"Ah, I wonder you can have the face to speak of that—after the way you deserted him!"
"Let us abandon the subject, then, and I will tell you what I want."
"I don't in the least care what you want," Mrs. Luna remarked. "And you haven't even the grace to ask me where I am going—over there."
"What difference does that make to me—once you leave these shores?"
Mrs. Luna rose to her feet. "Ah, chivalry, chivalry!" she exclaimed. And she walked away to the window—one of the windows from which Ransom had first enjoyed, at Olive's solicitation, the view of the Back Bay. Mrs. Luna looked forth at it with little of the air of a person who was sorry to be about to lose it. "I am determined you shall know where I am going," she said in a moment. "I am going to Florence."
"Don't be afraid!" he replied. "I shall go to Rome."
"And you'll carry there more impertinence than has been seen there since the old emperors."
"Were the emperors impertinent, in addition to their other vices? I am determined, on my side, that you shall know what I have come for," Ransom said. "I wouldn't ask you if I could ask any one else; but I am very hard pressed, and I don't know who can help me."
Mrs. Luna turned on him a face of the frankest derision. "Help you? Do you remember the last time I asked you to help me?"
"That evening at Mrs. Burrage's? Surely I wasn't wanting then; I remember urging on your acceptance a chair, so that you might stand on it, to see and to hear."
"To see and to hear what, please? Your disgusting infatuation!"
"It's just about that I want to speak to you," Ransom pursued. "As you already know all about it, you have no new shock to receive, and I therefore venture to ask you——"
"Where tickets for her lecture to-night can be obtained? Is it possible she hasn't sent you one?"
"I assure you I didn't come to Boston to hear it," said Ransom, with a sadness which Mrs. Luna evidently regarded as a refinement of outrage. "What I should like to ascertain is where Miss Tarrant may be found at the present moment."
"And do you think that's a delicate inquiry to make of me?"
"I don't see why it shouldn't be, but I know you don't think it is, and that is why, as I say, I mention the matter to you only because I can imagine absolutely no one else who is in a position to assist me. I have been to the house of Miss Tarrant's parents, in Cambridge, but it is closed and empty, destitute of any sign of life. I went there first, on arriving this morning, and rang at this door only when my journey to Monadnoc Place had proved fruitless. Your sister's servant told me that Miss Tarrant was not staying here, but she added that Mrs. Luna was. No doubt you won't be pleased at having been spoken of as a sort of equivalent; and I didn't say to myself—or to the servant—that you would do as well; I only reflected that I could at least try you. I didn't even ask for Miss Chancellor, as I am sure she would give me no information whatever."
Mrs. Luna listened to this candid account of the young man's proceedings with her head turned a little over her shoulder at him, and her eyes fixed as unsympathetically as possible upon his own. "What you propose, then, as I understand it," she said in a moment, "is that I should betray my sister to you."
"Worse than that; I propose that you should betray Miss Tarrant herself."
"What do I care about Miss Tarrant? I don't know what you are talking about."
"Haven't you really any idea where she is living? Haven't you seen her here? Are Miss Olive and she not constantly together?"
Mrs. Luna, at this, turned full round upon him, and, with folded arms and her head tossed back, exclaimed: "Look here, Basil Ransom, I never thought you were a fool, but it strikes me that since we last met you have lost your wits!"
"There is no doubt of that," Ransom answered, smiling.
"Do you mean to tell me you don't know everything about Miss Tarrant that can be known?"
"I have neither seen her nor heard of her for the last ten weeks; Miss Chancellor has hidden her away."
"Hidden her away, with all the walls and fences of Boston flaming to-day with her name?"
"Oh yes, I have noticed that, and I have no doubt that by waiting till this evening I shall be able to see her. But I don't want to wait till this evening; I want to see her now, and not in public—in private."
"Do you indeed?—how interesting!" cried Mrs. Luna, with rippling laughter. "And pray what do you want to do with her?"
Ransom hesitated a little. "I think I would rather not tell you."
"Your charming frankness, then, has its limits! My poor cousin, you are really too naïf. Do you suppose it matters a straw to me?"
Ransom made no answer to this appeal, but after an instant he broke out: "Honestly, Mrs. Luna, can you give me no clue?"
"Lord, what terrible eyes you make, and what terrible words you use! 'Honestly,' quoth he! Do you think I am so fond of the creature that I want to keep her all to myself?"
"I don't know; I don't understand," said Ransom, slowly and softly, but still with his terrible eyes.
"And do you think I understand any better? You are not a very edifying young man," Mrs. Luna went on; "but I really think you have deserved a better fate than to be jilted and thrown over by a girl of that class."
"I haven't been jilted. I like her very much, but she never encouraged me."
At this Mrs. Luna broke again into articulate scoffing. "It is very odd that at your age you should be so little a man of the world!"
Ransom made her no other answer than to remark, thoughtfully and rather absently: "Your sister is really very clever."
"By which you mean, I suppose, that I am not!" Mrs. Luna suddenly changed her tone, and said, with the greatest sweetness and humility: "God knows, I have never pretended to be!"
Ransom looked at her a moment, and guessed the meaning of this altered note. It had suddenly come over her that with her portrait in half the shop-fronts, her advertisement on all the fences, and the great occasion on which she was to reveal herself to the country at large close at hand, Verena had become so conscious of high destinies that her dear friend's Southern kinsman really appeared to her very small game, and she might therefore be regarded as having cast him off. If this were the case, it would perhaps be well for Mrs. Luna still to hold on. Basil's induction was very rapid, but it gave him time to decide that the best thing to say to his interlocutress was: "On what day do you sail for Europe?"
"Perhaps I shall not sail at all," Mrs. Luna replied, looking out of the window.
"And in that case—poor Newton's education?"
"I should try to content myself with a country which has given you yours."
"Don't you want him, then, to be a man of the world?"
"Ah, the world, the world!" she murmured, while she watched, in the deepening dusk, the lights of the town begin to reflect themselves in the Back Bay. "Has it been such a source of happiness to me that I belong to it?"
"Perhaps, after all, I shall be able to go to Florence!" said Ransom, laughing.
She faced him once more, this time slowly, and declared that she had never known anything so strange as his state of mind—she would be so glad to have an explanation of it. With the opinions he professed (it was for them she had liked him—she didn't like his character), why on earth should he be running after a little fifth-rate poseuse, and in such a frenzy to get hold of her? He might say it was none of her business, and of course she would have no answer to that; therefore she admitted that she asked simply out of intellectual curiosity, and because one always was tormented at the sight of a painful contradiction. With the things she had heard him say about his convictions and theories, his view of life and the great questions of the future, she should have thought he would find Miss Tarrant's attitudinising absolutely nauseous. Were not her views the same as Olive's and hadn't Olive and he signally failed to hit it off together? Mrs. Luna only asked because she was really quite puzzled. "Don't you know that some minds, when they see a mystery, can't rest till they clear it up?"
