The Concubine’s Tattoo

10

The Saru-waka-chō theater quarter was located near Edo’s Ginza district, named for the Tokugawa silver mint. Bright signs advertised performances; music and cheers rang out from the open upper-story windows of the theaters. In framework towers atop the roofs, men beat drums to attract audiences. People of all ages and classes lined up at ticket booths; teahouses and restaurants were filled with customers. Hirata left his horse at a public stable and continued on foot through the noisy crowd. On Sano’s orders, he’d already dispatched one team of detectives to search for the itinerant drug peddler Choyei, and another to search the Large Interior for poison and other evidence. Upon going to the women’s quarters to question Lady Ichiteru, he’d been informed that she was spending the day at the Satsuma-za puppet theater. Now, as he neared the theater, a growing apprehension sped his heartbeat.

He’d lied when he had told Sano everything was all right, trying to reassure himself that he was capable of handling the interview with Lady Ichiteru. Women didn’t always intimidate him the way Lady Keisho-in and Madam Chizuru had last night; he liked them, and had enjoyed many romances with maids and shopkeepers’ daughters. However, the ladies of powerful men tapped a deep sense of inadequacy within him. Usually Hirata took pride in his humble origin and what he’d achieved in spite of it. In courage, intelligence, and martial arts skill, he knew he equalled many a high-ranking samurai; thus, he could face his male superiors with aplomb. But the women…

Their elegant beauty inspired in him a hopeless longing. A bachelor at the late age of twenty-one, Hirata had deferred marriage in the hope of one day advancing high enough to wed a fine lady who would never have to slave like his mother had, keeping house and caring for a family without benefit of servants. As Sano’s chief retainer, he’d achieved that goal; his family had received proposals from prominent clans seeking a closer association with the shogun’s court, offering their daughters as Hirata’s prospective brides. Sano would act as go-between and arrange a match. Yet still Hirata delayed his wedding. Ladies of high class made him feel coarse, dirty, and inferior, as if none of his accomplishments mattered-he would never be good enough to associate with them, let alone deserve one as a wife.

Now Hirata stopped outside the Satsuma-za, a large, open-air arena comprised of wooden walls built around a courtyard. Above the entrance, five plumed arrows-symbol of the puppet theater-pierced a railing hung with indigo curtains bearing the establishment’s crest. Vertical banners announced the names of current plays. An attendant seated on a platform collected admission fees, while another guarded the doorway, a narrow horizontal slot in the wall that prevented theatergoers from entering without paying. Hirata made up his mind that he would not let Lady Ichiteru upset him as the shogun’s mother had. Poisoning- a devious, indirect crime-was the classic method of female killers, and Ichiteru was therefore the prime murder suspect.

“One, please,” Hirata told the attendant, offering the requisite coins.

Ducking through the door, he found himself in the theater’s entry-way. He’d come in at an intermission during the daylong series of plays, and the space was jammed with patrons buying tea, sake, rice cakes, fruit, and roasted melon seeds from food stalls. Hirata left his shoes beside a row of others and eased his way through the crowd, wondering how to find Lady Ichiteru, whom he’d never met.

“Hirata-san?”

He turned at the sound of a female voice calling his name. Before him stood a young lady several years his junior. Clad in a bright red silk kimono printed with blue and gold parasols, she had glossy shoulder-length black hair, round cheeks, and bright, merry eyes. She bowed, then said, "I’m Niu Midori.” Her voice was high, lilting, girlish. “I just wanted to convey my respects to your master.” A smile curved her full, rosy lips and dimpled her cheeks. “He once did me a big favor, and I’m truly grateful to him.”

“Yes, I know-he told me.” Hirata smiled back, charmed by her unaffected manner, which he hadn’t expected from a woman of Midori’s social status. Her father was an “outside lord”-a daimyo whose clan had suffered defeat at the Battle of Sekigahara and later sworn allegiance to the victorious Tokugawa faction. The Niu, though stripped of their ancestral fief and relocated to distant Kyushu, remained one of the wealthiest, most powerful families in Japan. But Midori seemed as natural as the girls Hirata had romanced. Feeling suddenly lighthearted and cocky, he bowed and said, “I’m delighted to meet you.”

“The pleasure is all mine.” Now Midori’s expression grew wistful. “Is the sōsakan-sama well?” When assured that Sano was in perfect health, she said, “So he’s married now.” Her sigh told Hirata that she liked Sano and had once cherished hopes of a match with him. Then she regarded Hirata with lively interest. “I’ve heard lots about you. You were a policeman, weren’t you? How exciting!”

At a food stall, Midori bought a tray of tea and cakes. “Here, let me help you,” Hirata said.

She dimpled. “Thank you. You must be very brave to be a detective.”

“Not really,” Hirata said modestly. They moved to a vacant spot, and he related some heroic tales of his police career.

