The Black Throne

VI

She walked barefoot on the beach. It was a still, starless night. The sea itself glowed faintly, however, sufficient to provide what small illumination she required.

She walked in a circle, passing near the water and away from it. She could not remember why she did this, but she did remember that it was important. So she continued.

At one point a black cat hurried past her, at another a pit opened at the center of her circle. Flames leapt about it now, and a bright blade passed among them. She continued walking. Why was she doing this? It was important, that was why. Oh, yes.

A man lay prone beside the pit. Yes. He must be made to look into it. That's right. Easily done. Advance the flames. Yes. See him move?

She moved faster. And what does he behold? The horror. Of course. What he sees is—

She screamed and the sea rose up, reaching for the flames, the man, the pit—

She threw her hands wide and the fabric of space was torn. She stepped through the opening.

I opened my eyes to the steady jouncing of the coach, and the black cat stared back at me from the shadowy corner of the seat opposite. I watched it for perhaps ten seconds as my senses returned to me, and then I realized that I beheld Peters' wig which had slipped from his head as he dozed across the way.

I rubbed my eyes, sat up, and sought the water bottle. I drew the blanket upward from my lap to cover my chest as well. I took a drink, and then another.

We had been traveling in a series of hired coaches, pulled by relays of horses, for the better part of November. The Pyrenees had been awful and Navarre had been bleak. Just when I was beginning to obtain the rudiments of French I had to start all over again with Spanish. Peters again had the advantage of me, from times spent in Mexico, but as he explained, "It's all gutter Spanish, Eddie. No selfrespecting caballero 'ud want to hear it in public—and believe me, they're all self-respecting.

"In public," he added.

Now I saw burnt fields, burnt houses, wooden crosses. The unmistakable ravages of war lay all about us.

We had recently begun experiencing delays and other difficulties because of the conflict, but timely guidance from Valdemar and a good supply of gold coin kept us going. As a soldier, I was both fascinated and appalled. The Spanish had come up with a new word for the form of warfare by means of which they continued to resist the French—guerrilla. It involved hit and run skirmishing, ambushes, attacks behind the enemy lines. The Spaniards refused to stand and fight a pitched battle, and it was working against the French now as it had earlier in the century. It was costing the French too much. It was wearing them down.

I turned my gaze away from the depressing landscape. A little later the coach was suddenly jounced and our pace increased. I heard an annoyed "Rawk!" from among the overhead baggage and Grip fluttered down to pick at Peters' wig. The bird had apparently grown tired of Dupin's tutelage and fled from his house on the occasion of our last visit, appearing in the rigging of the Eidolon at quayside and greeting me with a cheerful "Vingt francs pour la nuit, monsieur" when I came topside following my interview with Valdemar.

Grip obviously wanted our attention because he did not approve of the driving. He always acted this way when Emerson seized the reins and drove the horses to a frenzied pace. The driver was loath to dispute matters with the simian, and what normally followed was that Ligeia was called upon to calm the horses mesmerically. Then Peters had to recover the reins from the ape and scold him a bit.

"Hey now, Grip! Give it back!" I heard him suddenly cry, and some sort of tussle ensued involving the hairpiece. This caused Ligeia to stir at my side and raise her head, taking a weight off my shoulder.

She yawned delicately and said, "Is he at it again?"

I nodded.

We were careening from side to side as well as bouncing when she stretched. Peters tickled the bird under his beak with one of his inhumanly thick fingers and composed his features into a frightful grimace which on anyone else would have been a slight smile.

"'At's a good Gripper," he said. "Let 'er go for Uncle Petey."

Grip saw fit to comply, and Peters immediately restored the wig to his pate, careless of the position it fell to occupy. Ligeia rose, leaning against the inside wall of the coach, parted the heavy drape on that side, hung out the window and gestured. Immediately, we began to slow.

"Might toss in a couple of heavy ones for Emerson," I muttered.