"You can't be more puzzled than I am," said Ransom. "Apparently the explanation is to be found in a sort of reversal of the formula you were so good, just now, as to apply to me. You like my opinions, but you entertain a different sentiment for my character. I deplore Miss Tarrant's opinions, but her character—well, her character pleases me."
Mrs. Luna stared, as if she were waiting, the explanation surely not being complete. "But as much as that?" she inquired.
"As much as what?" said Ransom, smiling. Then he added, "Your sister has beaten me."
"I thought she had beaten some one of late; she has seemed so gay and happy. I didn't suppose it was all because I was going away."
"Has she seemed very gay?" Ransom inquired, with a sinking of the heart. He wore such a long face, as he asked this question, that Mrs. Luna was again moved to audible mirth, after which she explained:
"Of course I mean gay for her. Everything is relative. With her impatience for this lecture of her friend's to-night, she's in an unspeakable state! She can't sit still for three minutes, she goes out fifteen times a day, and there has been enough arranging and interviewing, and discussing and telegraphing and advertising, enough wire-pulling and rushing about, to put an army in the field. What is it they are always doing to the armies in Europe?—mobilising them? Well, Verena has been mobilised, and this has been headquarters."
"And shall you go to the Music Hall to-night?"
"For what do you take me? I have no desire to be shrieked at for an hour."
"No doubt, no doubt, Miss Olive must be in a state," Ransom went on, rather absently. Then he said, with abruptness, in a different tone: "If this house has been, as you say, headquarters, how comes it you haven't seen her?"
"Seen Olive? I have seen nothing else!"
"I mean Miss Tarrant. She must be somewhere—in the place—if she's to speak to-night."
"Should you like me to go out and look for her? Il ne manquerait plus que cela!" cried Mrs. Luna. "What's the matter with you, Basil Ransom, and what are you after?" she demanded, with considerable sharpness. She had tried haughtiness and she had tried humility, but they brought her equally face to face with a competitor whom she couldn't take seriously, yet who was none the less objectionable for all that.
I know not whether Ransom would have attempted to answer her question had an obstacle not presented itself; at any rate, at the moment she spoke, the curtain in the doorway was pushed aside, and a visitor crossed the threshold. "Mercy! how provoking!" Mrs. Luna exclaimed, audibly enough; and without moving from her place she bent an uncharitable eye upon the invader, a gentleman whom Ransom had the sense of having met before. He was a young man with a fresh face and abundant locks, prematurely white; he stood smiling at Mrs. Luna, quite undaunted by the absence of any demonstration in his favour. She looked as if she didn't know him, while Ransom prepared to depart, leaving them to settle it together.
"I'm afraid you don't remember me, though I have seen you before," said the young man, very amiably. "I was here a week ago, and Miss Chancellor presented me to you."
"Oh yes; she's not at home now," Mrs. Luna returned vaguely.
"So I was told—but I didn't let that prevent me." And the young man included Basil Ransom in the smile with which he made himself more welcome than Mrs. Luna appeared disposed to make him, and by which he seemed to call attention to his superiority. "There is a matter on which I want very much to obtain some information, and I have no doubt you will be so good as to give it to me."
"It comes back to me—you have something to do with the newspapers," said Mrs. Luna; and Ransom too, by this time, had placed the young man among his reminiscences. He had been at Miss Birdseye's famous party, and Doctor Prance had there described him as a brilliant journalist.
It was quite with the air of such a personage that he accepted Mrs. Luna's definition, and he continued to radiate towards Ransom (as if, in return, he remembered his face), while he dropped, confidentially, the word that expressed everything—"The Vesper, don't you know?" Then he went on: "Now, Mrs. Luna, I don't care, I'm not going to let you off! We want the last news about Miss Verena, and it has got to come out of this house."
"Oh murder!" Ransom muttered, beneath his breath, taking up his hat.
"Miss Chancellor has hidden her away; I have been scouring the city in search of her, and her own father hasn't seen her for a week. We have got his ideas; they are very easy to get, but that isn't what we want."
"And what do you want?" Ransom was now impelled to inquire, as Mr. Pardon (even the name at present came back to him) appeared sufficiently to have introduced himself.
"We want to know how she feels about to-night; what report she makes of her nerves, her anticipations; how she looked, what she had on, up to six o'clock. Gracious! if I could see her I should know what I wanted, and so would she, I guess!" Mr. Pardon exclaimed. "You must know something, Mrs. Luna; it isn't natural you shouldn't. I won't inquire any further where she is, because that might seem a little pushing, if she does wish to withdraw herself—though I am bound to say I think she makes a mistake; we could work up these last hours for her! But can't you tell me any little personal items—the sort of thing the people like? What is she going to have for supper? or is she going to speak—a—without previous nourishment?"
"Really, sir, I don't know, and I don't in the least care; I have nothing to do with the business!" Mrs. Luna cried angrily.
The reporter stared; then, eagerly, "You have nothing to do with it—you take an unfavourable view, you protest?" And he was already feeling in a side-pocket for his notebook.
"Mercy on us! are you going to put that in the paper?" Mrs. Luna exclaimed; and in spite of the sense, detestable to him, that everything he wished most to avert was fast closing over the girl, Ransom broke into cynical laughter.
"Ah, but do protest, madam; let us at least have that fragment!" Mr. Pardon went on. "A protest from this house would be a charming note. We must have it—we've got nothing else! The public are almost as much interested in your sister as they are in Miss Verena; they know to what extent she has backed her: and I should be so delighted (I see the heading, from here, so attractive!) just to take down 'What Miss Chancellor's Family Think about It!'"
Mrs. Luna sank into the nearest chair, with a groan, covering her face with her hands. "Heaven help me, I am glad I am going to Europe!"
"That is another little item—everything counts," said Matthias Pardon, making a rapid entry in his tablets. "May I inquire whether you are going to Europe in consequence of your disapproval of your sister's views?"
Mrs. Luna sprang up again, almost snatching the memoranda out of his hand. "If you have the impertinence to publish a word about me, or to mention my name in print, I will come to your office and make such a scene!"
"Dearest lady, that would be a godsend!" Mr. Pardon cried enthusiastically; but he put his notebook back into his pocket.
"Have you made an exhaustive search for Miss Tarrant?" Basil Ransom asked of him. Mr. Pardon, at this inquiry, eyed him with a sudden, familiar archness, expressive of the idea of competition; so that Ransom added: "You needn't be afraid, I'm not a reporter."
"I didn't know but what you had come on from New York."
"So I have—but not as the representative of a newspaper."
"Fancy his taking you——" Mrs. Luna murmured, with indignation.
