admitted, to my temporary delight.
“You can never rule out the possibility of anything in this world, Mr. Rumpole. But he doesn’t think so. You have your answer.”
Mr. Justice Vosper, in a voice like a splintering iceberg, gave me this unwelcome Christmas present. The case wasn’t going well, but at least, by the end of the first day, the Mad Monk had kept out all mention of the swords. The next day he was to call young Bridget O’Dowd, fresh from her triumph in the Nativity play.
“I say, Rumpole, I’d be so grateful for a little help.”
I was in Pommeroy’s Wine Bar, drowning the sorrows of the day in my usual bottle of the cheapest Chateau Fleet Street (made from grapes which, judging from the bouquet, might have been not so much trodden as kicked to death by sturdy peasants in gum boots) when I looked up to see Wrigglesworth, dressed in an old mackintosh, doing business with Jack Pommeroy at the sales counter. When I crossed to him, he was not buying the jumbo-sized bottle of ginger beer which I imagined might be his celebratory Christmas tipple, but a tempting and respectably aged bottle of Chateau Pichon Longueville.
“What can I do for you, Wrigglesworth?”
“Well, as you know, Rumpole, I live in Croydon.”
“Happiness is given to few of us on this earth,” I said piously.
“And the Anglican Sisters of St. Agnes, Croydon, are anxious to buy a present for their Bishop,” Wrigglesworth explained. “A dozen bottles for Christmas. They’ve asked my advice, Rumpole. I know so little about wine. You wouldn’t care to try this for me? I mean, if you’re not especially busy.”
“I should be hurrying home to dinner.” My wife, Hilda (She Who Must Be Obeyed), was laying on rissoles and frozen peas, washed down by my last bottle of Pommeroy’s extremely ordinary. “However, as it’s Christmas, I don’t mind helping you out, Wrigglesworth.”
The Mad Monk was clearly quite unused to wine. As we sampled the claret together, I saw the chance of getting him to commit himself on the vital question of the evidence of the sword, as well as absorbing an unusually decent bottle. After the Pichon Longueville I was kind enough to help him by sampling a Boyd-Cantenac and then I said, “Excellent, this. But of course the Bishop might be a burgundy man. The nuns might care to invest in a decent Macon.”
“Shall we try a bottle?” Wrigglesworth suggested. “I’d be grateful for your advice.”
“I’ll do my best to help you, my old darling. And while we’re on the subject, that ridiculous bit of evidence about young Timson and the sword—”
“I remember you saying I shouldn’t bring that out because it’s Christmas.”
“Exactly.” Jack Pommeroy had uncorked the Macon and it was mingling with the claret to produce a feeling of peace and goodwill towards men. Wrigglesworth frowned, as though trying to absorb an obscure point of theology.
“I don’t quite see the relevance of Christmas to the question of your man Timson threatening his neighbors with a sword.”
“Surely, Wrigglesworth—” I knew my prosecutor well “—you’re of a religious disposition?” The Mad Monk was the product of some bleak northern Catholic boarding school. He lived alone, and no doubt wore a hair shirt under his black waistcoat and was vowed to celibacy. The fact that he had his nose deep into a glass of burgundy at the moment was due to the benign influence of Rumpole.
“I’m a Christian, yes.”
“Then practice a little Christian tolerance.”
“Tolerance towards evil?”
“Evil?” I asked. “What do you mean, evil?”
“Couldn’t that be your trouble, Rumpole? That you really don’t recognize evil when you see it.”
“I suppose,” I said, “evil might be locking up a seventeen-year-old during Her Majesty’s pleasure, when Her Majesty may very probably forget all about him, banging him up with a couple of hard and violent cases and their own chamber-pots for twenty-two hours a day, so he won’t come out till he’s a real, genuine, middle-aged murderer.”
“I did hear the Reverend Mother say—” Wrigglesworth was gazing vacantly at the empty Macon bottle “—that the Bishop likes his glass of port.”
“Then in the spirit of Christmas tolerance I’ll help you to sample some of Pommeroy’s Light and Tawny.”
A little later, Wrigglesworth held up his port glass in a reverent sort of fashion.
“You’re suggesting, are you, that I should make some special concession in this case because it’s Christmastime?”
“Look here, old darling.” I absorbed half my glass, relishing the gentle fruitiness and the slight tang of wood. “If you spent your whole life in that highrise hell-hole called Keir Hardie Court, if you had no fat prosecutions to occupy your attention and no prospect of any job at all, if you had no sort of occupation except war with the O’Dowds—”
“My own flat isn’t particularly comfortable. I don’t know a great deal about your home life, Rumpole, but you don’t seem to be in a tearing hurry to experience it.”
“Touché, Wrigglesworth, my old darling.” I ordered us a couple of refills of Pommeroy’s port to further postpone the encounter with She Who Must Be Obeyed and her rissoles.
“But we don’t have to fight to the death on the staircase,” Wrigglesworth pointed out.
“We don’t have to fight at all, Wrigglesworth.”
“As your client did.”
“As my client may have done. Remember the presumption of innocence.”
“This is rather funny, this is.” The prosecutor pulled back his lips to reveal strong, yellowish teeth and laughed appreciatively. “You know why your man Timson is called ‘Turpin’?”
“No.” I drank port uneasily, fearing an unwelcome revelation.
“Because he’s always fighting with that sword of his. He’s called after Dick Turpin, you see, who’s always dueling on television. Do you watch television, Rumpole?”
“Hardly at all.”
“I watch a great deal of television, as I’m alone rather a lot.” Wrigglesworth referred to the box as though it were a sort of penance, like fasting or flagellation. “Detective Inspector Wainwright told me about your client. Rather amusing, I thought it was. He’s retiring this Christmas.”
“My client?”
“No. D. I. Wainwright. Do you think we should settle on this port for the Bishop? Or would you like to try a glass of something else?”
“Christmas,” I told Wrigglesworth severely as we sampled the Cockburn, “is not just a material, pagan celebration. It’s not just an occasion for absorbing superior vintages, old darling. It must be a time when you try to do good, spiritual good to our enemies.”
“To your client, you mean?”
“And to me.”
“To you, Rumpole?”
“For God’s sake, Wrigglesworth!” I was conscious of the fact that my appeal was growing desperate. “I’ve had six losers in a row down the Old Bailey. Can’t I be included in any Christmas spirit that’s going around?”
“You mean, at Christmas especially it is more blessed to give than to receive?”
“I mean exactly that.” I was glad that he seemed, at last, to be following my drift.
“And you think I might give this case to someone, like a Christmas present?”
“If you care to put it that way, yes.”
“I do not care to put it in exactly that way.” He turned his pale-blue eyes on me with what I thought was genuine sympathy. “But I shall try and do the case of R. v. Timson in the way most appropriate to the greatest feast of the Christian year. It is a time, I quite agree, for the giving of presents.”
When they finally threw us out of Pommeroy’s, and after we had considered the possibility of buying the Bishop brandy in the Cock Tavern, and even beer in the Devereux, I let my instinct, like an aged horse, carry me on to the Underground and home to Gloucester Road, and there discovered the rissoles, like some traces of a vanished civilization, fossilized in the oven. She Who Must Be Obeyed was already in bed, feigning sleep. When I climbed in beside her, she opened a hostile eye.
“You’re drunk, Rumpole!” she said. “What on earth have you been doing?”
“I’ve been having a legal discussion,” I told her, “on the subject of the admissibility of certain evidence. Vital, from my client’s point of view. And, just for a change, Hilda, I think I’ve won.”
“Well, you’d better try and get some sleep.” And she added with a sort of satisfaction, “I’m sure you’ll be feeling quite terrible in the morning.”
As with all the grimmer predictions of She Who Must Be Obeyed, this one turned out to be true. I sat in the Court the next day with the wig feeling like a lead weight on the brain and the stiff collar sawing the neck like a blunt execution. My mouth tasted of matured birdcage and from a long way off I heard Wrigglesworth say to Bridget O’Dowd, who stood looking particularly saintly and virginal in the witness box, “About a week before this, did you see the defendant, Edward Timson, on your staircase flourishing any sort of weapon?”
It is no exaggeration to say that I felt deeply shocked and considerably betrayed. After his promise to me, Wrigglesworth had turned his back on the spirit of the great Christmas festival. He came not to bring peace but a sword.
I clambered with some difficulty to my feet. After my forensic efforts of the evening before, I was scarcely in the mood for a legal argument. Mr. Justice Vosper looked up in surprise and greeted me in his usual chilly fashion.
“Yes, Mr. Rumpole. Do you object to this evidence?”
Of course I object, I wanted to say. It’s inhuman, unnecessary, unmerciful, and likely to lead to my losing another case. Also, it’s clearly contrary to a solemn and binding contract entered into after a number of glasses of the Bishop’s putative port. All I seemed to manage was a strangled, “Yes.”
“I suppose Mr. Wrigglesworth would say—” Vosper, J., was, as ever, anxious to supply any argument that might not yet have occurred to the prosecution “—that it is evidence of ‘system.’ ”
“System?” I heard my voice faintly and from a long way off. “It may be, I suppose. But the Court has a discretion to omit evidence which may be irrelevant and purely prejudicial.”
“I feel sure Mr. Wrigglesworth has considered the matter most carefully and that he would not lead this evidence unless he considered it entirely relevant.”
I looked at the Mad Monk on the seat beside me. He was smiling at me with a mixture of hearty cheerfulness and supreme pity, as though I were sinking rapidly and he had come to administer supreme unction. I made a few ill-chosen remarks to the Court, but I was in no condition, that morning, to enter into a complicated legal argument on the admissibility of evidence.
It wasn’t long before Bridget O’Dowd had told a deeply disapproving jury all about Eddie “Turpin” Timson’s sword. “A man,” the judge said later in his summing up about young Edward, “clearly prepared to attack with cold steel whenever it suited him.”
When the trial was over, I called in for refreshment at my favorite watering hole and there, to my surprise, was my opponent Wrigglesworth, sharing an expensive-looking bottle with Detective Inspector Wainwright, the officer in charge of the case. I stood at the bar, absorbing a consoling glass of Pommeroy’s ordinary, when the D. I. came up to the bar for cigarettes. He gave me a friendly and maddeningly sympathetic smile.
“Sorry about that, sir. Still, win a few, lose a few. Isn’t that it?”
“In my case lately, it’s been win a few, lose a lot!”
“You couldn’t have this one, sir. You see, Mr. Wrigglesworth had promised it to me.”
“He had what?”
“Well, I’m retiring, as you know. And Mr. Wrigglesworth promised me faithfully that my last case would be a win. He promised me that, in a manner of speaking, as a Christmas present. Great man is our Mr. Wrigglesworth, sir, for the spirit of Christmas.”
I looked across at the Mad Monk and a terrible suspicion entered my head. What was all that about a present for the Bishop? I searched my memory and I could find no trace of our having, in fact, bought wine for any sort of cleric. And was Wrigglesworth as inexperienced as he would have had me believe in the art of selecting claret?
As I watched him pour and sniff a glass from his superior bottle and hold it critically to the light, a horrible suspicion crossed my mind. Had the whole evening’s events been nothing but a deception, a sinister attempt to nobble Rumpole, to present him with such a stupendous hangover that he would stumble in his legal argument? Was it all in aid of D. I. Wainwright’s Christmas present?
I looked at Wrigglesworth, and it would be no exaggeration to say the mind boggled. He was, of course, perfectly right about me. I just didn’t recognize evil when I saw it.
Along with Booth Tarkington, George Ade, and the poet James Whitcomb Riley, Meredith Nicholson was part of what was regarded as the Golden Age of literature in Indiana in the first quarter of the twentieth century. Although not an author whose works have stood the test of time well, he was a bestseller in his day whose fiction was governed by the invariable triumph of true love and by insistence on the virtues of wholesome, bourgeois life, always told with good-natured humor. “A Reversible Santa Claus” was first published as a slim, illustrated book of that title (Boston, Houghton Mifflin, 1917).
Mr. William B. Aikins, alias “Softy” Hubbard, alias Billy The Hopper, paused for breath behind a hedge that bordered a quiet lane and peered out into the highway at a roadster whose tail light advertised its presence to his felonious gaze. It was Christmas Eve, and after a day of unseasonable warmth a slow, drizzling rain was whimsically changing to snow.
The Hopper was blowing from two hours’ hard travel over rough country. He had stumbled through woodlands, flattened himself in fence corners to avoid the eyes of curious motorists speeding homeward or flying about distributing Christmas gifts, and he was now bent upon committing himself to an inter-urban trolley line that would afford comfortable transportation for the remainder of his journey. Twenty miles, he estimated, still lay between him and his domicile.
The rain had penetrated his clothing and vigorous exercise had not greatly diminished the chill in his blood. His heart knocked violently against his ribs and he was dismayed by his shortness of wind. The Hopper was not so young as in the days when his agility and genius for effecting a quick “get-away” had earned for him his sobriquet. The last time his Bertillon measurements were checked (he was subjected to this humiliating experience in Omaha during the Ak-Sar-Ben carnival three years earlier), official note was taken of the fact that The Hopper’s hair, long carried in the records as black, was rapidly whitening.