She winked back at me and leaned even farther. I caught hold of her about the waist. A half-minute later she signaled for me to help her return to her seat.

"My turn," Peters said, rising to his feet.

"Not necessary," she responded. "He has surrendered the reins to the driver."

"That ain't like him," Peters observed.

She shrugged.

"L'ennui, perhaps," she suggested.

"Oh, sure," Peters said, and he seated himself. After a time he began playing with Grip again. "Say

'Nevermore!' " he coaxed. "That's wot the gennleman in Paris wanted you to say. C'mon! Let's hear it!"

"Amontillado!" the sable creature screamed. And again: "Amontillado!" He finished with a burst of maniacal, almost-human laughter, followed by the sound of a cork being drawn from a bottle, this last was repeated many times in quick succession.

"I do believe that's a type of strong drink," Peters observed, squinting at me. "Ain't it?"

"Aye," I replied, my mind wandering ahead.

I wondered exactly what I was to do once we reached Toledo. Valdemar had given us no assurance that Von Kempelen was actually there—only that this was the right trail for me to follow to my ultimate goal of freeing Annie.

"Nevermore," Peters said softly.

"Amontillado," Grip insisted.

The day before we reached Toledo there came a rapping from overhead. In that Emerson lay curled at Peters' feet sleeping soundly (a frequent occurrence these days, with a little help from others), we assumed it was the driver signaling to us. Peters leaned out and hailed him on this account, but the man denied it.

The rapping came again, and Ligeia turned and studied me. "You have not been with the mesmerism making, have you?" she inquired.

"Me? No. Not in a long while," I responded.

"I feel something strange," she said then. Then she was calling out the window to the driver. We began to slow.

"What is it?" I asked.

"Most unusual," she said.

We came to a halt beneath a large tree. She ordered then that Valdemar's wine crate be unstrapped and lowered to the ground. Then she told the driver and his assistant to take a break, somewhere beyond the hill. Peters elected to join them. It was a strange sensation that overtook me then, because I heard the rapping again—from inside the crate.

"Open it," she instructed me.

I undid a final fastening and raised the upper portion of the lid. Both irises visible, Valdemar stared up at us.

"Worse and worse," he observed.

"What is it?" Ligeia asked.

"I come to you without being summoned. Could it be that the Life Force gains ascendancy?"

"I could not say," she answered. "Do you know why whatever brings you here has done so?"

His right hand moved, falling upon my own where I leaned on the edge of his casket. It took considerable effort of will for me not to draw away.

"You must part company with the others," he said, "before entering the city. If you do not, they will die in Toledo."

"What are we to do while he is within?" she asked.

"Turn and head east," he replied. "Query me again at sundown."

"I do not understand what I am supposed to do in Toledo," I stated.

"Neither do I," he said, his hand tightening on mine. "Something summons. You may answer it or not, as you choose. Your will is free."

"I must go," I said.

"I knew you would," he replied, and he slumped back, his hand sliding free of my own and falling back perfectly into place upon his breast.

Ligela motioned for me to close the casket, which I did. She took my arm and walked with me among a stand of saplings.

"I do not like this at all," she said. "It smacks of—interference. It may be a cosmic stroke of good fortune. It may be a trap. There is no way for me to tell in advance."

"What are we to do?"

"I wish to place you under control," she said, halting within the grove, "and to create a psychic bond."

"Remember what happened the last time you worked on me?"

"I have given it considerable thought since then," she told me. "This time you will not be evicted from your body."

"What will be the purpose of this—bond?"

"Hopefully, it will keep me apprised of your welfare," she explained.

"All right," I said.

I seated myself upon a gray log, my back against a boulder, at her direction. I remember the sweep of her hands past my eyes and a buzzing below my stomach. The plug of my mind was drawn and my thoughts drained away... .

How much later it was that I awoke I do not know. I felt very relaxed.

"Good," I heard her say. I opened my eyes, she smiled, extended her hands, and helped me to my feet.

"Did it work?" I asked as we walked back to the coach.