"Well, I have been everywhere I could think of," Mr. Pardon remarked. "I have been hunting round after your sister's agent, but I haven't been able to catch up with him; I suppose he has been hunting on his side. Miss Chancellor told me—Mrs. Luna may remember it—that she shouldn't be here at all during the week, and that she preferred not to tell me either where or how she was to spend her time until the momentous evening. Of course I let her know that I should find out if I could, and you may remember," he said to Mrs. Luna, "the conversation we had on the subject. I remarked, candidly, that if they didn't look out they would overdo the quietness. Doctor Tarrant has felt very low about it. However, I have done what I could with the material at my command, and the Vesper has let the public know that her whereabouts was the biggest mystery of the season. It's difficult to get round the Vesper."
"I am almost afraid to open my lips in your presence," Mrs. Luna broke in, "but I must say that I think my sister was strangely communicative. She told you ever so much that I wouldn't have breathed."
"I should like to try you with something you know!" Matthias Pardon returned imperturbably. "This isn't a fair trial, because you don't know. Miss Chancellor came round—came round considerably, there's no doubt of that; because a year or two ago she was terribly unapproachable. If I have mollified her, madam, why shouldn't I mollify you? She realises that I can help her now, and as I ain't rancorous I am willing to help her all she'll let me. The trouble is, she won't let me enough, yet; it seems as if she couldn't believe it of me. At any rate," he pursued, addressing himself more particularly to Ransom, "half an hour ago, at the Hall, they knew nothing whatever about Miss Tarrant, beyond the fact that about a month ago she came there, with Miss Chancellor, to try her voice, which rang all over the place, like silver, and that Miss Chancellor guaranteed her absolute punctuality to-night."
"Well, that's all that is required," said Ransom, at hazard; and he put out his hand, in farewell, to Mrs. Luna.
"Do you desert me already?" she demanded, giving him a glance which would have embarrassed any spectator but a reporter of the Vesper.
"I have fifty things to do; you must excuse me." He was nervous, restless, his heart was beating much faster than usual; he couldn't stand still, and he had no compunction whatever about leaving her to get rid, by herself, of Mr. Pardon.
This gentleman continued to mix in the conversation, possibly from the hope that if he should linger either Miss Tarrant or Miss Chancellor would make her appearance. "Every seat in the Hall is sold; the crowd is expected to be immense. When our Boston public does take an idea!" Mr. Pardon exclaimed.
Ransom only wanted to get away, and in order to facilitate his release by implying that in such a case he should see her again, he said to Mrs. Luna, rather hypocritically, from the threshold, "You had really better come to-night."
"I am not like the Boston public—I don't take an idea!" she replied.
"Do you mean to say you are not going?" cried Mr. Pardon, with widely open eyes, clapping his hand again to his pocket. "Don't you regard her as a wonderful genius?"
Mrs. Luna was sorely tried, and the vexation of seeing Ransom slip away from her with his thoughts visibly on Verena, leaving her face to face with the odious newspaper man, whose presence made passionate protest impossible—the annoyance of seeing everything and every one mock at her and fail to compensate her was such that she lost her head, while rashness leaped to her lips and jerked out the answer—"No indeed; I think her a vulgar idiot!"
"Ah, madam, I should never permit myself to print that!" Ransom heard Mr. Pardon rejoin reproachfully, as he dropped the portière of the drawing-room.
XLI
He walked about for the next two hours, walked all over Boston, heedless of his course, and conscious only of an unwillingness to return to his hotel and an inability to eat his dinner or rest his weary legs. He had been roaming in very much the same desperate fashion, at once eager and purposeless, for many days before he left New York, and he knew that his agitation and suspense must wear themselves out. At present they pressed him more than ever; they had become tremendously acute. The early dusk of the last half of November had gathered thick, but the evening was fine and the lighted streets had the animation and variety of a winter that had begun with brilliancy. The shop-fronts glowed through frosty panes, the passers bustled on the pavement, the bells of the street-cars jangled in the cold air, the newsboys hawked the evening papers, the vestibules of the theatres, illuminated and flanked with coloured posters and the photographs of actresses, exhibited seductively their swinging doors of red leather or baize, spotted with little brass nails. Behind great plates of glass the interior of the hotels became visible, with marble-paved lobbies, white with electric lamps, and columns, and Westerners on divans stretching their legs, while behind a counter, set apart and covered with an array of periodicals and novels in paper covers, little boys, with the faces of old men, showing plans of the play-houses and offering librettos, sold orchestra-chairs at a premium. When from time to time Ransom paused at a corner, hesitating which way to drift, he looked up and saw the stars, sharp and near, scintillating over the town. Boston seemed to him big and full of nocturnal life, very much awake and preparing for an evening of pleasure.
He passed and repassed the Music Hall, saw Verena immensely advertised, gazed down the vista, the approach for pedestrians, which leads out of School Street, and thought it looked expectant and ominous. People had not begun to enter yet, but the place was ready, lighted and open, and the interval would be only too short. So it appeared to Ransom, while at the same time he wished immensely the crisis were over. Everything that surrounded him referred itself to the idea with which his mind was palpitating, the question whether he might not still intervene as against the girl's jump into the abyss. He believed that all Boston was going to hear her, or that at least every one was whom he saw in the streets; and there was a kind of incentive and inspiration in this thought. The vision of wresting her from the mighty multitude set him off again, to stride through the population that would fight for her. It was not too late, for he felt strong; it would not be too late even if she should already stand there before thousands of converging eyes. He had had his ticket since the morning, and now the time was going on. He went back to his hotel at last for ten minutes, and refreshed himself by dressing a little and by drinking a glass of wine. Then he took his way once more to the Music Hall, and saw that people were beginning to go in—the first drops of the great stream, among whom there were many women. Since seven o'clock the minutes had moved fast—before that they had dragged—and now there was only half an hour. Ransom passed in with the others; he knew just where his seat was; he had chosen it, on reaching Boston, from the few that were left, with what he believed to be care. But now, as he stood beneath the far-away panelled roof, stretching above the line of little tongues of flame which marked its junction with the walls, he felt that this didn't matter much, since he certainly was not going to subside into his place. He was not one of the audience; he was apart, unique, and had come on a business altogether special. It wouldn't have mattered if, in advance, he had got no place at all and had just left himself to pay for standing-room at the last. The people came pouring in, and in a very short time there would only be standing-room left. Ransom had no definite plan; he had mainly wanted to get inside of the building, so that, on a view of the field, he might make up his mind. He had never been in the Music Hall before, and its lofty vaults and rows of overhanging balconies made it to his imagination immense and impressive. There were two or three moments during which he felt as he could imagine a young man to feel who, waiting in a public place, has made up his mind, for reasons of his own, to discharge a pistol at the king or the president.