“How wonderful!” Midori clapped her hands. “And I’ve heard how you helped capture a band of smugglers in Nagasaki. Oh, I do wish I could have seen that.”

“It was nothing,” Hirata said, preening under her frank admiration. She was really very pretty and sweet. “Now I’m investigating the murder of Lady Harume, and I need to speak with Lady Ichiteru. I have some questions for you, too,” he added, recalling Sano’s instructions.

“Oh, good! I’ll tell you whatever I can.” Midori smiled. “Come and sit with us. We can talk until the play starts.”

As Hirata followed her into the theater, his confidence soared. He’d found it so easy conversing with Midori; he should do just fine with Lady Ichiteru.

In the sunny theater courtyard, tatami mats covered the ground. Charcoal braziers warmed the air. The audience knelt in chattering groups. At the front, the stage consisted of a long wooden railing, from which hung a black curtain to conceal from view puppeteers, chanter, and musicians. Midori led Hirata toward the choice seating area directly in front of the stage, which was occupied by a row of richly dressed ladies with their maids and guards.

“That’s Lady Ichiteru at the end.” Suddenly Midori seemed shy, uncertain. “Hirata-san. Please forgive me if I’m interfering, but-I must warn you to be careful. I don’t know anything for sure, but I-” She continued stammering, but just then, Lady Ichiteru turned and caught Hirata’s eye.

With a long, tapering face, high-bridged nose, and narrow, tilted eyes, she was a classic beauty from ancient court paintings-or from the cheap booklets advertising the courtesans of the Yoshiwara pleasure quarter. Everything about her reflected this startling combination of high-class refinement and common sensuality. Dainty red lips had been painted over a mouth that was full, lush, and not quite hidden beneath the white makeup that covered her face. Her hairstyle, looped up at the sides and long in the back, was simple and severe, but anchored with an elaborate ornament of silk flowers and lacquer combs in the style of a high-ranking prostitute. Her burgundy brocade kimono slid off her shoulders in the latest, provocative fashion, yet the skin of her long neck and rounded shoulders looked pure, white, and untouched by any man. Ichiteru’s gaze was at once veiled and remote, sly and knowing.

Hirata felt his knees tremble, and an embarrassing flush spread heat over his body. Like a dream walker he moved toward Lady Ichiteru. He was barely conscious of Midori performing introductions and explaining his presence. His surroundings receded into blurry shadow, while Ichiteru alone remained vivid and distinct. A profound arousal stirred in his loins. Never before had he been so immediately attracted to a woman.

Lady Ichiteru spoke in the trailing, mannered speech of a highborn woman: “… pleased to make your acquaintance… Of course I shall help with your inquiry in any way I can…”

Her voice was a husky murmur that insinuated its way into Hirata’s mind like dark, intoxicating smoke. She raised a silk fan, covering the lower half of her face. By lowering her eyelids and inclining her head, she invited Hirata to sit beside her. He did so, with an absentminded glance at Midori when she took the tea tray from him and began passing out refreshments to the party, her face unhappy. Then Hirata forgot Midori completely.

“I-I want to know-” he floundered, trying to collect his wits. Lady Ichiteru’s perfume cloaked him in the potent, bittersweet scent of exotic flowers. Hirata felt horribly conscious of his cropped hair; the disguise that had saved his life in Nagasaki made him look more peasant than samurai. “What was your relationship with Lady Harume?”

“Harume was a pert little thing…” Ichiteru shrugged delicately, and her kimono slid further off her shoulders, exposing the tops of her full breasts. Hirata, wrenching his gaze back to her face, felt himself grow erect “… but she was a common peasant. Hardly a person with whom a member of the imperial family… such as I… should have cared to associate.” Ichiteru’s nostrils flared in haughty disdain.

Through a haze of desire, Hirata recalled Madam Chizuru’s statement. “But weren’t you jealous when Harume came to the castle and- and-took your place in His Excellency’s, uh, bedchamber?”

The last word was no sooner spoken than he longed to snatch it back. Why couldn’t he have said “affections,” or some other polite euphemism for Lady Ichiteru’s relations with the shogun? Mortified by his own crassness, Hirata regretted that nothing in his police experience had prepared him for discussing intimate matters with women of high class. He should have let Sano question Lady Ichiteru! Now, against his will, Hirata imagined a scene in Tokugawa Tsunayoshi’s private suite: Lady Ichiteru on the futon, disrobing; and in place of the shogun, Hirata himself. Excitement heated his blood.

A hint of a smile played upon Lady Ichiteru’s lips-did she know what he was thinking? Eyes lowered meekly, she said, “What right have I… a mere woman… to mind my lord’s choice of companion? And if Harume had not succeeded me, someone else would have.” A shadow of emotion crossed her serene features. “I am in my twenty-ninth year.”