"I think so," she said. "We shall see."

The others were waiting when we got there, and we raised Valdemar and strapped him into place.

As we rode along, I wondered: Even if she became aware of some peril I faced, what would Ligeia be able to do about it, way off somewhere to the east? I studied Grip, who returned my gaze. He opened his beak several times, but said nothing.

Toledo stood on a hill, the Tagus river bent three-quarters of the way about it. It was situated some forty miles southwest of Madrid in an area not currently held by the French. Dark clouds hung above the city, and the ground was damp—as if we had just missed a storm. Our current coachman—older than most of the others—halted us outside the city walls, vowing he would only set foot or wheel within the place sometime between the freezing of hell and the Second Coming.

I took with me a goodly amount of gold, and a note Ligeia had written in Spanish indicating I wished to hire an interpreter. I had the name of a Padre Diaz Valdemar had assured us to be an honest and honorable man, and I had a rough map indicating the location of his church, Santo Tome, and its rectory.

Armed with these I bade my companions good-bye, tentatively planning to meet them in this same spot at this same time three days hence.

So I approached the fortress on the rock from its northern flank. I knew that the Romans, the Visigoths, and the Muslims had dwelled here. Ligeia had told me that its cathedral was a thing of exquisite beauty, dating back to the thirteenth century; and while I would have enjoyed viewing it under other conditions I heard Time's heavy tread, slightly faster than my own, somewhere in back of me.

I entered the city without being challenged. Apart from his non-physical insights, Valdemar was probably correct from a more practical point of view in suggesting that I separate from my escort of friends and allies outside the walls. Loyal and strong they might be, but they were also a somewhat odd assortment of people and creatures, and in time of war the political and religious arch-conservatives who ruled here were apt to be intolerant. As a wealthy American I could hope at least to be tolerated.

I did get a view of the cathedral, and of many little shops, and some fine residences, and some gilded coaches, and some dirty wagons, and some truly lovely horses, and some excellent examples of the damascened blades for which the city was famous. One of the most gorgeous was a dagger in the hand of the man who arrested me.

Four armed men of particularly uniform appearance approached me just as I succeeded in locating Santo Tome. I had been wandering the streets for a couple of hours by then and was rather pleased to have located the church without assistance other than the map. In fact, I was still holding the thing in my hand when they came up to me and began saying graceful and incomprehensible things.

"No comprendo," I explained. "Soy norteamericano."

They said more things to each other, then one of them looked at my map, pointed to it, and pointed to the church.

"La iglesia?" he asked.

"Si," I replied. "Santo Tome. De donde es Padre Diaz?"

They conferred again quickly, and when I heard Padre Diaz' name mentioned in close conjunction to another word I had committed to memory—that being "heretico"—I suspected I was in trouble. Nor was I incorrect. It was but moments later that I was given the opportunity to admire the gold and silver inlay of the dagger. There were several others in evidence, but the one belonging to Enrique—also referred to as "Jefe" by the others—was by far the most attractive.

"You—come—with—us," Jefe Enrique said to me.

"Soy norteamericano," I explained again.

"Si, norteamericano amigo de heretico," he said.

"No," I said. "I wanted help in finding an inventor named Von Kempelen. I was told that Father Diaz either spoke English or could find me an interpreter. See?"

I showed him the letter. He passed it to one of the others. The man glanced at it and handed it to the next man, who did the same. It occurred to me then that all four of them might be illiterate.

"Por favor," I said. "Interpreter, translator—para Ingles."

Jefe Enrique shrugged and gestured with his blade.

"Come," he said.

Two of them flanked me, one walked behind, Jefe walked a bit ahead and to the right. I regretted not having learned the Spanish word for "misunderstanding" though I doubted it would really have done me much good. There was a certain air of dedication about them which did not seem to lend itself to debate.

And so I was taken to the local jail, my money and blade confiscated along with my letter and map. I was locked into a pitch-dark cell, presumably while it was considered whether I might be an accomplice of poor Padre Diaz. If they decided this to be the case, presumably I would be handed over to the Inquisition.

