The Bostonians, Vol. I

Selah Tarrant looked at all this from a higher standpoint than his wife; at least such an attitude on his part was to be inferred from his increased solemnity. He committed himself to no precipitate elation at the idea of his daughter's being taken up by a patroness of movements who happened to have money; he looked at his child only from the point of view of the service she might render to humanity. To keep her ideal pointing in the right direction, to guide and animate her moral life—this was a duty more imperative for a parent so closely identified with revelations and panaceas than seeing that she formed profitable worldly connexions. He was "off," moreover, so much of the time that he could keep little account of her comings and goings, and he had an air of being but vaguely aware of whom Miss Chancellor, the object now of his wife's perpetual reference, might be. Verena's initial appearance in Boston, as he called her performance at Miss Birdseye's, had been a great success; and this reflexion added, as I say, to his habitually sacerdotal expression. He looked like the priest of a religion that was passing through the stage of miracles; he carried his responsibility in the general elongation of his person, of his gestures (his hands were now always in the air, as if he were being photographed in postures), of his words and sentences, as well as in his smile, as noiseless as a patent hinge, and in the folds of his eternal waterproof. He was incapable of giving an off-hand answer or opinion on the simplest occasion, and his tone of high deliberation increased in proportion as the subject was trivial or domestic. If his wife asked him at dinner if the potatoes were good, he replied that they were strikingly fine (he used to speak of the newspaper as "fine"—he applied this term to objects the most dissimilar), and embarked on a parallel worthy of Plutarch, in which he compared them with other specimens of the same vegetable. He produced, or would have liked to produce, the impression of looking above and beyond everything, of not caring for the immediate, of reckoning only with the long run. In reality he had one all-absorbing solicitude—the desire to get paragraphs put into the newspapers, paragraphs of which he had hitherto been the subject, but of which he was now to divide the glory with his daughter. The newspapers were his world, the richest expression, in his eyes, of human life; and, for him, if a diviner day was to come upon earth, it would be brought about by copious advertisement in the daily prints. He looked with longing for the moment when Verena should be advertised among the "personals," and to his mind the supremely happy people were those (and there were a good many of them) of whom there was some journalistic mention every day in the year. Nothing less than this would really have satisfied Selah Tarrant; his ideal of bliss was to be as regularly and indispensably a component part of the newspaper as the title and date, or the list of fires, or the column of Western jokes. The vision of that publicity haunted his dreams, and he would gladly have sacrificed to it the innermost sanctities of home. Human existence to him, indeed, was a huge publicity, in which the only fault was that it was sometimes not sufficiently effective. There had been a Spiritualist paper of old which he used to pervade; but he could not persuade himself that through this medium his personality had attracted general attention; and, moreover, the sheet, as he said, was played out anyway. Success was not success so long as his daughter's physique, the rumour of her engagement, were not included in the "Jottings" with the certainty of being extensively copied.

The account of her exploits in the West had not made their way to the seaboard with the promptitude that he had looked for; the reason of this being, he supposed, that the few addresses she had made had not been lectures, announced in advance, to which tickets had been sold, but incidents, of abrupt occurrence, of certain multitudinous meetings, where there had been other performers better known to fame. They had brought in no money; they had been delivered only for the good of the cause. If it could only be known that she spoke for nothing, that might deepen the reverberation; the only trouble was that her speaking for nothing was not the way to remind him that he had a remunerative daughter. It was not the way to stand out so very much either, Selah Tarrant felt; for there were plenty of others that knew how to make as little money as she would. To speak—that was the one thing that most people were willing to do for nothing; it was not a line in which it was easy to appear conspicuously disinterested. Disinterestedness, too, was incompatible with receipts; and receipts were what Selah Tarrant was, in his own parlance, after. He wished to bring about the day when they would flow in freely; the reader perhaps sees the gesture with which, in his colloquies with himself, he accompanied this mental image.

It seemed to him at present that the fruitful time was not far off; it had been brought appreciably nearer by that fortunate evening at Miss Birdseye's. If Mrs. Farrinder could be induced to write an "open letter" about Verena, that would do more than anything else. Selah was not remarkable for delicacy of perception, but he knew the world he lived in well enough to be aware that Mrs. Farrinder was liable to rear up, as they used to say down in Pennsylvania, where he lived before he began to peddle lead-pencils. She wouldn't always take things as you might expect, and if it didn't meet her views to pay a public tribute to Verena, there wasn't any way known to Tarrant's ingenious mind of getting round her. If it was a question of a favour from Mrs. Farrinder, you just had to wait for it, as you would for a rise in the thermometer. He had told Miss Birdseye what he would like, and she seemed to think, from the way their celebrated friend had been affected, that the idea might take her some day of just letting the public know all she had felt. She was off somewhere now (since that evening), but Miss Birdseye had an idea that when she was back in Roxbury she would send for Verena and give her a few points. Meanwhile, at any rate, Selah was sure he had a card; he felt there was money in the air. It might already be said there were receipts from Charles Street; that rich, peculiar young woman seemed to want to lavish herself. He pretended, as I have intimated, not to notice this; but he never saw so much as when he had his eyes fixed on the cornice. He had no doubt that if he should make up his mind to take a hall some night, she would tell him where the bill might be sent. That was what he was thinking of now, whether he had better take a hall right away, so that Verena might leap at a bound into renown, or wait till she had made a few more appearances in private, so that curiosity might be worked up.

These meditations accompanied him in his multifarious wanderings through the streets and the suburbs of the New England capital. As I have also mentioned, he was absent for hours—long periods during which Mrs. Tarrant, sustaining nature with a hard-boiled egg and a doughnut, wondered how in the world he stayed his stomach. He never wanted anything but a piece of pie when he came in; the only thing about which he was particular was that it should be served up hot. She had a private conviction that he partook, at the houses of his lady patients, of little lunches; she applied this term to any episodical repast, at any hour of the twenty-four. It is but fair to add that once, when she betrayed her suspicion, Selah remarked that the only refreshment he ever wanted was the sense that he was doing some good. This effort with him had many forms; it involved, among other things, a perpetual perambulation of the streets, a haunting of horse-cars, railway-stations, shops that were "selling off." But the places that knew him best were the offices of the newspapers and the vestibules of the hotels—the big marble-paved chambers of informal reunion which offer to the streets, through high glass plates, the sight of the American citizen suspended by his heels. Here, amid the piled-up luggage, the convenient spittoons, the elbowing loungers, the disconsolate "guests," the truculent Irish porters, the rows of shaggy-backed men in strange hats, writing letters at a table inlaid with advertisements, Selah Tarrant made innumerable contemplative stations. He could not have told you, at any particular moment, what he was doing; he only had a general sense that such places were national nerve-centres, and that the more one looked in, the more one was "on the spot." The penetralia of the daily press were, however, still more fascinating, and the fact that they were less accessible, that here he found barriers in his path, only added to the zest of forcing an entrance. He abounded in pretexts; he even sometimes brought contributions; he was persistent and penetrating, he was known as the irrepressible Tarrant. He hung about, sat too long, took up the time of busy people, edged into the printing-rooms when he had been eliminated from the office, talked with the compositors till they set up his remarks by mistake, and to the newsboys when the compositors had turned their backs. He was always trying to find out what was "going in"; he would have liked to go in himself, bodily, and, failing in this, he hoped to get advertisements inserted gratis. The wish of his soul was that he might be interviewed; that made him hover at the editorial elbow. Once he thought he had been, and the headings, five or six deep, danced for days before his eyes; but the report never appeared. He expected his revenge for this the day after Verena should have burst forth; he saw the attitude in which he should receive the emissaries who would come after his daughter.

XIV

"We ought to have some one to meet her," Mrs. Tarrant said; "I presume she wouldn't care to come out just to see us." "She," between the mother and the daughter, at this period, could refer only to Olive Chancellor, who was discussed in the little house at Cambridge at all hours and from every possible point of view. It was never Verena now who began, for she had grown rather weary of the topic; she had her own ways of thinking of it, which were not her mother's, and if she lent herself to this lady's extensive considerations it was because that was the best way of keeping her thoughts to herself.

Mrs. Tarrant had an idea that she (Mrs. Tarrant) liked to study people, and that she was now engaged in an analysis of Miss Chancellor. It carried her far, and she came out at unexpected times with her results. It was still her purpose to interpret the world to the ingenious mind of her daughter, and she translated Miss Chancellor with a confidence which made little account of the fact that she had seen her but once, while Verena had this advantage nearly every day. Verena felt that by this time she knew Olive very well, and her mother's most complicated versions of motive and temperament (Mrs. Tarrant, with the most imperfect idea of the meaning of the term, was always talking about people's temperament) rendered small justice to the phenomena it was now her privilege to observe in Charles Street. Olive was much more remarkable than Mrs. Tarrant suspected, remarkable as Mrs. Tarrant believed her to be. She had opened Verena's eyes to extraordinary pictures, made the girl believe that she had a heavenly mission, given her, as we have seen, quite a new measure of the interest of life. These were larger consequences than the possibility of meeting the leaders of society at Olive's house. She had met no one, as yet, but Mrs. Luna; her new friend seemed to wish to keep her quite for herself. This was the only reproach that Mrs. Tarrant directed to the new friend as yet; she was disappointed that Verena had not obtained more insight into the world of fashion. It was one of the prime articles of her faith that the world of fashion was wicked and hollow, and, moreover, Verena told her that Miss Chancellor loathed and despised it. She could not have informed you wherein it would profit her daughter (for the way those ladies shrank from any new gospel was notorious); nevertheless she was vexed that Verena shouldn't come back to her with a little more of the fragrance of Beacon Street. The girl herself would have been the most interested person in the world if she had not been the most resigned; she took all that was given her and was grateful, and missed nothing that was withheld; she was the most extraordinary mixture of eagerness and docility. Mrs. Tarrant theorised about temperaments and she loved her daughter; but she was only vaguely aware of the fact that she had at her side the sweetest flower of character (as one might say) that had ever bloomed on earth. She was proud of Verena's brightness, and of her special talent; but the commonness of her own surface was a non-conductor of the girl's quality. Therefore she thought that it would add to her success in life to know a few high-flyers, if only to put them to shame; as if anything could add to Verena's success, as if it were not supreme success simply to have been made as she was made.

Mrs. Tarrant had gone into town to call upon Miss Chancellor; she carried out this resolve, on which she had bestowed infinite consideration, independently of Verena. She had decided that she had a pretext; her dignity required one, for she felt that at present the antique pride of the Greenstreets was terribly at the mercy of her curiosity. She wished to see Miss Chancellor again, and to see her among her charming appurtenances, which Verena had described to her with great minuteness. The pretext that she would have valued most was wanting—that of Olive's having come out to Cambridge to pay the visit that had been solicited from the first; so she had to take the next best—she had to say to herself that it was her duty to see what she should think of a place where her daughter spent so much time. To Miss Chancellor she would appear to have come to thank her for her hospitality; she knew, in advance, just the air she should take (or she fancied she knew it—Mrs. Tarrant's were not always what she supposed), just the nuance (she had also an impression she knew a little French) of her tone. Olive, after the lapse of weeks, still showed no symptoms of presenting herself, and Mrs. Tarrant rebuked Verena with some sternness for not having made her feel that this attention was due to the mother of her friend. Verena could scarcely say to her she guessed Miss Chancellor didn't think much of that personage, true as it was that the girl had discerned this angular fact, which she attributed to Olive's extraordinary comprehensiveness of view. Verena herself did not suppose that her mother occupied a very important place in the universe; and Miss Chancellor never looked at anything smaller than that. Nor was she free to report (she was certainly now less frank at home, and, moreover, the suspicion was only just becoming distinct to her) that Olive would like to detach her from her parents altogether, and was therefore not interested in appearing to cultivate relations with them. Mrs. Tarrant, I may mention, had a further motive: she was consumed with the desire to behold Mrs. Luna. This circumstance may operate as a proof that the aridity of her life was great, and if it should have that effect I shall not be able to gainsay it. She had seen all the people who went to lectures, but there were hours when she desired, for a change, to see some who didn't go; and Mrs. Luna, from Verena's description of her, summed up the characteristics of this eccentric class.

Verena had given great attention to Olive's brilliant sister; she had told her friend everything now—everything but one little secret, namely, that if she could have chosen at the beginning she would have liked to resemble Mrs. Luna. This lady fascinated her, carried off her imagination to strange lands; she should enjoy so much a long evening with her alone, when she might ask her ten thousand questions. But she never saw her alone, never saw her at all but in glimpses. Adeline flitted in and out, dressed for dinners and concerts, always saying something worldly to the young woman from Cambridge, and something to Olive that had a freedom which she herself would probably never arrive at (a failure of foresight on Verena's part). But Miss Chancellor never detained her, never gave Verena a chance to see her, never appeared to imagine that she could have the least interest in such a person; only took up the subject again after Adeline had left them—the subject, of course, which was always the same, the subject of what they should do together for their suffering sex. It was not that Verena was not interested in that—gracious, no; it opened up before her, in those wonderful colloquies with Olive, in the most inspiring way; but her fancy would make a dart to right or left when other game crossed their path, and her companion led her, intellectually, a dance in which her feet—that is, her head—failed her at times for weariness. Mrs. Tarrant found Miss Chancellor at home, but she was not gratified by even the most transient glimpse of Mrs. Luna; a fact which, in her heart, Verena regarded as fortunate, inasmuch as (she said to herself) if her mother, returning from Charles Street, began to explain Miss Chancellor to her with fresh energy, and as if she (Verena) had never seen her, and up to this time they had had nothing to say about her, to what developments (of the same sort) would not an encounter with Adeline have given rise?

When Verena at last said to her friend that she thought she ought to come out to Cambridge—she didn't understand why she didn't—Olive expressed her reasons very frankly, admitted that she was jealous, that she didn't wish to think of the girl's belonging to any one but herself. Mr. and Mrs. Tarrant would have authority, opposed claims, and she didn't wish to see them, to remember that they existed. This was true, so far as it went; but Olive could not tell Verena everything—could not tell her that she hated that dreadful pair at Cambridge. As we know, she had forbidden herself this emotion as regards individuals; and she flattered herself that she considered the Tarrants as a type, a deplorable one, a class that, with the public at large, discredited the cause of the new truths. She had talked them over with Miss Birdseye (Olive was always looking after her now and giving her things—the good lady appeared at this period in wonderful caps and shawls—for she felt she couldn't thank her enough), and even Doctor Prance's fellow-lodger, whose animosity to flourishing evils lived in the happiest (though the most illicit) union with the mania for finding excuses, even Miss Birdseye was obliged to confess that if you came to examine his record, poor Selah didn't amount to so very much. How little he amounted to Olive perceived after she had made Verena talk, as the girl did immensely, about her father and mother—quite unconscious, meanwhile, of the conclusions she suggested to Miss Chancellor. Tarrant was a moralist without moral sense—that was very clear to Olive as she listened to the history of his daughter's childhood and youth, which Verena related with an extraordinary artless vividness. This narrative, tremendously fascinating to Miss Chancellor, made her feel in all sorts of ways—prompted her to ask herself whether the girl was also destitute of the perception of right and wrong. No, she was only supremely innocent; she didn't understand, she didn't interpret nor see the portée of what she described; she had no idea whatever of judging her parents. Olive had wished to "realise" the conditions in which her wonderful young friend (she thought her more wonderful every day) had developed, and to this end, as I have related, she prompted her to infinite discourse. But now she was satisfied, the realisation was complete, and what she would have liked to impose on the girl was an effectual rupture with her past. That past she by no means absolutely deplored, for it had the merit of having initiated Verena (and her patroness, through her agency) into the miseries and mysteries of the People. It was her theory that Verena (in spite of the blood of the Greenstreets, and, after all, who were they?) was a flower of the great Democracy, and that it was impossible to have had an origin less distinguished than Tarrant himself. His birth, in some unheard-of place in Pennsylvania, was quite inexpressibly low, and Olive would have been much disappointed if it had been wanting in this defect. She liked to think that Verena, in her childhood, had known almost the extremity of poverty, and there was a kind of ferocity in the joy with which she reflected that there had been moments when this delicate creature came near (if the pinch had only lasted a little longer) to literally going without food. These things added to her value for Olive; they made that young lady feel that their common undertaking would, in consequence, be so much more serious. It is always supposed that revolutionists have been goaded, and the goading would have been rather deficient here were it not for such happy accidents in Verena's past. When she conveyed from her mother a summons to Cambridge for a particular occasion, Olive perceived that the great effort must now be made. Great efforts were nothing new to her—it was a great effort to live at all—but this one appeared to her exceptionally cruel. She determined, however, to make it, promising herself that her first visit to Mrs. Tarrant should also be her last. Her only consolation was that she expected to suffer intensely; for the prospect of suffering was always, spiritually speaking, so much cash in her pocket. It was arranged that Olive should come to tea (the repast that Selah designated as his supper), when Mrs. Tarrant, as we have seen, desired to do her honour by inviting another guest. This guest, after much deliberation between that lady and Verena, was selected, and the first person Olive saw on entering the little parlour in Cambridge was a young man with hair prematurely, or, as one felt that one should say, precociously white, whom she had a vague impression she had encountered before, and who was introduced to her as Mr. Matthias Pardon.

She suffered less than she had hoped—she was so taken up with the consideration of Verena's interior. It was as bad as she could have desired; desired in order to feel that (to take her out of such a milieu as that) she should have a right to draw her altogether to herself. Olive wished more and more to extract some definite pledge from her; she could hardly say what it had best be as yet; she only felt that it must be something that would have an absolute sanctity for Verena and would bind them together for life. On this occasion it seemed to shape itself in her mind; she began to see what it ought to be, though she also saw that she would perhaps have to wait awhile. Mrs. Tarrant, too, in her own house, became now a complete figure; there was no manner of doubt left as to her being vulgar. Olive Chancellor despised vulgarity, had a scent for it which she followed up in her own family, so that often, with a rising flush, she detected the taint even in Adeline. There were times, indeed, when every one seemed to have it, every one but Miss Birdseye (who had nothing to do with it—she was an antique) and the poorest, humblest people. The toilers and spinners, the very obscure, these were the only persons who were safe from it. Miss Chancellor would have been much happier if the movements she was interested in could have been carried on only by the people she liked, and if revolutions, somehow, didn't always have to begin with one's self—with internal convulsions, sacrifices, executions. A common end, unfortunately, however fine as regards a special result, does not make community impersonal.

Mrs. Tarrant, with her soft corpulence, looked to her guest very bleached and tumid; her complexion had a kind of withered glaze; her hair, very scanty, was drawn off her forehead à la Chinoise; she had no eyebrows, and her eyes seemed to stare, like those of a figure of wax. When she talked and wished to insist, and she was always insisting, she puckered and distorted her face, with an effort to express the inexpressible, which turned out, after all, to be nothing. She had a kind of doleful elegance, tried to be confidential, lowered her voice and looked as if she wished to establish a secret understanding, in order to ask her visitor if she would venture on an apple-fritter. She wore a flowing mantle, which resembled her husband's waterproof—a garment which, when she turned to her daughter or talked about her, might have passed for the robe of a sort of priestess of maternity. She endeavoured to keep the conversation in a channel which would enable her to ask sudden incoherent questions of Olive, mainly as to whether she knew the principal ladies (the expression was Mrs. Tarrant's), not only in Boston, but in the other cities which, in her nomadic course, she herself had visited. Olive knew some of them, and of some of them had never heard; but she was irritated, and pretended a universal ignorance (she was conscious that she had never told so many fibs), by which her hostess was much disconcerted, although her questions had apparently been questions pure and simple, leading nowhither and without bearings on any new truth.