“I see.” Hirata recalled that concubines retired after that age, to marry, become palace officials, or return to their families. So Ichiteru was eight years older than he. Suddenly the chaste young girls he’d considered as prospective brides seemed dull, unattractive. “Well, ah,” he said, groping for the line of inquiry he’d begun.

A maid passed Lady Ichiteru a plate of dried cherries. She took one, then said to Hirata, “Will you partake of refreshment?”

“Yes, thank you.” Grateful for the distraction, he popped a cherry; in his mouth.

Ichiteru pursed her lips and opened them. Slowly she inserted the fruit, pushing it in with her fingertip. Hirata gulped, swallowing his cherry whole. He’d often seen women eat this way, careful not to touch food to their lips and smear the rouge. But on Lady Ichiteru, it looked so erotic. Her long, smooth fingers seemed made for holding, stroking, and inserting into bodily orifices…

Shamed by his thoughts, Hirata said, “There were reports that you and Lady Harume didn’t get along.”

“ Edo Castle is full of gossips who have nothing better to do than malign other people,” she murmured. Face averted, she daintily extracted the cherry pit from her mouth.

On its own volition, Hirata’s hand reached out. Ichiteru dropped the seed into his palm. It was warm and moist with her saliva. He gazed at her in helpless lust until the loud, insistent clacking of wooden clappers sounded. He looked up to see that the audience now filled the theater; the play was about to start. A man dressed in black walked in front of the stage and announced, “The Satsuma-za welcomes you to the premier performance of Tragedy at Shimonoseki, which is based upon a true story of recent events.” He recited the names of the chanter, puppeteers, and musicians, then shouted, “Tōzai-hear ye!”

From behind the curtain came melancholy samisen music. A painted backdrop showing a garden appeared above the curtain. The chanter’s disembodied voice uttered a series of wails, then intoned, “In the fifth month of Genroku year two, in the provincial city of Shimonoseki, the beautiful, blind Okiku awaits the return of her husband, a samurai who is in Edo attending his lord. Her sister Ofuji comforts her.”

The audience cheered as two female puppets with painted wooden heads, long black hair, and bright silk kimonos made their entrance. One had a sad, pretty face; her eyes were closed to indicate Okiku’s blindness. While she simulated weeping, the chanter’s voice altered to a high, feminine pitch: “Oh, how I miss my dear Jimbei. He’s been gone so long; I shall perish of loneliness.”

Her sister Ofuji was plain, with a frown slanting her brows. “You’re lucky to have such a fine man,” the chanter said in a lower tone. “Pity me, with no husband at all.” Then he informed the audience, “In her blindness, Okiku does not see that Ofuji is in love with Jimbei, or that her sister envies her good fortune and wishes her ill.”

Okiku sang a sad love song, accompanied by samisen, flute, and drum. The audience stirred in expectancy; a loud buzz of conversation arose: silence during performances was not a habit of Edo theatergoers. Hirata, still clutching Lady Ichiteru’s cherry pit, forced his thoughts back to the investigation.

“Did you know that Lady Harume was going to tattoo herself?” he asked.

“… I was not on such intimate terms with Harume that she would confide in me.” From behind her fan, Ichiteru favored Hirata with a glance that slid over him like a warm breath. “I have heard shocking rumors… Tell me, if I may be so bold to ask… Where on Harume’s person was the tattoo?”

Hirata gulped. “It was on her, uh,” he faltered. Did she really not know the location of the tattoo? Was she innocent? “It was, uh-”

The faintest amusement curved Lady Ichiteru’s lips.

“Above her crotch,” Hirata blurted. Shame washed over him like a tide of boiling water. Had Ichiteru deliberately manipulated him into using the crude term? She was so provocative, yet so elegant. How would he ever finish this interview? Wretchedly, Hirata stared at the stage.

Okiku’s song had ended. Now a sly, handsome samurai puppet sidled onto the stage. “Jimbei’s younger brother Bannojo is secretly in love with Okiku and wants her for himself,” the chanter narrated. Bannojo beckoned to Ofuji. Unobserved by the blind Okiku, the pair conspired. Jealous Ofuji agreed to let the covetous Bannojo into the house that night. The music turned discordant. Murmurs of anticipation swept the audience. Hirata grasped at the shreds of his professional demeanor. “Had you been in Lady Harume’s room prior to her death?” he asked.

“It would degrade one to enter the chamber of a vulgar peasant. One just…” insinuation filmed Ichiteru’s covert glance “… doesn’t.”

If she hadn’t gone into Harume’s room, did that mean she couldn’t have poisoned the ink? Despite his police training, Hirata was unable to think clearly or follow the logic of the interrogation, because Lady Ichiteru’s remark had pierced the heart of his insecurity. He felt vulgar in her presence; it seemed she was rejecting him, as she had Harume, as unworthy of her regard. Humiliation edged his desire.

