The Cold Room

Two

Taylor Jackson was happy to spy an empty parking spot halfway up Thirty-second Avenue. Luck was on her side tonight. Parking in Nashville was extremely hit-or-miss, especially in West End. The valet smiled hopefully as she turned in front of Tin Angel, but she couldn’t leave a state vehicle with a kid who didn’t look old enough to have a driver’s license, not without getting into all kinds of trouble. She drove past him, paralleled smoothly and walked the slight hill back down to the restaurant’s entrance. She was looking forward to the evening, a girls’ night with her best friend Sam and colleague Paula Simari. No homicides. No crime scenes. Just a low-key meal, some wine, some chicken schnitzel. A night off.

She was early, her friends hadn’t arrived yet. She followed the hostess to a table for four right by the bricked fireplace. The logs were stacked tightly and burning slow, putting out a pleasant low, smoky heat. Even though the weather was warming, it was still nippy in the early mornings and late evenings.

She ordered a bottle of Coppola Merlot, accepted a menu, then lost herself in thought. The envelope she’d addressed before she left for dinner was burning a hole in her pocket. She took it out and stared at the lettering, wishing she didn’t recognize the handwriting. Wishing she didn’t have to address letters to federal penitentiaries, even if they were the chinos and golf-shirt variety.

Winthrop Jackson, IV

FCI MORGANTOWN

FEDERAL CORRECTIONAL INSTITUTION

P.O. BOX 1000

MORGANTOWN, WV 26507

The edges of the envelope were getting frayed. She needed to decide if she was going to mail this letter or not.

She traced the outline of the address, her mind still screaming against the reality. Her father, in prison. And she’d been the one who put him there. Glancing to make sure no one was looking, she slid the single handwritten page from its nest.

Dear Win,

I am sorry. I know you understand I was just doing my job. I had no choice. I would appreciate it if you would stop trying to contact me. I find our relationship impossible to handle, and I want to get on with my life. Mom is still in Europe, but she has her cell phone. She can send you the money you need.

For what it’s worth, I do forgive you. I know you couldn’t help yourself. You never have.

Taylor

“Whatcha reading? You look upset.”

Taylor started. Sam took the seat across from her, dropped her Birkin bag on the floor under the table and stretched her fingers, the joints popping slightly. She grimaced.

“Holding a scalpel all day does that to you. What’s that?”

Taylor shook the page lightly. “A letter to Win.”

“Really? I thought you’d sworn off dear old dad. Did you order some wine?”

“I did. It should be here any minute. Where’s Paula?”

“She got called to a case. Sends her apologies. She’ll catch us next week. It’s just us chickens tonight.”

Sam settled back into the chair, the firelight glinted red off her dark hair. Taylor still wasn’t used to the blunt-cut bangs that swooped across Sam’s forehead. She’d cropped her tresses into a sophisticated bob, what she called her mom do. Taylor thought she looked less like a mom and more like Betty Page with that cut, but who was she to comment?

“What are you staring at?”

“Sorry. The hair. It’s so different. Takes me a minute.”

“You have no idea how easy it is. Though I do miss long hair. Simon does too.”

“I thought about cutting mine. When I mentioned it, Baldwin had a fit.”

The wine arrived and they placed their orders. They clinked their glasses together, and Sam said, “Up to it, down to it.”

Taylor laughed. They’d started that toast in eighth grade. Up to it, down to it, damn the man who can’t do it…. The rest of the toast was a crude allusion to their future lovers’ skill, though they had no idea what it meant at the time. In high school Taylor had embarrassed herself at one of her parents’ many dinner parties by leading a toast with it. When the men roared and the women blushed, her mother, Kitty, had taken her aside and explained why that wasn’t an appropriate thing for a young lady of breeding to say. She wouldn’t tell her why, though, and Taylor and Sam puzzled over it for days. Now, as a woman, she understood, and always laughed at the memory of her disgrace.