XV

Tarrant, however, kept an eye in that direction; he was solemnly civil to Miss Chancellor, handed her the dishes at table over and over again, and ventured to intimate that the apple-fritters were very fine; but, save for this, alluded to nothing more trivial than the regeneration of humanity and the strong hope he felt that Miss Birdseye would again have one of her delightful gatherings. With regard to this latter point he explained that it was not in order that he might again present his daughter to the company, but simply because on such occasions there was a valuable interchange of hopeful thought, a contact of mind with mind. If Verena had anything suggestive to contribute to the social problem, the opportunity would come—that was part of their faith. They couldn't reach out for it and try and push their way; if they were wanted, their hour would strike; if they were not, they would just keep still and let others press forward who seemed to be called. If they were called, they would know it; and if they weren't, they could just hold on to each other as they had always done. Tarrant was very fond of alternatives, and he mentioned several others; it was never his fault if his listeners failed to think him impartial. They hadn't much, as Miss Chancellor could see; she could tell by their manner of life that they hadn't raked in the dollars; but they had faith that, whether one raised one's voice or simply worked on in silence, the principal difficulties would straighten themselves out; and they had also a considerable experience of great questions. Tarrant spoke as if, as a family, they were prepared to take charge of them on moderate terms. He always said "ma'am" in speaking to Olive, to whom, moreover, the air had never been so filled with the sound of her own name. It was always in her ear, save when Mrs. Tarrant and Verena conversed in prolonged and ingenuous asides; this was still for her benefit, but the pronoun sufficed them. She had wished to judge Doctor Tarrant (not that she believed he had come honestly by his title), to make up her mind. She had done these things now, and she expressed to herself the kind of man she believed him to be in reflecting that if she should offer him ten thousand dollars to renounce all claim to Verena, keeping—he and his wife—clear of her for the rest of time, he would probably say, with his fearful smile, "Make it twenty, money down, and I'll do it." Some image of this transaction, as one of the possibilities of the future, outlined itself for Olive among the moral incisions of that evening. It seemed implied in the very place, the bald bareness of Tarrant's temporary lair, a wooden cottage, with a rough front yard, a little naked piazza, which seemed rather to expose than to protect, facing upon an unpaved road, in which the footway was overlaid with a strip of planks. These planks were embedded in ice or in liquid thaw, according to the momentary mood of the weather, and the advancing pedestrian traversed them in the attitude, and with a good deal of the suspense, of a rope-dancer. There was nothing in the house to speak of; nothing, to Olive's sense, but a smell of kerosene; though she had a consciousness of sitting down somewhere—the object creaked and rocked beneath her—and of the table at tea being covered with a cloth stamped in bright colours.

As regards the pecuniary transaction with Selah, it was strange how she should have seen it through the conviction that Verena would never give up her parents. Olive was sure that she would never turn her back upon them, would always share with them. She would have despised her had she thought her capable of another course; yet it baffled her to understand why, when parents were so trashy, this natural law should not be suspended. Such a question brought her back, however, to her perpetual enigma, the mystery she had already turned over in her mind for hours together—the wonder of such people being Verena's progenitors at all. She had explained it, as we explain all exceptional things, by making the part, as the French say, of the miraculous. She had come to consider the girl as a wonder of wonders, to hold that no human origin, however congruous it might superficially appear, would sufficiently account for her; that her springing up between Selah and his wife was an exquisite whim of the creative force; and that in such a case a few shades more or less of the inexplicable didn't matter. It was notorious that great beauties, great geniuses, great characters, take their own times and places for coming into the world, leaving the gaping spectators to make them "fit in," and holding from far-off ancestors, or even, perhaps, straight from the divine generosity, much more than from their ugly or stupid progenitors. They were incalculable phenomena, anyway, as Selah would have said. Verena, for Olive, was the very type and model of the "gifted being"; her qualities had not been bought and paid for; they were like some brilliant birthday-present, left at the door by an unknown messenger, to be delightful for ever as an inexhaustible legacy, and amusing for ever from the obscurity of its source. They were superabundantly crude as yet—happily for Olive, who promised herself, as we know, to train and polish them—but they were as genuine as fruit and flowers, as the glow of the fire or the plash of water. For her scrutinising friend Verena had the disposition of the artist, the spirit to which all charming forms come easily and naturally. It required an effort at first to imagine an artist so untaught, so mistaught, so poor in experience; but then it required an effort also to imagine people like the old Tarrants, or a life so full as her life had been of ugly things. Only an exquisite creature could have resisted such associations, only a girl who had some natural light, some divine spark of taste. There were people like that, fresh from the hand of Omnipotence; they were far from common, but their existence was as incontestable as it was beneficent.

Tarrant's talk about his daughter, her prospects, her enthusiasm, was terribly painful to Olive; it brought back to her what she had suffered already from the idea that he laid his hands upon her to make her speak. That he should be mixed up in any way with this exercise of her genius was a great injury to the cause, and Olive had already determined that in future Verena should dispense with his co-operation. The girl had virtually confessed that she lent herself to it only because it gave him pleasure, and that anything else would do as well, anything that would make her quiet a little before she began to "give out." Olive took upon herself to believe that she could make her quiet, though, certainly, she had never had that effect upon any one; she would mount the platform with Verena if necessary, and lay her hands upon her head. Why in the world had a perverse fate decreed that Tarrant should take an interest in the affairs of Woman—as if she wanted his aid to arrive at her goal; a charlatan of the poor, lean, shabby sort, without the humour, brilliancy, prestige, which sometimes throw a drapery over shallowness? Mr. Pardon evidently took an interest as well, and there was something in his appearance that seemed to say that his sympathy would not be dangerous. He was much at his ease, plainly, beneath the roof of the Tarrants, and Olive reflected that though Verena had told her much about him, she had not given her the idea that he was as intimate as that. What she had mainly said was that he sometimes took her to the theatre. Olive could enter, to a certain extent, into that; she herself had had a phase (some time after her father's death—her mother's had preceded his—when she bought the little house in Charles Street and began to live alone), during which she accompanied gentlemen to respectable places of amusement. She was accordingly not shocked at the idea of such adventures on Verena's part; than which, indeed, judging from her own experience, nothing could well have been less adventurous. Her recollections of these expeditions were as of something solemn and edifying—of the earnest interest in her welfare exhibited by her companion (there were few occasions on which the young Bostonian appeared to more advantage), of the comfort of other friends sitting near, who were sure to know whom she was with, of serious discussion between the acts in regard to the behaviour of the characters in the piece, and of the speech at the end with which, as the young man quitted her at her door, she rewarded his civility—"I must thank you for a very pleasant evening." She always felt that she made that too prim; her lips stiffened themselves as she spoke. But the whole affair had always a primness; this was discernible even to Olive's very limited sense of humour. It was not so religious as going to evening-service at King's Chapel; but it was the next thing to it. Of course all girls didn't do it; there were families that viewed such a custom with disfavour. But this was where the girls were of the romping sort; there had to be some things they were known not to do. As a general thing, moreover, the practice was confined to the decorous; it was a sign of culture and quiet tastes. All this made it innocent for Verena, whose life had exposed her to much worse dangers; but the thing referred itself in Olive's mind to a danger which cast a perpetual shadow there—the possibility of the girl's embarking with some ingenuous youth on an expedition that would last much longer than an evening. She was haunted, in a word, with the fear that Verena would marry, a fate to which she was altogether unprepared to surrender her; and this made her look with suspicion upon all male acquaintance.

Mr. Pardon was not the only one she knew; she had an example of the rest in the persons of two young Harvard law-students, who presented themselves after tea on this same occasion. As they sat there Olive wondered whether Verena had kept something from her, whether she were, after all (like so many other girls in Cambridge), a college-"belle," an object of frequentation to undergraduates. It was natural that at the seat of a big university there should be girls like that, with students dangling after them, but she didn't want Verena to be one of them. There were some that received the Seniors and Juniors; others that were accessible to Sophomores and Freshmen. Certain young ladies distinguished the professional students; there was a group, even, that was on the best terms with the young men who were studying for the Unitarian ministry in that queer little barrack at the end of Divinity Avenue. The advent of the new visitors made Mrs. Tarrant bustle immensely; but after she had caused every one to change places two or three times with every one else the company subsided into a circle which was occasionally broken by wandering movements on the part of her husband, who, in the absence of anything to say on any subject whatever, placed himself at different points in listening attitudes, shaking his head slowly up and down, and gazing at the carpet with an air of supernatural attention. Mrs. Tarrant asked the young men from the Law School about their studies, and whether they meant to follow them up seriously; said she thought some of the laws were very unjust, and she hoped they meant to try and improve them. She had suffered by the laws herself, at the time her father died; she hadn't got half the prop'ty she should have got if they had been different. She thought they should be for public matters, not for people's private affairs; the idea always seemed to her to keep you down if you were down, and to hedge you in with difficulties. Sometimes she thought it was a wonder how she had developed in the face of so many; but it was a proof that freedom was everywhere, if you only knew how to look for it.

The two young men were in the best humour; they greeted these sallies with a merriment of which, though it was courteous in form, Olive was by no means unable to define the spirit. They talked naturally more with Verena than with her mother; and while they were so engaged Mrs. Tarrant explained to her who they were, and how one of them, the smaller, who was not quite so spruce, had brought the other, his particular friend, to introduce him. This friend, Mr. Burrage, was from New York; he was very fashionable, he went out a great deal in Boston ("I have no doubt you know some of the places," said Mrs. Tarrant); his "fam'ly" was very rich.

"Well, he knows plenty of that sort," Mrs. Tarrant went on, "but he felt unsatisfied; he didn't know any one like us. He told Mr. Gracie (that's the little one) that he felt as if he must; it seemed as if he couldn't hold out. So we told Mr. Gracie, of course, to bring him right round. Well, I hope he'll get something from us, I'm sure. He has been reported to be engaged to Miss Winkworth; I have no doubt you know who I mean. But Mr. Gracie says he hasn't looked at her more than twice. That's the way rumours fly round in that set, I presume. Well, I am glad we are not in it, wherever we are! Mr. Gracie is very different; he is intensely plain, but I believe he is very learned. You don't think him plain? Oh, you don't know? Well, I suppose you don't care, you must see so many. But I must say, when a young man looks like that, I call him painfully plain. I heard Doctor Tarrant make the remark the last time he was here. I don't say but what the plainest are the best. Well, I had no idea we were going to have a party when I asked you. I wonder whether Verena hadn't better hand the cake; we generally find the students enjoy it so much."

This office was ultimately delegated to Selah, who, after a considerable absence, reappeared with a dish of dainties, which he presented successively to each member of the company. Olive saw Verena lavish her smiles on Mr. Gracie and Mr. Burrage; the liveliest relation had established itself, and the latter gentleman in especial abounded in appreciative laughter. It might have been fancied, just from looking at the group, that Verena's vocation was to smile and talk with young men who bent towards her; might have been fancied, that is, by a person less sure of the contrary than Olive, who had reason to know that a "gifted being" is sent into the world for a very different purpose, and that making the time pass pleasantly for conceited young men is the last duty you are bound to think of if you happen to have a talent for embodying a cause. Olive tried to be glad that her friend had the richness of nature that makes a woman gracious without latent purposes; she reflected that Verena was not in the smallest degree a flirt, that she was only enchantingly and universally genial, that nature had given her a beautiful smile, which fell impartially on every one, man and woman, alike. Olive may have been right, but it shall be confided to the reader that in reality she never knew, by any sense of her own, whether Verena were a flirt or not. This young lady could not possibly have told her (even if she herself knew, which she didn't), and Olive, destitute of the quality, had no means of taking the measure in another of the subtle feminine desire to please. She could see the difference between Mr. Gracie and Mr. Burrage; her being bored by Mrs. Tarrant's attempting to point it out is perhaps a proof of that. It was a curious incident of her zeal for the regeneration of her sex that manly things were, perhaps on the whole, what she understood best. Mr. Burrage was rather a handsome youth, with a laughing, clever face, a certain sumptuosity of apparel, an air of belonging to the "fast set"—a precocious, good-natured man of the world, curious of new sensations and containing, perhaps, the making of a dilettante. Being, doubtless, a little ambitious, and liking to flatter himself that he appreciated worth in lowly forms, he had associated himself with the ruder but at the same time acuter personality of a genuine son of New England, who had a harder head than his own and a humour in reality more cynical, and who, having earlier knowledge of the Tarrants, had undertaken to show him something indigenous and curious, possibly even fascinating. Mr. Gracie was short, with a big head; he wore eye-glasses, looked unkempt, almost rustic, and said good things with his ugly lips. Verena had replies for a good many of them, and a pretty colour came into her face as she talked. Olive could see that she produced herself quite as well as one of these gentlemen had foretold the other that she would. Miss Chancellor knew what had passed between them as well as if she had heard it; Mr. Gracie had promised that he would lead her on, that she should justify his description and prove the raciest of her class. They would laugh about her as they went away, lighting their cigars, and for many days afterwards their discourse would be enlivened with quotations from the "women's rights girl."

It was amazing how many ways men had of being antipathetic; these two were very different from Basil Ransom, and different from each other, and yet the manner of each conveyed an insult to one's womanhood. The worst of the case was that Verena would be sure not to perceive this outrage—not to dislike them in consequence. There were so many things that she hadn't yet learned to dislike, in spite of her friend's earnest efforts to teach her. She had the idea vividly (that was the marvel) of the cruelty of man, of his immemorial injustice; but it remained abstract, platonic; she didn't detest him in consequence. What was the use of her having that sharp, inspired vision of the history of the sex (it was, as she had said herself, exactly like Joan of Arc's absolutely supernatural apprehension of the state of France) if she wasn't going to carry it out, if she was going to behave as the ordinary pusillanimous, conventional young lady? It was all very well for her to have said that first day that she would renounce: did she look, at such a moment as this, like a young woman who had renounced? Suppose this glittering, laughing Burrage youth, with his chains and rings and shining shoes, should fall in love with her and try to bribe her, with his great possessions, to practise renunciations of another kind—to give up her holy work and to go with him to New York, there to live as his wife, partly bullied, partly pampered, in the accustomed Burrage manner? There was as little comfort for Olive as there had been on the whole alarm in the recollection of that off-hand speech of Verena's about her preference for "free unions." This had been mere maiden flippancy; she had not known the meaning of what she said. Though she had grown up among people who took for granted all sorts of queer laxities, she had kept the consummate innocence of the American girl, that innocence which was the greatest of all, for it had survived the abolition of walls and locks; and of the various remarks that had dropped from Verena expressing this quality that startling observation certainly expressed it most. It implied, at any rate, that unions of some kind or other had her approval, and did not exclude the dangers that might arise from encounters with young men in search of sensations.

XVI

Mr. Pardon, as Olive observed, was a little out of this combination; but he was not a person to allow himself to droop. He came and seated himself by Miss Chancellor and broached a literary subject; he asked her if she were following any of the current "serials" in the magazines. On her telling him that she never followed anything of that sort, he undertook a defence of the serial system, which she presently reminded him that she had not attacked. He was not discouraged by this retort, but glided gracefully off to the question of Mount Desert; conversation on some subject or other being evidently a necessity of his nature. He talked very quickly and softly, with words, and even sentences, imperfectly formed; there was a certain amiable flatness in his tone, and he abounded in exclamations—"Goodness gracious!" and "Mercy on us!"—not much in use among the sex whose profanity is apt to be coarse. He had small, fair features, remarkably neat, and pretty eyes, and a moustache that he caressed, and an air of juvenility much at variance with his grizzled locks, and the free familiar reference in which he was apt to indulge to his career as a journalist. His friends knew that in spite of his delicacy and his prattle he was what they called a live man; his appearance was perfectly reconcilable with a large degree of literary enterprise. It should be explained that for the most part they attached to this idea the same meaning as Selah Tarrant—a state of intimacy with the newspapers, the cultivation of the great arts of publicity. For this ingenuous son of his age all distinction between the person and the artist had ceased to exist; the writer was personal, the person food for newsboys, and everything and every one were every one's business. All things, with him, referred themselves to print, and print meant simply infinite reporting, a promptitude of announcement, abusive when necessary, or even when not, about his fellow-citizens. He poured contumely on their private life, on their personal appearance, with the best conscience in the world. His faith, again, was the faith of Selah Tarrant—that being in the newspapers is a condition of bliss, and that it would be fastidious to question the terms of the privilege. He was an enfant de la balle, as the French say; he had begun his career, at the age of fourteen, by going the rounds of the hotels, to cull flowers from the big, greasy registers which lie on the marble counters; and he might flatter himself that he had contributed in his measure, and on behalf of a vigilant public opinion, the pride of a democratic State, to the great end of preventing the American citizen from attempting clandestine journeys. Since then he had ascended other steps of the same ladder; he was the most brilliant young interviewer on the Boston press. He was particularly successful in drawing out the ladies; he had condensed into shorthand many of the most celebrated women of his time—some of these daughters of fame were very voluminous—and he was supposed to have a remarkably insinuating way of waiting upon prime donne and actresses the morning after their arrival, or sometimes the very evening, while their luggage was being brought up. He was only twenty-eight years old, and, with his hoary head, was a thoroughly modern young man; he had no idea of not taking advantage of all the modern conveniences. He regarded the mission of mankind upon earth as a perpetual evolution of telegrams; everything to him was very much the same, he had no sense of proportion or quality; but the newest thing was what came nearest exciting in his mind the sentiment of respect. He was an object of extreme admiration to Selah Tarrant, who believed that he had mastered all the secrets of success, and who, when Mrs. Tarrant remarked (as she had done more than once) that it looked as if Mr. Pardon was really coming after Verena, declared that if he was, he was one of the few young men he should want to see in that connexion, one of the few he should be willing to allow to handle her. It was Tarrant's conviction that if Matthias Pardon should seek Verena in marriage, it would be with a view to producing her in public; and the advantage for the girl of having a husband who was at the same time reporter, interviewer, manager, agent, who had the command of the principal "dailies," would write her up and work her, as it were, scientifically—the attraction of all this was too obvious to be insisted on. Matthias had a mean opinion of Tarrant, thought him quite second-rate, a votary of played-out causes. It was his impression that he himself was in love with Verena, but his passion was not a jealous one, and included a remarkable disposition to share the object of his affection with the American people.