The place struck him with a kind of Roman vastness; the doors which opened out of the upper balconies, high aloft, and which were constantly swinging to and fro with the passage of spectators and ushers, reminded him of the vomitoria that he had read about in descriptions of the Colosseum. The huge organ, the background of the stage—a stage occupied with tiers of seats for choruses and civic worthies—lifted to the dome its shining pipes and sculptured pinnacles, and some genius of music or oratory erected himself in monumental bronze at the base. The hall was so capacious and serious, and the audience increased so rapidly without filling it, giving Ransom a sense of the numbers it would contain when it was packed, that the courage of the two young women, face to face with so tremendous an ordeal, hovered before him as really sublime, especially the conscious tension of poor Olive, who would have been spared none of the anxieties and tremors, none of the previsions of accident or calculations of failure. In the front of the stage was a slim, high desk, like a music-stand, with a cover of red velvet, and near it was a light ornamental chair, on which he was sure Verena would not seat herself, though he could fancy her leaning at moments on the back. Behind this was a kind of semicircle of a dozen arm-chairs, which had evidently been arranged for the friends of the speaker, her sponsors and patrons. The hall was more and more full of premonitory sounds; people making a noise as they unfolded, on hinges, their seats, and itinerant boys, whose voices as they cried out "Photographs of Miss Tarrant—sketch of her life!" or "Portraits of the Speaker—story of her career!" sounded small and piping in the general immensity. Before Ransom was aware of it several of the arm-chairs, in the row behind the lecturer's desk, were occupied, with gaps, and in a moment he recognised, even across the interval, three of the persons who had appeared. The straight-featured woman with bands of glossy hair and eyebrows that told at a distance, could only be Mrs. Farrinder, just as the gentleman beside her, in a white overcoat, with an umbrella and a vague face, was probably her husband Amariah. At the opposite end of the row were another pair, whom Ransom, unacquainted with certain chapters of Verena's history, perceived without surprise to be Mrs. Burrage and her insinuating son. Apparently their interest in Miss Tarrant was more than a momentary fad, since—like himself—they had made the journey from New York to hear her. There were other figures, unknown to our young man, here and there, in the semicircle; but several places were still empty (one of which was of course reserved for Olive), and it occurred to Ransom, even in his preoccupation, that one of them ought to remain so—ought to be left to symbolise the presence, in the spirit, of Miss Birdseye.
He bought one of the photographs of Verena, and thought it shockingly bad, and bought also the sketch of her life, which many people seemed to be reading, but crumpled it up in his pocket for future consideration. Verena was not in the least present to him in connexion with this exhibition of enterprise and puffery; what he saw was Olive, struggling and yielding, making every sacrifice of taste for the sake of the largest hearing, and conforming herself to a great popular system. Whether she had struggled or not, there was a catch-penny effect about the whole thing which added to the fever in his cheek and made him wish he had money to buy up the stock of the vociferous little boys. Suddenly the notes of the organ rolled out into the hall, and he became aware that the overture or prelude had begun. This, too, seemed to him a piece of claptrap, but he didn't wait to think of it; he instantly edged out of his place, which he had chosen near the end of a row, and reached one of the numerous doors. If he had had no definite plan he now had at least an irresistible impulse, and he felt the prick of shame at having faltered for a moment. It had been his tacit calculation that Verena, still enshrined in mystery by her companion, would not have reached the scene of her performance till within a few minutes of the time at which she was to come forth; so that he had lost nothing by waiting, up to this moment, before the platform. But now he must overtake his opportunity. Before passing out of the hall into the lobby he paused, and with his back to the stage, gave a look at the gathered auditory. It had become densely numerous, and, suffused with the evenly distributed gaslight, which fell from a great elevation, and the thick atmosphere that hangs for ever in such places, it appeared to pile itself high and to look dimly expectant and formidable. He had a throb of uneasiness at his private purpose of balking it of its entertainment, its victim—a glimpse of the ferocity that lurks in a disappointed mob. But the thought of that danger only made him pass more quickly through the ugly corridors; he felt that his plan was definite enough now, and he found that he had no need even of asking the way to a certain small door (one or more of them), which he meant to push open. In taking his place in the morning he had assured himself as to the side of the house on which (with its approach to the platform) the withdrawing room of singers and speakers was situated; he had chosen his seat in that quarter, and he now had not far to go before he reached it. No one heeded or challenged him; Miss Tarrant's auditors were still pouring in (the occasion was evidently to have been an unprecedented success of curiosity), and had all the attention of the ushers. Ransom opened a door at the end of the passage, and it admitted him into a sort of vestibule, quite bare save that at a second door, opposite to him, stood a figure at the sight of which he paused for a moment in his advance.
The figure was simply that of a robust policeman, in his helmet and brass buttons—a policeman who was expecting him—Ransom could see that in a twinkling. He judged in the same space of time that Olive Chancellor had heard of his having arrived and had applied for the protection of this functionary, who was now simply guarding the ingress and was prepared to defend it against all comers. There was a slight element of surprise in this, as he had reasoned that his nervous kinswoman was absent from her house for the day—had been spending it all in Verena's retreat, wherever that was. The surprise was not great enough, however, to interrupt his course for more than an instant, and he crossed the room and stood before the belted sentinel. For a moment neither spoke; they looked at each other very hard in the eyes, and Ransom heard the organ, beyond partitions, launching its waves of sound through the hall. They seemed to be very near it, and the whole place vibrated. The policeman was a tall, lean-faced, sallow man, with a stoop of the shoulders, a small, steady eye, and something in his mouth which made a protuberance in his cheek. Ransom could see that he was very strong, but he believed that he himself was not materially less so. However, he had not come there to show physical fight—a public tussle about Verena was not an attractive idea, except perhaps, after all, if he should get the worst of it, from the point of view of Olive's new system of advertising; and, moreover, it would not be in the least necessary. Still he said nothing, and still the policeman remained dumb, and there was something in the way the moments elapsed and in our young man's consciousness that Verena was separated from him only by a couple of thin planks, which made him feel that she too expected him, but in another sense; that she had nothing to do with this parade of resistance, that she would know in a moment, by quick intuition, that he was there, and that she was only praying to be rescued, to be saved. Face to face with Olive she hadn't the courage, but she would have it with her hand in his. It came to him that there was no one in the world less sure of her business just at that moment than Olive Chancellor; it was as if he could see, through the door, the terrible way her eyes were fixed on Verena while she held her watch in her hand and Verena looked away from her. Olive would have been so thankful that she should begin before the hour, but of course that was impossible. Ransom asked no questions—that seemed a waste of time; he only said, after a minute, to the policeman:
"I should like very much to see Miss Tarrant, if you will be so good as to take in my card."
The guardian of order, well planted just between him and the handle of the door, took from Ransom the morsel of pasteboard which he held out to him, read slowly the name inscribed on it, turned it over and looked at the back, then returned it to his interlocutor. "Well, I guess it ain't much use," he remarked.
"How can you know that? You have no business to decline my request."
"Well, I guess I have about as much business as you have to make it." Then he added, "You are just the very man she wants to keep out."
"I don't think Miss Tarrant wants to keep me out," Ransom returned.
"I don't know much about her, she hasn't hired the hall. It's the other one—Miss Chancellor; it's her that runs this lecture."
"And she has asked you to keep me out? How absurd!" exclaimed Ransom ingeniously.
