Israel's mother was not a good cook. It was a myth about Jewish mothers, in Israel's experience: he knew a lot of Jewish mothers who were good eaters, but good cooks? Gloria's mother, for example, had ambitions as a cook, but her meals were always somehow inappropriate, or undone by her own ambition: meals made with a random coulis of this and an inexplicable jus of that; and a Puerto Rican fruit and chicken dish she liked to make, soaked in sherry for two days and garnished with candied fruit and raisins; and stuff she liked to do with braised celery; and weird shiny food; and breakfast soups-all of it just…not a good idea. Israel's mother specialised in half-raw roast chicken dinners-put in too late or taken out too early-and also crispy plasticised ready meals, burnt beyond recognition while she was talking on the phone, overcooked casualties of hasty multi-tasking. In Israel's experience, the only good food in the Armstrong household came direct from the deli counter at the Waitrose in Finchley.
As a welcome-home meal, Israel's mother had prepared her signature dish, paprika chicken, which was basically chicken with a lot of paprika sprinkled over it-one part chicken to one part paprika-and cooked with tomatoes and rice until all the constituent parts had broken down to roughly the same size and consistency and were indistinguishable; you could almost drink Israel's mother's paprika chicken. Israel had eaten this meal probably at least once a week for fifteen years before becoming a vegetarian; if he had to identify a particular dish, a particular meal, that had turned him vegetarian, then it was probably paprika chicken: the sickly smell of it, the oils, the colours. The paprika chicken sat now, liquid and fragrant and oily and orange, centre stage on the Armstrong family dinner table. For Israel, in respect of his status as honorary returning family vegetarian, there was a side dish of glistening fried mushrooms.
'Thank you for having us, Mrs Armstrong,' said Ted.
'Thank you, Mr Carson.'
'Please, call me Ted.'
'If you'll call me Eva,' said Israel's mother.
'Is that an Irish name?' said Ted.
'I don't think so,' said Israel's mother. 'Although my late husband was Irish.'
'Oh,' said Ted.
'So we certainly have something in common,' said Israel's mother, who was clearly in good spirits: she'd lit candles, and there was a tablecloth. The meal felt like a special occasion; a family gathering. Israel was there; his mother; his sister, Deborah; and Ted. Deborah's fiancé would be arriving later.
'Well,' Israel's mother was saying, looking at her watch.
'Ari won't be here till later,' said Deborah.
'So we're just waiting for Gloria,' said Israel's mother.
'I'm sure she won't mind if we start,' said Israel.
'Are you sure?' said Israel's mother. 'I wouldn't want it to get cold.'
'Yes, absolutely.'
'I'll serve, at least,' said Israel's mother. 'She may be here by then.'
Israel had told Gloria what time he'd be arriving, and she said she'd be there. Probably she was busy.
Israel texted her again.
She was not there by the time the food was served.
'So. Shall we?' said Israel's mother, looking at her watch again.
'Let's,' said Israel.
'No sign of Gloria then?'
'She's probably busy.'
'Well, good. First, a toast. To Israel! It's lovely to have you back! And to Mr Carson!'
'Please, call me Ted,' said Ted.
'Ted. Yes,' she said. 'And your lovely dog.' Israel's mother hated dogs. 'What was it he's called?'
'Muhammad,' said Ted.
'How unusual!'
'After the boxer,' said Israel.
'Woof!' said Muhammad.
'Quite!' said Israel's mother. 'Lovely to have you here. We missed you,' she said to Israel, placing a hand on his arm.
'I missed you too, Mum,' said Israel.
'I didn't,' said Israel's sister, Deborah.
'You wouldn't,' said Israel.
'She's joking, Ted,' said Israel's mother. 'They like to tease each other. Of course she missed him.'
'Have you had your hair cut?' said Israel to his sister, sipping his wine.
'Yes, of course I've had my hair cut. You think I'd grow my hair for six months without having it cut?'
'Well, it looks…different,' said Israel.
'And you look like you've been sleeping in a ditch,' said Deborah.
'Thank you,' said Israel.
'Mmm,' said Ted, who was enjoying his first experience of Armstrong paprika chicken. 'Delicious.'
'And what about me?' said Israel's mother.
'Sorry?' said Ted.
'My hair, Israel?'