He talked some time to Olive about Mount Desert, told her that in his letters he had described the company at the different hotels. He remarked, however, that a correspondent suffered a good deal to-day from the competition of the "lady-writers"; the sort of article they produced was sometimes more acceptable to the papers. He supposed she would be glad to hear that—he knew she was so interested in woman's having a free field. They certainly made lovely correspondents; they picked up something bright before you could turn round; there wasn't much you could keep away from them; you had to be lively if you wanted to get there first. Of course, they were naturally more chatty, and that was the style of literature that seemed to take most to-day; only they didn't write much but what ladies would want to read. Of course, he knew there were millions of lady-readers, but he intimated that he didn't address himself exclusively to the gynecæum; he tried to put in something that would interest all parties. If you read a lady's letter you knew pretty well in advance what you would find. Now, what he tried for was that you shouldn't have the least idea; he always tried to have something that would make you jump. Mr. Pardon was not conceited more, at least, than is proper when youth and success go hand in hand, and it was natural he should not know in what spirit Miss Chancellor listened to him. Being aware that she was a woman of culture his desire was simply to supply her with the pabulum that she would expect. She thought him very inferior; she had heard he was intensely bright, but there was probably some mistake; there couldn't be any danger for Verena from a mind that took merely a gossip's view of great tendencies. Besides, he wasn't half educated, and it was her belief, or at least her hope, that an educative process was now going on for Verena (under her own direction) which would enable her to make such a discovery for herself. Olive had a standing quarrel with the levity, the good-nature, of the judgements of the day; many of them seemed to her weak to imbecility, losing sight of all measures and standards, lavishing superlatives, delighted to be fooled. The age seemed to her relaxed and demoralised, and I believe she looked to the influx of the great feminine element to make it feel and speak more sharply.

"Well, it's a privilege to hear you two talk together," Mrs. Tarrant said to her; "it's what I call real conversation. It isn't often we have anything so fresh; it makes me feel as if I wanted to join in. I scarcely know whom to listen to most; Verena seems to be having such a time with those gentlemen. First I catch one thing and then another; it seems as if I couldn't take it all in. Perhaps I ought to pay more attention to Mr. Burrage; I don't want him to think we are not so cordial as they are in New York."

She decided to draw nearer to the trio on the other side of the room, for she had perceived (as she devoutly hoped Miss Chancellor had not) that Verena was endeavouring to persuade either of her companions to go and talk to her dear friend, and that these unscrupulous young men, after a glance over their shoulder, appeared to plead for remission, to intimate that this was not what they had come round for. Selah wandered out of the room again with his collection of cakes, and Mr. Pardon began to talk to Olive about Verena, to say that he felt as if he couldn't say all he did feel with regard to the interest she had shown in her. Olive could not imagine why he was called upon to say or to feel anything, and she gave him short answers; while the poor young man, unconscious of his doom, remarked that he hoped she wasn't going to exercise any influence that would prevent Miss Tarrant from taking the rank that belonged to her. He thought there was too much hanging back; he wanted to see her in a front seat; he wanted to see her name in the biggest kind of bills and her portrait in the windows of the stores. She had genius, there was no doubt of that, and she would take a new line altogether. She had charm, and there was a great demand for that nowadays in connexion with new ideas. There were so many that seemed to have fallen dead for want of it. She ought to be carried straight ahead; she ought to walk right up to the top. There was a want of bold action; he didn't see what they were waiting for. He didn't suppose they were waiting till she was fifty years old; there were old ones enough in the field. He knew that Miss Chancellor appreciated the advantage of her girlhood, because Miss Verena had told him so. Her father was dreadfully slack, and the winter was ebbing away. Mr. Pardon went so far as to say that if Dr. Tarrant didn't see his way to do something, he should feel as if he should want to take hold himself. He expressed a hope at the same time that Olive had not any views that would lead her to bring her influence to bear to make Miss Verena hold back; also that she wouldn't consider that he pressed in too much. He knew that was a charge that people brought against newspaper-men—that they were rather apt to cross the line. He only worried because he thought those who were no doubt nearer to Miss Verena than he could hope to be were not sufficiently alive. He knew that she had appeared in two or three parlours since that evening at Miss Birdseye's, and he had heard of the delightful occasion at Miss Chancellor's own house, where so many of the first families had been invited to meet her. (This was an allusion to a small luncheon-party that Olive had given, when Verena discoursed to a dozen matrons and spinsters, selected by her hostess with infinite consideration and many spiritual scruples; a report of the affair, presumably from the hand of the young Matthias, who naturally had not been present, appeared with extraordinary promptness in an evening-paper.) That was very well so far as it went, but he wanted something on another scale, something so big that people would have to go round if they wanted to get past. Then lowering his voice a little, he mentioned what it was: a lecture in the Music Hall, at fifty cents a ticket, without her father, right there on her own basis. He lowered his voice still more and revealed to Miss Chancellor his innermost thought, having first assured himself that Selah was still absent and that Mrs. Tarrant was inquiring of Mr. Burrage whether he visited much on the new land. The truth was, Miss Verena wanted to "shed" her father altogether; she didn't want him pawing round her that way before she began; it didn't add in the least to the attraction. Mr. Pardon expressed the conviction that Miss Chancellor agreed with him in this, and it required a great effort of mind on Olive's part, so small was her desire to act in concert with Mr. Pardon, to admit to herself that she did. She asked him, with a certain lofty coldness—he didn't make her shy, now, a bit—whether he took a great interest in the improvement of the position of women. The question appeared to strike the young man as abrupt and irrelevant, to come down on him from a height with which he was not accustomed to hold intercourse. He was used to quick operations, however, and he had only a moment of bright blankness before replying:

"Oh, there is nothing I wouldn't do for the ladies; just give me a chance and you'll see."

Olive was silent a moment. "What I mean is—is your sympathy a sympathy with our sex, or a particular interest in Miss Tarrant?"

"Well, sympathy is just sympathy—that's all I can say. It takes in Miss Verena and it takes in all others—except the lady-correspondents," the young man added, with a jocosity which, as he perceived even at the moment, was lost on Verena's friend. He was not more successful when he went on: "It takes in even you, Miss Chancellor!"

Olive rose to her feet, hesitating; she wanted to go away, and yet she couldn't bear to leave Verena to be exploited, as she felt that she would be after her departure, that indeed she had already been, by those offensive young men. She had a strange sense, too, that her friend had neglected her for the last half-hour, had not been occupied with her, had placed a barrier between them—a barrier of broad male backs, of laughter that verged upon coarseness, of glancing smiles directed across the room, directed to Olive, which seemed rather to disconnect her with what was going forward on that side than to invite her to take part in it. If Verena recognised that Miss Chancellor was not in report, as her father said, when jocose young men ruled the scene, the discovery implied no great penetration; but the poor girl might have reflected further that to see it taken for granted that she was unadapted for such company could scarcely be more agreeable to Olive than to be dragged into it. This young lady's worst apprehensions were now justified by Mrs. Tarrant's crying to her that she must not go, as Mr. Burrage and Mr. Gracie were trying to persuade Verena to give them a little specimen of inspirational speaking, and she was sure her daughter would comply in a moment if Miss Chancellor would just tell her to compose herself. They had got to own up to it, Miss Chancellor could do more with her than any one else; but Mr. Gracie and Mr. Burrage had excited her so that she was afraid it would be rather an unsuccessful effort. The whole group had got up, and Verena came to Olive with her hands outstretched and no signs of a bad conscience in her bright face.

"I know you like me to speak so much—I'll try to say something if you want me to. But I'm afraid there are not enough people; I can't do much with a small audience."

"I wish we had brought some of our friends—they would have been delighted to come if we had given them a chance," said Mr. Burrage. "There is an immense desire throughout the University to hear you, and there is no such sympathetic audience as an audience of Harvard men. Gracie and I are only two, but Gracie is a host in himself, and I am sure he will say as much of me." The young man spoke these words freely and lightly, smiling at Verena, and even a little at Olive, with the air of one to whom a mastery of clever "chaff" was commonly attributed.

"Mr. Burrage listens even better than he talks," his companion declared. "We have the habit of attention at lectures, you know. To be lectured by you would be an advantage indeed. We are sunk in ignorance and prejudice."

"Ah, my prejudices," Burrage went on; "if you could see them—I assure you they are something monstrous!"

"Give them a regular ducking and make them gasp," Matthias Pardon cried. "If you want an opportunity to act on Harvard College, now's your chance. These gentlemen will carry the news; it will be the narrow end of the wedge."

"I can't tell what you like," Verena said, still looking into Olive's eyes.

"I'm sure Miss Chancellor likes everything here," Mrs. Tarrant remarked, with a noble confidence.

Selah had reappeared by this time; his lofty, contemplative person was framed by the doorway. "Want to try a little inspiration?" he inquired, looking round on the circle with an encouraging inflexion.

"I'll do it alone, if you prefer," Verena said soothingly to her friend. "It might be a good chance to try without father."

"You don't mean to say you ain't going to be supported?" Mrs. Tarrant exclaimed, with dismay.

"Ah, I beseech you, give us the whole programme—don't omit any leading feature!" Mr. Burrage was heard to plead.

"My only interest is to draw her out," said Selah, defending his integrity. "I will drop right out if I don't seem to vitalise. I have no desire to draw attention to my own poor gifts." This declaration appeared to be addressed to Miss Chancellor.

"Well, there will be more inspiration if you don't touch her," Matthias Pardon said to him. "It will seem to come right down from—well, wherever it does come from."

"Yes, we don't pretend to say that," Mrs. Tarrant murmured.

This little discussion had brought the blood to Olive's face; she felt that every one present was looking at her—Verena most of all—and that here was a chance to take a more complete possession of the girl. Such chances were agitating; moreover, she didn't like, on any occasion, to be so prominent. But everything that had been said was benighted and vulgar; the place seemed thick with the very atmosphere out of which she wished to lift Verena. They were treating her as a show, as a social resource, and the two young men from the College were laughing at her shamelessly. She was not meant for that, and Olive would save her. Verena was so simple, she couldn't see herself; she was the only pure spirit in the odious group.

"I want you to address audiences that are worth addressing—to convince people who are serious and sincere." Olive herself, as she spoke, heard the great shake in her voice. "Your mission is not to exhibit yourself as a pastime for individuals, but to touch the heart of communities, of nations."

"Dear madam, I'm sure Miss Tarrant will touch my heart!" Mr. Burrage objected, gallantly.

"Well, I don't know but she judges you young men fairly," said Mrs. Tarrant, with a sigh.

Verena, diverted a moment from her communion with her friend, considered Mr. Burrage with a smile. "I don't believe you have got any heart, and I shouldn't care much if you had!"

"You have no idea how much the way you say that increases my desire to hear you speak."

"Do as you please, my dear," said Olive, almost inaudibly. "My carriage must be there—I must leave you, in any case."

"I can see you don't want it," said Verena, wondering. "You would stay if you liked it, wouldn't you?"

"I don't know what I should do. Come out with me!" Olive spoke almost with fierceness.

"Well, you'll send them away no better than they came," said Matthias Pardon.

"I guess you had better come round some other night," Selah suggested pacifically, but with a significance which fell upon Olive's ear.

Mr. Gracie seemed inclined to make the sturdiest protest. "Look here, Miss Tarrant; do you want to save Harvard College, or do you not?" he demanded, with a humorous frown.

"I didn't know you were Harvard College!" Verena returned as humorously.

"I am afraid you are rather disappointed in your evening if you expected to obtain some insight into our ideas," said Mrs. Tarrant, with an air of impotent sympathy, to Mr. Gracie.

"Well, good-night, Miss Chancellor," she went on; "I hope you've got a warm wrap. I suppose you'll think we go a good deal by what you say in this house. Well, most people don't object to that. There's a little hole right there in the porch; it seems as if Doctor Tarrant couldn't remember to go for the man to fix it. I am afraid you'll think we're too much taken up with all these new hopes. Well, we have enjoyed seeing you in our home; it quite raises my appetite for social intercourse. Did you come out on wheels? I can't stand a sleigh myself; it makes me sick."

This was her hostess's response to Miss Chancellor's very summary farewell, uttered as the three ladies proceeded together to the door of the house. Olive had got herself out of the little parlour with a sort of blind, defiant dash; she had taken no perceptible leave of the rest of the company. When she was calm she had very good manners, but when she was agitated she was guilty of lapses, every one of which came back to her, magnified, in the watches of the night. Sometimes they excited remorse, and sometimes triumph; in the latter case she felt that she could not have been so justly vindictive in cold blood. Tarrant wished to guide her down the steps, out of the little yard, to her carriage; he reminded her that they had had ashes sprinkled on the planks on purpose. But she begged him to let her alone, she almost pushed him back; she drew Verena out into the dark freshness, closing the door of the house behind her. There was a splendid sky, all blue-black and silver—a sparkling wintry vault, where the stars were like a myriad points of ice. The air was silent and sharp, and the vague snow looked cruel. Olive knew now very definitely what the promise was that she wanted Verena to make; but it was too cold, she could keep her there bareheaded but an instant. Mrs. Tarrant, meanwhile, in the parlour, remarked that it seemed as if she couldn't trust Verena with her own parents; and Selah intimated that, with a proper invitation, his daughter would be very happy to address Harvard College at large. Mr. Burrage and Mr. Gracie said they would invite her on the spot, in the name of the University; and Matthias Pardon reflected (and asserted) with glee that this would be the newest thing yet. But he added that they would have a high time with Miss Chancellor first, and this was evidently the conviction of the company.

"I can see you are angry at something," Verena said to Olive, as the two stood there in the starlight. "I hope it isn't me. What have I done?"

"I am not angry—I am anxious. I am so afraid I shall lose you. Verena, don't fail me—don't fail me!" Olive spoke low, with a kind of passion.

"Fail you? How can I fail?"

"You can't, of course you can't. Your star is above you. But don't listen to them."

"To whom do you mean, Olive? To my parents?"

"Oh no, not your parents," Miss Chancellor replied, with some sharpness. She paused a moment, and then she said: "I don't care for your parents. I have told you that before; but now that I have seen them—as they wished, as you wished, and I didn't—I don't care for them; I must repeat it, Verena. I should be dishonest if I let you think I did."

"Why, Olive Chancellor!" Verena murmured, as if she were trying, in spite of the sadness produced by this declaration, to do justice to her friend's impartiality.

"Yes, I am hard; perhaps I am cruel; but we must be hard if we wish to triumph. Don't listen to young men when they try to mock and muddle you. They don't care for you; they don't care for us. They care only for their pleasure, for what they believe to be the right of the stronger. The stronger? I am not so sure!"

"Some of them care so much—are supposed to care too much—for us," Verena said, with a smile that looked dim in the darkness.

"Yes, if we will give up everything. I have asked you before—are you prepared to give up?"

"Do you mean, to give you up?"

"No, all our wretched sisters—all our hopes and purposes—all that we think Sacred and worth living for!"

"Oh, they don't want that, Olive." Verena's smile became more distinct, and she added: "They don't want so much as that!"

"Well, then, go in and speak for them—and sing for them—and dance for them!"

"Olive, you are cruel!"

"Yes, I am. But promise me one thing, and I shall be—oh, so tender!"

"What a strange place for promises," said Verena, with a shiver, looking about her into the night.

"Yes, I am dreadful; I know it. But promise." And Olive drew the girl nearer to her, flinging over her with one hand the fold of a cloak that hung ample upon her own meagre person, and holding her there with the other, while she looked at her, suppliant but half hesitating. "Promise!" she repeated.

"Is it something terrible?"

"Never to listen to one of them, never to be bribed——"

At this moment the house-door was opened again, and the light of the hall projected itself across the little piazza. Matthias Pardon stood in the aperture, and Tarrant and his wife, with the two other visitors, appeared to have come forward as well, to see what detained Verena.

"You seem to have started a kind of lecture out here," Mr. Pardon said. "You ladies had better look out, or you'll freeze together!"

Verena was reminded by her mother that she would catch her death, but she had already heard sharply, low as they were spoken, five last words from Olive, who now abruptly released her and passed swiftly over the path from the porch to her waiting carriage. Tarrant creaked along, in pursuit, to assist Miss Chancellor; the others drew Verena into the house. "Promise me not to marry!"—that was what echoed in her startled mind, and repeated itself there when Mr. Burrage returned to the charge, asking her if she wouldn't at least appoint some evening when they might listen to her. She knew that Olive's injunction ought not to have surprised her; she had already felt it in the air; she would have said at any time, if she had been asked, that she didn't suppose Miss Chancellor would want her to marry. But the idea, uttered as her friend had uttered it, had a new solemnity, and the effect of that quick, violent colloquy was to make her nervous and impatient, as if she had had a sudden glimpse of futurity. That was rather awful, even if it represented the fate one would like.

When the two young men from the College pressed their petition, she asked, with a laugh that surprised them, whether they wished to "mock and muddle" her. They went away, assenting to Mrs. Tarrant's last remark: "I am afraid you'll feel that you don't quite understand us yet." Matthias Pardon remained; her father and mother, expressing their perfect confidence that he would excuse them, went to bed and left him sitting there. He stayed a good while longer, nearly an hour, and said things that made Verena think that he, perhaps, would like to marry her. But while she listened to him, more abstractedly than her custom was, she remarked to herself that there could be no difficulty in promising Olive so far as he was concerned. He was very pleasant, and he knew an immense deal about everything, or, rather, about every one, and he would take her right into the midst of life. But she didn't wish to marry him, all the same, and after he had gone she reflected that, once she came to think of it, she didn't want to marry any one. So it would be easy, after all, to make Olive that promise, and it would give her so much pleasure!

XVII

The next time Verena saw Olive she said to her that she was ready to make the promise she had asked the other night; but, to her great surprise, this young woman answered her by a question intended to check such rashness. Miss Chancellor raised a warning finger; she had an air of dissuasion almost as solemn as her former pressure; her passionate impatience appeared to have given way to other considerations, to be replaced by the resignation that comes with deeper reflexion. It was tinged in this case, indeed, by such bitterness as might be permitted to a young lady who cultivated the brightness of a great faith.

"Don't you want any promise at present?" Verena asked. "Why, Olive, how you change!"

"My dear child, you are so young—so strangely young. I am a thousand years old; I have lived through generations—through centuries. I know what I know by experience; you know it by imagination. That is consistent with your being the fresh, bright creature that you are. I am constantly forgetting the difference between us—that you are a mere child as yet, though a child destined for great things. I forgot it the other night, but I have remembered it since. You must pass through a certain phase, and it would be very wrong in me to pretend to suppress it. That is all clear to me now; I see it was my jealousy that spoke—my restless, hungry jealousy. I have far too much of that; I oughtn't to give any one the right to say that it's a woman's quality. I don't want your signature; I only want your confidence—only what springs from that. I hope with all my soul that you won't marry; but if you don't it must not be because you have promised me. You know what I think—that there is something noble done when one makes a sacrifice for a great good. Priests—when they were real priests—never married, and what you and I dream of doing demands of us a kind of priesthood. It seems to me very poor, when friendship and faith and charity and the most interesting occupation in the world—when such a combination as this doesn't seem, by itself, enough to live for. No man that I have ever seen cares a straw in his heart for what we are trying to accomplish. They hate it; they scorn it; they will try to stamp it out whenever they can. Oh yes, I know there are men who pretend to care for it; but they are not really men, and I wouldn't be sure even of them! Any man that one would look at—with him, as a matter of course, it is war upon us to the knife. I don't mean to say there are not some male beings who are willing to patronise us a little; to pat us on the back and recommend a few moderate concessions; to say that there are two or three little points in which society has not been quite just to us. But any man who pretends to accept our programme in toto, as you and I understand it, of his own free will, before he is forced to—such a person simply schemes to betray us. There are gentlemen in plenty who would be glad to stop your mouth by kissing you! If you become dangerous some day to their selfishness, to their vested interests, to their immorality—as I pray heaven every day, my dear friend, that you may!—it will be a grand thing for one of them if he can persuade you that he loves you. Then you will see what he will do with you, and how far his love will take him! It would be a sad day for you and for me and for all of us if you were to believe something of that kind. You see I am very calm now; I have thought it all out."

