Out Of The Woods (1996)

The glass of Scotch gnashed its ice cubes as Thirsk set it down on his desk. 'I don't care where it comes from, I just want the best price. Are you certain you won't have a drink?'


The visitor shook his head once while the rest of him stayed unmoved. 'Not unless you have natural water.'

'Been treated, I'm afraid. One of the many prices of civilization. You won't object if I have another, will you? I don't work or see people this late as a rule.'

When the other shook his head again, agitating his hair, which climbed the back of his neck and was entangled like a bristling brownish nest above his skull, Thirsk crossed to the mahogany cabinet to pour himself what he hoped might prove to be some peace of mind. While he served himself he peered at his visitor, little of whom was to be seen outside the heavy brown ankle-length overcoat except a wrinkled knotted face and gnarled hands, which ornamented the ends of the arms of the chair. Thirsk could think of no reason why any of this should bother him, but - together with the smell of the office, which was no longer quite or only that of new books -it did, so that he fed himself a harsh gulp of Scotch before marching around his desk to plant himself in his extravagant leather chair. It wasn't too late for him to declare that he didn't see salesmen without an appointment, but instead he heard himself demanding, 'So tell me why we should do business.'

'For you to say, Mr Thirsk.'

'No reason unless you're offering me a better deal than the bunch who printed all these books.'

That was intended to make the other at least glance at the shelves which occupied most of the wall space, but his gaze didn't waver; he seemed not to have blinked since Thirsk had opened the door to his knock. 'Do you know where they get their paper?' he said, more softly than ever.

'I already told you that's immaterial. All I know is it's better and cheaper than that recycled stuff.'

'Perhaps your readers would care if they knew.'

'I doubt it. They're children.' The insinuating softness of the other's speech, together with the dark wistful depths of his eyes, seemed to represent an insubstantial adversary with which Thirsk had to struggle, and he raised his voice. 'They won't care unless they're put up to it. If you ask me there's a movement not to let children be children any more, but plenty of them still want fairy tales or they wouldn't buy the books I publish.'

The ice scraped the glass as he drained his Scotch and stood up, steadying himself with one hand on the desk. 'Anyway, I'm not arguing with you. If you want to send me samples of your work and a breakdown of the costs then maybe we can talk'

His tone was meant to make it clear that would never happen, but the other remained seated, pointing at his own torso with one stiff hand. 'This is for you to consider.'

He wasn't pointing at himself but rather at a book which was propped like a rectangular stone in his lap. He must have been carrying it all the time, its binding camouflaged against his overcoat. He reared up from the chair as if the coat had stiffened and was raising him, and Thirsk couldn't help recoiling from the small gargoyle face immobile as a growth on a tree, the blackened slit of a mouth like a fissure in old bark. When the hands lowered the volume towards him he accepted it, but as soon as he felt the weight he said, 'You're joking.'

'We seldom do that, Mr Thirsk.'

'I couldn't afford this kind of production even if I wanted to. I publish fairy tales, I don't live in them. The public don't care if books fall to bits so long as they're cheap, and that goes double for children.'

'Perhaps you should help them to care.'

'Here, take your book back.'

The other held up his hands, displaying knobbly palms. 'It is our gift to you,' he said in a voice which, soft as it was, seemed to penetrate every corner of the room.

'Then don't look so glum about it.' As Thirsk planted the book on his desk he glimpsed a word embossed on the heavy wooden binding. 'Tapioca, is that some kind of pudding cookbook?'

Whatever filled his visitor's eyes grew deeper. They struck Thirsk as being altogether too large and dark, and for a moment he had the impression of gazing into the gloomy depths of something quite unlike a face. He strode to the door, more quickly than steadily, and threw it open.

The avenue of pines interspersed with rhododendrons stretched a hundred yards to the deserted road into town. For once the sight didn't appeal to him as peaceful. Surely it would when he'd rid himself of his visitor, who he was beginning to suspect was mad; a leaf and maybe other vegetation was tangled in his hair, and wasn't there a mossy tinge to his cracked cheeks? Thirsk stood aside as the other stalked out of the door, overcoat creaking. Too much to drink or not enough, he thought, because as the figure passed along the avenue, beneath clouds which were helping the twilight gather, it appeared to grow taller. A sound behind him - paper rustling - made him glance around the room. The next second he turned back to the avenue, which was as deserted as the road.

Had his visitor dodged into the bushes? They and the trees were as still as fossils. 'Get off my property,' Thirsk warned, and cleared his throat so as to shout, 'or I'll call the police.'

By now it was apparent to him that the man hadn't been a printer. He was tempted to hurl the book after him, except that might bring him back. As he stared at the avenue until the trees seemed to inch in unison towards him, he found he was unwilling to search the grounds when it was growing so rapidly dark. 'Go back where you came from,' he yelled, and slammed the door so hard the floorboards shook.