'Yes,' said Israel. 'Yours is-'
'It's shorter,' said his mother. 'More modern.'
'Is it…?' Israel thought perhaps his mother's hair colour had gone a shade too far towards burgundy.
'There's a touch of colour in it,' she said.
'Right,' said Israel. 'And there's something else…'
'My nails?' said Israel's mother. 'He's very observant. He gets that from my side of the family,' she explained to Ted. 'I've started getting my nails done.' She held up her hands and stretched out her fingers as though about to play a two-octave scale. Her hands were all wrinkly and slightly liver-spotted, but the nails were pure bright white and shiny; like old wine skins stoppered with brand-new plastic corks. 'French polish,' she said.
'I thought that was something to do with furniture,' said Israel.
'Tuh!' said Deborah.
'But they're nice,' said Israel. 'Really nice.'
'Thank you,' said his mother.
'And your eyebrows,' said Deborah.
'Ah, yes, my eyebrows.' Israel's mother raised an already arched eyebrow. 'I go to a woman now that Deborah knows in Swiss Cottage.'
'I thought she needed some updating,' said Deborah.
'Right,' said Israel.
'A woman needs to take more care of herself as she gets older. Isn't that right, Ted?' said Israel's mother.
'Mmm,' said Ted. 'Lovely chicken.'
'After all, I'm only sixty-two. There's plenty more, if you want some.'
Ted looked bemused.
'The chicken?' said Israel's mother.
Ted smiled and graciously accepted another ladleful of paprika chicken.
'Now,' said Israel's mother. 'Just for a quick catch up on all the news, Israel, seeing as you've missed so much while you've been away. Mrs Metzger?'
'Who?'
'Mrs Metzger, of the Metzgers?'
'Oh.'
'She's been in hospital. They cut out half her intestine.'
'Ouch,' said Israel.
'And Mrs Silverman?'
'Sorry?'
'Her husband taught the girls the violin.'
'Ah. Right.'
'He's dead.'
'Oh.'
'Cancer.'
'Oh dear.'
'Of the nose.'
'I didn't know you could get cancer of the nose.'
'You can get cancer of the anything,' said Deborah.
'Are you sure?'
'Of course I'm sure.'
'It can kill you,' said Israel's mother.
'Cancer of the nose?'
'For sure. He's dead. And Mrs West, her Israeli cousin, her son, he's dead. He was killed.'
'Oh dear. In Israel?'
'No, in Tunbridge Wells,' said Deborah. 'What do you think? Of course in Israel!'
'And we're doing Guys and Dolls again with the amateur dramatics. It's a shame you're going to miss it.'
'Yeah. That is a…shame.'
'Gerald-'
'An old Armstrong family friend,' noted Deborah.
'Calls it Goys and Dolls!'
'Ha!' said Israel. 'Very funny.'
Ted looked perplexed.
'Anyway, we know the news, Mother,' said Deborah.
'Israel doesn't know the news.'
'He knows it now. What we want to know is his news. So how is the world of information services, brother of mine?'
'Well. Erm. Good, thanks,' said Israel. 'It's…very interesting.'
'I'm sure Israel has made a lot of good friends over there, hasn't he, Ted?' said Israel's mother. 'The Irish are renowned for their warmth of welcome and hospitality, aren't they?'
Israel almost choked on a mushroom.
'Aye,' said Ted, who had paprika around his mouth. 'That we are.'
'We're in Northern Ireland, Mother,' said Israel.
'Ah, yes, of course,' said his mother. 'The IRA bit.'
'Yes. Well…' said Israel.
'How's all that going these days?' said Israel's mother.
'Fine,' said Israel. 'It's this whole peace process thing and the devolution, so-'
'Ah, yes, good, good. My late husband was an Irishman,' said Israel's mother. 'Did Israel tell you, Ted?'
'Aye,' said Ted.
'From Dublin.'
'County Dublin,' said Israel.
'So good they named it twice,' said Deborah.
'That's what he always used to say,' said Israel's mother. 'He'd kissed the Blarney Stone. Have you kissed the Blarney Stone, Ted?'
'Ach, no,' said Ted.
'He was great crack, my husband, Ted. You'd have got on. Do you have crack where you are?'
'Aye,' said Ted. 'Craic? We do.'