Verena had listened with earnest eyes. "Why, Olive, you are quite a speaker yourself!" she exclaimed. "You would far surpass me if you would let yourself go."

Miss Chancellor shook her head with a melancholy that was not devoid of sweetness. "I can speak to you; but that is no proof. The very stones of the street—all the dumb things of nature—might find a voice to talk to you. I have no facility; I am awkward and embarrassed and dry." When this young lady, after a struggle with the winds and waves of emotion, emerged into the quiet stream of a certain high reasonableness, she presented her most graceful aspect; she had a tone of softness and sympathy, a gentle dignity, a serenity of wisdom, which sealed the appreciation of those who knew her well enough to like her, and which always impressed Verena as something almost august. Such moods, however, were not often revealed to the public at large; they belonged to Miss Chancellor's very private life. One of them had possession of her at present, and she went on to explain the inconsequence which had puzzled her friend with the same quiet clearness, the detachment from error, of a woman whose self-scrutiny has been as sharp as her deflexion.

"Don't think me capricious if I say I would rather trust you without a pledge. I owe you, I owe every one, an apology for my rudeness and fierceness at your mother's. It came over me—just seeing those young men—how exposed you are; and the idea made me (for the moment) frantic. I see your danger still, but I see other things too, and I have recovered my balance. You must be safe, Verena—you must be saved; but your safety must not come from your having tied your hands. It must come from the growth of your perception; from your seeing things, of yourself, sincerely and with conviction, in the light in which I see them; from your feeling that for your work your freedom is essential, and that there is no freedom for you and me save in religiously not doing what you will often be asked to do—and I never!" Miss Chancellor brought out these last words with a proud jerk which was not without its pathos. "Don't promise, don't promise!" she went on. "I would far rather you didn't. But don't fail me—don't fail me, or I shall die!"

Her manner of repairing her inconsistency was altogether feminine: she wished to extract a certainty at the same time that she wished to deprecate a pledge, and she would have been delighted to put Verena into the enjoyment of that freedom which was so important for her by preventing her exercising it in a particular direction. The girl was now completely under her influence; she had latent curiosities and distractions—left to herself, she was not always thinking of the unhappiness of women; but the touch of Olive's tone worked a spell, and she found something to which at least a portion of her nature turned with eagerness in her companion's wider knowledge, her elevation of view. Miss Chancellor was historic and philosophic; or, at any rate, she appeared so to Verena, who felt that through such an association one might at last intellectually command all life. And there was a simpler impulse; Verena wished to please her if only because she had such a dread of displeasing her. Olive's displeasures, disappointments, disapprovals were tragic, truly memorable; she grew white under them, not shedding many tears, as a general thing, like inferior women (she cried when she was angry, not when she was hurt), but limping and panting, morally, as if she had received a wound that she would carry for life. On the other hand, her commendations, her satisfactions were as soft as a west wind; and she had this sign, the rarest of all, of generosity, that she liked obligations of gratitude when they were not laid upon her by men. Then, indeed, she scarcely recognised them. She considered men in general as so much in the debt of the opposite sex that any individual woman had an unlimited credit with them; she could not possibly overdraw the general feminine account. The unexpected temperance of her speech on this subject of Verena's accessibility to matrimonial error seemed to the girl to have an antique beauty, a wisdom purged of worldly elements; it reminded her of qualities that she believed to have been proper to Electra or Antigone. This made her wish the more to do something that would gratify Olive; and in spite of her friend's dissuasion she declared that she should like to promise. "I will promise, at any rate, not to marry any of those gentlemen that were at the house," she said. "Those seemed to be the ones you were principally afraid of."

"You will promise not to marry any one you don't like," said Olive. "That would be a great comfort!"

"But I do like Mr. Burrage and Mr. Gracie."

"And Mr. Matthias Pardon? What a name!"

"Well, he knows how to make himself agreeable. He can tell you everything you want to know."

"You mean everything you don't! Well, if you like every one, I haven't the least objection. It would only be preferences that I should find alarming. I am not the least afraid of your marrying a repulsive man; your danger would come from an attractive one."

"I'm glad to hear you admit that some are attractive!" Verena exclaimed, with the light laugh which her reverence for Miss Chancellor had not yet quenched. "It sometimes seems as if there weren't any you could like!"

"I can imagine a man I should like very much," Olive replied, after a moment. "But I don't like those I see. They seem to me poor creatures." And, indeed, her uppermost feeling in regard to them was a kind of cold scorn; she thought most of them palterers and bullies. The end of the colloquy was that Verena, having assented, with her usual docility, to her companion's optimistic contention that it was a "phase," this taste for evening-calls from collegians and newspaper-men, and would consequently pass away with the growth of her mind, remarked that the injustice of men might be an accident or might be a part of their nature, but at any rate she should have to change a good deal before she should want to marry.

About the middle of December Miss Chancellor received a visit from Matthias Pardon, who had come to ask her what she meant to do about Verena. She had never invited him to call upon her, and the appearance of a gentleman whose desire to see her was so irrepressible as to dispense with such a preliminary was not in her career an accident frequent enough to have taught her equanimity. She thought Mr. Pardon's visit a liberty; but, if she expected to convey this idea to him by withholding any suggestion that he should sit down, she was greatly mistaken, inasmuch as he cut the ground from under her feet by himself offering her a chair. His manner represented hospitality enough for both of them, and she was obliged to listen, on the edge of her sofa (she could at least seat herself where she liked), to his extraordinary inquiry. Of course she was not obliged to answer it, and indeed she scarcely understood it. He explained that it was prompted by the intense interest he felt in Miss Verena; but that scarcely made it more comprehensible, such a sentiment (on his part) being such a curious mixture. He had a sort of enamel of good humour which showed that his indelicacy was his profession; and he asked for revelations of the vie intime of his victims with the bland confidence of a fashionable physician inquiring about symptoms. He wanted to know what Miss Chancellor meant to do, because if she didn't mean to do anything, he had an idea—which he wouldn't conceal from her—of going into the enterprise himself. "You see, what I should like to know is this: do you consider that she belongs to you, or that she belongs to the people? If she belongs to you, why don't you bring her out?"

He had no purpose and no consciousness of being impertinent; he only wished to talk over the matter sociably with Miss Chancellor. He knew, of course, that there was a presumption she would not be sociable, but no presumption had yet deterred him from presenting a surface which he believed to be polished till it shone; there was always a larger one in favour of his power to penetrate and of the majesty of the "great dailies." Indeed, he took so many things for granted that Olive remained dumb while she regarded them; and he availed himself of what he considered as a fortunate opening to be really very frank. He reminded her that he had known Miss Verena a good deal longer than she; he had travelled out to Cambridge the other winter (when he could get an off-night), with the thermometer at ten below zero. He had always thought her attractive, but it wasn't till this season that his eyes had been fully opened. Her talent had matured, and now he had no hesitation in calling her brilliant. Miss Chancellor could imagine whether, as an old friend, he could watch such a beautiful unfolding with indifference. She would fascinate the people, just as she had fascinated her (Miss Chancellor), and, he might be permitted to add, himself. The fact was, she was a great card, and some one ought to play it. There never had been a more attractive female speaker before the American public; she would walk right past Mrs. Farrinder, and Mrs. Farrinder knew it. There was room for both, no doubt, they had such a different style; anyhow, what he wanted to show was that there was room for Miss Verena. She didn't want any more tuning-up, she wanted to break right out. Moreover, he felt that any gentleman who should lead her to success would win her esteem; he might even attract her more powerfully—who could tell? If Miss Chancellor wanted to attach her permanently, she ought to push her right forward. He gathered from what Miss Verena had told him that she wanted to make her study up the subject a while longer—follow some kind of course. Well, now, he could assure her that there was no preparation so good as just seeing a couple of thousand people down there before you who have paid their money to have you tell them something. Miss Verena was a natural genius, and he hoped very much she wasn't going to take the nature out of her. She could study up as she went along; she had got the great thing that you couldn't learn, a kind of divine afflatus, as the ancients used to say, and she had better just begin on that. He wouldn't deny what was the matter with him; he was quite under the spell, and his admiration made him want to see her where she belonged. He shouldn't care so much how she got there, but it would certainly add to his pleasure if he could show her up to her place. Therefore, would Miss Chancellor just tell him this: How long did she expect to hold her back; how long did she expect a humble admirer to wait? Of course he hadn't come there to cross-question her; there was one thing he trusted he always kept clear of; when he was indiscreet he wanted to know it. He had come with a proposal of his own, and he hoped it would seem a sufficient warrant for his visit. Would Miss Chancellor be willing to divide a—the—well, he might call it the responsibilities? Couldn't they run Miss Verena together? In this case every one would be satisfied. She could travel round with her as her companion, and he would see that the American people walked up. If Miss Chancellor would just let her go a little, he would look after the rest. He wanted no odds; he only wanted her for about an hour and a half three or four evenings a week.

Olive had time, in the course of this appeal, to make her faculties converge, to ask herself what she could say to this prodigious young man that would make him feel as how base a thing she held his proposal that they should constitute themselves into a company for drawing profit from Verena. Unfortunately, the most sarcastic inquiry that could occur to her as a response was also the most obvious one, so that he hesitated but a moment with his rejoinder after she had asked him how many thousands of dollars he expected to make.

"For Miss Verena? It depends upon the time. She'd run for ten years, at least. I can't figure it up till all the States have been heard from," he said, smiling.

"I don't mean for Miss Tarrant, I mean for you," Olive returned, with the impression that she was looking him straight in the eye.

"Oh, as many as you'll leave me!" Matthias Pardon answered, with a laugh that contained all, and more than all, the jocularity of the American press. "To speak seriously," he added, "I don't want to make money out of it."

"What do you want to make then?"

"Well, I want to make history! I want to help the ladies."

"The ladies?" Olive murmured. "What do you know about ladies?" she was on the point of adding, when his promptness checked her.

"All over the world. I want to work for their emancipation. I regard it as the great modern question."

Miss Chancellor got up now; this was rather too strong. Whether, eventually, she was successful in what she attempted, the reader of her history will judge; but at this moment she had not that promise of success which resides in a willingness to make use of every aid that offers. Such is the penalty of being of a fastidious, exclusive, uncompromising nature; of seeing things not simply and sharply, but in perverse relations, in intertwisted strands. It seemed to our young lady that nothing could be less attractive than to owe her emancipation to such a one as Matthias Pardon; and it is curious that those qualities which he had in common with Verena, and which in her seemed to Olive romantic and touching—her having sprung from the "people," had an acquaintance with poverty, a hand-to-mouth development, and an experience of the seamy side of life—availed in no degree to conciliate Miss Chancellor. I suppose it was because he was a man. She told him that she was much obliged to him for his offer, but that he evidently didn't understand Verena and herself. No, not even Miss Tarrant, in spite of his long acquaintance with her. They had no desire to be notorious; they only wanted to be useful. They had no wish to make money; there would always be plenty of money for Miss Tarrant. Certainly, she should come before the public, and the world would acclaim her and hang upon her words; but crude, precipitate action was what both of them least desired. The change in the dreadful position of women was not a question for to-day simply, or for to-morrow, but for many years to come; and there would be a great deal to think of, to map out. One thing they were determined upon—that men shouldn't taunt them with being superficial. When Verena should appear it would be armed at all points, like Joan of Arc (this analogy had lodged itself in Olive's imagination); she should have facts and figures; she should meet men on their own ground. "What we mean to do, we mean to do well," Miss Chancellor said to her visitor, with considerable sternness; leaving him to make such an application to himself as his fancy might suggest.

This announcement had little comfort for him; he felt baffled and disheartened—indeed, quite sick. Was it not sickening to hear her talk of this dreary process of preparation?—as if any one cared about that, and would know whether Verena were prepared or not! Had Miss Chancellor no faith in her girlhood? didn't she know what a card that would be? This was the last inquiry Olive allowed him the opportunity of making. She remarked to him that they might talk for ever without coming to an agreement—their points of view were so far apart. Besides, it was a woman's question; what they wanted was for women, and it should be by women. It had happened to the young Matthias more than once to be shown the way to the door, but the path of retreat had never yet seemed to him so unpleasant. He was naturally amiable, but it had not hitherto befallen him to be made to feel that he was not—and could not be—a factor in contemporary history: here was a rapacious woman who proposed to keep that favourable setting for herself. He let her know that she was right-down selfish, and that if she chose to sacrifice a beautiful nature to her antediluvian theories and love of power, a vigilant daily press—whose business it was to expose wrong-doing—would demand an account from her. She replied that, if the newspapers chose to insult her, that was their own affair; one outrage the more to the sex in her person was of little account. And after he had left her she seemed to see the glow of dawning success; the battle had begun, and something of the ecstasy of the martyr.

XVIII

Verena told her, a week after this, that Mr. Pardon wanted so much she should say she would marry him; and she added, with evident pleasure at being able to give her so agreeable a piece of news, that she had declined to say anything of the sort. She thought that now, at least, Olive must believe in her; for the proposal was more attractive than Miss Chancellor seemed able to understand. "He does place things in a very seductive light," Verena said; "he says that if I become his wife I shall be carried straight along by a force of excitement of which at present I have no idea. I shall wake up famous, if I marry him; I have only got to give out my feelings, and he will take care of the rest. He says every hour of my youth is precious to me, and that we should have a lovely time travelling round the country. I think you ought to allow that all that is rather dazzling—for I am not naturally concentrated, like you!"

"He promises you success. What do you call success?" Olive inquired, looking at her friend with a kind of salutary coldness—a suspension of sympathy—with which Verena was now familiar (though she liked it no better than at first), and which made approbation more gracious when approbation came.

Verena reflected a moment, and then answered, smiling, but with confidence: "Producing a pressure that shall be irresistible. Causing certain laws to be repealed by Congress and by the State legislatures, and others to be enacted." She repeated the words as if they had been part of a catechism committed to memory, while Olive saw that this mechanical tone was in the nature of a joke that she could not deny herself; they had had that definition so often before, and Miss Chancellor had had occasion so often to remind her what success really was. Of course it was easy to prove to her now that Mr. Pardon's glittering bait was a very different thing; was a mere trap and lure, a bribe to vanity and impatience, a device for making her give herself away—let alone fill his pockets while she did so. Olive was conscious enough of the girl's want of continuity; she had seen before how she could be passionately serious at times, and then perversely, even if innocently, trivial—as just now, when she seemed to wish to convert one of their most sacred formulas into a pleasantry. She had already quite recognised, however, that it was not of importance that Verena should be just like herself; she was all of one piece, and Verena was of many pieces, which had, where they fitted together, little capricious chinks, through which mocking inner lights seemed sometimes to gleam. It was a part of Verena's being unlike her that she should feel Mr. Pardon's promise of eternal excitement to be a brilliant thing, should indeed consider Mr. Pardon with any tolerance at all. But Olive tried afresh to allow for such aberrations, as a phase of youth and suburban culture; the more so that, even when she tried most, Verena reproached her—so far as Verena's incurable softness could reproach—with not allowing enough. Olive didn't appear to understand that, while Matthias Pardon drew that picture and tried to hold her hand (this image was unfortunate), she had given one long, fixed, wistful look, through the door he opened, at the bright tumult of the world, and then had turned away, solely for her friend's sake, to an austerer probation and a purer effort; solely for her friend's, that is, and that of the whole enslaved sisterhood. The fact remained, at any rate, that Verena had made a sacrifice; and this thought, after a while, gave Olive a greater sense of security. It seemed almost to seal the future; for Olive knew that the young interviewer would not easily be shaken off, and yet she was sure that Verena would never yield to him.

It was true that at present Mr. Burrage came a great deal to the little house at Cambridge; Verena told her about that, told her so much that it was almost as good as if she had told her all. He came without Mr. Gracie now; he could find his way alone, and he seemed to wish that there should be no one else. He had made himself so pleasant to her mother that she almost always went out of the room; that was the highest proof Mrs. Tarrant could give of her appreciation of a "gentleman-caller." They knew everything about him by this time; that his father was dead, his mother very fashionable and prominent, and he himself in possession of a handsome patrimony. They thought ever so much of him in New York. He collected beautiful things, pictures and antiques and objects that he sent for to Europe on purpose, many of which were arranged in his rooms at Cambridge. He had intaglios and Spanish altar-cloths and drawings by the old masters. He was different from most others; he seemed to want so much to enjoy life, and to think you easily could if you would only let yourself go. Of course—judging by what he had—he appeared to think you required a great many things to keep you up. And then Verena told Olive—she could see it was after a little delay—that he wanted her to come round to his place and see his treasures. He wanted to show them to her, he was so sure she would admire them. Verena was sure also, but she wouldn't go alone, and she wanted Olive to go with her. They would have tea, and there would be other ladies, and Olive would tell her what she thought of a life that was so crowded with beauty. Miss Chancellor made her reflexions on all this, and the first of them was that it was happy for her that she had determined for the present to accept these accidents, for otherwise might she not now have had a deeper alarm? She wished to heaven that conceited young men with time on their hands would leave Verena alone; but evidently they wouldn't, and her best safety was in seeing as many as should turn up. If the type should become frequent, she would very soon judge it. If Olive had not been so grim, she would have had a smile to spare for the frankness with which the girl herself adopted this theory. She was eager to explain that Mr. Burrage didn't seem at all to want what poor Mr. Pardon had wanted; he made her talk about her views far more than that gentleman, but gave no sign of offering himself either as a husband or as a lecture-agent. The furthest he had gone as yet was to tell her that he liked her for the same reason that he liked old enamels and old embroideries; and when she said that she didn't see how she resembled such things, he had replied that it was because she was so peculiar and so delicate. She might be peculiar, but she had protested against the idea that she was delicate; it was the last thing that she wanted to be thought; and Olive could see from this how far she was from falling in with everything he said. When Miss Chancellor asked if she respected Mr. Burrage (and how solemn Olive could make that word she by this time knew), she answered, with her sweet, vain laugh, but apparently with perfect good faith, that it didn't matter whether she did or not, for what was the whole thing but simply a phase—the very one they had talked about? The sooner she got through it the better, was it not?—and she seemed to think that her transit would be materially quickened by a visit to Mr. Burrage's rooms. As I say, Verena was pleased to regard the phase as quite inevitable, and she had said more than once to Olive that if their struggle was to be with men, the more they knew about them the better. Miss Chancellor asked her why her mother should not go with her to see the curiosities, since she mentioned that their possessor had not neglected to invite Mrs. Tarrant; and Verena said that this, of course, would be very simple—only her mother wouldn't be able to tell her so well as Olive whether she ought to respect Mr. Burrage. This decision as to whether Mr. Burrage should be respected assumed in the life of these two remarkable young women, pitched in so high a moral key, the proportions of a momentous event. Olive shrank at first from facing it—not, indeed, the decision—for we know that her own mind had long since been made up in regard to the quantity of esteem due to almost any member of the other sex—but the incident itself, which, if Mr. Burrage should exasperate her further, might expose her to the danger of appearing to Verena to be unfair to him. It was her belief that he was playing a deeper game than the young Matthias, and she was very willing to watch him; but she thought it prudent not to attempt to cut short the phase (she adopted that classification) prematurely—an imputation she should incur if, without more delay, she were to "shut down," as Verena said, on the young connoisseur.