She thought of Win then, and sobered.

“I’m trying to shut Win down, Sam. He keeps mailing, keeps calling. I don’t want anything to do with him. He’s poison, and I need to get him out of my life. What if Baldwin and I have children one day? Can you imagine ole jailbird gramps telling stories at Christmas dinner? He’ll either corrupt them or embarrass them.”

“You’re thinking of having kids?”

“Focus, woman. We’re talking about my dad.”

“You’d make a great mother.”

Taylor stared hard at her best friend. “Why do you say that?”

“Please. You’re totally the nurturing type. You just don’t know it yet. You’ll be like a bear with its cub, or a tiger. Nothing, and no one, will harm a hair on your kid’s head. Trust me, you’ll take to it like a seal to water. When might this magnificent event take place, anyway?”

“You mean my immaculate conception?”

Sam laughed. “Baldwin’s still in Quantico, I take it.”

“Yes. He gets back tonight. That’s why I wanted to meet downtown. I’m going to head to the airport from dinner.”

“You miss him when he’s gone, don’t you?” Sam smiled at her, a grin of understanding. Taylor had never needed a man to feel complete, but when she’d gotten involved with John Baldwin, she suddenly felt every moment without him keenly. She’d never felt that way about a man before. When she shared her feelings, Sam had patiently explained that was what love was about.

Taylor’s cell phone rang, a discreet buzz in her front right pocket. She pulled it out and glanced at the screen.

“Crap.”

“Dispatch?”

“Yeah. Give me a sec.” So much for a quiet dinner with friends before a loving reunion with Baldwin. She glanced at her watch. His plane would be landing soon. No help for it. Dispatch calling her cell meant only one thing. Someone was dead. She put the phone to her ear.

“Detective Jackson, this is Dispatch. We need you at 1400 Love Circle. We have a 10–64, homicide, at 1400 Love Circle. Be advised, possible 10–51, repeat, 10–51. They’re waiting for you. Thank you.”

“I’m not on today, Dispatch. Give it to someone else.”

“Apologies, Detective, but they’re asking for you specifically.”

Taylor sighed. I’m your beck-and-call girl.

“10-4, Dispatch. On my way.”

A dead body, a possible stabbing. A lovely way to cap off her day.

“You have to go?” Sam asked.

“Yep. Aren’t you coming? I’m sure you’ll be getting the call, too.”

Sam raised her glass. “Unlike you, my dear, I am still captain of my own ship. I’m off duty tonight. The medical examiner’s office can live without me on this one. Give my love to the valet on the way out, he’s adorable.”

Only Sam could get away with teasing her about her demotion. Only Sam.

“Jeez, thanks,” Taylor said, but she smiled. Getting busted back to Detective had been frustrating and embarrassing, the sidelong glances and whispers disconcerting. But she was determined to make the best of it. Karma was a bitch, and the ones who’d wronged her would get their comeuppance in the end. Especially if she won the lawsuit her union rep had filed.

The food arrived just as Taylor stood to leave. She looked wistfully at the perfectly breaded chicken. Sam saw her eyeing it.

“I’ll have it made into a to-go package and drop it in your fridge on my way home.”

Taylor bent to kiss Sam on the cheek. “You’re the best. Thanks.”

“Yeah, yeah. Just remember you owe me an uninterrupted dinner. Now, go on with you. You’re practically quivering.”

Taylor retrieved her car, made all the lights through West End and finally got caught by a yellow in front of Maggiano’s. The next intersection was her turnoff, and it flashed to red just as she rolled onto the white line.

To her left, Love Circle wound sinuously around the top of a windy hill in the middle of West End. It held too many memories for her.

She slipped her sunglasses off; she didn’t need them. She’d gotten in the habit of putting them on the second she was out of doors lately, especially walking to and from her office. It allowed her to avoid meeting the pitying gazes she’d been receiving.