'Good,' said Israel's mother. 'I am glad. I do love the Irish-such a sense of fun and adventure.' Israel couldn't tell if she raised an eyebrow, or if it was permanently raised.
Israel's mobile phone vibrated. Text message from Gloria: she was going to be later than she thought. Okay. That was fine. That was okay.
They were sitting in the back room-the best room, the room with the curtain tiebacks and the swags. Israel looked up at the photos on the walls: his father, his grandparents, the Irish, and the Jews, all tiny, all reduced and captured in neat shiny silver frames; his mother liked a nice silver frame. All shipshape, present and correct. And there, there was the old wooden gazelle on the mahogany sideboard under the window, a wooden gazelle that Israel remembered as having belonged to one of his mother's aunts; and next to it a couple of elephants made of coloured glass, which he recognised as having once belonged to his granny. Things had slowly migrated to this room from other houses, or got washed up, like wreckage; it was a room completely stuffed to overflowing, teeming, bobbing with booty, ornaments and furniture; barely enough space to edge round the dining table (which had for years been in situ in Colindale, at Israel's mother's brother's, before coming adrift and floating downstream to the Armstrongs). The whole thing was like a palimpsest of other rooms, a stratum, layer upon layer of other people's lives. The only thing that Israel could identify as being absolutely native, something original and aboriginal and uniquely of their own, was a stainless-steel hostess trolley that had never been used for hostessing, as far as Israel was aware, and had only ever been used for storing newspapers and the Radio Times; though by the looks of it his mother seemed to have converted since his departure to the TV Times. Standards were slipping.
Half an hour after the meal had begun, on the verge of the end both of the conversation and of the paprika chicken, Deborah's fiancé arrived. He was wearing the kind of shirt that had obviously recently seen a tie, and he had a thick, luscious head of hair, the hair of a lead character in an American made-for-TV courtroom drama.
'Hi!' said the thick-haired fiancé loudly, entering the room, to everyone and no one in particular. 'Sorry I'm late.'
'Long day?' said Israel's mother.
'You could say that!' He kissed Israel's sister-on the lips. And then-unbelievably-he went over to Israel's mother and kissed her also. On the cheek. Israel didn't like this at all; this was definitely a new development. Israel was pretty sure that his sister's fiancé hadn't previously been in the habit of kissing his mother; Israel would definitely have remembered that.
'Israel!' he said, reaching across and shaking his hand, in a man-of-the-household fashion. 'No, no, don't get up. Good to see you. You're looking well. And…Hello!' He shook Ted's hand. 'I'm Ari.'
'Say again?' said Ted.
'Ari. My name.'
'Hello,' said Ted. 'I'm Ted. Nice to meet you.'
'Ari and Deborah are engaged to be married,' said Israel's mother.
'Oh,' said Ted. 'Congratulations.'
'Ted works in information services over in Ireland with Israel,' explained Israel's mother.
Ari and Deborah exchanged amused glances.
'Really?' said Ari. 'Information services? I'd be very interested to know about that. I'm kind of in information services myself.'
'Ari works in financial PR,' said Israel's mother.
'Oh,' said Ted.
'He's very successful.'
'Oh,' said Ted.
'Paprika chicken, Ari? And Ted, perhaps I can tempt you?'
For someone who was very successful Ari ate as though he hadn't eaten in a long time-or maybe that's just how very successful people eat, like tramps or emperors; determined, heedless. Ari paused from stuffing himself only to heap absurd, lavish praise upon Israel's mother's cooking, and to provoke and dominate conversation, and to share sly whispered asides with Israel's sister. Israel had fantasised for months about returning to his family. And this was it. This was his family. This was home.
Oh God.
'So, Israel, you followed this business in Lebanon?' said Ari, mid-forkful. 'What do you think?'
'I don't know,' said Israel. 'What do you think?'
Ari knew full well what Israel would think. And Israel knew full well what Ari would think.
'You get the news okay over there then?' said Ari.
'We manage,' said Israel. He didn't want to admit that he was mostly listening to BBC Radio Ulster and reading the Impartial Recorder.
'I'm trying to wean your mother here off the Daily Mail.'
'I like Melanie Phillips,' said Israel's mother.
'My aunt knows Melanie Phillips,' said Ari.