It was settled, therefore, that Mrs. Tarrant should, with her daughter, accept Mr. Burrage's invitation; and in a few days these ladies paid a visit to his apartments. Verena subsequently, of course, had much to say about it, but she dilated even more upon her mother's impressions than upon her own. Mrs. Tarrant had carried away a supply which would last her all winter; there had been some New York ladies present who were "on" at that moment, and with whom her intercourse was rich in emotions. She had told them all that she should be happy to see them in her home, but they had not yet picked their way along the little planks of the front yard. Mr. Burrage, at all events, had been quite lovely, and had talked about his collections, which were wonderful, in the most interesting manner. Verena inclined to think he was to be respected. He admitted that he was not really studying law at all; he had only come to Cambridge for the form; but she didn't see why it wasn't enough when you made yourself as pleasant as that. She went so far as to ask Olive whether taste and art were not something, and her friend could see that she was certainly very much involved in the phase. Miss Chancellor, of course, had her answer ready. Taste and art were good when they enlarged the mind, not when they narrowed it. Verena assented to this, and said it remained to be seen what effect they had had upon Mr. Burrage—a remark which led Olive to fear that at such a rate much would remain, especially when Verena told her, later, that another visit to the young man's rooms was projected, and that this time she must come, he having expressed the greatest desire for the honour, and her own wish being greater still that they should look at some of his beautiful things together.

A day or two after this, Mr. Henry Burrage left a card at Miss Chancellor's door, with a note in which he expressed the hope that she would take tea with him on a certain day on which he expected the company of his mother. Olive responded to this invitation, in conjunction with Verena; but in doing so she was in the position, singular for her, of not quite understanding what she was about. It seemed to her strange that Verena should urge her to take such a step when she was free to go without her, and it proved two things: first, that she was much interested in Mr. Henry Burrage, and second, that her nature was extraordinarily beautiful. Could anything, in effect, be less underhand than such an indifference to what she supposed to be the best opportunities for carrying on a flirtation? Verena wanted to know the truth, and it was clear that by this time she believed Olive Chancellor to have it, for the most part, in her keeping. Her insistence, therefore, proved, above all, that she cared more for her friend's opinion of Henry Burrage than for her own—a reminder, certainly, of the responsibility that Olive had incurred in undertaking to form this generous young mind, and of the exalted place that she now occupied in it. Such revelations ought to have been satisfactory; if they failed to be completely so, it was only on account of the elder girl's regret that the subject as to which her judgement was wanted should be a young man destitute of the worst vices. Henry Burrage had contributed to throw Miss Chancellor into a "state," as these young ladies called it, the night she met him at Mrs. Tarrant's; but it had none the less been conveyed to Olive by the voices of the air that he was a gentleman and a good fellow.

This was painfully obvious when the visit to his rooms took place; he was so good-humoured, so amusing, so friendly and considerate, so attentive to Miss Chancellor, he did the honours of his bachelor-nest with so easy a grace, that Olive, part of the time, sat dumbly shaking her conscience, like a watch that wouldn't go, to make it tell her some better reason why she shouldn't like him. She saw that there would be no difficulty in disliking his mother; but that, unfortunately, would not serve her purpose nearly so well. Mrs. Burrage had come to spend a few days near her son; she was staying at an hotel in Boston. It presented itself to Olive that after this entertainment it would be an act of courtesy to call upon her; but here, at least, was the comfort that she could cover herself with the general absolution extended to the Boston temperament and leave her alone. It was slightly provoking, indeed, that Mrs. Burrage should have so much the air of a New Yorker who didn't particularly notice whether a Bostonian called or not; but there is ever an imperfection, I suppose, in even the sweetest revenge. She was a woman of society, large and voluminous, fair (in complexion) and regularly ugly, looking as if she ought to be slow and rather heavy, but disappointing this expectation by a quick, amused utterance, a short, bright, summary laugh, with which she appeared to dispose of the joke (whatever it was) for ever, and an air of recognising on the instant everything she saw and heard. She was evidently accustomed to talk, and even to listen, if not kept waiting too long for details and parentheses; she was not continuous, but frequent, as it were, and you could see that she hated explanations, though it was not to be supposed that she had anything to fear from them. Her favours were general, not particular; she was civil enough to every one, but not in any case endearing, and perfectly genial without being confiding, as people were in Boston when (in moments of exaltation) they wished to mark that they were not suspicious. There was something in her whole manner which seemed to say to Olive that she belonged to a larger world than hers; and our young lady was vexed at not hearing that she had lived for a good many years in Europe, as this would have made it easy to classify her as one of the corrupt. She learned, almost with a sense of injury, that neither the mother nor the son had been longer beyond the seas than she herself; and if they were to be judged as triflers they must be dealt with individually. Was it an aid to such a judgement to see that Mrs. Burrage was very much pleased with Boston, with Harvard College, with her son's interior, with her cup of tea (it was old Sèvres), which was not half so bad as she had expected, with the company he had asked to meet her (there were three or four gentlemen, one of whom was Mr. Gracie), and, last, not least, with Verena Tarrant, whom she addressed as a celebrity, kindly, cleverly, but without maternal tenderness or anything to mark the difference in their age? She spoke to her as if they were equals in that respect, as if Verena's genius and fame would make up the disparity, and the girl had no need of encouragement and patronage. She made no direct allusion, however, to her particular views, and asked her no question about her "gift"—an omission which Verena thought strange, and, with the most speculative candour, spoke of to Olive afterwards. Mrs. Burrage seemed to imply that every one present had some distinction and some talent, that they were all good company together. There was nothing in her manner to indicate that she was afraid of Verena on her son's account; she didn't resemble a person who would like him to marry the daughter of a mesmeric healer, and yet she appeared to think it charming that he should have such a young woman there to give gusto to her hour at Cambridge. Poor Olive was, in the nature of things, entangled in contradictions; she had a horror of the idea of Verena's marrying Mr. Burrage, and yet she was angry when his mother demeaned herself as if the little girl with red hair, whose freshness she enjoyed, could not be a serious danger. She saw all this through the blur of her shyness, the conscious, anxious silence to which she was so much of the time condemned. It may therefore be imagined how sharp her vision would have been could she only have taken the situation more simply; for she was intelligent enough not to have needed to be morbid, even for purposes of self-defence.

I must add, however, that there was a moment when she came near being happy—or, at any rate, reflected that it was a pity she could not be so. Mrs. Burrage asked her son to play "some little thing," and he sat down to his piano and revealed a talent that might well have gratified that lady's pride. Olive was extremely susceptible to music, and it was impossible to her not to be soothed and beguiled by the young man's charming art. One "little thing" succeeded another; his selections were all very happy. His guests sat scattered in the red firelight, listening, silent, in comfortable attitudes; there was a faint fragrance from the burning logs, which mingled with the perfume of Schubert and Mendelssohn; the covered lamps made a glow here and there, and the cabinets and brackets produced brown shadows, out of which some precious object gleamed—some ivory carving or cinque-cento cup. It was given to Olive, under these circumstances, for half an hour, to surrender herself, to enjoy the music, to admit that Mr. Burrage played with exquisite taste, to feel as if the situation were a kind of truce. Her nerves were calmed, her problems—for the time—subsided. Civilisation, under such an influence, in such a setting, appeared to have done its work; harmony ruled the scene; human life ceased to be a battle. She went so far as to ask herself why one should have a quarrel with it; the relations of men and women, in that picturesque grouping, had not the air of being internecine. In short, she had an interval of unexpected rest, during which she kept her eyes mainly on Verena, who sat near Mrs. Burrage, letting herself go, evidently, more completely than Olive. To her, too, music was a delight, and her listening face turned itself to different parts of the room, unconsciously, while her eyes vaguely rested on the bibelots that emerged into the firelight. At moments Mrs. Burrage bent her countenance upon her and smiled, at random, kindly; and then Verena smiled back, while her expression seemed to say that, oh yes, she was giving up everything, all principles, all projects. Even before it was time to go, Olive felt that they were both (Verena and she) quite demoralised, and she only summoned energy to take her companion away when she heard Mrs. Burrage propose to her to come and spend a fortnight in New York. Then Olive exclaimed to herself, "Is it a plot? Why in the world can't they let her alone?" and prepared to throw a fold of her mantle, as she had done before, over her young friend. Verena answered, somewhat impetuously, that she should be delighted to visit Mrs. Burrage; then checked her impetuosity, after a glance from Olive, by adding that perhaps this lady wouldn't ask her if she knew what strong ground she took on the emancipation of women. Mrs. Burrage looked at her son and laughed; she said she was perfectly aware of Verena's views, and that it was impossible to be more in sympathy with them than she herself. She took the greatest interest in the emancipation of women; she thought there was so much to be done. These were the only remarks that passed in reference to the great subject; and nothing more was said to Verena, either by Henry Burrage or by his friend Gracie, about her addressing the Harvard students. Verena had told her father that Olive had put her veto upon that, and Tarrant had said to the young men that it seemed as if Miss Chancellor was going to put the thing through in her own way. We know that he thought this way very circuitous; but Miss Chancellor made him feel that she was in earnest, and that idea frightened the resistance out of him—it had such terrible associations. The people he had ever seen who were most in earnest were a committee of gentlemen who had investigated the phenomena of the "materialisation" of spirits, some ten years before, and had bent the fierce light of the scientific method upon him. To Olive it appeared that Mr. Burrage and Mr. Gracie had ceased to be jocular; but that did not make them any less cynical. Henry Burrage said to Verena, as she was going, that he hoped she would think seriously of his mother's invitation; and she replied that she didn't know whether she should have much time in the future to give to people who already approved of her views: she expected to have her hands full with the others, who didn't.

"Does your scheme of work exclude all distraction, all recreation, then?" the young man inquired; and his look expressed real suspense.

Verena referred the matter, as usual, with her air of bright, ungrudging deference, to her companion. "Does it, should you say—our scheme of work?"

"I am afraid the distraction we have had this afternoon must last us for a long time," Olive said, without harshness, but with considerable majesty.

"Well, now, is he to be respected?" Verena demanded, as the two young women took their way through the early darkness, pacing quietly side by side, in their winter-robes, like women consecrated to some holy office.

Olive turned it over a moment. "Yes, very much—as a pianist!"

Verena went into town with her in the horse-car—she was staying in Charles Street for a few days—and that evening she startled Olive by breaking out into a reflexion very similar to the whimsical falterings of which she herself had been conscious while they sat in Mr. Burrage's pretty rooms, but against which she had now violently reacted.

"It would be very nice to do that always—just to take men as they are, and not to have to think about their badness. It would be very nice not to have so many questions, but to think they were all comfortably answered, so that one could sit there on an old Spanish leather chair, with the curtains drawn and keeping out the cold, the darkness, all the big, terrible, cruel world—sit there and listen for ever to Schubert and Mendelssohn. They didn't care anything about female suffrage! And I didn't feel the want of a vote to-day at all, did you?" Verena inquired, ending, as she always ended in these few speculations, with an appeal to Olive.

This young lady thought it necessary to give her a very firm answer. "I always feel it—everywhere—night and day. I feel it here"; and Olive laid her hand solemnly on her heart. "I feel it as a deep, unforgettable wrong; I feel it as one feels a stain that is on one's honour."

Verena gave a clear laugh, and after that a soft sigh, and then said, "Do you know, Olive, I sometimes wonder whether, if it wasn't for you, I should feel it so very much!"

"My own friend," Olive replied, "you have never yet said anything to me which expressed so clearly the closeness and sanctity of our union."

"You do keep me up," Verena went on. "You are my conscience."

"I should like to be able to say that you are my form—my envelope. But you are too beautiful for that!" So Olive returned her friend's compliment; and later she said that, of course, it would be far easier to give up everything and draw the curtains to and pass one's life in an artificial atmosphere, with rose-coloured lamps. It would be far easier to abandon the struggle, to leave all the unhappy women of the world to their immemorial misery, to lay down one's burden, close one's eyes to the whole dark picture, and, in short, simply expire. To this Verena objected that it would not be easy for her to expire at all; that such an idea was darker than anything the world contained; that she had not done with life yet, and that she didn't mean to allow her responsibilities to crush her. And then the two young women concluded, as they had concluded before, by finding themselves completely, inspiringly in agreement, full of the purpose to live indeed, and with high success; to become great, in order not to be obscure, and powerful, in order not to be useless. Olive had often declared before that her conception of life was as something sublime or as nothing at all. The world was full of evil, but she was glad to have been born before it had been swept away, while it was still there to face, to give one a task and a reward. When the great reforms should be consummated, when the day of justice should have dawned, would not life perhaps be rather poor and pale? She had never pretended to deny that the hope of fame, of the very highest distinction, was one of her strongest incitements; and she held that the most effective way of protesting against the state of bondage of women was for an individual member of the sex to become illustrious. A person who might have overheard some of the talk of this possibly infatuated pair would have been touched by their extreme familiarity with the idea of earthly glory. Verena had not invented it, but she had taken it eagerly from her friend, and she returned it with interest. To Olive it appeared that just this partnership of their two minds—each of them, by itself, lacking an important group of facets—made an organic whole which, for the work in hand, could not fail to be brilliantly effective. Verena was often far more irresponsive than she liked to see her; but the happy thing in her composition was that, after a short contact with the divine idea—Olive was always trying to flash it at her, like a jewel in an uncovered case—she kindled, flamed up, took the words from her friend's less persuasive lips, resolved herself into a magical voice, became again the pure young sibyl. Then Olive perceived how fatally, without Verena's tender notes, her crusade would lack sweetness, what the Catholics call unction; and, on the other hand, how weak Verena would be on the statistical and logical side if she herself should not bring up the rear. Together, in short, they would be complete, they would have everything, and together they would triumph.

XIX

This idea of their triumph, a triumph as yet ultimate and remote, but preceded by the solemn vista of an effort so religious as never to be wanting in ecstasy, became tremendously familiar to the two friends, but especially to Olive, during the winter of 187-, a season which ushered in the most momentous period of Miss Chancellor's life. About Christmas a step was taken which advanced her affairs immensely, and put them, to her apprehension, on a regular footing. This consisted in Verena's coming in to Charles Street to stay with her, in pursuance of an arrangement on Olive's part with Selah Tarrant and his wife that she should remain for many months. The coast was now perfectly clear. Mrs. Farrinder had started on her annual grand tour; she was rousing the people, from Maine to Texas; Matthias Pardon (it was to be supposed) had received, temporarily at least, his quietus; and Mrs. Luna was established in New York, where she had taken a house for a year, and whence she wrote to her sister that she was going to engage Basil Ransom (with whom she was in communication for this purpose) to do her law-business. Olive wondered what law-business Adeline could have, and hoped she would get into a pickle with her landlord or her milliner, so that repeated interviews with Mr. Ransom might become necessary. Mrs. Luna let her know very soon that these interviews had begun; the young Mississippian had come to dine with her; he hadn't got started much, by what she could make out, and she was even afraid that he didn't dine every day. But he wore a tall hat now, like a Northern gentleman, and Adeline intimated that she found him really attractive. He had been very nice to Newton, told him all about the war (quite the Southern version, of course, but Mrs. Luna didn't care anything about American politics, and she wanted her son to know all sides), and Newton did nothing but talk about him, calling him "Rannie," and imitating his pronunciation of certain words. Adeline subsequently wrote that she had made up her mind to put her affairs into his hands (Olive sighed, not unmagnanimously, as she thought of her sister's "affairs"), and later still she mentioned that she was thinking strongly of taking him to be Newton's tutor. She wished this interesting child to be privately educated, and it would be more agreeable to have in that relation a person who was already, as it were, a member of the family. Mrs. Luna wrote as if he were prepared to give up his profession to take charge of her son, and Olive was pretty sure that this was only a part of her grandeur, of the habit she had contracted, especially since living in Europe, of speaking as if in every case she required special arrangements.

In spite of the difference in their age, Olive had long since judged her, and made up her mind that Adeline lacked every quality that a person needed to be interesting in her eyes. She was rich (or sufficiently so), she was conventional and timid, very fond of attentions from men (with whom indeed she was reputed bold, but Olive scorned such boldness as that), given up to a merely personal, egotistical, instinctive life, and as unconscious of the tendencies of the age, the revenges of the future, the new truths and the great social questions, as if she had been a mere bundle of dress-trimmings, which she very nearly was. It was perfectly observable that she had no conscience, and it irritated Olive deeply to see how much trouble a woman was spared when she was constructed on that system. Adeline's "affairs," as I have intimated, her social relations, her views of Newton's education, her practice and her theory (for she had plenty of that, such as it was, heaven save the mark!), her spasmodic disposition to marry again, and her still sillier retreats in the presence of danger (for she had not even the courage of her frivolity), these things had been a subject of tragic consideration to Olive ever since the return of the elder sister to America. The tragedy was not in any particular harm that Mrs. Luna could do her (for she did her good, rather, that is, she did her honour by laughing at her), but in the spectacle itself, the drama, guided by the hand of fate, of which the small, ignoble scenes unrolled themselves so logically. The dénouement would of course be in keeping, and would consist simply of the spiritual death of Mrs. Luna, who would end by understanding no common speech of Olive's at all, and would sink into mere worldly plumpness, into the last complacency, the supreme imbecility, of petty, genteel conservatism. As for Newton, he would be more utterly odious, if possible, as he grew up, than he was already; in fact, he would not grow up at all, but only grow down, if his mother should continue her infatuated system with him. He was insufferably forward and selfish; under the pretext of keeping him, at any cost, refined, Adeline had coddled and caressed him, having him always in her petticoats, remitting his lessons when he pretended he had an earache, drawing him into the conversation, letting him answer her back, with an impertinence beyond his years, when she administered the smallest check. The place for him, in Olive's eyes, was one of the public schools, where the children of the people would teach him his small importance, teach it, if necessary, by the aid of an occasional drubbing; and the two ladies had a grand discussion on this point before Mrs. Luna left Boston—a scene which ended in Adeline's clutching the irrepressible Newton to her bosom (he came in at the moment), and demanding of him a vow that he would live and die in the principles of his mother. Mrs. Luna declared that if she must be trampled upon—and very likely it was her fate!—she would rather be trampled upon by men than by women, and that if Olive and her friends should get possession of the government they would be worse despots than those who were celebrated in history. Newton took an infant oath that he would never be a destructive, impious radical, and Olive felt that after this she needn't trouble herself any more about her sister, whom she simply committed to her fate. That fate might very properly be to marry an enemy of her country, a man who, no doubt, desired to treat women with the lash and manacles, as he and his people had formerly treated the wretched coloured race. If she was so fond of the fine old institutions of the past, he would supply them to her in abundance; and if she wanted so much to be a conservative, she could try first how she liked being a conservative's wife. If Olive troubled herself little about Adeline, she troubled herself more about Basil Ransom; she said to herself that since he hated women who respected themselves (and each other), destiny would use him rightly in hanging a person like Adeline round his neck. That would be the way poetic justice ought to work, for him—and the law that our prejudices, when they act themselves out, punish us in doing so. Olive considered all this, as it was her effort to consider everything, from a very high point of view, and ended by feeling sure it was not for the sake of any nervous personal security that she desired to see her two relations in New York get mixed up together. If such an event as their marriage would gratify her sense of fitness, it would be simply as an illustration of certain laws. Olive, thanks to the philosophic cast of her mind, was exceedingly fond of illustrations of laws.