At forty-eight a crook — even so resourceful and versatile a member of the fraternity as The Hopper — begins to mistrust himself. For the greater part of his life, when not in durance vile, The Hopper had been in hiding, and the state or condition of being a fugitive, hunted by keen-eyed agents of justice, is not, from all accounts, an enviable one. His latest experience of involuntary servitude had been under the auspices of the State of Oregon, for a trifling indiscretion in the way of safe-blowing. Having served his sentence, he skillfully effaced himself by a year’s siesta on a pine-apple plantation in Hawaii. The island climate was not wholly pleasing to The Hopper, and when pine-apples palled he took passage from Honolulu as a stoker, reached San Francisco (not greatly chastened in spirit), and by a series of characteristic hops, skips, and jumps across the continent landed in Maine by way of the Canadian provinces.
The Hopper needed money. He was not without a certain crude philosophy, and it had been his dream to acquire by some brilliant coup a sufficient fortune upon which to retire and live as a decent, law-abiding citizen for the remainder of his days. This ambition, or at least the means to its fulfillment, can hardly be defended as praiseworthy, but The Hopper was a singular character and we must take him as we find him. Many prison chaplains and jail visitors bearing tracts had striven with little success to implant moral ideals in the mind and soul of The Hopper, but he was still to be catalogued among the impenitent; and as he moved southward through the Commonwealth of Maine he was so oppressed by his poverty, as contrasted with the world’s abundance, that he lifted forty thousand dollars in a neat bundle from an express car which Providence had sidetracked, apparently for his personal enrichment, on the upper waters of the Penobscot. Whereupon he began perforce playing his old game of artful dodging, exercising his best powers as a hopper and skipper. Forty thousand dollars is no inconsiderable sum of money, and the success of this master stroke of his career was not to be jeopardized by careless moves. By craftily hiding in the big woods and making himself agreeable to isolated lumberjacks who rarely saw newspapers, he arrived in due course on Manhattan Island, where with shrewd judgment he avoided the haunts of his kind while planning a future commensurate with his new dignity as a capitalist.
He spent a year as a diligent and faithful employee of a garage which served a fashionable quarter of the metropolis; then, animated by a worthy desire to continue to lead an honest life, he purchased a chicken farm fifteen miles as the crow flies from Center Church, New Haven, and boldly opened a bank account in that academic center in his newly adopted name of Charles S. Stevens, of Happy Hill Farm. Feeling the need of companionship, he married a lady somewhat his junior, a shoplifter of the second class, whom he had known before the vigilance of the metropolitan police necessitated his removal to the Far West. Mrs. Stevens’s inferior talents as a petty larcenist had led her into many difficulties, and she gratefully availed herself of The Hopper’s offer of his heart and hand.
They had added to their establishment a retired yegg who had lost an eye by the premature popping of the “soup” (i.e., nitro-glycerin) poured into the crevices of a country post-office in Missouri. In offering shelter to Mr. James Whitesides, alias “Humpy” Thompson, The Hopper’s motives had not been wholly unselfish, as Humpy had been entrusted with the herding of poultry in several penitentiaries and was familiar with the most advanced scientific thought on chicken culture.
The roadster was headed toward his home and The Hopper contemplated it in the deepening dusk with greedy eyes. His labors in the New York garage had familiarized him with automobiles, and while he was not ignorant of the pains and penalties inflicted upon lawless persons who appropriate motors illegally, he was the victim of an irresistible temptation to jump into the machine thus left in the highway, drive as near home as he dared, and then abandon it. The owner of the roadster was presumably eating his evening meal in peace in the snug little cottage behind the shrubbery, and The Hopper was aware of no sound reason why he should not seize the vehicle and further widen the distance between himself and a suspicious-looking gentleman he had observed on the New Haven local.
The Hopper’s conscience was not altogether at ease, as he had, that afternoon, possessed himself of a bill-book that was protruding from the breast-pocket of a dignified citizen whose strap he had shared in a crowded subway train. Having foresworn crime as a means of livelihood, The Hopper was chagrined that he had suffered himself to be beguiled into stealing by the mere propinquity of a piece of red leather. He was angry at the world as well as himself. People should not go about with bill-books sticking out of their pockets; it was unfair and unjust to those weak members of the human race who yield readily to temptation.
He had agreed with Mary when she married him and the chicken farm that they would respect the Ten Commandments and all statutory laws, State and Federal, and he was painfully conscious that when he confessed his sin she would deal severely with him. Even Humpy, now enjoying a peace that he had rarely known outside the walls of prison, even Humpy would be bitter. The thought that he was again among the hunted would depress Mary and Humpy, and he knew that their harshness would be intensified because of his violation of the unwritten law of the underworld in resorting to purse-lifting, an infringement upon a branch of felony despicable and greatly inferior in dignity to safe-blowing.
These reflections spurred The Hopper to action, for the sooner he reached home the more quickly he could explain his protracted stay in New York (to which metropolis he had repaired in the hope of making a better price for eggs with the commission merchants who handled his products), submit himself to Mary’s chastisement, and promise to sin no more. By returning on Christmas Eve, of all times, again a fugitive, he knew that he would merit the unsparing condemnation that Mary and Humpy would visit upon him. It was possible, it was even quite likely, that the short, stocky gentleman he had seen on the New Haven local was not a “bull” — not really a detective who had observed the little transaction in the subway; but the very uncertainty annoyed The Hopper. In his happy and profitable year at Happy Hill Farm he had learned to prize his personal comfort, and he was humiliated to find that he had been frightened into leaving the train at Bansford to continue his journey afoot, and merely because a man had looked at him a little queerly.
Any Christmas spirit that had taken root in The Hopper’s soul had been disturbed, not to say seriously threatened with extinction, by the untoward occurrences of the afternoon.
The Hopper waited for a limousine to pass and then crawled out of his hiding-place, jumped into the roadster, and was at once in motion. He glanced back, fearing that the owner might have heard his departure, and then, satisfied of his immediate security, negotiated a difficult turn in the road and settled himself with a feeling of relief to careful but expeditious flight. It was at this moment, when he had urged the car to its highest speed, that a noise startled him — an amazing little chirrupy sound which corresponded to none of the familiar forewarnings of engine trouble. With his eyes to the front he listened for a repetition of the sound. It rose again — it was like a perplexing cheep and chirrup, changing to a chortle of glee.
“Goo-goo! Goo-goo-goo!”
The car was skimming a dark stretch of road and a superstitious awe fell upon The Hopper. Murder, he gratefully remembered, had never been among his crimes, though he had once winged a too-inquisitive policeman in Kansas City. He glanced over his shoulder, but saw no pursuing ghost in the snowy highway; then, looking down apprehensively, he detected on the seat beside him what appeared to be an animate bundle, and, prompted by a louder “goo-goo,” he put out his hand. His fingers touched something warm and soft and were promptly seized and held by Something.
The Hopper snatched his hand free of the tentacles of the unknown and shook it violently. The nature of the Something troubled him. He renewed his experiments, steering with his left hand and exposing the right to what now seemed to be the grasp of two very small mittened hands.
“Goo-goo! Goody; teep wunnin’!”
“A kid!” The Hopper gasped.
That he had eloped with a child was the blackest of the day’s calamities. He experienced a strange sinking feeling in the stomach. In moments of apprehension a crook’s thoughts run naturally into periods of penal servitude, and the punishment for kidnaping, The Hopper recalled, was severe. He stopped the car and inspected his unwelcome fellow passenger by the light of matches. Two big blue eyes stared at him from a hood and two mittens were poked into his face. Two small feet, wrapped tightly in a blanket, kicked at him energetically.
“Detup! Mate um skedaddle!”
Obedient to this command The Hopper made the car skedaddle, but superstitious dread settled upon him more heavily. He was satisfied now that from the moment he transferred the strap-hanger’s bill-book to his own pocket he had been hoodooed. Only a jinx of the most malevolent type could have prompted his hurried exit from a train to dodge an imaginary “bull.” Only the blackest of evil spirits could be responsible for this involuntary kidnaping!
“Mate um wun! Mate um ’ippity stip!”
The mittened hands reached for the wheel at this juncture and an unlooked-for “jippity skip” precipitated the young passenger into The Hopper’s lap.
This mishap was attended with the jolliest baby laughter. Gently but with much firmness The Hopper restored the youngster to an upright position and supported him until sure he was able to sustain himself.
“Ye better set still, little feller,” he admonished.
The little feller seemed in no wise astonished to find himself abroad with a perfect stranger and his courage and good cheer were not lost upon The Hopper. He wanted to be severe, to vent his rage for the day’s calamities upon the only human being within range, but in spite of himself he felt no animosity toward the friendly little bundle of humanity beside him. Still, he had stolen a baby and it was incumbent upon him to free himself at once of the appalling burden; but a baby is not so easily disposed of. He could not, without seriously imperiling his liberty, return to the cottage. It was the rule of house-breakers, he recalled, to avoid babies. He had heard it said by burglars of wide experience and unquestioned wisdom that babies were the most dangerous of all burglar alarms. All things considered, kidnaping and automobile theft were not a happy combination with which to appear before a criminal court. The Hopper was vexed because the child did not cry; if he had shown a bad disposition The Hopper might have abandoned him; but the youngster was the cheeriest and most agreeable of traveling companions. Indeed, The Hopper’s spirits rose under his continued “goo-gooing” and chirruping.
“Nice little Shaver!” he said, patting the child’s knees.
Little Shaver was so pleased by this friendly demonstration that he threw up his arms in an effort to embrace The Hopper.
“Bil-lee,” he gurgled delightedly.
The Hopper was so astonished at being addressed in his own lawful name by a strange baby that he barely averted a collision with a passing motor truck. It was unbelievable that the baby really knew his name, but perhaps it was a good omen that he had hit upon it. The Hopper’s resentment against the dark fate that seemed to pursue him vanished. Even though he had stolen a baby, it was a merry, brave little baby who didn’t mind at all being run away with! He dismissed the thought of planting the little shaver at a door, ringing the bell, and running away; this was no way to treat a friendly child that had done him no injury, and The Hopper highly resolved to do the square thing by the youngster even at personal inconvenience and risk.
The snow was now falling in generous Christmasy flakes, and the high speed the car had again attained was evidently deeply gratifying to the young person, whose reckless tumbling about made it necessary for The Hopper to keep a hand on him.
“Steady, little un; steady!” The Hopper kept mumbling.
His wits were busy trying to devise some means of getting rid of the youngster without exposing himself to the danger of arrest. By this time some one was undoubtedly busily engaged in searching for both baby and car; the police far and near would be notified, and would be on the lookout for a smart roadster containing a stolen child.
“Merry Christmas!” a boy shouted from a farm gate.
“M’y Kwismus!” piped Shaver.
The Hopper decided to run the machine home and there ponder the disposition of his blithe companion with the care the unusual circumstances demanded.
“ ’Urry up; me’s goin’ ’ome to me’s gwanpa’s Kwismus t’ee!”
“Right ye be, little un; right ye be!” affirmed The Hopper.
The youngster was evidently blessed with a sanguine and confiding nature. His reference to his grandfather’s Christmas tree impinged sharply upon The Hopper’s conscience. Christmas had never figured very prominently in his scheme of life. About the only Christmases that he recalled with any pleasure were those that he had spent in prison, and those were marked only by Christmas dinners varying with the generosity of a series of wardens.
But Shaver was entitled to all the joys of Christmas, and The Hopper had no desire to deprive him of them.
“Keep a-larfin’, Shaver, keep a-larfin’,” said the Hopper. “Ole Hop ain’t a-goin’ to hurt ye!”
The Hopper, feeling his way cautiously round the fringes of New Haven, arrived presently at Happy Hill Farm, where he ran the car in among the chicken sheds behind the cottage and carefully extinguished the lights.
“Now, Shaver, out ye come!”
Whereupon Shaver obediently jumped into his arms.
The Hopper knocked twice at the back door, waited an instant, and knocked again. As he completed the signal the door was opened guardedly. A man and woman surveyed him in hostile silence as he pushed past them, kicked the door shut, and deposited the blinking child on the kitchen table. Humpy, the one-eyed, jumped to the windows and jammed the green shades close into the frames. The woman scowlingly waited for the head of the house to explain himself, and this, with the perversity of one who knows the dramatic value of suspense, he was in no haste to do.
“Well,” Mary questioned sharply. “What ye got there, Bill?”
The Hopper was regarding Shaver with a grin of benevolent satisfaction. The youngster had seized a bottle of catsup and was making heroic efforts to raise it to his mouth, and the Hopper was intensely tickled by Shaver’s efforts to swallow the bottle. Mrs. Stevens, alias Weeping Mary, was not amused, and her husband’s enjoyment of the child’s antics irritated her.
“Come out with ut, Bill!” she commanded, seizing the bottle. “What ye been doin’?”
Shaver’s big blue eyes expressed surprise and displeasure at being deprived of his plaything, but he recovered quickly and reached for a plate with which he began thumping the table.
“Out with ut, Hop!” snapped Humpy nervously. “Nothin’ wuz said about kidnapin’, an’ I don’t stand for ut!”
“When I heard the machine comin’ in the yard I knowed somethin’ was wrong an’ I guess it couldn’t be no worse,” added Mary, beginning to cry. “You hadn’t no right to do ut, Bill. Hookin’ a buzz-buzz an’ a kid an’ when we wuz playin’ the white card! You ought t’ ‘a’ told me, Bill, what ye went to town fer, an’ it bein’ Christmas, an’ all.”
That he should have chosen for his fall the Christmas season of all times was reprehensible, a fact which Mary and Humpy impressed upon him in the strongest terms. The Hopper was fully aware of the inopportuneness of his transgressions, but not to the point of encouraging his wife to abuse him.