'Yes, his aunt knows Melanie Phillips,' said Israel's mother.
'I like to read The Times, the Telegraph and the FT every day. To get a rounded view of things,' said Ari, who didn't talk so much as make statements and request information.
'I'm sure you do,' said Israel.
'I read the Telegraph,' said Ted.
'That's the Belfast Telegraph,' said Israel.
'Oh,' said Ari.
'So, Israel, you haven't answered the question, what should we do in Lebanon?' said Deborah.
'I think we should pull out, of course,' said Israel.
'Well, well,' said Deborah. 'There's a surprise.'
'And I think all Israelis should come out and protest.'
'Like that'd help,' said Deborah.
'It'd be a show of solidarity.'
'Now, I hope we're not getting into politics?' said Israel's mother.
'It's not politics, Mum,' said Israel.
'I do apologise, Eva,' said Ari.
'That's okay, Ari,' said Israel's mother. 'More chicken?'
'Yes, please. Delicious.'
'Are there any more mushrooms?' asked Israel.
'No, sorry,' said his mother.
'Ted,' said Ari. 'I'm sure you must have an interesting perspective on things, coming from Northern Ireland.'
'On mushrooms?' said Israel.
'On the situation in Lebanon. Obviously,' said Deborah.
'One man's terrorist is another man's freedom fighter,' said Israel's mother. 'That's what your father used to say.'
Ted picked at his chicken bones.
'Ted?' said Ari.
'I…' began Ted, blushing.
'How anyone could think it was okay to plant a bomb and kill people,' said Israel's mother.
'As they're drinking a cup of coffee or on their way to work,' said Deborah.
'Exactly,' said Israel's mother. 'Disgraceful.'
Ted was flushed, and coughed, and adjusted himself awkwardly in his chair.
'Are you okay, Ted?' said Israel's mother.
'Fine, thank you.'
'I blame Tony Blair,' said Israel.
'Tony Blair?' said Ari. 'For Lebanon?'
'Evil man,' said Israel.
'Evil?' said Ari. 'He's not evil.'
'He is evil.'
'What, the same as Hitler or Stalin or Saddam Hussein were evil?' said Ari.
'No, of course not,' said Israel.
'So in what sense evil?' said Ari, stroking his luxuriant hair. 'Like who? Like Jeffrey Dahmer was evil?'
'Don't be silly,' said Israel.
'Israel, please, treat our guests with respect,' said his mother.
'I am treating him with respect,' said Israel. 'He's not-'
'It's okay, Eva,' said Ari. 'I hardly think Israel and I are ever going to agree over the Middle East.'
There was a suggestion here in what Ari said, and the way in which he said it-coolly and calmly-that this was in some way Israel's fault.
'It's just, I'm very'-Ari continued, spearing another chicken thigh-'very suspicious of this whole anti-Israel lobby.'
'I'm not anti-Israel,' said Israel.
'Really?'
'And I'm not part of a lobby. I just think people should be allowed to criticise Israel when it's made a mistake. Like, for example, going into Lebanon and committing atrocities.'
'Israel, Israel,' said Ari patriarchally. 'You know, it's funny, I do often find it's self-hating Jews who make these wild accusations about the-'
'They're not wild accusations,' said Israel. 'And maybe I am a self-hating Jew, because-'
'You're not a self-hating Jew,' said Deborah. 'You're a self-hating person.'
'Children!' said Israel's mother. 'Ted doesn't want to hear this, do you, Ted?'
Ted smiled, non-committally.
'Coffee everyone?'
Israel helped his mother take the dishes through to the kitchen, leaving Ted to battle it out alone over Lebanon with Ari and Deborah.
'So, where's Gloria?' she asked, when they were alone together in the kitchen.
'She's just texted,' said Israel. 'She's having to finish some work.'
'But she knew you were coming back tonight?'
'Yes, it's just something she couldn't get out of.'
'I see.'
'Mother, let's not get started on Gloria.'
Israel's mother didn't trust Gloria.
'I'm not getting started on anything. So, you've not met any nice girls over in Ireland?'
'Mother!'
'I'm only asking.'
'Well, anyway, no, I haven't. Not really.'
'Not really? Does that mean yes?'
'No!'