I hardly know, however, what illumination it was that sprang from her consciousness (now a source of considerable comfort) that Mrs. Farrinder was carrying the war into distant territories, and would return to Boston only in time to preside at a grand Female Convention, already advertised to take place in Boston in the month of June. It was agreeable to her that this imperial woman should be away; it made the field more free, the air more light; it suggested an exemption from official criticism. I have not taken space to mention certain episodes of the more recent intercourse of these ladies, and must content myself with tracing them, lightly, in their consequences. These may be summed up in the remark, which will doubtless startle no one by its freshness, that two imperial women are scarcely more likely to hit it off together, as the phrase is, than two imperial men. Since that party at Miss Birdseye's, so important in its results for Olive, she had had occasion to approach Mrs. Farrinder more nearly, and those overtures brought forth the knowledge that the great leader of the feminine revolution was the one person (in that part of the world) more concentrated, more determined, than herself. Miss Chancellor's aspirations, of late, had been immensely quickened; she had begun to believe in herself to a livelier tune than she had ever listened to before; and she now perceived that when spirit meets spirit there must either be mutual absorption or a sharp concussion. It had long been familiar to her that she should have to count with the obstinacy of the world at large, but she now discovered that she should have to count also with certain elements in the feminine camp. This complicated the problem, and such a complication, naturally, could not make Mrs. Farrinder appear more easy to assimilate. If Olive's was a high nature and so was hers, the fault was in neither; it was only an admonition that they were not needed as landmarks in the same part of the field. If such perceptions are delicate as between men, the reader need not be reminded of the exquisite form they may assume in natures more refined. So it was that Olive passed, in three months, from the stage of veneration to that of competition; and the process had been accelerated by the introduction of Verena into the fold. Mrs. Farrinder had behaved in the strangest way about Verena. First she had been struck with her, and then she hadn't; first she had seemed to want to take her in, then she had shied at her unmistakably—intimating to Olive that there were enough of that kind already. Of "that kind" indeed!—the phrase reverberated in Miss Chancellor's resentful soul. Was it possible she didn't know the kind Verena was of, and with what vulgar aspirants to notoriety did she confound her? It had been Olive's original desire to obtain Mrs. Farrinder's stamp for her protégée; she wished her to hold a commission from the commander-in-chief. With this view the two young women had made more than one pilgrimage to Roxbury, and on one of these occasions the sibylline mood (in its most charming form) had descended upon Verena. She had fallen into it, naturally and gracefully, in the course of talk, and poured out a stream of eloquence even more touching than her regular discourse at Miss Birdseye's. Mrs. Farrinder had taken it rather dryly, and certainly it didn't resemble her own style of oratory, remarkable and cogent as this was. There had been considerable question of her writing a letter to the New York Tribune, the effect of which should be to launch Miss Tarrant into renown; but this beneficent epistle never appeared, and now Olive saw that there was no favour to come from the prophetess of Roxbury. There had been primnesses, pruderies, small reserves, which ended by staying her pen. If Olive didn't say at once that she was jealous of Verena's more attractive manner, it was only because such a declaration was destined to produce more effect a little later. What she did say was that evidently Mrs. Farrinder wanted to keep the movement in her own hands—viewed with suspicion certain romantic, esthetic elements which Olive and Verena seemed to be trying to introduce into it. They insisted so much, for instance, on the historic unhappiness of women; but Mrs. Farrinder didn't appear to care anything for that, or indeed to know much about history at all. She seemed to begin just to-day, and she demanded their rights for them whether they were unhappy or not. The upshot of this was that Olive threw herself on Verena's neck with a movement which was half indignation, half rapture; she exclaimed that they would have to fight the battle without human help, but, after all, it was better so. If they were all in all to each other, what more could they want? They would be isolated, but they would be free; and this view of the situation brought with it a feeling that they had almost already begun to be a force. It was not, indeed, that Olive's resentment faded quite away; for not only had she the sense, doubtless very presumptuous, that Mrs. Farrinder was the only person thereabouts of a stature to judge her (a sufficient cause of antagonism in itself, for if we like to be praised by our betters we prefer that censure should come from the other sort), but the kind of opinion she had unexpectedly betrayed, after implying such esteem in the earlier phase of their intercourse, made Olive's cheeks occasionally flush. She prayed heaven that she might never become so personal, so narrow. She was frivolous, worldly, an amateur, a trifler, a frequenter of Beacon Street; her taking up Verena Tarrant was only a kind of elderly, ridiculous doll-dressing: this was the light in which Miss Chancellor had reason to believe that it now suited Mrs. Farrinder to regard her! It was fortunate, perhaps, that the misrepresentation was so gross; yet, none the less, tears of wrath rose more than once to Olive's eyes when she reflected that this particular wrong had been put upon her. Frivolous, worldly, Beacon Street! She appealed to Verena to share in her pledge that the world should know in due time how much of that sort of thing there was about her. As I have already hinted, Verena at such moments quite rose to the occasion; she had private pangs at committing herself to give the cold shoulder to Beacon Street for ever; but she was now so completely in Olive's hands that there was no sacrifice to which she would not have consented in order to prove that her benefactress was not frivolous.

The matter of her coming to stay for so long in Charles Street was arranged during a visit that Selah Tarrant paid there at Miss Chancellor's request. This interview, which had some curious features, would be worth describing but I am forbidden to do more than mention the most striking of these. Olive wished to have an understanding with him; wished the situation to be clear, so that, disagreeable as it would be to her to receive him, she sent him a summons for a certain hour—an hour at which she had planned that Verena should be out of the house. She withheld this incident from the girl's knowledge, reflecting with some solemnity that it was the first deception (for Olive her silence was a deception) that she had yet practised on her friend, and wondering whether she should have to practise others in the future. She then and there made up her mind that she would not shrink from others should they be necessary. She notified Tarrant that she should keep Verena a long time, and Tarrant remarked that it was certainly very pleasant to see her so happily located. But he also intimated that he should like to know what Miss Chancellor laid out to do with her; and the tone of this suggestion made Olive feel how right she had been to foresee that their interview would have the stamp of business. It assumed that complexion very definitely when she crossed over to her desk and wrote Mr. Tarrant a cheque for a very considerable amount. "Leave us alone—entirely alone—for a year, and then I will write you another": it was with these words she handed him the little strip of paper that meant so much, feeling, as she did so, that surely Mrs. Farrinder herself could not be less amateurish than that. Selah looked at the cheque, at Miss Chancellor, at the cheque again, at the ceiling, at the floor, at the clock, and once more at his hostess; then the document disappeared beneath the folds of his waterproof, and she saw that he was putting it into some queer place on his queer person. "Well, if I didn't believe you were going to help her to develop," he remarked; and he stopped, while his hands continued to fumble, out of sight, and he treated Olive to his large joyless smile. She assured him that he need have no fear on that score; Verena's development was the thing in the world in which she took most interest; she should have every opportunity for a free expansion. "Yes, that's the great thing," Selah said; "it's more important than attracting a crowd. That's all we shall ask of you; let her act out her nature. Don't all the trouble of humanity come from our being pressed back? Don't shut down the cover, Miss Chancellor; just let her overflow!" And again Tarrant illuminated his inquiry, his metaphor, by the strange and silent lateral movement of his jaws. He added, presently, that he supposed he should have to fix it with Mis' Tarrant; but Olive made no answer to that; she only looked at him with a face in which she intended to express that there was nothing that need detain him longer. She knew it had been fixed with Mrs. Tarrant; she had been over all that with Verena, who had told her that her mother was willing to sacrifice her for her highest good. She had reason to know (not through Verena, of course) that Mrs. Tarrant had embraced, tenderly, the idea of a pecuniary compensation, and there was no fear of her making a scene when Tarrant should come back with a cheque in his pocket. "Well, I trust she may develop, richly, and that you may accomplish what you desire; it seems as if we had only a little way to go further," that worthy observed, as he erected himself for departure.

"It's not a little way; it's a very long way," Olive replied, rather sternly.

Tarrant was on the threshold; he lingered a little, embarrassed by her grimness, for he himself had always inclined to rose-coloured views of progress, of the march of truth. He had never met any one so much in earnest as this definite, literal young woman, who had taken such an unhoped-for fancy to his daughter; whose longing for the new day had such perversities of pessimism, and who, in the midst of something that appeared to be terribly searching in her honesty, was willing to corrupt him, as a father, with the most extravagant orders on her bank. He hardly knew in what language to speak to her; it seemed as if there was nothing soothing enough, when a lady adopted that tone about a movement which was thought by some of the brightest to be so promising. "Oh, well, I guess there's some kind of mysterious law...." he murmured, almost timidly; and so he passed from Miss Chancellor's sight.

XX

She hoped she should not soon see him again, and there appeared to be no reason she should, if their intercourse was to be conducted by means of cheques. The understanding with Verena was, of course, complete; she had promised to stay with her friend as long as her friend should require it. She had said at first that she couldn't give up her mother, but she had been made to feel that there was no question of giving up. She should be as free as air, to go and come; she could spend hours and days with her mother, whenever Mrs. Tarrant required her attention; all that Olive asked of her was that, for the time, she should regard Charles Street as her home. There was no struggle about this, for the simple reason that by the time the question came to the front Verena was completely under the charm. The idea of Olive's charm will perhaps make the reader smile; but I use the word not in its derived, but in its literal sense. The fine web of authority, of dependence, that her strenuous companion had woven about her, was now as dense as a suit of golden mail; and Verena was thoroughly interested in their great undertaking; she saw it in the light of an active, enthusiastic faith. The benefit that her father desired for her was now assured; she expanded, developed, on the most liberal scale. Olive saw the difference, and you may imagine how she rejoiced in it; she had never known a greater pleasure. Verena's former attitude had been girlish submission, grateful, curious sympathy. She had given herself, in her young, amused surprise, because Olive's stronger will and the incisive proceedings with which she pointed her purpose drew her on. Besides, she was held by hospitality, the vision of new social horizons, the sense of novelty, and the love of change. But now the girl was disinterestedly attached to the precious things they were to do together; she cared about them for themselves, believed in them ardently, had them constantly in mind. Her share in the union of the two young women was no longer passive, purely appreciative; it was passionate, too, and it put forth a beautiful energy. If Olive desired to get Verena into training, she could flatter herself that the process had already begun, and that her colleague enjoyed it almost as much as she. Therefore she could say to herself, without the imputation of heartlessness, that when she left her mother it was for a noble, a sacred use. In point of fact, she left her very little, and she spent hours in jingling, aching, jostled journeys between Charles Street and the stale suburban cottage. Mrs. Tarrant sighed and grimaced, wrapped herself more than ever in her mantle, said she didn't know as she was fit to struggle alone, and that, half the time, if Verena was away, she wouldn't have the nerve to answer the door-bell; she was incapable, of course, of neglecting such an opportunity to posture as one who paid with her heart's blood for leading the van of human progress. But Verena had an inner sense (she judged her mother now, a little, for the first time) that she would be sorry to be taken at her word, and that she felt safe enough in trusting to her daughter's generosity. She could not divest herself of the faith—even now that Mrs. Luna was gone, leaving no trace, and the grey walls of a sedentary winter were apparently closing about the two young women—she could not renounce the theory that a residence in Charles Street must at least produce some contact with the brilliant classes. She was vexed at her daughter's resignation to not going to parties and to Miss Chancellor's not giving them; but it was nothing new for her to have to practise patience, and she could feel, at least, that it was just as handy for Mr. Burrage to call on the child in town, where he spent half his time, sleeping constantly at Parker's.

It was a fact that this fortunate youth called very often, and Verena saw him with Olive's full concurrence whenever she was at home. It had now been quite agreed between them that no artificial limits should be set to the famous phase; and Olive had, while it lasted, a sense of real heroism in steeling herself against uneasiness. It seemed to her, moreover, only justice that she should make some concession; if Verena made a great sacrifice of filial duty in coming to live with her (this, of course, should be permanent—she would buy off the Tarrants from year to year), she must not incur the imputation (the world would judge her, in that case, ferociously) of keeping her from forming common social ties. The friendship of a young man and a young woman was, according to the pure code of New England, a common social tie; and as the weeks elapsed Miss Chancellor saw no reason to repent of her temerity. Verena was not falling in love; she felt that she should know it, should guess it on the spot. Verena was fond of human intercourse; she was essentially a sociable creature; she liked to shine and smile and talk and listen; and so far as Henry Burrage was concerned he introduced an element of easy and convenient relaxation into a life now a good deal stiffened (Olive was perfectly willing to own it) by great civic purposes. But the girl was being saved, without interference, by the simple operation of her interest in those very designs. From this time there was no need of putting pressure on her; her own springs were working; the fire with which she glowed came from within. Sacredly, brightly single she would remain; her only espousals would be at the altar of a great cause. Olive always absented herself when Mr. Burrage was announced; and when Verena afterwards attempted to give some account of his conversation she checked her, said she would rather know nothing about it—all with a very solemn mildness; this made her feel very superior, truly noble. She knew by this time (I scarcely can tell how, since Verena could give her no report) exactly what sort of a youth Mr. Burrage was: he was weakly pretentious, softly original, cultivated eccentricity, patronised progress, liked to have mysteries, sudden appointments to keep, anonymous persons to visit, the air of leading a double life, of being devoted to a girl whom people didn't know, or at least didn't meet. Of course he liked to make an impression on Verena; but what he mainly liked was to play her off upon the other girls, the daughters of fashion, with whom he danced at Papanti's. Such were the images that proceeded from Olive's rich moral consciousness. "Well, he is greatly interested in our movement": so much Verena once managed to announce; but the words rather irritated Miss Chancellor, who, as we know, did not care to allow for accidental exceptions in the great masculine conspiracy.

In the month of March Verena told her that Mr. Burrage was offering matrimony—offering it with much insistence, begging that she would at least wait and think of it before giving him a final answer. Verena was evidently very glad to be able to say to Olive that she had assured him she couldn't think of it, and that if he expected this he had better not come any more. He continued to come, and it was therefore to be supposed that he had ceased to count on such a concession; it was now Olive's opinion that he really didn't desire it. She had a theory that he proposed to almost any girl who was not likely to accept him—did it because he was making a collection of such episodes—a mental album of declarations, blushes, hesitations, refusals that just missed imposing themselves as acceptances, quite as he collected enamels and Cremona violins. He would be very sorry indeed to ally himself to the house of Tarrant; but such a fear didn't prevent him from holding it becoming in a man of taste to give that encouragement to low-born girls who were pretty, for one looked out for the special cases in which, for reasons (even the lowest might have reasons), they wouldn't "rise." "I told you I wouldn't marry him, and I won't," Verena said, delightedly, to her friend; her tone suggested that a certain credit belonged to her for the way she carried out her assurance. "I never thought you would, if you didn't want to," Olive replied to this; and Verena could have no rejoinder but the good-humour that sat in her eyes, unable as she was to say that she had wanted to. They had a little discussion, however, when she intimated that she pitied him for his discomfiture, Olive's contention being that, selfish, conceited, pampered and insincere, he might properly be left now to digest his affront. Miss Chancellor felt none of the remorse now that she would have felt six months before at standing in the way of such a chance for Verena, and she would have been very angry if any one had asked her if she were not afraid of taking too much upon herself. She would have said, moreover, that she stood in no one's way, and that even if she were not there Verena would never think seriously of a frivolous little man who fiddled while Rome was burning. This did not prevent Olive from making up her mind that they had better go to Europe in the spring; a year's residence in that quarter of the globe would be highly agreeable to Verena, and might even contribute to the evolution of her genius. It cost Miss Chancellor an effort to admit that any virtue still lingered in the elder world, and that it could have any important lesson for two such good Americans as her friend and herself; but it suited her just then to make this assumption, which was not altogether sincere. It was recommended by the idea that it would get her companion out of the way—out of the way of officious fellow-citizens—till she should be absolutely firm on her feet, and would also give greater intensity to their own long conversation. On that continent of strangers they would cleave more closely still to each other. This, of course, would be to fly before the inevitable "phase," much more than to face it; but Olive decided that if they should reach unscathed the term of their delay (the first of July) she should have faced it as much as either justice or generosity demanded. I may as well say at once that she traversed most of this period without further serious alarms and with a great many little thrills of bliss and hope.

