Chapter 7
I waited for pappy at the camp we had made, up the river from the herds. I wasn't sure whether I wanted to run or to stay with Pappy and see the thing through with Creyton. Maybe I would have the decision made for me, if Pappy ran into Creyton before he got back to camp.
Then—out of nowhere—I heard the words: Don't worry about me. I'm not going to get into any more trouble. They sounded well worn and bitter. They were words I had said to Laurin, and a few hours later I had killed another man, a soldier.
Now I had the government officers on my tail as well as the state police. Laurin ... I'd hardly had time to think about her until now. I could close my eyes and see her. I could almost touch her. But not quite.
I picked up a rock and flung it viciously out of sheer helplessness and anger.
I hadn't asked to get into trouble. It was like playing a house game with the deck stacked against you. The longer you played, the harder you tried to get even, and the more you lost. Where would it stop? Could it be stopped at all?
I realized what I was doing, and changed my thinking. You'd go crazy thinking that way. Or lose your guts maybe, and get yourself killed. And I wasn't planning on getting killed, by Buck Creyton, or the police, or anybody else. I had to keep living and get back to John's City. I had to get back to Laurin.
They didn't really have anything against me—except, of course, that one trooper that I had shot up at Daggert's cabin. But a jury of ranchers wouldn't hang me for shooting a bluebelly. Just lay quiet, I told myself, and wait for the right time.
But there was still Buck Creyton to think about. My mind kept coming back to him. I wondered vaguely if Paul Creyton had any more kinfolks that would be bent on avenging him. Or the policemen, or the trooper.
At last, when I finally went back to the beginning of the trouble, there was Ray Novak. He was the one who had started it all. I realized then that I hated Ray Novak more than anybody else, and sooner or later...
But caution tugged again in the back of my mind. Lie quiet, it said. Don't ask for more trouble.
Pappy came in a little before sundown, covered with trail dust and looking dog tired. I didn't know how to break it to him about Buck Creyton. I wasn't sure what he would do when he found out that Creyton was after him for something he hadn't done.
“I got us fixed up with a job of work,” he said, wetting his bandanna from his saddle canteen and wiping it over his dirty face. “The Box-A outfit needs a pair of swing riders to see them through the Territory. Forty dollars a month if we use our own horses. That all right with you?”
“I guess so,” I said.
He wrung his bandanna out and tied it around his neck again. “You don't sound very proud of it,” he said. But he grinned as he said it. I could see that Pappy was in good spirits. “It seemed like I rode halfway to the Rio Grande looking for that outfit,” he went on. “But it's what we want. The trail boss is a friend of mine and he don't allow anybody to cut his help for strays. Cavalry included.” He patted his belly. “Say, is there any of that bacon left?”
“Sure,” I said. I got the slab and cut it up while Pappy made the fire. I decided I'd better let him eat first before saying anything.
It was almost dark by the time we finished eating. Pappy sat under a cottonwood as I wiped the skillet, staring mildly across the wide, sandy stretch of land that was Red River. There was almost no river to it, just a little stream in the middle of that wide, dusty bed. Quicksand, not water, was what made it dangerous to cross.
I put the skillet with the blanket roll and decided that now was as good a time as any.
“Pappy,” I said abruptly, “we're in trouble.”
He made one of those sounds of his that passed for laughter. “Wewere in trouble,” he said. “Not any more. We've got clear sailing now, all the way to Kansas.”
“I don't mean with the police. With Buck Creyton.”
I saw him stiffen for a moment. Slowly, he began to relax. “Just what do you mean by that?” he asked. Some people, when they get suddenly mad, they yell, or curse, or maybe hit the closest thing they can find. But not Pappy. His voice took on a soft, velvety quality, almost like the purring of a big cat. That's the way his voice was now.
But I had gone too far to back down. I said, “I saw him today. He's working with one of the outfits getting ready to make the crossing. He's looking for you, Pappy. He says he's going to kill you.”
Pappy sat very still. Then he said, “You yellow little bastard.”
