The Broken Vase

Chapter 6

The tendency of the human animal to follow a pattern, however recently molded, was illustrated on Sunday afternoon in Mrs. Pomfret’s library. Those twelve people had gathered there and sat at that table only once before, but as Mrs. Pomfret’s glance went down one side and up the other, she noted that each occupied the same chair as on the previous occasion. At her left Adolph Koch, and beyond him Ted Gill, Dora Mowbray, Tecumseh Fox, Diego Zorilla and Garda Tusar; at her right was Wells, then her son, her husband, Hebe Heath and Felix Beck. The meeting had convened a little late, for Fox had not arrived until a quarter past two. That must have been intentional, since he invariably got to places well ahead of time.

Mrs. Pomfret, completing her regnant glance, said that Mr. Fox had a report to make, and nodded at him.

Fox took a paper from his pocket, announced, “This is a statement signed yesterday by Mr. Theodore Gill,” and read it aloud.

The reactions were varied and in two quarters spectacular: Perry Dunham burst into a roar of laughter, and Hebe Heath, after maintaining a haughty stare at Fox until he reached the end, suddenly covered her face with her beautiful hands and moaned. Ted Gill glared across at her; Garda’s eyes were flashing daggers; Henry Pomfret, next on her left, moved to increase the space between them. Diego Zorilla muttered in astonishment:

“A woman of course — but that one?” He demanded of Fox, “What is it, then? Merely a devil in her?”

Felix Beck was finding his tongue. “You!” he blurted. “I warned him! I warned Jan many times about you—”

“This is drivel,” Adolph Koch said sharply. “To begin with, I should like to know why Mr. Gill signed so extraordinary—”

“It is not drivel!” Garda cut him off. “She’s a Nazi!”

“Good God,” Ted Gill murmured in stupefaction.

“You, Garda,” Koch said caustically, “are an imbecile.”

“Oh, I am?” Garda was bitter, sarcastic, and triumphant. “I am always an imbecile, you think? When I said Jan was murdered I was an imbecile? So you said.” She snapped open her handbag, fumbled in it with hasty fingers, and took out an envelope. “This came to me today. Read it and see what you think now.”

Diego, next to her, had a hand there for it, but she reached around him toward Fox. Fox took the envelope, glanced at the address and postmark, extracted a slip of paper and looked at it front and back.

“No salutation,” he announced. “Hand-printed in ink — not, by the way, the same hand as on the package sent to Mrs. Pomfret — and it says: ‘Those who seek to damage the Reich will suffer for it as your brother did. Heil Hitler!’ Below, for signature, is a swastika. You say you got this today, Miss Tusar?”

“Yes. This morning by special delivery.”

“I noticed the special delivery. May I keep it?”

“No. I’m going to give it to the police.”

“As you please, of course. But I’d like to discuss it with you later—”

“Discuss it now,” Koch said bluntly. “It’s ridiculous! The idea that Miss Heath is a Nazi — What do you say to that, Mr. Gill?”

“Nothing. I’m petrified.”

“It’s absurd. Nor does that swastika thing prove that Nazis were responsible for Jan’s death; they may merely be taking credit for a misfortune they had nothing to do with.”

“Anyhow,” Mrs. Pomfret put in, “since Garda insists on turning it over to the police, that’s out of our hands. But I think the statement Mr. Gill signed entitles us to an explanation from Miss Heath. For what purpose did she remove the violin from the dressing room and keep it concealed for two days?”

Ted Gill groaned.

“That,” Fox said, “can wait. Any of you may ask Miss Heath about it later if you find it worth while. It is Mr. Gill’s opinion that, seeing the violin there, she surrendered to an irrational and irresistible impulse.”

“I don’t believe it,” Mrs. Pomfret said flatly.

“Well,” Perry Dunham offered, “here’s a suggestion that may solve two mysteries at once. I doubt if she’s a Nazi, but what if she’s a kleptomaniac?” He grinned crookedly at his stepfather. “She was here the day your Wan Li vase was stolen, wasn’t she? I’ll bet she swiped it, maybe starting a collection. Then she swiped the violin to start another collection—”

“Do you,” Koch inquired acidly of Mrs. Pomfret, “approve of your son’s brand of humor, madam?”

She met his gaze and matched his tone. “I don’t regard it as humor, Mr. Koch. However he may have meant it. The same idea had occurred to me, quite seriously. When the vase disappeared you may remember that you said, of course in jest, that you must have taken it yourself because you were the only one present who appreciated its beauty and value. Though my husband and I have suspected Miss Heath all along, we have naturally kept silent, since there has been no evidence. Now we may at least say what we think. You agree, Henry?”