'Well. He's lovely, though, isn't he?' said Israel's mother.
'Who? Ari?'
'No! Ted.'
'Ted?' said Israel.
'Yes,' said Israel's mother. 'I think he's very charming.'
'Ted? Charming?' Israel thought back to when he'd arrived in Tumdrum and Ted had physically threatened him on a number of occasions. 'Ted is certainly a lot of things, Mother,' he said, 'but I hardly think charming is one of them.'
'I do like his accent.'
'His accent?'
'It's very cute, isn't it?'
'He's Northern Irish.'
'Yes, I know. Reminds me of your father.'
'Dad was from Dublin.'
'Well, it's the same sort of thing, isn't it? It's all an accent.'
'Mother! It's not the same thing at all.'
'He's a big hog of a man, though, isn't he?'
'What?' said Israel.
'Ted. How old is he, do you know?'
'No! I've got no idea how old he is. Seventy?'
'Don't be silly, Israel, he's not seventy. I'd place him early sixties. So he'd be about the same age as me, maybe a little older. He's really very well preserved, isn't he?'
'Mother!'
'He reminds me of Leo Fuld.'
'Who?'
'The singer. "Wo Ahin Soll Ich Geh'n".'
'I'm sorry, I have absolutely no idea what you're talking about.'
'I don't know,' said Israel's mother. 'Young people. Where did we go wrong?'
'Maybe you've just got old?'
'Thank you.'
'Don't mention it.'
'Anyway, come on, make yourself useful and take this tray.'
They returned with coffee-proper coffee!-and dessert. Israel's mother's desserts were much better than her main courses.
There was a good reason for this.
'This is delicious,' said Ted, once they'd started in on dessert. 'What is this?'
'Baklava,' said Israel.
'Ba-whatter?' said Ted.
'Baklava,' repeated Israel.
'Aye. Right. What is it?'
'It's pastry, with pistachios,' said Israel.
'No,' said Ari. 'It's not pistachios. It's almonds.'
'I always thought it was pistachios,' said Israel.
'You can have either almond or pistachio,' said Deborah.
'I've had walnut, actually,' said Ari.
'Sounds lovely,' said Israel's mother.
'Walnut?' said Israel.
'Uh-huh.'
'I've never had walnut,' said Israel. 'And I've had a lot of baklava.'
'It's filo pastry,' said Deborah, explaining to Ted.
'Aye. Nice.'
'It was on a business trip to New York I had the walnut baklava,' said Ari.
'And the sticky stuff is-what's the sticky stuff, Mother?' said Deborah.
'Orange-blossom water.'
'Ah, that's right.'
'Are you sure it was walnut?' said Israel.
'Of course I'm sure.'
'What?' said Ted.
'It's lovely baklava, Mum,' said Israel. 'Did you make it?'
'Israel!' said Deborah.
'What?'
'You never ask a lady if she's made a dish.'
'Do you not?'
'No.'
'Do I look like I have time to make baklava?' said Israel's mother.
'Erm.' Israel looked at his mother's French-polished nails. 'So where's it from?'
'Israel!' said Deborah.
'It's from Israel?' said Ted.
'It's from Jacob's, on the High Street, where we've been buying our baklava for thirty years,' said Israel's mother.
'Oh,' said Israel. 'Of course. I was only asking.'
Soon after the baklava Ari and Deborah had to go: Ari had a big presentation the next day.
'Big presentation,' he said, slipping into his suit jacket, Israel's mother holding it out for him, like a personal valet. 'You know what it's like, Eva.'
'Hardly!' said Israel's mother, twittering.
'Ted, it's been a pleasure,' said Ari.
'Aye,' said Ted.
Ted and Israel and his mother cleared the remaining dishes and then sat around drinking coffee. There was still no sign of Gloria. Israel texted her again.
'Still no sign of Gloria then?' said Israel's mother.
'No,' said Israel.
'Surprise, surprise.'
'It's fine. She's probably…'
'You can always stay here tonight.'
'Well, I'll…'
'Your room's all made up.'
'Well…'
'Good. That's settled then,' said Israel's mother, opening another bottle of wine.
'Now,' she said, turning her attention to Ted. 'Did you say you were from Dublin?'
'Mother!' said Israel. 'I told you. He's from Northern Ireland.'
