CHILDREN ON THEIR BIRTHDAYS

(1948)

(This story is for Andrew Lyndon.)

Yesterday afternoon the six-o’clock bus ran over Miss Bobbit. I’m not sure what there is to be said about it; after all, she was only ten years old, still I know no one of us in this town will forget her. For one thing, nothing she ever did was ordinary, not from the first time that we saw her, and that was a year ago. Miss Bobbit and her mother, they arrived on that same six-o’clock bus, the one that comes through from Mobile. It happened to be my cousin Billy Bob’s birthday, and so most of the children in town were here at our house. We were sprawled on the front porch having tutti-frutti and devil cake when the bus stormed around Deadman’s Curve. It was the summer that never rained; rusted dryness coated everything; sometimes when a car passed on the road, raised dust would hang in the still air an hour or more. Aunt El said if they didn’t pave the highway soon she was going to move down to the seacoast; but she’d said that for such a long time. Anway, we were sitting on the porch, tutti-frutti melting on our plates, when suddenly, just as we were wishing that something would happen, something did; for out of the red road dust appeared Miss Bobbit. A wiry little girl in a starched, lemon-colored party dress, she sassed along with a grown-up mince, one hand on her hip, the other supporting a spinsterish umbrella. Her mother, lugging two cardboard valises and a wind-up victrola, trailed in the background. She was a gaunt shaggy woman with silent eyes and a hungry smile.

All the children on the porch had grown so still that when a cone of wasps started humming the girls did not set up their usual holler. Their attention was too fixed upon the approach of Miss Bobbit and her mother, who had by now reached the gate. “Begging your pardon,” called Miss Bobbit in a voice that was at once silky and childlike, like a pretty piece of ribbon, and immaculately exact, like a movie star or a schoolmarm, “but might we speak with the grown-up persons of the house?” This, of course, meant Aunt El; and, at least to some degree, myself. But Billy Bob and all the other boys, no one of whom was over thirteen, followed down to the gate after us. From their faces you would have thought they’d never seen a girl before. Certainly not like Miss Bobbit. As Aunt El said, whoever heard tell of a child wearing makeup? Tangee gave her lips an orange glow, her hair, rather like a costume wig, was a mass of rosy curls, and her eyes had a knowing, penciled tilt; even so, she had a skinny dignity, she was a lady, and, what is more, she looked you in the eye with manlike directness. “I’m Miss Lily Jane Bobbit, Miss Bobbit from Memphis, Tennessee,” she said solemnly. The boys looked down at their toes, and, on the porch, Cora McCall, who Billy Bob was courting at the time, led the girls into a fanfare of giggles. “Country children,” said Miss Bobbit with an understanding smile, and gave her parasol a saucy whirl. “My mother,” and this homely woman allowed an abrupt nod to acknowledge herself, “my mother and I have taken rooms here. Would you be so kind as to point out the house? It belongs to a Mrs. Sawyer.” Why, sure, said Aunt El, that’s Mrs. Sawyer’s, right there across the street. The only boarding house around here, it is an old tall dark place with about two dozen lightning rods scattered on the roof: Mrs. Sawyer is scared to death in a thunderstorm.

Coloring like an apple, Billy Bob said, please ma’am, it being such a hot day and all, wouldn’t they rest a spell and have some tutti-frutti? and Aunt El said yes, by all means, but Miss Bobbit shook her head. “Very fattening, tutti-frutti; but merci you kindly,” and they started across the road, the mother half-dragging her parcels in the dust. Then, and with an earnest expression, Miss Bobbit turned back; the sunflower yellow of her eyes darkened, and she rolled them slightly sideways, as if trying to remember a poem. “My mother has a disorder of the tongue, so it is necessary that I speak for her,” she announced rapidly and heaved a sigh. “My mother is a very fine seamstress; she has made dresses for the society of many cities and towns, including Memphis and Tallahassee. No doubt you have noticed and admired the dress I am wearing. Every stitch of it was hand-sewn by my mother. My mother can copy any pattern, and just recently she won a twenty-five-dollar prize from the Ladies’ Home Journal. My mother can also crochet, knit and embroider. If you want any kind of sewing done, please come to my mother. Please advise your friends and family. Thank you.” And then, with a rustle and a swish, she was gone.