Extending my hands before me, I moved slowly, groping my way about the circuit of my confining walls, some of them stone and some rough iron. When I felt myself to be at the door once more I seated myself with my back to it and rested. I ate some bread and drank some water that I found there. I must have dozed then, for there seemed to be a break in my consciousness.

Upon awakening, I found myself sprawled prone, my right arm hanging downward. My cheek rested upon the floor of the prison, but my temple did not. A peculiar smell, as of decayed fungus, arose to my nostrils. I moved my arm about and came by degrees to realize that I had somehow come to rest at the very brink of a circular pit. I groped about until I located a loose piece of masonry which I managed to pry free. Letting it fall, I listened to its clinking against the edges of the chasm until at length it plunged into water. At that instant a door or panel was opened somewhere overhead and closed again. In the instant's illumination this afforded I was able to ascertain the good fortune which had permitted me to fall just as I had rather than a half-pace, say, farther ahead. It was a large circular pit, occupying the center of the cell. I withdrew immediately to the nearest wall, pressing myself firmly against it.

We seem to be entombed alive, Perry. It was almost as if Poe had spoken, as if he were seated beside me there in the dark, contemplating the abyss.

So it would seem, Poe. But it's only a jail. I've been in them before, I responded in thought.

Not like this one, Perry.

Embellishments, my dear Poe. Mere embellishments.

The pit calls to us.

Let it call. I'm not inclined to respond.

You're made of sterner stuff than myself, Perry.

Not so, Poe. We are the same—somehow. Circumstances have but provided—embellishments.

Perhaps it would be better to plunge into the thing and get it over with.

No thanks.

Everything ends in the abyss, anyhow.

No reason to rush things. Make it wait.

It does not know waiting. It is not sentient.

Then we are superior to it, for we are.

Sounds vaguely like something Pascal once said.

So it does.

Such philosophy from a man of action!

I'd a decent enough education, and I usually have a book about.

What's become of us?

We got switched.

I don't understand.

I don't know the precise mechanics of it, but we wound up in each other's world. It had to do with a misuse of Annie's power.

Silence. Three beats. Three more.

Then, Or are we but a dream, Perry, in the mind of some demon? And is that demon myself?

Against solipsism I have no arguments. Nobody ever succeeded as well as Hume in proving the unreality of the real. But as he himself said of Berkeley, such arguments admit of no answer and produce no conviction.

You are myself, my doppelganger, my dark other. We are opposing halves of the same spirit, to contradict so perfectly.

We're not that different, Poe. It's just the words that get in the way.

He chuckled.

More than ever I see this as unreal, he replied, as a dialogue between the two spirits within me.

What can I say?

Nothing, I suppose. Either that, or agree with me.

I will always maintain that it's better to have been than not to have been—even though it's only a feeling.

There came a clinking sound and a brief bit of light from the vicinity of the door, off to the left, just enough light to show that a tray bearing a piece of bread and a small flask had been pushed into the cell through a hinged opening at the door's bottom.

I suppose it comes down to a choice between the pit and the moldy bread, Poe observed.

In that case, it's dinnertime.

I rose.

It's too bad you're not real, Perry, he reflected, almost wistfully. I could still like you.

His presence being sort of metaphysical I did not have to share, which was good. Shortly after I finished eating I was seized by an uncontrollable fit of yawning. Fearful of being overtaken by slumber too near the central fact of existence in this place, I lay on my side with my back against the wall. I still felt Poe's presence in some diffuse fashion about me.

When I awoke something was wrong. I'd no idea how long I'd slept, but when I opened my eyes once again there was illumination. A ghastly yellow and red glow permitted me for the first time to see the design of my prison. The place was differently shaped than I'd thought on exploring it in the dark. It was less square than I had deemed it to be and more in the nature of a rectangle—the metal walls at its farther ends, the stone ones at the nearer. Painted upon these I could now discern pictures of fiends, inverted crucifixions, dancing skeletons, people being roasted and torn apart.