“I suppose so.” Pomfret looked uncomfortable. “If it will do any good. If it will get the vase back...”

“It may have that result.” Mrs. Pomfret aimed her shrewed eyes at Fox. “Will you please tell us how you learned that it was Miss Heath who stole the violin?”

“No,” Fox said bluntly. “At least not now, because I have something more important to tell you. We’ve been investigating what happened to the violin after Tusar used it Monday evening. Now the question is, what happened to it before he used it?”

There was an edge to his voice, a warning mordacity, that fastened all eyes on him.

“Or rather,” he went on, “the question is, who did it, because I know what happened. At some time between Monday noon and eight o’clock that evening, someone poured a lot of varnish through one of the f-holes and tilted the violin around to spread it over the inside of the back.”

There were ejaculations of incredulity and astonishment.

“God almighty,” Felix Beck said. “But that... no one alive—” He stopped, stunned.

“I discovered it,” Fox continued, “when I inserted a pencil flash through an f-hole. I could see only a portion of the inside, so I don’t know whether it’s spread all over or not, but probably it is. I scraped some out with a stick, and it’s still gummy, so it hasn’t been there long. I consulted an expert—”

“Where is it?” Adolph Koch demanded.

“As I said, on the inside—”

“No, I mean the violin. Where’s the violin?”

“It’s in a bank vault. You may take my word for it that the varnish is there. An expert told me that it may be permanently ruined. It can be unboarded and the varnish removed, but it has probably soaked into the wood fibers enough to alter the tone even if that is done. He also told me that a thick coat of varnish on the inside of either the back or the belly would destroy the resonance and brilliance of any fine violin, and that anyone familiar with musical instruments would know that.”

He looked around at them, his penetrating gaze halting a moment at each face; and when it reached Hebe Heath, she, choosing that juncture to contribute a grotesquerie which under more favorable circumstances would have got her the entire audience, pressed her palms to her breasts and exclaimed in a hollow and dreadful tone:

“Varnish!”

But no one seemed to hear it. Each in his turn and his own way was meeting the challenge of Fox’s silent survey. He broke the silence and spoke to all:

“So you have it, and you don’t like it. I don’t blame you. I suppose Miss Tusar regards this as confirming her suspicion that her brother was murdered. Perhaps. Perhaps not, legally. Whoever ruined his violin may merely have intended to humiliate and disgrace him. Even if it was calculated that in his distress Tusar would kill himself, it would be difficult, if not impossible, to prove that the calculation existed and led to premeditated murder. So I doubt if anyone is going to pay for Tusar’s life with his own. But some kind of payment is going to be made. When I sat in that auditorium Monday evening and watched Tusar’s face I didn’t know what was going on, but I do now, and though I’ve dealt with a lot of crime professionally, including murder, I don’t remember anything quite as damnable and devilish as that.”

“Is your tone,” Koch inquired caustically, “intended to rebuke our moral palsy? I assure you I didn’t pour varnish in Jan’s violin.”

There were mutterings. Fox said sharply. “A rebuke is none of my business, but the facts are. I am no longer making a friendly report to a group of which I am a member. I am going to do one of two things immediately: either I shall question each of you in turn privately and thoroughly, and you will answer—”

“Fish! Mrs. Pomfret said emphatically. “We certainly have to decide what’s to be done, but if you think you’re going to turn my house into a police station—”

“That’s the alternative, Mrs. Pomfret. The police, or me. Moreover, I’ll start with your son. When I was left alone here the other day, he came and said you wanted me. He stayed here, I went out, but I doubled back and looked through the keyhole, and he had pawed into the package and got the violin. If you had seen his face when I entered, and heard what he said, you would have known as I did that he wasn’t merely passing the time.”

Eyes went to Perry Dunham. Mrs. Pomfret, frowning at Fox in disbelief, opened her mouth and closed it again, and then turned to her son and asked quietly, “What is this, Perry?”

“Nothing, Mum.” The young man reached across Wells to pat the back of her hand. “You know me, always up to mischief. I was going to plant a clue for him.”

Fox shook his head. “You’ll have to do a lot better than that before we’re through.” He stood up. “If the rest of you will please leave me here with Mr. Dunham? Since it’s Sunday afternoon, I don’t suppose any of you have important engagements. If you have, and must leave before I get to you, I would like to see you as soon as possible. When I finish here I may or may not report to the police. That will depend.”