'I'm from Antrim,' said Ted.
'My late husband was from Dublin,' said Israel's mother dreamily.
'In Ireland doth fair Dublin stand,' said Ted. 'The city chief therein; and it is said by many more, the city chief of sin.'
'Oh!' said Israel's mother. 'That's very good. Did you make that up?'
'Ach, no,' said Ted.
'I have a couple of Van Morrison albums somewhere,' said Israel's mother, getting up.
'Aye, he's a Belfast lad,' said Ted.
'It's like name the famous Belgian, isn't it?' said Israel's mother, who'd gone over to the cupboard where Israel's dad had kept his records. 'Van Morrison. George Best. He's from your neck of the woods, isn't he?'
'Aye,' said Ted.
'Terrible waste,' said Israel's mother.
'D'ye know the joke?' said Ted.
'Which joke?' said Israel's mother.
'So,' said Ted. 'George Best is in the Ritz Hotel in bed with Miss World.'
'Right,' said Israel's mother, facing Ted, hand on hip, wineglass in the other.
'And the bed is covered with money-fifty pound notes. The waiter comes in with room service-another bottle of champagne.'
'Uh-huh,' said Israel's mother.
'And the waiter takes in the scene and shakes his head and he says, "Where did it all go wrong, George?"'
'Oh, that's very funny!' said Israel's mother, her face creasing up with laughter. 'That's very funny! Isn't it, Israel?'
Israel frowned. Ted had told him the joke several dozen times before.
'Yes,' said Israel.
'I don't think I know any other famous Northern Irishmen,' said Israel's mother.
'Wayne McCullough?' said Ted.
'Is he a singer?'
'He's a boxer,' said Ted.
'The Corrs?' said Israel's mother.
'They're from down south,' said Ted.
'Oh.'
'Liam Neeson,' said Ted.
'Really?' said Israel's mother. 'Oh, I like him. Did you ever see him in Schindler's List?'
'I don't think so,' said Ted.
'No? We've probably got it on video somewhere if you'd like to see it. Although you'd be better seeing it in a cinema really. We have wonderful cinemas here. I prefer the theatre myself.'
'Mother! You never go the theatre!'
'I went to see Les Misérables with my book group. And Mary Poppins-that wasn't awfully good actually; not nearly as good as the film. Do you remember the film, Israel? We used to watch it when you were children. We had that on video too. I don't know where all the videos are now. Anyway, how many have we got then, Ted, Northern Irishmen. Five?'
'Not far off,' said Ted.
'Israel?' said his mother.
'What?' said Israel, who was staring at his mobile phone, willing Gloria to ring.
'Famous Northern Irishmen?'
'Or women,' said Ted.
'Yes, of course,' said Israel's mother, who'd returned to rifling through the old LPs. 'We don't want to forget the women.'
'Certainly not,' said Ted. 'Mary Peters,' he added.
'Ah!' said Israel's mother, standing up triumphantly with a copy of Moondance. 'Who did you say, Ted?'
'Mary Peters.'
'Ah, yes. That dates us a little bit, though, doesn't it?'
'Who's Mary Peters?' said Israel.
'She was in the Olympics, wasn't she?' said Israel's mother.
'She was,' said Ted.
Israel's mother was fiddling around with the turntable.
'I can never get this right. Ted, would you mind?' she said.
Ted went over and stood beside her, taking the record from her hands.
'You just need to bring this over here, and put this here,' said Ted.
'Ah!' said Israel's mother. 'Yes, of course, I'd forgotten. My husband used to do all the…'
Israel's mother allowed Ted to reach right round her and lift the stylus.
Israel coughed loudly, but no one seemed to hear him.
'Do you like folk music, Ted?' he heard his mother saying, rather breathily, he thought.
'No. I can't say I do, to be frank with ye, Mrs Armstrong.'
'Do call me Eva,' said Israel's mother.
'Sorry, Eva,' said Ted.
'Good,' said Israel's mother. 'My late husband liked folk music. But I feel there's enough misery in the world already.'
'Aye. I'm more of a Frankie Laine and Nat King Cole kind of a man meself.'
'Oh, how lovely. I went to see the Drifters a while back, with some friends; they were fantastic.'
'The original Drifters?'