Cora McCall and the girls pulled their hair-ribbons nervously, suspiciously, and looked very put out and prune-faced. I’m Miss Bobbit, said Cora, twisting her face into an evil imitation, and I’m Princess Elizabeth, that’s who I am, ha, ha, ha. Furthermore, said Cora, that dress was just as tacky as could be; personally, Cora said, all my clothes come from Atlanta; plus a pair of shoes from New York, which is not even to mention my silver turquoise ring all the way from Mexico City, Mexico. Aunt El said they ought not to behave that way about a fellow child, a stranger in the town, but the girls went on like a huddle of witches, and certain boys, the sillier ones that liked to be with the girls, joined in and said things that made Aunt El go red and declare she was going to send them all home and tell their daddies, to boot. But before she could carry forward this threat Miss Bobbit herself intervened by traipsing across the Sawyer porch, costumed in a new and startling manner.

The older boys, like Billy Bob and Preacher Star, who had sat quiet while the girls razzed Miss Bobbit, and who had watched the house into which she’d disappeared with misty, ambitious faces, they now straightened up and ambled down to the gate. Cora McCall sniffed and poked out her lower lip, but the rest of us went and sat on the steps. Miss Bobbit paid us no mind whatever. The Sawyer yard is dark with mulberry trees and it is planted with grass and sweet shrub. Sometimes after a rain you can smell the sweet shrub all the way into our house; and in the center of this yard there is a sundial which Mrs. Sawyer installed in 1912 as a memorial to her Boston bull, Sunny, who died after having lapped up a bucket of paint. Miss Bobbit pranced into the yard toting the victrola, which she put on the sundial; she wound it up, and started a record playing, and it played the Court of Luxemborg. By now it was almost nightfall, a firefly hour, blue as milkglass; and birds like arrows swooped together and swept into the folds of trees. Before storms, leaves and flowers appear to burn with a private light, color, and Miss Bobbit, got up in a little white skirt like a powderpuff and with strips of gold-glittering tinsel ribboning her hair, seemed, set against the darkening all around, to contain this illuminated quality. She held her arms arched over her head, her hands lily-limp, and stood straight up on the tips of her toes. She stood that way for a good long while, and Aunt El said it was right smart of her. Then she began to waltz around and around, and around and around she went until Aunt El said, why, she was plain dizzy from the sight. She stopped only when it was time to rewind the victrola; and when the moon came rolling down the ridge, and the last supper bell had sounded, and all the children had gone home, and the night iris was beginning to bloom, Miss Bobbit was still there in the dark turning like a top.

We did not see her again for some time. Preacher Star came every morning to our house and stayed straight through to supper. Preacher is a rail-thin boy with a butchy shock of red hair; he has eleven brothers and sisters, and even they are afraid of him, for he has a terrible temper, and is famous in these parts for his green-eyed meanness: last fourth of July he whipped Ollie Overton so bad that Ollie’s family had to send him to the hospital in Pensacola; and there was another time he bit off half a mule’s ear, chewed it and spit it on the ground. Before Billy Bob got his growth, Preacher played the devil with him, too. He used to drop cockleburrs down his collar, and rub pepper in his eyes, and tear up his homework. But now they are the biggest friends in town: talk alike, walk alike; and occasionally they disappear together for whole days, Lord knows where to. But during these days when Miss Bobbit did not appear they stayed close to the house. They would stand around in the yard trying to slingshot sparrows off telephone poles; or sometimes Billy Bob would play his ukulele, and they would sing so loud Uncle Billy Bob, who is Judge for this county, claimed he could hear them all the way to the courthouse: send me a letter, send it by mail, send it in care of the Birmingham jail. Miss Bobbit did not hear them; at least she never poked her head out the door. Then one day Mrs. Sawyer, coming over to borrow a cup of sugar, rattled on a good deal about her new boarders. You know, she said, squinting her chicken-bright eyes, the husband was a crook, uh huh, the child told me herself. Hasn’t an ounce of shame, not a mite. Said her daddy was the dearest daddy and the sweetest singing man in the whole of Tennessee.… And I said, honey, where is he? and just as off-hand as you please she says, Oh, he’s in the penitentiary and we don’t hear from him no more. Say, now, does that make your blood run cold? Uh huh, and I been thinking, her mama, I been thinking she’s some kinda foreigner: never says a word, and sometimes it looks like she don’t understand what nobody says to her. And you know, they eat everything raw. Raw eggs, raw turnips, carrots—no meat whatsoever. For reasons of health, the child says, but ho! she’s been straight out on the bed running a fever since last Tuesday.