"She tells me you're none too fit to be round alone; you have got this thing on the brain. I guess you'd better be quiet," said the policeman.
"Quiet? Is it possible to be more quiet than I am?"
"Well, I've seen crazy folks that were a good deal like you. If you want to see the speaker why don't you go and set round in the hall, with the rest of the public?" And the policeman waited, in an immovable, ruminating, reasonable manner, for an answer to this inquiry.
Ransom had one, on the instant, at his service. "Because I don't want simply to see her; I want also to speak to her—in private."
"Yes—it's always intensely private," said the policeman. "Now I wouldn't lose the lecture if I was you. I guess it will do you good."
"The lecture?" Ransom repeated, laughing. "It won't take place."
"Yes it will—as quick as the organ stops." Then the policeman added, as to himself, "Why the devil don't it?"
"Because Miss Tarrant has sent up to the organist to tell him to keep on."
"Who has she sent, do you s'pose?" And Ransom's new acquaintance entered into his humour. "I guess Miss Chancellor isn't her nigger."
"She has sent her father, or perhaps even her mother. They are in there too."
"How do you know that?" asked the policeman consideringly.
"Oh, I know everything," Ransom answered, smiling.
"Well, I guess they didn't come here to listen to that organ. We'll hear something else before long, if he doesn't stop."
"You will hear a good deal, very soon," Ransom remarked.
The serenity of his self-confidence appeared at last to make an impression on his antagonist, who lowered his head a little, like some butting animal, and looked at the young man from beneath bushy eyebrows. "Well, I have heard a good deal, since I've been in Boston."
"Oh, Boston's a great place," Ransom rejoined inattentively. He was not listening to the policeman or to the organ now, for the sound of voices had reached him from the other side of the door. The policeman took no further notice of it than to lean back against the panels, with folded arms; and there was another pause, between them, during which the playing of the organ ceased.
"I will just wait here, with your permission," said Ransom, "and presently I shall be called."
"Who do you s'pose will call you?"
"Well, Miss Tarrant, I hope."
"She'll have to square the other one first."
Ransom took out his watch, which he had adapted, on purpose, several hours before, to Boston time, and saw that the minutes had sped with increasing velocity during this interview, and that it now marked five minutes past eight. "Miss Chancellor will have to square the public," he said in a moment; and the words were far from being an empty profession of security, for the conviction already in possession of him, that a drama in which he, though cut off, was an actor, had been going on for some time in the apartment he was prevented from entering, that the situation was extraordinarily strained there, and that it could not come to an end without an appeal to him—this transcendental assumption acquired an infinitely greater force the instant he perceived that Verena was even now keeping her audience waiting. Why didn't she go on? Why, except that she knew he was there, and was gaining time?
"Well, I guess she has shown herself," said the door-keeper, whose discussion with Ransom now appeared to have passed, on his own part, and without the slightest prejudice to his firmness, into a sociable, gossiping phase.
"If she had shown herself, we should hear the reception, the applause."
"Well, there they air; they are going to give it to her," the policeman announced.
He had an odious appearance of being in the right, for there indeed they seemed to be—they were giving it to her. A general hubbub rose from the floor and the galleries of the hall—the sound of several thousand people stamping with their feet and rapping with their umbrellas and sticks. Ransom felt faint, and for a little while he stood with his gaze interlocked with that of the policeman. Then suddenly a wave of coolness seemed to break over him, and he exclaimed: "My dear fellow, that isn't applause—it's impatience. It isn't a reception, it's a call!"
The policeman neither assented to this proposition nor denied it; he only transferred the protuberance in his cheek to the other side, and observed:
"I guess she's sick."
"Oh, I hope not!" said Ransom, very gently. The stamping and rapping swelled and swelled for a minute, and then it subsided; but before it had done so Ransom's definition of it had plainly become the true one. The tone of the manifestation was good-humoured, but it was not gratulatory. He looked at his watch again, and saw that five minutes more had elapsed, and he remembered what the newspaperman in Charles Street had said about Olive's guaranteeing Verena's punctuality. Oddly enough, at the moment the image of this gentleman recurred to him, the gentleman himself burst through the other door, in a state of the liveliest agitation.
"Why in the name of goodness don't she go on? If she wants to make them call her, they've done it about enough!" Mr. Pardon turned, pressingly, from Ransom to the policeman and back again, and in his preoccupation gave no sign of having met the Mississippian before.
"I guess she's sick," said the policeman.
"The public'll be sick!" cried the distressed reporter. "If she's sick, why doesn't she send for a doctor? All Boston is packed into this house, and she has got to talk to it. I want to go in and see."
"You can't go in," said the policeman drily.
"Why can't I go in, I should like to know? I want to go in for the Vesper"!
"You can't go in for anything. I'm keeping this man out, too," the policeman added genially, as if to make Mr. Pardon's exclusion appear less invidious.
"Why, they'd ought to let you in," said Matthias, staring a moment at Ransom.
"May be they'd ought, but they won't," the policeman remarked.
"Gracious me!" panted Mr. Pardon; "I knew from the first Miss Chancellor would make a mess of it! Where's Mr. Filer?" he went on eagerly, addressing himself apparently to either of the others, or to both.
"I guess he's at the door, counting the money," said the policeman.
"Well, he'll have to give it back if he don't look out!"
"Maybe he will. I'll let him in if he comes, but he's the only one. She is on now," the policeman added, without emotion.
His ear had caught the first faint murmur of another explosion of sound. This time, unmistakably, it was applause—the clapping of multitudinous hands, mingled with the noise of many throats. The demonstration, however, though considerable, was not what might have been expected, and it died away quickly. Mr. Pardon stood listening, with an expression of some alarm. "Merciful fathers! can't they give her more than that?" he cried. "I'll just fly round and see!"
When he had hurried away again, Ransom said to the policeman—"Who is Mr. Filer?"
"Oh, he's an old friend of mine. He's the man that runs Miss Chancellor."
"That runs her?"
"Just the same as she runs Miss Tarrant. He runs the pair, as you might say. He's in the lecture-business."
"Then he had better talk to the public himself."
"Oh, he can't talk; he can only boss!"
The opposite door at this moment was pushed open again, and a large, heated-looking man, with a little stiff beard on the end of his chin and his overcoat flying behind him, strode forward with an imprecation. "What the h—— are they doing in the parlour? This sort of thing's about played out!"
"Ain't she up there now?" the policeman asked.
"It's not Miss Tarrant," Ransom said, as if he knew all about it. He perceived in a moment that this was Mr. Filer, Olive Chancellor's agent; an inference instantly followed by the reflexion that such a personage would have been warned against him by his kinswoman and would doubtless attempt to hold him, or his influence, accountable for Verena's unexpected delay. Mr. Filer only glanced at him, however, and to Ransom's surprise appeared to have no theory of his identity; a fact implying that Miss Chancellor had considered that the greater discretion was (except to the policeman) to hold her tongue about him altogether.