As he clumsily tried to unfasten Shaver’s hood, Mary pushed him aside and with shaking fingers removed the child’s wraps. Shaver’s cheeks were rosy from his drive through the cold; he was a plump, healthy little shaver and The Hopper viewed him with intense pride. Mary held the hood and coat to the light and inspected them with a sophisticated eye. They were of excellent quality and workmanship, and she shook her head and sighed deeply as she placed them carefully on a chair.
“It ain’t on the square, Hop,” protested Humpy, whose lone eye expressed the most poignant sorrow at The Hopper’s derelictions.
Humpy was tall and lean, with a thin, many-lined face. He was an ill-favored person at best, and his habit of turning his head constantly as though to compel his single eye to perform double service gave one an impression of restless watchfulness.
“Cute little Shaver, ain’t ’e? Give Shaver somethin’ to eat, Mary. I guess milk’ll be the right ticket considerin’ th’ size of ’im. How ole you make ’im? Not more’n three, I reckon?”
“Two. He ain’t more’n two, that kid.”
“A nice little feller; you’re a cute un, ain’t ye, Shaver?”
Shaver nodded his head solemnly. Having wearied of playing with the plate he gravely inspected the trio; found something amusing in Humpy’s bizarre countenance and laughed merrily. Finding no response to his friendly overtures he appealed to Mary.
“Me wants me’s paw-widge,” he announced.
“Porridge,” interpreted Humpy with the air of one whose superior breeding makes him the proper arbiter of the speech of children of high social station. Whereupon Shaver appreciatively poked his forefinger into Humpy’s surviving optic.
“I’ll see what I got,” muttered Mary. “What ye used t’ eatin’ for supper, honey?”
The “honey” was a concession, and The Hopper, who was giving Shaver his watch to play with, bent a commendatory glance upon his spouse.
“Go on an’ tell us what ye done,” said Mary, doggedly busying herself about the stove.
The Hopper drew a chair to the table to be within reach of Shaver and related succinctly his day’s adventures.
“A dip!” moaned Mary as he described the seizure of the purse in the subway.
“You hadn’t no right to do ut, Hop!” bleated Humpy, who had tipped his chair against the wall and was sucking a cold pipe. And then, professional curiosity overmastering his shocked conscience, he added: “What’d she measure, Hop?”
The Hopper grinned.
“Flubbed! Nothin’ but papers,” he confessed ruefully.
Mary and Humpy expressed their indignation and contempt in unequivocal terms, which they repeated after he told of the suspected “bull” whose presence on the local had so alarmed him. A frank description of his flight and of his seizure of the roadster only added to their bitterness.
Humpy rose and paced the floor with the quick, short stride of men habituated to narrow spaces. The Hopper watched the telltale step so disagreeably reminiscent of evil times and shrugged his shoulders impatiently.
“Set down, Hump; ye make me nervous. I got thinkin’ to do.”
“Ye’d better be quick about doin’ ut!” Humpy snorted with an oath.
“Cut the cussin’!” The Hopper admonished sharply. Since his retirement to private life he had sought diligently to free his speech of profanity and thieves’ slang, as not only unbecoming in a respectable chicken farmer, but likely to arouse suspicions as to his origin and previous condition of servitude. “Can’t ye see Shaver ain’t use to ut? Shaver’s a little gent; he’s a reg’ler little juke; that’s wot Shaver is.”
“The more ’way up he is the worse fer us,” whimpered Humpy. “It’s kidnapin’, that’s wot ut is!”
“That’s wot it ain’t,” declared The Hopper, averting a calamity to his watch, which Shaver was swinging by its chain. “He was took by accident I tell ye! I’m goin’ to take Shaver back to his ma — ain’t I, Shaver?”
“Take ’im back!” echoed Mary.
Humpy crumpled up in his chair at this new evidence of The Hopper’s insanity.
“I’m goin’ to make a Chris’mas present o’ Shaver to his ma,” reaffirmed The Hopper, pinching the nearer ruddy cheek of the merry, contented guest.
Shaver kicked The Hopper in the stomach and emitted a chortle expressive of unshakable confidence in The Hopper’s ability to restore him to his lawful owners. This confidence was not, however, manifested toward Mary, who had prepared with care the only cereal her pantry afforded, and now approached Shaver, bowl and spoon in hand. Shaver, taken by surprise, inspected his supper with disdain and spurned it with a vigor that sent the spoon rattling across the floor.
“Me wants me’s paw-widge bowl! Me wants me’s own paw-widge bowl!” he screamed.
Mary expostulated; Humpy offered advice as to the best manner of dealing with the refractory Shaver, who gave further expression to his resentment by throwing The Hopper’s watch with violence against the wall. That the table-service of The Hopper’s establishment was not to Shaver’s liking was manifested in repeated rejections of the plain white bowl in which Mary offered the porridge. He demanded his very own porridge bowl with the increasing vehemence of one who is willing to starve rather than accept so palpable a substitute. He threw himself back on the table and lay there kicking and crying. Other needs now occurred to Shaver: he wanted his papa; he wanted his mamma; he wanted to go to his gwan’pa’s. He clamored for Santa Claus and numerous Christmas trees which, it seemed, had been promised him at the houses of his kinsfolk. It was amazing and bewildering that the heart of one so young could desire so many things that were not immediately attainable. He had begun to suspect that he was among strangers who were not of his way of life, and this was fraught with the gravest danger.
“They’ll hear ’im hollerin’ in China,” wailed the pessimistic Humpy, running about the room and examining the fastenings of doors and windows. “Folks goin’ along the road’ll hear ’im, an’ it’s terms fer the whole bunch!”
The Hopper began pacing the floor with Shaver, while Humpy and Mary denounced the child for unreasonableness and lack of discipline, not overlooking the stupidity and criminal carelessness of The Hopper in projecting so lawless a youngster into their domestic circle.
“Twenty years, that’s wot ut is!” mourned Humpy.
“Ye kin get the chair fer kidnapin’,” Mary added dolefully. “Ye gotta get ’im out o’ here, Bill.”
Pleasant predictions of a long prison term with capital punishment as the happy alternative failed to disturb The Hopper. To their surprise and somewhat to their shame he won the Shaver to a tractable humor. There was nothing in The Hopper’s known past to justify any expectation that he could quiet a crying baby, and yet Shaver with a child’s unerring instinct realized that The Hopper meant to be kind. He patted The Hopper’s face with one fat little paw, chokingly declaring that he was hungry.
“ ’Course Shaver’s hungry; an’ Shaver’s goin’ to eat nice porridge Aunt Mary made fer ’im. Shaver’s goin’ to have ’is own porridge bowl to-morry — yes, sir-ee, oo is, little Shaver!”
Restored to the table, Shaver opened his mouth in obedience to The Hopper’s patient pleading and swallowed a spoonful of the mush, Humpy holding the bowl out of sight in tactful deference to the child’s delicate aesthetic sensibilities. A tumbler of milk was sipped with grateful gasps.
The Hopper grinned, proud of his success, while Mary and Humpy viewed his efforts with somewhat grudging admiration, and waited patiently until The Hopper took the wholly surfeited Shaver in his arms and began pacing the floor, humming softly. In normal circumstances The Hopper was not musical, and Humpy and Mary exchanged looks which, when interpreted, pointed to nothing less than a belief that the owner of Happy Hill Farm was bereft of his senses. There was some question as to whether Shaver should be undressed. Mary discouraged the idea and Humpy took a like view.
“Ye gotta chuck ’im quick; that’s what ye gotta do,” said Mary hoarsely. “We don’t want ’im sleepin’ here.”
Whereupon The Hopper demonstrated his entire independence by carrying the Shaver to Humpy’s bed and partially undressing him. While this was in progress, Shaver suddenly opened his eyes wide and raising one foot until it approximated the perpendicular, reached for it with his chubby hands.
“Sant’ Claus comin’; m’y Kwismus!”
“Jes’ listen to Shaver!” chuckled The Hopper. “ ’Course Santy is comin,’ an’ we’re goin’ to hang up Shaver’s stockin’, ain’t we, Shaver?”
He pinned both stockings to the footboard of Humpy’s bed. By the time this was accomplished under the hostile eyes of Mary and Humpy, Shaver slept the sleep of the innocent.
They watched the child in silence for a few minutes and then Mary detached a gold locket from his neck and bore it to the kitchen for examination.
“Ye gotta move quick, Hop,” Humpy urged. “The white card’s what we wuz all goin’ to play. We wuz fixed nice here, an’ things goin’ easy; an’ the yard full o’ br’ilers. I don’t want to do no more time. I’m an ole man, Hop.”
“Cut ut!” ordered The Hopper, taking the locket from Mary and weighing it critically in his hand. They bent over him as he scrutinized the face on which was inscribed —
Roger Livingston Talbot
June 13, 1913
“Lemme see; he’s two an’ a harf. Ye purty nigh guessed ’im right, Mary.”
The sight of the gold trinket, the probability that the Shaver belonged to a family of wealth, proved disturbing to Humpy’s late protestations of virtue.
“They’d be a heap o’ kale in ut, Hop. His folks is rich, I reckon. Ef we wuzn’t playin’ the white card—”
Ignoring this shocking evidence of Humpy’s moral instability, The Hopper became lost in reverie, meditatively drawing at his pipe.
“We ain’t never goin’ to quit playin’ ut square,” he announced, to Mary’s manifest relief. “I hadn’t ought t’ ’a’ done th’ dippin’. It were a mistake. My ole head wuzn’t workin’ right er I wouldn’t ’a’ slipped. But ye needn’t jump on me no more.”
“Wot ye goin’ to do with that kid? Ye tell me that!” demanded Mary, unwilling too readily to accept The Hopper’s repentance at face value.
“I’m goin’ to take ’im to ’is folks, that’s wot I’m goin’ to do with ’im,” announced The Hopper.
“Yer crazy — yer plum’ crazy!” cried Humpy, slapping his knees excitedly. “Ye kin take ’im to an orphant asylum an’ tell um ye found ’im in that machine ye lifted. And mebbe ye’ll git by with ut an’ mebbe ye won’t, but ye gotta keep me out of ut!”
“I found the machine in th’ road, right here by th’ house; an’ th’ kid was in ut all by hisself. An’ bein’ humin an’ respectible I brought ’im in to keep ’im from freezin’ t’ death,” said The Hopper, as though repeating lines he was committing to memory. “They ain’t nobody can say as I didn’t. Ef I git pinched, that’s my spiel to th’ cops. It ain’t kidnapin’; it’s life-savin’, that’s wot ut is! I’m a-goin’ back an’ have a look at that place where I got ’im. Kind o’ queer they left the kid out there in the buzz-wagon; mighty queer, now’s I think of ut. Little house back from the road; lots o’ trees an’ bushes in front. Didn’t seem to be no lights. He keeps talkin’ about Chris’mas at his grandpa’s. Folks must ’a’ been goin’ to take th’ kid somewheres fer Chris’mas. I guess it’ll throw a skeer into ’em to find him up an’ gone.”
“They’s rich, an’ all the big bulls’ll be lookin’ fer ’im; ye’d better ’phone the New Haven cops ye’ve picked ’im up. Then they’ll come out, an’ yer spiel about findin’ ’im’ll sound easy an’ sensible like.”
The Hopper, puffing his pipe philosophically, paid no heed to Humpy’s suggestion even when supported warmly by Mary.
“I gotta find some way o’ puttin’ th’ kid back without seein’ no cops. I’ll jes’ take a sneak back an’ have a look at th’ place,” said The Hopper. “I ain’t goin’ to turn Shaver over to no cops. Ye can’t take no chances with ’em. They don’t know nothin’ about us bein’ here, but they ain’t fools, an’ I ain’t goin’ to give none o’ ’em a squint at me!”
He defended his plan against a joint attack by Mary and Humpy, who saw in it only further proof of his tottering reason. He was obliged to tell them in harsh terms to be quiet, and he added to their rage by the deliberation with which he made his preparations to leave.
He opened the door of a clock and drew out a revolver which he examined carefully and thrust into his pocket. Mary groaned; Humpy beat the air in impotent despair. The Hopper possessed himself also of a jimmy and an electric lamp. The latter he flashed upon the face of the sleeping Shaver, who turned restlessly for a moment and then lay still again. He smoothed the coverlet over the tiny form, while Mary and Humpy huddled in the doorway. Mary wept; Humpy was awed into silence by his old friend’s perversity. For years he had admired The Hopper’s cleverness, his genius for extricating himself from difficulties; he was deeply shaken to think that one who had stood so high in one of the most exacting of professions should have fallen so low. As The Hopper imperturbably buttoned his coat and walked toward the door, Humpy set his back against it in a last attempt to save his friend from his own foolhardiness.
“Ef anybody turns up here an’ asks for th’ kid, ye kin tell ’em wot I said. We finds ’im in th’ road right here by the farm when we’re doin’ th’ night chores an’ takes ’im in t’ keep ’im from freezin’. Ye’ll have th’ machine an’ kid here to show ’em. An’ as fer me, I’m off lookin’ fer his folks.”
Mary buried her face in her apron and wept despairingly. The Hopper, noting for the first time that Humpy was guarding the door, roughly pushed him aside and stood for a moment with his hand on the knob.