That same afternoon Aunt El went out to water her roses, only to discover them gone. These were special roses, ones she’d planned to send to the flower show in Mobile, and so naturally she got a little hysterical. She rang up the Sheriff, and said, listen here, Sheriff, you come over here right fast. I mean somebody’s got off with all my Lady Anne’s that I’ve devoted myself to heart and soul since early spring. When the Sheriff’s car pulled up outside our house, all the neighbors along the street came out on their porches, and Mrs. Sawyer, layers of cold cream whitening her face, trotted across the road. Oh shoot, she said, very disappointed to find no one had been murdered, oh shoot, she said, nobody’s stole them roses. Your Billy Bob brought them roses over and left them for little Bobbit. Aunt El did not say one word. She just marched over to the peach tree, and cut herself a switch. Ohhh, Billy Bob, she stalked along the street calling his name, and then she found him down at Speedy’s garage where he and Preacher were watching Speedy take a motor apart. She simply lifted him by the hair and, switching blueblazes, towed him home. But she couldn’t make him say he was sorry and she couldn’t make him cry. And when she was finished with him he ran into the backyard and climbed high into the tower of a pecan tree and swore he wasn’t ever going to come down. Then his daddy stood at the window and called to him: Son, we aren’t mad with you, so come down and eat your supper. But Billy Bob wouldn’t budge. Aunt El went and leaned against the tree. She spoke in a voice soft as the gathering light. I’m sorry, son, she said, I didn’t mean whipping you so hard like that. I’ve fixed a nice supper, son, potato salad and boiled ham and deviled eggs. Go away, said Billy Bob, I don’t want no supper, and I hate you like all-fire. His daddy said he ought not to talk like that to his mother, and she began to cry. She stood there under the tree and cried, raising the hem of her skirt to dab at her eyes. I don’t hate you, son.… If I didn’t love you I wouldn’t whip you. The pecan leaves began to rattle; Billy Bob slid slowly to the ground, and Aunt El, rushing her fingers through his hair, pulled him against her. Aw, Ma, he said, Aw, Ma.

After supper Billy Bob came and flung himself on the foot of my bed. He smelled all sour and sweet, the way boys do, and I felt very sorry for him, especially because he looked so worried. His eyes were almost shut with worry. You’re s’posed to send sick folks flowers, he said righteously. About this time we heard the victrola, a lilting faraway sound, and a night moth flew through the window, drifting in the air delicate as the music. But it was dark now, and we couldn’t tell if Miss Bobbit was dancing. Billy Bob, as though he were in pain, doubled up on the bed like a jackknife; but his face was suddenly clear, his grubby boy-eyes twitching like candles. She’s so cute, he whispered, she’s the cutest dickens I ever saw, gee, to hell with it, I don’t care, I’d pick all the roses in China.

Preacher would have picked all the roses in China, too. He was as crazy about her as Billy Bob. But Miss Bobbit did not notice them. The sole communication we had with her was a note to Aunt El thanking her for the flowers. Day after day she sat on her porch, always dressed to beat the band, and doing a piece of embroidery, or combing curls in her hair, or reading a Webster’s dictionary—formal, but friendly enough; if you said good-day to her she said good-day to you. Even so, the boys never could seem to get up the nerve to go over and talk with her, and most of the time she simply looked through them, even when they tomcatted up and down the street trying to get her eye. They wrestled, played Tarzan, did foolheaded bicycle tricks. It was a sorry business. A great many girls in town strolled by the Sawyer house two and three times within an hour just on the chance of getting a look. Some of the girls who did this were: Cora McCall, Mary Murphy Jones, Janice Ackerman. Miss Bobbit did not show any interest in them either. Cora would not speak to Billy Bob any more. The same was true with Janice and Preacher. As a matter of fact, Janice wrote Preacher a letter in red ink on lace-trimmed paper in which she told him he was vile beyond all human beings and words, that she considered their engagement broken, that he could have back the stuffed squirrel he’d given her. Preacher, saying he wanted to act nice, stopped her the next time she passed our house, and said, well, hell, she could keep that old squirrel if she wanted to. Afterwards, he couldn’t understand why Janice ran away bawling the way she did.

Then one day the boys were being crazier than usual; Billy Bob was sagging around in his daddy’s World War khakis, and Preacher, stripped to the waist, had a naked woman drawn on his chest with one of Aunt El’s old lipsticks. They looked like perfect fools, but Miss Bobbit, reclining in a swing, merely yawned. It was noon, and there was no one passing in the street, except a colored girl, baby-fat and sugar-plum shaped, who hummed along carrying a pail of blackberries. But the boys, teasing at her like gnats, joined hands and wouldn’t let her go by, not until she paid a tariff. I ain’t studyin’ no tariff, she said, what kinda tariff you talkin’ about, mister? A party in the barn, said Preacher, between clenched teeth, mighty nice party in the barn. And she, with a sulky shrug, said, huh, she intended studyin’ no barn parties. Whereupon Billy Bob capsized her berry pail, and when she, with despairing, piglike shrieks, bent down in futile gestures of rescue, Preacher, who can be mean as the devil, gave her behind a kick which sent her sprawling jellylike among the blackberries and the dust. Miss Bobbit came tearing across the road, her finger wagging like a metronome; like a schoolteacher she clapped her hands, stamped her foot, said: “It is a well-known fact that gentlemen are put on the face of this earth for the protection of ladies. Do you suppose boys behave this way in towns like Memphis, New York, London, Hollywood or Paris?” The boys hung back, and shoved their hands in their pockets. Miss Bobbit helped the colored girl to her feet; she dusted her off, dried her eyes, held out a handkerchief and told her to blow. “A pretty pass,” she said, “a fine situation when a lady can’t walk safely in the public daylight.”