'I'm not sure,' said Israel's mother. 'It was in Croydon.'
'Were they good?'
'Oh, they were fabulous! They did-oooh, what did they do?-"Under the Boardwalk" and "Saturday Night at the Movies". And "You're More Than a Number in My Little Red Book".'
At which point-to Israel's utter horror-his mother started actually singing, and-worse!-Ted joined in, and suddenly they were duetting: 'You're more than a number in my little red book, you're more than a one night stand.'
'Anyway,' said Israel, coughing much louder. 'Anyway!'
'Sorry?' said Israel's mother, turning away from Ted and towards him.
'Hello?' said Israel, as the opening bars of 'And It Stoned Me' came from the speakers. 'I could sit here all night listening to you talk about music and discussing famous Northern Irishmen-'
'And women,' said his mother, who'd sat back down at the table.
'And women,' said Israel, 'all night long. But-'
'Are you a Catholic, Mr Carson?' asked Israel's mother, staring up at Ted.
'Mother!' said Israel.
'What?'
'Ted's a Protestant.'
'Oh, is he? Do they have those in Ireland as well?'
'In the north of Ireland, Mother. Northern Ireland.'
'Ah, yes, of course. My late husband was a Catholic. He didn't take it very seriously though.'
'No,' said Ted, sitting down. 'I'm only a Sunday worshipper myself.'
'Oh? Isn't that what you're supposed to be?'
'Not if you're a Presbyterian, no.'
'Really?' said Israel's mother. 'I've never met a Presbyterian. Is it like Jehovah's Witnesses?'
'Not exactly,' said Ted.
'It's a Christian religion though, is it?'
'Aye. Though according to most Presbyterians I would be a failed Christian.'
'Oh, I'm sure that's not the case.'
'Ach, well. It's my decision, ye know. I like a drink. I smoke.'
'Oh, I am glad,' said Israel's mother. 'I thought I was the only one.' She poured Ted another glass of wine. 'We need to stick together, Ted,' she said, winking. 'Have you noticed how everything that used to be good for you is supposed to be bad for you?'
'Aye,' said Ted. 'You mean smoking and drinking?'
'Yes, and eating, even, for goodness sake.' Israel's mother patted her ample hips.
'Aye,' said Ted.
'More baklava, Ted?'
'Maybe just a small piece.'
Israel went to take a piece as his mother offered the plate to Ted.
'Guests first,' she said, slapping Israel's hand. 'I do like to see a man with a healthy appetite.'
'I have a healthy appetite, Eva,' said Ted, 'that I must admit.'
Israel thought he might be sick.
'Have you ever met Gloria, Ted?' said Israel's mother.
'Who?'
'Israel's girlfriend. She was meant to be here this evening. Still no sign, Israel?'
'No,' said Israel.
'They live-lived?'
'Live,' insisted Israel.
'Together.'
'No, I've not met her,' said Ted.
'Thin as a rake,' said Israel's mother. She held up her little finger. 'Like that. Thin. As. A. Rake. She's a high-flyer,' she said to Ted.
'I thought you'd given up smoking,' said Israel, changing the subject.
'I have,' said his mother. 'But I just have one or two occasionally, for the sake of my health.'
'For the sake of your health?'
'My mental health. Goodness, I'm sorry. He's a terrible nag, Ted, isn't he? I hope he's not like that with you?'
'We have a healthy working relationship,' said Ted.
'Well, anyway. If Mr Health Police here would excuse us, perhaps, Ted, you would like to join me for a cigarette on the terrace.'
'We don't have a terrace, Mum.'
'The patio, then,' said Israel's mother, getting up from her seat. 'You are so pernickety. And perhaps Gloria will have arrived before we're all through?'
Ted got up obediently and to the strains of 'Moondance' followed Israel's mother into the kitchen and out into the back garden.
Israel looked again at the photos on the walls. Checked his mobile again; nothing from Gloria.
He couldn't believe she'd missed the meal.
He was desperate to see her.
Gloria: she looked like Giuletta Masina as Gelsomina in Fellini's La Strada -a film they'd gone to see together at the National Film Theatre, years ago. They used to go to the cinema two, three times a week back then.
In fact, Gloria looked nothing like Giuletta Masina as Gelsomina in Fellini's La Strada. Sometimes he could barely remember what she looked like. She was definitely beautiful though. She was…What could he say? She was just…Gloria.