The floor was of stone, the great pit at its center—which I could only discern with great difficulty. My problem in this respect being my position as strapped to some sort of framework. I lay upon my back atop this structure, where I was held in place by what seemed a single long strap. It was twisted about my legs, my torso, my right arm and shoulder. My head and my left arm were free and there was a plate of food on the floor within reach. It was a somewhat spicy beef dish, and after the bread and water I had been given thus far it proved irresistible. I had the feeling I had been drugged the last couple of times I had eaten and drunk here. But what choice did I really have? I was hungry and thirsty. Sleep, for that matter—whatever its source—seemed a superior manner of passing the time in this place.

I groped then after the water bottle but could not locate it. It was then that I realized it to be the first real physical phase of my torment, for my thirst grew stronger by the moment.

Poe ... ? I attempted, trying for my former mode of thought.

Perry, was there ever really an Annie? he seemed to say from somewhere.

Of course there was. There still is—

Demon! You lie!

No! Reach for her. Call to her.

Then he was gone, leaving me alone again with my thirst. I transferred my attention to the high ceiling, where I saw depicted Saturn devouring his children. In his one hand he held a pendulum, rather than the traditional scythe. After a moment, it seemed to me that this implement was quivering, performing minute movements. Then I was distracted, by a noise near to hand.

A rat—a beady-eyed little devil—had appeared on the rim of the pit, from which scratching sounds still emerged. He raised his nose and twitched it, whiskers moving in unison. Shortly, another, even larger specimen appeared at his rear. Still, the scratching continued and the first one vanished beneath my rack even as the second sniffed the air. Two more surmounted the rim of the pit as I watched. Then another.

And another. By then the first one had located the plate which bore the remains of my most recent meal.

I did not like having the beast so close to me—if for no other reason than some rumors of plague we had encountered on entering Spain—and I flipped my hand in its direction several times in an endeavor to frighten it. But it ignored this entirely and went on quite brazenly disposing of my scraps. A little later, however, the second one arrived and contested its right to the food. Soon they were locked together, biting at each other and uttering unsettling squeals as they tussled beside me. As their conflict continued two more mounted the plate and immediately had at each other.

I stopped waving my hand after a time, lest it be taken as a threat and attacked. By now the rodents were pouring out of the pit and swarming all about me, some of them even climbing my rack, running across me and using my body as a vantage from which to launch attacks upon their fellows below. I repressed my shudders as best I could, experiencing the while a deathly fear that if one were to take but a single bite of me the rest would suddenly consider me comestible and turn en masse to dining upon me.

Fortunately, one of them slew another and they fell to contesting its remains. Several more rodenticides then occurred and the floor became a turbulent battleground and dining ground where gray and chittering forms swirled and rolled, rising and falling like some nightmare sea flecked with blood.

It was a long while before I tore my gaze from this, turning my head and looking upward once again.

What I saw then caused my breath to catch within my throat. The pendulum no longer quivered but swept now from side to side covering a span of perhaps a yard. And it had descended. Its nether extremity glinted in the light in such a fashion as to indicate an extreme fineness of edge. The blade was perhaps a foot in length, slightly curved and dependant from a brass rod which emerged from Saturn's hand as he munched his offspring with the other and held several others beneath his feet. The entire contraption hissed and created a small breeze with each traversal of its course.

Now I was unable to remove my eyes from the thing. I counted ten passes before I saw it descend slightly. But another ten failed to see it lowered again. Several more, however, and it jerked downward again. I tried to visualize exactly where it would strike me should it continue inexorably on its course. It seemed targeted upon my heart. I wondered suddenly whether Ligeia knew what was happening to me.

As with the spectral presence of Poe earlier, I tried communing with her.

Ligeia? Are you there? Can you hear me? Do you know where I am, and what is happening to me?