“They’s things wot is,” he remarked with a last attempt to justify his course, “an’ things wot ain’t. I reckon I’ll take a peek at that place an’ see wot’s th’ best way t’ shake th’ kid. Ye can’t jes’ run up to a house in a machine with his folks all settin’ round cryin’ an’ cops askin’ questions. Ye got to do some plannin’ an’ thinkin’. I’m goin’ t’ clean ut all up before daylight, an’ ye need n’t worry none about ut. Hop ain’t worryin’; jes’ leave ut t’ Hop!”
There was no alternative but to leave it to Hop, and they stood mute as he went out and softly closed the door.
The snow had ceased and the stars shone brightly on a white world as The Hopper made his way by various trolley lines to the house from which he had snatched Shaver. On a New Haven car he debated the prospects of more snow with a policeman who seemed oblivious to the fact that a child had been stolen — shamelessly carried off by a man with a long police record. Merry Christmas passed from lip to lip as if all creation were attuned to the note of love and peace, and crime were an undreamed-of thing.
For two years The Hopper had led an exemplary life and he was keenly alive now to the joy of adventure. His lapses of the day were unfortunate; he thought of them with regret and misgivings, but he was zestful for whatever the unknown held in store for him. Abroad again with a pistol in his pocket, he was a lawless being, but with the difference that he was intent now upon making restitution, though in such manner as would give him something akin to the old thrill that he experienced when he enjoyed the reputation of being one of the most skillful yeggs in the country. The successful thief is of necessity an imaginative person; he must be able to visualize the unseen and to deal with a thousand hidden contingencies. At best the chances are against him; with all his ingenuity the broad, heavy hand of the law is likely at any moment to close upon him from some unexpected quarter. The Hopper knew this, and knew, too, that in yielding to the exhilaration of the hour he was likely to come to grief. Justice has a long memory, and if he again made himself the object of police scrutiny that little forty-thousand-dollar affair in Maine might still be fixed upon him.
When he reached the house from whose gate he had removed the roadster with Shaver attached, he studied it with the eye of an experienced strategist. No gleam anywhere published the presence of frantic parents bewailing the loss of a baby. The cottage lay snugly behind its barrier of elms and shrubbery as though its young heir had not vanished into the void. The Hopper was a deliberating being and he gave careful weight to these circumstances as he crept round the walk, in which the snow lay undisturbed, and investigated the rear of the premises. The lattice door of the summer kitchen opened readily, and, after satisfying himself that no one was stirring in the lower part of the house, he pried up the sash of a window and stepped in. The larder was well stocked, as though in preparation for a Christmas feast, and he passed on to the dining-room, whose appointments spoke for good taste and a degree of prosperity in the householder.
Cautious flashes of his lamp disclosed on the table a hamper, in which were packed a silver cup, plate, and bowl which at once awoke the Hopper’s interest. Here indubitably was proof that this was the home of Shaver, now sleeping sweetly in Humpy’s bed, and this was the porridge bowl for which Shaver’s soul had yearned. If Shaver did not belong to the house, he had at least been a visitor there, and it struck The Hopper as a reasonable assumption that Shaver had been deposited in the roadster while his lawful guardians returned to the cottage for the hamper preparatory to an excursion of some sort. But The Hopper groped in the dark for an explanation of the calmness with which the householders accepted the loss of the child. It was not in human nature for the parents of a youngster so handsome and in every way so delightful as Shaver to permit him to be stolen from under their very noses without making an outcry. The Hopper examined the silver pieces and found them engraved with the name borne by the locket. He crept through a living-room and came to a Christmas tree — the smallest of Christmas trees. Beside it lay a number of packages designed clearly for none other than young Roger Livingston Talbot.
Housebreaking is a very different business from the forcible entry of country post-offices, and The Hopper was nervous. This particular house seemed utterly deserted. He stole upstairs and found doors open and a disorder indicative of the occupants’ hasty departure. His attention was arrested by a small room finished in white, with a white enameled bed, and other furniture to match. A generous litter of toys was the last proof needed to establish the house as Shaver’s true domicile. Indeed, there was every indication that Shaver was the central figure of this home of whose charm and atmosphere The Hopper was vaguely sensible. A frieze of dancing children and water-color sketches of Shaver’s head, dabbed here and there in the most unlooked-for places, hinted at an artistic household. This impression was strengthened when The Hopper, bewildered and baffled, returned to the lower floor and found a studio opening off the living-room. The Hopper had never visited a studio before, and, satisfied now that he was the sole occupant of the house, he passed about shooting his light upon unfinished canvases, pausing finally before an easel supporting a portrait of Shaver — newly finished, he discovered, by poking his finger into the wet paint. Something fell to the floor and he picked up a large sheet of drawing-paper on which this message was written in charcoal —
Six-thirty.
Dear Sweetheart —
This is a fine trick you have played on me, you dear girl! I’ve been expecting you back all afternoon. At six I decided that you were going to spend the night with your infuriated parent and thought I’d try my luck with mine! I put Billie into the roadster and, leaving him there, ran over to the Flemings’ to say Merry Christmas and tell ’em we were off for the night. They kept me just a minute to look at those new Jap prints Jim’s so crazy about, and while I was gone you came along and skipped with Billie and the car! I suppose this means that you’ve been making headway with your dad and want to try the effect of Billie’s blandishments. Good luck! But you might have stopped long enough to tell me about it! How fine it would be if everything could be straightened out for Christmas! Do you remember the first time I kissed you — it was on Christmas Eve four years ago at the Billings’s dance! I’m just trolleying out to father’s to see what an evening session will do. I’ll be back early in the morning.
Love always,
Billie was undoubtedly Shaver’s nickname. This delighted The Hopper. That they should possess the same name appeared to create a strong bond of comradeship. The writer of the note was presumably the child’s father and the “Dear Sweetheart” the youngster’s mother. The Hopper was not reassured by these disclosures. The return of Shaver to his parents was far from being the pleasant little Christmas Eve adventure he had imagined. He had only the lowest opinion of a father who would, on a winter evening, carelessly leave his baby in a motor-car while he looked at pictures, and who, finding both motor and baby gone, would take it for granted that the baby’s mother had run off with them. But these people were artists, and artists, The Hopper had heard, were a queer breed, sadly lacking in common sense. He tore the note into strips which he stuffed into his pocket.
Depressed by the impenetrable wall of mystery along which he was groping, he returned to the living-room, raised one of the windows, and unbolted the front door to make sure of an exit in case these strange, foolish Talbots should unexpectedly return. The shades were up and he shielded his light carefully with his cap as he passed rapidly about the room. It began to look very much as though Shaver would spend Christmas at Happy Hill Farm — a possibility that had not figured in The Hopper’s calculations.
Flashing his lamp for a last survey a letter propped against a lamp on the table arrested his eye. He dropped to the floor and crawled into a corner where he turned his light upon the note and read, not without difficulty, the following —
Seven o’clock.
Dear Roger —
I’ve just got back from father’s where I spent the last three hours talking over our troubles. I didn’t tell you I was going, knowing you would think it foolish, but it seemed best, dear, and I hope you’ll forgive me. And now I find that you’ve gone off with Billie, and I’m guessing that you’ve gone to your father’s to see what you can do. I’m taking the trolley into New Haven to ask Mamie Palmer about that cook she thought we might get, and if possible I’ll bring the girl home with me. Don’t trouble about me, as I’ll be perfectly safe, and, as you know, I rather enjoy prowling around at night. You’ll certainly get back before I do, but if I’m not here don’t be alarmed.
We are so happy in each other, dear, and if only we could get our foolish fathers to stop hating each other, how beautiful everything would be! And we could all have such a merry, merry Christmas!
The Hopper’s acquaintance with the epistolary art was the slightest, but even to a mind unfamiliar with this branch of literature it was plain that Shaver’s parents were involved in some difficulty that was attributable, not to any lessening of affection between them, but to a row of some sort between their respective fathers. Muriel, running into the house to write her note, had failed to see Roger’s letter in the studio, and this was very fortunate for The Hopper; but Muriel might return at any moment, and it would add nothing to the plausibility of the story he meant to tell if he were found in the house.
Anxious and dejected at the increasing difficulties that confronted him, he was moving toward the door when a light, buoyant step sounded on the veranda. In a moment the living-room lights were switched on from the entry and a woman called out sharply —
“Stop right where you are or I’ll shoot!”
The authoritative voice of the speaker, the quickness with which she had grasped the situation and leveled her revolver, brought The Hopper to an abrupt halt in the middle of the room, where he fell with a discordant crash across the keyboard of a grand piano. He turned, cowering, to confront a tall, young woman in a long ulster who advanced toward him slowly, but with every mark of determination upon her face. The Hopper stared beyond the gun, held in a very steady hand, into a pair of fearless dark eyes. In all his experiences he had never been cornered by a woman, and he stood gaping at his captor in astonishment. She was a very pretty young woman, with cheeks that still had the curve of youth, but with a chin that spoke for much firmness of character. A fur toque perched a little to one side gave her a boyish air.
This undoubtedly was Shaver’s mother who had caught him prowling in her house, and all The Hopper’s plans for explaining her son’s disappearance and returning him in a manner to win praise and gratitude went glimmering. There was nothing in the appearance of this Muriel to encourage a hope that she was either embarrassed or alarmed by his presence. He had been captured many times, but the trick had never been turned by any one so cool as this young woman. She seemed to be pondering with the greatest calmness what disposition she should make of him. In the intentness of her thought the revolver wavered for an instant, and The Hopper, without taking his eyes from her, made a cat-like spring that brought him to the window he had raised against just such an emergency.
“None of that!” she cried, walking slowly toward him without lowering the pistol. “If you attempt to jump from that window I’ll shoot! But it’s cold in here and you may lower it.”
The Hopper, weighing the chances, decided that the odds were heavily against escape, and lowered the window.
“Now,” said Muriel, “step into that corner and keep your hands up where I can watch them.”
The Hopper obeyed her instructions strictly. There was a telephone on the table near her and he expected her to summon help; but to his surprise she calmly seated herself, resting her right elbow on the arm of the chair, her head slightly tilted to one side, as she inspected him with greater attention along the blue-black barrel of her automatic. Unless he made a dash for liberty this extraordinary woman would, at her leisure, turn him over to the police as a house-breaker and his peaceful life as a chicken farmer would be at an end. Her prolonged silence troubled The Hopper. He had not been more nervous when waiting for the report of the juries which at times had passed upon his conduct, or for judges to fix his term of imprisonment.
“Yes’m,” he muttered, with a view to ending a silence that had become intolerable.
Her eyes danced to the accompaniment of her thoughts, but in no way did she betray the slightest perturbation.
“I ain’t done nothin’; hones’ to God, I ain’t!” he protested brokenly.
“I saw you through the window when you entered this room and I was watching while you read that note,” said his captor. “I thought it funny that you should do that instead of packing up the silver. Do you mind telling me just why you read that note?”
“Well, miss, I jes’ thought it kind o’ funny there wuzn’t nobody round an’ the letter was layin’ there all open, an’ I didn’t see no harm in lookin’.”
“It was awfully clever of you to crawl into the corner so nobody could see your light from the windows,” she said with a tinge of admiration. “I suppose you thought you might find out how long the people of the house were likely to be gone and how much time you could spend here. Was that it?”
“I reckon ut wuz somethin’ like that,” he agreed.
This was received with the noncommittal “Um” of a person whose thoughts are elsewhere. Then, as though she were eliciting from an artist or man of letters a frank opinion as to his own ideas of his attainments and professional standing, she asked, with a meditative air that puzzled him as much as her question —
“Just how good a burglar are you? Can you do a job neatly and safely?”
The Hopper, staggered by her inquiry and overcome by modesty, shrugged his shoulders and twisted about uncomfortably.
“I reckon as how you’ve pinched me I ain’t much good,” he replied, and was rewarded with a smile followed by a light little laugh. He was beginning to feel pleased that she manifested no fear of him. In fact, he had decided that Shaver’s mother was the most remarkable woman he had ever encountered, and by all odds the handsomest. He began to take heart. Perhaps after all he might hit upon some way of restoring Shaver to his proper place in the house of Talbot without making himself liable to a long term for kidnaping.
“If you’re really a successful burglar — one who doesn’t just poke around in empty houses as you were doing here, but clever and brave enough to break into houses where people are living and steal things without making a mess of it; and if you can play fair about it — then I think... I think — maybe — we can come to terms!”
“Yes’m!” faltered The Hopper, beginning to wonder if Mary and Humpy had been right in saying that he had lost his mind. He was so astonished that his arms wavered, but she was instantly on her feet and the little automatic was again on a level with his eyes.
“Excuse me, miss, I didn’t mean to drop ’em. I weren’t goin’ to do nothin’. Hones’ I wuzn’t!” he pleaded with real contrition. “It jes’ seemed kind o’ funny what ye said.”
He grinned sheepishly. If she knew that her Billie, alias Shaver, was not with her husband at his father’s house, she would not be dallying in this fashion. And if the young father, who painted pictures, and left notes in his studio in a blind faith that his wife would find them, — if that trusting soul knew that Billie was asleep in a house all of whose inmates had done penance behind prison bars, he would very quickly become a man of action. The Hopper had never heard of such careless parenthood! These people were children! His heart warmed to them in pity and admiration, as it had to little Billie.
“I forgot to ask you whether you are armed,” she remarked, with just as much composure as though she were asking him whether he took two lumps of sugar in his tea; and then she added, “I suppose I ought to have asked you that in the first place.”
“I gotta gun in my coat — right side,” he confessed. “An’ that’s all I got,” he added, batting his eyes under the spell of her bewildering smile.