Hesitantly, with glances and murmurs, they pushed back their chairs. Koch addressed Fox:

“You said the varnish was put in the violin between noon Monday and eight in the evening. How do you know that?”

“Because the tone was all right when Tusar finished practicing with Miss Mowbray at noon.”

“How do you justify your assumption that one of us did it?”

“Not my assumption. I make a start here, that’s all.”

Most of them had started for the door, but were lingering. Mrs. Pomfret had moved to confront Fox:

“I’m going to have a few words with my son. I’ll send him back here as soon as I’m through. This high-handed procedure — I presume you are aware that your threat to go to the police is a gross breach of our confidence in your discretion?”

“I don’t regard it so.” Fox met her gaze. “And I meant what I said. I wish to question your son immediately.”

“So do I. And I intend to. I would advise you, Mr. Fox—”

“Take me first,” Henry Pomfret interceded from behind her elbow. “That is, if I’m included—”

“Attaboy,” Perry Dunham cackled. “Hurling yourself into the front line—”

“Come, Perry.” Mrs. Pomfret had her son’s arm.

“But, Mum, I assure you—”

“You come with me. Henry, I approve of your suggestion. Stay with Mr. Fox. If he wishes to search the house for cans of varnish, by all means let him.”

She marched out with her son in tow. The others had gone. Perry, as he pulled the door to behind him, stuck his face beyond its edge to grimace derisively at the two who were left.

Henry Pomfret seated himself in the chair Diego Zorilla had vacated. Fox scowled down at him through a moment’s silence and then declared: “For a lead nickel I’d use that phone now.”

Pomfret nodded. “If I were in your place that’s what I would do.” He added hastily, “But I hope you won’t. Naturally you resent my wife’s taking Perry off like that, but that’s how she does things. She called you high-handed, and she doesn’t realize she’s high-handed herself. She can’t help it. She was rich before she married Dunham, and ten times richer when he died, and you know what money does to people, even the best of them, and she’s one of the best.”

Fox turned a chair around, sat down, and, resting his chin on his thumb, regarded the husband speculatively. The face he saw irritated him. Yet there was nothing especially disagreeable about nature’s silly attempt to compose a human countenance out of a broad mouth and a sharp nose, small gray eyes and a wide sloping brow. Was he then irritated, not by what he saw, but by what he knew, that this man lived on his wife’s money? That suspicion, that he was allowing an appraisal to be adulterated by a prejudice, and a herd prejudice at that, provoked him further. He abandoned the appraisal and inquired abruptly:

“Why did you and your wife leave before the concert began Monday evening?”

Pomfret blinked. Then he smiled wryly. “Well,” he said, “I left because she told me to take her home.”

“Why did she want to go home? Hadn’t she gone there to attend the concert?”

“Yes. That was the intention.” Pomfret leaned back in his chair and folded his arms. “You know, you’re putting me on a sort of spot. No doubt the proper thing is to tell you that if you want to know why my wife left before the concert you can ask her, but if you did ask her she would as likely as not tell you to go to the devil, and then you might attach undue importance to something wholly trivial. On the other hand, if I tell you and she finds out that I did...” He shrugged. “That seems to be the lesser evil. It was a tactical retreat. The Briscoe-Pomfret War.”

“War?”

“My lord, you’ve never even heard of it?” Pomfret was amazed. “But then, you aren’t living in the trenches, as I am. Mrs. Briscoe is short on matériel, meaning money, compared to my wife, so she adopts a guerilla technique. She snipes. Last year, for instance, she practically kidnapped Glissinger, the pianist. Not long ago she coerced a promise from Jan to play at a musical for her. My wife talked him out of it. Monday evening in his dressing room he blurted at her that he had reconsidered and was going to keep his promise. Just before his concert was not time to start a counterattack, so she merely went home. The fact is, she has been damned upset about it, though she would never admit it. She thought her running out on his concert might have been responsible for the way he played, just as Dora thought it might have been her fault. Now you say it was something more deliberate — and a lot more damnable. God knows I agree, if it happened the way you think it did.”

“How else could it have happened?”

“I don’t know.” Pomfret, looking uncomfortable, hesitated. “You’re experienced at this kind of thing and I’m not. But you said the varnish was put in the violin between noon and eight o’clock Monday, and frankly, I don’t see how you can be sure of that.”

“Do you mean it might have been done after the concert? During the two days it was in Miss Heath’s possession?”