She fingered the bump at the top of her nose, just underneath where the bridge of her sunglasses sat. She’d broken her nose for the first time on Love Hill when she was fourteen, playing football with some boys who’d come to the isolated park at the top of the hill to smoke and shoot the breeze. Her mother had cringed when she saw the break the following morning at breakfast, dragged her to a plastic-surgeon friend immediately. He’d realigned the cartilage, clucking all the while, and bandaged her nose in a stupid white brace that she’d discarded the moment her mother left her alone. The hairline fracture never healed properly, giving her the tiny bump that made her profile imperfect.

The second time, it had been broken for her. Damn David Martin, her dead ex-partner, had roughed her up after breaking into her house. She’d been forced into violence that night, had shot him during the attack.

The car behind her beeped, and Taylor realized she’d been sitting at the left-turn arrow through a full cycle of lights. It was green again. Good grief. Lost in thought. That’s what the hill did to her.

She turned left on Orleans, took a quick right on Acklen, then an immediate left onto Love Circle. It was a steep, narrow road, difficult to traverse. The architecture was eclectic, ranging from bungalows from the 1920s to contemporary villas built as recently as five years ago. Many of the houses had no drives; the owners usually left their cars on the street. She wound her way up, surprised by the changes. A huge, postmodern glass house perched at the top of the hill, lit up like Christmas. She remembered there was some flak about it; built by a country-music star, something about a landing pad on the roof. She drove past, admiring the architecture.

At the top of the rise, she stopped for a moment, glanced out the window to the vivid skyline. The sky was deeply dark to the east, with no moon to light the road. The dazzling lights of Nashville beckoned. No wonder the isolated park at the peak was still a favorite teen hangout. There was something about the name, of course. It was rather romantic to head up the hill at sunset to watch the lights of Nashville blink on, one by one, a fiery mass of luminosity cascading through the city.

Being reared in the protected Nashville enclaves of Forest Hills and Belle Meade, Taylor sometimes needed to move outside her parents’ carefully executed social construct to find a little fun. Her honey-blond hair and mismatched gray eyes always drew attention, whether she wanted it or not. Coupled with her height, already nearly six feet tall at thirteen, she’d commanded the attention of her peers, friends and foes alike. It wasn’t a stretch that she’d get into a little mischief here and there.

She’d been a regular on the hill for a summer; with Sam Owens-now Dr. Sam Loughley, Nashville’s lead medical examiner-at her side. They’d gotten into the genteel trouble that was expected from well-bred teenagers: smoking stolen Gauloises, sipping nasty-tasting cheap whiskey, hanging out with boys who shaved their hair into Mohawks and talked big about anarchy and guitar riffs. It didn’t last. Their constant posturing quickly bored her.

It made Taylor sad to think back to her youth; the things they called “trouble” back then were increasingly tame by today’s standards. Here she was, newly turned thirty-six, and already feeling old when faced with teenagers.

She’d abandoned the Circle when she was fifteen, didn’t return until her eighteenth birthday. A nostalgic drive with her first real lover, the professor. He’d driven her up there in his Jeep and parked, hands roaming across her body. They’d nearly driven over the edge when her knee knocked the gearshift into Second. He’d taken her to his place that night for the very first time, deflowered her with skill and care.

She smiled, as she normally did when a memory of James Morley first crossed her mind. The thought led to her father, a close friend of Morley’s, and the smile fled.

She needed to mail the letter. Win Jackson was only eight hours away, and he’d be out in a matter of months, having cut several deals to assure him an early release. His missives came with alarming regularity, each begging for forgiveness. His dealings with a shadowy crime boss in New York were behind him. He was going to be on the straight and narrow path from here on out.

She wondered how many times she’d heard that before. Money laundering wasn’t the worst he could have been charged with, but it was the charge that stuck. Well, there was time before she’d have to deal with Win in person. Not as much as she’d like, but enough.