Then the two of them went back and sat on Mrs. Sawyer’s porch; and for the next year they were never far apart, Miss Bobbit and this baby elephant, whose name was Rosalba Cat. At first, Mrs. Sawyer raised a fuss about Rosalba being so much at her house. She told Aunt El that it went against the grain to have a nigger lolling smack there in plain sight on her front porch. But Miss Bobbit had a certain magic, whatever she did she did it with completeness, and so directly, so solemnly, that there was nothing to do but accept it. For instance, the tradespeople in town used to snicker when they called her Miss Bobbit; but by and by she was Miss Bobbit, and they gave her stiff little bows as she whirled by spinning her parasol. Miss Bobbit told everyone that Rosalba was her sister, which caused a good many jokes; but like most of her ideas, it gradually seemed natural, and when we would overhear them calling each other Sister Rosalba and Sister Bobbit none of us cracked a smile. But Sister Rosalba and Sister Bobbit did some queer things. There was the business about the dogs. Now there are a great many dogs in this town, rat terriers, bird dogs, bloodhounds; they trail along the forlorn noon-hot streets in sleepy herds of six to a dozen, all waiting only for dark and the moon, when straight through the lonesome hours you can hear them howling: someone is dying, someone is dead. Miss Bobbit complained to the Sheriff; she said that certain of the dogs always planted themselves under her window, and that she was a light sleeper to begin with; what is more, and as Sister Rosalba said, she did not believe they were dogs at all, but some kind of devil. Naturally the Sheriff did nothing; and so she took the matter into her own hands. One morning, after an especially loud night, she was seen stalking through the town with Rosalba at her side, Rosalba carrying a flower basket filled with rocks; whenever they saw a dog they paused while Miss Bobbit scrutinized him. Sometimes she would shake her head, but more often she said, “Yes, that’s one of them, Sister Rosalba,” and Sister Rosalba, with ferocious aim, would take a rock from her basket and crack the dog between the eyes.

Another thing that happened concerns Mr. Henderson. Mr. Henderson has a back room in the Sawyer house; a tough runt of a man who formerly was a wildcat oil prospector in Oklahoma, he is about seventy years old and, like a lot of old men, obsessed by functions of the body. Also, he is a terrible drunk. One time he had been drunk for two weeks; whenever he heard Miss Bobbit and Sister Rosalba moving around the house, he would charge to the top of the stairs and bellow down to Mrs. Sawyer that there were midgets in the walls trying to get at his supply of toilet paper. They’ve already stolen fifteen cents’ worth, he said. One evening, when the two girls were sitting under a tree in the yard, Mr. Henderson, sporting nothing more than a nightshirt, stamped out after them. Steal all my toilet paper, will you? he hollered, I’ll show you midgets.… Somebody come help me, else these midget bitches are liable to make off with every sheet in town. It was Billy Bob and Preacher who caught Mr. Henderson and held him until some grown men arrived and began to tie him up. Miss Bobbit, who had behaved with admirable calm, told the men they did not know how to tie a proper knot, and undertook to do so herself. She did such a good job that all the circulation stopped in Mr. Henderson’s hands and feet and it was a month before he could walk again.

It was shortly afterwards that Miss Bobbit paid us a call. She came on Sunday and I was there alone, the family having gone to church. “The odors of a church are so offensive,” she said, leaning forward and with her hands folded primly before her. “I don’t want you to think I’m a heathen, Mr. C.; I’ve had enough experience to know that there is a God and that there is a Devil. But the way to tame the Devil is not to go down there to church and listen to what a sinful mean fool he is. No, love the Devil like you love Jesus: because he is a powerful man, and will do you a good turn if he knows you trust him. He has frequently done me good turns, like at dancing school in Memphis.… I always called in the Devil to help me get the biggest part in our annual show. That is common sense; you see, I knew Jesus wouldn’t have any truck with dancing. Now, as a matter of fact, I have called in the Devil just recently. He is the only one who can help me get out of this town. Not that I live here, not exactly. I think always about somewhere else, somewhere else where everything is dancing, like people dancing in the streets, and everything is pretty, like children on their birthdays. My precious papa said I live in the sky, but if he’d lived more in the sky he’d be rich like he wanted to be. The trouble with my papa was he did not love the Devil, he let the Devil love him. But I am very smart in that respect; I know the next best thing is very often the best. It was the next best thing for us to move to this town; and since I can’t pursue my career here, the next best thing for me is to start a little business on the side. Which is what I have done. I am sole subscription agent in this county for an impressive list of magazines, including Reader’s Digest, Popular Mechanics, Dime Detective and Child’s Life. To be sure, Mr. C., I’m not here to sell you anything. But I have a thought in mind. I was thinking those two boys that are always hanging around here, it occurred to me that they are men, after all. Do you suppose they would make a pair of likely assistants?”