Nothing. Could it be that my focus upon the blade was too distracting of full concentration? Had the drugs dulled my mentality? Had she tried to exploit whatever bond she had created while I was unconscious, and given me up for dead?

Poe? Are you still about? I tried.

Horrors! he seemed to cry. The abyss looks back at one!

It was given you to fill as you would, I offered, expressing a sudden flash of insight. You are an artist.

Your imagination is the equal of its vacancy.

Horrors! He repeated.

Where are you, Poe? Where are you?

His presence faded again. The pendulum jerked perceptibly downward, its arc lengthening slightly.

I forgot Poe then, and Ligeia. I even forgot the rats, so intently did my awareness seize upon the hissing edge which cleft the air above me. After a time—hours? days? I know not—I forgot even myself, becoming one with that glittering sweep of doom. I experienced a great calm, oceanic sensation during this period, an enormous sense of drifting peace.

At some point I lost consciousness.

Again, what space of time may have transpired, I do not know. I awoke to a dreadful, burning thirst. The rats went to and fro, squeaking of things below. Instantly, upon opening them, my eyes were caught again by the pendulum. It had descended considerably, its arc now traversing perhaps thirty feet, its singing, swishing note now an agonizing thing that cut the mind as it went, in anticipation of corporal contact.

It might be best to go unconscious again, I reflected, letting it write quietus with a single, cardiac stroke as I lay a-swooning. But now that I desired it, oblivion kept its distance. Alertness was all—alertness and anticipation.

Left, right ... swish! From somewhere there came maniacal laughter, which I only gradually realized to be my own. I bit my lip until I tasted blood, and I closed my eyes. I opened them immediately, discovering it to be worse that way—not knowing where the blade was. But now my head seemed clearer and I forced myself to think.

I studied the pendulum rationally rather than permitting myself to be hypnotized by it. I counted my heartbeats between downward jogs of that blade. Since I was at rest during this time my emotions remained relatively constant I assumed a uniformity to their progress... .

310 ... jog.

286 ... jog.

127 ... jog.

416 ... jog.

There was no pattern that I could detect. This was more interesting than any clock-like precision might have been. It told me that what I dealt with at the other end of the pendulum was a human operator rather than any mechanical device. I felt then my first small touch of hope. While the ironclad laws of mechanics might not be gainsaid there was a special order of predictability when it came to areas of existence ruled by human perversity.

I considered again the matter of my confinement. The strap which held me was in the nature of a surcingle—a single length of heavy material passed round and round me, many times. One slash through it—anywhere—by the destroying crescent and my entire wrapping would be loosened. A person capable of precision observation from a position such as mine—as well as a good head for calculation—might come up with an approximation of where its closest slash would fall before actual contact and whether to inhale or exhale. But I knew there was a human up there somewhere who delighted in inflicting pain. He was going to make this part last as long as he could.

It was no accident a surcingle held me either, I suddenly realized. Unless I did myself in by gasping at the wrong moment, the pendulum would sever my bond after the operator had had his fun. There would be time enough to roll from the rack to the floor. Such a roll could carry me right into the pit unless I were very careful. Somehow, I felt, what they really wanted was for me to choose the pit, to plunge into it of my own volition and perish below. All the rest was cake decoration.

So I kept my breathing slow and even and I waited.

Eight more passes of the pendulum and it was within inches of my breast. The next time by it had descended slightly. Four more, and it grazed my body as it went by. Now would come the toying with me, I guessed. It would remain at the same height or be raised slightly.

So I drew in a deep breath, gritted my teeth, and closed my eyes. There came a stinging sensation in my chest, and I flexed my arms, kicked with my legs, and rolled to the right. I was off of the rack then, falling... .

Dark bodies scurried, fleeing in all directions. The hissing sound ceased. I turned my head just in time to behold that damnable machine being drawn back upward into the ceiling. I massaged my aching limbs, attempting to remain alert to any new dangers.