She passed the apex of the hill and the crime scene beckoned to her. Blue-and-white lights flashed, guiding her in. Four patrol cars stood at attention next to a chain-link fence. The K-9 unit was parked at an angle. Taylor recognized Officer Paula Simari’s German shepherd, Max, straining against the cracked window, searching for his master. Ah, so this was the crime scene that had kept her from dinner. It must be a doozy if they were calling in off-duty officers and detectives.

Taylor put her window down, cooed softly at the dog. “You’re okay, baby. She’ll be back in a minute.” Max stopped fretting and sat, tongue lolling out the side of his mouth.

She drove another twenty yards, down the back edge of the hill. All of the attention was focused on a two-story house set back fifty feet from the street. The house was an original Craftsman, built sometime in the 1930s, if she had to guess. The thick, pyramid-shaped columns and slanting roof were well-kept. The exterior was awash in false light; the shake shingles looked to be painted a soft, mossy green, the details slightly darker. The whole house blended perfectly into the surrounding woods. Four joint dormer windows across the second story were square and forward, watching.

She was surprised to see the lawn and porch littered with milling people-a level of disorganization rarely in evidence at a Nashville crime scene. The crime-scene techs were setting up to take photos, video, collect evidence; two patrol officers were standing to one side, conversing in low tones. The command table had been set up on the porch. Uniforms and plainclothes techs were walking around the outside of the house. Neighbors had gathered, silently scrutinizing.

She parked next to a crime-scene van. The side door was open, the contents spilling out as if the tech was in a hurry to get moving on the scene. Paula Simari was twenty feet away. She caught Taylor’s eye, angled her head with a jerk. Meet me inside, the look said. Taylor got out of the car, intrigued.

“Detective!”

A young man signaled her to join him on the lawn of the house. It was deep emerald in the false light, freshly mown; the tang of green onion and cut grass felt so familiar, so right. Normal and unthreatening, just another suburban evening.

But it wasn’t. She shut the door to her car, trying to assimilate the scene. The man continued waving, gesticulating wildly as if she hadn’t seen him already.

Her new partner. Renn McKenzie. Nice enough guy, but she wasn’t willing to get to know him. It was too damn soon. She was still in mourning, recovering from the demise of her team, her career. Her future.

He galloped up to her, breathless. She nodded at him, willing some zen calm into him. “McKenzie.”

“Just call me Renn, Taylor.”

“Jackson is fine, McKenzie.”

“I wish you’d just call me Renn.”

Just Renn. “I’m not on today. I assume you had me called for a reason. Could you fill me in?”

She saw the blush rise on his cheeks. Just Renn had been transferred in from the South sector. He and Marcus Wade, one of her former teammates, had essentially traded places. Captain Delores Norris, head of the Office of Professional Accountability, was the architect of the restructuring.

She would kill to have Marcus by her side right now. Or her former sergeant, Pete Fitzgerald, or Lincoln Ross. But her entire team had been disassembled, and she felt the loss sorely. She was sure Just Renn was a fine detective, but he had his own rhythms, his own demeanor, an eagerness that belied the streaks of gray at his blond temples that was hard to get used to. He was gangly, all sharp edges, no real refinement to his walk or manners. Brown eyes, thin lips, three days of fuzzy golden razor stubble. A decent-looking man, if you liked the enthusiastic type. But he’d only been in plainclothes for about a month, which frightened her. Inexperience could blow an investigation; she was used to working with seasoned pros. Pros she had trained to work her way.

To be truthful, a small part of her liked keeping him off balance. It gave her the sense that maybe this wasn’t forever.

“Sure, yeah. Jackson. Such a harsh name. I assume you’re related?” He looked at her, his face turning blue, then white, then blue.

“Related to…?”

“Andrew Jackson, of course.”

This boy obviously didn’t know his Southern history. There were no direct descendants of Old Hickory-though he’d raised eleven children, none were his own. There was a family connection though, through Jackson’s wife Rachel’s son…. She bit her lip, resisted the urge to scream. None of this had any bearing on her job.