"Up there? It's her jackass of a father that's up there!" cried Mr. Filer, with his hand on the latch of the door, which the policeman had allowed him to approach.
"Is he asking for a doctor?" the latter inquired dispassionately.
"You're the sort of doctor he'll want, if he doesn't produce the girl! You don't mean to say they've locked themselves in? What the plague are they after?"
"They've got the key on that side," said the policeman, while Mr. Filer discharged at the door a volley of sharp knocks, at the same time violently shaking the handle.
"If the door was locked, what was the good of your standing before it?" Ransom inquired.
"So as you couldn't do that"; and the policeman nodded at Mr. Filer.
"You see your interference has done very little good."
"I dunno; she has got to come out yet."
Mr. Filer meanwhile had continued to thump and shake, demanding instant admission and inquiring if they were going to let the audience pull the house down. Another round of applause had broken out, directed perceptibly to some apology, some solemn circumlocution, of Selah Tarrant's; this covered the sound of the agent's voice, as well as that of a confused and divided response, proceeding from the parlour. For a minute nothing definite was audible; the door remained closed, and Matthias Pardon reappeared in the vestibule.
"He says she's just a little faint—from nervousness. She'll be all ready in about three minutes." This announcement was Mr. Pardon's contribution to the crisis; and he added that the crowd was a lovely crowd, it was a real Boston crowd, it was perfectly good-humoured.
"There's a lovely crowd, and a real Boston one too, I guess, in here!" cried Mr. Filer, now banging very hard. "I've handled prima donnas, and I've handled natural curiosities, but I've never seen anything up to this. Mind what I say, ladies; if you don't let me in, I'll smash down the door!"
"Don't seem as if you could make it much worse, does it?" the policeman observed to Ransom, strolling aside a little, with the air of being superseded.
XLII
Ransom made no reply; he was watching the door, which at that moment gave way from within. Verena stood there—it was she, evidently, who had opened it—and her eyes went straight to his. She was dressed in white, and her face was whiter than her garment; above it her hair seemed to shine like fire. She took a step forward; but before she could take another he had come down to her, on the threshold of the room. Her face was full of suffering, and he did not attempt—before all those eyes—to take her hand; he only said in a low tone, "I have been waiting for you—a long time!"
"I know it—I saw you in your seat—I want to speak to you."
"Well, Miss Tarrant, don't you think you'd better be on the platform?" cried Mr. Filer, making with both his arms a movement as if to sweep her before him, through the waiting-room, up into the presence of the public.
"In a moment I shall be ready. My father is making that all right." And, to Ransom's surprise, she smiled, with all her sweetness, at the irrepressible agent; appeared to wish genuinely to reassure him.
The three had moved together into the waiting-room, and there at the farther end of it, beyond the vulgar, perfunctory chairs and tables, under the flaring gas, he saw Mrs. Tarrant sitting upright on a sofa, with immense rigidity, and a large flushed visage, full of suppressed distortion, and beside her prostrate, fallen over, her head buried in the lap of Verena's mother, the tragic figure of Olive Chancellor. Ransom could scarcely know how much Olive's having flung herself upon Mrs. Tarrant's bosom testified to the convulsive scene that had just taken place behind the locked door. He closed it again, sharply, in the face of the reporter and the policeman, and at the same moment Selah Tarrant descended, through the aperture leading to the platform, from his brief communion with the public. On seeing Ransom he stopped short, and, gathering his waterproof about him, measured the young man from head to foot.
"Well, sir, perhaps you would like to go and explain our hitch," he remarked, indulging in a smile so comprehensive that the corners of his mouth seemed almost to meet behind. "I presume that you, better than any one else, can give them an insight into our difficulties!"
"Father, be still; father, it will come out all right in a moment!" cried Verena, below her breath, panting like an emergent diver.
"There's one thing I want to know: are we going to spend half an hour talking over our domestic affairs?" Mr. Filer demanded, wiping his indignant countenance. "Is Miss Tarrant going to lecture, or ain't she going to lecture? If she ain't, she'll please to show cause why. Is she aware that every quarter of a second, at the present instant, is worth about five hundred dollars?"
"I know that—I know that, Mr. Filer; I will begin in a moment!" Verena went on. "I only want to speak to Mr. Ransom—just three words. They are perfectly quiet—don't you see how quiet they are? They trust me, they trust me, don't they, father? I only want to speak to Mr. Ransom."
"Who the devil is Mr. Ransom?" cried the exasperated, bewildered Filer.
Verena spoke to the others, but she looked at her lover, and the expression of her eyes was ineffably touching and beseeching. She trembled with nervous passion, there were sobs and supplications in her voice, and Ransom felt himself flushing with pure pity for her pain—her inevitable agony. But at the same moment he had another perception, which brushed aside remorse; he saw that he could do what he wanted, that she begged him, with all her being, to spare her, but that so long as he should protest she was submissive, helpless. What he wanted, in this light, flamed before him and challenged all his manhood, tossing his determination to a height from which not only Doctor Tarrant, and Mr. Filer, and Olive, over there, in her sightless, soundless shame, but the great expectant hall as well, and the mighty multitude, in suspense, keeping quiet from minute to minute and holding the breath of its anger—from which all these things looked small, surmountable, and of the moment only. He didn't quite understand, as yet, however; he saw that Verena had not refused, but temporised, that the spell upon her—thanks to which he should still be able to rescue her—had been the knowledge that he was near.
"Come away, come away," he murmured quickly, putting out his two hands to her.
She took one of them, as if to plead, not to consent. "Oh, let me off, let me off—for her, for the others! It's too terrible, it's impossible!"
"What I want to know is why Mr. Ransom isn't in the hands of the police!" wailed Mrs. Tarrant, from her sofa.
"I have been, madam, for the last quarter of an hour." Ransom felt more and more that he could manage it, if he only kept cool. He bent over Verena with a tenderness in which he was careless, now, of observation. "Dearest, I told you, I warned you. I left you alone for ten weeks; but could that make you doubt it was coming? Not for worlds, not for millions, shall you give yourself to that roaring crowd. Don't ask me to care for them, or for any one! What do they care for you but to gape and grin and babble? You are mine, you are not theirs."
"What under the sun is the man talking about? With the most magnificent audience ever brought together! The city of Boston is under this roof!" Mr. Filer gaspingly interposed.
"The city of Boston be damned!" said Ransom.
"Mr. Ransom is very much interested in my daughter. He doesn't approve of our views," Selah Tarrant explained.
"It's the most horrible, wicked, immoral selfishness I ever heard in my life!" roared Mrs. Tarrant.
"Selfishness! Mrs. Tarrant, do you suppose I pretend not to be selfish?"
"Do you want us all murdered by the mob, then?"
"They can have their money—can't you give them back their money?" cried Verena, turning frantically round the circle.
"Verena Tarrant, you don't mean to say you are going to back down?" her mother shrieked.