The words hit like a slap in the face. I wheeled on him, my hands about to jump for my guns, but then I remembered what Pappy had done to Ray Novak, and dropped them to my side.
“Look, Pappy,” I said tightly, “you've got this figured all wrong.”
He didn't even hear me. “You told him I was the one that killed Paul, didn't you?”
“I didn't tell him a thing,” I said.
“I'll bet! You didn't tell him thatyou did it.” Slowly he got to his feet, his hands never moving more than an inch or so from the butts of his pistols.
I suppose I was scared at first, but, surprisingly, that went away. I began to breathe normally again. If he was determined to think that I had crossed him, there was nothing I could do about it. If he was determined to force a shoot-out, there was nothing I could do about that, either. He was standing in a half crouch, like a lean, hungry cat about to spring.
“You yellow little bastard,” he said again.
I said, “Don't say that any more, Pappy. I'm warning you, don't use that word again.”
I think that surprised him. He thought I was afraid of him, and now it kind of jarred him to find out I wasn't. Pappy was good with a gun. I'd seen him draw and I knew. Maybe he was better than me—a hundred times better, maybe—but he hadn't proved it yet.
He said, “I picked you up. I went to the trouble to save your lousy hide, and this is what I get. This tears it wide open, son. This finishes us.”
“If you're not going to listen to reason,” I said, “then go ahead and make your move. You've got a big name as a gun-slinger. Let's see how good you really are.”
He laughed silently. “I wouldn't want to take advantage of a kid.”
I was mad now. He hadn't given me a chance to explain because he thought he could ride his reputation over me. I said, “Don't worry about the advantage. If you think you've got me scared, if you think I'm going to beg out of a shooting, then you're crazy as hell.”
He still didn't move. “You think you're something, don't you, son? Because you got lucky with Paul Grey-ton, because you killed a couple of state policemen who didn't rightly know which end of a gun to hold, you think you're a gunman. You've got a lot to learn, son.”
“Draw, then,” I almost shouted. “If you think you're so goddamned good and I'm so bad. Draw and get it over with. You're the one that got your back up.”
For a moment I thought he was going to do it. I could see the smoky haze of anger lying far back in those pale eyes of his. I felt muscles and nerves tightening in my arms and shoulders, waiting for Pappy to make a move.
Suddenly he began to relax. The haze went out of his eyes and he sat slowly down by the cottonwood.
“What the hell got into us anyway?” he asked, shaking his head in amazement. “Hell, I don't want to kill you. I don't think you want to kill me. Sit down, son, until the heat wears off.”
It took me a long time to relax, but I didn't feel very big because I had made Pappy Garret back down. I knew it wasn't because he was afraid of me.
“Go on,” Pappy said softly, “sit down and let's think this thing over.”
The anger that had been burning so hot only a minute ago had now burned itself out. Me and Pappy getting ready to kill each other—the thought of that left me cold and empty. Pappy had saved my life, he had given me a chance to live so someday I could go back to Laurin.
“It's just as well we got that out of our systems,” Pappy said at last. “I'm sorry about the things I said. I didn't mean them.”
That was probably the first time Pappy had ever apologized to anybody for anything. And he was right. It was just as well that we got it out of our systems. Sooner or later, when two men live by their guns, they are bound to come together. But there was slight chance of it happening again. You don't usually buck a man if you know he isn't afraid of you.
Pappy got out his tobacco and corn-shuck papers, giving all his attention to building a cigarette. After he had finished, he tossed the makings to me.
I said, “Hell, I guess I was just hot-headed, Pappy. I'm ready to forget it if you are. We're too good a team to break up by shooting each other.”
Then Pappy smiled—that complete, face-splitting smile that he used so seldom. “Forgotten,” he said.