“McKenzie?”

“Yeah?”

“Who’s dead?”

“Yeah. Sorry. We don’t know.” He didn’t make a move toward the house, just stood there.

“Could we possibly go see the body?”

“Oh, yeah, sure. Let’s go. She’s in the living room, or the great room, or whatever you call that big open space in the middle of the house. You can’t see her from the front door, the best view is from the kitchen. Not a lot of walls in the downstairs, it’s all open except for a few columns. She’s, well, I’ll let you see for yourself.”

Now we’re talking.

They reached the front steps. Taylor took them two at a time. Just Renn was right on her tail. It wasn’t her imagination; the command center had been set up on the porch of the house.

“McKenzie? Why don’t you suggest they move the command back a bit? We usually don’t have all this activity so close to the scene. There’s a chance of contamination. Crime Scene 101, buddy.”

He looked down at the deck of the porch, chastised. She felt bad for snapping at him, mentally promised herself to be more careful. He was just a kid, learning the ropes. She’d been there once.

“It’s okay. We all make mistakes,” she said. It wasn’t okay, but the damage was already done. She’d sort it out later.

Even with all the people worrying the scene, the interior of the house felt spacious. Teak floors, exposed beams, whitewashed walls, architectural and designer accoutrements. Elegant abstract paintings pranced along their neutral background to an exposed brick-and-stone fireplace.

The mood of the scene bothered her. The lack of concern about the exterior scene, the milling about, the simple fact that she’d been called in all bespoke the worst. Something was happening, something more than a typical murder. She felt a lump form in her throat.

Under the drone of voices, she heard music. Faint strains of a classical composition…what was that? She felt a buzz of recognition, reached into her mind for the name-Dvořák. That was it. Symphony #9. In E minor. Years of training, even more as a minor aficionado, and it had still taken her a moment. Funny how the mind worked. Her fingers unconsciously curled in on themselves, moving lightly in time with the notes. She’d played clarinet growing up, thrilled with her budding expertise when she was a child, mortified by the time she was a teenager looking for some fun up on Love Circle.

Looking back, she was sorry she’d given it up. Playing in a symphony had been one of her childhood desires, supplanted by the allure of law enforcement after a brief brush with the law when she was a teenager. Now she could see how that would have been quite satisfying. It was a game she rarely played-if you weren’t a cop, what would you be? She’d never been in a position to have to think about not being a cop. Now that she felt the jeopardy slipping in like cat’s feet on a fog, she’d started wondering again.

Taylor concentrated on the music. The last strains of the allegro con fuoco were fading away, then the opening movement started. A loop of the New World Symphony, as the piece was more commonly referred to. Bold and aggressive, lyrical and stunning. She’d always liked it.

She looked for the stereo, didn’t see one. The music was all around her; it must be on a house-wide speaker system. It was hard to drag her attention away. She caught the eye of one of the techs she knew, Tim Davis. At least he was on the scene-she could count on him to preserve as much evidence as possible.

“Tim, can you cut the music?”

He nodded. “Yeah. It’s on a built-in CD player. The controls are in the kitchen. I was waiting for you to hear it. The loop is driving us all mad. You know who it is?”

“Dvořák. Symphony #9. Keep that quiet, will you? I want to be sure that detail isn’t leaked to the press. They’ll seize on it and start giving this guy a name.”

She hadn’t even seen the body, and she was already assuming the worst. Not surprising; the whole tenor of the crime scene screamed “unusual.”

“Where are they, anyway?”

Tim glanced out the window. “Channel Five just pulled up. The others can’t be far behind.”

She nodded to him and looked for Paula. She was standing in the open living room, looking toward the back door. The great room of the house was separated from the eat-in kitchen by three columns, which mimicked the pyramid-shaped support columns out front. There was a small knot of people surrounding the center column, a surreal grouping of cops and techs waiting on her. Three things hit her: she couldn’t see a body, the faces glancing her way were visibly disturbed, and there was a fetid whiff of decomposition in the air.