With her left hand she cautiously extracted his revolver and backed away with it to the table.
“If you’d lied to me I should have killed you; do you understand?”
“Yes’m,” murmured The Hopper meekly.
She had spoken as though homicide were a common incident of her life, but a gleam of humor in the eyes she was watching vigilantly abated her severity.
“You may sit down — there, please!”
She pointed to a much bepillowed davenport and The Hopper sank down on it, still with his hands up. To his deepening mystification she backed to the windows and lowered the shades, and this done she sat down with the table between them, remarking,—
“You may put your hands down now, Mr. — ?”
He hesitated, decided that it was unwise to give any of his names; and respecting his scruples she said with great magnanimity —
“Of course you wouldn’t want to tell me your name, so don’t trouble about that.”
She sat, wholly tranquil, her arms upon the table, both hands caressing the small automatic, while his own revolver, of different pattern and larger caliber, lay close by. His status was now established as that of a gentleman making a social call upon a lady who, in the pleasantest manner imaginable and yet with undeniable resoluteness, kept a deadly weapon pointed in the general direction of his person.
A clock on the mantel struck eleven with a low, silvery note. Muriel waited for the last stroke and then spoke crisply and directly.
“We were speaking of that letter I left lying here on the table. You didn’t understand it, of course; you couldn’t — not really. So I will explain it to you. My husband and I married against our fathers’ wishes; both of them were opposed to it.”
She waited for this to sink into his perturbed consciousness. The Hopper frowned and leaned forward to express his sympathetic interest in this confidential disclosure.
“My father,” she resumed, “is just as stupid as my father-in-law and they have both continued to make us just as uncomfortable as possible. The cause of the trouble is ridiculous. There’s nothing against my husband or me, you understand; it’s simply a bitter jealousy between the two men due to the fact that they are rival collectors.”
The Hopper stared blankly. The only collectors with whom he had enjoyed any acquaintance were persons who presented bills for payment.
“They are collectors,” Muriel hastened to explain, “of ceramics — precious porcelains and that sort of thing.”
“Yes’m,” assented The Hopper, who hadn’t the faintest notion of what she meant.
“For years, whenever there have been important sales of these things, which men fight for and are willing to die for — whenever there has been something specially fine in the market, my father-in-law — he’s Mr. Talbot — and Mr. Wilton — he’s my father — have bid for them. There are auctions, you know, and people come from all over the world looking for a chance to buy the rarest pieces. They’ve explored China and Japan hunting for prizes and they are experts — men of rare taste and judgment — what you call connoisseurs.”
The Hopper nodded gravely at the unfamiliar word, convinced that not only were Muriel and her husband quite insane, but that they had inherited the infirmity.
“The trouble has been,” Muriel continued, “that Mr. Talbot and my father both like the same kind of thing; and when one has got something the other wanted, of course it has added to the ill-feeling. This has been going on for years and recently they have grown more bitter. When Roger and I ran off and got married, that didn’t help matters any; but just within a few days something has happened to make things much worse than ever.”
The Hopper’s complete absorption in this novel recital was so manifest that she put down the revolver with which she had been idling and folded her hands.
“Thank ye, miss,” mumbled The Hopper.
“Only last week,” Muriel continued, “my father-in-law bought one of those pottery treasures — a plum-blossom vase made in China hundreds of years ago and very, very valuable. It belonged to a Philadelphia collector who died not long ago and Mr. Talbot bought it from the executor of the estate, who happened to be an old friend of his. Father was very angry, for he had been led to believe that this vase was going to be offered at auction and he’d have a chance to bid on it. And just before that father had got hold of a jar — a perfectly wonderful piece of red Lang-Yao — that collectors everywhere have coveted for years. This made Mr. Talbot furious at father. My husband is at his father’s now trying to make him see the folly of all this, and I visited my father to-day to try to persuade him to stop being so foolish. You see I wanted us all to be happy for Christmas! Of course, Christmas ought to be a time of gladness for everybody. Even people in your — er — profession must feel that Christmas is one day in the year when all hard feelings should be forgotten and everybody should try to make others happy.”
“I guess yer right, miss. Ut sure seems foolish fer folks t’ git mad about jugs like you says. Wuz they empty, miss?”
“Empty!” repeated Muriel wonderingly, not understanding at once that her visitor was unaware that the “jugs” men fought over were valued as art treasures and not for their possible contents. Then she laughed merrily, as only the mother of Shaver could laugh.
“Oh! Of course they’re empty! That does seem to make it sillier, doesn’t it? But they’re like famous pictures, you know, or any beautiful work of art that only happens occasionally. Perhaps it seems odd to you that men can be so crazy about such things, but I suppose sometimes you have wanted things very, very much, and — oh!”
She paused, plainly confused by her tactlessness in suggesting to a member of his profession the extremities to which one may be led by covetousness.
“Yes, miss,” he remarked hastily; and he rubbed his nose with the back of his hand, and grinned indulgently as he realized the cause of her embarrassment. It crossed his mind that she might be playing a trick of some kind; that her story, which seemed to him wholly fantastic and not at all like a chronicle of the acts of veritable human beings, was merely a device for detaining him until help arrived. But he dismissed this immediately as unworthy of one so pleasing, so beautiful, so perfectly qualified to be the mother of Shaver!
“Well, just before luncheon, without telling my husband where I was going, I ran away to papa’s, hoping to persuade him to end this silly feud. I spent the afternoon there and he was very unreasonable. He feels that Mr. Talbot wasn’t fair about that Philadelphia purchase, and I gave it up and came home. I got here a little after dark and found my husband had taken Billie — that’s our little boy — and gone. I knew, of course, that he had gone to his father’s hoping to bring him round, for both our fathers are simply crazy about Billie. But you see I never go to Mr. Talbot’s and my husband never goes — Dear me!” she broke off suddenly. “I suppose I ought to telephone and see if Billie is all right.”
The Hopper, greatly alarmed, thrust his head forward as she pondered this. If she telephoned to her father-in-law’s to ask about Billie, the jig would be up! He drew his hand across his face and fell back with relief as she went on, a little absently —
“Mr. Talbot hates telephoning, and it might be that my husband is just getting him to the point of making concessions, and I shouldn’t want to interrupt. It’s so late now that of course Roger and Billie will spend the night there. And Billie and Christmas ought to be a combination that would soften the hardest heart! You ought to see — you just ought to see Billie! He’s the cunningest, dearest baby in the world!”
The Hopper sat pigeon-toed, beset by countless conflicting emotions. His ingenuity was taxed to its utmost by the demands of this complex situation. But for his returning suspicion that Muriel was leading up to something; that she was detaining him for some purpose not yet apparent, he would have told her of her husband’s note and confessed that the adored Billie was at that moment enjoying the reluctant hospitality of Happy Hill Farm. He resolved to continue his policy of silence as to the young heir’s whereabouts until Muriel had shown her hand. She had not wholly abandoned the thought of telephoning to her father-in-law’s, he found, from her next remark.
“You think it’s all right, don’t you? It’s strange Roger didn’t leave me a note of some kind. Our cook left a week ago and there was no one here when he left.”
“I reckon as how yer kid’s all right, miss,” he answered consolingly.
Her voluble confidences had enthralled him, and her reference of this matter to his judgment was enormously flattering. On the rough edges of society where he had spent most of his life, fellow craftsmen had frequently solicited his advice, chiefly as to the disposition of their ill-gotten gains or regarding safe harbors of refuge, but to be taken into counsel by the only gentlewoman he had ever met roused his self-respect, touched a chivalry that never before had been wakened in The Hopper’s soul. She was so like a child in her guilelessness, and so brave amid her perplexities!
“Oh, I know Roger will take beautiful care of Billie. And now,” she smiled radiantly, “you’re probably wondering what I’ve been driving at all this time. Maybe” — she added softly — “maybe it’s providential, your turning up here in this way!”
She uttered this happily, with a little note of triumph and another of her smiles that seemed to illuminate the universe. The Hopper had been called many names in his varied career, but never before had he been invested with the attributes of an agent of Providence.
“They’s things wot is an’ they’s things wot ain’t, miss; I reckon I ain’t as bad as some. I mean to be on the square, miss.”
“I believe that,” she said. “I’ve always heard there’s honor among thieves, and” — she lowered her voice to a whisper — “it’s possible I might become one myself!”
The Hopper’s eyes opened wide and he crossed and uncrossed his legs nervously in his agitation.
“If... if” — she began slowly, bending forward with a grave, earnest look in her eyes and clasping her fingers tightly — “if we could only get hold of father’s Lang-Yao jar and that plum-blossom vase Mr. Talbot has — if we could only do that!”
The Hopper swallowed hard. This fearless, pretty young woman was calmly suggesting that he commit two felonies, little knowing that his score for the day already aggregated three — purse-snatching, the theft of an automobile from her own door, and what might very readily be construed as the kidnaping of her own child!
“I don’t know, miss,” he said feebly, calculating that the sum total of even minimum penalties for the five crimes would outrun his natural life and consume an eternity of reincarnations.
“Of course it wouldn’t be stealing in the ordinary sense,” she explained. “What I want you to do is to play the part of what we will call a reversible Santa Claus, who takes things away from stupid people who don’t enjoy them anyhow. And maybe if they lost these things they’d behave themselves. I could explain afterward that it was all my fault, and of course I wouldn’t let any harm come to you. I’d be responsible, and of course I’d see you safely out of it; you would have to rely on me for that. I’m trusting you and you’d have to trust me!”
“Oh, I’d trust ye, miss! An’ ef I was to get pinched I wouldn’t never squeal on ye. We don’t never blab on a pal, miss!”
He was afraid she might resent being called a “pal,” but his use of the term apparently pleased her.
“We understand each other, then. It really won’t be very difficult, for papa’s place is over on the Sound and Mr. Talbot’s is right next to it, so you wouldn’t have far to go.”
Her utter failure to comprehend the enormity of the thing she was proposing affected him queerly. Even among hardened criminals in the underworld such undertakings are suggested cautiously; but Muriel was ordering a burglary as though it were a pound of butter or a dozen eggs!
“Father keeps his most valuable glazes in a safe in the pantry,” she resumed after a moment’s reflection, “but I can give you the combination. That will make it a lot easier.”
The Hopper assented, with a pontifical nod, to this sanguine view of the matter.
“Mr. Talbot keeps his finest pieces in a cabinet built into the bookshelves in his library. It’s on the left side as you stand in the drawing-room door, and you look for the works of Thomas Carlyle. There’s a dozen or so volumes of Carlyle, only they’re not books — not really — but just the backs of books painted on the steel of a safe. And if you press a spring in the upper right-hand corner of the shelf just over these books the whole section swings out. I suppose you’ve seen that sort of hiding-place for valuables?”
“Well, not exactly, miss. But havin’ a tip helps, an’ ef there ain’t no soup to pour—”
“Soup?” inquired Muriel, wrinkling her pretty brows.
“That’s the juice we pour into the cracks of a safe to blow out the lid with,” The Hopper elucidated. “Ut’s a lot handier ef you’ve got the combination. Ut usually ain’t jes’ layin’ around.”
“I should hope not!” exclaimed Muriel.
She took a sheet of paper from the leathern stationery rack and fell to scribbling, while he furtively eyed the window and again put from him the thought of flight.
“There! That’s the combination of papa’s safe.” She turned her wrist and glanced at her watch. “It’s half-past eleven and you can catch a trolley in ten minutes that will take you right past papa’s house. The butler’s an old man who forgets to lock the windows half the time, and there’s one in the conservatory with a broken catch. I noticed it to-day when I was thinking about stealing the jar myself!”
They were established on so firm a basis of mutual confidence that when he rose and walked to the table she didn’t lift her eyes from the paper on which she was drawing a diagram of her father’s house. He stood watching her nimble fingers, fascinated by the boldness of her plan for restoring amity between Shaver’s grandfathers, and filled with admiration for her resourcefulness.
He asked a few questions as to exits and entrances and fixed in his mind a very accurate picture of the home of her father. She then proceeded to enlighten him as to the ways and means of entering the home of her father-in-law, which she sketched with equal facility.
“There’s a French window — a narrow glass door — on the veranda. I think you might get in there!” She made a jab with the pencil. “Of course I should hate awfully to have you get caught! But you must have had a lot of experience, and with all the help I’m giving you—!”
A sudden lifting of her head gave him the full benefit of her eyes and he averted his gaze reverently.
“There’s always a chance o’ bein’ nabbed, miss,” he suggested with feeling.
Shaver’s mother wielded the same hypnotic power, highly intensified, that he had felt in Shaver. He knew that he was going to attempt what she asked; that he was committed to the project of robbing two houses merely to please a pretty young woman who invited his coöperation at the point of a revolver!
“Papa’s always a sound sleeper,” she was saying. “When I was a little girl a burglar went all through our house and carried off his clothes and he never knew it until the next morning. But you’ll have to be careful at Mr. Talbot’s, for he suffers horribly from insomnia.”
“They got any o’ them fancy burglar alarms?” asked The Hopper as he concluded his examination of her sketches.
“Oh, I forgot to tell you about that!” she cried contritely. “There’s nothing of the kind at Mr. Talbot’s, but at papa’s there’s a switch in the living-room, right back of a bust — a white marble thing on a pedestal. You turn it off there. Half the time papa forgets to switch it on before he goes to bed. And another thing — be careful about stumbling over that bearskin rug in the hall. People are always sticking their feet into its jaws.”