Billy Bob and Preacher worked hard for Miss Bobbit, and for Sister Rosalba, too. Sister Rosalba carried a line of cosmetics called Dewdrop, and it was part of the boys’ job to deliver purchases to her customers. Billy Bob used to be so tired in the evening he could hardly chew his supper. Aunt El said it was a shame and a pity, and finally one day when Billy Bob came down with a touch of sunstroke she said, all right, that settled it, Billy Bob would just have to quit Miss Bobbit. But Billy Bob cussed her out until his daddy had to lock him in his room; whereupon he said he was going to kill himself. Some cook we’d had told him once that if you ate a mess of collards all slopped over with molasses it would kill you sure as shooting; and so that is what he did. I’m dying, he said, rolling back and forth on his bed, I’m dying and nobody cares.

Miss Bobbit came over and told him to hush up. “There’s nothing wrong with you, boy,” she said. “All you’ve got is a stomach ache.” Then she did something that shocked Aunt El very much: she stripped the covers off Billy Bob and rubbed him down with alcohol from head to toe. When Aunt El told her she did not think that was a nice thing for a little girl to do, Miss Bobbit replied: “I don’t know whether it’s nice or not, but it’s certainly very refreshing.” After which Aunt El did all she could to keep Billy Bob from going back to work for her, but his daddy said to leave him alone, they would have to let the boy lead his own life.

Miss Bobbit was very honest about money. She paid Billy Bob and Preacher their exact commission, and she would never let them treat her, as they often tried to do, at the drugstore or to the picture show. “You’d better save your money,” she told them. “That is, if you want to go to college. Because neither one of you has got the brains to win a scholarship, not even a football scholarship.” But it was over money that Billy Bob and Preacher had a big falling out; that was not the real reason, of course: the real reason was that they had grown cross-eyed jealous over Miss Bobbit. So one day, and he had the gall to do this right in front of Billy Bob, Preacher said to Miss Bobbit that she’d better check her accounts carefully because he had more than a suspicion that Billy Bob wasn’t turning over to her all the money he collected. That’s a damned lie, said Billy Bob, and with a clean left hook he knocked Preacher off the Sawyer porch and jumped after him into a bed of nasturtiums. But once Preacher got a hold on him, Billy Bob didn’t stand a chance. Preacher even rubbed dirt in his eyes. During all this, Mrs. Sawyer, leaning out an upper-story window, screamed like an eagle, and Sister Rosalba, fatly cheerful, ambiguously shouted, Kill him! Kill him! Kill him! Only Miss Bobbit seemed to know what she was doing. She plugged in the lawn hose, and gave the boys a close-up, blinding bath. Gasping, Preacher staggered to his feet. Oh, honey, he said, shaking himself like a wet dog, honey, you’ve got to decide. “Decide what?” said Miss Bobbit, right away in a huff. Oh, honey, wheezed Preacher, you don’t want us boys killing each other. You got to decide who is your real true sweetheart. “Sweetheart, my eye,” said Miss Bobbit. “I should’ve known better than to get myself involved with a lot of country children. What sort of businessman are you going to make? Now, you listen here, Preacher Star: I don’t want a sweetheart, and if I did, it wouldn’t be you. As a matter of fact, you don’t even get up when a lady enters the room.”

Preacher spit on the ground and swaggered over to Billy Bob. Come on, he said, just as though nothing had happened, she’s a hard one, she is, she don’t want nothing but to make trouble between two good friends. For a moment it looked as if Billy Bob was going to join him in a peaceful togetherness; but suddenly, coming to his senses, he drew back and made a gesture. The boys regarded each other a full minute, all the closeness between them turning an ugly color: you can’t hate so much unless you love, too. And Preacher’s face showed all of this. But there was nothing for him to do except go away. Oh, yes, Preacher, you looked so lost that day that for the first time I really liked you, so skinny and mean and lost going down the road all by yourself.