Nothing happened to dissipate the good omens with which her partnership with Verena Tarrant was at present surrounded. They threw themselves into study; they had innumerable big books from the Athenæum, and consumed the midnight oil. Henry Burrage, after Verena had shaken her head at him so sweetly and sadly, returned to New York, giving no sign; they only heard that he had taken refuge under the ruffled maternal wing. (Olive, at least, took for granted the wing was ruffled; she could fancy how Mrs. Burrage would be affected by the knowledge that her son had been refused by the daughter of a mesmeric healer. She would be almost as angry as if she had learnt that he had been accepted.) Matthias Pardon had not yet taken his revenge in the newspapers; he was perhaps nursing his thunderbolts; at any rate, now that the operatic season had begun, he was much occupied in interviewing the principal singers, one of whom he described in one of the leading journals (Olive, at least, was sure it was only he who could write like that) as "a dear little woman with baby dimples and kittenish movements." The Tarrants were apparently given up to a measure of sensual ease with which they had not hitherto been familiar, thanks to the increase of income that they drew from their eccentric protectress. Mrs. Tarrant now enjoyed the ministrations of a "girl"; it was partly her pride (at any rate, she chose to give it this turn) that her house had for many years been conducted without the element—so debasing on both sides—of servile, mercenary labour. She wrote to Olive (she was perpetually writing to her now, but Olive never answered) that she was conscious of having fallen to a lower plane, but she admitted that it was a prop to her wasted spirit to have some one to converse with when Selah was off. Verena, of course, perceived the difference, which was inadequately explained by the theory of a sudden increase of her father's practice (nothing of her father's had ever increased like that), and ended by guessing the cause of it—a discovery which did not in the least disturb her equanimity. She accepted the idea that her parents should receive a pecuniary tribute from the extraordinary friend whom she had encountered on the threshold of womanhood, just as she herself accepted that friend's irresistible hospitality. She had no worldly pride, no traditions of independence, no ideas of what was done and what was not done; but there was only one thing that equalled this perfectly gentle and natural insensibility to favours—namely, the inveteracy of her habit of not asking them. Olive had had an apprehension that she would flush a little at learning the terms on which they should now be able to pursue their career together; but Verena never changed colour; it was either not new or not disagreeable to her that the authors of her being should be bought off, silenced by money, treated as the troublesome of the lower orders are treated when they are not locked up; so that her friend had a perception, after this, that it would probably be impossible in any way ever to offend her. She was too rancourless, too detached from conventional standards, too free from private self-reference. It was too much to say of her that she forgave injuries, since she was not conscious of them; there was in forgiveness a certain arrogance of which she was incapable, and her bright mildness glided over the many traps that life sets for our consistency. Olive had always held that pride was necessary to character, but there was no peculiarity of Verena's that could make her spirit seem less pure. The added luxuries in the little house at Cambridge, which even with their help was still such a penal settlement, made her feel afresh that before she came to the rescue the daughter of that house had traversed a desert of sordid misery. She had cooked and washed and swept and stitched; she had worked harder than any of Miss Chancellor's servants. These things had left no trace upon her person or her mind; everything fresh and fair renewed itself in her with extraordinary facility, everything ugly and tiresome evaporated as soon as it touched her; but Olive deemed that, being what she was, she had a right to immense compensations. In the future she should have exceeding luxury and ease, and Miss Chancellor had no difficulty in persuading herself that persons doing the high intellectual and moral work to which the two young ladies in Charles Street were now committed owed it to themselves, owed it to the groaning sisterhood, to cultivate the best material conditions. She herself was nothing of a sybarite, and she had proved, visiting the alleys and slums of Boston in the service of the Associated Charities, that there was no foulness of disease or misery she feared to look in the face; but her house had always been thoroughly well regulated, she was passionately clean, and she was an excellent woman of business. Now, however, she elevated daintiness to a religion; her interior shone with superfluous friction, with punctuality, with winter roses. Among these soft influences Verena herself bloomed like the flower that attains such perfection in Boston. Olive had always rated high the native refinement of her country-women, their latent "adaptability," their talent for accommodating themselves at a glance to changed conditions; but the way her companion rose with the level of the civilisation that surrounded her, the way she assimilated all delicacies and absorbed all traditions, left this friendly theory halting behind. The winter days were still, indoors, in Charles Street, and the winter nights secure from interruption. Our two young women had plenty of duties, but Olive had never favoured the custom of running in and out. Much conference on social and reformatory topics went forward under her roof, and she received her colleagues—she belonged to twenty associations and committees—only at pre-appointed hours, which she expected them to observe rigidly. Verena's share in these proceedings was not active; she hovered over them, smiling, listening, dropping occasionally a fanciful though never an idle word, like some gently animated image placed there for good omen. It was understood that her part was before the scenes, not behind; that she was not a prompter, but (potentially, at least) a "popular favourite," and that the work over which Miss Chancellor presided so efficiently was a general preparation of the platform on which, later, her companion would execute the most striking steps.

The western windows of Olive's drawing-room, looking over the water, took in the red sunsets of winter; the long, low bridge that crawled, on its staggering posts, across the Charles; the casual patches of ice and snow; the desolate suburban horizons, peeled and made bald by the rigour of the season; the general hard, cold void of the prospect; the extrusion, at Charlestown, at Cambridge, of a few chimneys and steeples, straight, sordid tubes of factories and engine-shops, or spare, heavenward finger of the New England meeting-house. There was something inexorable in the poverty of the scene, shameful in the meanness of its details, which gave a collective impression of boards and tin and frozen earth, sheds and rotting piles, railway-lines striding flat across a thoroughfare of puddles, and tracks of the humbler, the universal horse-car, traversing obliquely this path of danger; loose fences, vacant lots, mounds of refuse, yards bestrewn with iron pipes, telegraph poles, and bare wooden backs of places. Verena thought such a view lovely, and she was by no means without excuse when, as the afternoon closed, the ugly picture was tinted with a clear, cold rosiness. The air, in its windless chill, seemed to tinkle like a crystal, the faintest gradations of tone were perceptible in the sky, the west became deep and delicate, everything grew doubly distinct before taking on the dimness of evening. There were pink flushes on snow, "tender" reflexions in patches of stiffened marsh, sounds of car-bells, no longer vulgar, but almost silvery, on the long bridge, lonely outlines of distant dusky undulations against the fading glow. These agreeable effects used to light up that end of the drawing-room, and Olive often sat at the window with her companion before it was time for the lamp. They admired the sunsets, they rejoiced in the ruddy spots projected upon the parlour-wall, they followed the darkening perspective in fanciful excursions. They watched the stellar points come out at last in a colder heaven, and then, shuddering a little, arm in arm, they turned away, with a sense that the winter night was even more cruel than the tyranny of men—turned back to drawn curtains and a brighter fire and a glittering tea-tray and more and more talk about the long martyrdom of women, a subject as to which Olive was inexhaustible and really most interesting. There were some nights of deep snowfall, when Charles Street was white and muffled and the door-bell foredoomed to silence, which seemed little islands of lamp-light, of enlarged and intensified vision. They read a great deal of history together, and read it ever with the same thought—that of finding confirmation in it for this idea that their sex had suffered inexpressibly, and that at any moment in the course of human affairs the state of the world would have been so much less horrible (history seemed to them in every way horrible) if women had been able to press down the scale. Verena was full of suggestions which stimulated discussions; it was she, oftenest, who kept in view the fact that a good many women in the past had been entrusted with power and had not always used it amiably, who brought up the wicked queens, the profligate mistresses of kings. These ladies were easily disposed of between the two, and the public crimes of Bloody Mary, the private misdemeanours of Faustina, wife of the pure Marcus Aurelius, were very satisfactorily classified. If the influence of women in the past accounted for every act of virtue that men had happened to achieve, it only made the matter balance properly that the influence of men should explain the casual irregularities of the other sex. Olive could see how few books had passed through Verena's hands, and how little the home of the Tarrants had been a house of reading; but the girl now traversed the fields of literature with her characteristic lightness of step. Everything she turned to or took up became an illustration of the facility, the "giftedness," which Olive, who had so little of it, never ceased to wonder at and prize. Nothing frightened her; she always smiled at it, she could do anything she tried. As she knew how to do other things, she knew how to study; she read quickly and remembered infallibly; could repeat, days afterward, passages that she appeared only to have glanced at. Olive, of course, was more and more happy to think that their cause should have the services of an organisation so rare.

All this doubtless sounds rather dry, and I hasten to add that our friends were not always shut up in Miss Chancellor's strenuous parlour. In spite of Olive's desire to keep her precious inmate to herself and to bend her attention upon their common studies, in spite of her constantly reminding Verena that this winter was to be purely educative and that the platitudes of the satisfied and unregenerate would have little to teach her, in spite, in short, of the severe and constant duality of our young women, it must not be supposed that their life had not many personal confluents and tributaries. Individual and original as Miss Chancellor was universally acknowledged to be, she was yet a typical Bostonian, and as a typical Bostonian she could not fail to belong in some degree to a "set." It had been said of her that she was in it but not of it; but she was of it enough to go occasionally into other houses and to receive their occupants in her own. It was her belief that she filled her tea-pot with the spoon of hospitality, and made a good many select spirits feel that they were welcome under her roof at convenient hours. She had a preference for what she called real people, and there were several whose reality she had tested by arts known to herself. This little society was rather suburban and miscellaneous; it was prolific in ladies who trotted about, early and late, with books from the Athenæum nursed behind their muff, or little nosegays of exquisite flowers that they were carrying as presents to each other. Verena, who, when Olive was not with her, indulged in a good deal of desultory contemplation at the window, saw them pass the house in Charles Street, always apparently straining a little, as if they might be too late for something. At almost any time, for she envied their preoccupation, she would have taken the chance with them. Very often, when she described them to her mother, Mrs. Tarrant didn't know who they were; there were even days (she had so many discouragements) when it seemed as if she didn't want to know. So long as they were not some one else, it seemed to be no use that they were themselves; whoever they were, they were sure to have that defect. Even after all her mother's disquisitions Verena had but vague ideas as to whom she would have liked them to be; and it was only when the girl talked of the concerts, to all of which Olive subscribed and conducted her inseparable friend, that Mrs. Tarrant appeared to feel in any degree that her daughter was living up to the standard formed for her in their Cambridge home. As all the world knows, the opportunities in Boston for hearing good music are numerous and excellent, and it had long been Miss Chancellor's practice to cultivate the best. She went in, as the phrase is, for the superior programmes, and that high, dim, dignified Music Hall, which has echoed in its time to so much eloquence and so much melody, and of which the very proportions and colour seem to teach respect and attention, shed the protection of its illuminated cornice, this winter, upon no faces more intelligently upturned than those of the young women for whom Bach and Beethoven only repeated, in a myriad forms, the idea that was always with them. Symphonies and fugues only stimulated their convictions, excited their revolutionary passion, led their imagination further in the direction in which it was always pressing. It lifted them to immeasurable heights; and as they sat looking at the great florid, sombre organ, overhanging the bronze statue of Beethoven, they felt that this was the only temple in which the votaries of their creed could worship.

And yet their music was not their greatest joy, for they had two others which they cultivated at least as zealously. One of these was simply the society of old Miss Birdseye, of whom Olive saw more this winter than she had ever seen before. It had become apparent that her long and beautiful career was drawing to a close, her earnest, unremitting work was over, her old-fashioned weapons were broken and dull. Olive would have liked to hang them up as venerable relics of a patient fight, and this was what she seemed to do when she made the poor lady relate her battles—never glorious and brilliant, but obscure and wastefully heroic—call back the figures of her companions in arms, exhibit her medals and scars. Miss Birdseye knew that her uses were ended; she might pretend still to go about the business of unpopular causes, might fumble for papers in her immemorial satchel and think she had important appointments, might sign petitions, attend conventions, say to Doctor Prance that if she would only make her sleep she should live to see a great many improvements yet; she ached and was weary, growing almost as glad to look back (a great anomaly for Miss Birdseye) as to look forward. She let herself be coddled now by her friends of the new generation; there were days when she seemed to want nothing better than to sit by Olive's fire and ramble on about the old struggles, with a vague, comfortable sense—no physical rapture of Miss Birdseye's could be very acute—of immunity from wet feet, from the draughts that prevail at thin meetings, of independence of street-cars that would probably arrive overflowing; and also a pleased perception, not that she was an example to these fresh lives which began with more advantages than hers, but that she was in some degree an encouragement, as she helped them to measure the way the new truths had advanced—being able to tell them of such a different state of things when she was a young lady, the daughter of a very talented teacher (indeed her mother had been a teacher too), down in Connecticut. She had always had for Olive a kind of aroma of martyrdom, and her battered, unremunerated, un-pensioned old age brought angry tears, springing from depths of outraged theory, into Miss Chancellor's eyes. For Verena, too, she was a picturesque humanitary figure. Verena had been in the habit of meeting martyrs from her childhood up, but she had seen none with so many reminiscences as Miss Birdseye, or who had been so nearly scorched by penal fires. She had had escapes, in the early days of abolitionism, which it was a marvel she could tell with so little implication that she had shown courage. She had roamed through certain parts of the South, carrying the Bible to the slave; and more than one of her companions, in the course of these expeditions, had been tarred and feathered. She herself, at one season, had spent a month in a Georgian jail. She had preached temperance in Irish circles where the doctrine was received with missiles; she had interfered between wives and husbands mad with drink; she had taken filthy children, picked up in the street, to her own poor rooms, and had removed their pestilent rags and washed their sore bodies with slippery little hands. In her own person she appeared to Olive and Verena a representative of suffering humanity; the pity they felt for her was part of their pity for all who were weakest and most hardly used; and it struck Miss Chancellor (more especially) that this frumpy little missionary was the last link in a tradition, and that when she should be called away the heroic age of New England life—the age of plain living and high thinking, of pure ideals and earnest effort, of moral passion and noble experiment—would effectually be closed. It was the perennial freshness of Miss Birdseye's faith that had had such a contagion for these modern maidens, the unquenched flame of her transcendentalism, the simplicity of her vision, the way in which, in spite of mistakes, deceptions, the changing fashions of reform, which make the remedies of a previous generation look as ridiculous as their bonnets, the only thing that was still actual for her was the elevation of the species by the reading of Emerson and the frequentation of Tremont Temple. Olive had been active enough, for years, in the city-missions; she too had scoured dirty children, and, in squalid lodging-houses, had gone into rooms where the domestic situation was strained and the noises made the neighbours turn pale. But she reflected that after such exertions she had the refreshment of a pretty house, a drawing-room full of flowers, a crackling hearth, where she threw in pine-cones and made them snap, an imported tea-service, a Chickering piano, and the Deutsche Rundschau; whereas Miss Birdseye had only a bare, vulgar room, with a hideous flowered carpet (it looked like a dentist's), a cold furnace, the evening paper, and Doctor Prance. Olive and Verena were present at another of her gatherings before the winter ended; it resembled the occasion that we described at the beginning of this history, with the difference that Mrs. Farrinder was not there to oppress the company with her greatness, and that Verena made a speech without the co-operation of her father. This young lady had delivered herself with even finer effect than before, and Olive could see how much she had gained, in confidence and range of allusion, since the educative process in Charles Street began. Her motif was now a kind of unprepared tribute to Miss Birdseye, the fruit of the occasion and of the unanimous tenderness of the younger members of the circle, which made her a willing mouthpiece. She pictured her laborious career, her early associates (Eliza P. Moseley was not neglected as Verena passed), her difficulties and dangers and triumphs, her humanising effect upon so many, her serene and honoured old age—expressed, in short, as one of the ladies said, just the very way they all felt about her. Verena's face brightened and grew triumphant as she spoke, but she brought tears into the eyes of most of the others. It was Olive's opinion that nothing could be more graceful and touching, and she saw that the impression made was now deeper than on the former evening. Miss Birdseye went about with her eighty years of innocence, her undiscriminating spectacles, asking her friends if it wasn't perfectly splendid; she took none of it to herself, she regarded it only as a brilliant expression of Verena's gift. Olive thought, afterwards, that if a collection could only be taken up on the spot, the good lady would be made easy for the rest of her days; then she remembered that most of her guests were as impecunious as herself.

I have intimated that our young friends had a source of fortifying emotion which was distinct from the hours they spent with Beethoven and Bach, or in hearing Miss Birdseye describe Concord as it used to be. This consisted in the wonderful insight they had obtained into the history of feminine anguish. They perused that chapter perpetually and zealously, and they derived from it the purest part of their mission. Olive had pored over it so long, so earnestly, that she was now in complete possession of the subject; it was the one thing in life which she felt she had really mastered. She was able to exhibit it to Verena with the greatest authority and accuracy, to lead her up and down, in and out, through all the darkest and most tortuous passages. We know that she was without belief in her own eloquence, but she was very eloquent when she reminded Verena how the exquisite weakness of women had never been their defence, but had only exposed them to sufferings more acute than masculine grossness can conceive. Their odious partner had trampled upon them from the beginning of time, and their tenderness, their abnegation, had been his opportunity. All the bullied wives, the stricken mothers, the dishonoured, deserted maidens who have lived on the earth and longed to leave it, passed and repassed before her eyes, and the interminable dim procession seemed to stretch out a myriad hands to her. She sat with them at their trembling vigils, listened for the tread, the voice, at which they grew pale and sick, walked with them by the dark waters that offered to wash away misery and shame, took with them, even, when the vision grew intense, the last shuddering leap. She had analysed to an extraordinary fineness their susceptibility, their softness; she knew (or she thought she knew) all the possible tortures of anxiety, of suspense and dread; and she had made up her mind that it was women, in the end, who had paid for everything. In the last resort the whole burden of the human lot came upon them; it pressed upon them far more than on the others, the intolerable load of fate. It was they who sat cramped and chained to receive it; it was they who had done all the waiting and taken all the wounds. The sacrifices, the blood, the tears, the terrors were theirs. Their organism was in itself a challenge to suffering, and men had practised upon it with an impudence that knew no bounds. As they were the weakest most had been wrung from them, and as they were the most generous they had been most deceived. Olive Chancellor would have rested her case, had it been necessary, on those general facts; and her simple and comprehensive contention was that the peculiar wretchedness which had been the very essence of the feminine lot was a monstrous artificial imposition, crying aloud for redress. She was willing to admit that women, too, could be bad; that there were many about the world who were false, immoral, vile. But their errors were as nothing to their sufferings; they had expiated, in advance, an eternity, if need be, of misconduct. Olive poured forth these views to her listening and responsive friend; she presented them again and again, and there was no light in which they did not seem to palpitate with truth. Verena was immensely wrought upon; a subtle fire passed into her; she was not so hungry for revenge as Olive, but at the last, before they went to Europe (I shall take no place to describe the manner in which she threw herself into that project), she quite agreed with her companion that after so many ages of wrong (it would also be after the European journey) men must take their turn, men must pay!

BOOK SECOND

XXI

Basil Ransom lived in New York, rather far to the eastward, and in the upper reaches of the town; he occupied two small shabby rooms in a somewhat decayed mansion which stood next to the corner of the Second Avenue. The corner itself was formed by a considerable grocer's shop, the near neighbourhood of which was fatal to any pretensions Ransom and his fellow-lodgers might have had in regard to gentility of situation. The house had a red, rusty face, and faded green shutters, of which the slats were limp and at variance with each other. In one of the lower windows was suspended a fly-blown card, with the words "Table Board" affixed in letters cut (not very neatly) out of coloured paper, of graduated tints, and surrounded with a small band of stamped gilt. The two sides of the shop were protected by an immense pent-house shed, which projected over a greasy pavement and was supported by wooden posts fixed in the curbstone. Beneath it, on the dislocated flags, barrels and baskets were freely and picturesquely grouped; an open cellarway yawned beneath the feet of those who might pause to gaze too fondly on the savoury wares displayed in the window; a strong odour of smoked fish, combined with a fragrance of molasses, hung about the spot; the pavement, toward the gutters, was fringed with dirty panniers, heaped with potatoes, carrots, and onions; and a smart, bright waggon, with the horse detached from the shafts, drawn up on the edge of the abominable road (it contained holes and ruts a foot deep, and immemorial accumulations of stagnant mud), imparted an idle, rural, pastoral air to a scene otherwise perhaps expressive of a rank civilisation. The establishment was of the kind known to New Yorkers as a Dutch grocery; and red-faced, yellow-haired, bare-armed vendors might have been observed to lounge in the doorway. I mention it not on account of any particular influence it may have had on the life or the thoughts of Basil Ransom, but for old acquaintance sake and that of local colour; besides which, a figure is nothing without a setting, and our young man came and went every day, with rather an indifferent, unperceiving step, it is true, among the objects I have briefly designated. One of his rooms was directly above the street-door of the house; such a dormitory, when it is so exiguous, is called in the nomenclature of New York a "hall bedroom." The sitting-room, beside it, was slightly larger, and they both commanded a row of tenements no less degenerate than Ransom's own habitation—houses built forty years before, and already sere and superannuated. These were also painted red, and the bricks were accentuated by a white line; they were garnished, on the first floor, with balconies covered with small tin roofs, striped in different colours, and with an elaborate iron lattice-work, which gave them a repressive, cage-like appearance, and caused them slightly to resemble the little boxes for peeping unseen into the street, which are a feature of oriental towns. Such posts of observation commanded a view of the grocery on the corner, of the relaxed and disjointed roadway, enlivened at the curbstone with an occasional ash-barrel or with gas-lamps drooping from the perpendicular, and westward, at the end of the truncated vista, of the fantastic skeleton of the Elevated Railway, overhanging the transverse longitudinal street, which it darkened and smothered with the immeasurable spinal column and myriad clutching paws of an antediluvian monster. If the opportunity were not denied me here, I should like to give some account of Basil Ransom's interior, of certain curious persons of both sexes, for the most part not favourites of fortune, who had found an obscure asylum there; some picture of the crumpled little table d'hôte, at two dollars and a half a week, where everything felt sticky, which went forward in the low-ceiled basement, under the conduct of a couple of shuffling negresses, who mingled in the conversation and indulged in low, mysterious chuckles when it took a facetious turn. But we need, in strictness, concern ourselves with it no further than to gather the implication that the young Mississippian, even a year and a half after that momentous visit of his to Boston, had not made his profession very lucrative.