Onstage, a new backdrop appeared: a bedchamber, with a crescent moon in the window to indicate night. Beautiful Okiku lay asleep while Ofuji let Bannojo into the room. Warning cries came from the audience.

Okiku stirred and sat up. “Who’s there?” The chanter made her voice high, frightened.

“It is I, Jimbei, home from Edo,” the chanter answered for Bannojo. Then he explained, “His voice is so like his brother’s, and her longing for her husband so great, that she believes his lie.”

The couple sang a joyous duet. Then they tugged each other’s sashes loose. Garments fell away, revealing her large breasts, his upright organ. This was the advantage of puppet theater: scenes too explicit for live actors could be shown. Bawdy cheers filled the courtyard as Okiku and Bannojo embraced. Hirata, already too aroused, could hardly bear it. His manhood fully erect now, he feared that Lady Ichiteru and everyone else would notice his condition. Trying to sound businesslike, he said, “Have you ever seen a square, black lacquer bottle of ink with Lady Harume’s name written in gold on the stopper?”

An involuntary gulp caught in his throat. While Ofuji watched from outside the door, Bannojo mounted Okiku. Amid sinuous music, the chanter’s moans, and the audience’s raucous exclamations, the puppets simulated the sexual act. Hirata squirmed, but Ichiteru viewed the drama with tranquil detachment.

“When one sees a fancy container of ink… one naturally assumes that it is for writing letters…” Another veiled glance. “Perhaps letters of… love.”

The last word, spoken on a whisper, sent a shiver through Hirata. Lady Ichiteru raised her hand to her temple, as if to brush away a stray hair. Without looking at him, she lowered her hand, letting the wide sleeve of her kimono fall across Hirata’s lap. His loins throbbed at the sudden pressure of its heavy fabric; he gasped. Had she done it by accident, or deliberately? How should he respond?

He tried to concentrate on the continuing drama onstage, where morning had come, bringing the unexpected arrival of Okiku’s husband, Jimbei. Ofuji triumphantly informed him that his wife and brother had betrayed him. Jimbei, the stern, noble samurai, confronted his wife. Okiku tried to explain the cruel trick played upon her, but honor demanded revenge. Jimbei stabbed his wife through the chest. Ofuji begged him to marry her, swearing eternal love for him, but Jimbei stormed off in search of his duplicitous brother.

Under cover of her sleeve, Lady Ichiteru’s hand moved onto Hirata’s thigh. She began to massage it. Hirata felt her touch as if against his naked flesh, warm and smooth. Breathing hard, he hoped the audience was too engrossed in the play to see. Lady Ichiteru’s impassive expression didn’t change. But now he knew that her provocation was intentional. She had maneuvered their whole encounter to this point.

In the city marketplace, Bannojo learned of Okiku’s death. He rushed to the house and slew the treacherous Ofuji. Just then Jimbei arrived. Accompanied by wild music, the chanter’s cries, and shouted encouragement from the audience, the brothers drew their swords and fought. Hirata, almost oblivious to the drama, felt his own excitement rise as Lady Ichiteru’s hand crept stealthily to his groin. This shouldn’t be happening. It was wrong. She belonged to the shogun, who would have them both killed if this dalliance became known. Hirata knew he should stop her, but the thrill of forbidden contact held him immobile.

Ichiteru’s finger circled the tip of his manhood. Hirata swallowed a moan. Around and around. Then she grasped the rigid shaft and began to stroke. Up and down. Hirata’s heart thudded; his pleasure mounted. Onstage, the wronged husband, Jimbei, delivered the fatal slash to his brother. Bannojo’s wooden head flew off. Up and down moved Ichiteru’s hand, her movements expert. Tense and breathless, Hirata approached the brink of climax. He forgot the murder investigation. He no longer cared if anyone saw.

Then Jimbei, overcome with grief, committed seppuku beside the corpses of his wife, brother, and sister-in-law. Suddenly the play was over, the audience applauding. Ichiteru withdrew her hand.

“Farewell, Honorable Detective… this has been a most interesting meeting.” Eyes modestly downcast, fan shielding her face, she bowed. “If you need my further assistance… please let me know.”

Hirata, denied the release he craved, gaped in helpless frustration. From Ichiteru’s demeanor, the incident might never have taken place. Too confused to speak, Hirata rose to leave, struggling to recall what he’d learned from the interview. How could a woman he wanted so much be a cold-blooded killer? For the first time in his career, Hirata felt his professional objectivity supping.

From behind the stage curtain, the chanter’s solemn voice intoned, “You have just seen a true story of how treachery, forbidden love, and blindness caused a terrible tragedy. We thank you for attending.”