They did not make it up, Preacher and Billy Bob; and it was not because they didn’t want to, it was only that there did not seem to be any straight way for their friendship to happen again. But they couldn’t get rid of this friendship: each was always aware of what the other was up to; and when Preacher found himself a new buddy, Billy Bob moped around for days, picking things up, dropping them again, or doing sudden wild things, like purposely poking his finger in the electric fan. Sometimes in the evenings Preacher would pause by the gate and talk with Aunt El. It was only to torment Billy Bob, I suppose, but he stayed friendly with all of us, and at Christmas time he gave us a huge box of shelled peanuts. He left a present for Billy Bob, too. It turned out to be a book of Sherlock Holmes; and on the flyleaf there was scribbled, “Friends Like Ivy On the Wall Must Fall.” That’s the corniest thing I ever saw, Billy Bob said. Jesus, what a dope he is! But then, and though it was a cold winter day, he went in the backyard and climbed up into the pecan tree, crouching there all afternoon in the blue December branches.

But most of the time he was happy, because Miss Bobbit was there, and she was always sweet to him now. She and Sister Rosalba treated him like a man; that is to say, they allowed him to do everything for them. On the other hand, they let him win at three-handed bridge, they never questioned his lies, nor discouraged his ambitions. It was a happy while. However, trouble started again when school began. Miss Bobbit refused to go. “It’s ridiculous,” she said, when one day the principal, Mr. Copland, came around to investigate, “really ridiculous; I can read and write and there are some people in this town who have every reason to know that I can count money. No, Mr. Copland, consider for a moment and you will see neither of us has the time nor energy. After all, it would only be a matter of whose spirit broke first, yours or mine. And besides, what is there for you to teach me? Now, if you knew anything about dancing, that would be another matter; but under the circumstances, yes, Mr. Copland, under the circumstances, I suggest we forget the whole thing.” Mr. Copland was perfectly willing to. But the rest of the town thought she ought to be whipped. Horace Deasley wrote a piece in the paper which was titled “A Tragic Situation.” It was, in his opinion, a tragic situation when a small girl could defy what he, for some reason, termed the Constitution of the United States. The article ended with a question: Can she get away with it? She did; and so did Sister Rosalba. Only she was colored, so no one cared. Billy Bob was not as lucky. It was school for him, all right; but he might as well have stayed home for the good it did him. On his first report card he got three F’s, a record of some sort. But he is a smart boy. I guess he just couldn’t live through those hours without Miss Bobbit; away from her he always seemed half-asleep. He was always in a fight, too; either his eye was black, or his lip was split, or his walk had a limp. He never talked about these fights, but Miss Bobbit was shrewd enough to guess the reason why. “You are a dear, I know, I know. And I appreciate you, Billy Bob. Only don’t fight with people because of me. Of course they say mean things about me. But do you know why that is, Billy Bob? It’s a compliment, kind of. Because deep down they think I’m absolutely wonderful.”

And she was right: if you are not admired no one will take the trouble to disapprove. But actually we had no idea of how wonderful she was until there appeared the man known as Manny Fox. This happened late in February. The first news we had of Manny Fox was a series of jovial placards posted up in the stores around town: Manny Fox Presents the Fan Dancer Without the Fan; then, in smaller print: Also, Sensational Amateur Program Featuring Your Own Neighbors—First Prize, A Genuine Hollywood Screen Test. All this was to take place the following Thursday. The tickets were priced at one dollar each, which around here is a lot of money; but it is not often that we get any kind of flesh entertainment, so everybody shelled out their money and made a great to-do over the whole thing. The drugstore cowboys talked dirty all week, mostly about the fan dancer without the fan, who turned out to be Mrs. Manny Fox. They stayed down the highway at the Chucklewood Tourist Camp; but they were in town all day, driving around in an old Packard which had Manny Fox’s full name stenciled on all four doors. His wife was a deadpan pimento-tongued redhead with wet lips and moist eyelids; she was quite large actually, but compared to Manny Fox she seemed rather frail, for he was a fat cigar of a man.

They made the pool hall their headquarters, and every afternoon you could find them there, drinking beer and joking with the town loafs. As it developed, Manny Fox’s business affairs were not restricted to theatrics. He also ran a kind of employment bureau: slowly he let it be known that for a fee of $150 he could get for any adventurous boys in the county high-class jobs working on fruit ships sailing from New Orleans to South America. The chance of a lifetime, he called it. There are not two boys around here who readily lay their hands on so much as five dollars; nevertheless, a good dozen managed to raise the money. Ada Willingham took all she’d saved to buy an angel tombstone for her husband and gave it to her son, and Acey Trump’s papa sold an option on his cotton crop.