A chill had accompanied his visitor into the office, and now it felt even colder. Had one of Thirsk's assistants left a window open in the warehouse? Thirsk hurried to the stout door in the back wall of the room. The door opened with an unexpected creak which lingered in his ears as he reached a hand into the dark. The fluorescent tubes stuttered into life, except for one which left the far end of the central aisle unlit. Though all the windows crammed into the space above the shelves were closed tight, the fifty-yard-long room was certainly colder than usual, and there was more of a smell of old paper than he remembered. In the morning he would have to fix the lights: not now, when at least two of the tubes were growing fitful, so that the flickering contents of the shelves kept resembling supine logs multicoloured with lichen, the spines of the dust jackets. He thumbed the light-switch, a block of plastic so cold it felt moist, and as the dark lurched forward, shut it in. For the first time ever he was wishing he could go home from work.

He was already home. The third door of the office led to the rest of his bungalow. When he opened the door, the cold was waiting for him. The heating hadn't failed; he had to snatch his hand away as soon as he touched the nearest radiator. He poured himself an even larger Scotch, and once he'd fired up his throat and his stomach, dumped himself in the chair behind the desk. The unwelcome visit had left him so on edge that all he could do was work.

The late afternoon mail had brought him an armful of packages which he hadn't had time to open. The topmost padded envelope proved to contain the typescript of a children's book by Hundey Dunkley, who sounded familiar. In his present mood, just the tide - The Smog Goblin and the Last Forest - was enough to put him off. 'Send your bloody propaganda somewhere it's wanted,' he snarled, grabbing a copy of the Hamelin Books rejection letter. 'Fit only for recycling,' he pronounced, and scrawled that as a postscript.

Usually one of his assistants would see to the outgoing mail, but he couldn't stand the sight of the typescript a moment longer. Having clipped the letter to it, he stuffed it into a padded envelope and slung it on the desk next to his, and glared at the discarded packing as it tried to climb out of the waste-bin. Presumably the silence of the room emphasized its movements, though he could have imagined it wasn't alone in making a slow deliberate papery sound, an impression sufficiently persuasive that he glanced out of the window.

The light from the office lay on the strip of grass outside but fell short of the trees, which were embedded in a darkness that had sneaked up on him. He knuckled the switch for the security light. The fierce illumination caught hold of the trees and bushes, and he felt an irrational desire to see them shrink back from the blaze which he could summon at the touch of a finger. Instead they stepped almost imperceptibly forward as though urged by their shadows, a mass of secret blackness interrupted by the drive. Just now the bright bare gravel looked as though it was inviting someone or something to emerge on to it, and he turned away so furiously that he almost tripped over an object on the floor.

It was the discarded envelope, writhing slowly on the carpet and extending a torn brown strip of itself like the remains of a finger towards him. He closed one fist on it, squeezing its pulpy innards, and punched it into the bin before grinding it down with his heel. 'That's enough,' he shouted, not knowing what he was addressing until his gaze fell on the book his visitor had brought him. 'Let's see what you are,' he said through his teeth, and flung the book open, wood striking wood. Then he let out a gasp that would have been a word if he'd known how he was feeling.

The thick untrimmed pages weren't composed of paper; each was a single almost rectangular dead leaf. For a moment he thought words were printed on the uppermost, and then he saw the marks were scattered twigs, formed into patterns which he could imagine someone more susceptible than himself assuming to be words in a forgotten language. 'If this is a joke,' he yelled, ignoring how small his voice sounded in the empty room, 'you can take it back,' and hoisting the book off the desk, ran to the door.

As the cover banged shut like a coffin lid, the tilting of the book rearranged the twigs into a different pattern - into words he was able to read. He fumbled the door open and raised the volume in both hands. By the glare of the security light he saw the title wasn't Tapioca but Tapiola. What difference did one letter make? 'Come and get it,' he roared, hurling the book from him.

It struck the grass with a thud which seemed to crush his shout. The cover raised itself an inch and fell shut, and then the book was as still as the trees and their shadows. Beyond the unlit road, and around his property, the forest stretched for miles. The words he'd glimpsed were growing clearer, embedding themselves in his mind. YOU TURNED AWAY ONE MESSENGER. The night sky seemed to lean towards the patch of light which contained him and the book, as though the sky was the forehead of the blackness behind the mass of trees, in which he heard a sudden gust of wind. Its chill found him while he waited to see the trees move,' and he was continuing to wait when it subsided. It might have been a huge icy breath.

'Not likely,' he said in a voice which the darkness shrank almost to nothing. He backed away and closed the door. The breath of the night had smelled of decaying vegetation, and now the room did. He thought he saw a trace of his own breath in the air. Hugging himself and rubbing his upper arms, he went to his desk for a mouthful of Scotch. As the ice cubes clashed against his teeth, he almost bit through the glass. Beyond the window the lawn was bare. The book had gone, and there wasn't so much as a hint of a footmark on the grass.

'I bet you think that's clever. Let me introduce you to someone who's cleverer.' He was speaking aloud so that his voice would keep him company, he realized, but he wouldn't have to feel alone for long. Without glancing away from the window he groped for the phone on his desk, detached the receiver from its housing and jabbed the talk button. He was already keying the number for the police as he brought the receiver to his face.

A sound came to find him. Though the earpiece was emitting it, it wasn't the dialling tone. It could have been a gale passing through a forest, but it seemed close to articulate. He clawed at the button to clear the line and listened to the welcome silence; then he poked the talk button again, and again. The phone was dead.