He had been diligent, he had been ambitious, but he had not yet been successful. During the few weeks preceding the moment at which we meet him again, he had even begun to lose faith altogether in his earthly destiny. It became much of a question with him whether success in any form was written there; whether for a hungry young Mississippian, without means, without friends, wanting, too, in the highest energy, the wisdom of the serpent, personal arts and national prestige, the game of life was to be won in New York. He had been on the point of giving it up and returning to the home of his ancestors, where, as he heard from his mother, there was still just a sufficient supply of hot corn-cake to support existence. He had never believed much in his luck, but during the last year it had been guilty of aberrations surprising even to a constant, an imperturbable, victim of fate. Not only had he not extended his connexion, but he had lost most of the little business which was an object of complacency to him a twelvemonth before. He had had none but small jobs, and he had made a mess of more than one of them. Such accidents had not had a happy effect upon his reputation; he had been able to perceive that this fair flower may be nipped when it is so tender a bud as scarcely to be palpable. He had formed a partnership with a person who seemed likely to repair some of his deficiencies—a young man from Rhode Island, acquainted, according to his own expression, with the inside track. But this gentleman himself, as it turned out, would have been better for a good deal of remodelling, and Ransom's principal deficiency, which was, after all, that of cash, was not less apparent to him after his colleague, prior to a sudden and unexplained departure for Europe, had drawn the slender accumulations of the firm out of the bank. Ransom sat for hours in his office, waiting for clients who either did not come, or, if they did come, did not seem to find him encouraging, as they usually left him with the remark that they would think what they would do. They thought to little purpose, and seldom reappeared, so that at last he began to wonder whether there were not a prejudice against his Southern complexion. Perhaps they didn't like the way he spoke. If they could show him a better way, he was willing to adopt it; but the manner of New York could not be acquired by precept, and example, somehow, was not in this case contagious. He wondered whether he were stupid and unskilled, and he was finally obliged to confess to himself that he was unpractical.

This confession was in itself a proof of the fact, for nothing could be less fruitful than such a speculation, terminating in such a way. He was perfectly aware that he cared a great deal for the theory, and so his visitors must have thought when they found him, with one of his long legs twisted round the other, reading a volume of De Tocqueville. That was the land of reading he liked; he had thought a great deal about social and economical questions, forms of government and the happiness of peoples. The convictions he had arrived at were not such as mix gracefully with the time-honoured verities a young lawyer looking out for business is in the habit of taking for granted; but he had to reflect that these doctrines would probably not contribute any more to his prosperity in Mississippi than in New York. Indeed, he scarcely could think of the country where they would be a particular advantage to him. It came home to him that his opinions were stiff, whereas in comparison his effort was lax; and he accordingly began to wonder whether he might not make a living by his opinions. He had always had a desire for public life; to cause one's ideas to be embodied in national conduct appeared to him the highest form of human enjoyment. But there was little enough that was public in his solitary studies, and he asked himself what was the use of his having an office at all, and why he might not as well carry on his profession at the Astor Library, where, in his spare hours and on chance holidays, he did an immense deal of suggestive reading. He took copious notes and memoranda, and these things sometimes shaped themselves in a way that might possibly commend them to the editors of periodicals. Readers perhaps would come, if clients didn't; so he produced, with a great deal of labour, half-a-dozen articles, from which, when they were finished, it seemed to him that he had omitted all the points he wished most to make, and addressed them to the powers that preside over weekly and monthly publications. They were all declined with thanks, and he would have been forced to believe that the accent of his languid clime brought him luck as little under the pen as on the lips, had not another explanation been suggested by one of the more explicit of his oracles, in relation to a paper on the rights of minorities. This gentleman pointed out that his doctrines were about three hundred years behind the age; doubtless some magazine of the sixteenth century would have been very happy to print them. This threw light on his own suspicion that he was attached to causes that could only, in the nature of things, be unpopular. The disagreeable editor was right about his being out of date, only he had got the time wrong. He had come centuries too soon; he was not too old, but too new. Such an impression, however, would not have prevented him from going into politics, if there had been any other way to represent constituencies than by being elected. People might be found eccentric enough to vote for him in Mississippi, but meanwhile where should he find the twenty-dollar greenbacks which it was his ambition to transmit from time to time to his female relations, confined so constantly to a farinaceous diet? It came over him with some force that his opinions would not yield interest, and the evaporation of this pleasing hypothesis made him feel like a man in an open boat, at sea, who should just have parted with his last rag of canvas.

I shall not attempt a complete description of Ransom's ill-starred views, being convinced that the reader will guess them as he goes, for they had a frolicsome, ingenious way of peeping out of the young man's conversation. I shall do them sufficient justice in saying that he was by natural disposition a good deal of a stoic, and that, as the result of a considerable intellectual experience, he was, in social and political matters, a reactionary. I suppose he was very conceited, for he was much addicted to judging his age. He thought it talkative, querulous, hysterical, maudlin, full of false ideas, of unhealthy germs, of extravagant, dissipated habits, for which a great reckoning was in store. He was an immense admirer of the late Thomas Carlyle, and was very suspicious of the encroachments of modern democracy. I know not exactly how these queer heresies had planted themselves, but he had a longish pedigree (it had flowered at one time with English royalists and cavaliers), and he seemed at moments to be inhabited by some transmitted spirit of a robust but narrow ancestor, some broad-faced wig-wearer or sword-bearer, with a more primitive conception of manhood than our modern temperament appears to require, and a programme of human felicity much less varied. He liked his pedigree, he revered his forefathers, and he rather pitied those who might come after him. In saying so, however, I betray him a little, for he never mentioned such feelings as these. Though he thought the age too talkative, as I have hinted, he liked to talk as well as any one; but he could hold his tongue, if that were more expressive, and he usually did so when his perplexities were greatest. He had been sitting for several evenings in a beer-cellar, smoking his pipe with a profundity of reticence. This attitude was so unbroken that it marked a crisis—the complete, the acute consciousness of his personal situation. It was the cheapest way he knew of spending an evening. At this particular establishment the Schoppen were very tall and the beer was very good; and as the host and most of the guests were German, and their colloquial tongue was unknown to him, he was not drawn into any undue expenditure of speech. He watched his smoke and he thought, thought so hard that at last he appeared to himself to have exhausted the thinkable. When this moment of combined relief and dismay arrived (on the last of the evenings that we are concerned with), he took his way down Third Avenue and reached his humble dwelling. Till within a short time there had been a resource for him at such an hour and in such a mood; a little variety-actress, who lived in the house, and with whom he had established the most cordial relations, was often having her supper (she took it somewhere, every night, after the theatre) in the dim, close dining-room, and he used to drop in and talk to her. But she had lately married, to his great amusement, and her husband had taken her on a wedding-tour, which was to be at the same time professional. On this occasion he mounted, with rather a heavy tread, to his rooms, where (on the rickety writing-table in the parlour) he found a note from Mrs. Luna. I need not reproduce it in extenso; a pale reflexion of it will serve. She reproached him with neglecting her, wanted to know what had become of him, whether he had grown too fashionable for a person who cared only for serious society. She accused him of having changed, and inquired as to the reason of his coldness. Was it too much to ask whether he could tell her at least in what manner she had offended him? She used to think they were so much in sympathy—he expressed her own ideas about everything so vividly. She liked intellectual companionship, and she had none now. She hoped very much he would come and see her—as he used to do six months before—the following evening; and however much she might have sinned or he might have altered, she was at least always his affectionate cousin Adeline.

"What the deuce does she want of me now?" It was with this somewhat ungracious exclamation that he tossed away his cousin Adeline's missive. The gesture might have indicated that he meant to take no notice of her; nevertheless, after a day had elapsed, he presented himself before her. He knew what she wanted of old—that is, a year ago; she had wanted him to look after her property and to be tutor to her son. He had lent himself, good-naturedly, to this desire—he was touched by so much confidence—but the experiment had speedily collapsed. Mrs. Luna's affairs were in the hands of trustees, who had complete care of them, and Ransom instantly perceived that his function would be simply to meddle in things that didn't concern him. The levity with which she had exposed him to the derision of the lawful guardians of her fortune opened his eyes to some of the dangers of cousinship; nevertheless he said to himself that he might turn an honest penny by giving an hour or two every day to the education of her little boy. But this, too, proved a brief illusion. Ransom had to find his time in the afternoon; he left his business at five o'clock and remained with his young kinsman till the hour of dinner. At the end of a few weeks he thought himself lucky in retiring without broken shins. That Newton's little nature was remarkable had often been insisted on by his mother; but it was remarkable, Ransom saw, for the absence of any of the qualities which attach a teacher to a pupil. He was in truth an insufferable child, entertaining for the Latin language a personal, physical hostility, which expressed itself in convulsions of rage. During these paroxysms he kicked furiously at every one and everything—at poor "Rannie," at his mother, at Messrs. Andrews and Stoddard, at the illustrious men of Rome, at the universe in general, to which, as he lay on his back on the carpet, he presented a pair of singularly active little heels. Mrs. Luna had a way of being present at his lessons, and when they passed, as sooner or later they were sure to, into the stage I have described, she interceded for her overwrought darling, reminded Ransom that these were the signs of an exquisite sensibility, begged that the child might be allowed to rest a little, and spent the remainder of the time in conversation with the preceptor. It came to seem to him, very soon, that he was not earning his fee; besides which, it was disagreeable to him to have pecuniary relations with a lady who had not the art of concealing from him that she liked to place him under obligations. He resigned his tutorship, and drew a long breath, having a vague feeling that he had escaped a danger. He could not have told you exactly what it was, and he had a certain sentimental, provincial respect for women which even prevented him from attempting to give a name to it in his own thoughts. He was addicted with the ladies to the old forms of address and of gallantry; he held that they were delicate, agreeable creatures, whom Providence had placed under the protection of the bearded sex; and it was not merely a humorous idea with him that whatever might be the defects of Southern gentlemen, they were at any rate remarkable for their chivalry. He was a man who still, in a slangy age, could pronounce that word with a perfectly serious face.

This boldness did not prevent him from thinking that women were essentially inferior to men, and infinitely tiresome when they declined to accept the lot which men had made for them. He had the most definite notions about their place in nature, in society, and was perfectly easy in his mind as to whether it excluded them from any proper homage. The chivalrous man paid that tax with alacrity. He admitted their rights; these consisted in a standing claim to the generosity and tenderness of the stronger race. The exercise of such feelings was full of advantage for both sexes, and they flowed most freely, of course, when women were gracious and grateful. It may be said that he had a higher conception of politeness than most of the persons who desired the advent of female law-makers. When I have added that he hated to see women eager and argumentative, and thought that their softness and docility were the inspiration, the opportunity (the highest) of man, I shall have sketched a state of mind which will doubtless strike many readers as painfully crude. It had prevented Basil Ransom, at any rate, from putting the dots on his i's, as the French say, in this gradual discovery that Mrs. Luna was making love to him. The process went on a long time before he became aware of it. He had perceived very soon that she was a tremendously familiar little woman—that she took, more rapidly than he had ever known, a high degree of intimacy for granted. But as she had seemed to him neither very fresh nor very beautiful, so he could not easily have represented to himself why she should take it into her head to marry (it would never have occurred to him to doubt that she wanted marriage) an obscure and penniless Mississippian, with womenkind of his own to provide for. He could not guess that he answered to a certain secret ideal of Mrs. Luna's, who loved the landed gentry even when landless, who adored a Southerner under any circumstances, who thought her kinsman a fine, manly, melancholy, disinterested type, and who was sure that her views of public matters, the questions of the age, the vulgar character of modern life, would meet with a perfect response in his mind. She could see by the way he talked that he was a conservative, and this was the motto inscribed upon her own silken banner. She took this unpopular line both by temperament and by reaction from her sister's "extreme" views, the sight of the dreadful people that they brought about her. In reality, Olive was distinguished and discriminating, and Adeline was the dupe of confusions in which the worse was apt to be mistaken for the better. She talked to Ransom about the inferiority of republics, the distressing persons she had met abroad in the legations of the United States, the bad manners of servants and shopkeepers in that country, the hope she entertained that "the good old families" would make a stand; but he never suspected that she cultivated these topics (her treatment of them struck him as highly comical) for the purpose of leading him to the altar, of beguiling the way. Least of all could he suppose that she would be indifferent to his want of income—a point in which he failed to do her justice; for, thinking the fact that he had remained poor a proof of delicacy in that shopkeeping age, it gave her much pleasure to reflect that, as Newton's little property was settled on him (with safeguards which showed how long-headed poor Mr. Luna had been, and large-hearted, too, since to what he left her no disagreeable conditions, such as eternal mourning, for instance, were attached)—that as Newton, I say, enjoyed the pecuniary independence which befitted his character, her own income was ample even for two, and she might give herself the luxury of taking a husband who should owe her something. Basil Ransom did not divine all this, but he divined that it was not for nothing that Mrs. Luna wrote him little notes every other day, that she proposed to drive him in the Park at unnatural hours, and that when he said he had his business to attend to, she replied: "Oh, a plague on your business! I am sick of that word—one hears of nothing else in America. There are ways of getting on without business, if you would only take them!" He seldom answered her notes, and he disliked extremely the way in which, in spite of her love of form and order, she attempted to clamber in at the window of one's house when one had locked the door; so that he began to interspace his visits considerably, and at last made them very rare. When I reflect on his habits of almost superstitious politeness to women, it comes over me that some very strong motive must have operated to make him give his friendly—his only too friendly—cousin the cold shoulder. Nevertheless, when he received her reproachful letter (after it had had time to work a little), he said to himself that he had perhaps been unjust and even brutal, and as he was easily touched by remorse of this kind, he took up the broken thread.

XXII

As he sat with Mrs. Luna, in her little back drawing-room, under the lamp, he felt rather more tolerant than before of the pressure she could not help putting upon him. Several months had elapsed, and he was no nearer to the sort of success he had hoped for. It stole over him gently that there was another sort, pretty visibly open to him, not so elevated nor so manly, it is true, but on which he should after all, perhaps, be able to reconcile it with his honour to fall back. Mrs. Luna had had an inspiration; for once in her life she had held her tongue. She had not made him a scene, there had been no question of an explanation; she had received him as if he had been there the day before, with the addition of a spice of mysterious melancholy. She might have made up her mind that she had lost him as what she had hoped, but that it was better than desolation to try and keep him as a friend. It was as if she wished him to see now how she tried. She was subdued and consolatory, she waited upon him, moved away a screen that intercepted the fire, remarked that he looked very tired, and rang for some tea. She made no inquiry about his affairs, never asked if he had been busy and prosperous; and this reticence struck him as unexpectedly delicate and discreet; it was as if she had guessed, by a subtle feminine faculty, that his professional career was nothing to boast of. There was a simplicity in him which permitted him to wonder whether she had not improved. The lamp-light was soft, the fire crackled pleasantly, everything that surrounded him betrayed a woman's taste and touch; the place was decorated and cushioned in perfection, delightfully private and personal, the picture of a well-appointed home. Mrs. Luna had complained of the difficulties of installing one's self in America, but Ransom remembered that he had received an impression similar to this in her sister's house in Boston, and reflected that these ladies had, as a family-trait, the art of making themselves comfortable. It was better for a winter's evening than the German beer-cellar (Mrs. Luna's tea was excellent), and his hostess herself appeared to-night almost as amiable as the variety-actress. At the end of an hour he felt, I will not say almost marriageable, but almost married. Images of leisure played before him, leisure in which he saw himself covering foolscap paper with his views on several subjects, and with favourable illustrations of Southern eloquence. It became tolerably vivid to him that if editors wouldn't print one's lucubrations, it would be a comfort to feel that one was able to publish them at one's own expense.

He had a moment of almost complete illusion. Mrs. Luna had taken up her bit of crochet; she was sitting opposite to him, on the other side of the fire. Her white hands moved with little jerks as she took her stitches, and her rings flashed and twinkled in the light of the hearth. Her head fell a little to one side, exhibiting the plumpness of her chin and neck, and her dropped eyes (it gave her a little modest air) rested quietly on her work. A silence of a few moments had fallen upon their talk, and Adeline—who decidedly had improved—appeared also to feel the charm of it, not to wish to break it. Basil Ransom was conscious of all this, and at the same time he was vaguely engaged in a speculation. If it gave one time, if it gave one leisure, was not that in itself a high motive? Thorough study of the question he cared for most—was not the chance for that an infinitely desirable good? He seemed to see himself, to feel himself, in that very chair, in the evenings of the future, reading some indispensable book in the still lamp-light—Mrs. Luna knew where to get such pretty mellowing shades. Should he not be able to act in that way upon the public opinion of his time, to check certain tendencies, to point out certain dangers, to indulge in much salutary criticism? Was it not one's duty to put one's self in the best conditions for such action? And as the silence continued he almost fell to musing on his duty, almost persuaded himself that the moral law commanded him to marry Mrs. Luna. She looked up presently from her work, their eyes met, and she smiled. He might have believed she had guessed what he was thinking of. This idea startled him, alarmed him a little, so that when Mrs. Luna said, with her sociable manner, "There is nothing I like so much, of a winter's night, as a cosy tête-à-tête by the fire. It's quite like Darby and Joan; what a pity the kettle has ceased singing!"—when she uttered these insinuating words he gave himself a little imperceptible shake, which was, however, enough to break the spell, and made no response more direct than to ask her, in a moment, in a tone of cold, mild curiosity, whether she had lately heard from her sister, and how long Miss Chancellor intended to remain in Europe.