"Good God! that I should make her suffer like this!" said Ransom to himself; and to put an end to the odious scene he would have seized Verena in his arms and broken away into the outer world, if Olive, who at Mrs. Tarrant's last loud challenge had sprung to her feet, had not at the same time thrown herself between them with a force which made the girl relinquish her grasp of Ransom's hand. To his astonishment, the eyes that looked at him out of her scared, haggard face were, like Verena's, eyes of tremendous entreaty. There was a moment during which she would have been ready to go down on her knees to him, in order that the lecture should go on.
"If you don't agree with her, take her up on the platform, and have it out there; the public would like that, first-rate!" Mr. Filer said to Ransom, as if he thought this suggestion practical.
"She had prepared a lovely address!" Selah remarked mournfully, as if to the company in general.
No one appeared to heed the observation, but his wife broke out again. "Verena Tarrant, I should like to slap you! Do you call such a man as that a gentleman? I don't know where your father's spirit is, to let him stay!"
Olive, meanwhile, was literally praying to her kinsman. "Let her appear this once, just this once: not to ruin, not to shame! Haven't you any pity; do you want me to be hooted? It's only for an hour. Haven't you any soul?"
Her face and voice were terrible to Ransom; she had flung herself upon Verena and was holding her close, and he could see that her friend's suffering was faint in comparison to her own. "Why for an hour, when it's all false and damnable? An hour is as bad as ten years! She's mine or she isn't, and if she's mine, she's all mine!"
"Yours! Yours! Verena, think, think what you're doing!" Olive moaned, bending over her.
Mr. Filer was now pouring forth his nature in objurgations and oaths, and brandishing before the culprits—Verena and Ransom—the extreme penalty of the law. Mrs. Tarrant had burst into violent hysterics, while Selah revolved vaguely about the room and declared that it seemed as if the better day was going to be put off for quite a while. "Don't you see how good, how sweet they are—giving us all this time? Don't you think that when they behave like that—without a sound, for five minutes—they ought to be rewarded?" Verena asked, smiling divinely, at Ransom. Nothing could have been more tender, more exquisite, than the way she put her appeal upon the ground of simple charity, kindness to the great good-natured, childish public.
"Miss Chancellor may reward them in any way she likes. Give them back their money and a little present to each."
"Money and presents? I should like to shoot you, sir!" yelled Mr. Filer. The audience had really been very patient, and up to this point deserved Verena's praise; but it was now long past eight o'clock, and symptoms of irritation—cries and groans and hisses—began again to proceed from the hall. Mr. Filer launched himself into the passage leading to the stage, and Selah rushed after him. Mrs. Tarrant extended herself, sobbing, on the sofa, and Olive, quivering in the storm, inquired of Ransom what he wanted her to do, what humiliation, what degradation, what sacrifice he imposed.
"I'll do anything—I'll be abject—I'll be vile—I'll go down in the dust!"
"I ask nothing of you, and I have nothing to do with you," Ransom said. "That is, I ask, at the most, that you shouldn't expect that, wishing to make Verena my wife, I should say to her, 'Oh yes, you can take an hour or two out of it!' Verena," he went on, "all this is out of it—dreadfully, odiously—and it's a great deal too much! Come, come as far away from here as possible, and we'll settle the rest!"
The combined effort of Mr. Filer and Selah Tarrant to pacify the public had not, apparently, the success it deserved; the house continued in uproar and the volume of sound increased. "Leave us alone, leave us alone for a single minute!" cried Verena; "just let me speak to him, and it will be all right!" She rushed over to her mother, drew her, dragged her from the sofa, led her to the door of the room. Mrs. Tarrant, on the way, reunited herself with Olive (the horror of the situation had at least that compensation for her), and, clinging and staggering together, the distracted women, pushed by Verena, passed into the vestibule, now, as Ransom saw, deserted by the policeman and the reporter, who had rushed round to where the battle was thickest.
"Oh, why did you come—why, why?" And Verena, turning back, threw herself upon him with a protest which was all, and more than all, a surrender. She had never yet given herself to him so much as in that movement of reproach.
"Didn't you expect me, and weren't you sure?" he asked, smiling at her and standing there till she arrived.
"I didn't know—it was terrible—it's awful! I saw you in your place, in the house, when you came. As soon as we got here I went out to those steps that go up to the stage and I looked out, with my father—from behind him—and saw you in a minute. Then I felt too nervous to speak! I could never, never, if you were there! My father didn't know you, and I said nothing, but Olive guessed as soon as I came back. She rushed at me, and she looked at me—oh, how she looked! and she guessed. She didn't need to go out to see for herself, and when she saw how I was trembling she began to tremble herself, to believe, as I believed, we were lost. Listen to them, listen to them, in the house! Now I want you to go away—I will see you to-morrow, as long as you wish. That's all I want now; if you will only go away it's not too late, and everything will be all right!"
Preoccupied as Ransom was with the simple purpose of getting her bodily out of the place, he could yet notice her strange, touching tone, and her air of believing that she might really persuade him. She had evidently given up everything now—every pretence of a different conviction and of loyalty to her cause; all this had fallen from her as soon as she felt him near, and she asked him to go away just as any plighted maiden might have asked any favour of her lover. But it was the poor girl's misfortune that whatever she did or said, or left unsaid, only had the effect of making her dearer to him and making the people who were clamouring for her seem more and more a raving rabble.
He indulged not in the smallest recognition of her request, and simply said, "Surely Olive must have believed, must have known, I would come."
"She would have been sure if you hadn't become so unexpectedly quiet after I left Marmion. You seemed to concur, to be willing to wait."
"So I was, for a few weeks. But they ended yesterday. I was furious that morning, when I learned your flight, and during the week that followed I made two or three attempts to find you. Then I stopped—I thought it better. I saw you were very well hidden; I determined not even to write. I felt I could wait—with that last day at Marmion to think of. Besides, to leave you with her awhile, for the last, seemed more decent. Perhaps you'll tell me now where you were."
"I was with father and mother. She sent me to them that morning, with a letter. I don't know what was in it. Perhaps there was money," said Verena, who evidently now would tell him everything.
"And where did they take you?"
"I don't know—to places. I was in Boston once, for a day; but only in a carriage. They were as frightened as Olive; they were bound to save me!"
"They shouldn't have brought you here to-night then. How could you possibly doubt of my coming?"
"I don't know what I thought, and I didn't know, till I saw you, that all the strength I had hoped for would leave me in a flash, and that if I attempted to speak—with you sitting there—I should make the most shameful failure. We had a sickening scene here—I begged for delay, for time to recover. We waited and waited, and when I heard you at the door talking to the policeman, it seemed to me everything was gone. But it will still come back, if you will leave me. They are quiet again—father must be interesting them."
"I hope he is!" Ransom exclaimed. "If Miss Chancellor ordered the policeman, she must have expected me."