She stepped lightly toward the group, making sure she didn’t tread in anything important. As she passed the column, Paula pointed toward it with her eyebrow raised. Taylor turned and sucked in her breath.

The victim was young, no more than twenty, black, naked, bones jutting out as if she hadn’t eaten in a while, with dull, brittle bobbed hair. She hung on the center column.

To be more precise, she’d been tacked to the column with a large hunting knife. A big blade, with a polished wood-and-pearl handle that was buried to the hilt square in her chest. She was thin enough that the blade, which looked to be at least eight inches, had passed through her body into the wood. Her arms were pulled up tight over her head, the hands together as if in prayer, but inside out. Her feet were crossed at the ankle, demure, innocent.

Pinned. At least, that was the illusion. At first glance, it looked like the knife was all that held her in that position. Taylor shook her head; it had taken strength, or potent hatred, to shove the knife through the girl’s breastbone into the wood behind.

Taylor ran her Maglite up and down the column, the concentrated beam reflecting off the nearly invisible wires that ran around the girl’s body to hold her suspended in midair. Clever. Some sort of fishing line held the body rigid against the wooden post. It cut into her flesh; the victim had been up on the post long enough that the grooves were deepening as the body’s early decomposition began.

The girl’s shoulders were obviously dislocated. Her skin was ashen and flaky, her lips cracked. She was stripped of dignity, yet the pose felt almost…loving. Sorrow on her face, her mouth open in a scream, her eyes closed. Small mercies. Taylor hated when they stared.

She’d read the scene right. It was going to be a very long night.

Paula came to her side, fiddling with a small reporter’s notebook. “Sorry I had to miss dinner. And sorry to ruin your night, too, but I knew you needed to see this. There’s no ID. I can’t find a purse or anything. This place is clean. The neighbors say the owner is out of town.”

“This isn’t her home?” Taylor asked, gesturing to the body.

“No. One of the neighbors, Carol Parker, is house-sitting, feeding the cat, taking in the paper. Owner’s supposed to be gone all week. Parker came in, bustled around getting the cat fed and watered, then turned to leave and saw the body. She ran, of course. Called us. Swears up and down that she’s never seen the girl around. There’s a circle of glass cut out of the back door, the lock was turned. It’s been dusted, there were no usable prints. The blinds were closed, that’s why the neighbor didn’t see anything amiss. The alarm was disengaged too; the neighbor can’t remember if she turned it on yesterday or not. That cute M.E., Dr. Fox? He was here earlier and declared her. He said to bring her in; either he or Sam will post her first thing.”

“Okay. I’d like to talk to the neighbor. Do you have her stashed close by?”

“She’s at her place next door with a new patrol. God, they get younger every day. This one can’t be more than eighteen. We took the cat over there so it wouldn’t interrupt the scene. Last I saw the patrol was talking to it like it was a baby. Not far enough removed from his own childhood coddling, it seems.”

Taylor smiled absently at Paula, then stepped back a few feet, taking in the full tableau. It was impressive, she’d give the killer that. Spiking the girl to the column like she was a butterfly trapped on a piece of cork was flashy, meant to shock. Meant to humiliate the victim.

Taylor longed for the good old days, when getting called out to a homicide was straightforward-some kid had deuced another on a crack buy and gotten knifed, or a pimp had beaten one of his girls upside the head and cracked her skull. As pointless as those deaths seemed, they were driven by the basics, things she readily understood-greed, lust, drugs. Ever since Dr. John Baldwin, FBI profiler extraordinaire, entered her life, the kills had gotten more gruesome, more meaningful. More serial. Like the loonies had followed him to Nashville. And that thought scared her to death. She already had one killer who’d gotten away, a man calling himself the Pretender, who killed in her name. What was happening to her city?