After it was all over, I felt closer to Pappy than I had ever felt before. We sat for a good while, as darkness came on, smoking those corn-shuck cigarettes of his, and not saying anything. But I guess we both had Buck Creyton in our minds. I had already decided that I would hunt Creyton down the next day and tell him just the way it happened; then if he was still set on killing somebody, he could try it on me. I couldn't guess what Pappy was thinking until he said:
“This is as good a time as any to push across the river. You get that red horse of yours, son, and we'll be moving as soon as it's a little darker.”
I got the wrong idea at first. I thought Pappy was running because he was afraid of a shoot-out with Buck Creyton. But then I realized that he wouldn't admit it that way if he was. At least he would make up some kind of excuse for pulling out.
But he didn't say anything, and then I began to get it. He was moving out on my account. He was ready to cross the Territory without the protection of a trail herd so that Buck Creyton wouldn't have a chance to find out that I was the one who had killed his brother. He was protecting me, not himself.
I didn't see the sense in it. It seemed like it was just putting off a fight that was bound to come sooner or later, and why not get it over with now? But I didn't want to argue. I didn't want another flare-up with Pappy like I'd just had. So I went after Red.
We crossed the river about a mile above the Station, keeping well east of the main trail, and pushed into Indian Territory. We rode without saying anything much. I didn't know how Pappy felt about it, but I didn't like the idea of running away from a fight that was bound to come sometime anyway. I figured he must have his reasons, so I let him have his way.
By daybreak, Pappy said we were almost to the Washita, and it was as good a place as any to pitch camp. The next day we pushed on across the Canadian, into some low, rolling hills, and that was where I began to see Pappy's reason for running.
First, we picked a place to camp near a dry creek bed; then Pappy insisted on scouting the surrounding country before telling me what he had in mind. Fort Gibson was on our right, Pappy said, over on the Arkansas line, but he didn't think it was close enough to bother us. The Fort Sill Indian Reservation was on our left, on the other side of the cattle trail, but the soldiers there were busy with the Indians and wouldn't be looking for us. The thing we had to worry about now, he went on, was government marshals making raids out of the Arkansas country. But we would have to take our chances with them.
“I've told you before,” Pappy said, “that you've got a lot to learn.” He led the way down to the dry creek bed and pointed to a log about forty yards down from us. “Pull as fast as you can and see how many bullets you can put in it.”
It sounded foolish to me. And dangerous. What if soldiers heard the shooting? But I looked at Pappy, and his face was set and dead serious. I shrugged. “All right, if you say so.”
I jerked at my righthand gun, but before I could clear leather the morning came to life with one explosion crowding on top of another. Pappy had emptied his own pistols into the log before I had started to shoot.
Pappy looked at me mildly and began punching the empties out of his two .44's. I didn't even bother to draw my own guns. My insides turned over and got cold as I thought of what Pappy could have done to me the other night, if he had wanted to. I breathed deeply a few times before I tried to speak.
At last I said, “All right, Pappy. Where do I start to learn?”
He grinned faintly. “With the holsters first,” he said. “If you don't get your pistols out of your holsters, it doesn't make a damn how good a shot you are.” He made me unbuckle my cartridge belts and he examined the leather carefully. “See here?” he said, working one of the .44's gently in and out of the holster. “It binds near the top where it's looped on the belt.”
We went up to where the blanket rolls were, and Pappy got some saddle soap out of his bags. “You don't develop a fast draw all at once,” he said, rubbing the saddle soap into the leather with his hands. “You cut away a piece of a second here, a piece of a second there, until you've got rid of every bit of motion and friction that's not absolutely necessary. All men aren't made to draw alike. Some like a cross-arm draw, or a waistband draw. Or a shoulder holster under the arm is the best for some men. You've got to find out what comes easiest and then work on it until it's perfect.”
He stood back for a moment, looking at me as if I was a horse that he had just bought and he wasn't sure yet what kind of a deal he'd got.
Finally he shook his head. “Your arms are too long for the cross-arm or border draw. That goes the same for the waistband. At the side is the best place, low on your thighs, where your hands cup near the butts when you stand natural. You can't work out any certain way to stand, you've got to be able to shoot from any position.”