It was only then that I realized the source of the hellish light which pervaded the place. It was leaking into the cell along the bottoms of the two metal walls—these being the one to my right (across the pit)

and the one to my left. I could not make anything out through those slits, but even as I tried a suffocating odor entered my cell. It was in the nature of heated iron, and with it the ghastly pictures took on a certain fresh and wild character before their colors, in places, began to run. The walls jolted inward, taking on a richer hue of red than that simple depiction of flame and blood. They began—faintly, at first—to glow.

They moved again, they brightened again. I smelled smoke and heard clanging and clashing sounds from without. I rose to my feet, kicking off the remainder of the surcingle. I retreated a pace from the advancing wall of heat. It would seem their greatest aim was still to force me to choose the pit.

The walls moved again. I retreated yet another step. I moved along the pit's edge until I came to a stone wall—the one which held the door. It seemed the most logical place of retreat in the room.

And then, slowly, I turned. The pit bad been calling to me, steadily, ever since I had discovered it. Now I felt compelled at least to gaze into it, to discover what it was that offered me such terror, such spiritual destruction. I cast my vision downward. The glare from the advancing walls shed further illumination now, and I forced myself to stare at the figures in the terrible tableau beneath my feet.

The short sidewhiskered man stood beside an open coffin. He wore formal evening attire and also had on black gloves and held in his hand a small whip of the sort I had seen used in animal acts. Somehow, I knew this man to be Rufus Griswold. Before him—head hanging, hands tied—stood Poe. Griswold gestured with the whip, indicating that Poe should enter the coffin. Poe straightened and raised his head, and then he became but an outline, a blackness through which stars shone and comets blazed; the wondrous majesty of the Milky Way scaling the heights of infinity stood now before the casket, and Griswold looked away and gnashed his teeth.

Then the whip cracked and the figure was Poe once again, and the walls advanced upon me but the greater part of horror lay below, where Griswold wished to destroy imagination, wonder, and the dark unknowns of the human spirit, placing them in a box, burying them in this pit forever.

The walls moved again. I was dripping with perspiration in the near-unbearable heat. The clanging continued, the smell of smoke was overpowering. I felt that I was about to pass out, and I pressed back against the stone wall.

"No!" I cried. "Don't do it, Poe! Damn you, Griswold!"

But neither seemed to hear me. I tottered upon the brink. From somewhere I heard voices. There came a crashing at the door beside me. A hairy hand seized hold of my shoulder. I fell swooning.

Any horror but this, I remember thinking.

When I awoke I lay in a cell. There was no pit in its center and its door stood ajar. Ligeia and Emerson were with me. Peters stood at the door.

"General Lasalle has taken the city?" I said, repeating what I thought I had just heard.

"That is correct," she answered.

"The bond you established... . It worked?"

She nodded.

"But everything that happened to me here—there's a dreamlike, drugged quality to it."

"Griswold has finally succeeded in using your Annie as a weapon against you," she told me. "He wanted her to destroy you, but she resisted Templeton's orders at the end."

"So our paths did cross here, in a way. In a place of illusions. What of Von Kempelen?"

"It was a ruse. Now that Annie is out of the picture, Valdemar can see again. Von Kempelen actually fled to the Duchy of Aragon."

"So we must backtrack."

"So it would seem."

I accompanied them out into the fallen city, heading north to where our coach would be waiting, drinking water as I went.

Thus do I refute Berkeley.

She was the single artificer of the world in which she sang. Builded of no mortal sand, and sea the salt of her words, she passed through her kingdom, itself become the self of her song. At his cave she called forth the poet, unbound his hands, embraced him.

"They would have me pluck my dark bird," she said, "of the midnight flights."

Poe looked past her, at the turbulent sea. A cloud covered the sun.

"Untrammeled be, and know I would not harm you," she told him.

"Unreal," he said, and he turned away from her.

The space before him shattered like a wall of glass.

"Don't go," she said softly.

"Unreal."

He stepped through the crack in the kingdom, into darkness.