She pulled her phone from her pocket. There was no signal, so she stepped out onto the porch. Three bars, enough to make a call. She started to dial, felt McKenzie beside her. She hoped he wasn’t going to lurk at her elbow at every crime scene. Maybe he just needed some instruction. She closed the phone and turned to him.

“Hey, man, do me a favor. Get them-”

McKenzie shook his head, lips compressed, eyes darting over her shoulder and back to hers with a kind of wild frenzy. She read the signs. Someone was behind her.

She turned and bumped into a small man with brown hair parted smartly on the right. It was thick and almost bushy, stood out from his head at the base of his neck and around his ears. Her first thought was toupee. He was older, easily in his sixties. She didn’t recognize him, which wasn’t too much of a surprise. Since the housecleaning brought about by Captain Norris and the chief, there were plenty of new and unfamiliar faces at crime scenes, in the hallways, the cafeteria. The crime-scene techs were all the same, but there’d been some serious shaking up done among the detective ranks.

The little man looked up at her. She saw his mouth start to drop open, then he closed it, the back teeth snapping together.

“You are?” he demanded.

“Detective Taylor Jackson, Metro Homicide. And you?”

“You have a problem with my setup, Detective?”

My setup? Who was this guy?

“I must have missed your name,” she said.

“Lieutenant Mortimer T. Elm. You may call me Lieutenant Elm. I’m with the New Orleans police.”

“What are the New Orleans police doing at a Nashville crime scene?”

He looked confused for a moment, then said, “Who said anything about New Orleans? I’m with Metro Nashville.”

Taylor stared at him for a second, then shrugged. “Lieutenant Elm. It’s nice to meet you. Yes, there’s a standard protocol when dealing with static crime scenes. We usually try to station the command post away from the primary scene in order to avoid contaminating the evidence that might be procured from the immediate vicinity.” She realized she sounded completely textbook and hated herself for a moment. But that’s what the demotion had done to her-forced her back into the realm of “there’s only one way to do things.” Great.

His wave was dismissive. He had pudgy fingers, the nails bitten to the quick. Her stomach flopped. A man’s hands were the window to his soul. Lieutenant Elm’s looked tortured.

“This is going to be just fine. The crime obviously took place inside the house, not outside. This makes it more convenient for everyone. There is a threat of rain. If we move quickly, the crime scene can be wrapped in an hour.”

Taylor almost laughed aloud. Wrapping up a homicide in an hour. This guy was from Mars. Or Lilliput.

When she didn’t immediately respond, he took a step back. He stared at her, his eyes slightly bulged, his jaw thrust forward. She was reminded of a frog. She spoke quietly.

“I beg to differ, Lieutenant Elm. The external scene is just as important as the internal. We need to establish a point of entry, need to be looking for footprints, material the suspect may have discarded. It’s anything but okay to be on top of the crime like this.”

“This is the way I want it!” he said, anger bubbling up in his eyes.

She heard a hissing in her ear, felt a tug at her elbow.

“He’s the new homicide lieutenant, Taylor. Our boss.” McKenzie’s whisper was frantic.

Taylor had to put a hand over her mouth to keep from bursting out laughing. This, this, toad was her new boss? Elm was the new homicide lieutenant? Oh, this was going to be priceless.

Elm’s tone changed, sharpened. “You’ll find that this setup is perfectly acceptable. I must deal with another matter. I trust you can handle this scene. I will deal with your insubordination in the morning.” Elm was smug, obviously thinking he’d defeated her. Well, she’d been bullied just about enough over the past month.

“Insubordination? All I did was point out the obvious,” she said. The porch twittered, the officers who’d overheard amused at the expense of the new lieutenant, who was vibrating in his displeasure.

Elm pointed a finger at her. “Do your job, Detective. I know how to do mine.” He stepped off the porch, walked off toward the gathering media. McKenzie appeared at her elbow again.

“I tried to warn you.”