But the night of the show! That was a night when all was forgotten: mortgages, and the dishes in the kitchen sink. Aunt El said you’d think we were going to the opera, everybody so dressed up, so pink and sweet-smelling. The Odeon had not been so full since the night they gave away the matched set of sterling silver. Practically everybody had a relative in the show, so there was a lot of nervousness to contend with. Miss Bobbit was the only contestant we knew real well. Billy Bob couldn’t sit still; he kept telling us over and over that we mustn’t applaud for anybody but Miss Bobbit; Aunt El said that would be very rude, which sent Billy Bob off into a state again; and when his father bought us all bags of popcorn he wouldn’t touch his because it would make his hands greasy, and please, another thing, we mustn’t be noisy and eat ours while Miss Bobbit was performing. That she was to be a contestant had come as a last-minute surprise. It was logical enough, and there were signs that should’ve told us; the fact, for instance, that she had not set foot outside the Sawyer house in how many days? And the victrola going half the night, her shadow whirling on the window shade, and the secret, stuffed look on Sister Rosalba’s face whenever asked after Sister Bobbit’s health. So there was her name on the program, listed second, in fact, though she did not appear for a long while. First came Manny Fox, greased and leering, who told a lot of peculiar jokes, clapping his hands, ha, ha. Aunt El said if he told another joke like that she was going to walk straight out: he did, and she didn’t. Before Miss Bobbit came on there were eleven contestants, including Eustacia Bernstein, who imitated movie stars so that they all sounded like Eustacia, and there was an extraordinary Mr. Buster Riley, a jug-eared old wool-hat from way in the back country who played “Waltzing Matilda” on a saw. Up to that point, he was the hit of the show; not that there was any marked difference in the various receptions, for everybody applauded generously, everybody, that is, except Preacher Star. He was sitting two rows ahead of us, greeting each act with a donkey-loud boo. Aunt El said she was never going to speak to him again. The only person he ever applauded was Miss Bobbit. No doubt the Devil was on her side, but she deserved it. Out she came, tossing her hips, her curls, rolling her eyes. You could tell right away it wasn’t going to be one of her classical numbers. She tapped across the stage, daintily holding up the sides of a cloud-blue skirt. That’s the cutest thing I ever saw, said Billy Bob, smacking his thigh, and Aunt El had to agree that Miss Bobbit looked real sweet. When she started to twirl the whole audience broke into spontaneous applause; so she did it all over again, hissing, “Faster, faster,” at poor Miss Adelaide, who was at the piano doing her Sunday-school best. “I was born in China, and raised in Jay-pan …” We had never heard her sing before, and she had a rowdy sandpaper voice. “… if you don’t like my peaches, stay away from my can, o-ho o-ho!” Aunt El gasped; she gasped again when Miss Bobbit, with a bump, up-ended her skirt to display blue-lace underwear, thereby collecting most of the whistles the boys had been saving for the fan dancer without the fan, which was just as well, as it later turned out, for that lady, to the tune of “An Apple for the Teacher” and cries of gyp gyp, did her routine attired in a bathing suit. But showing off her bottom was not Miss Bobbit’s final triumph. Miss Adelaide commenced an ominous thundering in the darker keys, at which point Sister Rosalba, carrying a lighted Roman candle, rushed onstage and handed it to Miss Bobbit, who was in the midst of a full split; she made it, too, and just as she did the Roman candle burst into fiery balls of red, white and blue, and we all had to stand up because she was singing “The Star Spangled Banner” at the top of her lungs. Aunt El said afterwards that it was one of the most gorgeous things she’d ever seen on the American stage.

Well, she surely did deserve a Hollywood screen test and, inasmuch as she won the contest, it looked as though she were going to get it. Manny Fox said she was: honey, he said, you’re real star stuff. Only he skipped town the next day, leaving nothing but hearty promises. Watch the mails, my friends, you’ll all be hearing from me. That is what he said to the boys whose money he’d taken, and that is what he said to Miss Bobbit. There are three deliveries daily, and this sizable group gathered at the post office for all of them, a jolly crowd growing gradually joyless. How their hands trembled when a letter slid into their mailbox. A terrible hush came over them as the days passed. They all knew what the other was thinking, but no one could bring himself to say it, not even Miss Bobbit. Postmistress Patterson said it plainly, however: the man’s a crook, she said, I knew he was a crook to begin with, and if I have to look at your faces one more day I’ll shoot myself.