And there was movement among the trees. High on the trunks, branches sprang up and waved at him, a series of them rapidly approaching the house. A branch of a tree at the edge of the grass drooped before gesturing triumphantly at him, and then a severed length of the telephone cable which they had all been supporting plummeted on to the grass.

'Having fun, are you?' Thirsk demanded, though his throat was so constricted he barely heard himself. 'Time I joined in.' He dropped the useless receiver on top of a pile of typescripts and dashed kitchenwards, switching on lights as he went. His bedroom lit up, the bathroom and toilet next to it, the large room in which he dined and watched television and listened to music, and finally the kitchen, where he lifted the largest and sharpest knife from the rack on the wall. Outside the window he saw an image of himself almost erased by the forest - an image which grew fainter, then was wiped out entirely as his breath appeared in front of him and condensed on the window.

He saw himself being engulfed by fog in the reflection of a room which had been invaded by trees. The glint of the knife looked feeble as a lantern lost in a forest. 'I'm still here,' he snarled. Driven by a defiance which he felt more than understood, he stormed back into his office.

He was still there, and for a while, since he couldn't call a taxi. He laid the knife within reach on the desk and drafted a letter to his printer. . . . looking forward to the Christmas consignment. . . any way you keep costs down is fine . . . His words seemed insufficiently defiant until he scribbled It's only paper, only pulp. Of course he would never send such a letter, and he was about to tear off the page and bin it when he realized how like taking back a challenge that would seem. He drove the knife through the pad, pinning the letter to the desk like a declaration nailed to a door.

At first there was no apparent response. The only visible movement in the room was of his breath. It took him some minutes to be certain that the smell of decaying vegetation had intensified - that the source was in the room with him. Did the colours on the jackets of the new books resemble stains more than they should? His chair trundled backwards and collided with the wall as he reached the shelves, where he dug a finger into the top of the spine of the nearest book.

It came off the shelf at once - the spine did. The cheap glue had failed, exposing bunches of pages which looked aged or worse. His hand swung wildly, hooking another spine at random. That fell away, bearing a patch of its rotten jacket, and his finger poked deep into the pages, which were a solid lump of pulp. He dragged his finger out of it, dislodging both adjacent spines. Their undersides were crawling with insects. He staggered backwards just as sounds began in the warehouse: a ponderous creaking followed by a crash that shook the office.

'Leave my property alone,' Thirsk screamed. He ripped the knife out of the pad and, pounding across the office, hauled open the door to the warehouse. The bookcases that weren't attached to the walls had fallen together, forming an arched passage, in the darkness of which piles of books were strewn like jagged chunks of chopped timber. Not only books were in that darkness, and his hand clutched at the light-switch before he knew he didn't want to see.

As soon as his hand found the switch, the block came away like a rotten fungus from the wall. The surviving fluorescents lit for an instant before failing in unison with a loud sharp glassy ping, and he glimpsed a shape stalking up the passage of the bookcases towards him. It resembled a totem, carved or rather shaped out of a tree, walking stiffly as a puppet, though it was considerably taller than any puppet had a right to be. It grew as it advanced on him, as if whatever feet it had were picking up or absorbing the books on which they trod. Its disproportionately large head was featureless and unstable as a mass of foliage, and its arms, which were reaching for him, were at least half the length of the warehouse. So much he distinguished before he threw the door in its face. Twisting the key, he wrenched it out of the lock and shied it across the room.

There was silence then, a silence like the quiet at the secret heart of a forest. He heard his pulse and his harsh unsteady breaths. Gripping the knife two-handed, he glared about. Half a dozen spines sagged away from books, spilling grubs, as the telephone let out a hollow exhalation and began to speak in the voice of the wind.

Thirsk shouted louder, drowning out its words. 'In here too, are you? Not for long. This is my house, and one of us is leaving.' But he wasn't sure why he was rushing to the front door - to eject an intruder, or to confront the source of all the intrusions?

The trees were out there, and the darkness behind them. Neither appeared to have moved. 'I know it's you,' he yelled. 'I know you're out there.' He saw his shadow jerking towards the trees before he was aware of heading for them. As he reached the nearest, he slashed at the trunk, slicing off bark. 'You're my property and I can do what I like with you,' he ranted. 'If you don't like it try and stop me, you and your big friend.'

He felt his feet leave the gravel for the plushy floor of fallen leaves and pine needles. He was well into the woods, hacking at every tree within reach, when all the lights of the house were extinguished. He whirled around, then discovered he was able to see by the faint glow of the sky, which no longer felt like a presence looming over him. 'Is that the best you can do?' he cried, reeling deeper into the woods, no longer knowing or caring where he was. 'That's for you, and so's that.' When the trees around him began to creak he chopped more savagely at them, daring them to move towards him; when the mounded earth seemed to quiver underfoot he trampled on it, ignoring how the forest had begun to smell as if the earth was being dug up. He might have been miles into the lightless forest when the hand whose enormous fingers he'd just slashed raised itself with an explosive creak, soil and undergrowth and decaying vegetation spilling from its palm, and closed around him.

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