“I’ll look out for ut, miss.”
Burglar alarms and the jaws of wild beasts were not inviting hazards. The programme she outlined so light-heartedly was full of complexities. It was almost pathetic that any one could so cheerfully and irresponsibly suggest the perpetration of a crime. The terms she used in describing the loot he was to filch were much stranger to him than Chinese, but it was fairly clear that at the Talbot house he was to steal a blue-and-white thing and at the Wilton’s a red one. The form and size of these articles she illustrated with graceful gestures.
“If I thought you were likely to make a mistake I’d... I’d go with you!” she declared.
“Oh, no, miss; ye couldn’t do that! I guess I can do ut fer ye. Ut’s jes’ a leetle ticklish. I reckon ef yer pa wuz to nab me ut’d go hard with me.”
“I wouldn’t let him be hard on you,” she replied earnestly. “And now I haven’t said anything about a... a... about what we will call a reward for bringing me these porcelains. I shall expect to pay you; I couldn’t think of taking up your time, you know, for nothing!”
“Lor’, miss, I couldn’t take nothin’ at all fer doin’ ut! Ye see ut wuz sort of accidental our meetin’, and besides, I ain’t no housebreaker — not, as ye may say, reg’ler. I’ll be glad to do ut fer ye, miss, an’ ye can rely on me doin’ my best fer ye. Ye’ve treated me right, miss, an’ I ain’t a-goin’ t’ fergit ut!”
The Hopper spoke with feeling. Shaver’s mother had, albeit at the pistol point, confided her most intimate domestic affairs to him. He realized, without finding just these words for it, that she had in effect decorated him with the symbol of her order of knighthood and he had every honorable — or dishonorable! — intention of proving himself worthy of her confidence.
“If ye please, miss,” he said, pointing toward his confiscated revolver.
“Certainly; you may take it. But of course you won’t kill anybody?”
“No, miss; only I’m sort o’ lonesome without ut when I’m on a job.”
“And you do understand,” she said, following him to the door and noting in the distance the headlight of an approaching trolley, “that I’m only doing this in the hope that good may come of it. It isn’t really criminal, you know; if you succeed, it may mean the happiest Christmas of my life!”
“Yes, miss. I won’t come back till mornin’, but don’t you worry none. We gotta play safe, miss, an’ ef I land th’ jugs I’ll find cover till I kin deliver ’em safe.”
“Thank you; oh, thank you ever so much! And good luck!”
She put out her hand; he held it gingerly for a moment in his rough fingers and ran for the car.
The Hopper, in his rôle of the Reversible Santa Claus, dropped off the car at the crossing Muriel had carefully described, waited for the car to vanish, and warily entered the Wilton estate through a gate set in the stone wall. The clouds of the early evening had passed and the stars marched through the heavens resplendently, proclaiming peace on earth and goodwill toward men. They were almost oppressively brilliant, seen through the clear, cold atmosphere, and as The Hopper slipped from one big tree to another on his tangential course to the house, he fortified his courage by muttering, “They’s things wot is an’ things wot ain’t!” — finding much comfort and stimulus in the phrase.
Arriving at the conservatory in due course, he found that Muriel’s averments as to the vulnerability of that corner of her father’s house were correct in every particular. He entered with ease, sniffed the warm, moist air, and, leaving the door slightly ajar, sought the pantry, lowered the shades, and, helping himself to a candle from a silver candelabrum, readily found the safe hidden away in one of the cupboards. He was surprised to find himself more nervous with the combination in his hand than on memorable occasions in the old days when he had broken into country post-offices and assaulted safes by force. In his haste he twice failed to give the proper turns, but the third time the knob caught, and in a moment the door swung open disclosing shelves filled with vases, bottles, bowls, and plates in bewildering variety. A chest of silver appealed to him distractingly as a much more tangible asset than the pottery, and he dizzily contemplated a jewel-case containing a diamond necklace with a pearl pendant. The moment was a critical one in The Hopper’s eventful career. This dazzling prize was his for the taking, and he knew the operator of a fence in Chicago who would dispose of the necklace and make him a fair return. But visions of Muriel, the beautiful, the confiding, and of her little Shaver asleep on Humpy’s bed, rose before him. He steeled his heart against temptation, drew his candle along the shelf, and scrutinized the glazes. There could be no mistaking the red Lang-Yao whose brilliant tints kindled in the candle-glow. He lifted it tenderly, verifying the various points of Muriel’s description, set it down on the floor, and locked the safe.
He was retracing his steps toward the conservatory and had reached the main hall when the creaking of the stairsteps brought him up with a start. Some one was descending, slowly and cautiously. For a second time and with grateful appreciation of Muriel’s forethought, he carefully avoided the ferocious jaws of the bear, noiselessly continued on to the conservatory, crept through the door, closed it, and then, crouching on the steps, awaited developments. The caution exercised by the person descending the stairway was not that of a householder who has been roused from slumber by a disquieting noise. The Hopper was keenly interested in this fact.
With his face against the glass he watched the actions of a tall, elderly man with a short, grayish beard, who wore a golf-cap pulled low on his head — points noted by The Hopper in the flashes of an electric lamp with which the gentleman was guiding himself. His face was clearly the original of a photograph The Hopper had seen on the table at Muriel’s cottage — Mr. Wilton, Muriel’s father, The Hopper surmised; but just why the owner of the establishment should be prowling about in this fashion taxed his speculative powers to the utmost. Warned by steps on the cement floor of the conservatory, he left the door in haste and flattened himself against the wall of the house some distance away and again awaited developments.
Wilton’s figure was a blur in the starlight as he stepped out into the walk and started furtively across the grounds. His conduct greatly displeased The Hopper, as likely to interfere with the further carrying out of Muriel’s instructions. The Lang-Yao jar was much too large to go into his pocket and not big enough to fit snugly under his arm, and as the walk was slippery he was beset by the fear that he might fall and smash this absurd thing that had caused so bitter an enmity between Shaver’s grandfathers. The soft snow on the lawn gave him a surer footing and he crept after Wilton, who was carefully pursuing his way toward a house whose gables were faintly limned against the sky. This, according to Muriel’s diagram, was the Talbot place. The Hopper greatly mistrusted conditions he didn’t understand, and he was at a loss to account for Wilton’s strange actions.
He lost sight of him for several minutes, then the faint click of a latch marked the prowler’s proximity to a hedge that separated the two estates. The Hopper crept forward, found a gate through which Wilton had entered his neighbor’s property, and stole after him. Wilton had been swallowed up by the deep shadow of the house, but The Hopper was aware, from an occasional scraping of feet, that he was still moving forward. He crawled over the snow until he reached a large tree whose boughs, sharply limned against the stars, brushed the eaves of the house.
The Hopper was aroused, tremendously aroused, by the unaccountable actions of Muriel’s father. It flashed upon him that Wilton, in his deep hatred of his rival collector, was about to set fire to Talbot’s house, and incendiarism was a crime which The Hopper, with all his moral obliquity, greatly abhorred.
Several minutes passed, a period of anxious waiting, and then a sound reached him which, to his keen professional sense, seemed singularly like the forcing of a window. The Hopper knew just how much pressure is necessary to the successful snapping back of a window catch, and Wilton had done the trick neatly and with a minimum amount of noise. The window thus assaulted was not, he now determined, the French window suggested by Muriel, but one opening on a terrace which ran along the front of the house. The Hopper heard the sash moving slowly in the frame. He reached the steps, deposited the jar in a pile of snow, and was soon peering into a room where Wilton’s presence was advertised by the fitful flashing of his lamp in a far corner.
“He’s beat me to ut!” muttered The Hopper, realizing that Muriel’s father was indeed on burglary bent, his obvious purpose being to purloin, extract, and remove from its secret hiding-place the coveted plum-blossom vase. Muriel, in her longing for a Christmas of peace and happiness, had not reckoned with her father’s passionate desire to possess the porcelain treasure — a desire which could hardly fail to cause scandal, if it did not land him behind prison bars.
This had not been in the programme, and The Hopper weighed judicially his further duty in the matter. Often as he had been the chief actor in daring robberies, he had never before enjoyed the high privilege of watching a rival’s labors with complete detachment. Wilton must have known of the concealed cupboard whose panel fraudulently represented the works of Thomas Carlyle, the intent spectator reflected, just as Muriel had known, for though he used his lamp sparingly Wilton had found his way to it without difficulty.
The Hopper had no intention of permitting this monstrous larceny to be committed in contravention of his own rights in the premises, and he was considering the best method of wresting the vase from the hands of the insolent Wilton when events began to multiply with startling rapidity. The panel swung open and the thief’s lamp flashed upon shelves of pottery.
At that moment a shout rose from somewhere in the house, and the library lights were thrown on, revealing Wilton before the shelves and their precious contents. A short, stout gentleman with a gleaming bald pate, clad in pajamas, dashed across the room, and with a yell of rage flung himself upon the intruder with a violence that bore them both to the floor.
“Roger! Roger!” bawled the smaller man, as he struggled with his adversary, who wriggled from under and rolled over upon Talbot, whose arms were clasped tightly about his neck. This embrace seemed likely to continue for some time, so tenaciously had the little man gripped his neighbor. The fat legs of the infuriated householder pawed the air as he hugged Wilton, who was now trying to free his head and gain a position of greater dignity. Occasionally, as opportunity offered, the little man yelled vociferously, and from remote recesses of the house came answering cries demanding information as to the nature and whereabouts of the disturbance.
The contestants addressed themselves vigorously to a spirited rough-and-tumble fight. Talbot, who was the more easily observed by reason of his shining pate and the pink stripes of his pajamas, appeared to be revolving about the person of his neighbor. Wilton, though taller, lacked the rotund Talbot’s liveliness of attack.
An authoritative voice, which The Hopper attributed to Shaver’s father, anxiously demanding what was the matter, terminated The Hopper’s enjoyment of the struggle. Enough was the matter to satisfy The Hopper that a prolonged stay in the neighborhood might be highly detrimental to his future liberty. The combatants had rolled a considerable distance away from the shelves and were near a door leading into a room beyond. A young man in a bath-wrapper dashed upon the scene, and in his precipitate arrival upon the battle-field fell sprawling across the prone figures. The Hopper, suddenly inspired to deeds of prowess, crawled through the window, sprang past the three men, seized the blue-and-white vase which Wilton had separated from the rest of Talbot’s treasures, and then with one hop gained the window. As he turned for a last look, a pistol cracked and he landed upon the terrace amid a shower of glass from a shattered pane.
A woman of unmistakable Celtic origin screamed murder from a third-story window. The thought of murder was disagreeable to The Hopper. Shaver’s father had missed him by only the matter of a foot or two, and as he had no intention of offering himself again as a target he stood not upon the order of his going.
He effected a running pick-up of the Lang-Yao, and with this art treasure under one arm and the plum-blossom vase under the other, he sprinted for the highway, stumbling over shrubbery, bumping into a stone bench that all but caused disaster, and finally reached the road on which he continued his flight toward New Haven, followed by cries in many keys and a fusillade of pistol shots.
Arriving presently at a hamlet, where he paused for breath in the rear of a country store, he found a basket and a quantity of paper in which he carefully packed his loot. Over the top he spread some faded lettuce leaves and discarded carnations which communicated something of a blithe holiday air to his encumbrance. Elsewhere he found a bicycle under a shed, and while cycling over a snowy road in the dark, hampered by a basket containing pottery representative of the highest genius of the Orient, was not without its difficulties and dangers, The Hopper made rapid progress.
Halfway through New Haven he approached two policemen and slowed down to allay suspicion.
“Merry Chris’mas!” he called as he passed them and increased his weight upon the pedals.
The officers of the law, cheered as by a greeting from Santa Claus himself, responded with an equally hearty Merry Christmas.
At three o’clock The Hopper reached Happy Hill Farm, knocked as before at the kitchen door, and was admitted by Humpy.
“Wot ye got now?” snarled the reformed yeggman.
“He’s gone and done ut ag’in!” wailed Mary, as she spied the basket.
“I sure done ut, all right,” admitted The Hopper good-naturedly, as he set the basket on the table where a few hours earlier he had deposited Shaver. “How’s the kid?”
Grudging assurances that Shaver was asleep and hostile glances directed at the mysterious basket did not disturb his equanimity.
Humpy was thwarted in an attempt to pry into the contents of the basket by a tart reprimand from The Hopper, who with maddening deliberation drew forth the two glazes, found that they had come through the night’s vicissitudes unscathed, and held them at arm’s length, turning them about in leisurely fashion as though lost in admiration of their loveliness. Then he lighted his pipe, seated himself in Mary’s rocker, and told his story.
It was no easy matter to communicate to his irritable and contumelious auditors the sense of Muriel’s charm, or the reasonableness of her request that he commit burglary merely to assist her in settling a family row. Mary could not understand it; Humpy paced the room nervously, shaking his head and muttering. It was their judgment, stated with much frankness, that if he had been a fool in the first place to steal the child, his character was now blackened beyond any hope by his later crimes. Mary wept copiously; Humpy most annoyingly kept counting upon his fingers as he reckoned the “time” that was in store for all of them.
“I guess I got into ut an’ I guess I’ll git out,” remarked The Hopper serenely. He was disposed to treat them with high condescension, as incapable of appreciating the lofty philosophy of life by which he was sustained. Meanwhile, he gloated over the loot of the night.