Finally, at the end of two weeks, it was Miss Bobbit who broke the spell. Her eyes had grown more vacant than anyone had ever supposed they might, but one day, after the last mail was up, all her old sizzle came back. “O.K., boys, it’s lynch law now,” she said, and proceeded to herd the whole troupe home with her. This was the first meeting of the Manny Fox Hangman’s Club, an organization which, in a more social form, endures to this day, though Manny Fox has long since been caught and, so to say, hung. Credit for this went quite properly to Miss Bobbit. Within a week she’d written over three hundred descriptions of Manny Fox and dispatched them to Sheriffs throughout the South; she also wrote letters to papers in the larger cities, and these attracted wide attention. As a result, four of the robbed boys were offered good-paying jobs by the United Fruit Company, and late this spring, when Manny Fox was arrested in Uphigh, Arkansas, where he was pulling the same old dodge, Miss Bobbit was presented with a Good Deed Merit award from the Sunbeam Girls of America. For some reason, she made a point of letting the world know that this did not exactly thrill her. “I do not approve of the organization,” she said. “All that rowdy bugle blowing. It’s neither good-hearted nor truly feminine. And anyway, what is a good deed? Don’t let anybody fool you, a good deed is something you do because you want something in return.” It would be reassuring to report she was wrong, and that her just reward, when at last it came, was given out of kindness and love. However, this is not the case. About a week ago the boys involved in the swindle all received from Manny Fox checks covering their losses, and Miss Bobbit, with clodhopping determination, stalked into a meeting of the Hangman’s Club, which is now an excuse for drinking beer and playing poker every Thursday night. “Look, boys,” she said, laying it on the line, “none of you ever thought to see that money again, but now that you have, you ought to invest it in something practical—like me.” The proposition was that they should pool their money and finance her trip to Hollywood; in return, they would get ten percent of her life’s earnings which, after she was a star, and that would not be very long, would make them all rich men. “At least,” as she said, “in this part of the country.” Not one of the boys wanted to do it: but when Miss Bobbit looked at you, what was there to say?

Since Monday, it has been raining buoyant summer rain shot through with sun, but dark at night and full of sound, full of dripping leaves, watery chimings, sleepless scuttlings. Billy Bob is wideawake, dry-eyed, though everything he does is a little frozen and his tongue is as stiff as a bell tongue. It has not been easy for him, Miss Bobbit’s going. Because she’d meant more than that. Than what? Than being thirteen years old and crazy in love. She was the queer things in him, like the pecan tree and liking books and caring enough about people to let them hurt him. She was the things he was afraid to show anyone else. And in the dark the music trickled through the rain: won’t there be nights when we will hear it just as though it were really there? And afternoons when the shadows will be all at once confused, and she will pass before us, unfurling across the lawn like a pretty piece of ribbon? She laughed to Billy Bob; she held his hand, she even kissed him. “I’m not going to die,” she said. “You’ll come out there, and we’ll climb a mountain, and we’ll all live there together, you and me and Sister Rosalba.” But Billy Bob knew it would never happen that way, and so when the music came through the dark he would stuff the pillow over his head.

Only there was a strange smile about yesterday, and that was the day she was leaving. Around noon the sun came out, bringing with it into the air all the sweetness of wisteria. Aunt El’s yellow Lady Anne’s were blooming again, and she did something wonderful, she told Billy Bob he could pick them and give them to Miss Bobbit for goodbye. All afternoon Miss Bobbit sat on the porch surrounded by people who stopped by to wish her well. She looked as though she were going to Communion, dressed in white and with a white parasol. Sister Rosalba had given her a handkerchief, but she had to borrow it back because she couldn’t stop blubbering. Another little girl brought a baked chicken, presumably to be eaten on the bus; the only trouble was she’d forgotten to take out the insides before cooking it. Miss Bobbit’s mother said that was all right by her, chicken was chicken; which is memorable because it is the single opinion she ever voiced. There was only one sour note. For hours Preacher Star had been hanging around down at the corner, sometimes standing at the curb tossing a coin, and sometimes hiding behind a tree, as if he didn’t want anyone to see him. It made everybody nervous. About twenty minutes before bus time he sauntered up and leaned against our gate. Billy Bob was still in the garden picking roses; by now he had enough for a bonfire, and their smell was as heavy as wind. Preacher stared at him until he lifted his head. As they looked at each other the rain began again, falling fine as sea spray and colored by a rainbow. Without a word, Preacher went over and started helping Billy Bob separate the roses into two giant bouquets: together they carried them to the curb. Across the street there were bumblebees of talk, but when Miss Bobbit saw them, two boys whose flower-masked faces were like yellow moons, she rushed down the steps, her arms outstretched. You could see what was going to happen; and we called out, our voices like lightning in the rain, but Miss Bobbit, running toward those moons of roses, did not seem to hear. That is when the six-o’clock bus ran over her.

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