Taylor caught the melodrama in his voice. A rabbit, scared and spooked, that’s what Just Renn was. She smiled at the younger man.

“That, my friend, is a man who got up on the wrong side of the lily pad. Forget about it. I’ve had worse. Let’s run this puppy.”

Speaking of which…she flipped her cell back open and speed-dialed Baldwin.

He answered with a happy, “Hey, gorgeous. My plane just landed. You on your way?”

“Unfortunately, no. I’m on a call, and I think you’ll want to see this.”

He groaned. “Where are you?”

“Tell the driver 1400 Love Circle. You won’t be able to miss it. And hey, stay away from a short man with a bad rug.”

“Do I even want to know?”

“No. I’ll see you shortly.”

She hung up, went back into the house. The victim was calling her, the scene, the case. She’d been drawn in, already fascinated. Dead girl pinned to a post, in someone else’s house. Classical music playing in the background. A message was being sent. By whom, and to whom? Taylor felt the intrigue slip in and grab her. She was going to be too busy to worry about all the changes, and that was a good thing.

Back in the living room, she circled the body again, looked closer at the filament that held the girl’s arms, legs, torso and head in position. It was tied in little knots on the backside of the column. The killer had taken the time to staple the translucent fishing line into the wood to give it extra holding power. This was well thought out, planned in advance. It had taken time to get the girl up on the post. Which meant whoever committed this murder knew that the house was going to be empty, that he’d have a fertile, undisturbed playground. Either that, or they had another body to find, one belonging to the owner.

Taylor stepped three feet back from the post, taking in the rest of the setting. The columns bisected the two rooms; there were crime-scene techs moving around, disturbing her view.

“Hey, can everyone hold up for a minute? I’d like to get some shots here.”

Long accustomed to Taylor being in charge, people moved out of her way.

She fished her digital camera out of her jacket pocket, took a couple of pictures. Something felt strange, and she couldn’t put her finger on it. Maybe later, once she’d had time for her mind to process the scene, she’d be able to see what was out of place. Or Baldwin would.

She turned the camera off. McKenzie appeared at her side, appropriately silenced by the gruesome visage in front of them. Paula took her flanking position and the three of them stood in a moment of peace, watching, reverent. The victim’s nudity was embarrassing McKenzie. Taylor could see him shifting his feet like a little boy out of the corner of her eye.

She ignored him, stared again at the knife pinning the girl to the column. Tim Davis joined them.

“We’re going to have a pissed-off home owner. I’m going to have to cut the post down, I think,” he said.

“Why?” McKenzie asked, puzzled.

“Because there’s no way to get that knife out of her without disturbing the wound tract.” Tim stepped closer to the body, put his thumb on the flat end of the knife handle, exerting pressure experimentally. It didn’t budge, didn’t shift slightly. “See, this thing is jammed all the way into the wood. We’ve gotta cut her down, take a whole section of column with us to the M.E.’s office. No other way to do it.”

“Oh. Yeah, absolutely. Gotta cut it.” McKenzie was nodding like he’d thought of that himself.

Taylor cracked her knuckles and circled the column again. “This thing must be ten feet tall. Think it’s load-bearing?” she asked Tim.

He shook his head. “No. See the line at the top? It’s just decorative, glued then nailed into place. If it were one of the other two,” he gestured to each side of the body, “we’d be in trouble. This one is detached, for the most part. Won’t be too bad to replace.”

“Okay, Tim, do what you need to do. Try to delay a few minutes for me, though. Baldwin is on his way. I’d like him to see this intact.”

He nodded at her. “I’ll go get the saw.”

Taylor stepped back and considered the victim again. She couldn’t shake the feeling that she’d seen this before. In addition to that, one very obvious incongruity screamed out at her.

She turned to the patrol officer on her left. “I have a question for you, Paula.”

“Shoot,” Paula said.

Taylor pointed at the dead girl. “Where’s the blood?”