“Well — you can’t rule it out as impossible, can you?”

“I can rule it out as silly,” Fox declared shortly. “If the varnish wasn’t in it Monday evening, what was wrong with it? Why wasn’t it all right? If you like to suppose Miss Heath put the varnish in, why not suppose she did it before the concert instead of after?”

Pomfret flushed. “I don’t,” he said stiffly, “particularly like to suppose Miss Heath did it. If what my wife said about my vase made you think I’m ill-disposed toward Miss Heath, you’re wrong. I have never thought it likely that she took the vase.”

“Your wife said that both of you have suspected her all along.”

“My wife has. I’m not responsible for her interpretation of my failure to fly to Miss Heath’s defense. Ordinary common sense would keep a man from defending a beautiful young woman against his wife’s suspicion.”

Fox considered that, and disposed of it by remarking, “I’m not married.” If the fact was regarded by him as a cause for regret, he successfully excluded it from his tone. He went on, “There, in Tusar’s dressing room, you said he blurted something at your wife. Was there a scene?”

“I wouldn’t say a scene. No. But there was certainly an atmosphere. Jan always had nerves, but I had never seen him so much on edge. My wife knew what that concert meant to him, and she tried to calm him down.”

“How long were you in there?”

“Oh, ten minutes, perhaps fifteen.”

“Was there anyone else there?”

“Yes. Perry went in with us, but his mother told him to go and look up Dora. Beck went with him. Mrs. Briscoe was there. She’s a damn fool, and it was her mentioning her musical that made Jan say what he did to my wife.”

“Did she leave the dressing room before you did?”

“I don’t...” Pomfret thought a moment. “Yes, I do, she went out with Koch and left us in there. Or rather, Koch took her out. Koch was already there when we arrived.”

“Was there anyone else in there while you were? Perry, Beck, Mrs. Briscoe, Koch. Anyone else?”

I think not. I’m sure not. Just as we left Miss Heath and that fellow Gill went in.”

“Where was the violin?”

“The violin? I don’t remember—” Pomfret checked himself, frowned, and breathed. “Oh,” he said. “I see. You think it may have been done right there in the dressing room. I suppose that’s possible. There were a lot of people around, but of course they weren’t especially noticing the violin. It must have been there, but I don’t remember seeing it.”

“Soon after you left, Tusar appeared at the door of the dressing room and had it in his hand.”

“Well, it wasn’t in his hand while I was there. I’m sure I would have noticed it if it had been.”

“When was the last time you had seen Tusar prior to that evening at the hall?”

“I saw him Monday afternoon.”

Fox’s brows went up. “You did?”

“Yes.” Pomfret moved in his chair and an embarrassed little laugh escaped him. “So if you’re going by the law of averages you’ll probably pick me for the varnish suspect, or my wife, because we both had two opportunities. Only it happens that I didn’t see the violin either time. We were at the Garden at a matinee, a skating ballet, and we dropped in at Jan’s studio a little after five to invite him to have tea with us.”

“Did he accept?”

“He didn’t get invited. Diego and Koch were there, and my wife isn’t particularly fond of Koch. We stayed perhaps a quarter of an hour and then— What’s that?”

Pomfret jerked erect in his chair to rigid attention. Fox turned his head, ears alert, listened, and turned back again:

“It sounded like a female scream. Someone probably spilled a drink on Miss Heath—”

But Pomfret was on his feet. “Not Miss Heath— I think—”

A bellow came, from a distance and through the door, an urgent resounding bellow, in the bass of Diego Zorilla:

“Fox! Fox!”

Fox bounded across to the door, jerked it open, and was in the hall; and saw Diego headed for him on the run, with an expression on his face that no drink spilled on Hebe could have accounted for. He braked to a stop.

“Well?” Fox demanded.

“Old Stony Face,” Diego rumbled. “Overlook my excitement. I beg your pardon. I think he’s dead.” He hooked a thumb back over his shoulder. “In there. Would you care to look?”

As Fox moved forward, Henry Pomfret, on a gallop, shot past him; and by the time he had traversed the corridor and reception hall and entered the yellow room, Pomfret had already reached his wife and had an arm around her shoulder, as she leaned against a lacquered table telling the transmitter of a yellow enameled telephone, in a tone more hollow and dreadful than anything Hebe Heath could have produced:

“... Doctor Corbett, at once...”

Other voices, commotion, servants running...

Fox pushed through the huddled guests and knelt beside a prostrate motionless figure on the floor.