He handed the belts and holsters back and I buckled them on again like he said. He looked at me critically.
“Unload your pistols and try drawing.”
I punched the live rounds out and shoved the guns back in my holsters. Then I grabbed for them and snapped a few times at a spot in front of me.
“Again,” Pappy said.
I did it all over again, but Pappy wasn't satisfied. He went over to where his saddle rig was and cut a pair of narrow leather thongs from his own bridle reins. Then he made me stand still, with my legs apart, while he put the thongs through the bottom of my holsters and tied them down to my thighs. “Arms too long, that makes the holsters too low,” he said briefly. “They'll flap when you walk if you don't tie them down. Now try it again.”
I pulled two more times and snapped on empty chambers so Pappy could get the right perspective.
“I guess they'll do,” he said reluctantly. “Now we'll get to the shooting. The drawing can come later.”
The dozen boxes of cartridges that I'd got from Old Man Garner went that afternoon. And most of Pappy's extra ammunition went the next day.
“Hell, no!” Pappy would shout when I tried to shoot from the hip. “Aim. That's the reason they put front and rear sights on a pistol, to aim with.”
Then I would try it again, holding the pistol straight in front of me, like a girl, aiming and shooting at whatever target Pappy happened to pick. Once in a while Pappy would nod. Once in a great while he would grunt his approval.
“Now aim without drawing your gun,” Pappy said finally. “Imagine that you've got your pistol out in front of you, aiming carefully over the sights!” He threw an empty cartridge box about thirty yards down the draw. “Aim at that,” he said.
I stood with my arms at my sides, trying to imagine that I was aiming at the box.
“Now draw your pistol and fire. One time. Slow.”
I drew and fired, surprised to see the box jump crazily as the bullet slammed into it.
“Now with the other hand,” Pappy said.
I tried it again with the left hand and the box jumped again.
I turned around and Pappy was looking at me strangely. “That'll do for today,” he said. He rubbed the ragged beard on his chin, glaring down the draw at the cartridge box. “You've still got a lot to learn,” he said gruffly, “but I guess you'll do. It took me two years to learn to shoot like that.”
I thought I had been doing something big when, as a kid, I had managed to put a bullet in a tossed-up tin can. But I knew that hadn't been shooting. Not shooting as an exact, deadly science, the way Pappy had worked it out.
The next day we worked on my draw, starting with empty pistols, drawing in carefully studied movements. It was agonizingly slow at first. Arms, and hands, and position of the body had to be correct to the hundredth of an inch. Only after everything was as perfect as it could possibly be did Pappy let me try for speed.
I watched Pappy do it slowly and it seemed so easy. His hands cupping around the butts, starting the upward pull. Thumbs bringing the hammers back as the pistols began to slide out of the holsters, forefingers slipping into the trigger guard. Then firing both pistols, not at the same time, as it seemed, but working in rhythm, taking the kick on one side and then on the other.
“All right, try it,” Pappy said.
He pitched out another cartridge box, and I drew slowly, carefully, for the first few times to get the feel of it. Then, as I bolstered the pistols again, Pappy shouted:
“Hit it!”
I wheeled instinctively, catching a glimpse of the small cardboard box that Pappy had tossed in the air. The pistols seemed to jump in my hands. The right one roared. Then the left one crowded on top of it. The cartridge box jerked crazily in the air, then fluttered in pieces to the ground.
I stood panting as the last piece of ragged cardboard hitthe earth. I could feel myself grinning. I thought, Ray Novak and his two bullets in a tin can! I wondered what Ray Novak would say to shooting like this. I was pleased with myself, and I expected Pappy to be pleased with the job of teaching he had done. But when I turned, he was frowning.
“Take that silly grin off your face,” he said roughly. “Sure you can shoot, but there's nothing so damned wonderful about that. I could teach the dumbest state policeman in Texas to shoot the same way, if I had the time. You just learn faster than others, that's all.”
I didn't know what was wrong with him. He had worked from sunup to sundown for two days teaching me to shoot, and now that I had finally caught the knack of it, it made him mad.