When Israel's mother and Ted returned, laughing and smelling of cigarettes, Israel was picking miserably at the remains of the baklava.
'He was a terribly greedy child,' said his mother.
'Mother!'
'You were, though. Chocolate biscuits. He was a fiend for the chocolate biscuits, Ted. Honestly. I had to hide them. And then the girls would beat him up. He never learned to stick up for himself.' She walked over towards the hi-fi system. 'No sign of Gloria then?'
'No, she-'
'Has stood you up, I think.'
'No,' said Israel. 'She has not stood me up, she's just…'
'And not for the first time,' said Israel's mother.
'She-'
Israel's mother simply waved her hand at Israel dismissively and knelt down in front of the record cabinet.
'A change of mood, I think,' she said. 'It turns out Ted and I have an interest in common, Israel.'
'What, winding me up?' said Israel.
'Now, how many times do I have to tell you? Don't be rude to our guest, please.'
'What then?' said Israel. 'What interest have you got in common?'
'Line dancing,' said Israel's mother.
'Ha!' said Israel. 'Good one. You don't go line dancing.'
'I do now.'
'Since when?'
'Since you've been gone. I do have a life, you know.'
'Yes, of course, but-'
'What?' said Israel's mother.
'Line dancing?' said Israel, as though she'd confessed to participating in some kind of Satanic abuse rituals.
'What's wrong with line dancing?' said Israel's mother, her back to him, searching for records.
'Well, there's nothing wrong with line dancing. But couldn't you have done…I don't know, tango, or something?'
'In Finchley, dear? Don't be such a snob. You're like your father. He wouldn't go to discos or anything when we were young. And also it's very good exercise. Keeps me in shape.' She patted her hips.
'Ted?' said Israel. 'You don't dance, do you?'
'Aye,' said Ted. 'I do.'
'Really?'
'Best feet in the parish,' said Ted. 'First Friday of every month in the First and Last.'
'He never really joined in with anything, you know,' said Israel's mother.
'Mother! I am here, you know. I can hear you.'
'Yes. Ah! Just what I'm after.' She stood up, record in hand. 'We're fine here, you know, if you want to leave us.'
'Well, it has been a long day,' said Israel. 'But I'm sure Ted is tired as well. Shall I show you where you're sleeping, Ted?'
'Oh, leave Ted with me, Israel, he'll be fine,' said his mother.
'Are you sure, Ted?'
'Aye,' said Ted. 'We're grand.'
'That's it, you pop along and read your books there.'
'Mother, I'm not a child.'
'Of course not! Good night then!'
So Israel left them to it.
He went upstairs to his childhood bedroom, the room where he'd done all that groundwork on Verfremdung and ostranenie in his teens. It had been decorated several times since then, and with the chintz it just wasn't the same; you couldn't really feel properly alienated under a nylon sunflower-print duvet cover.
His first night back in England and he was alone.
Except for the dog: his mother had put Muhammad in with him; he sat whimpering in his travel basket.
'Shut up!' said Israel. Muhammad continued to whimper. 'No, really. I'm not joking.' Whimper. Whimper. 'Shut up!'
Sometimes in Tumdrum Israel had had dreams about this room, but in his dreams it was much larger, a palace, where he would weigh his conscience and enjoy his princely pleasures. But of course it wasn't a palace; it was a room furnished with cheap melamine furniture and miniature Monet prints in lilac-coloured pine frames. Israel could no longer even imagine his excitement at reading Portnoy's Complaint in here, let alone re-create in memory that wet afternoon when Gloria had first let him kiss her here. It was all gone. All his books were gone. Everything of his own was in the flat he shared with Gloria.
He rang her number again. Ten thirty: it wasn't late.
No reply.
He texted.
No reply.
Downstairs he could hear the sound of his mother's records. They'd never upgraded to a CD player. He remembered his father swivelling the records between his fingers, blowing gently on them, as if they were votive candles. And he could hear his mother singing, 'Don't tell my heart' and Ted singing back, 'My achy breaky heart' and both of them duetting on 'I just don't think it'd understand.'
And he crawled, exhausted, alone, unhappily, into bed.
Muhammad was snoring in the corner.