“Them things is wurt’ mints; they’s more valible than di’mon’s, them things is! Only eddicated folks knows about ’em. They’s fer emp’rors and kings t’ set up in their palaces, an’ men goes nutty jes’ hankerin’ fer ’em. The pigtails made ’em thousand o’ years back, an’ th’ secret died with ’em. They ain’t never goin’ to be no more jugs like them settin’ right there. An’ them two ole sports give up their business jes’ t’ chase things like them. They’s some folks goes loony about chickens, an’ hosses, an’ fancy dogs, but this here kind o’ collectin’ ’s only fer millionaires. They’s more difficult t’ pick than a lucky race-hoss. They’s barrels o’ that stuff in them houses, that looked jes’ as good as them there, but nowheres as valible.”
An informal lecture on Chinese ceramics before daylight on Christmas morning was not to the liking of the anxious and nerve-torn Mary and Humpy. They brought The Hopper down from his lofty heights to practical questions touching his plans, for the disposal of Shaver in the first instance, and the ceramics in the second. The Hopper was singularly unmoved by their forebodings.
“I guess th’ lady got me to do ut!” he retorted finally. “Ef I do time fer ut I reckon’s how she’s in fer ut, too! An’ I seen her pap breakin’ into a house an’ I guess I’d be a state’s witness fer that! I reckon they ain’t goin’ t’ put nothin’ over on Hop! I guess they won’t peep much about kidnapin’ with th’ kid safe an’ us pickin’ ’im up out o’ th’ road an’ shelterin’ ’im. Them folks is goin’ to be awful nice to Hop fer all he done fer ’em.” And then, finding that they were impressed by his defense, thus elaborated, he magnanimously referred to the bill-book which had started him on his downward course.
“That were a mistake; I grant ye ut were a mistake o’ jedgment. I’m goin’ to keep to th’ white card. But ut’s kind o’ funny about that poke — queerest thing that ever happened.”
He drew out the book and eyed the name on the flap. Humpy tried to grab it, but The Hopper, frustrating the attempt, read his colleague a sharp lesson in good manners. He restored it to his pocket and glanced at the clock.
“We gotta do somethin’ about Shaver’s stockin’s. Ut ain’t fair fer a kid to wake up an’ think Santy missed ’im. Ye got some candy, Mary; we kin put candy into ’em; that’s reg’ler.”
Humpy brought in Shaver’s stockings and they were stuffed with the candy and popcorn Mary had provided to adorn their Christmas feast. Humpy inventoried his belongings, but could think of nothing but a revolver that seemed a suitable gift for Shaver. This Mary scornfully rejected as improper for one so young. Whereupon Humpy produced a Mexican silver dollar, a treasured pocket-piece preserved through many tribulations, and dropped it reverently into one of the stockings. Two brass buttons of unknown history, a mouth-organ Mary had bought for a neighbor boy who assisted at times in the poultry yard, and a silver spectacle case of uncertain antecedents were added.
“We ought t’ ’a’ colored eggs fer ’im!” said The Hopper with sudden inspiration, after the stockings had been restored to Shaver’s bed. “Some yaller an’ pink eggs would ’a’ been the right ticket.”
Mary scoffed at the idea. Eggs wasn’t proper fer Christmas; eggs was fer Easter. Humpy added the weight of his personal experience of Christian holidays to this statement. While a trusty in the Missouri penitentiary with the chicken yard in his keeping, he remembered distinctly that eggs were in demand for purposes of decoration by the warden’s children sometime in the spring; mebbe it was Easter, mebbe it was Decoration Day; Humpy was not sure of anything except that it wasn’t Christmas.
The Hopper was meek under correction. It having been settled that colored eggs would not be appropriate for Christmas he yielded to their demand that he show some enthusiasm for disposing of his ill-gotten treasures before the police arrived to take the matter out of his hands.
“I guess that Muriel’ll be glad to see me,” he remarked. “I guess me and her understands each other. They’s things wot is an’ things wot ain’t; an’ I guess Hop ain’t goin’ to spend no Chris’mas in jail. It’s the white card an’ poultry an’ eggs fer us; an’ we’re goin’ t’ put in a couple more incubators right away. I’m thinkin’ some o’ rentin’ that acre across th’ brook back yonder an’ raisin’ turkeys. They’s mints in turks, ef ye kin keep ’em from gettin’ their feet wet an’ dyin’ o’ pneumonia, which wipes out thousands o’ them birds. I reckon ye might make some coffee, Mary.”
The Christmas dawn found them at the table, where they were renewing a pledge to play “the white card” when a cry from Shaver brought them to their feet.
Shaver was highly pleased with his Christmas stockings, but his pleasure was nothing to that of The Hopper, Mary, and Humpy, as they stood about the bed and watched him. Mary and Humpy were so relieved by The Hopper’s promises to lead a better life that they were now disposed to treat their guest with the most distinguished consideration. Humpy, absenting himself to perform his morning tasks in the poultry-houses, returned bringing a basket containing six newly hatched chicks. These cheeped and ran over Shaver’s fat legs and performed exactly as though they knew they were a part of his Christmas entertainment. Humpy, proud of having thought of the chicks, demanded the privilege of serving Shaver’s breakfast. Shaver ate his porridge without a murmur, so happy was he over his new playthings.
Mary bathed and dressed him with care. As the candy had stuck to the stockings in spots, it was decided after a family conference that Shaver would have to wear them wrong side out as there was no time to be wasted in washing them. By eight o’clock The Hopper announced that it was time for Shaver to go home. Shaver expressed alarm at the thought of leaving his chicks; whereupon Humpy conferred two of them upon him in the best imitation of baby talk that he could muster.
“Me’s tate um to me’s gwanpas,” said Shaver; “chickee for me’s two gwanpas,” — a remark which caused The Hopper to shake for a moment with mirth as he recalled his last view of Shaver’s “gwanpas” in a death grip upon the floor of “Gwanpa” Talbot’s house.
When The Hopper rolled away from Happy Hill Farm in the stolen machine, accompanied by one stolen child and forty thousand dollars’ worth of stolen pottery, Mary wept, whether because of the parting with Shaver, or because she feared that The Hopper would never return, was not clear.
Humpy, too, showed signs of tears, but concealed his weakness by performing a grotesque dance, dancing grotesquely by the side of the car, much to Shaver’s joy — a joy enhanced just as the car reached the gate, where, as a farewell attention, Humpy fell down and rolled over and over in the snow.
The Hopper’s wits were alert as he bore Shaver homeward. By this time it was likely that the confiding young Talbots had conferred over the telephone and knew that their offspring had disappeared. Doubtless the New Haven police had been notified, and he chose his route with discretion to avoid unpleasant encounters. Shaver, his spirits keyed to holiday pitch, babbled ceaselessly, and The Hopper, highly elated, babbled back at him.
They arrived presently at the rear of the young Talbots’ premises, and The Hopper, with Shaver trotting at his side, advanced cautiously upon the house bearing the two baskets, one containing Shaver’s chicks, the other the precious porcelains. In his survey of the landscape he noted with trepidation the presence of two big limousines in the highway in front of the cottage and decided that if possible he must see Muriel alone and make his report to her.
The moment he entered the kitchen he heard the clash of voices in angry dispute in the living-room. Even Shaver was startled by the violence of the conversation in progress within, and clutched tightly a fold of The Hopper’s trousers.
“I tell you it’s John Wilton who has stolen Billie!” a man cried tempestuously. “Anybody who would enter a neighbor’s house in the dead of night and try to rob him — rob him, yes, and murder him in the most brutal fashion — would not scruple to steal his own grandchild!”
“Me’s gwanpa,” whispered Shaver, gripping The Hopper’s hand, “an’ ’im’s mad.”
That Mr. Talbot was very angry indeed was established beyond cavil. However, Mr. Wilton was apparently quite capable of taking care of himself in the dispute.
“You talk about my stealing when you robbed me of my Lang-Yao — bribed my servants to plunder my safe! I want you to understand once for all, Roger Talbot, that if that jar isn’t returned within one hour, — within one hour, sir, — I shall turn you over to the police!”
“Liar!” bellowed Talbot, who possessed a voice of great resonance. “You can’t mitigate your foul crime by charging me with another! I never saw your jar; I never wanted it! I wouldn’t have the thing on my place!”
Muriel’s voice, full of tears, was lifted in expostulation.
“How can you talk of your silly vases when Billie’s lost! Billie’s been stolen — and you two men can think of nothing but pot-ter-ree!”
Shaver lifted a startled face to The Hopper.
“Mamma’s cwyin’; gwanpa’s hurted mamma!”
The strategic moment had arrived when Shaver must be thrust forward as an interruption to the exchange of disagreeable epithets by his grandfathers.
“You trot right in there t’ yer ma, Shaver. Ole Hop ain’t goin’ t’ let ’em hurt ye!”
He led the child through the dining-room to the living-room door and pushed him gently on the scene of strife. Talbot, senior, was pacing the floor with angry strides, declaiming upon his wrongs, — indeed, his theme might have been the misery of the whole human race from the vigor of his lamentations. His son was keeping step with him, vainly attempting to persuade him to sit down. Wilton, with a patch over his right eye, was trying to disengage himself from his daughter’s arms with the obvious intention of doing violence to his neighbor.
“I’m sure papa never meant to hurt you; it was all a dreadful mistake,” she moaned.
“He had an accomplice,” Talbot thundered, “and while he was trying to kill me there in my own house the plum-blossom vase was carried off; and if Roger hadn’t pushed him out of the window after his hireling — I’d... I’d—”
A shriek from Muriel happily prevented the completion of a sentence that gave every promise of intensifying the prevailing hard feeling.
“Look!” Muriel cried. “It’s Billie come back! Oh, Billie!”
She sprang toward the door and clasped the frightened child to her heart. The three men gathered round them, staring dully. The Hopper from behind the door waited for Muriel’s joy over Billie’s return to communicate itself to his father and the two grandfathers.
“Me’s dot two chick-ees for Kwis-mus,” announced Billie, wriggling in his mother’s arms.
Muriel, having satisfied herself that Billie was intact, — that he even bore the marks of maternal care, — was in the act of transferring him to his bewildered father, when, turning a tear-stained face toward the door, she saw The Hopper awkwardly twisting the derby which he had donned as proper for a morning call of ceremony. She walked toward him with quick, eager step.
“You... you came back!” she faltered, stifling a sob.
“Yes’m,” responded The Hopper, rubbing his hand across his nose. His appearance roused Billie’s father to a sense of his parental responsibility.
“You brought the boy back! You are the kidnaper!”
“Roger,” cried Muriel protestingly, “don’t speak like that! I’m sure this gentleman can explain how he came to bring Billie.”
The quickness with which she regained her composure, the ease with which she adjusted herself to the unforeseen situation, pleased The Hopper greatly. He had not misjudged Muriel; she was an admirable ally, an ideal confederate. She gave him a quick little nod, as much as to say, “Go on, sir; we understand each other perfectly,” — though, of course, she did not understand, nor was she enlightened until some time later, as to just how The Hopper became possessed of Billie.
Billie’s father declared his purpose to invoke the law upon his son’s kidnapers no matter where they might be found.
“I reckon as mebbe ut wuz a kidnapin’ an’ I reckon as mebbe ut wuz n’t,” The Hopper began unhurriedly. “I live over Shell Road way; poultry and eggs is my line; Happy Hill Farm. Stevens’s the name — Charles S. Stevens. An’ I found Shaver — ’scuse me, but ut seemed sort o’ nat’ral name fer ’im — I found ’im a settin’ up in th’ machine over there by my place, chipper’s ye please. I takes ’im into my house an’ Mary — that’s th’ missus — she gives ’im supper and puts ’im t’ sleep. An’ we thinks mebbe somebody’d come along askin’ fer ’im. An’ then this mornin’ I calls th’ New Haven police, an’ they tole me about you folks, an’ me and Shaver comes right over.”
This was entirely plausible and his hearers, The Hopper noted with relief, accepted it at face value.
“How dear of you!” cried Muriel. “Won’t you have this chair, Mr. Stevens!”
“Most remarkable!” exclaimed Wilton. “Some scoundrelly tramp picked up the car and finding there was a baby inside left it at the roadside like the brute he was!”
Billie had addressed himself promptly to the Christmas tree, to his very own Christmas tree that was laden with gifts that had been assembled by the family for his delectation. Efforts of Grandfather Wilton to extract from the child some account of the man who had run away with him were unavailing. Billie was busy, very busy, indeed. After much patient effort he stopped sorting the animals in a bright new Noah’s Ark to point his finger at The Hopper and remark —
“ ’ims nice mans; ’ims let Bil-lee play wif ’ims watch!”
As Billie had broken the watch his acknowledgment of The Hopper’s courtesy in letting him play with it brought a grin to The Hopper’s face.
Now that Billie had been returned and his absence satisfactorily accounted for, the two connoisseurs showed signs of renewing their quarrel. Responsive to a demand from Billie, The Hopper got down on the floor to assist in the proper mating of Noah’s animals. Billie’s father was scrutinizing him fixedly and The Hopper wondered whether Muriel’s handsome young husband had recognized him as the person who had vanished through the window of the Talbot home bearing the plum-blossom vase. The thought was disquieting; but feigning deep interest in the Ark he listened attentively to a violent tirade upon which the senior Talbot was launched.