Then his face softened a little and he looked at me soberly. “Now don't get your back up, son. I'm just trying to tell you that knowing how to shoot and draw isn't enough. Boothills are full of men who could outdraw and outshoot both of us. Shooting a man who's as good as you are, and shooting a pasteboard box, are two different things. Look....”
He drew his pistols and held them out to me butts first.
“What do you want me to do?” I asked.
“Is this the way you'd disarm a man? Make him hand over his pistols butts first?”
“Sure,” I said.
“Then take them.”
I reached for them. The pistols whirled almost too fast to see, with no warning, no twist of the hand. With his fingers in the trigger guards, Pappy had flipped the pistols over, forward, cocking the hammers as they went around. In a split second—as long as it takes a man to die—he had whirled the .44's all the way around, cocked them, and snapped, with both muzzles against my chest.
The pistols were empty. Pappy had seen to that beforehand. If they had been loaded I would have died without ever knowing how. My mouth had suddenly gone dry. I swallowed to get my stomach out of my throat.
Pappy holstered one pistol and casually began to load the other. “I said it once before,” he said. “When it comes to guns, a man is never good enough. Now get your blanket roll together. We've stayed in one place too long already.”
That night it rained, but we moved anyway, because Pappy said we had already used more luck than Indian Territory allowed. That night it caught up with us.
First, we almost rode into a detail of cavalry and, later, a hunting party of Cheyennes that had strayed off the reservation. We pulled up in a thicket of scrub oak and waited for the Indians to pass. I looked at Pappy and his face was just a blur in the rain and darkness, and I swore at myself for not bringing a slicker when I left John's City.
Pappy said, “I don't like it. With Indians off the reservation, there's bound to be cavalry all over this part of the Territory. Two stray riders wouldn't have much of a chance getting to Kansas.”
I said, “The cattle trail can't be far from here. We can move in that direction, and if the cavalry sees us we can tell them we're drovers, looking for strays.”
Pappy gave a sudden shrug. He didn't think much of the idea, but, with cavalry and Indians on the other side of us, there wasn't anything else to do. Pappy didn't mention Buck Creyton, and neither did I. After the Indians had passed on in the darkness, behind a slanting gray sheet of rain, we began moving to the west.
I think I smelled coffee even before I heard the nervous bawling of the cattle. Steaming, soothing coffee to warm a man's insides, and Pappy and I both needed it. We pulled up on a rise and looked down at the flatland below that some outfit was using for bedground. A herd of what seemed to be a thousand or more cattle was milling restlessly, and above the beat of the rain we could hear the night watch crooning profanely.
But the thing that caught our attention was the coffee. We could see a fire going under a slant of canvas that we took to be the chuck wagon, and that was where the smell was coming from.
Pappy looked at me. “You ever see that outfit before?”
“I don't know. I can't see enough of it to tell.”
We were both thinking how good a hot cup of coffee would taste. We sat for a moment with rain in our face, rain plastering our clothing, rain running off our hats and slithering down our backs and filling our boots. Without a word, we started riding toward the fire.
As we circled the herd I heard one of the night herders croon, “Get on it there, you no-account sonofabitch,” to the tune of “The Girl I Left Behind Me.” There were three or four men standing under the canvas where the coffee smell was coming from. Pappy and I left our horses beside the chuck wagon and ducked in under the canvas sheet.
“Can you spare a couple of cups of that?” Pappy-said to the cook, nodding at the big tin coffee pot.
The cook, a grizzled old man half asleep, grunted and got two tin cups and poured. The other men looked at us curiously, probably wondering where the hell we came from and where we left our slickers. I took a swallow of the scalding coffee, and another man ducked in under the canvas, cursing and shaking water from his oilskin rain hat. He looked at me and said:
“Well, I'll be damned.”
For a minute, I stopped breathing. The man was Bat Steuber, the remuda man I had met back at Red River Station. We had run onto the same outfit that Buck Creyton was working for.