"That was only after she knew you were in the house. She flew out into the lobby with father, and they seized him and posted him there. She locked the door; she seemed to think they would break it down. I didn't wait for that, but from the moment I knew you were on the other side of it I couldn't go on—I was paralysed. It has made me feel better to talk to you—and now I could appear," Verena added.
"My darling child, haven't you a shawl or a mantle?" Ransom returned, for all answer, looking about him. He perceived, tossed upon a chair, a long, furred cloak, which he caught up and, before she could resist, threw over her. She even let him arrange it, and, standing there, draped from head to foot in it, contented herself with saying, after a moment:
"I don't understand—where shall we go? Where will you take me?"
"We shall catch the night-train for New York, and the first thing in the morning we shall be married."
Verena remained gazing at him, with swimming eyes. "And what will the people do? Listen, listen!"
"Your father is ceasing to interest them. They'll howl and thump, according to their nature."
"Ah, their nature's fine!" Verena pleaded.
"Dearest, that's one of the fallacies I shall have to woo you from. Hear them, the senseless brutes!" The storm was now raging in the hall, and it deepened, to such a point that Verena turned to him in a supreme appeal.
"I could soothe them with a word!"
"Keep your soothing words for me—you will have need of them all, in our coming time," Ransom said, laughing. He pulled open the door again, which led into the lobby, but he was driven back, with Verena, by a furious onset from Mrs. Tarrant. Seeing her daughter fairly arrayed for departure, she hurled herself upon her, half in indignation, half in a blind impulse to cling, and with an outpouring of tears, reproaches, prayers, strange scraps of argument and iterations of farewell, closed her about with an embrace which was partly a supreme caress, partly the salutary castigation she had, three minutes before, expressed the wish to administer, and altogether for the moment a check upon the girl's flight.
"Mother, dearest, it's all for the best, I can't help it, I love you just the same; let me go, let me go!" Verena stammered, kissing her again, struggling to free herself, and holding out her hand to Ransom. He saw now that she only wanted to get away, to leave everything behind her. Olive was close at hand, on the threshold of the room, and as soon as Ransom looked at her he became aware that the weakness she had just shown had passed away. She had straightened herself again, and she was upright in her desolation. The expression of her face was a thing to remain with him for ever; it was impossible to imagine a more vivid presentment of blighted hope and wounded pride. Dry, desperate, rigid, she yet wavered and seemed uncertain; her pale, glittering eyes straining forward, as if they were looking for death. Ransom had a vision, even at that crowded moment, that if she could have met it there and then, bristling with steel or lurid with fire, she would have rushed on it without a tremor, like the heroine that she was. All this while the great agitation in the hall rose and fell, in waves and surges, as if Selah Tarrant and the agent were talking to the multitude, trying to calm them, succeeding for the moment, and then letting them loose again. Whirled down by one of the fitful gusts, a lady and a gentleman issued from the passage, and Ransom, glancing at them, recognised Mrs. Farrinder and her husband.
"Well, Miss Chancellor," said that more successful woman, with considerable asperity, "if this is the way you're going to reinstate our sex!" She passed rapidly through the room, followed by Amariah, who remarked in his transit that it seemed as if there had been a want of organisation, and the two retreated expeditiously, without the lady's having taken the smallest notice of Verena, whose conflict with her mother prolonged itself. Ransom, striving, with all needful consideration for Mrs. Tarrant, to separate these two, addressed not a word to Olive; it was the last of her, for him, and he neither saw how her livid face suddenly glowed, as if Mrs. Farrinder's words had been a lash, nor how, as if with a sudden inspiration, she rushed to the approach to the platform. If he had observed her, it might have seemed to him that she hoped to find the fierce expiation she sought for in exposure to the thousands she had disappointed and deceived, in offering herself to be trampled to death and torn to pieces. She might have suggested to him some feminine firebrand of Paris revolutions, erect on a barricade, or even the sacrificial figure of Hypatia, whirled through the furious mob of Alexandria. She was arrested an instant by the arrival of Mrs. Burrage and her son, who had quitted the stage on observing the withdrawal of the Farrinders, and who swept into the room in the manner of people seeking shelter from a thunderstorm. The mother's face expressed the well-bred surprise of a person who should have been asked out to dinner and seen the cloth pulled off the table; the young man, who supported her on his arm, instantly lost himself in the spectacle of Verena disengaging herself from Mrs. Tarrant, only to be again overwhelmed, and in the unexpected presence of the Mississippian. His handsome blue eyes turned from one to the other, and he looked infinitely annoyed and bewildered. It even seemed to occur to him that he might, perhaps, interpose with effect, and he evidently would have liked to say that, without really bragging, he would at least have kept the affair from turning into a row. But Verena, muffled and escaping, was deaf to him, and Ransom didn't look the right person to address such a remark as that to. Mrs. Burrage and Olive, as the latter shot past, exchanged a glance which represented quick irony on one side and indiscriminating defiance on the other.
"Oh, are you going to speak?" the lady from New York inquired, with her cursory laugh.
Olive had already disappeared; but Ransom heard her answer flung behind her into the room. "I am going to be hissed and hooted and insulted!"
"Olive, Olive!" Verena suddenly shrieked; and her piercing cry might have reached the front. But Ransom had already, by muscular force, wrenched her away, and was hurrying her out, leaving Mrs. Tarrant to heave herself into the arms of Mrs. Burrage, who, he was sure, would, within a minute, loom upon her attractively through her tears, and supply her with a reminiscence, destined to be valuable, of aristocratic support and clever composure. In the outer labyrinth hasty groups, a little scared, were leaving the hall, giving up the game. Ransom, as he went, thrust the hood of Verena's long cloak over her head, to conceal her face and her identity. It quite prevented recognition, and as they mingled in the issuing crowd he perceived the quick, complete, tremendous silence which, in the hall, had greeted Olive Chancellor's rush to the front. Every sound instantly dropped, the hush was respectful, the great public waited, and whatever she should say to them (and he thought she might indeed be rather embarrassed) it was not apparent that they were likely to hurl the benches at her. Ransom, palpitating with his victory, felt now a little sorry for her, and was relieved to know that, even when exasperated, a Boston audience is not ungenerous. "Ah, now I am glad!" said Verena, when they reached the street. But though she was glad, he presently discovered that, beneath her hood, she was in tears. It is to be feared that with the union, so far from brilliant, into which she was about to enter, these were not the last she was destined to shed.
THE END
End of Project Gutenberg's The Bostonians, Vol. II (of II), by Henry James
*** END OF THIS PROJECT GUTENBERG EBOOK THE BOSTONIANS, VOL. II (OF II) ***
***** This file should be named 19718-h.htm or 19718-h.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/1/9/7/1/19718/
Produced by Suzanne Lybarger, Mary Meehan and the Online
Distributed Proofreading Team at http://www.pgdp.net
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
gbnewby@pglaf.org
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate
Section 5. General Information About Project Gutenberg-tm electronic
works.
Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Most people start at our Web site which has the main PG search facility:
http://www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.