“My God!” he cried bitterly, planting himself before Wilton in a belligerent attitude, “every infernal thing that can happen to a man happened to me yesterday. It wasn’t enough that you robbed me and tried to murder me — yes, you did, sir! — but when I was in the city I was robbed in the subway by a pick-pocket. A thief took my bill-book containing invaluable data I had just received from my agent in China giving me a clue to porcelains, sir, such as you never dreamed of! Some more of your work — Don’t you contradict me! You don’t contradict me! Roger, he doesn’t contradict me!”
Wilton, choking with indignation at this new onslaught, was unable to contradict him.
Pained by the situation, The Hopper rose from the floor and coughed timidly.
“Shaver, go fetch yer chickies. Bring yer chickies in an’ put ’em on th’ boat.”
Billie obediently trotted off toward the kitchen and The Hopper turned his back upon the Christmas tree, drew out the pocket-book, and faced the company.
“I beg yer pardon, gents, but mebbe this is th’ book yer fightin’ about. Kind o’ funny like! I picked ut up on th’ local yistiddy afternoon. I wuz goin’ t’ turn ut int’ th’ agint, but I clean fergot ut. I guess them papers may be valible. I never touched none of ’em.”
Talbot snatched the bill-book and hastily examined the contents. His brow relaxed and he was grumbling something about a reward when Billie reappeared, laboriously dragging two baskets.
“Bil-lee’s dot chick-ees! Bil-lee’s dot pitty dishes. Bil-lee make dishes go ’ippity!”
Before he could make the two jars go ’ippity, The Hopper leaped across the room and seized the basket. He tore off the towel with which he had carefully covered the stolen pottery and disclosed the contents for inspection.
“ ’Scuse me, gents; no crowdin’,” he warned as the connoisseurs sprang toward him. He placed the porcelains carefully on the floor under the Christmas tree. “Now ye kin listen t’ me, gents. I reckon I’m goin’ t’ have somethin’ t’ say about this here crockery. I stole ’em — I stole ’em fer th’ lady there, she thinkin’ ef ye didn’t have ’em no more ye’d stop rowin’ about ’em. Ye kin call th’ bulls an’ turn me over ef ye likes; but I ain’t goin’ t’ have ye fussin’ an’ causin’ th’ lady trouble no more. I ain’t goin’ to stand fer ut!”
“Robber!” shouted Talbot. “You entered my house at the instance of this man; it was you—”
“I never saw the gent before,” declared The Hopper hotly. “I ain’t never had nothin’ to do with neither o’ ye.”
“He’s telling the truth!” protested Muriel, laughing hysterically. “I did it — I got him to take them!”
The two collectors were not interested in explanations; they were hungrily eyeing their property. Wilton attempted to pass The Hopper and reach the Christmas tree under whose protecting boughs the two vases were looking their loveliest.
“Stand back,” commanded The Hopper, “an’ stop callin’ names! I guess ef I’m yanked fer this I ain’t th’ only one that’s goin’ t’ do time fer house breakin’.”
This statement, made with considerable vigor, had a sobering effect upon Wilton, but Talbot began dancing round the tree looking for a chance to pounce upon the porcelains.
“Ef ye don’t set down — the whole caboodle o’ ye — I’ll smash ’em — I’ll smash ’em both! I’ll bust ’em — sure as shootin’!” shouted The Hopper.
They cowered before him; Muriel wept softly; Billie played with his chickies, disdainful of the world’s woe. The Hopper, holding the two angry men at bay, was enjoying his command of the situation.
“You gents ain’t got no business to be fussin’ an’ causin’ yer childern trouble. An’ ye ain’t goin’ to have these pretty jugs to fuss about no more. I’m goin’ t’ give ’em away; I’m goin’ to make a Chris’mas present of ’em to Shaver. They’re goin’ to be little Shaver’s right here, all orderly an’ peace’ble, or I’ll tromp on ’em! Looky here, Shaver, wot Santy Claus brought ye!”
“Nice dood Sant’ Claus!” cried Billie, diving under the davenport in quest of the wandering chicks.
Silence held the grown-ups. The Hopper stood patiently by the Christmas tree, awaiting the result of his diplomacy.
Then suddenly Wilton laughed — a loud laugh expressive of relief. He turned to Talbot and put out his hand.
“It looks as though Muriel and her friend here had cornered us! The idea of pooling our trophies and giving them as a Christmas present to Billie appeals to me strongly. And, besides we’ve got to prepare somebody to love these things after we’re gone. We can work together and train Billie to be the greatest collector in America!”
“Please, father,” urged Roger as Talbot frowned and shook his head impatiently.
Billie, struck with the happy thought of hanging one of his chickies on the Christmas tree, caused them all to laugh at this moment. It was difficult to refuse to be generous on Christmas morning in the presence of the happy child!
“Well,” said Talbot, a reluctant smile crossing his face, “I guess it’s all in the family anyway.”
The Hopper, feeling that his work as the Reversible Santa Claus was finished, was rapidly retreating through the dining-room when Muriel and Roger ran after him.
“We’re going to take you home,” cried Muriel, beaming.
“Yer car’s at the back gate, all right-side-up,” said The Hopper, “but I kin go on the trolley.”
“Indeed you won’t! Roger will take you home. Oh, don’t be alarmed! My husband knows everything about our conspiracy. And we want you to come back this afternoon. You know I owe you an apology for thinking — for thinking you were.. you were — a—”
“They’s things wot is an’ things wot ain’t, miss. Circumstantial evidence sends lots o’ men to th’ chair. Ut’s a heap more happy like,” The Hopper continued in his best philosophical vein, “t’ play th’ white card, helpin’ widders an’ orfants an’ settlin’ fusses. When ye ast me t’ steal them jugs I hadn’t th’ heart t’ refuse ye, miss. I wuz scared to tell ye I had yer baby an’ ye seemed so sort o’ trustin’ like. An’ ut bein’ Chris’mus an’ all.”
When he steadfastly refused to promise to return, Muriel announced that they would visit The Hopper late in the afternoon and bring Billie along to express their thanks more formally.
“I’ll be glad to see ye,” replied The Hopper, though a little doubtfully and shame-facedly. “But ye mustn’t git me into no more house-breakin’ scrapes,” he added with a grin. “It’s mighty dangerous, miss, fer amachures, like me an’ yer pa!”
Mary was not wholly pleased at the prospect of visitors, but she fell to work with Humpy to put the house in order. At five o’clock not one, but three automobiles drove into the yard, filling Humpy with alarm lest at last The Hopper’s sins had overtaken him and they were all about to be hauled away to spend the rest of their lives in prison. It was not the police, but the young Talbots, with Billie and his grandfathers, on their way to a family celebration at the house of an aunt of Muriel’s.
The grandfathers were restored to perfect amity, and were deeply curious now about The Hopper, whom the peace-loving Muriel had cajoled into robbing their houses.
“And you’re only an honest chicken farmer, after all!” exclaimed Talbot, senior, when they were all sitting in a semicircle about the fireplace in Mary’s parlor. “I hoped you were really a burglar; I always wanted to know a burglar.”
Humpy had chopped down a small fir that had adorned the front yard and had set it up as a Christmas tree — an attention that was not lost upon Billie. The Hopper had brought some mechanical toys from town and Humpy essayed the agreeable task of teaching the youngster how to operate them. Mary produced coffee and pound cake for the guests; The Hopper assumed the rôle of lord of the manor with a benevolent air that was intended as much to impress Mary and Humpy as the guests.
“Of course,” said Mr. Wilton, whose appearance was the least bit comical by reason of his bandaged head, — “of course it was very foolish for a man of your sterling character to allow a young woman like my daughter to bully you into robbing houses for her. Why, when Roger fired at you as you were jumping out of the window, he didn’t miss you more than a foot! It would have been ghastly for all of us if he had killed you!”
“Well, o’ course it all begun from my goin’ into th’ little house lookin’ fer Shaver’s folks,” replied The Hopper.
“But you haven’t told us how you came to find our house,” said Roger, suggesting a perfectly natural line of inquiries that caused Humpy to become deeply preoccupied with a pump he was operating in a basin of water for Billie’s benefit.
“Well, ut jes’ looked like a house that Shaver would belong to, cute an’ comfortable like,” said The Hopper; “I jes’ suspicioned it wuz th’ place as I wuz passin’ along.”
“I don’t think we’d better begin trying to establish alibis,” remarked Muriel, very gently, “for we might get into terrible scrapes. Why, if Mr. Stevens hadn’t been so splendid about everything and wasn’t just the kindest man in the world, he could make it very ugly for me.”
“I shudder to think of what he might do to me,” said Wilton, glancing guardedly at his neighbor.
“The main thing,” said Talbot, — “the main thing is that Mr. Stevens has done for us all what nobody else could ever have done. He’s made us see how foolish it is to quarrel about mere baubles. He’s settled all our troubles for us, and for my part I’ll say his solution is entirely satisfactory.”
“Quite right,” ejaculated Wilton. “If I ever have any delicate business negotiations that are beyond my powers I’m going to engage Mr. Stevens to handle them.”
“My business’s hens an’ eggs,” said The Hopper modestly; “an’ we’re doin’ purty well.”
When they rose to go (a move that evoked strident protests from Billie, who was enjoying himself hugely with Humpy) they were all in the jolliest humor.
“We must be neighborly,” said Muriel, shaking hands with Mary, who was at the point of tears so great was her emotion at the success of The Hopper’s party. “And we’re going to buy all our chickens and eggs from you. We never have any luck raising our own.”
Whereupon The Hopper imperturbably pressed upon each of the visitors a neat card stating his name (his latest and let us hope his last!) with the proper rural route designation of Happy Hill Farm.
The Hopper carried Billie out to his Grandfather Wilton’s car, while Humpy walked beside him bearing the gifts from the Happy Hill Farm Christmas tree. From the door Mary watched them depart amid a chorus of merry Christmases, out of which Billie’s little pipe rang cheerily.
When The Hopper and Humpy returned to the house, they abandoned the parlor for the greater coziness of the kitchen and there took account of the events of the momentous twenty-four hours.
“Them’s what I call nice folks,” said Humpy. “They jes’ put us on an’ wore us like we wuz a pair o’ ole slippers.”
“They wuzn’t uppish — not to speak of,” Mary agreed. “I guess that girl’s got more gumption than any of ’em. She’s got ’em straightened up now and I guess she’ll take care they don’t cut up no more monkey-shines about that Chinese stuff. Her husban’ seemed sort o’ gentle like.”
“Artists is that way,” volunteered The Hopper, as though from deep experience of art and life. “I jes’ been thinkin’ that knowin’ folks like that an’ findin’ ’em humin, makin’ mistakes like th’ rest of us, kind o’ makes ut seem easier fer us all t’ play th’ game straight. Ut’s goin’ to be th’ white card fer me — jes’ chickens an’ eggs, an’ here’s hopin’ the bulls don’t ever find out we’re settled here.”
Humpy, having gone into the parlor to tend the fire, returned with two envelopes he had found on the mantel. There was a check for a thousand dollars in each, one from Wilton, the other from Talbot, with “Merry Christmas” written across the visiting-cards of those gentlemen. The Hopper permitted Mary and Humpy to examine them and then laid them on the kitchen table, while he deliberated. His meditations were so prolonged that they grew nervous.
“I reckon they could spare ut, after all ye done fer ’em, Hop,” remarked Humpy.
“They’s millionaires, an’ money ain’t nothin’ to ’em,” said The Hopper.
“We can buy a motor-truck,” suggested Mary, “to haul our stuff to town; an’ mebbe we can build a new shed to keep ut in.”
The Hopper set the catsup bottle on the checks and rubbed his cheek, squinting at the ceiling in the manner of one who means to be careful of his speech.
“They’s things wot is an’ things wot ain’t,” he began. “We ain’t none o’ us ever got nowheres bein’ crooked. I been figurin’ that I still got about twenty thousan’ o’ that bunch o’ green I pulled out o’ that express car, planted in places where ‘taint doin’ nobody no good. I guess ef I do ut careful I kin send ut back to the company, a little at a time, an’ they’d never know where ut come from.”
Mary wept; Humpy stared, his mouth open, his one eye rolling queerly.
“I guess we kin put a little chunk away every year,” The Hopper went on. “We’d be comfortabler doin’ ut. We could square up ef we lived long enough, which we don’t need t’ worry about, that bein’ the Lord’s business. You an’ me’s cracked a good many safes, Hump, but we never made no money at ut, takin’ out th’ time we done.”
“He’s got religion; that’s wot he’s got!” moaned Humpy, as though this marked the ultimate tragedy of The Hopper’s life.
“Mebbe ut’s religion an’ mebbe ut’s jes’ sense,” pursued The Hopper, unshaken by Humpy’s charge. “They wuz a chaplin in th’ Minnesoty pen as used t’ say ef we’re all square with our own selves ut’s goin’ to be all right with God. I guess I got a good deal o’ squarin’ t’ do, but I’m goin’ t’ begin ut. An’ all these things happenin’ along o’ Chris’mus, an’ little Shaver an’ his ma bein’ so friendly like, an’ her gittin’ me t’ help straighten out them ole gents, an’ doin’ all I done an’ not gettin’ pinched seems more ’n jes’ luck; it’s providential’s wot ut is!”
This, uttered in a challenging tone, evoked a sob from Humpy, who announced that he “felt like” he was going to die.
“It’s th’ Chris’mus time, I reckon,” said Mary, watching The Hopper deposit the two checks in the clock. “It’s the only decent Chris’mus I ever knowed!”